RR Auction: February 2013 Music Auction by RR Auction

FEBRUARY 21, 2013

EXCLUSIVE AUCTION FEATURING PERSONAL ITEMS FROM JOEYâ&#x20AC;&#x2122;S ESTATE LOTS 309-389

SOME BANDS INFLUENCED PUNK

JOEY RAMONE OWNED IT Joey Ramone, famed front man of the Ramones, was the real deal. And the personal property from his private estate are definitely the genuine article. Selected items to be presented by RR Auction include a stage-worn leather jacket and pants, a pair of his trademark shades, guitars, hand-written notes and song lyrics, as well as his personal vintage record and poster collections. Refer to our online catalog for a complete listing of items in this exclusive first-time offering. And make them your own.

Photo credit: Ian Dickson

Bob Eaton owner, acquisitions bob.eaton@rrauction.com Carla Eaton NH Auctioneer License #3029 Bill White lead authenticator bill.white@rrauction.com Mandy Eaton-Casey chief financial officer amanda.casey@rrauction.com Elizebeth Otto consignment manager elizebeth.otto@rrauction.com Bobby Livingston vice president, public relations bobby.livingston@rrauction.com Tricia Eaton auction production manager tricia.eaton@rrauction.com Mike Nelson senior catalog writer mike.nelson@rrauction.com Dan McCarthy catalog writer dan.mccarthy@rrauction.com Jessica Hinckley executive bidding assistant jessica.hinckley@rrauction.com Jon Siefken consignment director jon.siefken@RRAuction.com Erika Rosenfeld inventory processing, researcher erika.rosenfeld@rrauction.com Bobby Eaton vice president of operations bobby.eaton@rrauction.com Adam Karr shipping supervisor shipping@rrauction.com Stacey Jordan customer service stacey.jordan@rrauction.com Sarina Carlo art director sarina.carlo@rrauction.com Annie Nichols junior art director annie.nichols@rrauction.com Linda Immerman acquisitions assistant linda.immerman@rrauction.com Robert S. Eaton Sr. 1940–2001

Bidding begins on FEBRUARY 14th. An intial bid must be placed on lots by 6pm Thursday, February 21. A one hour extended bidding period begins followed immediately by the 30 Minute Rule at 7pm. All times in RR Auction guidelines and instructions are stated according to the Eastern (U.S.) time zone.

Table of Contents Beatles ............................................................................... 7 Elvis Presley...................................................................... 59 Bob Dylan ........................................................................ 70 Jimi Hendrix ..................................................................... 74 The Rolling Stones .......................................................... 76 The Doors ......................................................................... 81 The Who............................................................................ 82 Led Zeppelin..................................................................... 84 Pink Floyd.......................................................................... 86 Michael Jackson .............................................................. 87 The Joey Ramone Collection ......................................... 92 The Ramones ..................................................................122 The Sex Pistols/ The Clash ............................................129 Jazz & Blues ....................................................................135 Great American Composers ..........................................143 Country ............................................................................149 The 1950’s........................................................................153 The 1960’s........................................................................159 The 1970’s........................................................................173 The Photography of Richard Creamer ��188 The 1980’s........................................................................196 Cover Photo Credit: David Godlis

GENERAL RR AUCTION INFO R&R Auction Company, LLC, d/b/a RRAuction Licensed auctioneer: Carla Eaton, NH license #3029

CONTACT INFORMATION

5 Rt 101A, Suite 5 • Amherst, NH 03031 Local/International: 1-603-732-4280 Local/Int’l fax: 1-603-732-4288 Website: www.RRAuction.com Email bidding: Bid@RRAuction.com

HOURS

Office hours are Mon-Fri, 9 a.m. -5 p.m. eastern standard time; hours on the last night of the auction are dictated by the 30 Minute Rule (see below). Any item in the auction can be viewed in our offices during normal business hours. Please call to set up an appointment.

RRAUCTION’S POLICIES EXTENDED BIDDING & THE 30 MINUTE RULE

The final day of bidding for all lots is Thursday, February 21. Any bidder may bid on any lot prior to 6 pm. At that time, the Extended Bidding goes into affect. If you have not bid on a lot before 6 pm, you may not bid on that lot after 6 pm. Only those bidders who have placed bids on a lot before 6 pm will be allowed to bid on that lot after 6 pm. Hence, if you are the only bidder on a lot at 6 pm, that lot is awarded to you. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm. All lots WITHOUT an opening bid at 6 pm will remain OPEN to ALL bidders until 7 pm or until they receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm, whichever comes first. For all lots that are active after 7 pm, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot. The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the auction closes individually based on bidding activity after 7 pm. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm. If you are the high bidder, raising your maximum bid will NOT reset the timer. RR Auction reserves the right to close the auction at any time at its sole discretion.

POSTPONEMENT

RR Auction may postpone the auction for a reasonable period of time as the result of any significant event (e.g., an Act of God, etc). In this unlikely event, bidders and consignors will be notified of the new closing date.

GUARANTEES

Each signed item is unconditionally guaranteed genuine without time limit. If a lot is declared to be not authentic, we may ask the purchaser to supply the written opinion of one competent authority acceptable to us. We will refund the original purchase price after documentation has been submitted. The buyer’s only remedy under this guarantee is the cancellation of the sale and the refund of the purchase price.

PAYMENTS Payment is due by Monday, March 4, 2013, unless prior arrangements have been made. Late payment may result in the suspension of your bidding privileges. Credit cards and PayPal are only accepted up to $5,000. Credit Card orders will be shipped first. Please send PayPal

payments to FinanceDepartment@rrauction. com. Overseas orders must be paid by credit card, paypal, or

wire. All checks, cashiers checks or money orders are payable to R&R Auction Company, LLC. Orders paid by cashier check, money order, wire, Pay Pal or credit card are shipped upon receipt.

Personal and business checks are also accepted and orders paid via this method on winnings over $500 will ship 7 business days after receipt. Returned checks are subject to a $25 fee. We recommend paying by cashier’s check, money order, or wire transfer. Wire Information: Account number: 003880291609 Company name: R & R Auction Company, LLC Routing/Transit (ABA) Number: 0260-0959-3 SWIFT Address: BOFAUS3N Bank Address: Bank of America 500 Amherst Street Nashua, NH 03063

TERMS OF SALE A buyer’s premium of 20% will be added to all winning bids. RR Auction prefers cash, check, or wire payments. For winning bids of $5,000 or less, clients may choose to pay via credit card or PayPal for an additional 2.5% convenience fee. You are obligated to honor any bid(s) you make, and you authorize us to charge your credit card for any unpaid winnings.

RETURNS Every item is cataloged with the intent of accuracy. Improperly described items must be returned within three days of receipt. Please call us before returning any items. A merchandise credit will be issued in the case of a subjective, unresolvable dispute over condition.

CONSIGNORS Consignors are not allowed to bid on or withdraw their own lots. We will contact all consignors via mail, fax, or e-mail with their tentative final results the day after the auction ends.

SELLER RR Auction reserves the right to: (a) remove any item, (b) reject any bid, and (c) ban anyone from participating in this auction for any reason. We reserve the right to the final decision in all matters regarding this auction.

RR AUCTION’S BIDDING INFO REGISTRATION Your bidder number remains the same from auction to auction, but you must register to bid in each auction, even if you have already participated in past auctions. During registration, we will confirm your name, shipping address, phone number, e-mail, and method of payment if you are successful. Please provide any address or payment changes, or any special shipping requests, before the close of the auction.

NEW BIDDERS Bidders without a number must apply for one before they can participate in the auction. Fill out a New Bidder Application form online at http://rrauction.com/new_register. com, or request a form by mail or fax. Your bidder number will be issued only after all information has been verified.

PLACING BIDS By participating in the auction, you are accepting these Terms and Conditions. You are agreeing to the

alternative of dispute resolution by arbitration. Arbitration replaces the right to go to court, including the right to a jury trial. If any dispute arises regarding payment, authenticity, grading, description, provenance, or any other matter pertaining to the auction, the bidder or a participant in the auction and/or RR Auction agree that the dispute shall go to binding arbitration in accordance with the commercial rules of the American Arbitration Association. A.A.A. arbitration shall be conducted under the provisions of the Federal Arbitration Act and in a locale mutually convenient to both parties. Where a locale cannot be agreed upon the determination shall be made by the independent ADR institution. Any claim made by a bidder must be presented within one (1) year or it is barred. The prevailing party may be awarded reasonable attorney’s fees and costs. An award granted in arbitration is enforceable in any court of competent jurisdiction.

MINIMUM BIDS Every item has a minimum bid (MB). No bids below this amount will be accepted.

MAXIMUM BIDS To maximize your chance of winning, we strongly encourage the use of maximum bids. For example, assume an item you want currently has a high bid of $100. Your bid would then be $110 (10% over $100), and you could tell us, “I’d like a maximum bid of $242 for that item.” We will enter your bid at $110, and we will then bid for you until the lot reaches your maximum of $242. If competitive bids only reach $148, you would win the item at $163—10% over the highest previous bid. To prevent tie bids, all maximum bids should be made in proper increments. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the underbidder’s bid.

BID INCREMENTS Bids on an item must raise the current high bid by at least 10%.

CHECKING BIDS You can open, monitor, and/or raise bids as often as you wish. However, all bidding is governed by the 30 Minute Rule and extended bidding. Extended bidding always goes into affect at 6 pm on the last day of the auction. At 7 pm, the extended bidding ends and the 30 Minute Rule goes into effect.

RESERVES Some lots may have a confidential reserve, below which the lot will not be sold.

CALLBACKS RRAuction offers a callback service on auction night for any bidder who has the high bid on an item whose current bid is over $1,000 and who has placed a maximum bid. At your request, we will call you if your maximum bid is topped. We will need your correct telephone number(s) where you can be reached until the auction closes. Callbacks begin after 6 pm on auction night. You must request this service; it is not automatic. We make every effort to ensure that bidders who request a callback are contacted if outbid; however, we do not guarantee this service.

WITHDRAWING BIDS You are obligated to honor any bid(s) you make, and no bids may be withdrawn at any time. There are no exceptions; failure to comply will terminate all future bidding.

AFTER THE AUCTION WINNER NOTIFICATION We will notify all winners by email, phone, or fax by 5:00 p.m. on Friday, February 22. Auction results are available at rrauction.com.

SHIPPING All orders are now shipped FedEx and we must have your street address on file. At our discretion, some orders of high value may be sent via overnight or two-day service. Insurance is added to each invoice, with a minimum of $2 for the first $200 of value and 55¢ per $100 of value over $200. Oversized orders will have additional postage added to their invoices. Within the United States, rates for shipping and handling only are:

$ 0 - $ 10 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ 10 $ 101 – $ 5 0 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ 1 5 $ 5 01 – $ 1 , 0 0 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ 2 0 $ 1 , 0 01 – $ 3 , 0 0 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ 3 5 $ 3 , 0 01 – $ 10 , 0 0 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ 4 5 O v e r $ 10 , 0 0 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ 10 0

TERMINOLOGY

INTERNET LOG-IN INSTRUCTIONS

CONDITION

Access our online catalog at www.RRAuction.com and register to become a bidder. We offer the most interactive online auction in the collectibles field. After you have completed the registration form, you will have access to:

Each item in the catalog is described with a statement indicating its overall condition. The condition of the items we offer generally falls into the following range: good—very good—fine—very fine. Treated as a scale of 1 to 4, good describes an item that has as many as several flaws, which are described in detail; very fine describes an item whose condition and appearance may be regarded as flawless and superior in every respect. Most of the items we offer are in fine condition, meaning that there are no serious flaws. While we make every effort to describe flaws that materially affect appearance and value, we generally do not specify minor or routine flaws, such as (but not limited to) pencil or secretarial notations, mailing folds to letters, normal aging to paper, or tiny bends or creases from normal handling. We encourage prospective bidders to examine the image(s) of each item closely and to contact us with specific inquiries regarding condition.

GROUP LOTS In descriptions of group lots of two or more items, every effort is made to mention any obvious flaws. Bidders should note that condition for group lots is given as a general statement or range, and that specific flaws to single items within the group may be omitted in the interest of catalog space. Questions about group lots, or specific items within a group lot, should be addressed before the close of the auction to Tricia Eaton (tricia@rrauction.com).

MATTED & FRAMED Many of the items offered for sale in our monthly auctions are described as matted and/or framed. We do not remove items from frames; the given dimensions of items housed in a frame and/ or mat indicate sight size only. Photographs and other ephemera used with matted and framed items are not subject to description and condition statements, nor are they considered a reason for return. Condition refers only to the item and not the mat or frame. Our terms of return apply only to the item and not the matting and framing. Any item that is removed from the frame cannot be returned. Returns are only accepted when there is an authenticity question or the description of the item is incorrect.

ALS  — Autograph Letter Signed (a letter entirely handwritten and signed by the given personality)

AQS — Autograph Quotation Signed ANS — Autograph Note Signed (a short ALS) LS — Letter Signed (a letter in a secretary’s hand, but signed by the given personality)

SP — Signed Photo

• Real-time online bidding • Tracking of lots/consignments All auction and bidding regulations stated in the Terms and Conditions in the front of the catalog apply to online bidding.

OBTAINING A BIDDER NUMBER & PASSWORD Before you can bid on the internet, you need to obtain a bidder number and password. If you do not have a bidder number, just follow these few easy steps: 1. Go to www.RRAuction.com and click on the NEW BIDDER REGISTRATION button located under the log-in box.

Having trouble registering to bid online? Please give us a call at (603) 732-4280 or e-mail us at Stacey.Jordan@RRAuction.com

2. You will then be sent to a registration page, on which you will enter your personal information. The safety of your personal information is ensured by top-of-the-line online security. RRAuction does not share your information. Please make sure to give accurate information so we can contact you with your bidder number. If you already get the catalog, your bidder number is located on the label on the envelope. Call or e-mail us for your password. 3. Your application will be proccessed within 24 to 48 hours (excluding non-business hours) as long as all information is received. You will be contacted with a bidder number and password.

DS — Document Signed FDC — First Day Cover INSCRIBED  — “Personalized” Book Grading Fine (F) - unused, no damage Near Fine (NF) - one or two very minor flaws Very Good (VG) - some signs of wear, but overall sound Good (G) - well-worn but complete Poor (P) - heavily worn, sufficient as a “Reading Copy” All defects will be noted. For complete book grading guide, please check online.

CHANGING/ FORGOTTEN PASSWORDS After you have performed the steps above, you will be able to log in to your account and change your password. If you have forgotten your password, enter your bidder number, then click the FORGOTTEN PASSWORD button. We will automatically send your password to your e-mail address on file. If you have any problems changing your password, call or send an e-mail to Tricia@RRAuction.com.

THE RR AUCTION TEAM OF AUTHENTICATORS & CONSULTANTS BOB EATON AND BILL WHITE, RR AUCTION

AUCTION

After 30 years in business, during which time well over 1,000,000 signed items have crossed their paths, no one has had more daily exposure to autographs than Bob Eaton and Bill White. To date, RR Auction has published more than 370 consecutive monthly catalogs. Several award-winning, in-depth published studies have earned Bill a reputation as a trusted authenticator. Bob, a PSA/DNA authenticator, is well established as one of the foremost authenticators in the autograph industry.

Certificates of Authenticity

are complimentary with every lot sold.

RR Auction is committed to offering authentic autographs. This commitment is the foundation on which RR has built its reputation as a responsible, respectable auctioneer. Backing our commitment to authenticity, we are proud to offer a 100% Lifetime Money Back Guarantee on every signed item we sell. The Certificate of Authenticity that accompanies every signed item is good for the life of the piece regardless of owner. While RR Auction is exclusively responsible for its guarantee, we are proud to work with a group of industry experts providing authentication services for autographed collectibles.

PSA/DNA PSA/DNA is the world’s leading third party autograph authentication company. Using state of the art technology, PSA/DNA created a security system to prevent counterfeiting, forgery and piracy. As the most respected service in the industry, PSA/DNA’s years of expertise and knowledge have established an impeccable reputation for providing professional, unbiased, expert opinions.

ROGER EPPERSON SIGNED, SEALED, AND DELIVERED/REAL Roger has an extensive background as a full-time dealer in autographs and collectibles, and is a trusted authenticator in all areas of contemporary music. When supported by the REAL logo and Roger’s name, music-related autographs assume an added value.

Letters of Authenticity are available on certain lots. Priced from $25 to $200*

Letters of Authenticity are available on certain lots. Priced from $30 to $150*

FRANK CAIAZZO beatles autographs

Frank is the world’s leading authority on Beatles signed and handwritten material. Since he began his study in 1986, he has amassed the largest file of signed examples on the planet. Through decades of focused and diligent research, he has acquired great skill in identifying authentic Beatles autographs, and also has gained the insight necessary to accurately approximate the era in which they were signed.

RICH CONSOLA Rich has studied Elvis Presley’s handwriting and signature for nearly 20 years, which has placed him in the forefront of Presley authenticators worldwide.

* For more information on Letters of Authenticity contact Stacey by phone at (603) 732-4280 or by email at Stacey.Jordan@RRAuction.com

WARDROBE. PROPS. AWARDS. AUTOGRAPHS. NEXT AUCTION OF THE STARS IS SLATED FOR

SPRING 2013

CUE THE CONSIGNMENTs RR AUCTION IS SEEKING BOFFO MOVIE MEMORABILIA WITH MEGASTAR APPEAL. Our talent scouts will review and appraise your submissions free of charge. Contact Bob Eaton (Bob@RRAuction.com). You could land top billing in our next action-packed Hollywood production.

BEATLES

Very rare oversized color portrait signed for a Hong Kong DJ 1. Beatles. Color vintage 19.75 x 13 two-page gatefold magazine photo, signed in black ballpoint by Paul McCartney, George Harrison, and Ringo Starr and in blue ballpoint by John Lennon. A central vertical fold, moderate to heavy contrast to Starr’s signature, moderate contrast to last potion of Lennon’s signature and scattered bends and creases, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. Signatures were obtained by Hong Kong based DJ ‘Uncle’ Ray Cordeiro. Cordeiro interviewed the band three times in 1964, twice in London and once in Hong Kong. Prior to one of the interviews in London, he stopped off at a newspaper stand, purchased the copy of Fabulous and showed it to the group during the interview. According to Cordeiro, McCartney asked if he could take a look at the magazine as he hadn’t seen it yet. He then asked Paul to autograph it for him. McCartney autographed the first page and then carried on flicking through the magazine and he signed every photo that he saw of himself. John, George and Ringo noticed what Paul was doing so when they were asked to sign as well they followed suit. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

BEATLES

Scarce fully-signed photo from their 1963 Big Night Out performance 2. Beatles. Vintage glossy 7.5 x 5.75 ‘Star Pics’ series deckle-edge group photo, signed in blue ballpoint, “John Lennon,” “Paul McCartney,” “George Harrison,” and “Ringo Starr xxx.” Collector’s notation to reverse reads, “1st September 1963, Big Night Out, Manchester.” In very good condition, with scattered creases and soiling to the top (lightly affecting Lennon’s signature), and some slight skipping to ink. On September 1 at Didsbury Studio Centre in Manchester, the Beatles mimed performances of ‘From Me To You,’ ‘She Loves You,’ and ‘Twist And Shout,’ in front of a 600 person audience. The performance was broadcast later that week on ABC Television’s Big Night Out. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $1000)

8 BEATLES

Very rare signed color photo of the Fab Four 3. Beatles.

Magnificent and rare color vintage 8.75 x 11.75 composite magazine photo, most likely from early 1963, featuring close-up images of each of the Fab Four, signed in blue ballpoint on their images by Paul McCartney, John Lennon, Ringo Starr, and George Harrison. Small blocks of toning from tape remnants to each corner tip, mild surface impressions of signatures of Lennon, Starr, and Harrison (presumably from having signed another page in the magazine), some light surface creases, and just a bit of light contrast to Harrisonâ&#x20AC;&#x2122;s signature, otherwise fine condition. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo. Only a handful of signed color photos of the Beatles are known to exist, making this an item of the utmost rarity. Pre-certified Roger Epperson/REAL and RR Auction COA.â&#x20AC;Ś(MB $1000)

BEATLES

Super early 1962 Beatles fan club photo received by club member #682 4. Beatles. Rare and very early

Beatles Fan Club promotional photo, 5.25 x 3.5, signed on the reverse in green ballpoint, “Paul McCartney,” in black ballpoint, “John Lennon,” and “George Harrison,” and in blue ballpoint, “Ringo Starr.” In very good condition, with mild overall spotting to reverse, not affecting the boldness or clarity of the signatures, a few creases to reverse; and scattered creases, soiling, surface impressions and light silvering to image side. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, who states “The signatures date from late 1962, and these are excellent representative examples from this period”; as well as letters of authenticity from noted Beatles expert Perry Cox, and Tracks. Also accompanied by a 2012 letter of provenance from the original recipient who received the photo after becoming a member of the band’s fan club. In November of 1962, the band recorded ‘Please Please Me,’ and finished another stay in Hamburg. It was at this time the band’s manager, Brian Epstein, polished the band and prepared them for super-stardom. A particularly early and well-preserved example with outstanding provenance and support. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

Ringo humorously defaces an early promo photo of the band with Pete Best 5. Beatles. Very early vintage 5.25 x 3.5 promotional card photo of the Beatles with Pete Best, signed on the reverse in blue ballpoint, “Paul McCartney,” “Ringo Starr,” and “John Lennon,” and signed in black fountain pen “George Harrison.” Starr has also doodled a small moustache on Best on the image side. In very good condition, with scattered toning and soiling to signature side, light surface loss along bottom, and old tape toning and surface loss along top edge, slightly affecting beginning of McCartney’s signature. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

10 BEATLES

Incredibly scarce magazine cover from the Fab Four’s historic 1964 American invasion—one of only two signed covers known to exist! 6. Beatles. Vintage magazine cover from the February 24, 1964, issue of Newsweek, 8.5 x 11.25, featuring an artist’s rendition of the Fab Four, signed in black ballpoint, “George Harrison,” “Paul McCartney,” “John Lennon,” and “Ringo Starr.” Cover is affixed to an identical size piece of heavy cardstock. Moderate contrast to Harrison’s last name, scattered toning and staining from adhesive on reverse, as well as some moderate overall wrinkling, several noticeable creases, and missing lower left corner tip, otherwise very good condition. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, stating the signatures date from February/March of 1964. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

Original Parlophone red label copy of the Beatles’ first single, signed one day after its release 7. Beatles. Very rare Parlophone red label copy of the Beatles’ first single release of ‘Love Me Do/P.S. I Love You,’ signed on the ‘B’ side in black ballpoint, “John Lennon xxx,” “Paul McCartney xxx,” “Ringo Starr xxx,” and “George Harrison xxx.” The disc is housed in its original sleeve. In fine condition, with some light contrast to small portions of three of the signatures against printing on the label. Record rates very good minus condition. Originally released in the UK on October 5th, 1962, the Beatles’ first single, ‘Love Me Do,’ peaked at number seventeen on the British charts (it was a number one hit in the United States two years later). Just beginning their rise to stardom, the band promoted the record with local signings, as well as their television debut on the regional news program People and Places later that month. These autographs, on the incredibly rare initial Parlophone pressing of the single, were obtained at Dawson’s Music Shop in Widnes, England on October 6, 1962, one day after the record’s release. A spectacular piece of Beatles history, marking the beginning of their incredible journey with the hit that found its place on the charts fifty years ago this month. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

BEATLES

Original Parlophone red label copy of the Beatles’ second single, presented to an early arriving fan at the Cavern Club, with an extra Paul and George signature 8. Beatles. Very rare first pressing Parlophone red label copy of the Beatles’ ‘Please Please Me/Ask Me Why’ in its original sleeve, signed

on the B-side in black ballpoint by John Lennon, Paul McCartney, George Harrison, and Ringo Starr, and also signed on the A-side in black ballpoint by McCartney and Harrison. Accompanied by a letter of provenance from the original recipient which reads, in part: “The Beatles were going to play a lunch time session at the Cavern just after the release of Please Please Me. Some fans started queuing the night before, I went to the Cavern to see them and was lucky to be one of the first ten in the queue. The first ten were all given a signed copy of the record.” Portions of Lennon’s signature very light and partially legible against printing on the label, otherwise fine condition. Record rates in good condition. Accompanied by a certificate of authenticity from Tracks. The single was released on January 11, 1963. The band also held a signing session at the NEMS record shop in Liverpool on January 24, 1963, which is quite possibly where the record was signed. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $2500)

12 BEATLES

Band-signed 1964 number one EP The Beatles Hits 9. Beatles. A copy of The Beatles second 45 rpm EP release of The Beatles Hits, signed on the back of the sleeve in blue ballpoint by John

Lennon, Paul McCartney, George Harrison, and Ringo Starr. The signatures were obtained in London circa late 1963/early 1964. The EP was released on September 6, 1963, and features four tracks ‘From Me to You,’ ‘Thank You Girl,’ ‘Please Please Me,’ and ‘Love Me Do.’ After its release the EP climbed to number one in the Record Retailer EP charts, Accompanied by a letter of provenance from the original recipient which reads, in part: “I had a friend named Gillian who was working at the BBC. She had some responsibility for the recording of music…It would be about 1964…The Beatles were at the Broadcasting House though it might have been at Abbey Road. Anyway Gillian obtained the autographs as the fab four emerged from the engagement.” Scattered creases, one passing through a portion of Lennon’s signature, scattered toning and soiling, and a tear, creases, and album impression to front of sleeve, otherwise very good condition. Accompanied by a certificate of authenticity from Tracks. Over the past five years it has become extremely difficult to find full sets of Beatles autographs on any of the group’s releases making this an incredibly rare and desirable item. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $2500)

BEATLES

The band, with fill-in drummer Jimmy Nicol, all sign Please Please Me in Amsterdam 10. Beatles and Jimmie Nicol. Please Please Me album signed on the front cover in blue felt tip by John Lennon, Paul McCartney, George Harrison, and Jimmie Nicol. In good condition, with all signatures fairly light due to irregular ink adhesion, but still mostly legible, with the exception of Harrison’s last name, scattered creases, front cover peeling from cardboard backing, partial separation to bottom edge, paper loss and damp staining to back cover, as well as ink notations, and old tape. The record is included. Accompanied by a certificate of authenticity from Tracks. Signatures were acquired in Amsterdam on June 5, 1964. Nicol replaced Ringo Starr from June 3–15, 1964, at the start of the Beatles’ World Tour, while Ringo was suffering from tonsillitis and pharyngitis. An extremely rare piece, as Nicol was with the Beatles for slightly more than a week. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

Extraordinarily rare signed ticket from the band’s 1963 show at the Stowe School

11. Beatles. Very rare Beatles concert ticket, 3.75 x 2.5, from their April 4, 1963, concert at the Stowe School. Signed on the reverse in black ballpoint by George Harrison, Paul McCartney, John Lennon, and Ringo Starr. In very good condition, with scattered creases passing through signatures, light edge wear, mild toning, and a small tear to right edge. Accompanied by a certificate of authenticity from Tracks. The late afternoon live engagement at the all boys school in Stowe was probably one of the groups most unusual yet. The concert was booked as a direct result of a young Liverpudlian boy named David Moores writing to Brian Epstein in January 1963 asking for the group to come to the school. Epstein agreed and on April 4, The Beatles played at the school for a fee of £100. They had travelled from London’s BBC studios for the 5:30 pm concert which took place in the Roxburgh Hall in front of a polite and quite audience of boys. Famed Beatles photographer Dezo Hoffman took a number of photographs on the day which show the group mingling with the students and also performing. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

14 BEATLES

‘Fab Four’ signatures obtained at the band’s first ever show at the Majestic Ballroom in 1963

12. Beatles. Portion of a John Players Special cigarette packet, approximately 4.5 x 3, signed on the inside in ballpoint and fountain pen, “Paul McCartney xxx,” “John Lennon xx,” “Ringo Starr xxx,” and “George Harrison xxx.” Signatures were acquired on January 28, 1963, at the Majestic Ballroom, Newcastle-upon-Tyne, England. In very good to fine condition, with manufacturer’s folds, a few creases through portions of McCartney’s signature, a mild shade of overall toning, and old tape toning to top and bottom edge. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

The Fab Four step out for coffee in late 1962 13. Beatles. Original menu from the Fresco Coffee Bar on Cecil Street in Carlisle, measuring 12.5 x 8 opened, signed on the back cover in blue fountain pen, “Beatles, Paul McCartney xxx,” “George Harrison,” and “John Lennon,” and signed in blue ballpoint, “Ringo Starr xxx.” Program is also signed in ink and pencil by a member of the Kestrels; Irish comedian Dave Allen, and Kenny Lynch, the first artist to record a cover version of a Beatles song (’Misery’) and also one of the celebrities on the album cover of the Wings album Band on the Run. Menu is professionally matted with a color photo of the band, using all acid-free materials, to an overall size of 16 x 20.25, and can be easily removed if desired. In good to very good condition, with irregular adhesion to Lennon’s, McCartney’s, and Harrison’s signatures, resulting in a light and fuzzy appearance, a central horizontal fold, scattered creases and wrinkles, and some light toning and soiling. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo. Pre-certified Roger Epperson/REAL and RR Auction COA..…(MB $1000)

BEATLES

The Fab Four, with drummer Jimmie Nicol, sign for a stewardess while enroute to Hong Kong 14. Beatles and Jimmie Nicol. Color

vintage 5.25 x 3.25 postcard photo of a B. O. A. C. Rolls Royce 707 jetliner, nicely signed on the reverse in black ballpoint, “George Harrison,” “Paul McCartney,” and “John Lennon,” and signed and inscribed in blue ballpoint, “To Peter, Best wishes, Jimmie Nicol.” Signatures were obtained either on June 7 or 8, 1964, during a flight between London and Hong Kong when The Beatles were flying out for their tour of Hong Kong, Australia, and New Zealand. Accompanied by a letter of provenance stating the signatures were obtained by a stewardess on the flight and a certificate of authenticity from Tracks. In very good condition, with slight area of soiling over beginning of Lennon’s signature, mild toning, surface impressions and soiling to image side, and a few creases. Nicol replaced Ringo Starr from June 3–15, 1964, at the start of the Beatles’ World Tour, while Ringo was suffering from tonsillitis and pharyngitis. An extremely rare offering, as Nicol was with the Beatles for slightly more than a week. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $1000)

Paul and Ringo add their signatures to Lennon’s 1964 solo work 15. Beatles. Signed book:

In His Own Write. First edition. London: Jonathan Cape, 1964. Hardcover, 5.5 x 7, 78 pages. Signed and inscribed in black ballpoint on the first free end page, “To John Lennard from John Lennon,” and “Ringo Starr,” and “Paul McCartney.” In fine condition, with mild edge toning to signed page and both pastedowns, and scattered surface wear, dings, and impressions to covers. Lennon found many other avenues other than music to express his creativity. This specific literary effort—his first published work and the first solo effort of any of the Beatles—consisted of nonsensical, disjointed short stories and line drawings. It is quite uncommon to see other members of the Beatles signing any of the band member’s solo work. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $500)

16 BEATLES

Let It Be signed by Harrison, McCartney, and Starr, obtained in-person by Wehrmann 16. Beatles: McCartney, Harrison, and Starr.

Let It Be album signed in-person on the front cover in blue felt tip by Paul McCartney, George Harrison, and Ringo Starr, each signing over his image with his first name only. Lennon’s image also bears a light ‘signature’ in an unknown hand. Scattered rubbing wear, dings to the corners, and some rippling to back cover from moisture exposure, otherwise fine condition. The record is not included. McCartney, Harrison, and Starr signatures all originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

Paul and John stop on the street to sign a fan’s sketches, with Lennon adding one of his own 17. John Lennon and Paul McCartney. Two original

sketches of John Lennon and Paul McCartney, both done by an admirer, on individual offwhite 9 x 12 sheets of sketch paper. A pencil sketch of Lennon sporting long hair and his trademark round glasses, signed in-person vertically in blue ballpoint, “John Lennon,” adding a quick self-caricature under his signature; the other a pencil and ink sketch of a bearded McCartney, signed inperson in black ballpoint. Both sketches are also signed by the artist, who has added the name of each subject as well and each signature was obtained in-person in NYC. Lennon’s signature was obtained at the “Carlyle Hotel, Sgt. Pepper Premiere Night, 11-17-74” and so noted on the reverse. Interestingly, the in-person autograph collector noted that Lennon said “you sketched me, I’ll sketch for you.” The McCartney was obtained “11-23-74, Stanhope Hotel” in NYC. In fine condition, with some scattered light toning and soiling. Accompanied by a color candid of McCartney taken at the time of signing, and a color candid of Lennon taken on April 8, 1975. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

BEATLES

Amidst reunion rumors in 1975-76, Lennon and McCartney sign a huge Maclen Music check to John 18. John Lennon and Paul McCartney. Maclen (Music) Ltd.

business check, 7.75 x 3.5, filled out in another hand and signed in green felt tip, “John Lennon,” and in blue ballpoint, “Paul McCartney,” payable to John Lennon for £96,154.0.0, September 1, 1975. In fine condition, with a bank stamp to the center, trivial ding to top edge, and a few creases. Having split up in 1970, the world’s most popular song writing duo was rumored to be planning a collaboration in early 1975. The proposed visit was to take place in New Orleans, where McCartney was working on Wings’ Venus and Mars album. Lennon was still on his ‘lost weekend’ with May Pang. Unfortunately, Lennon had to postpone the trip and the reunion never took place. A fantastic post-breakup example from the legendary song writing duo. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $500)

Warmly inscribed Imagine poster to a friend and fellow activist

19. John Lennon and Yoko Ono. Original poster included in Lennon’s Imagine album, 22 x 31, signed and inscribed to comedian and activist Dick Gregory by Lennon, “To Dick & Lill and all the Gregories! Love from John &,” to which Ono has added, “Yoko.” Lennon has also drawn his famous self-portrait caricature below the signatures. Expected intersecting folds, some light surface marks to the upper right, two tack holes to the upper border, four central tack holes, and a small piece of tape to the lower border, otherwise fine condition. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo. Gregory was a longtime friend of Lennon who credited himself as a backing vocalist on ‘Give Peace a Chance.’ He was an avid vegetarian, and Lennon, wishing to get off opiates and alcohol, asked Gregory to devise a special diet for the purpose. An excellent association piece between socially conscious entertainers. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $500) 18 BEATLES

Lennon signature obtained in Amsterdam in 1964 while on the road with Jimmie Nicol 20. John Lennon. Vintage color 5.75 x 4 Dutch postcard of the Beatles, signed on the reverse in black ballpoint, “John Lennon.” Signature was acquired on June 6, 1964, in Amsterdam, Holland, where the band, with stand in drummer Jimmie Nicol, were staying at the Doelen Hotel. Mild toning and soiling to reverse and some light corner tip creases, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $500)

Lennon signs a color Rolling Stone image with his less-than-favorable Rock ‘n’ Roll review 21. John Lennon. Color 5.5 x 8 Rolling Stone magazine photo,

contained in an 11.5 x 14.5 page from the magazine, dated May 22, 1975, and also bearing Jon Landau’s review of Lennon’s Rock ‘n’ Roll album, signed in blue ballpoint. An old central vertical fold through image and one letter of signature, a horizontal fold through bottom portion of image, and several other folds and uniform toning to page, otherwise fine condition. An unusually large and desirable color image. Landau’s review of the album was not very positive, with Landau writing, “In paying tribute to his musical-childhood background, Lennon sounds like he’s forgotten he used to perform material like this seven nights a week…Lennon does nothing but interpret old rock…his album sounds like music in search of a climax that never comes.” Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

BEATLES

Lennon doodles a self-portrait with Yoko inside their 1969 Wedding Album cover 22. John Lennon. Wedding Album box set cover signed and inscribed on the reverse in black felt tip by John, “To George with love & thanks, from John (Lennon),” and Yoko, “Yoko Ono Lennon,” with John adding his famous caricature of the couple to the left. In very good condition, with light overall toning, separations to each corner, separations to a few sides of the box cover, a few chips and tears to edges, and paper loss to bottom and right borders. All flaws could easily be trimmed or matted out for pristine display. The record is not included. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in which he writes, “These signatures date from 1969.” Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

One-of-a-kind planter featuring a Lennon self-portrait, drawn in 1972 23. John Lennon. Unique 14-inch tall off-white planter, 14.5-inch diameter, signed and inscribed on the side in black felt tip, “Love to Al, John & Yoko, ’72 May,” along with one of Lennon’s great self-portrait doodles of him and Yoko. Below, Lennon has added a somewhat lionlike caricature, possibly of the original recipient. Scattered marks and soiling, remnants of potting soil to the inside, and some brushing to the sketch and signature, otherwise fine condition. A Sotheby’s label is also affixed to the top. Certainly one of the most atypical items we have offered from Lennon, dating to shortly after he released Imagine. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

20 BEATLES

Lengthy ‘to-do’ list from the stay-at-home Beatle

24. John Lennon. Scarce unsigned handwritten ‘to-do’ list, from his days as ‘house-husband’

at the Dakota Apartments in New York, circa late 1970s, on a lightly-lined light yellow 8.5 x 5.25 sheet. The 11-point list, to his assistant Fred Seaman, reads, in full: “F.S, (1) What was the result of taking Y’s spoiled blouse to the cleaners?, (2)Why not?, (3)Chicken, (4)Strawberries, [Peas] (5)Spinach, (6)Carrots (Better Nature has some good organic ones)*, (7)Apples (?) Blueberries:, (8)Try not to leave letters and mags in the office all day/ everyday., (9)Billy Graham (new book on him): [10] Get some nice white flowers and put on Y’s desk (in vase) from ‘Daddy + Sean’, (11) I (one) Yogurt (Plain).” On the reverse, Lennon has written “Fred” twice in capital letters. In fine condition, with a staple and staple hole to edges, a light central vertical fold, and a few scattered wrinkles and creases. Lennon’s role as a ‘house husband’ after the birth of his son Sean was a welcomed retreat from the grind that the music industry was taking on him. Seaman served as Lennon’s assistant from 1979–1980. Provenance: Bonhams, 2012. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $500)

Very scarce and erotic Lennon ‘Bag One’ litho 25. John Lennon. Limited edition 29 x 23 lithograph en-

titled ‘Menage a Trois,’ from the bag One series, numbered 198/300, signed in the lower right corner in pencil, “John Lennon.” In very good condition, with scattered areas of toning over most of the litho, scattered creases from having been previously rolled, and mild wrinkling. In 1969, as a wedding gift for Yoko, John drew the ‘Bag One Portfolio’—a chronicle of their wedding ceremony, honeymoon, and their plea for world peace in the Bed-In. The suite also contained several erotic sketches. “The Bag One” series was first published and exhibited in January 1970 at the London Art Gallery. On the second day the exhibition was closed by Scotland Yard and the erotic lithographs confiscated. The complete set of Bag One lithographs is on permanent display at the Museum of Modern Art in New York. Provenance: Bonhams, 2011. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

BEATLES

“Paul isn’t getting married” 26. George Harrison. ALS signed “George Harrison, xxx,” one onionskin

page, 6.75 x 6.75, Hotel George V letterhead, no date. Letter to an admirer, written in early 1964. In full: “Thanks for your letter—Paul isn’t getting married.” In very good to fine condition, with intersecting folds passing through the signature and moderate scattered creases. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, and a certificate of authenticity from Tracks. Rumors of marriage swirled around the Beatles from the start, and were always of great concern to the droves of their young female fans. At the time of this letter, Paul was dating Jane Asher, who he had met at Royal Albert Hall in 1963. There were constant rumors of an impending marriage, but it never happened—the couple became engaged, but Asher broke it off in 1968 due to McCartney’s womanizing tendencies. This letter was also most likely written around the time of the Beatles’ famous introduction to the US on the Ed Sullivan Show on February 9, 1964, during which a caption appeared under Lennon that read, “Sorry girls, he’s married.” Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

Charming letter from Paul to an early admirer, one month after releasing Please Please Me 27. Paul McCartney. TLS signed “Love, Paul McCartney, xxx,” one page, 8 x 10, 20 Forthlin Road, Allerton, Liverpool, postmarked Huyton, Liverpool, April 21, 1963. Letter to an admirer. In part: “Thanks for writing, it was great to hear from you. Our L. P. was released on 20th March, which is a long time after you wrote isn’t it? I’m sorry it’s been so long, but you’ll understand how busy we are. I’m afraid I’ve got no photos at present, but why not write to the fan club?” In very good condition, with intersecting folds, one horizontal fold touching the bottom of the signature, scattered creases and toning, staple holes to the upper left corner, and pinholes where folds intersect. Accompanied by the original mailing envelope. Provenance: Christie’s, 2003. The location Paul is writing from, 20 Forthlin Road, is where he lived with his brother before the Beatles rose to fame—in fact, the UK National Trust has deemed it the ‘birthplace of the Beatles,’ as it is where they wrote and rehearsed their earliest songs. The album Paul refers to in the letter is their very first, Please Please Me, which was released on March 22, 1963 in the UK. Since this is a “long time after” the admirer wrote, she must have been a fan from the Beatles’ days at the Cavern Club, where they achieved great local popularity and met Brian Epstein. Please Please Me topped the charts for 30 weeks only to be usurped by their next album, With the Beatles. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

22 BEATLES

28. George Harrison. Apple Films Ltd. business check, 8 x 4, filled out in another hand and signed by Beatles: Harrison, payable to Richard Vey for £147.0.0, March 5, 1970. Three vertical folds, one through a single letter of signature, a red cancellation mark through a single letter of signature, expected stamps, and two punch holes and a staple to top edge, otherwise fine condition. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

29. George Harrison.

Carbon DS, signed twice in ink by Harrison, one page both sides, 8.25 x 11.75, August 6, 1973. Agreement between Harrison and the backing group of Apple Records and Radio 1. The contract was drawn up for a BBC Radio 1 broadcast of a short series of exclusive pre-recorded tapes by Harrison on the series Radio One Club, in which they were broadcast daily between May 28–31, from 5:00 pm to 7:00 pm. Further pre-recorded Radio One Club tapes by Harrison were also played on the shows transmitted on June 18–21, June 25–28, and July 9. Signed on both sides by Harrison in black ballpoint, and also bearing an additional carbon signature. In fine condition, with a small rider stapled to front, expected folds, and a few light creases. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

30. George Harrison. Rare original album cover proof for Harrison’s 1987 release Cloud Nine, 28.25 x 16.5, signed on the front cover in blue felt tip, “George Harrison.” Framed to an overall size of 33 x 21. In fine condition. Cloud Nine was a comeback album of sorts for Harrison, who had taken a five-year hiatus from recording. It was also to be his last solo album released during his lifetime. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

BEATLES

McCartney acoustic guitar signed on the body 33. Paul McCartney.

Natural wood-finish six-string Harmony Sovereign acoustic guitar, signed on the body in black felt tip by McCartney. In fine condition, with some scattered light dings and marks to body. Instruments signed by any member of the Fab Four are highly desirable. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

35. Pa u l M c Ca rt n ey. Abbey Road album signed inperson on the front cover in black felt tip by McCartney. In fine condition, with a couple light dings to the spine and a trivial brush to the signature. The record is not included. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

36. Pa u l McCartney. Rub-

ber Soul album signed on the front cover in black felt tip. In fine condition, with a couple trivial creases and a surface impression along the left edge. The record is included. Consignor notes that this was acquired in person on August 19, 2009, at DFW International Airport after McCartney’s concert at Cowboys Stadium. Accompanied by a certificate of authenticity from Roger Epperson/REAL. RR Auction COA.…(MB $200)

37. Paul McCartney. Signed book: Paintings. First edition. Boston: Little, Brown and Company, 2000. Hardcover with dustjacket, 10.25 x 12.75, 146 pages. Signed on the half-title page in black ink by McCartney at the Arnolfini art gallery in Bristol. In fine, clean condition. Accompanied by the original Arnolfini gallery bag as well as two flyers from the gallery and a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

24 BEATLES

38. Paul McCartney. Lightly used Evans Genera GI 8˝ coated drumhead signed in black felt tip. Some scattered light surface marks and dings, as well as some light paper remnants to edges, otherwise fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

41 . Pa u l McCartney. Humorous 11 x 14 book photo of McCartney and John Lennon clowning around in the surf in Miami, signed in black felt tip by McCartney. In fine condition. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

39. Paul McCartney. Lovely white pearloid pickguard for a lefthanded Hofner-style bass, signed in blue felt tip. In fine condition. Accompanied by a full letter of authenticity from PSA/DNA. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

42. Paul McCartney.

Ticket to a pre-theatre cocktail party for Give My Regards to Broad Street hosted by 20th Century Fox and Columbia Records, October 25, 1984, 3.5 x 5.5, signed on the reverse in black felt tip by McCartney. In fine condition. Provenance: Bonham’s, 2011. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

40. Paul McCartney. Program from the Liverpool Sound concert,

11.75 x 11.75, held at Anfield Stadium on June 1, 2008. Signed in black felt tip on the out sleeve, which resembles an album sleeve, by McCartney. Sleeve is also signed by Paddy McGuiness, The Kaiser Chiefs, and The Zutons. In very good condition, with scattered creases to sleeve, a couple through McCartney’s signature, and a partial separation to one edge of sleeve. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

43. Paul M c Ca rt n e y. Large and bold felt tip signature on an off-white 7 x 3 slip. In fine condition, with small area of discoloration above signature. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

BEATLES

Rare “Paul J. McCartney” signature from the mid-1960s 44. Paul McCartney and Jane Asher. Vintage ballpoint signature and inscription “To Janice E. Berry from Paul J. McCartney, sincerely best wishes and hi!,” and also signed in blue ballpoint, “love, Jane Asher,” on an off-white 5 x 3.5 album page. In fine condition, with a couple minor creases. Accompanied by a certificate of authenticity from Tracks and a 2012 letter of provenance from the original recipient which reads, in part: “This is a genuine autograph of Paul McCartney and his then girlfriend Jane Asher…I’m not too sure of the date it was obtained but I think around 1966/1967. My mother worked for a catalogue company and one of her customers was Paul’s cousin…Paul visited this cousin quite often and was sometimes seen strolling along the promenade which was just down the road from his cousin’s. My mother arranged for mine and my brother’s autograph books to be left at the house. Paul and Jane were due to make a visit and they kindly signed the books personally addressing the autographs to me.” Asher and McCartney were a couple for five years after meeting at the Royal Albert Hall in 1963. A very scarce example of McCartney’s seldom-seen more formal signature. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

45. Paul and Linda McCartney. Vintage tour program photo of Paul and Linda taken from a 1975 Wings tour program, 7.75 x 9.75, signed in blue ballpoint, “Paul McCartney,” and “Love, Linda McCartney.” Signatures were acquired on November 5, 1975, when Wings performed at the Apollo Stadium in Adelaide. A few creases, slight discoloration along left edge, and mild handling wear, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

26 BEATLES

“Mr. Ed was not bigger than the Beatles” 46. Ringo Starr. Humorous Mister Ed Fan Club questionnaire, 8.5 x 11, filled

out by Ringo and signed at the conclusion, “O. K., Ringo.” Ringo answers the three posed questions, indicating that Paul McCartney was a Mr. Ed fan, Mr. Ed was not bigger than the Beatles, and that he would like to sing “A Four Legged Friende [sic]” with Mr. Ed. Two horizontal mailing folds, light scattered creases, staple holes to the upper left corner, and a small tear to the top, otherwise fine condition. A humorous and unique piece with a great association between icons of 1960s entertainment. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

47. Ringo Starr. Satin-finish 5 x 7 fulllength photo of Ringo giving a peace sign, signed in blue felt tip, “Love, Ringo.” In fine condition, with a few light bends and surface impressions and some light soiling to top border. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $100)

49. Ringo Starr. Set of wood Millennium II Pro-mark drumsticks,

one signed in black felt tip, “Ringo.” In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

50. Ringo Starr. Felt tip signature, “Ringo,” on a white 7.5 x 4 envelope. In fine condition. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $100)

Limited edition Starr-designed Timberlands 48. Ringo Starr.

A pair of limited edition Timberland Earthkeeper 6˝ leather and colorful fabric side zip boots, #28/75, one of 75 pairs signed by Starr for the Timberland WaterAid auction, signed on the side of the right-foot boot in silver ink, “Ringo.” Accompanied by a letter of authenticity from Timberland and their original box. In very fine condition. Examples of this uncommon and very limited item seldom appear for sale. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

BEATLES

51. Ringo Starr. Color limited edition 21 x 17 print entitled ‘New Too OK,’ numbered 25/100, signed in the lower border in green felt tip, “Ringo ’05.” In fine condition. An uncommon example from Ringo’s first release of artwork in 2005. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

52. Ringo Starr. Color limited edition 21 x 17 print entitled ‘Krazee 101,’ numbered 47/100, signed in the lower border in black felt tip, “Ringo ’05.” In fine condition. An uncommon example from Ringo’s first release of artwork in 2005. Pre-certified Roger Epperson/REAL and RR Auction COA .…(MB $200)

Oversized Sutcliffe study 53. Stuart Sutcliffe.

Original unsigned artwork, done in dark artist’s pencil on an off-white 15 x 21 sheet, circa 1961. Entitled ‘Hamburg Series,’ Monotype number 6, the image depicts densely packed geometrical shapes and intersecting lines. In fine condition. A much larger example than usually seen. Accompanied by a certificate of authenticity from Sutcliffe’s estate. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $300)

28 BEATLES

“I…have written to Allan William telling him I want an exhibition in Sept. of my new pictures… Now I’m having a short break before starting painting again” 54. Stuart Sutcliffe. A talented fellow student of John Lennon’s at the Liverpool College of Art, Stuart Sutcliffe (1940–1962) played the bass in the first incarnation of the Beatles. He chose his passion for painting above being a Beatle and left the group to devote himself to his art career; not long after, he died of a cerebral hemorrhage at the age of twenty-one. ALS signed “Your son (your young man) Stuart xxxx,” two pages both sides, 8.25 x 11.75, July 8. Letter to his mother, with Sutcliffe switching from blue to black ink during the process of writing, in full: “All’s well I hope. Have I forgotten to tell you that I’m here for a year, sorry. I know I’m thin but I hope to be fatter soon. Anyway could you please send me my blue suit and old grey shoes (for working in). Have a look through the pockets and take all little labels out and things. I got your letter today, and have written to Allan William telling him I want an exhibition in Sept. of my new pictures. I will be coming home then for a couple of weeks holiday. Hope you’re not too sad that you won’t be seeing us for so long time. But you have your compensation (I hope). I had a lovely letter from my father about a week ago, and have since replied to his American Address. I’ll write to him again soon. Now I’m having a short break before starting painting again. I shall also find a job for a few weeks to strengthen funds etc. I’m glad our letters are so well received, I hope things are swinging at home (not too literally) the television good and all that…perhaps Joyce and Pauline will get around to writing 1 day. Thanks for the cutting. All is beautiful here as always, and I’m settling down comfortably. I’m still nervous and excited this is why I can’t settle to write properly to you. I hope you forgive me, but lots of love to all and more to you than the others.” Accompanied by the original mailing envelope, addressed in Sutcliffe’s hand to “Mrs. M. C. Sutcliffe.” Envelope is also signed on the reverse by Sutcliffe’s girlfriend, Astrid Kirchherr,”Kiss from your Astrid.” In fine condition, with two horizontal folds, several small areas of brushing and ink smudges, not affecting legibility, and a few small creases. Accompanied by a certificate of authenticity from Sutcliffe’s estate. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

BEATLES

55. Stuart Sutcliffe. Original unsigned ink and wash sketch of several human figures in a windowed room on an off-white 4.25 x 7 sheet from one of Sutcliffe’s art school sketchbooks. In fine condition. Sutcliffe’s sketchbooks were submitted as an application for admission to the Royal College of Art, and were the property of the Sutcliffe estate, and sold at Bonham’s in July 2003. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

57. Stuart Sutcliffe. Original unsigned pencil and ink sketches on both sides of an off-white 4.5 x 7.5 lined page from one of Sutcliffe’s art school sketchbooks. On one side he draws several human images; the reverse has two running figures, one in ink and one in pencil. In fine condition. Sutcliffe’s sketchbooks were submitted as an application for admission to the Royal College of Art, and were the property of the Sutcliffe estate, sold at Bonham’s in July 2003. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

58. Stuart Sutcliffe. Manuscript

56. Stuart Sutcliffe. Original unsigned pencil and ink sketches on an off-white 4.5 x 7.5 lined page from one of Sutcliffe’s art school sketchbooks. On one side he draws two images of a balding man, one in ink and the other in pencil, as well as what looks like a closed eye with eyelashes; the reverse has a standing human figure with its arm outstretched. In fine condition. Sutcliffe’s sketchbooks were submitted as an application for admission to the Royal College of Art, and were the property of the Sutcliffe estate, sold at Bonham’s in July 2003. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

30 BEATLES

poem, unsigned, one lightly-lined page from one of his poetry notebooks, 4.5 x 7.25, no date. The untitled poem reads, in part: “It comes it goes, fades/But no excuse if offered/ For this myth which captures/Mankind under some garrish/ Spell, this knows what fruitless ventures.” Sutcliffe has also added a couple of small doodles to the top border. In fine condition, with a uniform shade of mild toning. Accompanied by a letter of provenance stating that the poetry book was originally property of the Sutcliffe estate until sold at a Bonham’s auction in July 2003. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Agonizing over the loss of her love, Astrid sketches Sutcliffe in angelic form and laments: “To day is sunday the 10 of june and my darling is two months away from me it seems like he is away for 50 years…I have just think before why i can’t go for stuart…why god or whom ever it is not hath take me! ” 59. Astrid Kirchherr. German artist and photographer known

for her images of the Beatles. Astrid first met the Beatles in the 1960s on their first visit to Hamburg, at the Kaiserkeller club. She immediately fell in love with their music and began to photograph the band. Kirchherr fell in love with band member Stuart Sutcliffe, who would later leave the Beatles to pursue an art career with Astrid. ALS signed “greeting and kisses from Astrid who loves you xxxx,” three pages, 8.25 x 11.75, no date, but postmarked June 11, 1962. A letter to Stuart Sutcliffe’s mother two months after his passing. In part (with grammar and spelling retained, and Kirchherr switching from green to blue ink during the letter): “To day is sunday the 10 of june and my darling is two months away from me it seems like he is away for 50 years…. today is a holy day tomorrow is well jesus have do something today i don’t know wat all the people go out with new shoes and things all happy and laughing the drive me crazy. I hate happy people because i am so unhappy….I have finde one other beautiful record i think you like it. Stuart and i have sing it always together…i have give this record to darling when he was still playing in the kaiser keller and i only know him a few days when i give this record to him. His little face was white and tears come in his eyes with happyness i could not speak one word english then, and klaus hath teach me wat the record means. One day later stuart hath give me a record love of my life and i was very very happy i play that record every day. Our love

hath always been sky love….I have just think before why i can’t go for stuart, why i would be so happy when hi would still live and i could look after him from the sky, why god or whom ever it is not hath take me! But then my darling would be unhappy and sad like me. Why hath god not say to me.” On the lower portion of the final page, Kirchherr has added six ink sketches, the most touching one being a full-length caricature of her playing a bass, captioned “me trying to play darling’s bass,” with another of Sutcliffe in angelic form, looking down on her from a cloud top, captioned, “B flat now darling! not G minor!—Stuart says.” Another sketch is of a highly decorated heart with “Astrid and Stuart love for ever,” written in the middle of it. Remaining sketches are of Kirchherr’s dog howling at the sky, captioned “lady can’t stand it!!,” and three individual flowers presented to other family members. Accompanied by the original mailing envelope, addressed in Kirchherr’s hand, signed on the reverse, “Astrid xxx.” In fine condition, with a central horizontal and vertical mailing fold, and a few light creases and wrinkles. A heart-wrenching piece of correspondence with Sutcliffe’s sudden passing still fresh in Kirchherr’s mind. Accompanied by a certificate of authenticity from Sutcliffe’s estate.Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

BEATLES

62. Pete Best. Glossy 10 x 8 photo of Best posing with the Beatles, signed in black felt tip, “Best wishes, Pete Best.” In fine condition, with a trivial vertical crease to top edge. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

60. Brian Epstein. DS, two pages, 8 x 10, September 25, 1964.

Contract between Selmur Productions and NEMS Enterprises for a performance by Cilla Black on the ABC Hollywood television program ‘Shindig,’ scheduled for a date “not later than November 25th.” Signed at the conclusion by Epstein. A ballpoint notation to the front page reads, “Agreement cancelled, Cilla Black was ill.” In fine condition, with a few light creases, original ballpoint notations, and a staple to the upper left. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

63. Pete Best. White short-sleeved T-shirt for The Cavern Club, signed on the front in black felt tip, “Pete Best.” In fine condition. Accompanied by a membership card to the Cavern Club, expiring December 31, 1963. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

64. Pete Best. Color 16.25 x 22.75 reproduction concert for a season at The Star Club, Hamburg, featuring The Beatles, signed in black felt tip. In fine condition, with central horizontal and vertical fold and a few creases. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

6 1. Brian Epstein. Mim-

eographed DS signed in black ballpoint, “Brian Epstein,” one page, 8.5 x 14, October 30, 1964. Standard AFTRA contract between Selmur Productions and NEMS Enterprises for a performance by Tommy Quickly on the ABC Hollywood television program ‘Shindig,’ scheduled for November 20, 1964. Signed at the conclusion by Epstein. Scattered overall creases with a heavier one to the top, otherwise fine condition. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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65. Klaus Voormann. Flyer for a 2000 Voormann exhibit entitled “Paintings from Hamburg Days,” 8.25 x 11.75, and featuring one of his images of the Beatles, signed in black felt tip by Voormann. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

66. George Martin. Satin-finish 8 x 10 photo of Martin with mem-

bers of the Beatles as they are awarded a silver disc, signed in black felt tip. In fine condition. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

69. Robert Whitaker. Exceptional 11.5 x 8.25 laser print photo of the Beatles, originally taken by Whitaker during the Revolver recording sessions, signed in the lower border in black ink, “Revolver 1966 Robert Whitaker.” In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

67. Yoko Ono. Color glossy 8 x 10 photo of Ono being embraced

70. Robert Whitaker. Color 8.25 x 11.5 laser print photo of the

68. Louise Harrison. Vintage glossy 4.25 x 6 photo of the band, with pre-printed signatures above their image, signed on the reverse in blue ballpoint, “Best Wishes From Louise Harrison Feb 25th 1967 George’s 24th Birthday.” In very good condition, with creases and surface impressions to image side, as well as some scattered light silvering. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

71. Robert Whitaker. Semi-glossy 11.75 x 8.25 laser print photo of the Beatles walking on to the infield of Shea Stadium, originally taken by Whitaker, signed vertically in black felt tip in the borders, “Shea Stadium 1965 Robert Whitaker.” In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

by a nude John Lennon, signed in black felt tip, “Love, Yoko, ’11.” In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

Beatles in their butcher jackets, originally taken by Whitaker during the Yesterday and Today (Butcher Cover) photo shoot, signed in black ink “Vale Studios 1966, Robert Whitaker.” In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

BEATLES

Rare five-foot high Abbey Road in-store display, one of only a half-dozen known to have survived 72. Beatles. Original color three-part 1969 Beatles Abbey Road in-store promotional floor display, standing almost five feet high. In very good condition, with horizontal creasing to each figure, some other small creases to background, and expected light overall age wear. The most impressive and imposing of the various Abbey Road promotional items is this cardboard record store floor display that held up to two dozen copies of the Apple Records album. The oversized 22 x 22 die-cut album is affixed to a cardboard pole from behind that fits into the back of the record bin. Exceedingly rare, no more than a half-dozen of these displays are known to have survived the 42 years since its original release on October 1, 1969. The Beatles final studio masterpiece was ranked #14 on the Rolling Stone Magazine list of the ‘500 Greatest Albums of All-Time’ and, in 2009, was voted by readers as The Beatles’ finest album. Due to the fragility of this promotional display, as is the case with other similar, over-sized and multi-part displays of the era, they were usually discarded by record outlets because of their size. The few that survived were usually the result of being rescued by fans. Finding them today, especially in good condition is quite uncommon. RRAuction COA.…(MB $1000)

73. Beatles. Unassembled

Beatles CD record store display from 1992. The two-piece display features a 30˝ high base with a 25˝ upper section which features a die-cut image of the band from their Meet the Beatles album cover. In fine condition.RR Auction COA.… (MB $200)

34 BEATLES

Rare fully-functional Yellow Submarine in-store motorized display 74. Beatles.

Original Beatles Yellow Submarine in-store promotional motorized display. The psychedelic colored display measures approximately 4.5 feet tall and is in very good condition, with expected age wear, some light wear to edges, toning and light soiling to lighter panels, corner bumps, and a few trivial holes to stand. Quite an eye-catching, and, of course, very rare item, this motorized display promotes The Beatles’ January 1969 album release of the soundtrack to their animated feature film, Yellow Submarine. Powered by a battery-operated motor, the Capitol/Apple Records cardboard display features The Beatles in black light enabled printing. The submarine at the top rotates, thereby attracting customers to select a copy of the album from the bin that holds a generous supply of albums. A sturdy cardboard pole extends from the rotating yellow submarine into the cardboard base. Due to the fragility of this promotional display, as is the case with other similar oversized and multi-part displays of the era, they were usually discarded by record outlets because of their size. The few that survived were generally the result of being rescued by fans. Finding them today, intact and in working condition is quite uncommon. RRAuction COA.…(MB $1000)

Three-dimensional White Album hanging display 75. Beatles. An original 1968 UK threedimensional display which was used to promote The Beatles White Album. Square hanging display has a large color image of one of the band members on each side, with each panel measuring 8.5 x 11. The displays were hung in UK record stores at the time of the records’ release. In fine condition, with scattered light foxing and small separations to the top of each edge for the purpose of hanging. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $300)

BEATLES

One of the finest surviving working HELP! motorized displays, complete with its original shipping box 76. Beatles. Very rare 1965 Beatles HELP! in-store promotional motorized motion display with its original shipping box. The working display measures 17.25 x 17.25 x 17.25. In fine condition, with a bit of light rubbing to top and sides, some small edge tears and toning to the LP slicks affixed to the front and back sides. The original shipping box is in very good condition. The Beatles’ second full-length feature motion picture Help! premiered in the USA on August 11, 1965. The soundtrack album, released two days after the film’s premiere, quickly went to #1 on the Billboard Album chart, a position it held for nine weeks on the way to eventually selling three million copies. Capitol Records definitely went the extra mile in its promotion of ‘Help!’ by distributing a motion display complete with a rudimentary electric motor to select record outlets. Patterned after a Jack-in-the-box, the motor activates the lid, revealing four Beatles’ hands reaching out and then retracting. Attached to each hand is a wrist band with a different letter spelling out H-E-L-P. The sacrificial ring central to the film’s plot is attached to Ringo’s hand. The front of the display has an original Capitol Records Help! album cover slick attached, while the back side has the back cover slick attached. In the fully-opened position, the display is 32” tall. The display, in superb working condition, comes with the original Capitol Records shipping box. A reproduction of the instruction sheet is included as well. Due to the fragility of this promotional display, as is the case with other similar, oversized and multi-part displays of the era, they were usually discarded by record outlets because of their size. The few that survived were usually the result of being ‘rescued’ by fans. Finding them today, intact and in working condition is quite uncommon. This is the finest of the few surviving examples we’ve seen! RRAuction COA.…(MB $1000)

77. Beatles. Original color Beatles Laura Scudder Potato Chip promotional poster, 20 x 30, featuring animated images of the band from Yellow Submarine, with the text reading “We’ve got Beatles in our potato chips, Yellow Submarine decals in Laura Scudder’s twin paks and variety paks.” Poster is affixed to an identical size piece of corrugated cardboard. Scattered creasing, toning, and soiling, and two small triangular chips to bottom edge, otherwise very good condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $300)

36 BEATLES

78. Beatles.

Original 1968 UK EMI promotional poster for The Beatles White Album 1968. Poster measures 39.25 x 14.25 and features individual headshots of each band member on a pink background, with “The Beatles Special Double Album” printed above and “Now On Sale! Free 4 full colour photos with illustrated poster & song sheet’” on the right in a yellow box. Machine storage folds, a single tack hole to each corner tip, and a few creases, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

79. Beatles. Rare original UK quad cinema poster for Let It Be, 40 x 30, printed by Leonard Ripley & Co Ltd. in England. Poster features large images of each band member, as well as soundtrack information. In very good to fine condition, with intersecting storage folds, tack holes to three corners, and a few extra creases. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

80. Beatles.

Original color one sheet 26.5 x 40 movie poster for Help!, featuring individual images of the band as well as the classic Help pose. In fine condition, with intersecting storage folds, some mild edge toning, and a single tack hole to each corner tip. RR Auction COA.…(MB $200)

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81. Beatles. Complete set of four original Beatles ‘Bobbin’ Head Dolls.’ Produced by Carmascots in 1964. Each measuring approximately

3 x 7.5, with Ringo Starr a bit smaller in status, measuring 2.5 x 7. In very good condition, with mild to moderate wear, including scattered rubbing, surface dings, small areas of chipping, and some mild cracking. John exhibits flaking to the base with repaired base extending to trouser hem, Paul exhibits chipping to his neck, George exhibits repairs and and cracks near trouser hem, and Ringo exhibits flaking and a repaired base crack. The original owner may have taken the manufacturer’s advice to achieve maximum motion of the ‘bobbin’ heads by placing them “on the rear window platform of autos—or on top of phonograph players—or close to fan, air conditioning or heating ducts”…a certain recipe for disaster. RRAuction COA.…(MB $200)

Set of Remco dolls in the original 1964 shipping box 82. Beatles. An extremely rare set of hard-bodied Remco dolls in their original shipping box. Dolls measure 5˝ high, with rooted hair and each retains his original instrument. Manufactured in Harrison, New Jersey, the dolls were only available to order in this box directly from the Sears 1964 catalogue. In fine condition. Accompanied by a certificate of authenticity from Tracks. It almost impossible to obtain the dolls in the original shipping box. RR Auction COA.…(MB $200)

38 BEATLES

83. Beatles. Complete set of four Remco dolls. Each measuring approximately 2.5 x 4.5. In fine condition. The Fab Four are all smiles with shimmering Beatle cuts as portrayed by the folks at Remco in these licensed dolls from 1964. With instruments intact, the Remco dolls are among the most popular of Beatles collectibles from the 1960s. RRAuction COA.…(MB $200)

84. Beatles. Three Remco dolls measuring

5” high, with rooted hair and black suits, including Paul McCartney, George Harrison, and Ringo Starr, with instruments. One of the most popular of all licensed Beatles items produced in 1964, the Remco dolls were produced with soft and hard bodies. These examples are of the hard body style. In fine condition. RRAuction COA.…(MB $200)

85. Beatles. Three original five-inch tall Remco dolls with rooted hair, each holding an instrument bearing his embossed facsimile signature. Included are a John Lennon hard body variation, and soft body versions of Paul McCartney and Ringo Starr. Some wear to gold paint on instruments, otherwise fine condition. RR Auction COA.…(MB $200)

BEATLES

86. Beatles. The Beatles Yesterday and Today mono version ‘butcher’ cover album. This example, known as a ‘third state’ butcher cover, owing to the fact the commercially released ‘trunk’ cover has been expertly removed from the album jacket, revealing the original butcher cover underneath. In very good condition, with just some mild scattered light surface loss and adhesive remnants to cover, scattered edge wear, a partial separation to hinge, and some toning and soiling to back cover. The album is included. Within days of releasing this miscellany of previous hits, Capitol recalled all copies in response to retailers’ negative reactions to the macabre cover image: a photo of the four mop-tops dressed in butchers’ coats and draped with raw meat and doll parts. The recalled copies were “retrofitted” with a new pictorial flat, pasted over the first, featuring an innocuous image of the boys posed around a steamer trunk. RR Auction COA.…(MB $200)

‘P.S. I Love You’ mother disc from 1964 87. Beatles. Nickel-plated metal ‘mother’ disc for the Tollie Records single, ‘P. S. I Love You,’ with serial number 63-3189 etched in the matrix trail-off, produced in 1964, the year of its original release. Framed with an original 45 rpm record, a small photo of the band, and a commemorative plaque, to an overall size of 18.25 x 24.25. In fine condition, with the expected wear from production use, and some cracks to the glass. A key component of the record manufacturing process, survive in miniscule numbers, as after the mother disc was used to create the ‘stamper’ (the actual metal disc that was used to press or ‘stamp’ records), it was routinely recycled. A multitude of mothers and stampers are made and then discarded during the record-making process for each side of a record. Most of the few known surviving discs were presumably culled from record pressing plant reference files where an example of each title may have been kept. This copy originated from a former record company insider. An oddity to be sure, but these exceedingly rare discs are highly prized by many record collectors. RRAuction COA.…(MB $200)

88. Beatles. Original concert handbill, 5.75 x 10.25, for a Beatles performance at the ABC Theatre, Blackpool, on the July 14, 1963. Handbill features small head shots of each band member and lists the supporting acts as The Countrymen, Chas McDevitt & Shirley Douglas, Colin Day, Jack Douglas and the Red Price Combo. In good condition, with two horizontal folds, noticeable heavy creasing, and scattered toning and soiling. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

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90 89. Beatles. Original ticket from the filming of the Beatles TV special Around The Beatles, 4.25 x 3.25, which took place on April 28, 1964, in Studio 5 of the Wembley Television Studios. At the bottom, ticket states, “For Teenagers between 15 and 18 years. No admission without birth certificate. We regret there will be no autograph signing so please do not ask.” In good to very good condition, with moderate creasing, perforations to left edge, and some scattered light toning and soiling. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200) 90. Beatles. Original ticket from the Civic Reception for The Beatles

at Liverpool Town Hall on July 10, 1964, 5.25 x 3.25. The reception was held to commemorate the Northern Premiere of their first feature film A Hard Day’s Night. In very good condition, with a few creases and surface impressions and some scattered light toning and soiling. On this occasion nearly a quarter of a million people lined the streets of Liverpool, from the airport to the Town Hall. The Beatles made a sensational appearance on the balcony to a tumultuous welcome by the assembled fans. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

91. Beatles. Original unused orange ticket from the Beatles performance at King’s Hall, Balmoral, 6.25 x 3.75, held on November 2, 1964, a date originally set aside as a rare day off. The dates would also prove to be their last in Northern Ireland. In very good condition, with some light creases and wrinkles, and a partial separation along perforation. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

94 92. Beatles.

Original unused ticket from the Beatles concert at Shea Stadium on August 23, 1966, in New York, 6.25 x 1.5, bearing an image of the ‘Fab Four’ to the right side. In fine condition, with some mild toning to the borders. RR Auction COA.…(MB $100)

93. Beatles. Full, unused ticket from Suffolk Downs, Boston, MA on August 18, 1966, 4 x 1.5. Matted and framed with a color photo and commemorative plaque to an overall size of 11 x 13.5. In fine condition. During their final concert tour, The Beatles played to 25,000 fans at Suffolk Downs, marking their one concert appearance at such a venue. Co-promoter Gerald Roberts failed to mention The Beatles would be taking up residence when he persuaded the track’s owner, baseball executive Bill Veeck, to rent the facility for a paltry $1000. Roberts remembered that ‘after a barrage of choice expletives he screamed ‘you never told me it was The Beatles’ Roberts replied, ‘Bill, you never asked.’ The volatile Veeck, after a brief pause, responded, ‘You…you conned a con man.’ This full, unused ticket originated from Roberts himself, who discovered a stash of unsold tickets in the late 1970s, and comes with copy of a Gerald Roberts LOA. RRAuction COA.…(MB $100)

94. Beatles. Original unused green center stalls ticket, 4 x 3, from

the Grand Charity Performance Northern Premiere of the Beatles film A Hard Day’s Night at the Liverpool Odeon on July 10, 1964. A partial separation along perforation and some mild toning, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

BEATLES

95.

Beatles.

Original unused ticket, 4.5 x 3.5, from the first performance of “The Fabulous Beatles and All Star Show,” 7 pm performance at Public Hall, Preston, on September 13, 1963. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

98. Beatles.

Original yellow ticket stub, 5 x 4, from the Beatles “Bravo Beatles Blitztournee” performance at Ernst Merck Hall, Hamburg, on June 26, 1966. In very good condition, with a horizontal and vertical fold, some scattered light toning, and a stamp on reverse. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

99.

96. Beatles. Original unused ticket

from the Beatles matinee show at the Olympia Stadium, Detroit, on 13th August 1966, 5 x 1.5. In good condition, with moderate creasing, several edge tears, and fading to right side of ticket. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

97.

Beatles.

Left hand side of a concert ticket from the Beatles only performance at the Queens Hall in Leeds, held on June 28, 1963. The band played in front of 3200 people, and were supported by Acker Bilk and his Paramount Jazz Band. In very good condition, with scattered creases, uneven right edge, and a bit of light toning. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

Beatles.

Spectacular original unused ticket from the Beatles last ever concert at Candlestick Park, San Francisco, held on August 29, 1966. Ticket measures 5.5 x 2.5 with red writing and head shots of each Beatle. In fine, clean condition. This was the Beatles’ last concert tour appearance ever, a 33-minute performance in front of 25,000 fans. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

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100. Beatles. Uncommon original Beatles business card, 6 x 2.5, with the band’s name and images on the front, circa early 1963. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

101. Beatles. A set of eight color 10 x 8 promotional lobby cards from the 1965 release of The Beatles film ‘Help!’. The cards feature various color images and production details of the film. Scattered creases and edge wear, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

103. Beatles.

102. Beatles. Original Beatles ‘Make a Date’ calendar circa 1964. The eight-sided red, black, and white calendar measures 5 x 5, and is in magnificent condition. In very fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

Scarce Original 1964 Beatles Ross of Mayfair dish. Dish measures approximately 5 x 5 and features a full length group shot of The Beatles with their printed signatures beneath them. The reverse of the plate reads “© 1964 Made In England By Weatherby of Hanley exclusively for Ross of Mayfair.” In very good condition, with numerous small pinholes over both the front and reverse. Accompanied by a certificate of authenticity from Tracks. This is one of the rarer Beatles plates from 1964. RR Auction COA.…(MB $200)

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104. Beatles. An original set of four Beatles candy dishes,

made by Washington Pottery, circa 1964. Each dish has a color image of a band member above their pre-printed name, and is decorated with gold scalloped edges. Each dish measures approximately 4.75 inches across and one inch deep. Some wear and fading to the gold edging, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

106.

Beatles.

Original late 1960s Beatles Apple key ring measuring 2.25˝ in diameter, with a single loop for keys at the top. In fine condition, with scattered surface scratches. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

107. Beatles.

Original Beatles textured mesh nylons by Ballito, with Beatles faces and signatures patterned into the material. Nylons come with the original package bearing the band’s faces and facsimile autographs against a yellow, blue, and black background. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

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108.

Beatles. Original 1966 green ‘Disk-Go-Case,’ approximately 9 inches tall and 8 inches in diameter, bearing an image and facsimile signature of each Beatle on the side. Base is marked: “Product of Charter Industries.” The case was designed to hold 60 45 rpm records and was issued in eight colors, green being a rarer variant. In fine condition, with a few light surface marks and scratches. RR Auction COA.…(MB $200)

109. Beatles. Original press kit from the 1963 release of The

Beatles single ‘From Me to You,’ seven pages, 8.5 x 11. Front cover is a large picture of the band with a quote from Brian Matthew, which states “Visually and musically the most exciting and accomplished group to emerge since the Shadows.” Contents consist of a newspaper cuttings collage, a special pre-release quote from Brian Matthew, a Parlophone review of the single, a schedule of upcoming appearances, and details of the Please Please Me album release. In fine condition, with a staple to top left corner. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

110. Beatles. Vinyl 9.5 x 10 Beatles

shoulder bag. Red bag has a braided rope handle with images of the band on the front, as well as their facsimile signatures. Some scattered light wear and a couple small surface tears, otherwise fine condition. RR Auction COA.… (MB $200)

111. Beatles. Original 1964 ‘With

The Beatles’ tin of talcum powder, manufactured by S-M LTD, London under the brand name “Margo of Mayfair.” Oval tin measures approximately 4.5 x 7 and has a picture of the band with stuffed toy and ski on one side and individual portraits on the reverse. The tin still contains some talc. In fine condition with only slight signs of rusting on the bottom rim. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

112. Beatles.

Vintage 1966 mod boutique slacks. Black velvet pants with burgundy trim and highlighted pockets with label inside of waistband reading “The Beatles by Ninth Street East, Ltd. Los Angeles 1966.” In fine condition. RRAuction COA.…(MB $200)

BEATLES

Scarce Beatles Smiths watch in its original box 113.

Beatles.

Original mid-1960s Beatles official brooch watch by Smiths. Beatleshaped watch measures approximately 1.75 x 1, is studded with marcasite and red rhinestones for the eyes, and appears to be in working condition. The watch comes in its original red Smiths box with a Dezo Hoffman photo inside as well as its original Beatles Smith sleeve. In fine condition, with expected light wear to box. Accompanied by a certificate of authenticity from Tracks. An uncommon Beatles item, and one of the more expensive when originally released in the 1960s. RR Auction COA.…(MB $200)

114.

Beatles. Original vintage semi-glossy 6.5 x 4.5 overhead photo of the Beatles on stage at the Cavern Club on December 8, 1961, with Pete Best on drums. Photo was taken by Merseybeat photographer Dick Matthews. In very good condition, with a few creases and a moderate spot of toning to bottom portion of image. Accompanied by a certificate of authenticity from Tracks. Provenance: Dick Matthews Estate. RR Auction COA.…(MB $200) 115. Beatles.

Original vintage semi-glossy 6.5 x 4.5 photo of the Beatles on stage at the Cavern Club on December 8, 1961, with Pete Best on drums. Photo shows the band head on with another man on stage and was taken by Merseybeat photographer Dick Matthews. In very good condition, with scattered creases and surface marks. Accompanied by a certificate of authenticity from Tracks. Provenance: Dick Matthews Estate. RR Auction COA.…(MB $200)

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116. Beatles.

Original glossy 7.25 x 9 first generation Culver Pictures photo of The Beatles from Help!, showing the band at a ski resort standing around a man submerged in ice water. Encapsulated in a plastic PSA/DNA identification holder. In fine condition, with some scattered light creases and surface marks, a couple small tears to top edge, and stamps and notations on reverse. RR Auction COA.… (MB $200)

119. Beatles.

117. Beatles. Original glossy 7 x 9 first generation ABC press photo of The Beatles, standing together from the late 1960s. Encapsulated in a plastic PSA/DNA identification holder. In fine condition, with promotional information affixed to reverse. RR Auction COA.…(MB $200)

Two vintage glossy photographs, 10 x 8, taken on April 5, 1963, by Cyrus Andrews during a private performance for company executives at EMI House in central London where The Beatles were presented with silver discs for the single, ‘Please Please Me.’ Andrews was one of The Beatles favored photographers during 1963 and 1964. These photographs originated from a British newspaper archive titled ‘Beatles’ which included clippings from 1963 and 1964, which suggest the images were printed during one of those years. Andrews’ photographer’s stamp is seen on the back of both photos. In fine condition, with a few pronounced areas of soiling to each photo, and some trivial smudging and marks along the top borders. RR Auction COA.…(MB $200)

118. Beatles. Rare complete set of 18 Beatles postcards, all 3.5 x 5.5, produced by Bob ‘Red’ Wimmer, who took the original photos and produced the cards. Printed on the reverse of the cards is “The Beatles 1964 American Tour Olympia Stadium Detroit Michigan U. S. A., September 6. 1964,” and show the Beatles on stage and at a press conference. In fine condition. RR Auction COA.…(MB $200)

BEATLES

120. John Lennon.

An original Quarry Bank school scarf, similar to one that Lennon would have worn when he attended school. Black wool knit scarf has a Double Blue manufacturer’s label with two maroon and gold stripes and measures 61 x 10. In very good condition, with several small holes and areas of wear, as well as a few stains. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

121. John Lennon. Unused store display for Lennon’s Imagine album, 12.25 x 12.25, featuring an image of the album cover, with a foldout stand on the reverse. In fine condition, with a few scattered light surface marks and dings. RR Auction COA.… (MB $200)

122. John Lennon. An original promotional press kit from John Lennon’s 1974 Walls and Bridges album. The press kit includes the following items: The 12.75 x 12.75 Listen To This Envelope envelope which houses the contents of the kit; the 12.5 x 12.5 gatefold card folder; the original promo poster for Walls and Bridges, machine folded, with an overall size of 20 x 30; double sided interview sheet printed on an 8.5 x 11 card; original sheet music for ‘Whatever Gets You Through The Night’; an 8 x 10 promotional photo; a 10 x 8 promotional photo; a Listen To This postcard; a cash register promotional sticker; promotional bumper sticker; two different badges; and a Walls and Bridges promotional t-shirt. In overall very good to fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

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123. John Lennon. Collection of three issues of The Quarry, the Quarry Bank school magazine, each measuring 7.25 x 9.75. The issues are from Easter 1956, Summer 1956 and Christmas 1956. The Christmas 1956 issue has a printed illustration of a picture by John Lennon on page 9; it is initialled underneath in print. In very good condition, with loose and separated pages to all issues, toning and soiling to covers, rusty areas to binding and expected moderate handling wear. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

Rehearsal for Lennon’s 1972 Madison Square Garden concert, including ‘Come Together’ 124. John Lennon. Original 60 minute Sentry cassette tape featur-

ing an unreleased recording of a rehearsal for Lennon’s ‘One to One’ benefit concert at Madison Square Garden on August 30, 1972. A ballpoint notation to the tape’s label reads, “Lennon ’72.” Some wear to the label, otherwise fine condition. Audio is in stereo, approximately 30 minutes long, and includes three distinguishable songs, a saxophone solo, various instruments warming up, Yoko singing, and various ‘stage chatter,’ including Lennon giving instructions to his band. The highlight is undoubtedly an 8-minute rendition of ‘Come Together’—it is a relatively polished session, but Lennon pauses a few times to make tweaks and adjustments. The other two songs are sung by Ono, one of which is ‘We’re All Water.’ Accompanied by a letter of provenance that states the tape was a gift from Gary Van Scyoc, a bass player in Lennon’s backing band, Elephant’s Memory, and is an original tape from 1972 of which no copies have been made. The ‘One to One’ concerts were Lennon’s only rehearsed and full-length live performances in his solo career, and the last time he performed live with Ono. RR Auction COA.…(MB $200)

Almost nine minutes of unseen color film of Lennon’s One to One show, recorded by a fan, including ‘Imagine’ and ‘Give Peace A Chance’ 125. John Lennon.

An incredible one-of-a-kind collection of three reels of 8mm color film (no sound) of Lennon performing at the One to One concert on August 30, 1972, at Madison Square Garden. The first reel is 2:52 in length and shows Lennon and Yoko Ono together at two pianos as he performs ‘Imagine,’ including the end where Lennon leans over and lovingly kisses Yoko’s shoulder and then the two sharing a kiss before leaving their benches. The second reel is 3:01 long with the first 30 seconds showing Yoko Ono at the end of a song, most likely ‘We’re All Water,’ backed by Lennon and Elephant’s Memory, and then Lennon beginning ‘Cold Turkey.’ The final reel, also 3:01 in length, shows the conclusion to the rousing encore of ‘Give Peace A Chance,’ where Lennon, Ono, and the band are joined on stage by Stevie Wonder, Melanie, Roberta Flack, and Sha Na Na. Lennon and Yoko exit the stage about thirty seconds in to the reel, however the rest of the band’s performance and revelry continues until the end of the reel. Each reel is housed in its protective plastic cover, with one reel labeled “Lennon,” in an unknown hand. In fine condition. After the release of Sometime In New York City, Lennon agreed to headline two charity concerts to benefit the Willowbrook Home, a facility for learning disabled children, and the event was called One To One. Both concerts were filmed and recorded, and performances from the afternoon show eventually compiled for release in 1986 as Live In New York City. Sadly, these two shows were Lennon’s first, and last, full-length solo concerts since the Beatles stopped touring in 1966. These films capture Lennon giving two of his most moving performances from the show, and have certainly never been offered for public viewing. RR Auction COA.…(MB $200)

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129

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126. John Lennon [Astrid Kirchherr]. Limited edition 31.5 x 23.5 print of Lennon taken in 1960 in Hamburg, Germany, taken by Astrid Kirchherr, numbered #268/500, and signed in silver ink by Kirchherr. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200) 127. John Lennon. Original unsigned pearl-finish 11 x 9 photo of Lennon sitting on the couch with Cynthia and their son Julian, matted and framed to an overall size of 15 x 13. In very good to fine condition, with scattered creases. Originates from Dick Clark’s personal collection and was once on display in his office. Provenance: Guernsey’s, 2007. RR Auction COA.…(MB $200) 128. John Lennon and Paul McCartney. Original unsigned pearl-finish 11 x 9 photo of Lennon and McCartney, matted and framed to an overall size of 15 x 13. In very good to fine condition, with scattered overall creases. Originates from Dick Clark’s personal collection and was once on display in his office. Provenance: Guernsey’s, 2007. RR Auction COA.…(MB $200)

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129. John Lennon and Yoko Ono. Original 1970 unsigned glossy 10 x 8 photo of Lennon and Ono together in New York City, by Annie Leibovitz of Rolling Stone magazine. Reverse bears original photographer’s tag and stamp. Light scattered creases, primarily to borders and corner tips, a couple trivial surface spots, and a small tear to the lower border, otherwise fine condition. Leibovitz started her career in 1970 with the fledgling Rolling Stone magazine, and this photo is from her first important assignment. She was also the last person to photograph Lennon, taking the famous image of him nude and wrapped around Yoko just hours before his death. RR Auction COA.…(MB $200) 130. John Lennon and Yoko Ono. Original unsigned 1976 glossy

9 x 11.5 photo of Lennon and Ono together outdoors, by George Tebbens. Reverse bears original news stamps, notations, and tags. In fine condition, with a few light surface creases and dings to corner tips, and original production notations to the borders. RR Auction COA.…(MB $150)

131. John Lennon and Yoko Ono. Original 7.75 x 9.75 photo negative of John Lennon and Yoko Ono posing outside in front of a large mountain, with Lennon shielding his eyes with a book and holding something in his other hand. In fine condition, with old tape to edges. RR Auction COA.…(MB $100)

132. John Lennon. Nine items: one 1966 issue of The Beatles Monthly Book, featuring a special interview with Lennon; one large 1980 memorial issue of Newsweek; one January 22, 1981, edition of Rolling Stone, featuring the famous image of a nude John embracing Yoko on the cover; two identical issues of the March 18, 1969, edition of Look magazine, featuring John and Yoko on the cover; two identical issues of the December 30, 1980, edition of National Enquirer, featuring the last photo of Lennon on the cover; one 1988 Rolling Stone featuring a simple illustration of Lennon on the cover; a sheet of 12 John Lennon commemorative postage stamps, issued by St. Vincent, double-matted and framed to an overall size of 9.5 x 11.5; and one psychadelic poster featuring an image of John and Yoko in the nude. In overall fine condition, various wear and creases to some of the magazines. RR Auction COA.…(MB $100)

133. John Lennon. Rare book: John Lennon: A Real, Live Fairytale by Marcia Huyette. First edition. West Falmouth, MA: Hidden Studio, 1982. Softcover, 11.5 x 15.5. Signed on the first free end page by the author and illustrator, “M. Huyette.” In fine condition. RR Auction COA.…(MB $100)

135. John Lennon and Yoko Ono. 134. John Lennon. Program for

an exhibit of Lennon’s ‘Bag One’ lithographs held at Lee Nordness Galleries in New York from February 7 to 28, 1970, 8.5 x 11, 20 pages, featuring reproductions of all 14 lithographs in the set. In fine condition, with some mild toning to edges of front cover, and a couple heavier blocks of toning and light soiling to back cover. RR Auction COA.…(MB $100)

Five original programs for Lennon’s art exhibit entitled ‘This is not Here,’ held at the Everson Art Museum in Syracuse, New York, from October 9 to 27, 1971, 16.5 x 22, 12 pages, featuring images of news clippings, photos, and drawings inside. In overall fine condition. RR Auction COA.…(MB $100)

136. Paul M c Ca rt n ey. Sun Life Assurance Society receipt, 6 x 4, dated February 20, 1967, issued to James Paul McCartney for the first premium of £1909. A two shilling revenue stamp is affixed to the lower left. In fine condition, with a central vertical fold and two punch holes to left edge. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

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137. Paul McCartney.

Liverpool Institute High School Directory from 1959, 3 x 4.5, 56 pages, with McCartney listed on page 45, “McCartney, J. P.,” and listing his form, house, date of birth, and year of entry into the Institute. In good condition, with scattered creases to pages, heavier to covers, scattered surface loss to covers, and ballpoint notations on covers and inside from previous owner. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

140. Paul M c Ca rt n ey and Wings.

138. Paul McCartney. Collection of five Liverpool Institute Speech Day programs from the time Paul McCartney was at the school, each measuring 8 x 10. The programs are from December 1955, December 1956, December 1957, December 1958, and December 1959. In December 1959, McCartney was awarded a special prize for art and he is listed in the program. A few loose pages, pencil notations to the program with McCartney’s listing, and scattered toning and soiling, otherwise very good condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

139. Paul McCartney [Astrid Kirchherr]. Limited edition 31.5 x 23.5 print of McCartney taken in 1960 in Hamburg, Germany, taken by Astrid Kirchherr, numbered #30/500, and signed in silver ink by Kirchherr. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

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Unused invitation to ‘The Ball’ at the Empire Ballroom, Leicester Square, London, on 8th November 1971. Invitation measures 6 x 4 and reads: “Mr and Mrs McCartney invite….and guest to THE BALL to be held at the EMPIRE BALLROOM, Leicester Square W1 on MONDAY 8th NOVEMBER 1971 (8pm-12). For your delectation there will be… Music from WINGS new LP, Dancing to Ray McVay and his band, A Bumper Prize Raffle, Food and Drink. Come and enjoy yourselves, dress glam, and REMEMBER! Your raffle number is……” In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

141. Stuart Sutcliffe. High quality 24 x 17 giclee print

of an early portrait of the Beatles (Stuart Sutcliffe, John Lennon, George Harrison, Paul McCartney, and Pete Best) sitting around a table with a friend. In fine condition. Accompanied by a certificate of authenticity from Sutcliffe’s estate. RRAuction COA.…(MB $200)

142. Stuart Sutcliffe.

Color limited edition 23 x 16 print entitled ‘Meet the Beatles,’ taken from an original sketch done by Sutcliffe, numbered #113/175, signed in the lower border in pencil by Pauline Sutcliffe, who is executor of the Stuart Sutcliffe estate and Stuart’s sister. The image shows the early Beatles in their ‘Skiffle’ days taken from Sutcliffe’s personal sketchbook. Sutcliffe’s historic letter introducing the band is superimposed over the bottom of the painting. In the letter from late March 1960, Sutcliffe who refers to himself as the manager of the band, writes, “This is a promising group of young musicians who play music for all tastes, preferably rock and roll.” Sutcliffe begins to refer to the band as the Quarrymen, then crosses it out and writes “The Beatals” - the first time the band ever called themselves by that name. In fine condition. Accompanied by a certificate of authenticity from Sutcliffe’s estate. RRAuction COA.…(MB $200)

143. Ringo Starr. Rare original handbill, 5 x 8, for a Rory Storm and the Hurricanes performance at Liverpool Stadium on May 3, 1960. Gene Vincent headlined the show, with Rory and the Hurricanes listed near the bottom. Eddie Cochran was due to share the top of the bill but sadly died on April 17, 1960. In fine condition. Interestingly John Lennon and Stuart Sutcliffe were in the audience at the show. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

144. Beatles. Five Capitol Records pressing 45 rpm records in their original picture sleeves: ‘I Saw Her Standing There/I Want to Hold Your Hand,’ ‘Paperback Writer/Rain,’ ‘Yellow Submarine/ Eleanor Rigby,’ ‘All You Need is Love/Baby, You’re a Rich Man,’ and ‘Let It Be/You Know My Name (Look up the Number).’ Various light scattered creases and edge chips to sleeves, and scattered marks to vinyl, otherwise overall fine condition. RR Auction COA.…(MB $100) BEATLES

Colorful sales ad for the animated 1966 TV series 145. Beatles. Original color advertisement, featuring cartoon images of the Fab Four, three of them sporting handguns, 8 x 11, with text advertising sales during the Beatles television show, reaching ‘98% of all U. S. T. V. homes.’ Framed to an overall size of 10 x 13. In fine condition. An alarming image of the Beatles with firearms! RRAuction COA.…(MB $100)

146. Beatles.

Original Beatles For Sale album flat from 1964. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

147. Beatles. Original Capitol Records store catalog for Beatles records and tapes, circa 1976, 8 x 11, two pages, advertising Beatles group and solo albums. Scattered surface creases, otherwise fine condition. RR Auction COA.…(MB $100)

148. Beatles. Original Beatles 7-inch metal charm bracelet, with four dangling Beatles heads. In fine condition, with a few trivial surface marks. RR Auction COA.…(MB $100)

149. Beatles. Eleven pieces of original 1960s ephemera and memorabilia: ticket to an advanced preview showing of Help! at the Colony Theatre, August 23 in White Plains, NY, 8.5 x 3.5, double-matted with a color photo to an overall size of 14 x 18; Beatles Fun Kit, 10.5 x 13.75, 50 pages; two vintage postcards, 5.5 x 3.5 and 5.75 x 8, one color; Beatles Birth Certificate booklet, still sealed, 7.75 x 6.75, encased in the original wrapper; circular 3.75 x 3.75 ‘A Hard Day’s Night’ wrist band (missing string) embossed with photo and ‘I’ve Got My Beatles Movie Ticket—Do You?’; ticket stub to a special showing of A Hard Day’s Night on August 13 at the New Royal Theatre, 9 x 4 and 7.5 x 4; ‘Meet the Beatles’ shirt tag, 4 x 6.5; and two pins, a 1 x 1 featuring McCartney’s face, and a 3.5 x 3.5, featuring ‘I Love The Beatles’ with a music bar underneath. In fine condition, with expected wear to the larger pin.RRAuction COA.…(MB $100) 54 BEATLES

150. Beatles. Sixty items: stack of 49 Beatles trading cards, second and third series, 2.5 x 3.5 and 3.5 x 2.5, each bearing a facsimile signature from the Beatle pictured; Passport for the Kingdom of Whisky A’GoGo, 2.5 x 3.75; original Beatles (U. S. A.) Ltd., program 12 x 12; Beatles birthday card, 4 x 9; four matte-finish 3.5 x 5.5 promotional headshots of each Beatle; glossy postcard, 3.5 x 5.5, featuring Ringo Starr; Beatles Help! softcover book, 4.5 x 7; Official Beatles Fan oversized pin, 4 inches in diameter; and various vintage newspaper clippings, featuring stories about the Beatles. In very good condition, with expected wear to the trading cards, scattered creasing and wear to the program, light rubbing and a few trivial creases to the book, and uniform toning, creasing, and some tears to the newspaper clippings. RRAuction COA.…(MB $100)

151. Beatles. Approximately 16 items, including a rare 1969 first edition hardcover of The Beatles Illustrated Lyrics by Alan Aldridge, an original My Little Margie comic book featuring the Beatles from November 1964, a Swan pressing 45 rpm record of ‘She Loves You/I’ll Get You,’ a Mersey Beat publication about the beginnings of the Beatles, a 1984 Rolling Stone honoring a Beatles anniversary, five Globe Special Digest 40th anniversary publications featuring ‘holographic’ images of each Beatle, a magazine of Beatles photos ‘suitable for framing,’ portraits of all four, and two Life magazines. In overall very good to fine condition, with heavy foxing and soiling to dustjacket of the Aldridge book. RR Auction COA.…(MB $100)

152. Beatles. Collection of seven Beatle items: a Beatles radio/CD player, released in 1998, in its original box; a Yellow Submarine lava lamp, issued in 1999, still housed in its original box; a Yellow Submarine snow globe, also issued in 1999, in its original box; a still-sealed Beatles Anthology VHS set; a five-piece Beatles Christmas Keepsake ornament in its original box; two different limited edition Delphi Beatles commemorative plates, one entitled ‘Live in Concert,’ the other ‘The Beatles at Shea Stadium,’ both showing the band performing; and a sheet of 12 John Lennon commemorative postage stamps, issued by St. Vincent, double-matted and framed to an overall size of 9.5 x 11.5. In overall fine condition. RR Auction COA.…(MB $100)

153 . Beatles. Collection of approximately 12 items, consisting of a set of four ‘campaign’ buttons calling for each member of the Beatles to be president, original yellow submarine and guitar logo tie tack pins, three pins depicting the entire group, a Beatles harmonica by Hohner, a ‘Go Go Mania’ film print block, and a commemorative T-shirt sold only at the EMI Abbey Road studios in August 1983 during the replay of Beatles recording sessions, and a commemorative stamp sheet. In overall fine condition, with various light wear. RR Auction COA.…(MB $100)

BEATLES

154. Beatles. Thirty-five items: 30 vintage 1960s magazines, ranging in size from 6 x 8.5 to 10.5 x13.5, including four issues of The Beatles Monthly Book from 1963/64, Beatles’ Round The World, Teen Talk, eight issues of Life, three issues of Look, and others; and four books: A Cellarful of Noise, A Hard Day’s Night, Dear Beatles, and The Beatles Illustrated Lyrics; and one vintage comic book, My Little Margie, 7 x 10.25. Light wear to the magazines, and moderate wear, foxing and a few tears to the dustjacket of the Illustrated Lyrics book, otherwise fine condition. RRAuction COA.…(MB $100)

155. Beatles. Four membership cards: two different Cavern Club membership card booklets, 4 x 2.5, one off-white and one green, expiring December 31, 1964, the off-white card showing moderate use with an ownership signature and multiple notations inside, and the other less worn and signed inside by DJ Bob Wooler; and two off-white 1964 Beatles Official Fan Club membership cards, 5 x 2.5, each bearing a different image of the group. In very good to fine condition, with toning and slight dampstaining to the off-white Cavern Club booklet, and one fan club membership card moderately toned. Accompanied by a die-cut ticket, 9.5 x 4, to the premiere showing of Help! at the Port Theatre in Corona Del Mar. RR Auction COA.…(MB $100)

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157. Beatles.

Color glossy 16 x 12 photo of the Beatles taken from the original negatives of the band performing on the Ed Sullivan Show on February 9, 1964. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

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Beatles. Unopened set of four color 9 x 12 portraits produced in “limited production for Beatle Buddies’ club members,” issued by Nems Enterprises, Ltd., London. Overall size in packaging is 9.5 x 15.5. Top of package originally would have included a club membership card, which has since been removed. In fine condition, with a few light creases to packaging at the top and slight dings to lower right corner tips of the portraits. RR Auction COA.…(MB $100)

159. Beatles. Four original color Beatles posters, printed in 1993 and 1995: ‘The Beatles: Yesterday and Today,’ 22 x 26.5; ‘Beatles Anthology,’ #556/2500, 22 x 26.5; ‘Beatles for Sale,’ #318/9800, 22.5 x 26.5; and ‘Sgt. Peppers Lonely Hearts Club Band,’ #69/9800, 22.5 x 26.5. In fine condition. RRAuction COA.…(MB $100)

160. Beatles. Seven Beatles posters and displays, ranging in size from 8.5 x 11.5 to 15 x 21: a set of four 1964 pins, each bearing a caricature of one Beatle, matted and framed with a photo of the group; one ticket to an advance prevue showing of Help!, double-matted with a photo of the Beatles performing; one August 1973 calendar poster featuring George Harrison on a throne, removed from Circus Magazine; one die-cut Sgt. Pepper’s standee featuring all four Beatles behind the famous bass drum; one die-cut Sgt. Pepper’s-styled display featuring images of all four Beatles; one limited-edition Japanese poster of all four Beatles, numbered #7130/25000, published in 1995; one poster for a Paul McCartney concert in Las Vegas, presented by Bill Graham. In overall fine condition, with bisecting folds to the Harrison poster. RR Auction COA.…(MB $100)

161. Beatles. Unusual color 19.5 x 19.75 print of the Beatles as medieval subjects, nicely matted and framed to an overall size of 28 x 28. In fine condition. RR Auction COA.…(MB $100)

162. Beatles. Approximately 24 publications, including: a 1968

hardcover first edition of The Beatles: The Authorized Biography by Hunter Davies; four copies of the September, 13, 1968, edition of Life magazine featuring a group portrait on the front cover; four other editions of Life magazine; a 1968 Post magazine describing the Beatles’ visit to the Maharishi; a Beatles ’Round the World magazine; a few different Beatles photo books; and various editions of Parade, Look, Rolling Stone, and others. In overall fine condition, with various toning and creases to some of the magazines. RR Auction COA.…(MB $100)

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400 Topps trading cards, including complete sets of the first series and A Hard Day’s Night 163. Beatles. Approximately 400 Beatles trading cards from various sets. Included are a complete 60 card set of the first series of Beatles cards (each with a tack hole to top edge); a complete 55 card set of the A Hard Day’s Night series; 52 of 60 cards from the Beatles Diary set; and 53 of 64 cards from another set. Also included are about 150 duplicates. In very good to fine overall condition, with tack holes to edges of some of the cards. A huge selection of cards! RRAuction COA.…(MB $100)

164. Beatles. Original poster of the cover from the July 15, 1976, issue of Rolling Stone magazine, 18.5 x 22.5, featuring a composite image of all four members of the Beatles. Framed to an overall size of 19.5 x 23.5. In fine condition. RR Auction COA.…(MB $100)

165. Beatles. Two original 13 x 13 Beatles Worcester Ware metal

serving trays produced in 1964. In fine condition, with some scattered light surface marks and dings and toning to labels. Another favorite among collectors of original Beatles memorabilia, the trays are emblazoned with classic Dezo Hoffman, color-tinted photos and facsimile autographs. Bottom of tray reads “Made in Great Britain,” with reverse of each bearing a Worcester Ware label. RRAuction COA.…(MB $100)

166. Beatles. Original ‘Only authentic Beatle Wig’ from Lowell Toy, New York City, still sealed in its original plastic bag with the header card of die-cut Beatles heads. In fine condition, with some light creasing to header card. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

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ELVIS PRESLEY Elvis attempts to mend fences with an irate Irving Berlin over his 1957 version of ‘White Christmas,’ presenting him with an oversized portrait 167. Elvis Presley. Scarce oversized vintage matte-finish 10 x 13 photo of Presley in a turtleneck sweater, signed and inscribed in blue ballpoint “To Mr. Irving Berlin, with respect and admiration, Sincerely, Elvis Presley.” Suede matted and framed to an overall size of 21 x 24.5. In very good to fine condition, with scattered light creases to image and background, a couple light stray black pencil marks, one through a few letters of inscription, and a trivial area of touch-up to facial area. Accompanied by a 2006 letter of provenance from Ellin Emmet, Irving Berlin’s granddaughter, who inherited the photo upon his passing in 1989. In 1957, Berlin was appalled when Elvis recorded a cover of ‘White Christmas’ for his holiday album. Berlin never particularly cared for Elvis, and considered the rock and roll version of his classic to be sacrilegious. He went so far as to contact radio stations across the country urging them not to play the song. Almost all the stations ignored the request, and the album went to number one on the charts. A very impressive, one-of-a-kind portrait presented as an olive branch to one of the greatest songwriters in American history. Pre-certified Roger Epperson/ REAL and RR Auction COA..… (MB $300)

ELVIS PRESLEY

Homesick while stationed in Germany Elvis writes to family friends at the start of 1959, “I wish we could have been in Memphis and at good old Graceland” 168. Elvis Presley.

TLS, one page, 8.25 x 5.75, Hotel Grunewald letterhead, Bad Nauheim, Germany, January 21, 1959. Letter to Mr. and Mrs. M. J. Lutz. In full: “I just received your picture and was very glad to hear from you. You have been wonderful to Dad and me and I will always remember you. I hope you had a good Christmas and a happy New Year. We had a pretty good one. I wish we could have been in Memphis and at good old Graceland, but we just couldn’t make it. Maybe next Christmas we’ll all be home, I hope so. We miss all of you very much and can’t wait until we get back home, so until then take care of yourself and write us often.” Under his signature, a typed postscript reads, “Please excuse the short letter but I’m the world’s worst at writing letters. Thanks for all the nice Christmas Cards and pictures. I’ll be looking forward to seeing you folks again.” In fine condition, with a central vertical fold, and a few light creases and wrinkles. Elvis valiantly tried to ease his homesickness while in Germany. Although he lost his mother before joining the army, he was joined by his father, his paternal grandmother ‘Minnie Mae,’ and a few friends from Memphis, including a couple future ‘Memphis Mafia’ members. Even with the White House being deluged with letters for his discharge, Presley would miss another Christmas at home, not being discharged until March of 1960. Any correspondence from Presley is quite scarce and highly sought after by collectors. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $500)

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169. Elvis Presley.

Color 5.5 x 3.25 TWA postcard, signed and inscribed on the reverse in blue ballpoint, “To Peggy, Elvis Presley.” In fine condition, with a small corner tip crease. Accompanied by a letter of authenticity from James Spence as well as an unused ticket from Presley’s scheduled September 20, 1977 concert at the Huntington Civic Center in Huntington, West Virginia. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

170. Elvis Presley.

Original color 28 x 22 half-sheet movie poster for the 1966 film Spinout, starring Presley and Shelley Fabares. In very good condition, with central horizontal and vertical fold, scattered creases and edge dings, and some trivial soiling. Rolled. RR Auction COA.…(MB $200)

171. Elvis Presley. Original color 28 x 22 half-sheet movie poster for the 1965

film Tickle Me, starring Presley and Julie Adams. In fine condition, with a uniform shade of mild toning, some scattered creases, and a bit of light soiling. This was the only movie for which Presley did not record a new soundtrack. Rolled. RR Auction COA.…(MB $200)

172. Elvis Presley.

Original color 28 x 22 half-sheet movie poster for the 1962 film Kid Galahad, starring Presley, Gig Young, and Charles Bronson. Central horizontal and vertical fold, some scattered light creases, and a bit of light soiling, otherwise fine condition. Rolled. RR Auction COA.…(MB $200)

ELVIS PRESLEY

173. Elvis Presley. Original color 28 x 22 half-sheet movie

poster for the 1965 film Harum Scarum, starring Presley and Mary Ann Mobley. In fine condition, with mild toning and a few scattered creases. Rolled. RR Auction COA.…(MB $200)

174. Elvis Presley.

Original color 28 x 22 half-sheet movie poster for the 1968 film Speedway, starring Presley, Nancy Sinatra, and Bill Bixby. Central horizontal and vertical fold and some scattered creases, otherwise fine condition. Rolled. RR Auction COA.…(MB $200)

175. Elvis Presley. Four color 27 x 41 one-sheet movie posters for films starring Presley: Girls, Girls, Girls (1962), It Happened at the World’s Fair (1963), Fun in Acapulco (1963), and Roustabout (1964). In overall very good to fine condition, with expected intersecting folds, some separations along folds (many repaired with tape), and various scattered light toning and soiling. RR Auction COA.…(MB $200)

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176. Elvis Presley.

Five color 27 x 41 one-sheet movie posters for films starring Presley: Girl Happy (1965), Tickle Me (1965), Frankie and Johnny (1966), Live a Little, Love a Little (1968), and Charro (1969). In overall very good to fine condition, with expected intersecting folds, some separations along folds (many repaired with tape), various scattered light toning and soiling, and some paper loss to the lower portion of the Frankie and Johnny poster. RR Auction COA.…(MB $200)

177. Elv i s Presley. Orig-

inal two-color 27 x 41 one-sheet movie poster for the 1958 film King Creole, starring Elvis Presley and Carolyn Jones. Poster features an image of Presley with his guitar superimposed over one of him and Jones about to kiss. Toned tape remnants, tack holes, and trivial creases and paper loss to corners, otherwise fine condition. RR Auction COA.…(MB $200)

178. Elvis Presley. Original color 41 x 81 three-sheet movie poster for the 1965 film Harum Scarum, starring Elvis Presley and Mary Ann Mobley. Poster remains in two unattached sections, as issued. In very good condition, with expected intersecting folds, separations along some folds (many reinforced with tape), and small edge chips and tears. RR Auction COA.…(MB $200)

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179. Elvis Presley.

Original color 41 x 81 three-sheet movie poster for the 1968 film Stay Away, Joe, featuring a large westernstyle image of Presley. Poster remains in two unattached sections, as issued. An area of dampstaining to the top and tack holes to the corners, otherwise fine condition. RR Auction COA.…(MB $200)

182. Elvis Presley. Original color 81 x 81 six-sheet movie poster

180. Elvis Presley. Original Turkish color 27.5 x 39 one-sheet movie poster for the 1965 film Kizimin Bekcisi (Girl Happy), starring Elvis Presley and Shelley Fabares. In very good condition, with some show-through from ink notations to reverse, slight paper loss to right border, tack holes to corners, and small edges chips and tears. RR Auction COA.…(MB $200)

183. Elvis Presley.

181. Elvis Presley. Original color 28 x 22 half-sheet movie poster

for the 1967 film Double Trouble, starring Presley and Annette Day. Expected central horizontal and vertical folds, scattered creases, some soiling to borders, and tack holes to corners, otherwise fine condition. RR Auction COA.…(MB $200)

64 ELVIS PRESLEY

for the 1967 film Double Trouble, starring Presley and Annette Day. Poster remains in four unattached sections, as issued. Expected intersecting folds with moderate separations, and a few small edge tears, otherwise fine condition. RR Auction COA.…(MB $200)

Original color 40 x 60 movie poster for the 1965 film Tickle Me, starring Presley and Julie Adams. Rolled and in very good to fine condition, with moderate scattered creases, tears to top and bottom edges, and a light uniform shade of toning. RR Auction COA.…(MB $200)

184. Elvis Presley.

Original color 40 x 60 movie poster for the 1969 film Change of Habit, starring Presley and Mary Tyler Moore. Rolled and in very good condition, with moderate scattered creases, light scattered foxing, significant tears to top and bottom edges with some tape repairs, and a light uniform shade of toning. RR Auction COA.…(MB $200)

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186 185. Elvis Presley. Seven original color 14 x 11 lobby cards for the 1965 MGM film Harum Scarum, starring Elvis Presley and Carolyn Carter. Various scattered tack holes, primarily to corners, and some light creases and soiling, otherwise overall fine condition. RR Auction COA.…(MB $100) 186. Elvis Presley. Eight original color 14 x 11 lobby cards for the

1968 MGM film Speedway, starring Elvis Presley and Nancy Sinatra. Various scattered tack holes, primarily to corners, and some light creases, otherwise overall fine condition. RR Auction COA.…(MB $100)

189 188. Elvis Presley. Eight original color 14 x 11 lobby cards for the 1966 MGM film Spinout, starring Elvis Presley and Shelley Fabares. Various scattered tack holes, primarily to corners, and some light creases, otherwise overall fine condition. RR Auction COA.…(MB $100) 189. Elvis Presley. Eight original color 14 x 11 lobby cards for the 1968 MGM film Stay Away, Joe, featuring Elvis Presley and Quentin Dean. In overall very good to fine condition, with various scattered tack holes, primarily to corners, some light creases, and slight dampstaining to the lower right of each card. RR Auction COA.…(MB $100)

187. Elvis Presley. Eight original color 14 x 11 lobby cards for the

1967 MGM film Double Trouble, starring Elvis Presley and Annette Day. In overall very good to fine condition, with various scattered tack holes, primarily to corners, some light creases, and irregular toning to upper left of some cards. RR Auction COA.…(MB $100)

ELVIS PRESLEY

1 9 0. Elv i s Presley. RCA

192. Elvis Presley.

Records 15.5 x 22.5 promotional poster for ‘In the Ghetto.’ A rarely seen promotional poster. Poster announces “Elvis’ new single,” and incorporates an empty 45 rpm album sleeve. Framed to an overall size of 17.25 x 24.25. In fine condition, with some scattered creases to poster and sleeve. Elvis delivered one of his most emotional vocals to date in the sobering Mac Davis–penned song, ‘In the Ghetto.’ The social relevance of the songs theme of generational poverty, no doubt, aided the song’s ascent to the #3 position on the Billboard Singles chart. ‘In the Ghetto’ is considered Presley’s comeback single of the 1960s; the record being his first top ten hit in four years and coinciding with his return to the concert stage in Las Vegas. RR Auction COA.…(MB $200)

191. Elvis Presley. RCA Records 15.5 x 32.5 promotional poster for Elvis for Everyone. Elvis’s latest album, 1965’s Elvis for Everyone, a compilation of previously unissued tracks, is prominently featured atop this RCA promotional poster with another 15 titles pictured in miniature below. Framed to an overall size of 19 x 35.75. Horizontal fold, scattered creases, several edge tears, and toning to most of poster, otherwise very good condition. RR Auction COA.…(MB $200)

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Original color 14 x 11 lobby card for Love Me Tender, featuring a fulllength image of Elvis. Framed to an overall size of 15.5 x 12.5. In very good condition, with scattered light soiling and creasing, and some restoration to upper left border. RR Auction COA.…(MB $200)

193. Elvis Presley. Window card poster, 14 x 22, for Jailhouse Rock. Matted and framed, with upper blank portion obscured, to an overall size of 23.5 x 29.5. In fine condition, with some scattered light toning to borders. For its time, Jailhouse Rock, was considered scandalous. The idea of a convict being a hero, the use of the word “hell” to swear, and a scene of Presley lying in bed with co-star Judy Tyler were all considered risque by 1957 standards, but putting all that aside, Presley’s third feature film containing the semi-erotic dance sequence to the title song, ‘Jailhouse Rock,’ is often cited as Elvis’s greatest moment on the silver screen. RRAuction COA.…(MB $200)

194. Elvis Presley. Color 14 x 22 window card for Love Me Tender, starring Elvis in his film debut, Richard Egan, and Debra Paget, featuring a nice color image of Presley holding his guitar and a charging cavalry. Movie days have been added in the upper area in an unknown hand. Framed to an overall size of 15.5 x 23.5. Some scattered toning and soiling and light pencil marks to top border, otherwise fine condition. The promotional catch-phrase, ‘Mr. Rock ‘N’ Roll in the Story He Was Born to Play,’ as seen on the wide array of Love Me Tender advertising, didn’t play well with Presley himself, despite the overall favorable reviews he received in his acting debut. Even though it was a box-office success, Elvis later confided that he regretted making the film with musical numbers included because it set the formula for his entire movie-making career. RR Auction COA.…(MB $200)

From 1953, the earliest known program listing Elvis as a performer 195. Elvis Presley.

Original program, 6.25 x 9, from the Humes High School Band Annual Minstrel, held in the auditorium on April 9, 1953. In fine condition, with some scattered light creases and some mild handling wear. Presley is listed on the cast page as, “Guitarist…Elvis Prestley,” with his name misspelled. This is the earliest known item listing Elvis as an entertainer. Elvis was 16 on a 22-act bill, performing Teresa Brewer’s ‘Till I Waltz Again With You.’ Elvis himself, as well as his classmates, consider this performance as the beginning of his rise to fame. Elvis later said, ‘It was amazing how popular I became after that.’ RR Auction COA.…(MB $200)

197. Elvis Presley.

196. Elvis Presley. Vintage two-page program for the 3rd edition of the Lido de Paris show at the Stardust Hotel in Las Vegas, 6 x 9, two pages, signed in blue ballpoint on the outside lined address panel, “Elvis Presley.” Central vertical fold touching first letter of signature, some light creasing and toning, an ink notation in the stamp area and a couple tack holes to top edge, otherwise fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

A display of Presley’s blue vinyl Moody Blue, Presley’s final studio album. Display features the album, an image of the cover art, and a small plaque with Presely’s birth and death dates. All are framed to an overall size of 18 x 24.5. In fine condition. RR Auction COA.…(MB $200)

ELVIS PRESLEY

201. Elvis Presley. Six origi-

198. Elvis Presley. Two original 45 rpm Elvis Presley singles: Hound Dog/Don’t Be Cruel, RCA Victor RCA Victor 47-6604; and Love Me Tender/Anyway You Want Me, RCA Victor 47-6643. In fine condition. The sleeves are not included. RR Auction COA.…(MB $100)

nal marching band arrangements for Elvis songs, each 5.25 x 7, published by Hal Leonard circa 1961. Songs are: ‘Hard Headed Woman,’ ‘Surrender,’ ‘A Big Hunk o’ Love,’ ‘I Got Stung,’ ‘One Night,’ and ‘I Want You, I Need You, I Love You.’ Arrangements contain parts for each musical instrument, as well as marching band formations. Each is contained in its original plastic envelope. In fine condition, with scattered marks and soiling to envelopes. RR Auction COA.…(MB $200)

199. Elvis Presley. Original light pink silk Elvis concert banner.

202. Elvis Presley.

Banner measures 44.5 x 5.5, has fringed edges, and has Presley’s name in giant block letters on both sides, as well as head-and-shoulders images of Presley at both ends. Storage folds and some scattered light soiling, otherwise fine condition. RR Auction COA.…(MB $100)

Four color 22.5 x 26.5 prints of the image used for the album cover of 50,000,000 Elvis Fans Can’t Be Wrong, from a limited run of 9,800, bearing a facsimile signature of the artist in the lower border. In overall fine condition. RR Auction COA.…(MB $200)

Seldom-seen pairing of 1956 stationery and envelope 200. Elvis Presley. Extremely rare sheet of Elvis stationery, 8.5 x 14, from 1956; and a mailing envelope, 9.5 x 4, with Presley’s image on the left side above the return address area. Both are framed together to an overall size of 13.5 x 23.25. In fine condition. A miniscule number of these stationery sheets and envelopes have survived the 55 years since they were marketed for a very short time period, presumably at concert venues in 1956. This particular stationery is nowhere to be found among the many Elvis Presley Enterprises (EPE) licensed products advertised during 1956 or beyond. RR Auction COA.…(MB $200)

68 ELVIS PRESLEY

203. Elvis Presley. Sev-

en items, consisting of exhibitor’s campaign books, merchandise heralds, and press books for the films Tickle Me (1965), Spinout (1966), Live a Little, Love a Little (1968), That’s the Way It Is (1970), The Trouble with Girls (1969), Harum Scarum (1965), and Stay Away, Joe (1968). In overall very good to fine condition, with central horizontal folds to each publication, a few images clipped out of most, and some light dampstaining to a few. RR Auction COA.…(MB $200)

204. Elvis Presley. Infamous limited edition giclee print on

paper, 22 x 17, entitled ‘It’s Now or Never 1956,’ signed in the lower border in black ink by photographer Alfred Wertheimer. The image shows a young Elvis in a stairwell at the Mosque Theatre in Richmond, Virginia, minutes before a concert, darting a mischievous tongue toward the deliciously reciprocating mouth of a mysterious girl in black. Only within the last few years was the woman positively identified. Double-matted and framed to an overall size of 31.5 x 26.5. In fine condition. RR Auction COA.…(MB $200)

205. Elvis Presley. Energetic limited edition giclee print on paper, 16 x 23, entitled ‘I’m All Shook Up,’ #64/275, featuring an excellent image of a young Elvis gyrating on stage. Matted and framed to an overall size of 25.5 x 33. In fine condition. RR Auction COA.…(MB $200)

206. Elvis Presley.

Very nice limited edition giclee print on paper, 16 x 23, entitled ‘Simply Elvis 1957,’ #175/275 DX, signed in the lower border in black ink by photographer Jerry Schilling. Nicely matted and framed to an overall size of 25.25 x 32.25. In fine condition. RR Auction COA.…(MB $200)

ELVIS PRESLEY

Bob dylan 1990 concert-used Dylan harmonica 209. Bob Dylan.

Two items personallyowned and used-by Bob Dylan: a personallyowned and-worn black leather motorcycle-style hat, originally donated by Dylan’s management to Evander Holyfield’s charity auction; and a concert used M. Honher “B” Marine Band harmonica from his 1990 World Tour, obtained from Dylan’s personal guitar and amplifier tech Cesar Diaz, accompanied by a photocopied letter of provenance from Diaz regarding the harmonica, one of a complete set (A-G) which Dylan used on stage. It was not uncommon for Diaz to provide a single LOA for multiple harmonicas. The original LOA was photocopied when harmonicas from the original set were sold singularly. Diaz began his association with Dylan in 1986; leaving in 1993 to devote time to his amplifier business. In 1991, Diaz played guitar on nearly 50 concert dates. Besides Bob Dylan, Caesar Diaz worked with a number of high profile musicians, most notably Stevie Ray Vaughan, Eric Clapton, Keith Richards, and Neil Young. Guitar World Magazine dubbed him ‘The Amp Doctor’ for his work in tube amplifier repair and modification. Both items are shadowboxed and framed with a portrait of Dylan and a descriptive plaque to an overall size of 42 x 37. In fine condition. RRAuction COA.…(MB $500)

concert-used harmonica, labeled by Dylan’s guitar tech 210. Bob Dylan. Personally-played stage-used Marine Band M. Hohner harmonica. Originating from Cesar Diaz, Dylan’s longtime guitar technician, the top surface of the harmonica is marked in Diaz’s own writing with the corresponding key on a small piece of white tape, in this case “C,” and also labeled with Dylan’s name on the plastic case. Harmonica was originally acquired by Diaz and given to a friend from Penn State University he met back in the 1970s. In fine condition, with expected wear from use. Diaz began his association with Dylan in 1986; leaving in 1993 to devote time to his amplifier business. Besides Dylan, Diaz worked with number of high profile musicians, most notably Stevie Ray Vaughan, Eric Clapton, Keith Richards, and Neil Young. Diaz also performed with Dylan as a guitarist in 1991, playing on nearly fifty dates after G. E. Smith left the band. RR Auction COA.…(MB $200) 70 BOB DYLAN

Extremely scarce 1991 handwritten set list, including “Rolling Stone,” “Blowin,” and “Aint Me Babe” 211. Bob Dylan. Handwritten set list on a yellow 8.5 x 10.5 lined sheet, circa 1991. Dylan lists 17 songs in black felt tip, including many of his greatest—among them are “Tangled Up,” “You Go Your Way,” “Masters,” “Aint Me Babe,” “Bob’s Dream,” “Desolation,” “Hattie Carrol,” “Broken,” “Rolling Stone,” and “Blowin.” Mounted with a photo of Dylan to an overall size of 21.5 x 15. Overall creases and an irregularly trimmed bottom edge, otherwise fine condition. Accompanied by a certificate of authenticity from Roger Epperson/REAL and full letter of authenticity from JSA. A great set list containing several of Dylan’s masterpieces from the early years of his ‘Never Ending Tour.’ RR Auction COA.…(MB $300)

212. Bob Dylan and the Band. Red-colored

Fender Squier ‘telecasterstyle’ guitar, signed in black felt tip on the white pickguard by Bob Dylan and Robbie Robertson, and on the body by Levon Helm, Rick Danko, and Garth Hudson. In fine condition, with the tip of the pickup selector switch broken off. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Bob dylan

213. Bob Dylan.

The Freewheelin’ Bob Dylan album signed on the front cover in black felt tip. In fine condition, with a couple trivial edge creases and ding to the upper left corner. The record is included. Accompanied by a detailed letter of provenance from the original collector, indicating that the album was signed in-person during a sound check at the Supper Club in New York City on November 17, 1993, as well as a certificate of authenticity from Roger Epperson/REAL. RR Auction COA.…(MB $200)

215. Bob Dylan. Another Side of Bob Dylan album signed in-person on the front cover in blue felt tip. Creases to the upper corners, some mild toning, light adhesive remnants to the upper right, and trivial separation to the top edge, otherwise fine condition. The record is not included. Originally obtained by in-person specialist Mike Wehrmann, who notes that it was signed on August 13, 2011, in New York. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

214. Bob Dylan. Blood on the Tracks album signed in-person on

216. Bob Dylan. Desire album signed on the front cover in red felt

the front cover in blue felt tip. Light dings to corner tips and spine, and near-complete separation to top edge, otherwise fine condition. The record is not included. Originally obtained by in-person specialist Mike Wehrmann, who notes that it was signed on August 13, 2011, in New York. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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tip. In fine condition, with a few scattered light creases and a bit of mild cover wear. Matted and framed to an overall size of 16.75 x 16.75. Desire was Dylan’s 17th studio album, and spent five weeks at #1 on the Billboard chart, becoming one of his top selling studio albums. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Celebrating Dylan’s 30 years of music 217. Bob Dylan. The 30th Anniversary Celebration CD signed on the front cover in black felt tip by Dylan. In fine condition. The CD is included. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Desire goes platinum 218. Bob Dylan. Official RIAA hologram platinum sales award

presented to Columbia Records to commemorate the sale of more than 1,000,000 copies “of the Columbia Records cassette and C. D. ‘Desire.’” Matted and framed with a copy of the cassette and CD, and an image of the cover, to an overall size of 12.75 x 17. In fine condition. RR Auction COA.…(MB $200)

219. Bob Dylan. Four color 22.5 x 26.5 prints of Dylan’s self portrait, which he used for the cover of his aptly titled 1970 album, Self Portrait. In overall fine condition. RR Auction COA.…(MB $200)

Bob dylan

jimi hendrix Jimi Hendrix Experience’s first single, ‘Hey Joe/Stone Free’ 221. Jimi Hendrix. Exceptionally rare original Polydor Records 45 rpm record sleeve for the Jimi Hendrix Experience’s first single, ‘Hey Joe/Stone Free,’ 7.25 x 7, signed across Hendrix’s white printed name in green felt tip, “Jimi Hendrix.” Sleeve was signed in-person in Hamburg, Germany, on March 17, 1967, in front of his hotel, while Hendrix was performing for three days at the famous Star Club. Accompanied by a typed letter of provenance from the original recipient, stating, “This autograph...was signed by Jimi Hendrix on March 17, 1967, in front of Parkhotel, Hamburg, Lincolnstreet. We were a group of autograph hunters that had direct contact with almost all stars appearing in the Star Club... The musicians frequently made use of our knowledge of Hamburg and thus we also were on the road for three days with Jimi Hendrix and Chas Chandler. As a return favor, they signed autographs for us...I saw him perform 7 times during his stay.” The record is not included. In very good condition, with light ‘ring of wear’ to sleeve, light surface and corner creases, none affecting signature, and a few surface impressions to lower portion of sleeve. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $500)

Hendrix hits a liquor store before a blistering set in Wisconsin in 1970 222. Jimi Hendrix.

Vintage ballpoint signature, “Love, Jimi Hendrix,” on a yellow 5 x 3.75 album page. Signature is housed in its original hardcover autograph album which bears several other signatures of friends, some dated 1968. In fine condition, with some skipping to first letter of sentiment. Accompanied by a certificate of authenticity from Tracks and a photocopy of a letter of provenance from the original recipient that states the signature was obtained on the afternoon of May 2, 1970, in Madison, Wisconsin liquor store. Later that evening, Hendrix and the Experience played the Dane County Coliseum on their Cry of Love tour. They played a 12-sing set including ‘Foxy Lady,’ and ‘Purple Haze.’ A highly-coveted signature from this most celebrated of music legends. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

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223. Jimi Hendrix. Color satin-finish 9 x 13 Henry Diltz photo of

226. Jimi Hendrix. Famous first printing poster from the original

224. Jimi Hendrix. Limited edition color 21 x 15 serigraph entitled ‘Genesis,’ numbered 323/350, featuring Hendrix’s colorful artwork and a facsimile signature in the lower right. Also bears an official stamp from the Hendrix estate in the lower border. In very fine condition. This artwork was featured in the documentary The Making of Electric Ladyland. RR Auction COA.…(MB $200)

227. Jimi Hendrix. Original handbill, 11 x 8.5, for The Jimi Hendrix

225. Jimi Hendrix. Gorgeous limited edition color 15 x 21 serigraph

228. Jimi Hendrix. Original Walker Brothers/Jimi Hendrix 1967 UK tour program, 8 x 10.25, with a two-page spread of the Jimi Hendrix Experience, featuring a biography and a full page image. In fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

Hendrix on stage at Woodstock, signed in the bottom border in black ink by Diltz, adding “Jimi Hendrix—Woodstock 1969.” Triple-matted and framed with three original, unused tickets, one for each day of the festival. In fine condition. RRAuction COA.…(MB $200)

entitled ‘The Prayer,’ numbered 323/350, featuring a vibrant image of Hendrix’s painting and a facsimile signature in the lower right. Also bears an official stamp from the Hendrix estate in the lower border. In very fine condition. This artwork was featured in the documentary The Making of Electric Ladyland. RR Auction COA.…(MB $200)

Experience’s final European tour (bassist Noel Redding left at the end of the tour), 22.5 x 32.5, featuring an image of Hendrix in a ‘plugged in’ design from artist Gunther Kieser. Matted and framed to an overall size of 29 x 39. In fine condition. RR Auction COA.…(MB $100)

Experience concert at the Seattle Center Coliseum on September 6, 1968. Also appearing were Vanilla Fudge, Soft Machine, and Eire Apparent. In fine condition. Hendrix played 11 songs at the show including Purple Haze, Foxy Lady, and Voodoo Child. RR Auction COA.…(MB $200)

JIMI HENDRIX

The Rolling stones 230. Rolling Stones. Vintage 1965 Rolling Stones UK tour program,

8 x 10.25, 16 pages. Signed on the front cover in blue ballpoint by Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman. The center pages had become detached from another copy of the same program which is why the staple holes are in a slightly different place. In very good condition, with scattered creasing and soiling to cover, some light contrast to a few of the signatures, notations inside, and mild handling wear. Accompanied by a certificate of authenticity from Tracks. During 1965, the Stones began branching out, playing their first shows in Ireland, Australia, and Singapore. They also released their third album, ‘Rolling Stones, Now!’ which was considered a highlight of their early American releases. Anything signed from this early era is rare and highly coveted. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Huge Stones display 231. Rolling Stones. Five color 11 x 15 photos from the Stones’ Steel Wheels tour program, each signed in blue felt tip by the band member pictured: Mick Jagger, Keith Richards, Ronnie Wood, who adds a quick self-caricature sketch, Billy Wyman, and Charlie Watts. All five are triple-matted together with four stage-used guitar picks from the tour, to an overall size of 45 x 42.5. In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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Vintage fully-signed Out of Our Heads album 232. Rolling Stones. Vintage Out of Our Heads album signed on the back cover in blue ballpoint by Mick Jagger and Brian Jones, black felt tip by Keith Richards and Charlie Watts, and black ballpoint by Bill Wyman. In very good condition, with some light scattered foxing and toning, general rubbing wear to the front cover, and a few slight brushes to the signatures. The record is not included. Pre-certified Roger Epperson/REAL and RR Auction COA.â&#x20AC;Ś(MB $200)

233. Rolling Stones. Color extremely limited edition

19.25 x 23 lithograph for Stripped, numbered 13/15, signed in the lower border in black felt tip by Mick Jagger, Ronnie Wood, Keith Richards, and Charlie Watts. Double-matted and framed to an overall size of 27.75 x 31.75. In very fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.â&#x20AC;Ś(MB $200)

THE ROLLING STONES

236. Rolling Stones. Extensive

Rolling Stones legal file, consisting of over 50 original and facsimile unsigned legal documents and correspondence from the William Morris Agency, dated October 1965. Most involve finances, tour dates, or contracts. In overall very good to fine condition, with various creases, toning, staple holes, and rusty paperclip marks and impressions. RR Auction COA.…(MB $200)

The Stones commemorate one of their biggest- selling albums 234. Rolling Stones. Color limited edition 22.5 x 26.5 print of their Some Girls album cover, numbered #72/90, signed in the lower border in blue felt tip by Mick Jagger, Keith Richards, Charlie Watts, and Ron Wood. Rolled and in fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

237. Rolling Stones. Colorful limited edition 39.5 x 19 print for

the Stones Licks 2002–2003 World Tour, numbered #56/1000, signed in black felt tip by Mick Jagger, Keith Richards, Ronnie Wood, and Charlie Watts. Also signed in black felt tip by the artist. Rolled and in fine condition. Eye-catching artwork combined with superb and large signatures. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

238. Rolling Stones. Rare original

235. Rolling Stones.

Vintage ballpoint signatures of Mick Jagger, Keith Richards, Brian Jones, Bill Wyman, and Charlie Watts on an off-white 4.5 x 4 album page, with a collector’s notation along the top. Some light skipping and irregular adhesion to all signatures, otherwise fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

78 THE ROLING STONES

color 20 x 30 UK concert tour poster from 1971. Poster lists the dates of the brief tour along the right edge. In fine condition, with four very small tears along right edge. Rolled. This was the Stones first proper tour of England since 1966. The day the tour began, the band also announced they were becoming tax exiles to escape the ridiculously high taxes of their home nation. RR Auction COA.…(MB $225)

Seedy cover proof for Beggars Banquet, which the record company refused to release 239. Rolling Stones. Extremely rare cover proof of the Stones

banned cover art for Beggars Banquet. Proof measures 26.25 x 14 and shows a graffiti-covered lavatory wall, with the band and album names printed down the center. In fine condition, with some light toning and foxing to edges, as well as several crop marks and notations to the edges. The cover was originally done by Tom Wilkes, Michael Vosse and Barry Feinstein, along with Mick Jagger and Keith Richards, who did the graffiti on the back. The band loved it, but Decca in London and its United States subsidiary, London Records, rejected the design. After months of arguing, the Stones gave in and went with the simple ‘white invitation cover’ and the album was released in December of 1968. This London Records cover proof hung in a London executive’s office for years and was acquired directly from him in 1997. An incredibly rare find, this particular cover proof has been know to sell for $8,000–10,000. RR Auction COA.…(MB $200)

240. Rolling Stones.

Color 35 x 23 printer’s proof for the Stones series of concerts at the Oakland Coliseum on October 26, 28, 29, and 31, 1994, featuring a caricature of children dressed as the Stones trick or treating. Rolled and in fine condition. RR Auction COA.…(MB $100)

241. Rolling Stones. Color 14

x 21.5 poster for the 1969 Rolling Stones US tour, featuring an Art Nouveau-style nude woman between elaborate panels, and a box at the bottom where a venue would have printed specific information about the upcoming show. In fine condition. RR Auction COA.… (MB $100)

24 2 . Jagger.

Mick

Color 24 x 33.25 poster of a shirtless Jagger on stage, signed in black felt tip. Scattered creases, a bit heavier to edges, and mounting remnants to reverse, otherwise fine condition. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

THE ROLLING STONES

Typed lyrics for ‘Hang Fire’ for Tattoo You’s liner notes, corrected by Jagger himself 243. Mick Jagger. Typed lyrics for ‘Hang Fire,’ one page, 8.5 x 11, copied Rolling Stones letterhead, circa 1981. Jagger corrected the lyrics in his own hand, adding “Hang Fire” three times and “Put it on the wire” twice, as well as crossing out a few lines and correcting a typo. In fine condition, with a few mild creases. These lyrics were originally typed out by an assistant to use in the production of liner notes for Tattoo You; Jagger then corrected any mistakes. Original Rolling Stones lyrics are extremely rare and only a handful have come to market. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

245. Keith Richards. Red-bodied Gibson Epiphone Special model electric guitar, signed in-person on the body in black felt tip. In fine condition, with a bit of light wear to body above the signature and one string missing. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

246. Brian Jones. Vintage ballpoint signature, “Brian Jones,” on a light blue album page. Matted and framed with a color composite magazine photo of Jones to an overall size of 14.5 x 18.5. In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

80 THE ROLING STONES

THE DOORS 249. Jim Morrison. Johnson & Harban Management Account business check, 8.25 x 3.25, filled out in type and signed by Robert L. Greene, payable to James Morrison for $2,000, June 21, 1968. Endorsed on the reverse by Morrison, “J. Morrison,” as well as his girlfriend, Pamela S. Courson. In fine condition, with a central vertical fold, and expected cancellation holes and bank stamps, none affecting the signature. A fantastic, near-pristine check. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

250. The Doors. The Doors concert poster, 13.75 x 21.75. Matted and framed to an overall size of 19.5 x 26.75. In fine condition. A very popular and indemand poster featuring a Randy Tuten design and iconic photograph by Joel Brodsky, BG-119 from the Bill Graham series, for The Doors two nights at San Francisco’s Winterland on February 5 and 6, 1970; the gigs coinciding with the release of Morrison Hotel/Hard Rock Café. RRAuction COA.…(MB $200)

252. Jim Morrison. Original color satinfinish 9 x 13.25 Henry Diltz photo, capturing The Doors’ front man mid-performance while he gazes off stage, signed in the bottom border in black ink by Diltz, adding “Jim Morrison 1968.” Double-matted and framed to an overall size of 15.5 x 19.75. In fine condition. RRAuction COA.…(MB $200)

251. The Doors. Mesmerizing original color 16.5 x 21.5 famous composite photo of The Doors. Triple-matted and framed to an overall size of 25.5 x 30. In fine condition. RRAuction COA.…(MB $200)

253. The Doors. Original unused 4 x 1.25 ticket to The Doors September 27, 1967, concert at the KRNT Theater in Des Moines, Iowa. “Parquet Circle” ticket had an original price of $4.50. In fine condition. RR Auction COA.…(MB $100)

THE DOORS

the who Individual 1970s Who portraits, including the notorious ‘Moon the Loon’ 255. The Who. Collection of four glossy Tracks and MCA Records promotional photos, two 8 x 10 and two 10 x 8, one of each of the original band members, each signed in blue ballpoint by the band member pictured: Keith Moon, John Entwistle, Roger Daltrey, and Pete Townshend. A few light bends and creases, some light skipping and irregular ink adhesion to portions of Entwistle’s signature, and a bit of light contrast to Moon’s signature, otherwise fine condition. A great collection of the original members, and any signed 8 x 10 of Moon alone is quite uncommon. Accompanied by a single certificate of authenticity from Roger Epperson/ REAL for all four photos. RR Auction COA.…(MB $300)

256. The Who. Meaty Beaty Big and Bouncy album signed inperson on the front cover in blue felt tip by Roger D a l t r e y, P e t e Townshend, and John Entwistle. In fine condition, with a few trivial creases. The record is not included. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

257. The Who. Original complete unused large format ticket, 6 x 4, for a Who concert at Furness, Bowland, Lancaster, England on May 15, 1970. The ticket has been folded vertically in the centre and laid flat. Some of the perforated edge is detached. In very good condition, with a central vertical fold, a few creases and spots of soiling, and a partial separation along perforation. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

82 THE WHO

258. The Who. Original handbill from The Pavilion in Bath, England, 5 x 8.25, for a Who performance that took place on December 18, 1967, billed as a “Fabulous Xmas Party with The Who.” Also on the bill are The Temptations, Jimmy James and The Vagabonds, The Electric Prunes, and Amen Corner. A central horizontal fold and scattered creases and wrinkles, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

259. The Who. Origi-

nal handbill from The Pavilion in Bath, England, 5 x 8.25, for a Who performance on March 20, 1967. Also on the bill are Herbie Goins, The Easybeats, and The Troggs. In very good condition, with central horizontal and vertical folds and scattered creases and wrinkles. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

260. The Who. Flattened VHS sleeve for The Who Rocks America, signed in ballpoint by Roger Daltrey, Pete Townshend, John Entwistle, and Kenney Jones. In fine condition. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $100)

261. John Entwistle. Gold-bod-

ied Fender Jazz Bass Special bass guitar, signed on the body in gold ink by Entwistle. In fine condition, with a few dings and scratches to body. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

262. Pete Townshend.

Three items: Who by Numbers album, signed on the front cover in black felt tip. The record is included; Quadrophenia program, signed on the front cover in black felt tip; and a glossy 11 x 14 photo of Townshend on stage with the Who, signed in blue felt tip. A PSA/DNA authentication label affixed to covers of album and booklet, a James Spence authentication label affixed to lower corner of photo, and trivial creases to photo, otherwise fine condition. Accompanied by a certificate of authenticity from PSA/DNA (album) and a certificate of authenticity from James Spence (photo). Pre-certified Roger Epperson/REAL and RR Auction COA…(MB $100)

THE WHO

LED ZEPPELIN 267. Jimmy Page. Color 22.5 x 34.5 promotional poster for his solo album Outrider, signed and inscribed in black felt tip, “To Rick, Rock On! Jimmy Page.” Framed to an overall size of 23.25 x 35. In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

265. Led Zeppelin.

Led Zeppelin II album signed on the front cover in black felt tip by Jimmy Page, and blue felt tip by Robert Plant and John Paul Jones. In fine condition, with a ding to the lower left corner, some slight rubbing wear to the front cover, and a light ‘ring of wear’ to the back cover. The record is included. Accompanied by certificate of authenticity from Roger Epperson/REAL. RR Auction COA.…(MB $200)

268. Led Zeppelin. Phenomenal original color 12.5 x 21.5 print entitled ‘Bill Graham presents Led Zeppelin in San Fransico, along with the Bonzo Dog Band, Roland Kirk and his Vibrations Society for three days of Brotherhood of Light.’ Added at the bottom border is an additional performance featuring The Rolling Stones. Matted and framed, with a smaller flyer featuring the same design, and three unused tickets. In fine condition. RRAuction COA.…(MB $200)

269. Led Zeppelin and The Who. Rare original handbill from

266. Led Zeppelin.

Original concert poster for Led Zeppelin’s performance at Forest National Stadium, Brussels, Belgium, on June 5, 1980, which was Zeppelin’s final tour. Poster measures 27.5 x 39.25 and other artists advertised on the poster include Bob Marley, Frank Zappa, and Fleetwood Mac. In fine condition, with a few scattered light creases. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

84 LED ZEPPELIN

The Pavilion in Bath, England, 5 x 8.25, for the Led Zeppelin and Who performances that took place in December 1968. Led Zeppelin had originally been booked to support The Jeff Beck Blues Band but they cancelled and Zeppelin went on to headline the concert. Also featured on the bill are John Mayall’s Blues Breakers and Ten Years After. In fine condition, with scattered creases and wrinkles as well as some spots of light toning. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

270.

Led Zeppelin.

Original concert ticket, 4.5 x 3, from the band’s performance at the Kinetic Circus in Birmingham, UK, on November 17, 1971. The band played 12 songs at the show including ‘Whole Lotta Love,’ and ‘Stairway to Heaven.’ In fine condition, with a single punch hole to top edge. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

271. Led Zeppelin. A complete unused ticket for Led Zeppelin’s performance at Knebworth Park on Saturday August 11, 1979. This ticket measures 6.75 x 3 and retains the ticket agent’s portion. In fine condition, with staple holes to left edge. Accompanied by a certificate of authenticity from Tracks. This was the final show the band performed in Great Britain until 2007. RR Auction COA.…(MB $100)

274. Led Zeppelin. Stellar original program from Led Zeppelin’s 1975 U. S. Tour, 8.5 x 11, featuring pages of color photos. In fine condition, with some trivial surface marks to the cover. RRAuction COA.…(MB $200)

275. Jimmy Page. Led Zeppelin II CD signed and inscribed on the front cover of the booklet, “Gary, Keep on rockin’ Jimmy Page.” In fine condition. The CD is included. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

272. Led Zeppelin.

Incredibly rare concert ticket, 4.75 x 2.75, for Led Zeppelin’s performance at Laugardalsholl, Reykjavik, Iceland, held on June 22, 1970. A couple light creases and mild toning, mostly to the edges, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. This stop in Iceland kicked off the band’s 1970 summer tour of Iceland, Bath, and Germany. RR Auction COA.…(MB $200)

Seldom-found and extremely desirable limited edition Presence ‘Object’ 273. Led Zeppelin. Ultra rare, promotional-only 1976 US Swan Song limited edition, hand-numbered 12˝ replica statuette of the monolith or ‘Object’ depicted on the cover of the Presence album, #461/1000, complete with its custom-etched base still attached, with the Alva Studios label affixed to the bottom of the base. Base reads, “Led Zeppelin, Presence ‘The Object’ © 1976 Swan Songs Inc.” In fine condition, with a chip to one corner of top, a few light chips to base, and a small covered up chip to another top edge. Only 1,000 were manufactured for official distribution, and many have long been broken and discarded. RR Auction COA.…(MB $200)

LED ZEPPELIN

PINK FLOYD 277. Pink Floyd. The Wall album signed on the front cover in blue felt tip by Roger Waters, Nick Mason, and Richard Wright, and black felt tip by David Gilmour. In fine condition, with some trivial soiling and a ding to the upper left corner. The records are included. Accompanied by certificate of authenticity from Roger Epperson/ REAL. RR Auction COA.…(MB $200)

Vintage signatures of Floyd’s original line-up with Syd 278. Pink Floyd. Vintage red and blue ballpoint signatures of all four original members, “Syd Barrett,” “Love, Rick Wright,” “Love, Roger Waters,” and “Love from Nick” on a beige 6 x 4 album page. In fine condition. A seldomoffered combination. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

279. Pink Floyd. Original 4.5 x 4.5 cardstock handbill for performances of Pink Floyd and Jeff Beck at The Pinnacle, Los Angeles, on July 26 and 27, 1968. In fine condition, with a diagonal crease to lower left corner. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

86 PINK FLOYD

MICHAEL JACKSON Handwritten lyrics to ‘Black or White’ 281. Michael Jackson. Souvenir handwritten lyrics to ‘Black or White,’ two pages, 8.5 x 11, signed in the upper right of the first page in black felt tip, “Michael Jackson.” Jackson pens 23 lines of lyrics to the song, in full (spelling and grammar retained): “Black or White/ I took my baby on/ a Saturday bang/ Boy is that girl with/ Yes were one and the same/ I believe in miraclis/ and a miracal is happening/ tonight/ But if youre thinkin bout my/ Baby it don’t matter if/ your black or white/ I took my message to/ the Saturday Sun/ I had to tell them I am/ second to none/ and I told them bout/ equality and its true/ either your wrong or/ your right/ But if your thinkin/ of being my baby/ it don’t matter if your/ black or white.” Attractively mounted, cloth-matted, and framed with an image from the ‘Black or White’ album sleeve and a nameplate to an overall size of 37.5 x 22. In fine condition. Originates from the collection of concert promoter and personal friend of the Jackson family, David Gest. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

282. Michael Jackson. Dirty Diana album

signed on the front cover in black felt tip. In fine condition, with a ding to the top edge and a couple mild creases. The record is included. Accompanied by a full letter of authenticity from Roger Epperson/ REAL. RR Auction COA.…(MB $200)

283. Michael Jackson. Man in the Mirror 12-inch single signed on the front of the sleeve in black felt tip. In fine condition, with slight irregularity to the finish above the signature. The record is included. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $200)

284. Michael Jackson. Thriller album colossally signed on the front cover in black felt tip. In fine condition, with a light crease to the lower right corner, a couple slight surface impressions below the signature, and light wear to the upper left corner. The record is included. Accompanied by a certificate of authenticity from Roger Epperson/ REAL. RR Auction COA.…(MB $200)

MICHAEL JACKSON

286. Michael Jackson. Victory album signed on the front cover in blue felt tip. Light contrast to signature, scattered light creases to cover, and an authentication label affixed to lower right corner, otherwise fine condition. The record is included. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

289. Michael Jackson. Origi-

nal signed pencil and colored pencil sketch of a six-flagged castle nestled in the woods with a mountain range in the distance, on an off-white 12 x 18 sheet, signed at the bottom in red artist’s pencil by Jackson. In fine condition. The subject of this sketch is likely Neuschwanstein, the basis for Disney’s Sleeping Beauty Castle, as this came from a collection of drawings Jackson did of Disney characters. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

287. Michael Jackson.

Original felt tip sketch of a man with double lips on an off-white 18 x 15 sheet, signed at the bottom “Michael Jackson.” In fine condition, with original art pad binding holes to top. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

28 8. M i c h a el Jackson. Original

pencil sketch of an elfin boy on an off-white 18 x 24.5 sheet, signed at the bottom “Michael Jackson.” In fine condition. Rolled, with moderate scattered creases, a small tear to the right side, and original art pad binding holes to top, otherwise fine condition.Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

88 MICHAEL JACKSON

290. Michael Jackson. Original ballpoint sketch of Elvis on an off-white 9 x 12.5 sheet, signed at the bottom, “Michael Jackson,” and initialed, “MJ.” In fine condition, with original art pad binding holes to top. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

291. Michael Jackson. Origi-

294. Michael jackson. Origi-

nal felt tip self-portrait, dated 1980, on an off-white 9 x 12 sheet, signed at the bottom “Michael Jackson.” Light scattered toning and rippling, and original art pad binding holes to top, otherwise fine condition. Pre-certified Roger Epperson/ REAL and RR Auction COA.… (MB $200)

nal ink self-portrait, on an offwhite 8.25 x 11 sheet, signed at the bottom “Michael Jackson, 85.” Light scattered creases and toning, and original punch holes to the left border, otherwise fine condition. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

295. Michael Jackson. Satin-finish

2 9 2. M i c h a el Jackson. Original blue

11 x 14 photo of Jackson during a performance, boldly signed in black felt tip. In very fine condition, with a slightly grainy quality to the image. Accompanied by a certificate of authenticity from Roger Epperson/REAL. RR Auction COA.…(MB $200)

crayon sketch of Mickey Mouse wearing a crystal glove on a lined 8.25 x 11 sheet, signed at the bottom, “Michael.” In fine condition, with original punch holes to the left border. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $200)

2 93. M i c h a el Jackson. Original felt

tip sketch of Mickey Mouse, dated 1998, on an off-white 8.25 x 11 sheet, signed at the bottom “Michael Jackson.” In fine condition, with a few light creases and original punch holes to the left border. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

296. Michael Jackson. Epic Re-

cords sales award presented to Jackson “to commemorate the sale of more than one million copies of the Epic Records single record ‘Thriller.’” Framed with a platinum disc and plaque to an overall size of 13 x 17. In fine condition. RR Auction COA.… (MB $200)

MICHAEL JACKSON

297. Michael Jackson. Epic Records

sales award presented to Jackson “to commemorate the sale of more than one million copies of the Epic Records single record ‘Billie Jean.’” Framed with a platinum disc and presentation plaque to an overall size of 13 x 17. In fine condition. RR Auction COA.… (MB $200)

298. Michael Jackson. Sales award

presented to Jackson to commemorate the sale of one million copies of the Thriller CD. Framed with a special edition of the disc, a platinum disc, a printed plaque featuring the album art, and a cut-out of Jackson as he appeared on the album, to an overall size of 19 x 23. In fine condition. Accompanied by a letter from the national marketing director of Sony Music identifying the award. RR Auction COA.…(MB $200)

Michael’s ‘to do’ list including video games and sending comic books to Africa 300. Michael Jackson. Handwritten to do list on an off-white 5.5 x 8.25 sheet for his personal assistant Evelyn ‘Evvy’ Tavasci. Jackson’s requests, written in pencil, ballpoint, and felt tip include “More Sega Dream Cast games,” “Order WWF Smack Down,” and “mail comics to Africa.” The reverse of the list has some German telephone numbers written by Jackson in pencil. In very good condition, with central horizontal and vertical fold, and scattered soiling and wrinkling. Accompanied by a certificate of authenticity from Tracks. Item originates from the collection of a family that befriended Jackson on tour in the mid-1990s. During this time that they went on several trips with Michael, and it was on one of these occasions that Michael gave the list to them. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

29 9. M i cha el Jackson. RIAA cer-

tified gold records award presented to James Reeves for Thriller. Framed with a gold informational plaque featuring an image of the album art to an overall size of 17 x 21. In fine condition. In just over a year, Thriller became—and currently remains— the best-selling album of all time, with sales estimated as being between 65 and 110 million copies worldwide. RR Auction COA.…(MB $200)

90 MICHAEL JACKSON

301. Michael Jackson. Brown satin jacket from Jackson’s 1984 Victory Tour, made by Upstream, bearing large “Jackson’s World Tour ’84” and Pepsi logos embroidered across the back. In fine, barely worn condition. RR Auction COA.…(MB $200)

302. Michael Jackson. Empty Never-

land OSS leather badge wallet, 3.75 x 4.5, bearing the Neverland Office of Special Services (OSS) emblem on the front. In fine condition, with a few scattered marks to the leather. The OSS was the name of the armed security unit at Jackson’s ranch. RR Auction COA.…(MB $100)

304. Michael Jackson. Collection of 16

unsigned photos, various finishes, most measuring 8 x 10 or 10 x 8, including eight color, from various points of Jackson’s career, including several from Captain Eo. In overall fine condition. RR Auction COA.…(MB $100)

Robinson jersey from Jackson’s collection

305. Frank Robinson. Two items once belonging to the Jackson family: one 1984 game-issue Rawlings ‘Action-Tailored’ Baltimore Orioles jersey bearing Frank Robinson’s name and number 20 on the back. Rawlings manufacturer’s tag sewn inside notes size, “44,” with an adjacent tag noting, “Set 1 1984.” Scattered wear and soiling suggest on-field use, as Robinson was Baltimore’s manager at the time. Also included is a Baltimore Orioles Christmas card, 6.25 x 4.5, signed in black ballpoint by Robinson. In overall fine condition. Provenance: Guernsey’s, 2007. Accompanied by tags for both items from Guernsey’s special Jackson-themed auction. RR Auction COA.…(MB 200)

306.

305. Michael Jackson. Ultra-rare Thriller record release party invitation. Invitation is in the form of a white right-handed cotton glove, with a snap closure on the wrist. Print on the palm reads, “Michael Jackson Thriller Party, 2/7/84, 9PM, American Museum of Natural History…Black Tie.” In fine condition. RR Auction COA.…(MB $200)

Jackson 5.

Glossy 10 x 8 Epic Records publicity photo of the Jackson 5, signed in blue felt tip by Michael Jackson and his brothers, Tito, Jermaine, Marlon, Randy, and Jackie. In fine condition. Accompanied by a certificate of authenticity from Roger Epperson/REAL. RR Auction COA.…(MB $200)

MICHAEL JACKSON

THE JOEY RAMONE COLLECTION

he famed Ramones front man and countercultural icon who defined punk for a generation, Joey Ramone is a larger-than-life figure in the history of rock music. The Ramones burst onto the New York music scene and took it by storm—their unbridled energy and frenetic pace was unlike anything that had come before. Most of their songs

were under two minutes, and entire sets might last only twenty. Joey Ramone was crucial to their initial success—he was the one front man on the burgeoning New York punk scene who was unique, the rest mere carbon copies of each other. He had a distinct style—long black hair, leather jacket, sunglasses—to match what would become one of the most recognizable voices in punk. It is hard to quantify the lasting effect of the Ramones on music and culture in general. Music historian Jon Savage wrote that their debut album “remains one of the few records that changed pop forever,” while critic Stephen Thomas Erlewine declared that their “first four albums set the blueprint for punk.” In an article for Slate, Douglas Wolk named the Ramones “easily the most influential group of the last 30 years.” Of all members of the band, Joey Ramone stands out in particular—he was the face of the group and molded their unique sound. In remembering Ramone, MTV called him the “iconic godfather of punk.” This section consists of numerous items straight from Ramone’s estate, a collection that represents all that the name “Joey Ramone” conjures up. His zebra-trimmed leather jacket, stage-worn shirts, glasses, and leather belts and accessories fill out an enormous selection from Ramone’s iconic wardrobe. For his musical legacy, there are multiple awards, two guitars, and records from his personal collection. Most important, however, are the items that offer an inner view of the creative process—handwritten working lyrics to over a dozen songs. It is not often that the opportunity arises to purchase items directly from a legend’s estate, and these items come with impeccable provenance. 92 THE JOEY RAMONE COLLECTION

Photo Credit: Ian Dickson

Punk history: an iconic leather jacket from the brilliant Ramones front man 309. Joey Ramone. Joey Ramone’s personally owned and worn custom-made

black leather jacket. Jacket features a zip-up front, a zippered left breast pocket, and is highlighted by authentic zebra skin on the pocket flaps, shoulders, and along the cuffs. In very good condition, with expected wear, and some separation to bottom of interior lining and the cuffs. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $300)

THE JOEY RAMONE COLLECTION

Beat-up Roadstar direct from Joey 310. Joey Ramone. Well-used black-bodied Ibanez Roadstar II Series ‘stratocaster-style’ electric guitar. Missing four strings and scattered moderate wear to body, otherwise very good condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $300)

Eye-catching guitar from Joey’s collection 311. Joey Ramone.

Sunburst-finish Epiphone electric guitar. In fine condition, with expected wear from use, some light crazing to finish, and chips to the body. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $300)

94 THE JOEY RAMONE COLLECTION

Joey’s well-used passport from jet-setting around the world including the band’s farewell tour 312. Joey Ramone. Joey Ramone’s personal passport, number 061041624, issued on September 9, 1986. Passport measures 3.5 x 5, and

contains his printed personal information on the inside front cover, signed on the adjoining page in black ink with his real name, “Jeff Hyman.” Affixed on the personal information page is a 1.5 x 1.75 passport snapshot. Forty-four of the inside pages are stamped on both sides with entry stamps and some affixed work visas and permits from around the world including London, Japan, Argentina, Italy, Brazil, Denmark, Australia, New Zealand, the Bahamas, Canada, Norway, Canada, and New York City. Stamps date from the late 1980s to 1996. Expected wear from use, two punch holes to front cover, and several labels affixed to covers, otherwise fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. A very personal and one-of-a-kind item, enhanced by his uncommon legal signature, and also showcasing the band’s willingness to play anywhere and anytime. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $300)

THE JOEY RAMONE COLLECTION

The punk rock legendâ&#x20AC;&#x2122;s record collection, including albums from Led Zeppelin, the Who, T. Rex, Cream, Bob Dylan, and Iggy Pop

96 THE JOEY RAMONE COLLECTION

313. Joey Ramone. Joey Ramone’s personal record collection, consisting of 97 records in their original album sleeves. Some artists include

Led Zeppelin, the Who, T. Rex, Cream, Bob Dylan, The Human League, Iggy Pop, the Doors, the Temptations, and the Ventures. In overall very good to fine condition, with various scattered creases and small tears to sleeves, affixed prices tags and labels, and marks to vinyl. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the collection’s authenticity. RR Auction COA.…(MB $500)

Complete list of albums - 68/WRKO (30 Now Goldens) - The Allman Brothers Band (At Fillmore East) - Paul Anka (Vintage Years 1957–1961) -The Beach Boys (20 Golden Greats) -The Beau Brummels (The Original Hits) - Pat Boone (Greatest Hymns) - Jimmy Campbell (Half Baked) - CAP-FM (What’s In-Store For You) - Cheap Trick (One on One) - Alice Cooper (Killer) - Cream (Cream) - Cream (Live Cream Volume II) - The Dave Clark Five (American Tour) - The De Franco Family Band (Heartbeat, It’s a Lovebeat) - Donovan (Mellow Yellow) - The Doors (The Doors) - Dwight Twilley Band (Twilley Don’t Mind) - Bob Dylan (Greatest Hits Vol. II) - Emerson, Lake & Palmer (Emerson, Lake & Palmer) - Emitt Rhodes (Emitt Rhodes) - John Entwistle (Smash Your Head Against the Wall) - Eric Burdon & the Animals (The Twain Shall Meet) - David Essex (All the Fun of the Fair) - The First Class (The First Class) - Flo and Eddie (Moving Targets) - Four Rock ’n’ Roll Legends (Live in London) - The Four Seasons (2nd Vault of Golden Hits) - Marvin Gaye (Let’s Get It On) - Genesis (Nursery Cryme) - The Grass Roots (Where Were You When I Needed You) - The Jimi Hendrix Experience

(Are You Experienced) - Herman’s Hermits (Best of, Volume II) - The Hideouts (Best of) - The Hollies (Hollies Live) - The Hollywood Stars (The Hollywood Stars) - The Human League (Dare) - The Human League (Fascination!) - Elton John (Goodbye Yellow Brick Road) - Elton John (Tumbleweed Connection) - The Kinks (Preservation Act 2) - KISS (Dressed to Kill) - Led Zeppelin (Houses of the Holy) - Laura Lee (Women’s Love Rights) - Gary Lewis and the Playboys (This Diamond Ring) - Ray Manzarek (The Whole Thing Started with Rock & Roll Now It’s Out of Control) - The Marvelettes (The Return of The Marvelettes) - The McCoys (Human Ball) - Mickey and Sylvia (Do It Again) - Keith Moon (Two Sides of the Moon) - Rick Nelson (In Concert) - The Paupers (Magic People) - Peter, Paul and Mary (10 Years Together) - Tom Petty and the Heartbreakers (Official Live ’Leg) - Pezband (Pezband) - Pink Fairies (Kings of Oblivion) - Gene Pitney (The Gene Pitney Story) - Plastic Bertrand (Ca Plane Pour Moi) - Iggy Pop (Lust For Life) - Pretty Things (The Vintage Years) - Lloyd Price (His Big Hits) - The Rascals (Once Upon a Dream) - The Rascals (See) - Raspberries (Raspberries)

- The Rationals (The Rationals) - Lou Reed (Sally Can’t Dance) - The Righteous Brothers (Greatest Hits) - The Righteous Brothers (The History of The Righteous Brothers) - The Searchers (Volume 2) - Neil Sedaka (The ’50s & ’60s) - The Sensational Alex Harvey Band (Next) - Silverhead (16 and Savaged) - Carly Simon (No Secrets) - Slade (In Flame) - Slade (Slade Alive!) - Patti Smith Group (Easter) - Sonny and Cher (The Two of Us) - Billy Squier (Don’t Say No) - Status Quo (Live) - Cat Stevens (Teaser and the Firecat) - Rod Stewart (Every Picture Tells a Story) - Rod Stewart (Sing It Again Rod) - Sweet (Give Us a Wink) - T. Rex (Bolan Boogie) - T. Rex (Light of Love) - The Temptations (A Song For You) - Toots & the Maytals (Funky Kingston) - The Tubes (Young and Rich) - Ike and Tina Turner (Workin’ Together) - The Ventures (The Ventures Play Telstar and the Lonely Bull) - Wet Willie (Drippin’ Wet) - The Who (Odds & Sods) - The Who (Portrait of the Who) - Spanky Wilson (Specialty of the House) - Yes (Close to the Edge) - The Young Rascals (Collections) - The Youngbloods (Ride the Wind) - The Zombies (Early Days)

THE JOEY RAMONE COLLECTION

98 THE JOEY RAMONE COLLECTION

Ramone’s massive t-shirt collection, with many from his favorite bands and radio stations 314. Joey Ramone. A collection of 140 t-shirts and four sweatshirts, all personally owned by Joey Ramone. Shirts are from various music groups, (including Motorhead, Nirvana, Alice Cooper, Iggy Pop, and The Misfits), radio stations (including New York’s K-Rock), locations, and many others. In overall fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the collection’s authenticity. RR Auction COA.…(MB $500)

THE JOEY RAMONE COLLECTION

Ramone’s personal Rolodex, full of record companies, musicians, and agents 315. Joey Ramone. Joey Ramone’s personal Rolodex, 5.5 x 3.5 x 10, consisting of numerous cards bearing typed addresses or stapled business cards of Ramone’s associates. Some interesting business cards include Ramone’s personal Addicted to Noise card, Arista Records, Rock ‘n’ Roll High School producer Allan Arkush, Epitaph Records, EMI Records, Footlight Records, Geffen Records, rock ‘n’ roll photographer Bob Gruen, Instinct Records, Wayne Kramer, Lucinda Williams, MCA Records, a few different people at MTV, Rip magazine, the Ramones UK Fan Club, Spin Records, Motorhead’s agent, and a few different radio stations, including K-Rock. Typed phone number and address cards for the Bottom Line venue, a CBGB booking agent, Stan Lee of the Dickies, the Goo Goo Dolls, and Sire Records are included. Epitaph Records and Lucinda Williams cards both bear ballpoint notations in Ramone’s hand. Five cards also have phone numbers and other notations to the reverse in Ramone’s hand. His rolodex also reveals an affinity for fine Japanese cuisine. Expected wear from use, including creases to corner tips and letter tabs, otherwise fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $300)

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316. Joey Ramone. Metal eyeglasses with light blue prescription lenses, 5 inches wide, no maker identified. In very good condition, with frames relatively bent but structurally sound. Accompanied by a black plastic glasses case. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

317. Joey Ramone. Tiny black plastic-framed sunglasses with mirrored circular lenses, 4.5 inches wide, identified inside the right earpiece, “S:22 Korea.” In fine condition, with the frame slightly bent. Accompanied by a broken brown plastic glasses case. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

318. Joey Ramone. Black metal clip-on sunglasses with dark lenses, 4.5 inches wide, no maker identified. In fine condition. Accompanied by blue and brown glasses cases and the large tin in which the glasses were kept. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.… (MB $200)

319. Joey Ramone.

Metal eyeglasses frames without lenses, 5 inches wide, no maker identified. In very good condition, with frames relatively bent but structurally sound. Accompanied by a brown glasses case and cleaning cloth from optometrist Nevile Robinson in London. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

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320. Joey Ramone. Joey Ramone’s stage-worn t-shirt. Black t-shirt, size XL by Delta, is for the band The Independents and bears a large skull and the band’s name. In fine condition, with expected wear. Accompanied by a photo of Joey wearing the shirt on stage with the Ramones. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

Joey’s stage-worn shirt from a memorable Troubadour show with Shonen Knife 321. Joey Ramone. Joey Ramone’s stage-worn t-shirt worn during a historic appearance at the Troubadour on August 20, 1998. Black t-shirt is for WDST Radio Woodstock 100.1. In fine condition, with expected wear. Ramone wore the shirt at the iconic venue when he appeared with the Independents, a band he was producing. At the end of the show, they were joined on stage by Shonen Knife, introduced by Joey as ‘The Osaka Ramones,’ where they blistered through the Ramones’s classics ‘I Wanna Be Sedated’ and ‘Blitzkreig Bop.’ In a later interview with DJ Ramone, he stated the club had told him their ‘jam’ together on the 20th…generated the ‘heaviest mosh scene’ they’d ever witnessed in the history of the Troubadour. Accompanied by a photo of Joey wearing the shirt on stage. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

322. Joey Ramone. Joey Ramone’s stage-worn t-

shirt. Black t-shirt, size XL by Wild Oats, is for the band The Misfits and bears the band’s name and ‘Crimson Ghost’ logo, as well as one of their single names “Horror Business.” In fine condition, with expected wear. Accompanied by a photo of Joey wearing the shirt on stage signing back-up for an unidentified band. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

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323. Joey Ramone.

Joey Ramone’s stage-worn t-shirt. Black t-shirt, size XL by Fruit of the Loom, is for the band Alternative Tentacles and bears the band’s logo. In fine condition, with expected wear. Accompanied by a photo of Joey wearing the shirt on stage. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

Ramone Estate. RR Auction COA.…(MB $200)

324. Joey Ramone. Joey Ramone’s personally owned and-worn t-shirt. Black t-shirt, size L by Murina, features the Japanese monster Gaigan. In fine condition. Accompanied by a photo of Joey wearing the shirt and posing with a fan and Marky Ramone. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey

325. Joey Ramone. Joey Ramone’s

personally owned and worn t-shirt. Black t-shirt, size XL by Hanes, is for the band The Fatima Mansions and bears the text “Keep Music Evil II” on the front, as well as the band’s name and Radioactive Records logo on the sleeves. In fine condition, with expected wear. Accompanied by a photo of Joey wearing the shirt. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

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326. Joey Ramone.

Joey Ramone’s personally owned and-worn t-shirt. Black t-shirt, size L by Jerzees, promotes New Orleans and features a cat leaning on a lamp post. In fine condition. Accompanied by a photo of Joey wearing the shirt. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

327. Joey Ramone. Joey Ramone’s stageworn t-shirt. Navy blue t-shirt for the Late Show with David Letterman. In fine condition, with expected wear and tag missing. Accompanied by four photos of Joey wearing the shirt, including one of him wearing it on stage. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

328. Joey Ramone. Joey Ramone’s

stage-worn t-shirt. Black t-shirt, size XL by All Sport, is for the band D Generation and bears their logo over a shimmering image of a woman. In fine condition, with expected wear. Accompanied by three photos of Joey wearing the shirt, including one of him wearing it on stage and one of him with Ronnie Spector. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

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329. Joey Ramone. Joey Ramone’s personally owned and-worn t-shirt. Black tshirt, size XL by Hanes, promotes the radio station 106.3 The Edge. In fine condition. Accompanied by a photo of Joey wearing the shirt and posing with fans. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

330. Joey Ramone. Joey Ramone’s personally owned and worn t-shirt. Black t-shirt, size XL by Screen Stars, is for the band The New York Dolls and bears ‘floating head’ images of the five musicians and the band’s name. In fine condition, with expected wear. Accompanied by three photos of Joey wearing the shirt. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

331. Joey Ramone. Joey Ramone’s personally owned and-worn t-shirt. Black t-shirt, size M by Fruit of the Loom, is for the band Social Distortion promoting their 1992 album Somewhere Between Heaven and Hell. In fine condition, with expected mild wear. Accompanied by two photos of Joey wearing the shirt. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

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332. Joey Ramone. Joey Ramone’s personally owned and worn t-shirt. Black t-shirt, size XL by Jerzees, is for the band MC5 and bears an image of their Back in the USA album cover. In fine condition, with expected wear. Accompanied by four photos of Joey wearing the shirt. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

333. Joey Ramone. Joey Ramone’s personally owned and worn t-shirt. Black t-shirt, size L, featuring Beavis and Butt-head. In fine condition, with expected wear. Accompanied a photo of Joey wearing the shirt. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.… (MB $200)

334. Joey Ramone.

Joey Ramone’s personally owned and-worn t-shirt. Black t-shirt, size XXL by Hanes, is for the band Black Fire. In fine condition, with expected mild wear. Accompanied by two photos of Joey wearing the shirt, including one with Lemmy of Motorhead. Ramone contributed to Black Fire’s first album, One Nation, the last project before his passing. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

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335. Joey Ramone. Joey Ramone’s personally owned and-worn t-shirt. Black t-shirt for the band SFA, featuring an enraged cartoon face and explicit inquiry. In fine condition, with expected wear. Accompanied two photos of Joey wearing the shirt. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

336. Joey Ramone. Joey Ramone’s personally owned and worn shirt. Long sleeve gray and white striped shirt is made by Glen’s of Bangkok, with a maker’s label stitched into the collar. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

Simpsons jacket given to Joey for sinGing ‘Happy Birthday’ to Mr. Burns 337. Joey Ramone. Joey Ramone’s personally owned black and red

letterman-style Simpsons jacket. Black leather jacket with red leather sleeves, size L, bears an Eastwest Enterprises manufacturer’s label, and is embroidered “Joey,” on the left breast. Snap-up jacket has sewn-on color images of Homer and Marge Simpson on the front, with Bart and Lisa Simpson on the arms, and an embroidered image of the entire family on the back. In fine condition. The Ramones appeared on the fourth episode of Season 5 of the Simpsons entitled Rosebud, where they sang ‘Happy Birthday’ to Mr. Burns. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

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338. Joey Ramone. Joey Ramone’s personally owned leather Tokyo Hard Rock Cafe jacket. Black leather jacket, size XL, and is embroidered on the reverse with the Hard Rock Cafe logo, and features a snap-up front and removable sleeves. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

339. The Ramones. Joey’s stage-worn black nylon shell Ramones jacket, size XL, made by Dunbrooke. Jacket features a small eagle insignia printed on the left breast with the band’s name above, with a larger eagle insignia on the reverse, with the band’s name printed in red letters above. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity, as well as two candid photos of Ramone on stage wearing the jacket. RR Auction COA.…(MB $200)

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340. Joey Ramone.

342. Joey Ramone. Ramone’s personally owned and worn leather ‘bullet’ belt. Custom-made belt measures 45.5˝ long (including buckle) with a band of 47 connected empty Remington Arms bullet casings. In fine condition, with expected light wear. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

Joey Ramone’s personally owned and worn Fizzy jeans. Dark denim Fizzy jeans by Cykxtees, size 14, have zip-up leather cuffs, and a rip to both knees. In fine, worn condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

343. Joey Ramone. Joey Ramone’s personally owned and worn

leather and metal belt. Black leather and metal loop belt measures approximately 42˝ long (including buckle), and is stamped on the reverse, “Genuine leather, Size L.” In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

341. Joey Ramone. Joey Ramone’s personally owned and worn pants. Custom made black leather pants feature a single button closure and zippered cuffs. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.… (MB $200)

344. Joey Ramone. Joey Ramone’s personally owned and worn

belt. Custom-made black leather belt measures 39˝ long (including buckle), with a smaller leather strap riveted to the outside, adorned with five 2.5˝ diameter rings and an attached chain. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

345. Joey Ramone. Joey Ramone’s personally owned and worn leather belt. Custom-made black belt measures 46˝ long with a large and heavy Motorhead March or Die belt buckle, date-stamped on the reverse 1978. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

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34 9. J o ey Ramone. Joey 346. Joey Ramone. Joey Ramone’s personally owned belt. Black leather and metal link belt measures 39˝ long (including buckle), is a size medium, with five leather sections each bearing a dangling ring. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

347. Joey Ramone. Joey Ramone’s personally owned and worn

bracelet. Black leather bracelet measures 9.5˝ long with a snap enclosure and 13 protruding silver metal spikes. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

348. Joey Ramone. A pair of Joey Ramone’s leather cuffs. Black leather cuffs measure 7˝ long with three closing buckles underneath. In very fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

110 THE JOEY RAMONE COLLECTION

Ramone’s custom-made fingerless leather glove. Black leather glove has an adjustable buckle at the wrist and is adorned with 10 metal studs arranged in a triangle formation. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

350. Joey Ramone. Joey Ramone’s personally owned and worn skull pin. Lapel pin measures approximately 1˝ long and comes with clasp. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

351. Joey Ramone. Three of Joey Ramone’s personally owned gloves: A pair of black leather fingerless gloves with Velcro closure at the wrist and small metal studs on the top; and a single righthanded black leather fingerless glove with a Velcro closure at the wrist and 12 3/4˝ protruding metal spikes on the top. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

352. Joey Ramone. Joey Ramone’s personally owned and worn silver lapel pin. Pin shows the band’s classic eagle with its wings outstretched, an apple tree branch and baseball bat in its talons, with the scroll bearing the first line from ‘Blitzkrieg Bop,’ “Hey Ho Let’s Go.” In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

3 53. J o ey Ramone. O f -

ficial RIAA hologram gold sales award presented to Joey Ramone to commemorate the sale of 500,000 copies of Skid Row’s EP BSide Ourselves. Double-matted and framed with a gold cassette and CD, a small image of the cover art, and the presentation plaque, to an overall size of 13 x 17. In fine condition. The EP was certified gold in 1993. The Ramones’ song ‘Psycho Therapy,’ was included on the album, and Joey Ramone appeared in the band’s No Frills video. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

354. The Ramones. Of-

ficial RIAA hologram gold sales award presented posthumously to Joey Ramone for the Ramone’s DVD Raw. Presentation plaque reads, “Presented in loving memory of Joey Ramone to commemorate RIAA certified gold sales of more than 50,000 copies of the Image Entertainment DVD Video ‘Ramones Raw.’” Above the plaque is an image of the cover art, a copy of the DVD, and a Ramones eagles insignia. All are triple-matted and framed to an overall size of 25.5 x 33.5. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

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355. The Ramones. Photo

album presented to Joey Ramone by a Japanese fan during their Adios Amigos tour in October 1995, 9 x 9, 19 pages, featuring 35 affixed color snapshots of the Ramones (primarily Joey), as well as copies of tickets to their Japanese concerts. Inscribed to Ramone on the final page, “It was my great pleasure to have shared the space and the time with you all that day. I’ll always be a fan of Ramones.” In overall fine condition, with some toning to album pages. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

3 57. J o ey Ramone. Hand-

356. Joey Ramone. Joey Ramone’s business card folio. Leathercovered folio measures 4.5 x 10.5, is empty and appears unused. In fine condition, with some light wear to covers. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

112 THE JOEY RAMONE COLLECTION

written lyric fragments from an unidentified song on a yellow 8 x 12 lined sheet of legal paper. Ramone writes several lines in black ballpoint, “(Anal) Your backwards antique ideas are takin us back 200 hundred years.” In fine condition, with scattered light wrinkles and creases. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Lyrics to the unreleased ‘Elevator Operator’ penned on an Alka-Seltzer box 358. Joey Ramone.

Handwritten lyrics to the Ramone’s song ‘Elevator Operator,’ on the inside of a deconstructed Alka-Seltzer Cold Medicine box. An early version of the song, Ramone writes out in blue ballpoint, “Gonna have a real cool time/everything gonna be real fine now/She said she like a roller coaster or a fun house/a toaster oven/ & now I ride the lift up almost every single day/just so I can be with her on yeah yeah yeah/Activities extra curricular/Everynite is just party party party.” In very good condition, with paper loss and some tears to edges and scattered toning and creasing. This unreleased song was written by Joey, with Richie Ramone handling the lead vocals. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Working lyrics to ‘Out of Here’ written in 1982 359. Joey Ramone. Handwritten lyrics to the Ramone’s song ‘Out of Here,’ on the re-

verse of a 9 x 12 envelope panel. An early version of the song, Ramone writes out in blue ballpoint (with spelling and grammar retained), “Life to short to worry bout it/We’re getting out of here/As fast as we can/We’re gettin out of here as fast as we can/Dusty highway/ Raging seas/Waves of passion/Come back to me/Come back to me oo/Well never pass this/way pass this way/again.” Front of envelope panel bears an CBS Records address label addressed to Ramone’s New York apartment, and is postmarked May 11, 1982. In very good condition, with scattered creasing and soiling, as well as some dampstaining to edges. ‘Out of Here’ was featured on the 2002 expanded edition of the Ramones album Too Tough to Die. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Working lyrics to ‘I Couldn’t Sleep’ from Joey’s posthumous solo album 360. Joey Ramone. Handwritten lyrics to the Joey Ramone song ‘I Couldn’t Sleep,’

on both sides of an off-white 12 x 9 sheet. An early version of the song, titled along the side “Goin Out of My Mind,” Ramone writes out in blue ballpoint, in part; “I couldn’t sleep at all last night/I was flippin I was floppin/Well I was reelin & a rockin-Ahaha/I couldn’t sleep at all last/Tossin & a turnin & reelin & a rockin rockin & a boppin…Couldn’t sleep at all-ll last/Put on my MTV the chirpin birds & me wooo.” Ramone adds a guitar part underneath and two more verses on the reverse. On the reverse he also adds a few more notes, presumably more of the song, “Public Domain, standard rock progression, piano, you can’t sit down at the hop & now the MTV is finally from N.Y.C.” Paper loss to one corner affecting a few words of text, tear to top edge, moderate creases, and scattered light toning and soiling, otherwise very good condition. Written sometime between 1977 and 2000, ‘I Couldn’t Sleep’ was featured on Ramone’s second, and final, solo album, Ya Know? Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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Handwritten lyrics from the ultra-rare ‘Chop Suey’ featured in Get Crazy 361. Joey Ramone. Handwritten lyrics to the Ramone’s song ‘Chop Suey,’ on the back of a 12 x 9 off-white mailing envelope. A work in progress, Joey pens the first verses and chorus of ‘Chop Suey,’ in black felt tip, writing the title at the top, along with “Slam Dancing.” In full: “I know a place where the kids all dance/I know a place ain’t in Paris France/Chop Suey Chop Suey/I know a place where they really groove ya/A wam bam flip flop flim flam/slam dance coup/ Chop Suey Chop Suey/Suey O-O/Chop Suey/Chop Chop/Suey Suey.” Joey had added a few notations to the front of the envelope, in part, “Hang out all night…Get Soused yeah that’s alright.” Envelope is addressed to Ramone, using his real name, and sent from Overland in the Bowery. In fine condition, with scattered toning and soiling. ‘Chop Suey’ was featured on the soundtrack for the 1983 cult favorite film Get Crazy. The song was also an outtake from Pleasant Dreams, with backing vocals by Deborah Harry, and Kate Pierson and Cindy Wilson of the B-52s. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

“The kids are rockin/The place is boppin/I can’t I can’t get me no peace” 362. Joey Ramone. Handwritten lyrics to an unidentified song on both sides of an 8.5 x 11 lightly-lined offwhite sheet. Joey writes several verses in black ballpoint, in part; “Yeah it’s gonna be a Rock n Roll winter/Dom Diddy yeah yeah yeah/House is the kids are rockin/The place is boppin/I can’t I can’t get me no peace…I hope the groundhog see’s his shadow so I can get so[me] relief.” Also written in black felt tip by Joey is “Midtown Tunnel LIE.” Scattered light creases and edge tears, and a uniform shade of toning, otherwise fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200) 114 THE JOEY RAMONE COLLECTION

Taking on Tipper Gore and censorship: “Just ask Alice Ozzy an me/Will show you how to be free” 363. Joey Ramone. Handwritten lyrics to a portion of the Ramones’ song ‘Censorshit’

on an 8 x 12 lightly-lined yellow sheet. Joey writes a couple of verses in black ink, some of which appeared in the final version of the song. Ramone writes, in part: “Your prolife tactics are really nowhere/Later to fry in the electrocutioners chair/Down on abortion but the death sentence alright/Just ask Alice Ozzy an me/Will show you how to be free/ We come so far but only to find people like you with ignorant minds.” In fine condition, with central horizontal fold, a few creases, and a couple of light spots. The song was featured on the band’s 1992 album Mondo Bizarro, and was written by Joey to Tipper Gore and the PMRC (Parents Music Resource Center) about how rap and rock n’ roll albums were being censored. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Working ‘Chop Suey’ lyrics 364. Joey Ramone. Handwritten lyrics by Joey Ramone for the band’s song ‘Chop Suey’ on the reverse on a light pink 8.5 x 11.5 message sheet. Ramone writes a portion of working lyrics for the song, in part: “I know a place it’s the latest rage yeah/Chop suey baby/yeah she’s alright,” with Ramone adding two different sets of overlapping lyrics to the remainder. Paper loss to one corner, edge wear, and scattered light creases, wrinkles, and toning. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Polished lyrics to the unreleased version of ‘Duke of Earl’ 365. Joey Ramone.

Handwritten lyrics to the unreleased Joey Ramone cover of ‘Duke of Earl’ on both sides of a 13 x 10 manilla mailing envelope. Ramone writes in black felt tip (with grammar and spelling retained), in part; “As I I walk through this world/ Nothing can stop the Duke of Earl/And you are my-y girl/And no one can hurt you o-no/ Yes A I-oo o I’m gonna love you/Come baby hold your darlin’/Cause I’m the Duke of Earl/& when I hold you you are my dutchess, dutchess of Earl/An I walk throu-ough my Dukedom and the paradise we will share.” In fine condition, with a central vertical fold and scattered light creases. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

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“OCD Is Killing Me/Made me a prisoner of myself” 366. Joey Ramone. Handwritten lyrics to an unidentified, and possibly unpub-

lished, song on the reverse of an off-white 8.5 x 11 National Academy of Recording Arts and Sciences newsletter page, postmarked November 16, 1994. The lyrics read, “OCD Is Killing Me/Made me a prisoner of myself/I got the answers/Got the need to sustain myself/& I It’s a personal problem not for you/If I get it out/I get it out/Cut the demons stab them.” In fine condition, with a central horizontal fold. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Joey bashes Tipper and settles on a name for his radio show 367. Joey Ramone.

Handwritten lyrics to the Ramones’ song ‘Censorshit’ on two 8 x 12 lightly-lined yellow sheets. Joey writes several verses of a more polished draft in black ink. Ramone writes (with grammar and spelling retained), in part: “Hey Mrs Senators wives/You gettin any/Just ask Ozzy Zappa Perry Farrell—an me/We’ll show you what its like to feel free/Tipper come on aren’t you gettin it on/Just ask Ozzy Zappa an me/We’ll show you what its like to feel free/We come so far but only to find people like you with ignorant minds.” Along the left edge of the second page, Ramone also adds a short note to Steve, which reads, “Steve, I’m really gonna try to run a respectable radio show here.” Next to the note, Ramone appears to jot down several titles for his radio show, incorporating his signature. “Joey Ramone’s Radio NY,” “Radio,” “Radio Coup,” and “Sensational Respectable Radio Show.” In fine condition, with central horizontal fold, a few creases, and a couple of light spots. The song ‘Censorshit’ was featured on the band’s 1992 album Mondo Bizarro, and was written by Joey to Tipper Gore and the PMRC (Parents Music Resource Center) about how rap and rock n’ roll albums were being censored. Ramone also had a radio show in early 1996 entitled Joey Ramone’s Radio Coup, which appeared on the Addicted to Noise audio channel. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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Joey heaps praise on a New York DJ and searches for the ‘Chop Suey’ demo 368. Joey Ramone. Autograph letter, one page both sides, 8 x 10.5, no date. Letter addressed to “Scott.” In full (with spelling and grammar retained): “I thought your (the station) WABC radio broadcast special was great it was definitely one of my favorite times of radio you should do more self-produced programs. There’s a definite lesson to be learned from the last great human & real in-depth real Rock N Roll station series of the rock years to go under with music & interviews. East coast rock, the syndicate one left out N. Y. Rock groups that were major influences… The single do we own the masters or demos to song that were recorded for last album but not used can we get back masters Chop Suey & any summer release.” Tears to top edge, scattered toning and dampstaining, a bit affecting a few words of text, rough vertical edge, and a few other stray ink marks and notations, otherwise very good condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Rock ‘n’ Roll High School premieres in New York: “its finally openin on the East coast it opens in N. Y. The 3rd of Aug” 369. Joey Ramone.

Partial autograph letter, one page, 8.5 x 11, Spring Hill Motor Lodge letterhead, no date. From a motel in Virginia, Ramone writes (with grammar and spelling retained): “But its about time its finally openin on the East coast it opens in N. Y. The 3rd of Aug thats great & Central Park is way over sold out it holds 8500 & theyve had request for 10,000 tickets now if we only had a hit.” Several light blocks of toning over portions of text and scattered light creases and wrinkles, otherwise fine condition. Rock ‘n’ Roll High School premiered in New York on August 4, 1979 and went on to become a cult classic. On August 6, 1979, the Ramones played Central Park as part of the Dr. Pepper Central Park Music Festival. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

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“Watching Pulp Fiction on Spectravision” Joey jots down his thoughts in Japan during the Ramones final tour 370. Joey Ramone. Handwritten notes by Joey Ramone on an off-white 8.25 x 11.5

sheet of Hotel Buena Vista stationery in Matsumoto, Japan. Ramone writes, in full: “Watching Pulp Fiction on Spectravision in the hotel (Ramones Amer tour 95) in Salt Lake City Utah as surreal as it gets. CD addiction the independents in for the kill.” In fine condition, with a few scattered creases and a bit of toning. The Ramones had a stop in Matsumoto on October 22, 1995, during their final Adios Amigos tour. Joey kept a road diary for MTV during the tour. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Joey ponders capital punishment

While in Japan on the band’s final tour, Joey works on his road diary

371. J o ey Ramone. Hand-

written notes by Joey Ramone on an off-white 8.25 x 10.5 lined sheet of notebook pap e r. R a m o n e writes (with grammar and spelling retained): “Slowly sinkin drifting off subconsious/ You get what you see/Death penalty should be reinstated/A life for a life.” Scattered light toning and staining, a few moderate creases, a couple edge tears, and a rough left edge, otherwise very good condition. Interesting, and apparently quite personal, thoughts on a delicate subject. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

118 THE JOEY RAMONE COLLECTION

372. Joey Ramone.

Handwritten notes by Joey Ramone on the back of two pages of off-white 8.25 x 11.5 sheets of Hotel Il Palazzo stationery in Fukuoka, Japan. Ramone writes, in full: “1) Watching (the movie) Pulp Fiction in the hotel room in Salt Lake City Utah (Ramones American Tour 95) as surreal as it gets. 2) Writing road reports for Addicted to Noise the coolest run mag on the internet as contributing editor. No Hi-techie a primailst at heart. (Please print ATN code). 3) Fave new band addicted to new CD by the Independents—In for the Kill (stop–never).” Joey has also crossed out several lines of notes in the center of the first page. In fine condition, with a central horizontal fold and scattered creases and wrinkles. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

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373. The Ramones. Color 17 x 24 promotional poster for the band’s 1991 Australian tour, signed in black felt tip by Joey, Johnny, Marky, and CJ Ramone, who adds a quick sketch of a snarling stick figure. In fine condition, with scattered light edge creases and dings. Rolled. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

376. The Doors. Printed Family Dog concert poster for The Doors engagement in Denver, Colorado, on December 29–31, 1967. Color poster measures 21.5 x 12.25, was designed by Rick Griffin, with the Family Dog logo presented in a black triangle in the upper left, and a multi-armed alien emerging from a door. Matted and framed to an overall size of 18 x 27. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

374. The Ramones and Iggy Pop. Color 23.25 x 32.5 poster for the 2nd Berlin Bizarre held in Berlin, Germany, in 1991, headlined by the Ramones and Iggy Pop. Signed in black felt tip by Joey, Johnny, Marky, and CJ Ramone. In very good to fine condition, with intersecting storage folds, some edge dings, and scattered creases and wrinkles. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

377. The Doors. Original Family Dog concert poster for The Doors appearance at the Avalon Ballroom on June 3–4, 1967. Poster, measuring 13.5 x 19, was designed by Victor Morosco, and also promotes the June 1 and 2 appearances by the Miller Blues Band with the group supporting the Doors the next two days. Matted and framed to an overall size of 19 x 25. In fine condition, with some slight fading to colors. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

375. The Doors. Original Family Dog concert poster for The Doors and The Sparrow at the Avalon Ballroom on May 12–13, 1967. Colorful poster, measuring 13 x 18.25, was designed by Victor Moscoso, with a psychedelic butterfly image in the center. Matted and framed to an overall size of 19 x 24. In fine condition, with some slight fading to colors. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

378. The Ramones. Vivid color 19 x 26 promotional poster for the band’s 1989 Australian Tour, originally designed by Richard Allan, signed in black felt tip by Joey, C.J., Marky, and Johnny Ramone. Rolled and in fine condition, with some scattered light edge wear. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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379. The Ramones. Bright color 18.5 x 19 poster for their 1993 album Acid Eaters, signed in the top border in pencil by Joey, Johnny, Marky, and CJ Ramone. In fine condition, with a couple edge tears and some light soiling and creasing to borders. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

382. The Ramones. Color satin-finish oversized 30 x 20 photo of the Ramones on stage in front of a rowdy audience. In fine condition, with a few scattered light creases and edge dings. Rolled. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

380. The Ramones.

383. The Ramones.

Color 30.25 x 40.25 promo poster for The Ramones concert in Glasgow, Scotland, at the Glasgow Barrowland Ballroom on June 28, with special guest the Styng Rites. In good condition, with light overall creases, several edge tears, and missing lower left corner. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

Adios Amigos promotional tour poster, 23.25 x 33, for the band’s farewell tour stop in Berlin, Germany, featuring images of Joey, Marky, Johnny, and C. J. Ramone. Previous intersecting storage folds, scattered wrinkles and creases, and a few small edge tears, otherwise very good condition. Rolled. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

384. The Ramones.

381. The Ramones. Original color 23 x 16.25 promotional poster for The Ramones concert in The Queen’s Hall at Leicester University on June 29. Several additional notations about the show have been added in silver ink in an unknown hand. Moderate overall creasing and wrinkling, a few edge tears, and missing lower left corner, otherwise very good condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

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Concert t-shirt from the Ramones’s 1996 Adios Amigos final tour. Black t-shirt, size XL, has the Ramones’ eagle logo on the front, with the tour name and dates printed on the reverse. In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

385. The Ramones.

Used 14˝ Remo Powerstroke 3 coated drumhead, signed in black felt tip by Joey, Johnny, Marky and CJ Ramone, with CJ adding a small sketch and Joey dating his signature “’96.” Expected use from wear, otherwise fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

388. Joey Ramone. Glossy 11

x 7.25 photocopy of two sketches by Joey Ramone: one of a balding man, labeled in the copy “My pop J. Ramone in a frenzy, Take another coffee ol’ boy”’ and another eclectic design of a collection of smaller images including a television, a man on a gurney, and a wrecking ball, with many notations by Ramone, again all contained in the photocopy, including “Take him down for tests, get ya clubs boys!,” “Womans foot,” and “Extended edition by J. Ramone.” Trimmed horizontal edge and scattered creases and surface marks, otherwise fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $100)

389. Joey Ramone.

386. Joey Ramone. Custommade red Aladdin lunch box, 9 x 7, with a color image of the Ramones affixed to one side, presented to Joey Ramone by the band Rat Fink. Inside of the lunch box is signed and inscribed in black felt tip, “To; Joey Ramone, From: Critter Fink,” adding his email address underneath. Box comes complete with a thermos, with an image of the band wrapped around the body. Also included are two Rat Fink CDs and a business card from Critter. In fine condition, with band’s photo starting to peel from thermos. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

Joey Ramone’s personally owned and worn sweatshirt. Black sweatshirt, by Howick Apparel, featuring punk rocker Patti Smith’s name and the locations Paris, New York, and Royal Oak. In fine condition, with expected wear. Accompanied a photo of Joey wearing the sweatshirt. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate. RR Auction COA.…(MB $200)

Original Rizzi portrait of Joey 387. James Rizzi. Pop artist (1950–2011) from Brooklyn, New York, known for his bright and vivid threedimensional artwork. He designed artwork for Ramone’s May 2001 memorial concert. Original mixed-media painting of Joey Ramone by Rizzi on a 13 x 36 canvas stretched over a wooden frame. Image depicts Ramone in his sunglasses and black leather jacket singing into a microphone, and is signed in the lower right corner, “James Rizzi 2005,” and signed again on the back, “Joey Ramone, James Rizzi 2005.” In fine condition. Provenance: Joey Ramone Estate. Accompanied by a letter of authenticity from the Joey Ramone Estate attesting to the item’s authenticity. RR Auction COA.…(MB $200)

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THE RAMONES

fter the Ramones recorded a cover of ‘Substitute’—which Pete Townshend sang backup vocals on— they had a friend, Tom Rainone, write, direct, and produce their music video, a surrealistic mini-film that depicts a ‘substitute’ going about his day. In reference to the Waco siege, the final scene had

the character don a gingerbread man suit and shoot at approaching ATF agents, who promptly unleash a flamethrower on the gingerbread man, setting him ablaze. This ‘A’ cut of the video aired only once, as MTV and MTV Europe objected to its content. They quickly produced an acceptable ‘B’ cut, sans gingerbread man and firefight. Joey, Marky, and CJ Ramone claimed the initial cut as their finest video, while Johnny called it the Ramones’ second best. The following eight items, which originate from Rainone’s personal collection, were used in production and are seen on-screen in the original cut of the music video, with many seen on-screen in the final cut as well.

390. The Ramones. Platform shoe prop seen in both cuts of the Ramone’s Substitute video, created from a leather shoe, cardboard, and glitter. This shoe served as a cutaway shot for the verse: ‘I look pretty tall but my heels are high.’ In very good condition, with some parts of the cardboard sole bent and creased. All Ramones band members were present on set when this prop was used. Provenance: Tom Rainone. RR Auction COA.…(MB $200)

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391. The Ramones. Black ATF cap with yellow felt letters, worn in the Ramone’s Substitute music video by guest appearance producer Brian Yuzna, whose name is written inside. Yuzna produced Re-Animator, produced and directed Bride of Re-Animator, and also cowrote and co-produced Honey I Shrunk the Kids for Walt Disney Pictures. In fine condition. All Ramones band members were present on set when this prop was used. Provenance: Tom Rainone. RR Auction COA.…(MB $200) 392. The Ramones.

Black ATF cap with yellow felt letters, worn in the Ramone’s Substitute music video by guest appearance cinematographer Gerry Lively, whose name is written inside. Lively was the cinematographer for Hellraiser, Children of the Corn III, and Return of the Living Dead III. In fine condition. All Ramones band members were present on set when this prop was used. Provenance: Tom Rainone. RR Auction COA.…(MB $200)

393. The Ramones. Origi-

nal 1960s metal Hell’s Angels iron cross, 5 x 5, seen in the Substitute video right next to Johnny Ramone’s head when singing the song’s chorus within a picture frame. All Ramones band members were also included in this shot. In fine condition. Provenance: Tom Rainone. RR Auction COA.…(MB $200)

394. The Ramones. Poster of serial killer Henry Lee Lucas by Michael H. Price, 11 x 17, seen on camera in a clear individual shot in both versions of the video, in the ‘Substitute’ character’s room whilst he is dressing. In fine condition, with light scattered creases, toning, and soiling, and tack holes to each corner. Provenance: Tom Rainone. RR Auction COA.… (MB $100)

395. The Ramones. Original WWII flamethrower backpack used at the conclusion of the original cut of the Substitute music video, in which the gingerbread man battles the ATF with machine guns and flamethrowers. This WWII-era US military surplus flamethrower, as canvas back pad is stenciled, “US 47,” and metal frame is stenciled, “Red Lion Cabinet Co., Mar. 7 1944, U. S. Cont. W-12-036 QM.2958.” Frame measures 15.25 x 24 and unit weighs approximately 25 pounds. The wand is absent, as most were destroyed by the military when the flamethrowers were decommissioned. In very good condition, with various dings and scratches to paint. This original WWII flamethrower backpack, was acquired by Tom Rainone, (Substitute video producer/director) from Lemmy Kilmister of Motorhead. It was worn by guest star Michael S. Deak, a noted horror actor who appeared in the video. Provenance: Tom Rainone. RR Auction COA.…(MB $200)

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396. The Ramones. Enormous gingerbread man suit as seen in the conclusion of the original cut of the Substitute music video, in which the gingerbread man battles the ATF with machine guns and flamethrowers. MTV was upset with the ending to the video, comparing it to a bad parody of the Waco raid, and refusing to air it again until it was modified. Due to that, there now exists two different versions of the video. The gingerbread man’s shoes and tie (also included) complete the ensemble. General wear from use and storage, otherwise fine condition. All Ramones band members were present on set when this prop was used. Provenance: Tom Rainone. RR Auction COA.…(MB $300)

397. The Ramones. Huge oil painting of Telly Savalas playing pool, 47 x 35, framed to an overall size of 53 x 41. Signed in the lower left by the artist, Winifred Conkling. The painting can be seen in the Ramones’ music video for Substitute, in which both this painting and its frame were utilized. In fine condition, with various chips and dings to the frame present during filming. In the Beavis and Butthead Show, Beavis refers to this image whilst watching the Ramones Substitute video as an image of ‘Kojak’: ‘Isn’t that the dude from ‘Kojak.’ All Ramones band members were present on set when this prop was used. Provenance: Tom Rainone. RR Auction COA.…(MB $300)

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Original Argentine bootleg art 398. The Ramones. Original hand-drawn color artwork for a South American bootleg live Ramones album, 16 x 12, signed vertically in the lower right, “Aguilar ’05.” Mounted on a piece of foam board to an overall size of 20 x 16 and nicely framed. In fine condition. RR Auction COA.…(MB $200)

399. The Ramones.

Ramones Mania CD sleeve, signed on the front cover in blue and black felt tip by Joey Ramone, Johnny Ramone, Marky Ramone, and CJ Ramone, and dated 1995 by Joey. Accompanied by a first release 27 x 41 one-sheet movie poster for the 1979 Roger Corman film Rock ’n’ Roll High School. CD sleeve in very fine condition; poster in very good to fine condition, with light overall wrinkling, some light soiling, minor tack holes to corners, and a trivial tear to top. Both items originate from Tom Rainone (producer/director of The Ramone’s Substitute video), with the poster coming directly from Johnny Ramone in the early 1990s. This dual offering would make for a fantastic Ramones display piece! . Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

400. The Ramones. Vintage ballpoint signatures of Joey, Marky,

and Johnny Ramone on a pink 5 x 3 card. Scattered creases and a couple of tack holes to left edge, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

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401. The Ramones. Original color 20 x 30 UK concert poster for a Ramones show held at the Mayfair, Newcastle, England, on August 30, 1979. Measures 20 inches x 30 inches. A repaired tear to lower right corner, previous intersecting storage folds, a few small edge tears, and scattered creases, otherwise very good condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

403. The Ramones. Color 23 x 33 promotional poster for their 1992

Mondo Bizarro tour stop in Cologne, Germany. In fine condition, with a few scattered edge dings and creases. RR Auction COA.…(MB $200)

Scarce flyer for a 1977 “Ramons” performance at the infamous Randy’s Rodeo 402. The Ramones.

Original flyer, 8.5 x 11, for a performance of “The Ramons” at Randy’s Rodeo in San Antonio on Monday, July 18, 1977. The flyer also advertises a Supertramp concert on July 27 at Municipal Auditorium. In very good condition, with scattered creases, a couple spots of soiling, and slight paper loss to two corners. Randy’s Rodeo became known as the venue for an infamous January 1978 Sex Pistols show, during which a fight broke out and Sid Vicious hit a concertgoer with his bass. Consignor indicates that this was a personal gift from Johnny Ramone. RR Auction COA.…(MB $200)

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404. The Ramones. Three items: one blue all-access pass, 2.5 x 3.75, for the Ramones’ Mondo Bizarro tour; one 3.75-inch diameter pass for a concert featuring the Ramones, Jerry Harrison, Deborah Harry, and Tom Tom Club during the 1990 Escape from New York Tour; and one ticket, 5.5 x 2, for a Ramones concert at the Hollywood Palladium on October 16, 1992. In good to very good condition, with scattered creases, toning, and soiling. RR Auction COA.…(MB $200)

405. Dee Dee Ramone. Four pri-

vate, never-before-published, nor distributed crystal clear color glossy 4 x 6 photos of Dee Dee Ramone (founder, head writer, vocals, and bass player) during a performance. In overall fine condition. RR Auction COA.…(MB $100)

406. Johnny Ramone. Post office

receipt for a certified letter, stamped New York, January 7, 1991, signed in blue ballpoint with his legal name, “John Cummings.” In fine condition, with the stamp affecting the end of the signature. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

40 8. J o h n ny Ramone. A L S

signed “Johnny,” one page, lightly-lined, 6 x 9, April 9, 1990. Letter to a friend. In part: “We will be there in Dallas, Texas on April 19th. I will put your name on the guest list plus 3. If you can’t make it send a friend in your place. I hope to see you. We just returned from Scandinavia, we were there for two weeks. Finland is very close to Ruskie land. We will be out in California in July probably.” In fine condition. Accompanied by the original mailing envelope, filled out in Ramone’s hand, including his legal name in the return address area, “John Cummings.” Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

“Too many foreigners, its hell” 407. Johnny Ramone.

ALS, one page on a 6 x 4 postcard, postmarked Zurich, November 20, 1990. Letter to a friend. In part: “I’m here in Switzerland 9 days into a 4 week tour. Too many foreigners, its [sic] hell. Nothing on T.V., nobody speaks English [crossed out], I mean American. Shows are going well, 3,000–4,000 kids a nite. We’ll be back in the U.S.A. December 10th. Can’t wait.” In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

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409. Johnny Ramone. Christmas card, measur-

ing 5.5 x 7.5 closed, bearing an image of Santa with some animals on the front and a printed sentiment inside, signed and inscribed inside in blue ballpoint, “To Tom, Best Wishes, John.” A couple light diagonal creases, otherwise fine condition. Accompanied by the original mailing envelope, filled out in Ramone’s hand, including his legal name in the return address area, “John Cummings.” Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $100)

410. Marky Ramone. Rare poster for the Ramones’ 1995 ‘Adios Amigos’

sold out tour in Belgium, 19.5 x 27.5, signed in blue felt tip by Marky Ramone. In fine condition, with central vertical and horizontal folds. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

411. Dee Dee Ramone. The Remainz: Live in NYC CD signed on the back cover of the booklet in green felt tip, “Dee Dee Ramone, June 13, 1999.” Trivial haloing to the signature, otherwise fine condition. The CD is included. A bold, strong and nicely dated example of Dee Dee’s script. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

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the sex pistols/the clash

Jones’s custom-designed Les Paul used during every show of the Sex Pistols’ reunion tour 413. Sex Pistols: Steve Jones. Jones’s personally owned and used blue glitter-bodied Gibson Les Paul electric guitar used on stage during the Sex Pistols reunion. This guitar was used by Jones in every show on the Sex Pistols’ 1996 Filthy Lucre tour. The body of the guitar is adorned with two affixed pin-up girl stickers. This guitar was designed by Jones with the electronics fixed to replicate the amazing sound heard on the first Sex Pistols record. In fine condition, with expected light wear and chipping to finish. The Filthy Lucre Tour in 1996 consisted of 78 shows in five continents spanning almost six months. This guitar was originally acquired directly from Jones in 1998. Stage-used gear from this iconic punk band is virtually non-existant and for certain the demand far outweighs the supply. RR Auction COA.…(MB $1000)

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Incredibly rare Sid Vicious prop poster from The Great Rock ‘n’ Roll Swindle 414. Sex Pistols.

Extremely scarce movie prop poster from The Great Rock ‘n’ Roll Swindle, 32 x 48, entitled, “Eddie Barclay Presente Sid Vicious, Olympia de Paris,” featuring Vicious standing below the Eiffel Tower, holding a mini-Eiffel Tower in the air. One of only four posters produced as props in the movie. Rolled and in fine condition, with some scattered light creasing. Though Sid Vicious has a relatively small role as ‘The Gimmick’ in the film, as he wanders the streets of Paris offending and accosting most everyone with whom he comes in contact, including a woman by smashing a just pilfered piece of cake into her face, a copy of this poster is seen plastered to the side of a wall alongside an array of other event posters. And who can forget his eerily prophetic rendering of ‘My Way,’ as he pumps bullets into the bodies of several well-dressed front row attendees, before ascending the staircase at the Paris Olympia! The Great Rock ‘n’ Roll Swindle is a mockumentary film directed by Julien Temple about the British punk rock band Sex Pistols. The movie tells a stylized fictional account of the formation, rise and subsequent breakup of the band, from the point of view of their then-manager Malcolm McLaren. The footage was filmed in early to mid-1978, between singer John Lydon’s departure from the band and their subsequent split. Lydon (who was listed in the credits as “The Collaborator”) and early bass guitarist Glen Matlock only appear in archive footage—Lydon having refused to have anything to do with the production. RR Auction COA.…(MB $300)

Strummer’s uniquely-customized ‘Van Halen-style’ guitar, used during the recording of Earthquake Weather, and presented to his manager 415. The Clash: Joe Strummer. Black-bodied

Columbus Crest Model 59/A six-string acoustic guitar, owned and used by Strummer. This guitar was used during the making of Earthquake Weather, Strummer’s only studio album with The Latino Rockabilly War. The guitar was given to Strummer by a friend during a recording session in Los Angeles. Strummer was not in the habit of travelling with his instruments, and would use whatever was available. At that time, Strummer added several audio cassette labels to the body in a random pattern in his attempt to make the guitar look like a version of one of Eddie Van Halen’s ‘Frankenstein’ electric guitars. Later on, he presented the guitar to the band’s former manager Gerry Harrington. In fine condition, with expected wear from use. An ordinary guitar transformed into an extraordinary piece of rock and roll history by one of the iconic figures of the British punk movement. RR Auction COA.…(MB $500)

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Extremely rare Strummer Fender guitar used in the recording of Earthquake Weather, his first solo album 416. The Clash: Joe Strummer. Strummer’s personally owned and used black-bodied Fender Squier ‘telecaster’ electric guitar. This guitar was used by Strummer during recording sessions for the Gross Pointe Blank soundtrack, as well as Strummer’s solo album, Earthquake Weather, recorded during 1988-89. Strummer has also affixed a Joe Strummer & the Latino Rockabilly War sticker to the body, with light remnants of two other affixed stickers, one to the body and one to the black pickguard. In fine condition, with expected wear from use. A fantastic instrument from a trying period in Strummer’s musical life. Having moved to Los Angeles to record his album, Strummer struggled and worked tirelessly with his band, as well as close friend Gerry Harrington, to expose himself to other sounds as motivation to complete the recording. The album was well-received by critics, bridging nicely from Strummer’s time with the Clash and into his next project, the Mescaleros. Acquired directly from Harrington, this guitar represents the re-emergence of Strummer after his time with the Clash. RR Auction COA.… (MB $1000)

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132 THE SEX PISTOLS / THE CLASH

Strummer’s autobiographical magnum opus— his only written account of the Clash 417. The Clash: Joe Strummer. Typed manuscript draft for the liner notes to The Story of the Clash, Volume 1, 8.5 x 11, 15 lined pages, January 24, 1988. Strummer writes on the early days of the band under the pseudonym “Albert Transom,” the band’s fictional valet, quoted in part below with spelling and grammar retained. He has added a handwritten notation and a few handwritten spelling and punctuation corrections throughout. It is an autobiographical tour de force—the only time Strummer ever wrote out the story of the Clash—that expounds on the band’s general history, their often violent exploits throughout the world, and their musical and political influences. Creases to lower left corners and a rough left edge due to removal from a notebook, otherwise fine condition. The lasting legacy of the Clash is their politically charged music—they are credited with pioneering the advocacy of radical politics in punk rock. Their influences—politically, musically, and otherwise—are portrayed in humorous detail throughout the manuscript. Starting out in 1976, the band experienced first hand the economic inequality that drove their lyrics, living in a “filthy squat...down a steep stone stairway into the basement of an old Victorian ruin in West London…they walked across the room by stooping to avoid the dense cloud of flies.” They raided bargain bins for cheap records, and Strummer mentions some of their finds: “Bo Diddley lots of Bo Diddley available, first 2 Stones LP’s all the blues ska rock n roll nobody wanted Howling Wolf, Woody Guthrie, Clarence Gatemouth Brown Leadbelly, Bukka White.” While the blues are not an obvious influence, the Clash had a clear admiration for the old bluesmen—they even had Diddley open for them on their first US tour in 1979. At one point, Strummer writes about his experience at the Notting Hill Carnival of 1976, where “a line of 20 bobbies came pushing through the crowd…one lonely Coca Cola can come floating over and hit one of the helmets, in half a second there were twenty more cans and the crowd drew back suddenly and the Notting Hill riot of 1976 was sparked...soon there was fighting ten blocks in every direction.” These were the riots that served as inspiration for the band’s first single, ‘White Riot,’ released in 1977. One of the first things Strummer writes about is a rehearsal for a television performance of the song: “The lads were doing this tune White Riot…I could dimly hear a viscious

argument breaking out between the band and the director [handwritten addendum: the band were laughing at the idea of miming Whit Riot]… we were ejected and this set the pattern for all later visits—everyone marked by a viscious one to one close combat hand to hand fighting.” If their recording sessions were marked by skirmishes, Clash concerts could turn into all-out street warfare. Strummer describes an “Open Air Mace Festival” in August 1977, in Liege, Belgium: “Some paranoid looney had erected a twelve foot fence across, between the stage and the audience then employed the local Euro Hells Angels to defend the enclosed strip of mud infront of the stage…spraying mace in peoples eyes as they stormed the fence… The lads told the bikers to split and the crowd crushed the fence down and came swarming up the stage front...Now there were 500 people on stage, they left a small space and the lads continued playing.” Rock historian Mikal Gilmore would later call this the moment that best exemplifies the Clash, and notes that it was Strummer who was enraged by the fence separating the stage from the audience, and instigated its destruction by jumping off the stage and trying to pull it down himself. On their infamous 1980 show in Hamburg: “There was all these rowdy little punk kids we let em in the gig, the boys came out and it was war from the off forget the music it was plant your feet firmly and swing the mike stand round your head time...Anyway der volkspoltzei come in the dressing room after...they dragged off one of our lads for bushing someone with a guitar but released him later when a test showed he was sober, apparently der chief of police said to our boy ‘Are you zee one assalting zese punks?’ When our boy nodded in the affirmative he bent down and wispered ‘Gut for you!’ and slapped him on the back.” It was, in fact, Strummer who had been arrested for hitting an audience member with his guitar, an incident that had a lasting impact on him—he later said it made him realize that you cannot fight violence with violence. Strummer’s manuscript is a window into the raucous and renegade lifestyle of the Clash from the start. An account straight from the man that was the soul of one of the most influential bands of the last forty years, it is a truly one-of-a-kind piece that would be a cornerstone of any music collection. RR Auction COA.…(MB $500)

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418. The Clash: Joe Strummer. DS, signed

“John Mellor,” one page, 8.25 x 11.75, July 31, 1988. Strummer informs Mystery Train, Inc. that use of his “likeness and/or performance in conection [sic] with the soundtrack album for the film ‘Tuesday Night in Memphis’ must be approved… by CBS/Epic records.” Signed at the conclusion by Strummer, using his legal name. In very good condition, with scattered creases, soiling, and small tears to top and bottom edges, and an area of dampstaining to the upper right. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

420. The Clash. A gold-colored piece of seating from the ‘Riot at The Clash’ gig, at the Rainbow, Finsbury Park, in May of 1977. The piece of cast-iron seat-frame measures approximately four inches long and was taken from one of the stall seats torn up and destroyed by Clash fans. Piece comes in a decorative box with background text by the Clash’s former manager Caroline Coon detailing the near-disastrous incident. The concert took place at London’s famed Rainbow Club, and is considered by many to have been the best live show ever played there. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

“The American Debut of the Clash” 419. The Clash. Set of two identical DSs, each one page, 8.5 x 17, January 23, 1979. William Morris Agency contract between New York’s Palladium venue and The Clash for a performance on February 17, 1979. Set consists of the original document and a carbon copy, both signed at the conclusion in ink by a Clash representative. Documents are stapled together at the top, along with two 9-page riders, which include a diagram of the stage and a proposed advertising layout, reading, in part: “The American Debut of the Clash.” Horizontal folds to signed pages, scattered creases, and light toning, otherwise fine condition. An incredible document that set the stage for the influential punk rock band’s first-ever appearance on US soil. RR Auction COA.…(MB $200)

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JAZZ AND BLUES ‘The Bird’ poses for a souvenir photo from the Royal Roost…and foots the bill 421. Charlie Parker. Considered one of the most influential jazz musicians ever, Parker and Dizzy Gillespie helped develop Bebop as a reaction against the prevalent swing music of the period. His personal life was not as successful—plagued by troubles which included drugs and alcohol and suicide attempts. Vintage glossy 9 x 7 photo of Parker sitting at a table with a couple, still housed in its original 10.25 x 9.25 souvenir folder, signed and inscribed in fountain pen on the mat of the folder, “To Norm & Marg, Luck!—Charlie Parker.” Double-matted and framed to an overall size of 28.25 x 15.25. Some scattered light creases to photo, otherwise fine condition. Accompanied by a 2012 letter of provenance from the nephew of the original recipients, which reads, in part: “At the time, my uncle had just gotten out of the Navy, was courting my aunt and took her on a date to see Charlie Parker. In his effort to impress and woo my aunt, he made sure they had a front row table for ‘the Bird’ who they were fans of. The story goes according to my late father, Mr. Parker took a great liking to my uncle and aunt and spent his time between sets at their table, ‘kibbitzing.’ My uncle didn’t really have a whole lot of money (just being out of the Navy). Mr. Parker hailed the photographer and asked him to take that picture. Charlie Parker reached in his pocket, proceeded to count dollars, paid, and tipped the house photographer handsomely for his services. He then signed and personalized/autographed the photo for my aunt and uncle.” Signed images of Parker, no matter what size, are always scarce and desirable, and the uniqueness of the photo further enhance that desirability. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $500)

422. Charlie Parker, Miles Davis, and Jazz Greats. Original program from the 1949 International Jazz Festival in Paris from May 8 to 15, 9.75 x 12.5, signed on the front cover in ink by Charlie Parker, Miles Davis, ‘Hot Lips’ Page, Tadd Dameron, Kenny Clarke, Sidney Bechet, Kenny Dorham, Don Byas, Bill Coleman, Jimmy McPartland, James Moody, George Johnson, and a few French musicians. In very good condition, with moderate foxing and soiling to cover borders (most signatures unaffected), a small tear to the right edge, and slight brushes to a few signatures, including Parker’s. Accompanied by a photocopied letter of provenance, indicating that the autographs were originally collected by drummer Carlo Krahmer at the festival, who then gave them to his friend—Carlo was blind, so “autographs were of little use to him.” An incredible relic from a vibrant period in the history of jazz. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

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423. Charlie Parker Quintet. Original vintage felt tip sketch of the quintet during a lively performance on an off-white 9.5 x 6 sheet, signed in the left border in black ink by Miles Davis, Max Roach, Tommy Potter, and Duke Jordan. Matted with a photo of the quintet to an overall size of 13 x 15.75. In very good condition, with light overall toning, some scattered surface impressions, two rusty paperclip marks to the upper border, and a few edge chips and tears to the bottom. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

425. Miles Davis. Davis’ personally owned and worn glove. Short black leather right handed glove is adorned with lace, dangling silver beads and three diamond–shaped silver studs. In fine condition. Accompanied by a letter of authenticity from Davis’ personal assistant Mikel Elam, who was with Davis from 1987 up to his death in September of 1991. In part: “This leather glove was worn by Miles Davis… as a fashion accessory. He just wore one glove at a time. This style was influenced by his good friend and pop star, Prince.” RR Auction COA.…(MB $200)

Scarce Davis musical manuscript for ‘The Ghetto Walk’ 424. Miles Davis. Musical manuscript, done in scribal hand, on four pages of two adjoining sheets of 9.5 x 12.5 sheets of musicallylined paper. Titled at the top in Davis’s hand “Walk,” and an original ink profile portrait at the top as well, also by Davis. Manuscript contains 60 bars of music, done in pencil. Some scattered light creasing and soiling, otherwise fine condition. Accompanied by a photocopy of a score featuring 60 bars of melody and chord changes. Previously unreleased, The Ghetto Walk appeared on the 2001 release The Complete In a Silent Way Sessions. Actual musical manuscripts from Davis are exceedingly rare. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

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426. Miles Davis. Original signed ballpoint sketch of surrealistic humanoid heads on the reverse of a trimmed glossy 6.75 x 6.5 photo, signed in ballpoint, “Miles.” In fine condition, with some light scattered marks, a couple spots of adhesive, and lightly trimmed edges. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

427. Miles Davis. Original 10.75 x 10 program photo removed from a program for Norman Granz’s JATP presents Jazz Winners 1960, signed at the top in pencil. In fine condition, with lightly trimmed edges. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

After calming down, the notoriously angry Mingus drops a claim against a fellow musician 428. Charles Mingus. Influential jazz bassist and composer (1922–1979) whose complex, innovative works meld elements of jazz, classical, and gospel. DS, signed “Charles Mingus, Jr,” one page, 8.25 x 11, May 5, 1941. Document sent to the Board of Directors of his union. In full: “I herewith request permission of the Board to withdraw the claim which I have filed against Fred Skinner, relative to the Café Capri engagement. Thanking you in advance, I remain Fraternally yours.” Document has been witnessed with a stamped signature of Florence Cadrez, who also writes at the top, “5-5-41 Board granted permission for withdrawal of claim. F. Cadrez.” In very good condition, with scattered toning, a bit heavier to edges and a few small edge tears. Accompanied by a photocopy of Mingus’s claim. The initial claim to which Mingus refers was filed on April 25th and states that he was hired to play with Fred Skinner’s Band at Billy Berg’s Club Capri for one week, but after an argument with Skinner, was fired. He claims that he was only paid for five days and is due payment for the final two. Two weeks after filing the claim, Mingus presumably calmed down and decided to drop the claim rather than fortify the wall between himself and yet another fellow musician. Also signed by the union’s recording secretary, jazz composer and pianist Florence Cadrez, a celebrity in her own right, this document captures the calm after the storm—a moment of retreat from the jazz legend who lived on the attack. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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Uncommon portrait of the great jazz bassist 429. Charles Mingus. Glossy 8 x 10 photo of Mingus playing his bass, signed vertically in purple felt tip. A few light creases to the left side, otherwise fine condition. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

430. John Coltrane.

Document produced by the California legislature upon Coltrane’s death, one page, 11 x 18, July 28, 1967. Resolution passed by the legislature to officially “express their deepest sorrow to the bereaved widow of this musical genius, John Coltrane.” The document enumerates numerous achievements from throughout Coltrane’s career and bears facsimile signatures of two California officials, along with a large gold state seal to the lower left. Nicely double-matted and framed to an overall size of 26.75 x 19.5. In fine condition. Accompanied by a press release related to Coltrane’s death and a letter related to the resolution. RR Auction COA.…(MB $200)

431. John Coltrane. Saxophonist, band leader, and composer (1926–1967) whose brilliant improvisatory skills and experimental spirit made him one of the most influential and highly regarded musicians in the history of jazz. After playing tenor and soprano sax with Dizzy Gillespie, Miles Davis, and Thelonious Monk, he led his own groups and made such classic recordings as ‘Giant Steps,’ ‘My Favorite Things,’ and ‘A Love Supreme.’ He died of liver cancer at the age of 41. My Favorite Things album signed in-person on the back cover in blue ballpoint, “Best wishes, John Coltrane.” In very good condition, with scattered toning to back cover, a few spots lightly affecting signature, heavier toning to edges, surface loss along bottom of back cover, a small tape remnant to lower left corner, and a bit of light surface wear to front cover. The record is included. My Favorite Things was the first to quite clearly mark Coltrane’s change from bebop to free and modal jazz. Extremely rare in any autograph material, with a signed album certainly at the pinnacle of all Coltrane collectibles. Pre-certified Roger Epperson/REAL and RRAuction COA.…(MB $200) 138 JAZZ AND BLUES

Fantastic stage-used ‘Lucille’ presented to King’s long-time festival producers 432. B. B. King. King’s stage-used 1992 Gibson ‘Lucille’ model solid body electric guitar, signed and inscribed on the body in silver ink, “To Paul & Irene, B. B. King.” Accompanied by a letter of provenance from Paul and Irene Zukoski, the recipients of the guitar. Letter reads, in part: “We…own Front Row Productions, Inc. Front Row produced the B. B. King Music Festival tour for 15 years…B. B. King presented us with his Lucille guitar at the PNC Bank Arts Center in Holmdel, NJ on August 14, 2003. That day there was a massive blackout in the Northeast and we were not sure if the show would go on. As luck would have it…the show still played…After he closed the show, he gave Paul the very same Lucille guitar he had just played on stage and which he had played on stage for years…he thanked us for creating the long-running tour for him and then proceeded to sign the guitar.” Included is another letter of provenance from the tour’s stage manager who witnessed the exchange. Also accompanied by a full letter of authenticity from PSA/DNA, as well as three tour passes from the festivals, one signed in black felt tip by King and encapsulated in a plastic PSA/DNA authentication holder. In fine condition. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

433. Muddy Waters. Glossy 7.75 x 10 head-and-shoulders publicity photo, signed in the lower border in black ballpoint. In very good condition, with a lightly trimmed edge, scattered creases and surface marks, and a small tear to top edge. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

434. Champion Jack Dupree. Well-regarded American blues pianist (circa 1910–1992). Promotional poster, 17.5 x 26, for Dupree’s appearance at Barrelhouse Blues in New Orleans signed in the bottom border in black ink and dated 1970. In very good condition, with a single tack hole to each corner, scattered edge creases, and signature very light and only slightly legible. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

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435. Count Basie Band.

Fountain pen signatures of Basie and 17 members of his band on a 7 x 10.5 off-white sheet of Hotel Canterbury stationery, affixed to an 11 x 14 scrapbook page bearing clipped magazine photos of the musicians. Signers include: Count Basie, Al Killian, Harry ‘Sweets’ Edison, Buddy Tate, Dan Minor, Freddie Green, Dicky Wells, Buck Clayton, Lester Young, Jack Washington, Jo Jones, Helen Humes, Walter Page, Lee Young, Earle Warren, Ed Lewis, Vic Dickenson, and three members of the Hi Hatters, including Clarence ‘Frenchie’ Landry. Many have also added their instrument beside their name. In very good condition, with three horizontal folds slightly affecting a few signatures, toning to the borders, light scattered soiling, and a couple brushes to ink. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

436. Duke Ellington Band.

Fountain pen signatures of Ellington and 16 members of his band on two off-white sheets, affixed to an 11 x 14 scrapbook page bearing clipped magazine photos of the musicians. The lower sheet, 6.5 x 2.5, is signed by Duke Ellington and Ivie Anderson. The upper sheet, 7.25 x 10.5, is signed by Lawrence Brown, Rex Stewart, Jimmy Blanton, Wallace Jones, Ben Webster, Fred Guy, Joe ‘Tricky Sam’ Nanton, Barney Bigard, Otto Hardwick, Johnny Hodges, Sonny Greer, Juan Tizol, Harry Carney, Ray Nance, and Herb Jeffries. Many have also added their instrument beside their name. In very good to fine condition, with overall toning to the borders and light scattered soiling, and intersecting folds to the upper sheet, slightly affecting many of the signatures. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

437. Ella Fitzgerald. Concert poster

featuring a 1970 sketch of Fitzgerald by Picasso, 21 x 32.5, advertising a concert featuring Ella Fitzgerald and Joe Pass at the Westwood Playhouse, signed in red felt tip, “Sincerely, Ella Fitzgerald,” and black felt tip, “Best wishes, Joe Pass.” Double-matted to an overall size of 27 x 38.5. In fine condition. Pre-certified PSA/DNA and RR Auction COA.… (MB $200)

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438. Howlin’ Wolf. Chess Records pressing 45 rpm record of

‘Change My Way/I’m Leaving You,’ signed and inscribed in blue ink on the label, “Chester Howlin Wolf Burnett, God bless you Harry!” In fine condition, with some mild soiling to the label and a few light marks to the vinyl. RR Auction COA.…(MB $200)

441. Sarah Va u g h a n .

439. Edward ‘Kid’ Ory. Jazz trombonist and big band leader (1886-

1973). Vintage glossy 10 x 8 publicity photo, signed and inscribed in blue ink “To Gordon, Edward ‘Kid’ Ory.” Scattered light creases and surface marks, otherwise fine condition. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

Glossy 8 x 10 Mainstream Records publicity photo, signed and inscribed in black felt tip “To Hirsh, all the best, Sarah Vaughan.” In fine condition, with two paperclip impressions to the right border and mild corner tip bends. Pre-certified PSA/ DNA and RR Auction COA.…(MB $100)

442. Louis Prima. Original color 28 x 22 half-sheet movie

poster for the 1962 film Twist All Night, starring Prima and June Wilkinson. In fine condition, with expected central vertical and horizontal folds and trivial corner tip creases. RR Auction COA.…(MB $200)

440. Lester Young and Charlie Shavers.

One page from the program for Norman Granz’ Jazz at the Philharmonic in London on March 8, 1953, 8.5 x 11, featuring an image and brief biography of Young on one side and Shavers on the other, signed by both in fountain pen near his image. In fine condition, with some mild soiling to the Shavers side of the page. Accompanied by the cover of the program from which the page was removed. RR Auction COA.…(MB $100)

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Holiday’s unfulfilled recording contract for Lady Sings the Blues 444. Billie Holiday. DS, signed “Eleanora Fagan,” 22 pages, 8.5 x 11, March 18, 1957. Agreement between Holiday (nee Eleanora Fagan) and producer Lester Cowan for her to “render her services as a singer, exclusively on behalf of producer, in the singing, rendition and recording of approximately twelve (12) musical compositions…in connection with the exercise of any rights which may be acquired in and to that certain book entitled ‘The Lady Sings the Blues’…written by Artist and William F. Dufty.” Holiday agrees to this in exchange for $25,000 in several installments, $50 per diem, and 50% of profits from the venture. Signed at the conclusion in blue ballpoint by Cowan and Holiday, using her proper name. In very good condition, with the final, signed page detached from the rest of the stapled document, scattered creases, toning, staple holes to the upper left corner, and a few small edge tears to the signed page, and light overall light creases, toning, and office notations to the complete document. 142 JAZZ AND BLUES

Cowan had purchased the rights to Holiday’s 1956 autobiography, Lady Sings the Blues, shortly after its release, and set about planning its adaptation to the silver screen. He made a deal with United Artists, arranged for Anthony Mann to direct, and had his wife, noted jazz lyricist and composer Ann Ronnell, write four songs for Holiday to record especially for the film. There was some conflict regarding who would play Holiday—the popular choice was Dorothy Dandridge, but Cowan considered using a white actress for the part. Holiday was supposed to record the soundtrack for the film in Paris during the summer of 1958, but the session does not appear to have ever happened. Ultimately, Cowan’s film fell through—it was not until 1972 that a film based on Lady Sings the Blues came to fruition, directed by Sideny J. Furie and starring Diana Ross as Holiday. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

GREAT AMERICAN COMPOSERS

uch of modern music stands upon the shoulders of the great composers and lyricists

of the past—the influences of jazz, blues, and broadway shows are readily heard in popular music today, and this section celebrates these early originators. All signed items come from the estate of Sylvia Rosenberg, an ASCAP secretary whose tenure began in 1927. In the April 10, 1943, issue of Billboard magazine, a brief column asserts, “Every writer or publisher ever having any business transactions with ASCAP has, of course, run into Sylvia Rosenberg.” It was during these ‘run-ins’ that Rosenberg managed to amass a tremendous collection of autographed photos and sheet music, consisting of all the greats—Gershwin, Berlin, Handy, Bernstein, Kern, Sousa, Porter, and Stravinsky among them.

Gershwin’s jazz standard, ‘I Got Rhythm’ 446. George Gershwin.

Vintage sheet music for ‘I Got Rhythm’ from Girl Crazy, 9 x 12, five pages. signed and inscribed on the front cover in fountain pen, “To Sylvia Rosenberg—with admiration & all good wishes, George Gershwin.” Two horizontal folds, a few light creases, and a small tear to the lower edge, otherwise fine condition. A great piece of jazz history. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

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447. Harold Arlen. Distin-

guished American composer (1905–1986) best known for his songs for the film The Wizard of Oz. Vintage glossy 7.25 x 10 photo of Arlen seated at a piano, signed and inscribed in black ink “For Sylvia, fond memories thru the years, Harold Arlen.” Trimmed edges, scattered creases and surface marks, and overall irregular ink adhesion to signature and inscription, otherwise very good condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

448. Harold Arlen. Vintage sheet music for ‘Over the Rainbow,’ 9 x 12, five pages, signed and inscribed on the front cover in fountain pen, “Dear Sylvia—Thanks for a long & lasting friendship, Harold,” adding a two-bar AMQS from the beginning of the song’s famous chorus. In fine condition, with mild scattered creases and trivial toning to the borders. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Berlin’s patriotic anthem 449. Irving Berlin. Vintage sheet music for ‘God Bless America,’

9 x 12, three pages, signed and inscribed on the front cover in blue ballpoint, “To Sylvia Rosenberg—with my very best wishes, Irving Berlin.” A small tear to the front cover, a few creases, and a piece of tape affixed to the back cover, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

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450. Irving Berlin. Vintage sheet music for ‘White Christmas,’ 9 x 12, three pages, signed and inscribed on the front cover in fountain pen, “To Sylvia Rosenberg, all good wishes, Irving Berlin.” A spot of whiteout slightly affecting the inscription, and some light chipping to edges, otherwise fine condition Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

451. Leonard Bernstein. Early vin-

tage glossy 8 x 10 headand-shoulders photo, signed and inscribed in black pencil “For Sylvia Rosenberg, Sincerely, Leonard Bernstein 1958.” Some scattered surface marks and creases, and some light contrast to portions of signature, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

454. W. C. Handy. Vintage sheet music for ‘Saint Louis Blues,’ 9 x 12, five pages, signed and inscribed on the front cover in fountain pen, “To Sylvia Rosenberg, W. C. Handy, 4-4-32.” A few light edge chips and creases, and slight separation to spine, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

“To ASCAP’s Sylvia… Cohan at piano”

455. Otto Harbach. Vintage sheet music for ‘Smoke Gets in Your

452. George M. Cohan. American playwright, songwriter, and actor (1878–1942), widely regarded as the father of American musical comedy, who takes a place among the most beloved entertainers of his era. Vintage glossy 6.75 x 4.75 photo of Cohan at a piano singing a song, signed and inscribed in fountain pen “To ASCAP’s Sylvia, All good wishes for a nice little lady, Sincerely, George M.,” adding “Cohan at piano,” in the middle of the inscription. Scattered creases and surface marks and trimmed edges, otherwise fine condition. Precertified PSA/DNA and RR Auction COA.…(MB $200)

Eyes’ from Roberta, 9 x 12, five pages, signed and inscribed inside the front cover in fountain pen, “‘Sylvia’s hair is like the night, Touched with glancing starry beams, Such a face as drifts thru dreams, This is Sylvia to the sight.’ And when Clinton Scollard said this he didn’t have any smoke in his eyes. Otto Harbach, Paramount Bldg., New York City, June 26th, 34.” In very good condition, with partial taperepaired separation to spine, scattered creases, and slight surface loss to lower border of the front cover. RR Auction COA.…(MB $100)

453. Ira Gershwin. Glossy 9.5 x 7.75 photo of Gershwin at work, signed and inscribed in black ink “For Sylvia Rosenberg—With warmest regards—and all the best—from Ira Gershwin.” In very good condition, with trimmed edges, scattered surface marks and creases, old tape toning to corner tips, and some trivial surface loss to top edge. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

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456. E. Y. Harburg.

Lyricist (1896–1981) who wrote the lyrics to the standards, ‘Brother, Can You Spare a Dime?,’ ‘April in Paris,’ and ‘It’s Only a Paper Moon’ as well as all of the songs in The Wizard of Oz. Matte-finish 8 x 10 photo of Harburg sitting outdoors, signed and inscribed in blue ballpoint “Who is Sylvia? What is she that songsters all adore her—from Shakespeare down to Yours fondly, E. Y. Harburg.” In fine condition, with a few dings and light surface peeling to left edge, and Harburg tracing over his inscription. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

The famous song from Casablanca 457. Herman Hupfeld. Song-

writer (1894– 1951) known for his Broadway compositions. Vintage sheet music for ‘As Time Goes By’ from Casablanca, 9 x 12, five pages, signed and inscribed on the front cover in fountain pen, “‘Who is Sylvia’? Says the song I’ve known the answer—for ever so long! Greetings, Herman ‘Dodo’ Hupfeld.” A light horizontal mark to the surface and chipping to lower left corner, otherwise fine condition. RR Auction COA.…(MB $100)

signatures and inscriptions, “To Sylvia—With the warmest rega[rds...] of hers sincerely, Jerome Kern” and “To Sylvia—and about time! With best wishes, Oscar Hammerstein,” on a clipped portion of the cover to sheet music from Show Boat, 7.5 x 4.75, affixed to a program for the production to an overall size of 9.25 x 11. Portions of both signatures and inscriptions clipped off, various pieces of toned tape affixed to clipped sheet and program, and complete, tape-repaired separation to spine of program, otherwise very good condition. Precertified PSA/DNA and RR Auction COA.…(MB $200)

458. Jerome Kern. Vintage matte-finish 7.5 x 10 photo of an artist’s portrait of Kern, signed and inscribed in fountain pen “For Sylvia, with cordial regards, Jerome Kern.” In very good condition, with irregular trimmed edges, some light staining to background, several creases, and light contrast to last name of signature. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

146 Great American Composers

459. Jerome Kern and Oscar Hammerstein. Vintage ink

Presenting a portrait to the “the Olympian custodian of American composers”

460. Frederick Loewe.

Vintage sheet music for ‘If Ever I Would Leave You’ from Camelot, 9 x 12, five pages, signed and inscribed vertically on the front cover in fountain pen, “To dear Sylvia with my fondest wishes—Frederick Loewe.” A horizontal fold, light scattered creases, and small a tear to right edge (slightly affecting the inscription), otherwise fine condition. RR Auction COA.…(MB $100)

463. Gian Carlo Menotti.

461. Henry Mancini and Johnny Mercer. Sheet music

for ‘Moon River’ from Breakfast at Tiffany’s, 9 x 12, three pages, signed and inscribed on the front cover in black felt tip, “To Sylvia, very best, Henry Mancini,” and signed in red felt tip, “Aussi Moi, Baby! Johnny Mercer.” In fine condition, with light scattered creases. Pre-certified PSA/DNA and RR Auction COA.…(MB $100)

“Since you have never forgotten Rudolph—I have

told him to never forget you” 462. Johnny Marks. Sheet

music for ‘Rudolph the RedNosed Reindeer,’ 9 x 12, three pages, signed and inscribed vertically on the front cover in red ballpoint, “Dear Sylvia—Since you have never forgotten Rudolph—I have told him to never forget you. Your old friend, Johnny Marks, Dec. 1970.” In fine condition. RR Auction COA..................…(MB $100)

Two-time Pulitzer Prize–winning Italian American composer (1911–2007) best known for such popular operas as The Consul, The Saint of Bleecker Street, and Amahl and the Night Visitors. In 1977, he founded the Spoleto Festival USA in Charleston, South Carolina, is one of the world’s major performing arts festivals. Vintage glossy 7.25 x 8.75 photo, signed and inscribed in fountain pen “For Sylvia Rosenberg, the Olympian custodian of American composers—with warmest greetings—Gian Carlo Menotti.” In very good condition, with trimmed edges, scattered creases and surface marks, and toning along right edge. RR Auction COA.…(MB $100)

Porter’s song for the film starring Fred Astaire and Ginger Rogers 464. Cole Porter. Vintage sheet music for ‘Night and Day’ from The Gay Divorcee, 9 x 12, seven pages, signed and inscribed on the front cover in fountain pen, “For Sylvia, Cole Porter.” In very good to fine condition, with a few light creases, small taperepaired tears to left corners and bottom edge, and some light chipping to edges Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Great American Composers 147

465. Richard Rodgers. Vin-

tage sheet music for ‘The Sound of Music’ from the eponymous film, 9 x 12, seven pages, signed on the front cover in fountain pen, “‘Richard Rodgers.” In fine condition, with a few mild creases to the left border and light overall toning. Precertified PSA/DNA and RR Auction COA.…(MB $200)

467. Igor St r av i nsky. Vintage

matte-finish 7 x 5 photo, signed and inscribed in fountain pen “To Miss Sylvia, with kindest regards, I Stravinsky 1940.” Rippling to horizontal edges, a crease to top right corner, and some stray marks to left edge, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Porter’s waistcoat from the famed haberdasher Knize 4 6 8. Co le Porter. One

466. John Philip Sousa. Vintage sheet music for ‘The Stars and Stripes Forever!,’ 9.25 x 12.25, five pages, signed and inscribed on the front cover in fountain pen, “To Miss Sylvia Rosenberg, with the best wishes of John Philip Sousa, 1931.” In very good to fine condition, with mild scattered creases and toning, and a few small tape-repaired tears to edges. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

148 Great American Composers

of Cole Porter’s personally owned and worn waistcoats. Gray checked vest, made by Knize of New York, bears two rows of three buttons in the front and a label sewn into the waist, with Porter’s name typed onto it and dated May 18, 1954. In fine condition. At this time, Porter was in between two hit shows, Can-Can and Silk Stockings, which ran for a combined 1369 shows. Provenance: Sotheby’s, December 2011. RR Auction COA.…(MB $300)

country Jennings’s ‘Flying W’ cowboy boots 469. Waylon Jennings. Waylon Jennings’s personally owned and worn cowboy boots, approximately 13.5 inches tall and 11.5 inches long, handmade by Paul Bond from full lizard skin. Inside boots are stamped, “Paul Bond 92,” and their serial number, 92378, and Jennings’s name are handwritten vertically inside of each boot. Each boot bears a white ‘Flying W’ stitched into the front and back, and overall leather bears an elaborate pattern. A white leather ‘gun shack’ pocket is stitched into the right boot. In overall fine condition, with expected creases and general wear from use. Bond is a legendary maker of handcrafted boots whose customers have included John Wayne, Willie Nelson, Johnny Cash, and, of course, Waylon Jennings. Accompanied by a letter of authenticity from Jennings’s son Terry. A truly one-of-a-kind collectible from the outlaw musician. RR Auction COA.…(MB $500)

Jennings’s snakeskin guitar strap 470. Waylon Jennings. Waylon Jennings’s personally owned leather guitar strap, approximately 51 inches long and 3 inches wide, featuring the hide of a diamondback rattlesnake sewn to the outside. Accompanied by a letter of authenticity from Jennings’s son Terry. In fine condition. RR Auction COA.…(MB $200)

COUNTRY

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‘The Man in Black’ becomes a marshal of Dodge City 471. Johnny Cash. Six-pointed Dodge City Marshal’s badge

engraved with his name, presented to Cash during a concert tour stop in Dodge City, Kansas, on Mar. 16, 1988. In fine condition. At the same ceremony, Cash was also named an ‘honorary citizen’ of Dodge City. Incidentally, Cash was in good company, as legendary lawmen Wyatt Earp and Bat Masterson were former marshals of Dodge City. Provenance: Johnny and June Carter Cash Estate, Sotheby’s 2004. RR Auction COA.…(MB $300)

472. Johnny Cash and Luther Perkins. Original vintage Johnny Cash Souvenir Folio program from 1956, 8.5 x 11, eight pages, signed on the front cover in blue ballpoint by Cash and Perkins. Back cover bears five other pencil and ballpoint signatures, with one additional signature to front cover. Light handling wear and clipped lower right corner and edge, otherwise fine condition. RR Auction COA.…(MB $200)

473. Patsy Cline. Very nice vintage glossy 8 x 10 Decca Records

publicity photo, signed in blue ballpoint, “Sincere thanks, Patsy Cline.” Scattered light silvering to darker areas and some scattered light bends and creases, otherwise fine condition. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

150 COUNTRY

Early Opry cast photo including the pioneering DeFord Bailey and the Delmore Borthers 474. Grand Ole Opry. Uncommon vintage glossy 9.5 x 6.25 photo

of the Grand Ole Opry cast, signed in blue ink by six cast members including DeFord Bailey, Uncle Dave Macon, Alton Delmore, and Rabon Delmore. In very good condition, with scattered creases and surface marks and a couple of small edge tears. Bailey was the first African-American performer on the Grand Ole Opry; there wasn’t another until Charlie Pride in 1967. RR Auction COA.…(MB $200)

475. Lefty Frizzell.

Vintage glossy 8 x 10 publicity photo of Frizzell with his guitar, signed in fountain pen, “Wishing you the best, Lefty Frizzell.” In fine condition, with a few light surface bends and creases, and mild toning to the borders. RR Auction COA.…(MB $200)

477. Marty Robbins. Glossy 8

x 10 Columbia Records ‘Grand Ole Opry’ publicity photo, signed and inscribed in blue felt tip, “To Pamela, with best wishes, Marty Robbins.” In fine condition, with a few slight surface bends and creases. RR Auction COA.…(MB $100)

Confined to a hospital but hoping to tour, Guthrie grimly muses “Why does it hurt…so much” 476. Woody Guthrie. Two pages of handwritten lyrics on two 8.5 x 12 lined tan pages, both signed at the bottom, “Woody Guthrie,” dated May 1956, and written at the Brooklyn State Hospital, but never recorded. Much of the text is undecipherable clearly showing the effects of Huntington’s disease, for which he was hospitalized from 1956 to 1961. One page bears lyrics to a work entitled “Why,” and reads, in part: “Why does it hurt all us… so much of… here than it hurts all my (?) ever here to written it… (?)… and also to divorce it?” Second page bears 27 lines in Guthrie’s hand, and reads, in part: “Gotta make my gate, Brooklyn, Brooklyn my, Brooklyn state, my Brooklyn state.” Second page also bears a second Guthrie signature along right side. In very good condition, with tape repair to complete bisecting horizontal separation to second page, uniform toning, several other archival tape repairs to reverse of both pages, and some scattered edge chipping. In May 1952, Guthrie began to fall ill, and by September was diagnosed with Huntington’s disease. Two years later, with the effects of the disease making him no longer able to function, Guthrie checked into Brooklyn State Hospital. On May 23, 1956, shortly after putting these thoughts on the pages offered here, Guthrie checked himself out of the facility and planned to tour, but within days was arrested for vagrancy in New Jersey. Pre-certified John Reznikoff/PSA/DNA and RR Auction COA.…(MB $300) COUNTRY

151

478. Jimmie Rodgers. Singer-songwriter (1897–1933), known as the ‘Singing Brake-

man’ and ‘Yodeling Cowboy.’ In melding jazz, blues, and Southern mountain music, Rodgers became one of the first superstars of country music, and one of the original inductees into the Country Music Hall of Fame in 1961. Diagnosed with tuberculosis in his late twenties, he nonetheless continued to record prolifically and to tour until his death at the age of 35. Uncommon vintage matte-finish 8 x 10 photo, signed and inscribed in fountain pen “To my pals Mr. & Mrs. Charlie Kamakas, Sincerely, Jimmie Rodgers.” In good to very good condition, with a few marginal chips and small creases, chip to bottom margin with tear slightly extending into image, light rubbing under signature, mild soiling, signature a shade light and slightly indistinct against background (though fully vislble). Many of the faults could be matted out for an attractive presentation. RR Auction COA.…(MB $200)

479. Sons of the Pioneers. Vintage

glossy 8 x 10 group photo of the Sons in western regalia, signed in blue ink, “Best always, sincerely, Sons of Pioneers, Karl Farr,” “Ken Curtis,” “Shug Fisher,” and “Lloyd Perryman.” In very good condition, with a few scattered creases, mounting remnants to the upper border, mild silvering to dark areas of the image, and slight skipping and brushing to a couple signatures. RR Auction COA.… (MB $200)

480. Ernest Tubb and The Texas Troubadours. Vin-

tage glossy 10 x 8 photo of Tubb and his band posing in front of their tour bus, signed later in various color felt tip by Ernest Tubb, Johnny Wiggins (signing over an unsuccessful first attempt in blue ballpoint), Cal Smith, Buddy Charleton, Leon Rhodes, Jack Greene, and Jack Drake. Scattered silvering to darker areas, a small tear to top edge, and a ballpoint notation “Ernest Tubb” in another hand across upper portion of photo, otherwise fine condition. RR Auction COA.…(MB $200)

152 COUNTRY

481. Bob Wills. American musician and songwriter (1905–1975) credited with inventing Western swing, a lively hybrid of musical influences that added drums and a brass section to traditional country music instrumentation. Vintage glossy 10 x 8 photo of Willis and his Texas Playboys, signed in fountain pen,. “Sincerely, Bob Wills.” In fine condition, with a couple slight creases and emulsion cracks to the lower border. RR Auction COA.…(MB $200)

4 82. Hank Williams. Vin-

tage Hank Williams Country Music Folio program, 9 x 12, 48 pages, signed and inscribed in blue ink on the front cover, “To Larry, Best wishes, Hank Williams.” In very good condition, with scattered creases and a repaired tear to front cover, light handling wear, and scattered soiling to back cover. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

THE 1950s Exceptionally rare ‘Modern Don Juan’ promotional single presented to a Lubbock boxer 483. Buddy Holly.

Rare Decca Records promotional 45 rpm single of Holly’s ‘Modern Don Juan’ single, marked on the label, “Sample Copy—Not For Sale,” and signed and inscribed on the label in blue ballpoint to his friend, Al Bennett, “To Al, Buddy Holly.” Holly presented the record to Bennett at a gym in Lubbock, Texas around 1956. Shadowboxed, matted and framed with two photos of Holly on stage and a descriptive plaque, to an overall size of 32 x 21. In fine condition, with a faint stain touching beginning of Holly’s first and last name, and a bit of trivial wear to label. Accompanied by a 1999 letter of provenance from Bennett which reads, in part: “I knew Buddy Holly back in the early fifties…I was in the Air Force at that piticular [sic] time stationed at Reese Air Force Base in Lubbock, Texas. I was on the Boxing team at that time I would train at a gym in Lubbock that’s were [sic] I first met Buddy Holly…we became good friends at the time, he was just getting started with his musical group, and he gave his first record that he recorded, and signed his name on the record for me.” Unsigned copies of this 45 are scarce and quite desirable, making a signed copy, with direct provenance, even more so. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $500)

Holly’s own button-down shirt with provenance from his wife 484. Buddy Holly. Holly’s personally owned and worn shirt. Yellow and whitechecked Arrow Contour “Custom Designed” button-down short-sleeve shirt has a pocket over the left breast, “Dover BD #2,” stamped on to the collar, and initialled on the label “B. H.” In fine condition. Accompanied by a letter of provenance from Maria Elena Holly. RR Auction COA.…(MB $300)

THE 1950s

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A portion of the white leather belt which was sold in the Sotheby’s Buddy Holly estate sale 485. Buddy Holly. A small section, 1 x .25, of Buddy Holly’s

white leather belt originally sold at the Buddy Holly Estate Auction at Sotheby’s. Double suede matted and framed with a photo of Holly and his guitar, a descriptive plaque and a color copy of the original signed certificate of authenticity from Sotheby’s, signed by Holly’s widow, Maria, to an overall size of 20.5 x 21.5. In fine condition. A well-preserved piece of memorabilia with exceptional provenance. RRAuction COA.…(MB $200)

On the 1958 UK tour, Holly signs with a rare addition: “The Crickets” 486. Buddy Holly. Vintage hardcover autograph album, 4.75 x 4, signed

inside on a light yellow page in black ballpoint, “Buddy Holly, The Crickets.” Most pages signed on both sides, with other signatures dated 1956–57. Other signers include Cliff Richard, Alma Cogan, and Johnnie Ray. Holly page in very fine condition; overall album in very good condition, with heavy paper loss to spine and toned adhesive remnants to covers. Provenance: Bonham’s, 2011. The consignor notes that the signature was obtained on their 1958 UK tour. A rarity for Holly to inscribe with the band’s name as he did here, “The Crickets.”Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

487. Buddy Holly.

Two original business cards, one for “The Rhythm Playboys,” 3.75 x 2.25, listing Holly’s first name as well as the other two band members; one for “Buddy and Bob,” 3.5 x 2, with Holly’s full name printed along the top, along with the other two band members; and a vintage glossy 7.5 x 9 photo of Holly singing in the recording studio. All three are matted and framed together with a letter of provenance from Maria Elena Holly for the photo to an overall size of 22.5 x 22. In fine condition. Accompanied by a letter to provenance from Holly’s brother Larry for the Rhythm Playboys card. RR Auction COA.…(MB $200)

154 THE 1950s

488. Chuck Berry. Original hand-drawn ink and paint poster featuring Berry soulfully playing his guitar, 21 x 30.5, signed in the lower left, “Cheers, Chuck Berry,” along with a sketch of a smiley face. Also signed in the lower right border by the artist, “Kim Field, ’73.” Nicely matted and framed to an overall size of 32 x 40. Scattered areas of toning, soiling, and slight surface loss, otherwise fine condition. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

490. Bo Diddley. Bo Diddley concert poster, 13.25 x 19.5. A No-

vember 17, 1967, gig by one of rock’s early architects, Bo Diddley, alongside newcomer Lee Michaels, is advertised in this first printing Family Dog (FD-92) poster designed by William Henry. Matted and framed to an overall size of 20 x 26.5. In fine condition. RRAuction COA.…(MB $100)

Diddley’s beloved guitar used on the streets of Chicago in the ’50s 491. Bo Diddley. Wood grain Harmony Broadway six-string acoustic guitar, personally owned and played by Diddley in the early 1950s, signed on the body in black felt tip, “From Bo Diddley, ‘94’.” In fair condition, with the expected wear, tear, and repairs associated with a heavily played instrument. Accompanied by a Certificate of Authenticity from Bo Diddley attesting to the ownership of this guitar, stating “one of my original guitars that I played during the early 1950’s when I was a performer on the streets of Chicago…the guitar has never, until now, been out of my possession.” Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

THE 1950s

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492. Bo Diddley.

Red Gretsch Electromatic Bo Diddley Model electric guitar, in his classic cigar box style, signed on the body in silver ink, “From Bo Diddley 00.” In fine condition. Consignor notes signature was acquired at the Orleans Hotel in Las Vegas in 2000. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

493. Fats Domino. Two items: souvenir handwritten lyrics to the classic ‘Blueberry Hill,’ written out by Domino on a yellow 6 x 9 lined sheet, signed at the conclusion, “Luck, Fats Domino;” and a glossy 8 x 10 photo of Domino playing the piano, signed in blue felt tip, “Luck always, Fats Domino.” In overall fine condition, with a light crease to the lower left and a rough top edge from notepad removal. Accompanied by full letters of authenticity from PSA/DNA for both items. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

494. Alan Freed.

Original color 27 x 41 one-sheet movie poster for the 1957 film Mister Rock and Roll, starring disc jockey Alan Freed, boxer Rocky Graziano, and a slew of rock ’n’ roll musicians. Poster features an image of Freed in the upper left and pictures Little Richard and his band in the lower right, as well as a list of musicians that includes Chuck Berry, Frankie Lymon, LaVern Baker, and Clyde McPhatter. In very good condition, with expected mailing folds, scattered creases, small holes at fold intersections, and a small area of paper loss to the right border. RR Auction COA.…(MB $200)

156 THE 1950s

495. Alan Freed.

American disc jockey and promoter (1921–1965) who pioneered the broadcasting of R&B and rock and roll on the radio, resulting in an explosion of interest in these still-emerging genres in the early 1950s. His career ended in the late 1950s when it was revealed that he, in a pervasive practice of the era, had accepted bribes from record labels in exchange for airplay. The resulting ‘payola’ scandal resulted in legislation that made such actions illegal. Vintage glossy 7 x 9 photo of Freed behind his WABC microphone, signed and inscribed in fountain pen, “To Sal, All my best, Alan Freed.” Moderate creases to corners, scattered soiling and surface loss (heavier to lower right), and tape remnants to corners, otherwise very good condition. RR Auction COA.…(MB $200)

Rare photo of Haley, “The Rambling Yodeler,” in his radio days 496. Bill Haley. Vintage 8 x 10 paperstock program photo of a young Haley in cowboy gear, signed in fountain pen, “Bill Haley, W. K. N. E.” Light pencil notation to the upper border indicates that it was signed on November 2, 1946. Ink notation to reverse reads, “Bill Haley, the Rambling Yodeler, Star of ABC-NBC, November Sat 2, 1946, West Swanzey, N. H.” Light overall toning, and trivial creases and soiling, otherwise fine condition. Accompanied by an unsigned photo from the same period. A rare, super early image of the rock ’n’ roll pioneer. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

498. Dale Hawkins.

500. Carl Perkins.

AMQS in pencil on an offwhite 8.75 x 10 musicallylined sheet. Hawkins pens 17 bars of music and lyrics to ‘Susie Q,’ boldly signing at the conclusion in black ink, “Best of Luck, Dale Hawkins.” In fine condition, with one horizontal fold and a lightly trimmed top edge. Hawkins wrote and recorded the original version of this song, which was later covered by Creedence Clearwater Revival. RR Auction COA.…(MB $200)

Handwritten lyrics for ‘Match Box,’ on a light green 8.25 x 11 lightly-lined sheet. Perkins writes out two verses and the chorus, writing the song title at the top and signing at the conclusion. In fine condition, with a few light creases. Accompanied by a certificate of authenticity from Tracks. Provenance: Bonhams 2009. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $200)

499. Jerry Lee Lewis.

DS, one onionskin page, 8.5 x 11, November 4, 1976. Standard AFTRA contract between Lewis and Bert Sugarman, Inc., for a performance by Lewis on the NBC show ‘The Midnight Special,’ scheduled for November 8, 1976, in exchange for $371.75. Signed at the conclusion by Lewis and a Sugarman representative, who has made a few additions and corrections throughout the document, including removing Kenneth Lovelace as one of the scheduled performers. In fine condition, with expected filing holes to the top. Accompanied by an unsigned photo of Lewis. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

501. Sam Phillips. Collection of approximately 30 items relating to Sam Phillips and Sun Records, including correspondence from Sun Records personnel, receipts and bills to and from Sun Records, and two credit card carbon receipts. None of the items are signed by Phillips. In overall fine condition. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

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502. Bobby Rydell.

Glossy 8 x 10 head-and-shoulders photo, signed in black felt tip. Slight contrast to the signature, otherwise very fine condition. RRAuction COA.…(MB $100)

503. Scopitone. Scarce original unused 1966 Scopitone promo-

tional poster, measuring 35 x 12. Color poster features 1950s-60s cult sex symbol Joi Lansing and an image of a Scopitone machine. In fine condition. Rolled. Scopitone was a type of jukebox featuring a 16 mm film component, sort of a forerunner of music videos. Almost all Scopitones now are in museums or private hands. RR Auction COA.…(MB $200)

505. Frank Sinatra. Color satin-finish 11 x 14 head-and-shoulders photo of a young Sinatra, signed in-person in blue felt tip. Scattered surface marks and creases, and light corner tip dings, otherwise fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

506. 1950s Rock ‘n’ Roll.

504. Frank Sinatra.

Fantastic vintage glossy 6 x 8 photo of a young Sinatra wearing a sport coat and tie, signed in green fountain pen. In fine condition, with a few trivial scattered surface marks. Precertified PSA/DNA and RR Auction COA.…(MB $200)

158 THE 1950s

Collection of 13 magazines, dated between 1953 and 1964, including Song Hits Magazine, Hit Parader, Big Beat, Life, band-specific programs, and a Hullabaloo Sheet music book, with covers featuring John Lennon & Paul McCartney, Elvis Presley, Rolling Stones, Dave Clark Five, Ricky Nelson, Lesley Gore, and Brian Hyland, among others. In overall very good to fine condition, with various creases, foxing, and toning to some magazines. Accompanied by an Elvis memorial stamp sheet and modern publication about rock ’n’ roll in the movies. RR Auction COA.…(MB $100)

THE 1960s

Janis tells her fiance of her recording three blues songs “‘Once I Lived the Life of a Millionaire’… I hope it’s alright & I hope I don’t scare people” 507. Janis Joplin. ALS signed “Janis,” nine pages, 5.75 x 8, Octo-

ber 10, [1965]. Joplin writes to her boyfriend, Peter de Blanc. In part: “I’ve been busy. In fact, right now, I’m completely exhausted, really damn tired. I had a bitch of an afternoon. Philip & Diane & I didn’t get up to Beaumont last night to make the tape (I’ll deal with that part of the story later) so I went up this afternoon to do it. I’ve been up there about 9 fucking hours doing the damn thing & we only got 3 songs! And what a drag! Neil didn’t really know how to record on his recorder & it was really a hassle. Singing & singing & being nervous, Jesus Christ. I got all weak & shakey for a while, but we finally stopped to eat. Then I felt better but the tape recorder was broken, so I just quit. Damn. I’m tired! Well anyway, the tape = two blues, ‘Come Back, Baby’ & ‘Once I Lived the Life of a Millionaire’ and one really pretty ballad, ‘Once I Had a Sweetheart.’ I hope it’s alright & I hope I don’t scare people…We decided to go to a bar & have a few beers. (I don’t think know whether you’ve ever done that kind of socializing. Sitting in a real bar bar w/ hillbilly or hard rock & roll playing, talking & smoking cigarettes. It’s really kind of nice). So anyway we decided to go to this bar that had a pool table because we all like to play pool. (Does this sound like a sordid story? Well, I hope not). So we went to the Top Hat, sat down, had a round of Lone Star beer & watched the pool table. When it was open, Philip & I got up to play and I won…At one time I used to be awfully good. I was champion of E. 6th St between A & 1st, and that’s pretty good, you know…So what happened?…I beat everybody in the house! Too much! I beat all of the local champions & two dykes. I really couldn’t believe it. I just played great! And people kept buying me beer & I kept drinking it…Wow, now I hope you aren’t

mad at me—I didn’t do anything wrong, except get a little smashed…I guess it really wasn’t behavior fitting the demure woman that I am, but hell, I can’t help it if I’m another Willie Mosconi.” In a postscript on reverse of page 8, Janis writes: “In one of your letters, you asked about the flowers. Well, I told you about them in the letter…(Don’t you read my damn letters?!). They’re purple straw flowers.” Amazingly, the mailing envelope contains the remains and stems of Joplin’s “purple straw flowers.” Accompanied by the original mailing envelope noted above, addressed in Joplin’s hand and postmarked Port Arthur, Texas, October 12, 1965. In fine condition, with some mild staining to portions of first page, and some light toning along the central horizontal folds. At the time she wrote this letter, Joplin was living at home with her parents and hoping to rebuild her life and recover from her drug abuse of the previous few years. During that time she sang in small venues in New York and San Francisco, where she first met de Blanc. One of the songs mentioned in this letter, ‘Once I Lived the Life of a Millionaire,’ may be the opening line to the blues standard, ‘Nobody Knows You When You’re Down and Out,’ written in 1923 by Jimmy Cox. Shortly after writing this letter, Joplin moved to Austin and then to San Francisco where she joined Big Brother & the Holding Company. A particularly lengthy letter with some great blues association, a hint of Joplin’s insecurity, and a very uncommon direct reference to her music. These actual tapes have, to the best of our knowledge, never surfaced. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $500)

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508. Beach Boys. White-bodied Huntington ‘stratocaster-style’ electric guitar, signed on the body in black felt tip by David Marks, adding a sketch of some rolling waves and the opening lyrics to ‘Surfin’ Safari,’ and signed on the white pickguard in blue and black felt tip by Brian Wilson, Bruce Johnston, Al Jardine, and Mike Love. In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

509. Beach Boys. Surfin’ USA album signed on the front cover in black felt tip by Brian Wilson and Mike Love and in blue felt tip by David Marks. A partial separation along bottom edge, mild cover wear, and some toning to edges, otherwise fine condition. The record is included. Accompanied by a photo of Marks taken at time of signing. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

510. The Bee Gees.

Original handbill from The Pavilion in Bath, England, 5 x 8, for a Bee Gees performance on August 21, 1967. Also on the bill are Jimmy James and Amen Corner. In very good condition, with small tear near top, central horizontal and vertical fold, and scattered creasing. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.… (MB $100)

The Byrds finalize their 1968 breakup 511. The Byrds. DS, two pages, 8.5 x 13, January 3, 1968. Agreement stating that members of the Byrds have “agreed that it is in the best interests of all concerned that Michael Clarke resign as a member…and transfer his one-third (1/3) interest partnership interest to the remaining partners,” James Roger McGuinn and Christopher Hillman. In the contract, Clarke allows McGuinn and Hillman to “continue to carry on the business of The Byrds under its partnership name,” and acknowledges that he has “no further rights in and to the partnership name ‘The Byrds.’” Clarke also remains entitled to receive his “share of recording royalty income from Columbia Records with respect to each and every recording on which [he has] performed to date.” Signed at the conclusion in black ballpoint, “Michael Clarke,” and blue ballpoint, “James Roger McGuinn” and “Christopher Hillman.” Two horizontal storage folds, a few light creases, expected staple and filing holes to the top, and Clarke’s signature light but legible, otherwise fine condition. After having been a major act of the 1960s, the Byrds began to disintegrate at the end of the decade. Gene Clark left in early 1966, due to the rigorous tour schedule and his fear of flying, followed by David Crosby in 1967, over creative differences. Michael Clarke quit the band over dissatisfaction with songwriting and disputes over his playing ability. Interestingly, despite the terms of this contract, Clarke began performing under the Byrds name and attempted to trademark it in the late 1980s. He successfully defended a lawsuit from past Byrds members and assumed legal ownership of the name, which David Crosby then purchased from his estate in 2002. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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A gift from Clapton and his ’96 band 512. Eric Clapton. Presentation copy of the program for Clapton’s 1996 tour, 11 x 11, featuring images and biographies of all musicians in his band, signed and inscribed on the first page, “To Alphi, with love, Eric Clapton ‘96.” Also signed and inscribed by each member of the band near his or her image: Andy Fairweather-Low, Chris Stainton, Steve Gadd, Dave Bronze, Roddy Lorimer, Tim Sanders, Jerry Portnoy, Tessa Niles, and Katie Kissoon. Beautifully housed in a custom slipcase. In fine condition, with a few creases to the left border of the front cover. Originates from the estate of Alphi O’Leary, who worked for Clapton as a bodyguard and assistant from 1973 to 1996. Provenance: Christie’s. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

513. Eric Clapton.

Printed itinerary for Clapton’s 1981 North American tour with the Fabulous Thunderbirds, 8.5 x 11.5, 35 pages. Itinerary includes details of the concert venues, hotels, flights and travel for the tour, and is bound by a single fastener in the top left. In fine condition, with minor handling wear. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

514. Eric Clapton. Program for Clapton’s 1989 tour, 11 x 11, featuring numerous images of Clapton inside, signed in-person on the front cover in blue felt tip, “Eric Clapton, ’92.” Scattered surface marks and irregular adhesion to the signature, otherwise fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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515. Eric Clapton. Layla and

518. Eric Clapton and Frank Zappa.

Other Assorted Love Songs album signed inperson on the front cover in blue felt tip by Clapton. Heavy wear and dings to the spine, otherwise fine condition. The records are not included. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

Program for Cream’s 1968 US tour, 12 x 12, featuring numerous images of the band inside, signed on the back cover in black felt tip by Eric Clapton, Frank Zappa, and four others. Scattered surface creases, and some light rubbing and soiling, otherwise fine condition. Accompanied by two sets of tickets to the Cream concert at Veterans Memorial Stadium in Des Moines, Iowa, on October 14, 1968. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

516. Cream.

520. Crosby, Stills,and Nash.

Choice color glossy 14 x 11 photo of Cream in a small boat, signed inperson in blue felt tip by Eric Clapton, Ginger Baker, and Jack Bruce. In very fine condition. Originally obtained by in-person specialist Mike Wehrmann. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Self-titled debut album signed on the front cover in black felt tip by David Crosby, Stephen Stills, and Graham Nash. In fine condition. The record is included. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $200)

Fender guitar signed by rock’s first true supergroup 517. Cream. Creamcolored Fender Squier ‘stratocaster-style’ electric guitar, signed on the body in black felt tip by Jack Bruce and Ginger Baker and on the white pickguard in black felt tip by Eric Clapton. In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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524. Dead.

Grateful

Collection of four Dead promotional items: a copy of The Book of the Dead, a 5 x 9.75 card stock promotional flyer, a 5.25˝ promotional sticker, and a Grateful Dead Records business card. In fine condition, with some light foxing to business card. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

521. Dave Clark Five. Scarce original

three-color 27 x 41 onesheet movie poster for the 1965 eponymous short subject documentary, released through United Artists. In fine condition, with expected mailing folds, a few light wrinkles, and a couple tiny pinholes at fold intersections. RR Auction COA.…(MB $250)

Built to last, their last final studio work, signed by the entire band 525. Grateful Dead. 522. Dave Clark Five.

Original threecolor 28 x 22 half-sheet movie poster for the 1965 film Having a Wild Weekend, starring the Dave Clark Five and Barbara Ferris. Expected central horizontal and vertical folds, scattered creases, and light toning, otherwise fine condition. The band released the film, which was called Catch Us If You Can in the United Kingdom, in response to the Beatles’ wildly successful 1964 film, A Hard Day’s Night. RR Auction COA.…(MB $200)

Cassette sleeve for the Dead album Built to Last, signed inside in blue ballpoint on the band’s photo by all six members: Jerry Garcia, Phil Lesh, Bob Weir, Mickey Hart, Bill Kreutzmann, and Brent Mydland. In fine condition, with a usual vertical cassette fold through a couple letters of Mydland’s signature. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Gaye endorses a check for 20 grand 523. Marvin Gaye. Diamond International Entertainment business check, 8 x 3, filled out and signed in another hand, payable to Gaye for $20,000.00, November 16, 1975. Endorsed on the reverse in black ballpoint, “Marvin P. Gaye.” Several vertical folds, a bank stamp to body, and a few wrinkles, otherwise fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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526. Grateful Dead.

529. Grateful Dead: Jerry Garcia.

Original laminated allaccess backstage pass, 4 x 3, for the Grateful Dead’s 1983 summer tour. Accompanied by a group photo of the band, descriptive plaque, and the pass’s original yellow neck lanyard, all nicely double-matted and framed to an overall size of 19.5 x 24. In fine condition. RR Auction COA.…(MB $100)

Limited edition 20 x 24 print of Garcia playing the guitar, numbered 89/300, signed by the artist in the lower border in pencil, “Hirschfeld.” In very fine condition. RR Auction COA.… (MB $200)

527. Grateful Dead. Uncommon double postcard designed by Lee Conklin, measuring 9.25 x 7 opened, advertising performances by Grateful Dead, Pentangle, Sir Douglas Quintet, Spirit, Ten Years After, and Country Weather at the Fillmore West between February 27 and March 9, 1969. In very good condition, with a central vertical fold, vertical crease to the right side, and tack holes with small tears to the upper corners. RR Auction COA.…(MB $100)

530. Jan and Dean. Original

six-piece Batman Meets Jan and Dean hanging store display. All pieces are connected with a thin wire and feature Batman and Robin, two images of the soundtrack cover, and other graphics. In fine condition. A colorful and uncommon piece of memorabilia. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

528. Grateful Dead: Garcia and Weir. Uncommon glossy 8 x 10 photo of the jam band, signed in-person in blue felt tip by Jerry Garcia and Bob Weir. In fine condition, with a surface impression along the right border and some vertical streaking to the emulsion. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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533

535

531

532

534

531. Jefferson Airplane. Original two-piece poster advertising the performance of Jefferson Airplane at the Holland Pop Festival in 1970. The festival took place on June 26-28 at Kralingse Bos, Rotterdam. Each piece measures 33 x 22 with an overall size of 33 x 44 when assembled. In fine condition, with scattered creases and edge dings. Rolled. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100) 532. Jefferson Airplane.

Original color 9 x 7 handbill for Bill Graham’s 1969–70 New Year’s Eve shows, featuring Jefferson Airplane headlining at the Winterland, and Santana at the Fillmore West. Some light corner creases, mild toning and foxing, and tape remnants to reverse, otherwise fine condition. RR Auction COA.…(MB $200)

533. Jefferson Airplane. Uncommon double postcard designed

by Lee Conklin, measuring 9.25 x 7 opened, advertising performances by Jefferson Airplane, Ballet Afro-Haiti, A. B. Skhy, Procol Harum, Santana, and Salloom Sinclair at the Fillmore West between October 24 and November 2, 1968. A central vertical fold, light rubbing and toning, and tack holes to the corners, otherwise fine condition. RR Auction COA.…(MB $100)

536 534. Janis Joplin. Color 14.5 x 21 print of a Bill Graham Presents Janis Joplin and Her Band and James Brown at the Winterland and Fillmore West. Triple matted and framed to an overall size of 20.5 x 27. In fine condition, with a few edge creases. RRAuction COA.…(MB $200) 535. Janis Joplin: Robert Crumb. Color limited edition 19.5 x 19.5 print of the Crumb-designed cover to Big Brother and the Holding Company’s 1968 album, Cheap Thrills, numbered #21/150, and signed in the lower border in pencil, “R. Crumb ’02.” In fine condition. RR Auction COA.…(MB $200) 536. The Kinks: Ray Davies. Satin-finish 14 x 11 group photo of the Kinks in a field, signed in-person in blue felt tip by Davies. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

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Joplin luncheon receipt from the day of one of her last concerts 537. Janis Joplin. Receipt for a four-person luncheon at the London House in Chicago, one page both sides, 4.25 x 8, August 5, 1970. Meal included one “club,” one “hamb,” two “BBQ,” and one “dessert.” On the reverse, Joplin prints her last name and room number in blue ballpoint, “Joplin, 267,” signing in full, “Janis Joplin.” Receipt was signed just two days after one of Joplin’s last public appearances, a performance of ‘Half Moon’ and ‘My Baby’ on the Dick Cavett Show on August 3, 1970. Joplin and Full Tilt performed on the night of August 5 at Ravina Park in Highland Park, Illinois. Less than two months later she would die of an accidental drug overdose. In very good condition, with some toning and soiling to the reverse, slightly affecting the signature, some light soiling to front, and a few light surface creases. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

538. Jerry Lee Lewis. Original color

20 x 30 poster for a Jerry Lee Lewis concert at the Tower Ballroom on May 17, 1962. In very good condition, with previous intersecting storage folds, some scattered toning, as well as scattered creasing. Rolled. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

540. The Monkees. S e v e n

original Monkees buttons: complete set of six different pinback buttons, one-inch diameter, four bearing individual caricatures of each member of the band and two featuring group images and the logo; and one 2.25-inch button featuring ‘floating-head’ photos of each band member and the text “I’m a Monkees Fan.” In fine condition, with light surface rust to reverse of each pin. Accompanied by an original 3.5 x 3.5 advertisement for the six-button set. RR Auction COA.…(MB $100)

539. Moby Grape. Color 15.25 x 24

print of a poster for the Second Annual KFAT Halloween Party, signed in silver ink by Jerry Miller, Don Stevenson, Peter Lewis, and Bob Mosley. Also signed in silver ink by the artist, Jim Phillips. Rolled and in fine condition, with a few small edge dings and creases. RR Auction COA.…(MB $100)

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541. Monterey Pop Festival. Two items: one

original unused ticket, 3.5 x 1.5, for the 1:30 pm, June 18 session of the 1967 Monterey International Pop Music Festival; and one bi-fold business card, 3.5 x 2, featuring the festival’s logo on the front and production supervisor Alan Pariser’s contact information inside. In overall very fine condition. RR Auction COA.…(MB $100)

The Moody Blues nearly play at Woodstock 542. Moody Blues. DS, signed “Michael Lang,” one page, 8.5 x 11, June 25, 1969.

Zell Enterprises International, Inc. contract between Umbrella Management Ltd. and Woodstock Ventures for the Moody Blues to play at the “Woodstock Pop Festival, Woodstock, New York, on Sunday evening, August 17, 1969.” The band was to play “One show of approximately 45 minutes between the hours of 9:00 PM and 11:00 PM,” in exchange for a flat rate of $5,000. Signed at the conclusion by Michael Lang, a concert promoter who co-created the Woodstock Music & Art Festival. Contract remains unsigned by the band’s management, as they never accepted. While the Moody Blues were advertised on the original Wallkill poster as performers, they backed out after being booked in Paris the same weekend. Two horizontal folds, moderate scattered creases, and staple holes and a small tear to the upper right corner, otherwise fine condition. Accompanied by an unsigned rider for the contract and two original unsigned publicity photos of the band. RR Auction COA.…(MB $200)

543. Northern California Folk-Rock Festival. Original vivid

54 5. Q u i c ks i lv er Messenger Service. Quick-

color 14 x 20.5 poster for the 1969 Northern California Folk-Rock Festival. Festival was held at Santa Clara County Fairgrounds in San Jose, California on May 23–25, 1969. Festival featured the Jimi Hendrix Experience, Jefferson Airplane, The Chambers Brothers, Led Zeppelin, Eric Burdon, Spirit, Canned Heat, Buffy Sainte-Marie, The Youngbloods, Steve Miller, Chuck Berry, and Muddy Waters, In fine condition. RR Auction COA.…(MB $200)

544. Peter, Paul, and Mary. Moving album signed

on the front cover in black felt tip by Mary Travers, Peter Yarrow, and Noel Stookey. In fine condition, with scattered light cover wear and a PSA/DNA authentication label affixed to lower right corner. The record is included. Accompanied by a certificate of authenticity from PSA/DNA. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

silver Messenger Service concert poster, 13.5 x 19.5. A first printing from the Family Dog series FD-89, featuring Rick Griffin artwork for an Avalon Ballroom three-night stand in October ’67 with Quicksilver Messenger Service, The Sons of Champlain and Taj Mahal. Doublematted and framed to an overall size of 20 x 26.5. In very good condition, with a uniform shade of toning, scattered soiling, and small tack holes to each corner. RRAuction COA.…(MB $100)

546. Mitch Ryder. Original color 22 x 31 poster entitled ‘The Most Incredible Rock Show Ever—Mitch Ryder and Detroit.’ In very good condition, with mild creasing, toning and wear, and some areas where the print is a bit worn. RRAuction COA.…(MB $100)

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547. Cliff Richard and the Shadows.

Three items: one vintage 3.5 x 3.75 magazine photo of Richard, signed in blue ballpoint; one vintage ballpoint signature and inscription, “Many happy returns Lynne, Lots of Luck! Cliff Richard,” on an off-white 5 x 4.25 Carlton Hotel sheet; and one vintage ballpoint signature, “Happy Birthday, Love, Bruce Welch, xxx,” on an off-white 3.5 x 4 sheet. Collectors’ notations indicate the latter two were signed in 1963 and 1961, respectively. In overall fine condition, with a couple toned pieces of tape affixed to the Richard signed sheet. Accompanied by a small unsigned magazine photo of the whole group. RR Auction COA.…(MB $100)

550. Phil and Ronnie Spector. Glossy 8 x

548. Mitch Ryder and Herman’s Hermits. Three items: one

orange 10.75 x 16 poster for Mitch Ryder and Rare Earth at the Copper Dragon Brewing Company in Carbondale, Illinois, signed in black felt tip by Ryder; and two original Herman’s Hermits posters, 13.75 x 20, one bearing ‘floating head’ images of the band members and one with a magic lamp-style illustration. In very good to fine condition, with several light horizontal folds to the Ryder poster, and a diagonal crease and some surface loss to the top and bottom borders of the ‘floating head’ Herman’s Hermits poster. RR Auction COA.…(MB $100)

549. Sheet Music. Collection of vintage and modern sheet music, approximately 25 pieces, including ‘Stairway to Heaven’ by Led Zeppelin, ‘Lean on Me’ by Bill Withers, a songbook for Bob Dylan’s Nashville Skyline album, ‘Goodbye to Love’ by the Carpenters, ‘Angie’ by the Rolling Stones, ‘In the Midnight Hour’ by Wilson Pickett, ‘Younger Girl’ by John Sebastian, and ‘Love’ as performed by Nat King Cole. In overall very good to fine condition, with various creases, foxing, and toning to some sheet music. Accompanied by a few photographs and two programs for Paul McCartney’s world tour. RR Auction COA.…(MB $100)

168 THE 1960s

10 photo of the Ronettes, George Harrison, and Phil Spector, signed inperson in blue felt tip, “Phil Spector,” and “Love always, Ronnie Spector, xxx.” In fine condition, with a slightly grainy quality to the image. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

551. Simon and Garfunkel. Bridge

554. Supremes.

Over Troubled Water album signed in-person on the front cover in blue felt tip by Paul Simon and Art Garfunkel. Light scattered creases, complete separation to top edge, and a tack hole to left border, otherwise fine condition. The record is not included. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

552. Spencer Davis Group.

The

Color satin-finish 11 x 14 photo of the Supremes in dazzling gowns, signed in-person in blue felt tip by Diana Ross, Mary Wilson, and Cindy Birdsong. In fine condition, with a couple trivial brushes to the Wilson and Birdsong signatures. Originally obtained by in-person specialist Mike Wehrmann. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Color 20 x 30 poster entitled a Spencer Davis Group concert at the Astoria Theatre, in Rawtenstall, Lancashire, England, on March 27, 1965, signed and inscribed in ink and felt tip by Steve Winwood (first name only), Spencer Davis, Pete York, and Muff Winwood. A small promotional card is affixed to the lower right corner. In very good condition, with a few small separations along intersecting folds, tack holes to each corner, light wrinkling, scattered toning and soiling, and a couple signatures a bit light, but completely legible. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

5 53. D u sty Springfield. Vintage 3.75 x 5.5 promo card photo of Springfield, signed in black ink, “Love, Dusty Springfield.” In fine condition, with a bit of scattered light foxing. Accompanied by a certificate of authenticity from Tracks. Precertified Roger Epperson/REAL and RR Auction COA.… (MB $100)

555. The T-Bones: Keith Emerson. Vintage ink signatures

of Keith Emerson, Lee Jackson, Gary Farr, David Langston, and one other on an off-white 6.5 x 8.5 lightly-lined sheet of graphlike paper. In fine condition, with intersecting folds and a few small spots and creases. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

556. The Temptations. Original hand-

written sheet music, two pages on two adjoining sheets, 9.5 x 12.5, to the second trombone section of ‘Cloud 9,’ used for the recording by Motown Records session musicians, The Funk Brothers. In good condition, with heavy creases, moderate toning, a few tears, various pieces of toned tape affixed throughout, and numerous original ink and pencil notations, made by The Funk Brothers. A fantastic piece of music history that demonstrates the flexibility and improvisation required throughout the recording process. Originates from the files of Motown musical director Cornelius Grant. RR Auction COA.…(MB $200)

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557. The Temptations. Original hand-

written sheet music, two pages on two adjoining sheets, 9.5 x 12.5, to the cello section of ‘Ball of Confusion,’ used for the recording by Motown Records session musicians, The Funk Brothers. In fine condition, with moderate overall toning. Originates from the files of Motown musical director Cornelius Grant. RR Auction COA.…(MB $200)

558. The Temptations.

Vintage ballpoint signatures, “Melvin Franklin,” “Love always, from Eddie Kendricks, Temptations,” “Otis Williams Miles,” “David Ruffin,” and “Paul of the Temptations,” on individual off-white 5 x 3 cards, each with a typed notation to the top, dated June 23, 1966. In overall fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

559. Stevie Wonder. Elegant glass award, 4.5 x 4 x 1, etched with the text, “May 13, A Celebration of Birth, Honoring Stevie’s Birthday, and the birth of the Stevie Wonder Vision Award.” In fine condition. The award was created by Wonder and SAP to honor those who design accessible technologies for the visually impaired. This particular award was presented by Wonder at the first inaugural award ceremony, commemorating both his birthday and the creation of the award. RR Auction COA.…(MB $200)

170 THE 1960s

560. Woodstock. Original

ticket order brochure for Woodstock. Fold-out brochure measures 4 x 8.5 with the front listing the roster of bands in order of appearance (Sly & The Family Stone, S w e e t w a t e r, Creedence Clearwater, Grateful Dead, Janis Joplin, Santana, The Who, Jefferson Airplane, Jimi Hendrix, Iron Butterfly, and much more). The inside pages contain the ticket prices for 1 day, 2 day, and 3 day passes as well as descriptions of the other activities going on during the event. The back of the form contains a map and directions to the event from Boston, Philadelphia, and New York. In fine condition. RR Auction COA.…(MB $200)

561.

Woodstock.

Original ticket, 7.75 x 4, for a press preview to Michael Wadleigh’s famous Woodstock documentary, held at Trans-Lux East in New York on March 25, 1970. The film was officially released the next day. In fine condition. Accompanied by the original envelope, which bears a Woodstock logo. RR Auction COA.…(MB $100)

562. The Yardbirds. An original handbill 5 x 11.5, for the November 27, 1965 show at the Granada Cinema Eastham, headlined by Manfred Mann; and a ticket from the performance. In very good condition, with intersecting folds and creases to the handbill, and old tape toning and a missing corner tip to ticket. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

563. Woodstock. An original first-printing poster for the music festival billed as “An Aquarian Exposition,” 13.5 x 22.25, to be held at Wallkill, New York, featuring a design of a nude woman pouring water, designed by David Byrd. In fine condition, with some minor corner creases. Byrd’s gorgeous Art Nouveau-inspired design is favored by many over the more famous ‘Dove and Guitar” art used in the final version. RR Auction COA.…(MB $200)

564. Yardbirds.

Vintage magazine photo of the band, approximately 8.25 x 6, signed in black ballpoint by all five original members: Eric Clapton, Chris Dreja, Jim McCarty, Keith Relf, and Paul Samwell Smith. Matted and framed to an overall size of 13.5 x 12.25. In fine condition, with irregular edges and a bit of light contrast to small portions of a few signatures over printed text. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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565. Neil Young.

Harvest album signed in-person on the front cover in blue felt tip. Light overall toning and complete separation to top and bottom edges, otherwise fine condition. The record is not included. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

566. Neil Young. Lim-

ited edition 19 x 22 print of Young surrounded by microphones and instruments, numbered 58/100, signed by the artist in the lower border in pencil, “Hirschfeld.” In very fine condition. Pre-certified PSA/DNA and RR Auction COA..… (MB $200)

567. The Zombies: Argent and Blunstone. C o l o r

semi-glossy 10 x 6 cardstock group photo, signed in blue felt tip by Rod Argent and Colin Blunstone. In fine condition, with a slightly grainy quality to the image. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

172 THE 1960s

568. 1960s Music. Eleven items: seven KYA Beat magazines, dated between August 14, 1965, and January 28, 1967, including covers featuring Paul McCartney, Mick Jagger, Davy Jones, Herman’s Hermits, and Sonny & Cher; one September 23, 1969, edition of Look magazine, featuring Diana Ross on the cover; one The Association Fan Club publicity program featuring images and biographies of the band members; one circa 1963 Columbia Records publicity poster, 12 x 15, featuring an image of Cliff Richard against a blue background; and one TV Guide cover plaque featuring Ed Sullivan, dated June 17–23, which Sullivan personally owned and hung in his office after it was presented to him by Barbara Greenberg of TV Guide in 1967. In overall very good to fine condition, with various creases, foxing, and toning to the magazines. Accompanied by a photocopy of a CBS press release concerning Sullivan. RR Auction COA.…(MB $100)

569. 1960s Rock 'n' Roll.

Five original Family Dog type-A handbill postcards, 1967–68, 5 x 7, for the following concerts: Grateful Dead at the Avalon Ballroom, Big Brother and the Holding Company at the Avalon Ballroom, Country Joe and the Fish at the Avalon Ballroom, Van Morrison at 1601 W. Evans in Denver, and Blue Cheer at 1601 W. Evans in Denver. In overall fine condition, with various light creases and soiling. RR Auction COA.…(MB $100)

THE 1970s 570. AC/DC. Cream-colored DeArmand S-65 model electric guitar, signed in-person on the body in black felt tip by Angus Young, adding a great self-portrait caricature, Malcolm Young, Brian Johnson, Cliff Williams, and Phil Rudd. In fine condition. Originally obtained by inperson specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

571. AC/DC: Angus and Malcolm Young. Glossy 10 x 8

Atlantic Record publicity photo, signed in-person in blue felt tip by Malcolm and Angus Young. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

572.

Aerosmith.

Toys in the Attic album signed on the front cover in black felt tip by Steven Tyler, Joey Kramer, Brad Whitford, and Tom Hamilton, and blue felt tip by Joe Perry. In fine condition, with a PSA/DNA label affixed to the lower right corner. Accompanied by a full letter of authenticity from PSA/DNA. The record is included. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

573. Aerosmith. Limited edition 17 x 23 lithograph of Hirschfeld’s Aerosmith caricature used on their Draw the Line album cover, numbered #181/200, and signed in the lower right in pencil, “Hirschfeld.” In fine condition. Pre-certified PSA/DNA and RR Auction COA.… (MB $200)

574. Allman Brothers. Sunburst-finish Fender Squier Tele ‘telecaster-style’ electric guitar, signed on the body in black felt tip by Dickey Betts, Jaimoe, adding a small sketch, and David Goldflies, adding the opening lyrics to ‘Ramblin’ Man, and signed in blue felt tip on the pearloid pickguard by Gregg Allman, ‘Dangerous’ Dan Toler, adding “Midnight Rider,” and Butch Trucks. In fine condition. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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575. Badfinger. Three Badfin-

ger Enterprises Inc. business checks, all measuring 8.25 x 3, two filled out in another hand and signed by Stan Polley, one of which is endorsed by Joseph Molland, the other endorsed by Bill Collins. In very good condition, with expected stamps and a staple hole to each check. Accompanied by a certificate of authenticity from Tracks. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $100)

576.

Badfinger.

Magazine ad for Ovation-brand instruments, circa 1975, 5.5 x 10.5, signed vertically in blue ballpoint by the four original members, “Tom Evans,” “Best Wishes, Mike,” “Pete Ham,” and “Joey.” Scattered creases, a uniform shade of toning, and a few slight edge tears, otherwise fine condition. An extremely scarce complete set of signatures, as Ham committed suicide in April 1975—this must have been signed very shortly before his death. Fellow band member, Tom Evans, also experienced an untimely death when he committed suicide in November 1983, rendering this fully band signed piece even rarer. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

578. Bee Gees. Vintage 5.75 x 4 cardstock Polydor publicity photo, signed in blue ballpoint by all five members, Barry, Robin, and Maurice Gibb, as well as bandmates Colin Petersen and Vince Melouney, with all five signing with their first name only. Moderate contrast to Robin and Maurice’s signatures, and light contrast to a couple of the others, otherwise fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

579. David Bowie. Diamond Dogs album signed in-person on the front cover in blue felt tip. In fine condition. The record is not included. Originally obtained by inperson specialist Mike Wehrmann. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $100)

580. Tommy Bolin. American

577. Bee Gees. Color glossy 10 x 8 group photo, signed in-person in blue felt tip by Barry, Robin, and Maurice Gibb, all signing first name only. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

174 THE 1970s

guitarist (1951– 1976) who played with Zephyr, The James Gang, and Deep Purple, and who tragically died of a drug overdose at age 25. Page from a Japanese address book, 10 x 7, signed in-person in the upper left in blue ink, “Tommy Bolin, 630 N. Orlando, L. A., 213-655-6208.” Overall toning and soiling, a few small edge tears, some mild haloing to ink, mirroring of ink to right page, and some show-through from writing to opposing sides, otherwise very good condition. Consignor notes that the page was signed while Bolin was on tour with Deep Purple in Japan. A decidedly scarce signature. RR Auction COA.…(MB $100)

Custom-made suit from the ‘Godfather of Soul’ originally acquired from Christie’s 581. James Brown. One of Brown’s personally

owned and worn suits. Custom-made two-piece orange checkered suit consists of a single breasted jacket with two buttons and a matching pair of orange slacks with a checkered waistline. In fine condition. Accompanied by a certificate of authenticity from Tracks. Provenance: Christies, The James Brown Collection, July, 2008. RR Auction COA.…(MB $200)

582. David Bowie and Tin Machine. Tin Machine tour fold-out tour program, 8.5 x 11, signed on the front cover in black felt tip by David Bowie, Reeves Gabrels, Tony Sales, and Hunt Sales. In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

583. Crosby, Stills, and Nash. Color 24 x 36 promotional poster for their 2012 Summer Tour, signed in silver ink by David Crosby, Stephen Stills, and Graham Nash. Rolled and in fine condition, with some scattered edge dings and creases. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $200)

584. Dead Kennedys. Rare 7 x 10.25 book photo of the group, signed in blue ballpoint by Jello Biafra, East Bay Ray, D. H. Peligro, and Klause Flouride. In fine condition. RR Auction COA.…(MB $100)

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Gillan adds uncommon ‘Flight of the Rat’ lyrics 585. Deep Purple. Deep Purple in Rock album signed on the front cover in black felt tip by Roger Glover, Ian Paice, Jon Lord, Ian Gillan, and Richie Blackmore. Gillan has also added five lines of lyrics from ‘Flight of the Rat.’ In fine condition, with a couple creases to lower right corner, contrast to Blackmore’s signature, and a bit of surface loss to top right from removed label. The record is included. It’s out of the ordinary for Deep Purple members to add such a significant amount of lyrics when signing an album cover. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

586. Deep Purple. Vintage in-person felt tip and ballpoint signatures, “Tommy Bolin,” “Jon Lord,” “Ian Paice,” and a ballpoint signature and inscription, “To Kumi, David Coverdale,” on an off-white 9.5 x 10.25 Japanese Warner Brothers promotional card. In very good condition, with scattered creases, toning, and soiling. Accompanied by two original glossy 10 x 8 photos from backstage during their Japanese tour, and nine color glossy 4.5 x 3.25 snapshots from a press conference. An extremely scarce set of signatures, as Bolin was only with the group from June 1975 to March 1976; Bolin would die of a drug overdose at the end of 1976, at age 25. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Actual tabletop jukebox and props from the Doobies greatest hits cover 587. Doobie Brothers. A remarkable survivor of the 1970s is this original Seeburg table-top jukebox that is depicted on the cover of the multi-platinum album, Best of the Doobies. Since its original release in 1976, the album has racked up sales of 10 million copies in the US alone. Jukebox measures 13.25 x 16.5 x 6, and weighs 34.5 pounds. Also included are the prop plastic ketchup and mustard squeeze bottles, coffee cup, saucer, spoon, salt and pepper shakers (with salt and pepper still inside), and partially full sugar dispenser. In fine overall condition, with no front glass to jukebox. Accompanied by a certificate of authenticity from the San Francisco Art Exchange. RRAuction COA.…(MB $300)

176 THE 1970s

588. The Eagles. Natural wood-finish six-string Jas-

mine acoustic guitar by Takamine, signed on the body in black felt tip by Don Henley, Glenn Frey, Timothy B. Schmidt, and Joe Walsh. In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

591. The Guess Who. Sunburst-finish Stadium ‘stratocaster-style’ electric guitar, signed on the body in blue ink by Burton Cummings and on the white pickguard in blue felt tip by Randy Bachman, Jim Kale, and Garry Peterson, adding “These Eyes.” In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200) 592. Ian Hunter and Mick Ronson. All of the Good Ones Are

589. The Eagles.

Promotional poster, 33 x 22, for Hell Freezes Over, signed in black felt tip by Don Henley, Don Felder, Glenn Frey, Joe Walsh, and Timothy B. Schmit. Double-matted and framed to an overall size of 42.5 x 31.5. In fine condition, with a few scattered light creases and wrinkles. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

590. Mac.

Fleetwood

Fleetwood Mac 16 x 28 concert poster. Matted and framed to an overall size of 24 x 35.5. In fine condition. A William Bostedt and Randy Tuten collaborative design for Fleetwood Mac’s appearance at Oakland Stadium on May 7, 1977. The band was amidst a tour in support of their latest release, Rumours, the careermaking album that to date has sold 40 million copies worldwide. RRAuction COA.…(MB $200)

Taken album signed on the front cover in black felt tip by Ian Hunter and Mick Ronson. Scattered light soiling and wear to covers, adhesive remnants to front cover, and a collector’s label affixed to back cover, otherwise fine condition. The record is included. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

593. Jethro Tull.

Original 1972 US Chrysalis promotional poster, 16 x 36, for Jethro Tull’s Living in the Past album. In fine condition, with factory folds and a few minor creases. RR Auction COA.…(MB $200)

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594. Elton John. Original color MCA Records promotional poster for John and his band, 22 x 34.5, with a caricature of the band at the top and small images of the front covers of nine of his early albums. In fine condition, with scattered light creases and edge dings. RR Auction COA.…(MB $100)

5 9 5. John.

Elto n

Concert t-shirt from John’s 1989–90 ‘The World’ tour, size medium, signed on the front in black felt tip. A VIP pass from the tour is also affixed to the shirt. In fine condition, with some creases to the affixed pass. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

Sir Elton’s 1972 passport, used all over the world during his greatest period 596. Elton John. John’s personal passport, number 926588, issued by the United Kingdom on February 18, 1972. Passport measures 4 x 6, and contains his personal information written in another hand on the second page, including his profession as “Musician,” signed at the bottom with his full name, “Elton Hercules John.” Affixed on the adjoining page, opposite the personal information page is John’s 1.5 x 1.75 passport snapshot. The first few pages bear embossed Foreign and Commonwealth Office seals. Several inside pages bear official visa stamps, including those from Jamaica, Australia, the Netherlands, New Zealand, Japan, the US, and Canada, and also handwritten notations by John mentioning several music agencies. In overall fine condition, with expected wear from travel, including some soiling and a clipped upper right corner to the front cover, cancellation stamps to the front pages containing his personal information, and a few staple holes and small tears to some pages. This passport dates from John’s most successful and critically-acclaimed period—between 1972 and 1975, he saw seven consecutive albums reach number one in the US. The year this was issued also marked the release of one of John’s most famous songs, ‘Rocket Man.’ Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300) 178 THE 1970s

600.

597. Elton John.

Three concert passes: two laminated color concert passes, approximately 2.5 x 4, one for the Hard Rock Cafe and one for John’s 1993 ‘The One’ tour, each signed on the front in black felt tip; and one 1992 ‘The One’ concert pass, 4 x 3, signed on the front in blue ballpoint. In overall fine condition, with some creases to the 1992 pass. Accompanied by two unsigned red passes for the 1993 tour. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

KISS.

Original color 40 x 30 poster for the group’s second ever performance on British soil which took place at The Odeon in Birmingham, England, on May 14, 1976. Previous storage folds and some scattered edge creases, otherwise fine condition. Rolled. In 1976 as part of the Alive world tour, the group performed in just three British cities: Manchester, Birmingham, and London. Rolled. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

598. Elton John. Glossy 6.5 x 8.5 photo of John in an elaborate costume playing the piano, signed in blue ballpoint, “Best wishes, Elton John.” In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $100)

601. KISS. Origi-

nal color 40 x 30 poster for the group’s first ever performance on British soil which took place at The Free Trade Hall, in Manchester, England, on May 13, 1976. Previous storage folds and some scattered edge creases, otherwise fine condition. Rolled. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

602.

599. Elton John and Bernie Taupin. Signed commemorative book: Five Years of Fun. Limited edition of 2000 copies (This being No. 345). California: Boutwell Enterprises, 1975. Hardcover, 8.75 x 11.25. Signed on the colophon page in blue felt tip by Elton John and in blue ballpoint by Bernie Taupin. In fine condition. Book was issued as a souvenir commemorating the 5th anniversary of Elton’s American debut at the Troubadour. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

KISS.

Original color 40 x 30 poster for the group’s third ever performance on British soil which took place at The Hammersmith Odeon, in London, England, on May 15 and 16, 1976. In very good condition, with previous storage folds, a 14˝ separation along one horizontal fold, and scattered creases. In 1976 as part of the Alive world tour, the group performed in just three British cities: Manchester, Birmingham, and London. Rolled. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

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605. Bob Marley. Ink signature, “All the best, Bob Marley,” on an

603. KISS. Color 26 x 33 promotional poster for the 1995-1996 Worldwide Conventions, signed in the lower border in black felt tip by Paul Stanley, Gene Simmons, Peter Criss, and Ace Frehley, adding his small card sketch. Rolled and in fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

“Rastafari, Love, Bob Marley” 604. Bob Marley. Babylon by Bus album cover signed in black felt tip, “Rastafari, Love, Bob Marley,” and blue ballpoint, “Family Man Barrett, Bass.” Inner sleeve is completely intact and taped to reverse, which is what is seen through the die-cut bus ‘windows.’ In very good condition, with complete separation of covers (back cover not present), a couple light creases, and moderate irregular adhesion and some fading and rubbing to Marley’s signature. The record is not included. Accompanied by a certificate of authenticity from Roger Epperson/REAL. This is the only example of Babylon by Bus that we have offered signed by Marley, whose autograph is one of modern music’s most desirable. RR Auction COA.…(MB $300)

180 THE 1970s

off-white 3.5 x 2 card affixed to a 6.5 x 4 off-white card. A few minor creases, a bit of light soiling, and a punch hole to top edge, otherwise fine condition. Accompanied by a letter of provenance from the original recipient of the signature, obtained backstage at a concert at the 1980 Garden Party at Crystal Palace Bowl in London on June 7, 1980, which reads, in part: “I was one of a hand full [sic] of people who decided to swim the lake to the front of the stage…At the end of the concert as I was so close, I took my chance and went to the side of the stage and found a way in to the VIP area backstage…I spotted Bob on his way out so asked a man next to me if he had anything I could get an autograph on as I was still rather wet from being in the water. He handed me a piece of card and went towards Marley. He seemed to be in a hurry to get away so did not stop for long.” Also accompanied by two photos from the event, one of the recipient identifying himself in a photo of the front of the stage, and another of Marley backstage, Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

606. Bob Marley and the Wailers. Rare and colorful

original 20 x 30 concert poster for a Bob Marley and The Wailers show which took place at the University of Bradford on November 17, 1979. In fine condition, with scattered edge dings and creases. Rolled. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $200)

607.

Motorhead.

Motorheadbangers World magazine, December 1999, 8.25 x 11.5, 16 pages, signed and inscribed in felt tip on the front cover, “To John, Yoo hoo & a AK47 too! Lemmy Kilmister,” and, “To John, Holding the fort for the idiots! Phil Campbell,” and on a page inside, “To John, Mikkey Dee, ’00.” In fine condition, with light scattered creases. Fully band signed items are uncommon. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $150)

608. The Police.

Color 20 x 30 promotional poster for the British leg of their 1983 Synchronicity tour, featuring an image of the band and the corresponding dates below. In fine condition. RR Auction COA.… (MB $100)

609. Iggy Pop. DS, signed “James Osterberg,” one page, 8.5 x 14, October 5, 1977. William Morris Agency contract between the New York’s Palladium venue and Iggy Pop for an “October 6th, 1977… concert engagement” in exchange for “$5,000 plus 60% of the gross admissions receipts…in excess of $23,300.” The employer also “agrees to provide and pay for the Ramones (opening act) at the cost of $1000, plus…$1500 for sound and lights.” Signed at the conclusion in blue ballpoint by Pop, using his legal name, and the promoter. Document bears a couple original red pencil notations to the top, and a map with directions to the Palladium attached with a staple. In very good condition, with scattered edge tears, toning, and creases. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

610. Iggy Pop. Set of four identical DSs, each signed “James Osterberg,” one page, 8.5 x 14, September 16, 1977. William Morris Agency contract between Toronto’s Masonic Temple venue and Iggy Pop for an “October 9, 1977… concert engagement” in exchange for “$1,500 U.S. plus $500 Canadian.” Set consists of the original document, a carbon copy, and two facsimile copies, all signed at the conclusion in blue ballpoint by Pop, using his legal name. Documents are stapled together at the top, along with two 8-page riders. In very good to fine condition, with horizontal folds to signed pages, scattered creases and small edge tears, and light toning and soiling to edges. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

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612. Queen: May and Taylor. Attractive gold-bodied Ibanez electric guitar, signed in-person on the body in black felt tip, “Brian May, We Will Rock U! 2003,” and “Roger Taylor, Queen.” In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

615. Sgt. Pepper’ s Lonely Hearts Club Band. Original

613. Queen.

Original 33.75 x 24 concert poster for Queen’s concerts at the Forest National Stadium, in Brussels, Belgium, on April 16-18, 1978. In fine condition. Rolled. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

wax box of 1978 Donruss Sgt. Pepper’s Lonely Hearts Club Band bubble gum cards, 7.5 x 5.5 x 2, consisting of 36 unopened wax packs, each of which include seven cards and a stick of bubble gum. In fine condition, with a few light creases and wear to the box. The cards were produced to promote the 1978 film starring Peter Frampton and the Bee Gees. RR Auction COA.…(MB $200)

Rare handwritten letter from Simon as he plans a trip to London 616. Paul Simon.

614. Queen. Original 33.75 x 24 concert poster for Queen’s concerts at the Forest National Stadium, in Brussels, Belgium, on January 26 and 27, 1979. In fine condition. Rolled. Accompanied by a certificate of authenticity from Tracks. RR Auction COA.…(MB $100)

182 THE 1970s

Scarce ALS signed “Paul,” one page, 4.75 x 7.75, no date. Letter to Dolly. In full: “Thank you for getting me the room. It sounds fine as long as there’s no one to bug me. In case I am not on the plane I will make the next flight which arrives in London at 9:30 pm. In either case, I will be there.” In fine condition, with a few light wrinkles and creases. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

617. Patti Smith. Interesting color limited edition 23.75 x 17.75 lithograph, numbered #25/200, signed in black ink. Framed to an overall size of 25.75 x 19.75. In very fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

620. Bruce Springsteen.

618. Bruce Springsteen. Nebraska album beautifully signed on the front cover in black felt tip. In fine condition, with a few light creases to the edges and a small piece of tape to the upper left corner. The record is included. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

619. Bruce Springsteen.

Great 10.75 x 6 cardstock photo of Springsteen in sunglasses, signed in black felt tip. Lightly trimmed edges, slightly affecting the top of the signature, otherwise fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $200)

The River album signed in-person on the front cover in blue felt tip. Scattered creases, impressions, and rubbing, otherwise fine condition. The record is not included. Originally obtained by in person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

621. Bruce Springsteen. Sheet music to ‘Born in the USA,’ 9 x 12, two pages both sides, signed on the first page in black felt tip. A rough left edge and label affixed to the lower right corner of the first page, otherwise fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $200)

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622. Bruce Springsteen and the E Street Band. Glossy 10 x 8 group photo, signed in black felt tip by Bruce Springsteen, adding “Thanks”; Clarence Clemons, adding “The Big Man”; Steve Van Zandt, signing “Miami Steve”; Roy Bittan; Garry Tallent; Max Weinberg; and Dan Federici. Matted and framed to an overall size of 15.75 x 13. In fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

626. Van Halen. Program

623. Cat Stevens. Uncommon felt tip signature, “Cat Stevens,” on an off-white 5.75 x 4 card with a clipped color photo affixed to the top left corner. In fine condition, with some slight haloing to signature. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

625. Van Halen. Cream-colored Kramer American Baretta I model electric guitar, signed on the body in red felt tip by Eddie Van Halen and in silver ink by Alex Van Halen, Michael Anthony, and Sammy Hagar. In fine condition, with a bit of scattered light wear to body. The Kramer Baretta was the first guitar Eddie endorsed.Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

184 THE 1970s

from Van Halen’s 1988 OU812 tour, 11 x 14, signed on the front cover in various inks by Eddie Van Halen, Alex Van Halen, Sammy Hagar, and Michael Anthony. In very good to fine condition, with a noticeable crease to the bottom and other light scattered creases, and a PSA/DNA label affixed to the lower right corner. Accompanied by a full letter of authenticity from PSA/DNA. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Ultra rare handwritten lyrics for ‘Drunk on the Moon,’ from Waits’s sophomore album 627. Tom Waits. Incredibly scarce, handwritten working lyrics for

‘Drunk on the Moon,’ which appeared on his 1974 album, Heart of Saturday Night, on the reverse of an 11 x 8.5 sheet of Ebbets Field, Denver, Colorado, stationery. Waits pens two verses and the chorus to the song in red ballpoint on one half of the page, and several other partial phrases and notes on the other half including “shit on a shingle,” “creme chip beef on toast,” “pin a rose on a cheese sand,” and “slacks and trousers and rebel rousers peculiar foot gear.” Intersecting folds, overall creasing and wrinkling, scattered soiling, and a few small edge tears, otherwise very good condition. Ebbets Field in Denver, named after the famed Brooklyn Dodgers ballpark, was a small club in the early to late 70s which held just 238 people which made for an intimate setting between performer and audience. Waits appeared there twice in 1974 and 1975. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $300)

Print honoring the art of Tom Waits 628. Tom Waits. Uncommon print of one of Waits’s original works, 5.5 x 8, picturing an oil stain and signed in the lower border in pencil, “Tom Waits ‘07.” Matted and framed to an overall size of 10 x 13. In fine condition. This is only the second of his private photos to ever be offered to the public. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

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629. Joe Walsh.

Official CCM Calgary Flames hockey jersey, with sewn on numbers and letters, number 37, with Walsh’s name on the back. In fine condition, with some scattered light soiling and most of label along bottom hem missing. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Handwritten lyrics to the powerful ‘The Race Is On (Yours Is No Disgrace)’ 630. Yes: Jon Anderson. Handwritten lyrics to ‘The Race Is On,’ on an off-white 5 x 8 lightly-lined sheet of notebook paper, all written in the hand of Anderson. Lyrics read: “The Race Is On Yesterday a morning come A smile upon your face Ceasar’s palace morning glory Silly human race On a sailing ship to nowhere Leading anyplace If the summer changed to winter Yours is no disgrace Battle ships confide in me And tell me where you are. Shining flying purple wolf hounds Show me where you are Lost in summer born in winter Travelled very far Lost in loosing circumstances Singing on a star. In a dream I saw two pages Catch a train to all the races on The race is on. The race is on.” Reverse bears more lyrics to an unknown song in an unknown hand. In fine condition, with mild show-through from lyrics on reverse. Accompanied by a glossy 10 x 8 group photo and a letter from Roy Flynn that reads “To Whom It May Concern. Atlantic records printed an insert of the lyrics in the Early LP’s for ‘Yes’. I got John Anderson to write out the lyrics, and my secretary typed them out (see carbon copy) for the record company.” Also accompanied by a certificate of authenticity from Tracks. Provenance: Bonham’s 2009. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

186 THE 1970s

634. Frank Zappa. Color 18.5 x 24 poster, circa 1988, printed by a Polish publishing company. In fine condition, with scattered light creases and edge dings. Rolled. RR Auction COA.…(MB $200)

631. Steve Winwood. Color 11 x 17 laserprint poster for Winwood’s May 30 performance in Philadelphia during his 2012 US Tour, signed in person in black felt tip. Scattered creases to the bottom, otherwise fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

635.

632. Frank Zappa. A D S ,

signed “F. Zappa,” one page, 8.5 x 8.5, no date. Appearance agreement written by Zappa reads, “Meredith Monk agrees to appear in Uncle Meat for name credit +50 from Straight Records.” Signed at the conclusion by Zappa. In fine condition, with an uneven bottom edge and a couple trivial creases. Accompanied by a letter of authenticity from the general manager of Rockaway Records. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

ZZ Top.

Unused color ZZ Top Recycler World Tour standup display for Pittsburgh, measuring 28.5 x 43.5 unfolded. Sponsored by Miller Lite, the display features an image of the band, with the top reading “Pittsburgh, don’t let them pass you by.” In fine condition, with a light vertical crease at the top. The tour coincided with the October 1990 release of the band’s album Recycler, opening on October 2, 1990, in Vancouver, British Columbia, and wrapping up on September 27, 1991, in Mexico City. The band played two consecutive nights in Pittsburgh in March of 1991. RR Auction COA.…(MB $200)

633. Frank Zappa. Zappa’s

pass for the 1971 Montreaux Jazz Festival. Salmon-colored pass measures 3.5 x 2.25, is stamp-dated December 4, 1971, with “F. Zappa–Musicien,” printed along the bottom, and also bears a Montreax logo stamped in the center and the festival’s name printed on the reverse. Pass comes in its original pinned holder. In fine condition. This pass is from the concert made famous by Deep Purple in the song ‘Smoke on the Water,’ and is referenced in the lyric, ‘Frank Zappa and the Mothers were at the best place around, but some stupid with a flare gun burned the place to the ground.’RR Auction COA.…(MB $200)

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PHOTOGRAPHY OF RICHARD CREAMER

hotography has played an immensely important role in documenting and defining the cultural phenomenon that is rock. With the advent of rock music came an

entirely new genre of photography—bands did promotional shoots, magazines needed images to fill their pages, and everyone wanted a poster of their favorite band for their wall. While the musicians were busy making new music, their photographers can take credit for creating a visual aesthetic to match the sound. Richard Creamer was an active photographer in the Los Angeles rock scene of the 1970s and 80s, who published work in publications like Creem, Rolling Stone, and the Los Angeles Free Press, as well as in albums and promotional materials for the bands he photographed. He is a major cult figure in rock photography, but not generally well known—his work has gone vastly underappreciated. This is the first time these extraordinary prints and slides from his collection have come to market.

636. Richard Creamer. Rolling Stone ‘Book of Days 1976’ planner, 7.5 x 9.25, stamped with photographer Richard Creamer’s name and address inside the front cover. Throughout, Creamer has made note of various meetings, events, and appointments, many of which are with bands—presumably photo shoots. Some interesting bands and musicians mentioned are the Beatles, KISS, Lynyrd Skynyrd, Eric Clapton, The Who, Steve Miller, Peter Frampton, Ritchie Blackmore, Aerosmith, and ABBA. In fine condition, with general wear from use. Accompanied by an envelope addressed to Creamer. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $200)

188 THE PHOTOGRAPHY OF RICHARD CREAMER

640. Beatles: Paul McCartney. Original

unsigned glossy 10 x 8 photo of McCartney playing a Rickenbacker bass, by Richard Creamer. Reverse bears original photographer’s stamps, notations, and tags. In fine condition, with a few scattered surface marks and production notations to borders. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

637. Beatles: George Harrison. Original unsigned satinfinish 7.25 x 10 photo of Harrison, by Richard Creamer. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

638. Beatles: John Lennon. Original un-

signed glossy 7.25 x 9.25 photo of Lennon wearing sunglasses, by Richard Creamer. Reverse bears mounting remnants to corners. In fine condition, with some scattered surface spotting and lightly trimmed edges. Provenance: Richard Creamer Estate. RR Auction COA.… (MB $100)

639. Beatles: John Lennon and Friends. Original unsigned satin-finish 14 x 11 photo of Lennon with Anne Murray, Harry Nilsson, Alice Cooper, and Mickey Dolenz, by Richard Creamer. Tack holes to the borders and corners, otherwise fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

641. Beatles: Paul McCartney. Original unsigned glossy 14

x 11 photo of McCartney singing and playing guitar during a concert, by Richard Creamer. Tack holes with small tears to the corners, otherwise fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

642. Beatles: Ringo Starr. Original unsigned glossy 7.25 x 9.25 photo of Starr wearing sunglasses, by Richard Creamer. Reverse bears mounting remnants and photographer’s stamps. Some show-through from mounting remnants and soiling to the upper right, otherwise fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

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643. Pat Benatar. Three original unsigned color slides, two of Benatar performing and one studio shot, each image measuring 1.25 x 1 inside a 2 x 2 plastic mount. Mounts bear ink and pencil notations, and stamps from the photographer, Richard Creamer. In overall fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

644. David Bowie.

Original unsigned satin-finish 11 x 14 photo of Bowie on stage, by Richard Creamer. In fine condition, with a few scattered surface marks and spots. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

646. Michael Des Barres.

Original unsigned satin-finish 10 x 8 photo of Des Barres pulling his hair, by Richard Creamer. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.… (MB $100)

645. David Bowie. Four original unsigned color slides, three of Bowie performing and one portrait of Angie Bowie, each image measuring

1.25 x 1 inside a 2 x 2 cardboard or plastic mount. Mounts bear ink notations, and tags and stamps from the photographer, Richard Creamer. Separation to the top of one mount, otherwise overall fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

190 THE PHOTOGRAPHY OF RICHARD CREAMER

647. Peter Frampton. Three original unsigned color slides of Frampton performing, each image measuring 1.25 x 1 inside a 2 x 2 plastic mount. Mounts bear ink and pencil notations, and tags or stamps from the photographer, Richard Creamer. In overall fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

648. Fine Young Cannibals. Original

unsigned satin-finish 14 x 11 candid group photo, by Richard Creamer. In very fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

649. Sammy Hagar. Original unsigned satinfinish 11 x 14 photo of Hagar violently playing his guitar, by Richard Creamer. In fine condition, with some irregular toning to the right border. Provenance: Richard Creamer Estate. RR Auction COA.… (MB $100)

651. Michael Jackson. Original unsigned satin-finish 14 x 11 photo

of a young Michael Jackson with Linda Blair, by Richard Creamer. In fine condition, with a few scattered surface marks and some stray white ink above his head. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

650. Heart. Two items: one flattened box for a promotional CD-

ROM, 7 x 12, signed on the front in black felt tip by Ann and Nancy Wilson; and one color slide of both women, the image measuring 1.25 x 1 inside a 2 x 2 cardboard mount bearing an ink notation by the photographer, Richard Creamer. Scattered creases to the box, otherwise fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

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652. Jackson 5. One original

unsigned Kodachrome color slide of the Jackson 5 on a parade float, the image measuring 1.25 x 1 inside a 2 x 2 cardboard mount. Mount bears ink notations from the photographer, Richard Creamer. In overall fine condition. Provenance: Richard Creamer Estate. RR Auction COA.… (MB $100)

654. Joan Jett. Original unsigned satin-finish 11 x 14 photo of Jett playing guitar on stage, by Richard Creamer. A small tear to the upper right border, otherwise fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

655. Elton John. C o l o r

653. Mick and Bianca Jagger.

Original unsigned glossy 9 x 5.75 photo of Mick and Bianca Jagger, by Richard Creamer. Irregularly trimmed and closely cropped to their heads, otherwise fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

satin-finish 10 x 8 photo of John on stage among girls and glitter, signed in felt tip, “Lots of love, Elton John.” Also signed by the other man in the picture. Reverse bear’s original tag of the photographer, Richard Creamer. In fine condition, with a couple dings to the edges. Provenance: Richard Creamer Estate. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

656. Judas Priest. Three

original unsigned color slides of the entire group, each image measuring 1.25 x 1 inside a 2 x 2 cardboard or plastic mount. Mounts bear ink and pencil notations, and stamps from the photographer, Richard Creamer. In overall fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

192 THE PHOTOGRAPHY OF RICHARD CREAMER

657. KISS. Three original unsigned color slides, two of KISS performing and one group portrait, each image measuring 1.25 x 1 inside a 2 x 2 cardboard or plastic mount. Mounts bear ink notations and tags from the photographer, Richard Creamer. In overall fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

658. KISS and Elton John. Original

unsigned matte-finish 13 x 10 photo of KISS with Elton John, by Richard Creamer. Reverse bears original photographer’s stamps and notations. In fine condition, with some light rippling to edges. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

659. Led Zeppelin. Original unsigned satinfinish 14 x 11 photo of Led Zeppelin in concert, by Richard Creamer. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

661. Bob Marley. Original glossy 11 x 14 photo of Marley flipping his dreadlocks on stage, by Richard Creamer. Signed vertically in the right border in black felt tip by Creamer. In very fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

660. Led Zeppelin. Two original unsigned color slides, one of Plant

singing and one of Page playing guitar, each image measuring 1.25 x 1 inside a 2 x 2 plastic mount. Mounts bear tags from the photographer, Richard Creamer. In overall fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

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662. Robert Plant. Original unsigned satinfinish 11 x 14 photo of Plant on stage, by Richard Creamer. In fine condition, with light soiling to the lower border. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

665. Sex Pistols.

Original unsigned satin-finish 14 x 11 photo of the Sex Pistols in concert, by Richard Creamer. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

663. Iggy Pop. Original

unsigned satin-finish 11 x 14 photo of an undressed Iggy Pop during a concert, by Richard Creamer. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

666. The Sparks. Color

glossy 9.5 x 6.5 photo of Ron and Russel Mael posing outdoors near the Eiffel Tower, with Ron sporting an unconventional Chaplin-like moustache. In fine condition. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

667. The S pa r ks : Russell Mael.

664. The Ramones. Original unsigned satin-finish 14 x 11 photo of

the Ramones in a convertible with their guitars, by Richard Creamer. In very fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

194 THE PHOTOGRAPHY OF RICHARD CREAMER

Color glossy 11 x 14 head-andshoulders of the Sparks frontman. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

668. Rod Stewart. Three

original unsigned color slides of Stewart performing, each image measuring 1.25 x 1 inside a 2 x 2 cardboard or plastic mount. Mounts bear ink and pencil notations, and stamps from the photographer, Richard Creamer. In overall fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

671. Alex Van Halen.

Original unsigned glossy 14 x 11 photo of Alex Van Halen and his drum kit, by Richard Creamer. In very fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

672. Joe Walsh.

669. Bruce Springsteen. Original unsigned color glossy 7.75 x 9.75 photo of Springsteen holding up his guitar during a performance, by Richard Creamer. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

Original unsigned glossy 8 x 10 photo of Walsh playing his guitar on stage, by Richard Creamer. In fine condition. Provenance: Richard Creamer Estate. RR Auction COA.…(MB $100)

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THE 1980s

Handwritten lyrics from Madonna’s most controversial album

673. Madonna.

Handwritten working lyrics to Madonna’s song ‘In This Life,’ recorded for her 1992 Erotica album, on a 7.5 x 10.5 lined sheet, signed with her initial in the left border, “M.” In blue ballpoint and black ink, Madonna writes out and edits about 27 lines of lyrics for the song, in part (with grammar and spelling retained): “In this life/ I loved you most of all/ What for/ cause now your gone/ and I have to ask myself/ What for…Some say thats lifes not fair/ I say that people just don’t care/ some things in life aren’t fair/ some people just don’t care/ they would rather turn the other way/ Why do we have to pretend/ What could I say to her/ some day I pray it all will end/ I hope it’s in my lifetime/ I hope its in this lifetime.” She has also added a few doodles, seemingly to test her pen, in the margins. A few light creases, and paper loss to the upper left corner (affecting none of the lyrics), otherwise fine condition. Madonna wrote ‘In This Life’ in memory of friends who she had lost to AIDS, becoming track 12 on Erotica, which explored many areas of sexuality. The release of the album and its accompanying book, Sex, caused worldwide backlash due to their explicit nature. However, the controversy has cemented Erotica’s legacy in popular culture—critics today see this album as Madonna at her most socially relevant. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

Erotic photo of the pop superstar 674. Madonna. Provocative glossy 5 x 7 photo of Madonna clad

in leather and suggestively posed, signed in black felt tip, “Love & Kisses, Madonna, Buenos Aires.” Reverse bears a couple of news agency stamps, and notations in English and Spanish that state the photo was signed on December 8, 2008, at a tango gala in San Telmo, Buenos Aires, Argentina. In fine condition, with a light surface mark to the right side and lightly trimmed edges. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

196 THE 1980s

675.

Madonna.

French promotional 4.25 x 6 cardstock photo of Madonna clad in white lace, signed in black felt tip, “love, Madonna.” In very fine condition. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

678. Peter Gabriel. Red-bodied Carlo Robelli ‘stratocaster-style’ electric guitar, signed in-person on the body in black felt tip, “Hello, love, Peter Gabriel.” In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

679. Guns N’ Roses: Slash.

676. Bon Jovi. Glossy 8 x 10 PolyGram Records publicity photo, signed in-person in blue felt tip by Jon Bon Jovi, Richie Sambora, Alec John Such, David Bryan, and Tico Torres. In fine condition, with light scattered surface creases and impressions. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

677. Depeche Mode. Promotional 5.75 x 4 postcard band photo, signed in blue and black ballpoint and ink by Dave Gahan, Andy Fletcher, Alan Wilder, and Martin Gore. In fine condition, with a few light bends and some light contrast to one signature. A complete four person lineup such as this is near impossible to acquire since there are now only three in the band. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $100)

Unused off-white 15” Remo drumhead, signed in black felt tip, “Welcome to the Fuckin’ jungle, Slash ‘94, G.N.F.R.” In fine condition. Pre-certified Roger Epperson/ REAL and RR Auction COA.… (MB $100)

680. Guns N’ Roses: Slash. Color satin-finish 11 x 14 photo of Slash with his signature top hat and guitar, signed in-person in black felt tip, “Slash 2012.” In fine condition, with a slightly grainy quality to the image. Originally obtained by inperson specialist Mike Wehrmann. Pre-certified Roger Epperson/ REAL and RR Auction COA.… (MB $100)

681. Guns N’ Roses: Slash.

Cream-colored Fender Squier ‘stratocaster-style’ electric guitar, signed in-person on the body in black felt tip by Slash, “Slash 2000,” adding a great skull and crossbones sketch above his signature. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

THE 1980s

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682.

INXS.

Glossy 10 x 8 Atlantic Records publicity photo, signed in-person in blue felt tip by Tim Farriss and the late Michael Hutchence. In fine condition, with a couple light surface creases and slight irregular adhesion to the signatures. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

685.

Metallica.

Color 24 x 34 promotional poster for The Unforgiven, signed in blue felt tip by Kirk Hammett, James Hetfield, Jason Newsted, and Lars Ulrich. Rolled and in fine condition, with some scattered light creases. Pre-certified Roger Epperson/REAL and RR Auction COA.… (MB $200)

683. Iron Maiden. Col-

or glossy 10 x 8 group photo, signed in-person in blue felt tip by all five members. In fine condition. Originally obtained by inperson specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

687. The Pretenders. Sire Records publicity poster for a North American tour, 14 x 22, signed in red and purple felt tip by Chrissie Hynde, Martin Chambers, Pete Farndon, and James Honeyman-Scott. Rolled and in fine condition. A rare, highly desirable and large format complete band signed item, obtained before Fardon and Honeyman-Scott’s untimely deaths. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

688. The Pretenders.

684. Metallica. Glossy 10 x 8 Elektra Records publicity photo, signed in-person in blue felt tip by Kirk Hammett, James Hetfield, Jason Newsted, and Lars Ulrich. In very fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

198 THE 1980s

Self-titled debut album signed on the front cover in red ballpoint by Chrissie Hynde, and in black ballpoint by Martin Chambers, Pete Farndon, and James Honeyman-Scott. Separation to bottom edge, a few creases, and a promotional label affixed to front cover, otherwise fine condition. The record is included. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $100)

Stage-worn luxurious gloves from the Purple Rain tour acquired from the Revolution’s drummer 689. Prince.

Pair of stage-worn custom-made long black gloves, worn by Prince during the Purple Rain tour in 1984–85. Gloves measure approximately 25” long and are adorned with black beads along one edge. Accompanied by a 1998 letter of provenance from the Revolution’s drummer Bobby Z which reads, in part: “This letter is to authenticate a pair of long black custom-made gloves…worn by Prince during the Purple Rain US tour…I was the drummer in Prince and the Revolution; these were given to me by the wardrobe department at the end of the tour.” In fine condition. Any stage-worn item from Price is quite rare, particularly as luxurious and dramatic as these gloves. RR Auction COA.…(MB $200)

690. Prince. Stage-worn custom-made blue lace handkerchief, worn by Prince during the Purple Rain tour in 1984–85. Attractive blue lace handkerchief measures 10.5 x 11. Accompanied by a 1998 letter of provenance from the Revolution’s drummer Bobby Z which reads, in part: “This letter is to authenticate a custom-made blue lace handkerchief…worn by Prince during the Purple Rain US tour…I was the drummer in Prince and the Revolution; these were given to me by the wardrobe department at the end of the tour.” In fine condition. Folded. RR Auction COA.…(MB $200)

THE 1980s

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691.

Program from U2’s

Prince.

Glossy 8 x 10 Warner Bros. promotional photo of Prince holding his guitar, signed in blue felt tip, “Love God, Prince.” In fine condition, with a stray ink mark to top left. Rare, 1980s-era uncommonly well defined signature, from the icon who no longer signs. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $200)

first headlining tour

692.

Stray Cats.

Color glossy 10 x 8 group photo, signed in-person in blue felt tip by Brian Setzer, Slim Jim Phantom, and Lee Rocker. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Precertified Roger Epperson/REAL and RR Auction COA.…(MB $100)

693. U2. Scarce 7.25 x 9.75 cardstock publicity photo from the 1987 Joshua Tree tour, signed in-person in blue and black felt tip, “Bono,” “Edge,” “Adam,” and “Larry.” Scattered creases and a slight brush to Edge’s signature, otherwise fine condition. Originally obtained by inperson specialist Mike Wehrmann. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

694. U2. Boy album signed on the front cover in blue felt tip, “Bono 2000,” “Adam Clayton,” and “Larry,” and in black felt tip, “Edge.” In fine condition, with a light ‘ring of wear’ to the cover. The record is included. Accompanied by certificate of authenticity from Roger Epperson/REAL. RR Auction COA.…(MB $200)

200 THE 1980s

695. U2. Vintage War program from their European leg of the tour, 8 x 11.5, 14 pages, signed on the front cover in black felt tip, “Bono ‘83,” and in blue and black ballpoint, “Edge,” “Adam,” and “Larry.” In very good condition, with scattered toning, soiling and creasing to covers, a few slight edge tears, and expected handling wear. The band toured Europe from February to April of 1983, before setting their sights on America, at first playing small college venues before expanding to larger arenas. Pre-certified Roger Epperson/ REAL and RR Auction COA.…(MB $200)

“Hope you can fade it lower than whaleshit!” 696. Stevie Ray Vaughan. ANS, written vertically on a 4 x 9.5 Music Connection business envelope, no date. Brief note to “Bigge Rat.” In full: “Big time fun must get down to it! Hope you can fade it lower than whaleshit! Whoa!” Envelope is encapsulated in a plastic Beckett/Spence authentication holder. In fine condition, with some light horizontal creases and several fingerprints to back of envelope. Pre-certified Roger Epperson/REAL and RR Auction COA.…(MB $200)

697. Rock and Roll Hall of Fame. Four

unsigned items: three programs, each approximately 8.5 x 12, from each of the first three annual Rock and Roll Hall of Fame Induction Dinners; and one CD from the 5th Annual Induction Dinner, featuring music from the Beatles, Kinks, and Simon and Garfunkel, among others. In overall fine condition. RR Auction COA.…(MB $100)

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