RR Auction: Fine Autographs and Artifacts Featuring Animation

Harry Kleiman, Animation Expert

When young Harry Kleiman’s family moved to Los Angeles in 1968, the cartoon fanatic—insatiable in his appetite for all things animated—began spending nearly every day after school visiting animation studios, learning about the process, and meeting the industry’s icons: Walter Lantz, Bob Clampett, Bill Hanna and Joseph Barbera, Chuck Jones, Marc Davis, Ollie Johnston, Frank Thomas, Ward Kimball, Grim Natwick, and Friz Freleng. These meetings sparked what would become his lifelong passion and business pursuit.

In 1980, Kleiman finished college and founded Collectors Paradise Galleries, attending dozens of conventions each year to buy, sell, and—his favorite—educate new collectors. In 1982, he was the first person to approach the Don Bluth Studio about selling their original cels from The Secret of Nimh. He also began making deals with Gary Goldman, offering cels from Dragon’s Lair and Space Ace. In 1984, he partnered Collectors Gallery in Studio City, where he was introduced to fellow animation enthusiasts from around the world.

Over the years, Kleiman accumulated one of the most impressive animation art collections in existence, portions of which he generously lent out to animation scholars to continue broadening the world’s understanding and appreciation of this beloved art form. As an animation veteran who has spent his life studying, buying, and selling, Kleiman is eager to branch out and educate the next generation. We are proud to be a part of his lifetime of passion.

JUNE 14, 2023

At 6 p.m. on Wed. June 14 t he one-hour extended bidding period begins followed immediately by the 30 Minute Rule. All times in RR Auction guidelines and instructions are stated according to the Eastern (U.S.) time zone.

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Robert S. Eaton Sr. 1940–2001

1.

presidents and first ladies

Exceptionally early 1773 ADS from Thomas Jefferson as a Virginia arbitrator

Thomas Jefferson ADS

(1773) - Rare

Early Legal Document . Highly rare ADS, signed “Th: Jefferson,” four pages on two adjoining sheets, 8.75 x 14.25, December 2, 1773. An early legal document recording the decision of Thomas Jefferson as one of three arbitrators commissioned to settle a series of cases between David O. Coupland and John Leitch. Jefferson and the two merchants who served as arbitrators ruled in favor of Leitch but gave Coupland a window of 17 months to settle the accounts of the estate of his uncle James Coupland of Chesterfield County, Virginia. Jefferson begins his handwritten statement at the top of the last page: “John Leitch v. David Coupland, David Coupland v. John Leitch, David Coupland, admin of James Coupland v. John Leitch, Dec. 2, 1773. We the subscribers appointed by consent of the parties to arbitrate the several actions beforementioned do award in the first of the s’d actions that the def. do pay to the pl. the sum of £30.15.41⁄4 with interest from the 17th of April 1773 and costs of suit, that the second suit be dismissed and the pl. therein pay to the def. his costs of suit: and that execution on both the s’d 1st & 2d suits be staid till the 1st day of May 1775. till which time the pl. in the third action has to settle the accounts of his administration in order to see whether there be not debts of greater dignity than that to the sd Leitch which may render it necessary for the sd Coupland to insist on a payment for the articles purchased of the estate by the s’d Leitch without any deduction.” Signed neatly at the conclusion by Jefferson, and countersigned by local Virginia merchants James Buchanan and James Donald. In fine condition, with some small old tape repairs to fold splits. Jefferson documents pre-dating the Revolution are rarely seen in the marketplace. Starting Bid $2500

2. Thomas Jefferson Signed 1805 Invitation and Rare ‘J’ Armorial Serving Bowl. Exquisite pairing of a signed 1805 dinner invitation from Thomas Jefferson and an extremely rare exported fine china armorial ‘J’ serving bowl deriving from the personal collection of Thomas Jefferson Coolidge, the greatgrandson of Thomas Jefferson. The invitation, one page, 7.75 x 5, December 6, 1805, is signed by Jefferson, “Th: Jefferson,” but filled out in his secretary’s hand, and reads: “Th: Jefferson requests the favour of Dr. Mitchell to dine with him on Monday the 9th instant. Dinner will be on the table precisely at sun set. Dec 6: 1805. The favour of an answer is asked.” The reverse is endorsed by another hand, confirming Mitchell’s same-day agreement and noting the additional company of “Mellimelli the Envoy from Tunis & his two secretaries & Mess’rs Smith, Logan and Adams of the Senate, with Mess’rs Eppes, T. J. Randolph & Nicholson, of the H. of R.” Also present to the reverse a stamp identifying the piece as from the autograph collection of the renowned surgeon and collector Dr. Max Thorek of Chicago.

The oval scallop-edged porcelain serving bowl, 12˝ x 9.25˝ x 1.75˝, features hand-painted doublebanded cobalt borders, and the center bears an exceptional design featuring Jefferson’s neoclassical shield studded with 13 gold stars enclosing the script initial “J,” surmounted by a plumed knight’s helmet. A very unusual piece of china and the only example we have seen in this style. In overall fine condition. Provenance for the serving bowl and additional historical background information for the invitation can be read in our online description. Starting Bid $1000

Invitation from Jefferson for a “sun set” dinner party, partnered with a beautiful armorial ‘J’ dinner bowl, a rare heirloom from the estate of his great-grandson

Letter Signed as Secretary of State. War-dated LS signed “Jas. Monroe,” one page, 6.5 x 4.75, April 28, 1813. Department of State circular letter, in full: “The President having appointed John Mason, Esquire, of Georgetown, in the District of Columbia, commissary general of prisoners of War, including the superintending of alien enemies, you are requested to correspond with him, when necessary, on subjects connected with the objects of his appointment, and to observe his instructions in relation to the same, unless otherwise directed from this Department.” Double-matted and framed to an overall size of 12.5 x 10.5. In fine condition. An important War of 1812 circular letter regarding enemy prisoners. Starting Bid $200

3. James Madison Document Signed as President. Partly-printed vellum DS as president, one page, 12 x 9, October 3, 1812. Desirable military land grant issued to James Alexander, “assignee of Thomas Horsefield, late a Sergeant in the Virginia Line,” for a tract of land containing 100 acres, “in pursuance of the act of Congress passed on the first day of June 1796, entitled ‘An Act regulating the grants of Land appropriated for Military Services, and for the Society of the United Brethren for propagating the gospel among the Heathen.’” Signed at the conclusion in ink by President James Madison and countersigned by Commissioner of the General Land Office Edward Tiffin. The white paper seal affixed to the lower left remains intact, with a few missing points. In fine condition, with old tape stains to the side edges. Starting Bid $200

4. James Monroe Circular

Secretary of State Monroe circulates the appointment of John Mason as “commissary general of prisoners of War”

5. James Monroe Document Signed as President. Partlyprinted vellum DS as president, one page, 13.25 x 9.75, November 29, 1817. Desirable military land grant by which President Monroe, “in pursuance of the Acts of Congress appropriating and granting Land to the Army of the United States,” grants Benjamin Stewart, “late a private in Rochester Company of the Twenty ninth Regiment of Infantry,” a 320acre tract of land in the Territory of Illinois. Signed at the conclusion by President James Monroe and countersigned by Commissioner of the General Land Office Josiah Meigs. The white paper seal affixed to the lower left remains intact. In very good to fine condition, with scattered light toning and soiling.

Starting Bid $200

7. Andrew Jackson Patent Document Signed as President. Partlyprinted vellum DS as president, one page, 11.5 x 15.25, July 1, 1836. Patent issued to “Prentice White, a citizen of the United States, [who] hath alleged that he has invented a new and useful improvement in the Machine for making Ship’s Thimbles.” Boldly signed at the conclusion by President Andrew Jackson, and countersigned by Secretary of State John Forsyth and Attorney General Benjamin Franklin Butler. Document retains the original seal and green ribbon. Archivally double-matted and framed with a portrait and biographical plaque to an overall size of 29.5 x 25.25. In fine condition. Accompanied by the manuscript description of the invention, three pages both sides, which “consists of a bench, horned anvil, and hammer or sledge with appurtenances.”

Starting Bid $200

President Jackson grants a patent for improvements to the “Machine for making Ship’s Thimbles”

8. Andrew Jackson Document Signed as President. Partly-printed vellum DS as president, one page, 15.75 x 9.75, January 5, 1831. President Jackson grants Hiram Dunsmore a tract of land “at Detroit, Michigan Territory, containing Eighty acres.” Signed at the conclusion in ink by President Andrew Jackson and countersigned by Commissioner of the General Land Office Elijah Hayward. The white paper seal affixed to the lower left remains intact. In fine condition. Starting Bid $200

9. Franklin Pierce Document Signed as President. Manuscript DS as president, one page, 7 x 4.5, March 29, 1856. President Pierce appoints a gentleman “to discharge the Duties of Sixth Auditor of the Treasury for the Post Office Department.” Prominently signed at the conclusion in bold ink by President Franklin Pierce. Handsomely double-matted and framed with an engraved portrait to an overall size of 17.75 x 11. In very good to fine condition, with slightly irregular light toning, and a repaired tear under the signature. Starting Bid $200

Signed as

Cavalry Lieuten-

endorsement as president, signed “A. Lincoln,” penned on

reverse

letter

38th Congress,

page, 7.75 x 9.75, May 7, 1862. The letter, recommending Simeon J. Davenport “for the Position of Second Lieutenant of the U.S. Cavalry,” is endorsed by Senators Zachariah Chandler and Jacob M. Howard, and Congressmen Bradley F. Granger, Francis W. Kellogg, Rowland E. Trowbridge, and Isaac N. Arnold; it boasts further handwritten endorsements by Colonel Benjamin Lloyd Beall and Assistant Surgeon Jonathan Letterman. On the reverse, President Lincoln writes: “Let this appointment be made if there be any vacancy not already committed to any other.” In fine condition, with professional fold reinforcements.

In addition to the obvious desirability of Lincoln’s clear, legible endorsement as president, the other important signers of this document add to its significance. Of particular note are Chandler, a supporter of the Underground Railroad, vocal advocate for the abolition of slavery, and later Secretary of the Interior under Grant; Arnold, who, in 1864, introduced the first resolution in Congress proposing a constitutional amendment to abolish slavery, and later wrote a biography of Lincoln; and Letterman, who is credited as the originator of modern methods of battlefield medical management. A spectacular Civil War-era piece. Starting Bid $1000

10. Abraham Lincoln Autograph Endorsement

President to Promote

ant. Superlative Civil War–dated autograph

the

of a

written to him by members of the

one

President Lincoln—along with fellow abolitionists and the ‘father of battlefield medicine’—endorses the promotion of a cavalry lieutenant in 1862

President Lincoln forwards a Civil War promotion request from James Thompson— father of the ‘Tommy gun’ inventor

11. Abraham Lincoln Autograph Endorsement Signed as President . Civil War–dated autograph endorsement signed as president, “Submitted to the Secretary of War, A. Lincoln, Nov. 7, 1863,” the reverse of a 7.75 x 9.75 application by which James Thompson, Capt. 2d Artillery, requests promotion or permission to remain in Kentucky to recruit batteries of artillery. The letter details Capt. Thompson’s resume and service in the Civil War, in part: “Graduated at West Point in 1851, 6th in class…Was on duty on Texas frontier when Rebellion broke out. Went with expedition under Col. Brown to Fort Pickens, returned in time to take part in first battle of Bull Run.” He goes on to outline his Civil War battle history—naming the fights at Fair Oaks, White Oak Swamp, Malvern Hill, and Chickamauga, amongst others—and make his demand: “Am an educated military man in the prime of life…mortified to see so many comrades promoted whom I have surpassed in estimation of all my friends, my own officers nominated for brevet promotion in battles on 30th June & 1st July ‘62 when I commanded…Desire promotion, or permission to remain in Kentucky & recruit regiment of artillery.” In very good to fine condition, with slight edge chipping, and light toning from prior display. Accompanied by an unsigned portrait of Lincoln.

According to Cullum’s Register, Thompson would remain in Kentucky to work on organizing an artillery regiment until April 18, 1864. He would then take on mustering and disbursing duty at Louisville, Cincinnati, and San Francisco through 1865. He was promoted to Brevet Lieutenant-Colonel on March 13, 1865, for gallant and meritorious services at the Battle of Chickamauga. Retiring from service in 1869, he went on to serve as a professor of military science at Indiana State University. He was also the father of John T. Thompson, the inventor of the Thompson submachine gun—commonly known as the ‘Tommy gun.’ Starting Bid $1000

12. U. S. Grant Letter Signed. LS, one page, 8.25 x 11, Mexican Southern Railroad Company letterhead, May 2, 1882. Letter sent with his dues to Lieut. T. C. Edwards of the Military Order of the Loyal Legion. In full: “Enclosed please find $5.00, amount of my annual assessment, Military Order Loyal Legion, United States as per notice received this day from Richd. Robbins, recorder, Enclosed herewith.” In very good to fine condition, with light show through from some old mounting residue on the back, a small stain, and three repaired punch holes along the right edge. Starting Bid $200

Pristine presidential autograph of James A. Garfield—an exquisite exemplar

13. James A. Garfield Signature as President. Bold and neat ink signature as president, “James A. Garfield, May 21, 1881,” on an off-white 5.5 x 2.75 slip. In very fine condition. Shot on July 2, 1881, Garfield died on September 19, only 200 days into his term. Signatures of Garfield as president are thus extremely rare, and this is a choice example. Starting Bid $200

In post-presidential years, Grant pays his dues for his “annual assessment, Military Order Loyal Legion”

14. Chester A. Arthur Partial Autograph Letter Signed. Partial ALS signed “C. A. Arthur,” one page, 5 x 8, no date. Last page of a handwritten letter to Col. J. B. Stonehouse, in full: “General, it must be that the Judge Advocate of the court here, would be notified to attend at same time so that there should be no ex parte hearing. Please ascertain the facts & I shall be greatly obliged.” In fine condition, with short edge splits to folds. Starting Bid $200

15. Benjamin Harrison Signed Photograph. Scarce 4.25 x 6.5 cabinet photo of Benjamin Harrison by C. M. Gilbert of Philadelphia, boldly signed on the mount signed in ink, ‘Benj. Harrison.” In fine condition. Encapsulated in a PSA/DNA authentication holder. Harrison is scarce in this format—we have offered only two other signed photographs in the last five years. Starting Bid $200

Marvelous oversized Clinedinst portrait

signed by Theodore Roosevelt

to the image. Scarce

oversized images,

16. Theodore Roosevelt Oversized Signed Photograph. Superior vintage matte-finish 18.5 x 15.5 photo of President Roosevelt attending to his correspondence, signed in the wide lower border in bold fountain pen, “with the best wishes of Theodore Roosevelt, Nov. 19th 1910.” Marked in the lower right corner in ink: “Copyright by Clinedinst, Washington, D.C.” Affixed to a same-size mount and in fine condition, with lightly trimmed edges, a short tear to the top edge, and a few tiny flecks of surface loss

in

this is a dramatic and fitting format for Roosevelt’s autograph. Starting Bid $500

Scarce and desirable 1910 limited edition of African Game Trails, signed by Theodore Roosevelt

17. Theodore Roosevelt Signed Book: African Game Trails. Deluxe signed book set: African Game Trails, Volumes I and II. Limited edition, numbered 387/500. NY: Charles Scribners’s Sons, 1910. Hardcover bound handsomely rebound in half brown leather (expertly mimicking the original binding), 6.75 x 10, 529 total pages. Neatly signed on the colophon of the first volume, “Theodore Roosevelt.” Autographic condition: fine. Book condition: Restored to VG+/None, with some minor mottled foxing to textblock.

Just after leaving the White House, Theodore Roosevelt famously undertook the Smithsonian-Roosevelt African Expedition in 1909–1910; this trip to Africa was a defining moment in Roosevelt’s post-presidential legacy and resulted in his authorship of African Game Trails, detailing the “African wanderings of an American hunter-naturalist.” A handsome, sought-after limited edition set printed on Ruisdael paper by the De Vinne Press.

Starting Bid $300

18.

Roosevelt Typed Letter Signed as President. TLS as president, one page, 7 x 8.75, White House letterhead, October 9, 1908. Letter to Gifford Pinchot, chief of the United States Forest Service. In full: “I must send you a line to say how emphatically Woodruff has made good. He has been a real and great help in every important question that has come up in connection with the Interior Department.” In fine condition. Pinchot enjoyed a close relationship with President Roosevelt, who shared Pinchot’s views regarding the importance of conservation. In 1905, Roosevelt and Pinchot convinced Congress to establish the United States Forest Service, and Pinchot was installed as its leader. Starting Bid $200

Theodore

Two presidential paychecks issued to President Harding—including his last— displayed with memorial autographs by Secretary of State Charles Evans Hughes

display featuring six items—two signed by Warren G. Harding and three signed by Charles Evans Hughes—highlighted by two presidential paychecks—one endorsed by President Warren G. Harding, and the other dated just two days prior to his death, endorsed by the executor of his estate. The checks are matted, framed, and hinged against the huge 52 x 33 display, allowing both sides to be viewed. Check details:

1. Extremely rare presidential paycheck from the Treasurer of the United States, 8.25 x 3, filled out in type and made payable to “Warren G. Harding, President of the United States, The White House, Washington DC” for $6,250, April 30, 1923, crisply endorsed on the reverse, “Warren G. Harding.” At this time the salary for the US president was $75,000 per year,

paid monthly. A noteworthy example of a presidential rarity.

2. Unique presidential paycheck from the Treasurer of the United States, 8.25 x 3, filled out in type and made payable to “Warren G. Harding, President of the United States, The White House, Washington DC” for $6,250, July 31, 1923, endorsed on the reverse, “Charles D. Schaffner, Executor of the Estate of Warren G. Harding, Late President of the United States.” A rare and significant piece, seeing as only eight presidents have died while in office.

Further items in the display are: two photos individually signed by Harding and Hughes; a TLS by Hughes, sending a signed copy of his Harding memorial address; and the memorial address booklet signed by Hughes. In overall fine condition. Starting Bid $300

19. Warren G. Harding (2) Presidential Paychecks on Harding/Hughes Autograph Display. Massive

Wonderful dual-signed 1941 Christmas portrait from the Roosevelts

20. Franklin and Eleanor Roosevelt Signed Photograph. Scarce vintage matte-finish 10 x 8 photo of Franklin and Eleanor Roosevelt relaxing at a patio table with a book and knitting, an image originally taken on the south porch at Hyde Park on July 4, 1941, signed in fountain pen as president, “Franklin D. Roosevelt,” and as first lady, “Eleanor Roosevelt,” with “Christmas 1941” added in calligraphy as originally produced for the White House and President Roosevelt in 1941. Reverse bears an Associated Press copyright stamp. In fine condition.

This rare format, discussed in Mary Evans Seeley’s book Season’s Greetings from the White House, marked the first occurrence of the president and first lady actually taking the time to hand-sign official White House Christmas presents for the executive staff at the White House during Christmastime of 1941, only a few weeks after the attack on Pearl Harbor and America’s involvement in World War II. This example is by far one of the nicer of the known dual signed examples extant. Starting Bid $300

22. Franklin D. Roosevelt Document Signed as Governor. DS, one page, 6 x 8, September 24, 1931. Legislative document signed by Franklin Roosevelt as governor of New York, pertaining to an “additional appropriation of $10,000 for the purpose of providing funds for the Insurance Department for services and expenses to proceed with the examination of various Mutual Casualty Companies.” Boldly signed at the conclusion in fountain pen by Governor Franklin D. Roosevelt, and countersigned by Charles J. Hewitt as chairman of the Senate Finance Committee, and by Eberly Hutchinson as chairman of the Ways and Means Committee. Attractively matted and framed with an image of FDR signing a bill to an overall size of 23 x 14. In fine condition. Starting Bid $200

Photograph. Historic vintage matte-finish 13 x 10 photo of Roosevelt being sworn in as president for the third time on the steps of the US Capitol, signed in fountain pen as president, “Franklin D. Roosevelt.” Also signed “Charles E. Hughes, Jan 20, 1941,” as chief justice; “Cordell Hull” as Secretary of State; “H. A. Wallace” as Vice President; and “Charles Elmore Cropley, January 20, 1941,” as clerk of the Supreme Court, who held Roosevelt’s family bible as Hughes administered the oath of office. Matted and framed to an overall size of 17.5 x 15. In fine condition, with the last letter of Wallace’s signature matted out.

After serving eight years in the White House, FDR faced the difficult choice of running for office again, but worldwide events swayed him to run for an unprecedented third term. He must have felt the ominous tides of war after Hughes administered the oath and heard the thunder of guns when Supreme Court clerk Cropley dropped his family’s Dutch bible so soon after he had touched it and sworn the oath. In his inauguration speech,

he declared: ‘In this day the task of the people is to save that Nation and its institutions from disruption from without.’

Isolationism in America was coming to an end and Roosevelt felt the pressure of unfolding world events as Winston Churchill on the day of his inauguration admonished neutral nations to support the Allied cause and Japan expanded in intelligence budget to $500,000 to spy on the United States. Surely as he delivered his speech, the president knew the threat as he spoke ‘In the face of great perils never before encountered, our strong purpose is to protect and to perpetuate the integrity of democracy. For this we muster the spirit of America, and the faith of America. We do not retreat. We are not content to stand still. As Americans, we go forward, in the service of our country, by the will of God.’ On December 7, 1941, the Japanese launched a devastating attack on Pearl Harbor and America finally entered World War II. A remarkable image from an unprecedented and historically significant occasion. Starting Bid $200

21. Franklin D. Roosevelt Oversized Multi-Signed Inauguration

Historic oversized signed photo of FDR’s third inauguration, signed by the president, chief justice, vice president, and others

President Truman appoints the future chairman of the Securities and Exchange Commission

23. Harry

as President

TLS

SEC Commissioner. Partly-printed DS as president, one page, 20 x 17, July 5, 1946. President Truman appoints Edmond M. Hanrahan as “a Member of the Securities and Exchange Commission for the remainder of the term expiring June 5, 1947.” Boldly signed at the conclusion by President Harry S. Truman, and countersigned by Acting Secretary of State Dean Acheson. The white paper seal affixed to the lower left remains intact. Includes a TLS as president, one page, 6.5 x 9.5, White House letterhead, October 12, 1949, in part: “I am familiar with the considerations which prompt your desire to return to private business. In justice to you, therefore, I feel that I have no recourse by to accept, effective at the close of business on November third next, the resignation which you submitted today as a member and Chairman of the Securities and Exchange Commission. Your years with the Commission have indeed been fruitful in constructive results.” Handsomely double-matted and framed together with a portrait to an overall size of 37.5 x 28. In fine condition, with fading to Acheson’s signature. Starting Bid $200

S. Truman DS

with

to

26. John F. Kennedy Signed Photograph. Desirable vintage 3.75 x 5.5 paperstock photo of John F. Kennedy in a suit and tie, neatly signed in blue ballpoint, “John Kennedy.” Double-matted and framed to an overall size of 10 x 12. In fine condition. Accompanied by a full letter of authenticity from Beckett Authentication Services. Starting Bid $200

Center (Miami,

signed “Jack

April 26, 1944.

in part: “I’ll get busy on the pictures and see what I can round up—and also I have a drawing of the boat which I will forward to you…Glad [Edgar] Mauer got back—I hope [Maurice] Kawal & [Charles] Harris do soon…Heard from Mrs. [Andrew] Kirksey, everything seems to be going well for her…Regards to the boys & you’ll hear from me on the pictures.” In very good to fine condition, with overall light creasing and general handling wear. In the early morning of August 2, 1943, Lieutenant Kennedy’s PT-109 was struck by the Japanese destroyer Amagiri in the Blackett Strait of the Solomon Islands. Following a miraculous 3.5-mile swim to shore, Kennedy and his ten surviving crew members—which included Radioman, Second Class John E. Maguire—were rescued from Olasana Island a full six days later. Kennedy returned to the United States in January 1944 and soon transferred to Miami’s Submarine Chaser Training Center for a period of three months. Starting Bid $1000

John E.

24. John F. Kennedy Autograph Letter Signed to a Fellow PT-109 Survivor. World War II-dated ALS

Kennedy,” four pages, 8 x 10.5, Navy Department, Submarine Chaser Training

Florida) letterhead,

Handwritten letter to “Mac,” fellow PT-109 survivor

Maguire,

Kennedy promises to send PT-109 photos to a fellow survivor: “Also I have a drawing of the boat”

25. John F. Kennedy Document Signed as President for International Atomic Energy Agency. Partly-printed DS as president, one page, 23 x 19, September 24, 1963. President Kennedy appoints Henry DeWolf Smyth, of New Jersey as “Alternate Representative of the United States of America to the Seventh Session of the General Conference of the International Atomic Energy Agency.” Boldly signed at the conclusion in fountain pen by President John F. Kennedy and countersigned by Acting Secretary of State George W. Ball. Document retains its original large white seal. In fine condition.

Just two days earlier, the United States Senate had ratified the

Nuclear Test Ban Treaty, which prohibited all test detonations of nuclear weapons except for those conducted underground. Noted physicist Henry DeWolf Smyth served as a key player in the early development of nuclear energy, including as a participant in the Manhattan Project and then as a member of the US Atomic Energy Commission. He served as a representative to the International Atomic Energy Agency (IAEA) from 1961 to 1970. Headquartered in Vienna and established on July 29, 1957, the IAEA is a global organization that seeks to promote the peaceful use of nuclear energy and to inhibit its use for any military purpose, including nuclear weapons. Starting Bid $500

Two days after the U.S. ratified the Nuclear Test Ban Treaty, President Kennedy appoints a Manhattan Project consultant as a representative to the International Atomic Energy Agency

notables Declaration of Independence

73. Joseph Reed and Timothy Matlack Document Signed (1780). A president of the Continental Congress and signer of the Articles of Confederation (17411785) who also served as Washington’s aide-de-camp during the Revolutionary War. Revolutionary War-dated partly-printed DS, one page, 8.25 x 13.25, September 12, 1780. As president of Pennsylvania, Joseph Reed approves a license for the marriage of “Richard Steer of the Town of Northampton in the County of Northampton Batchelor and Benina Cooper of the same Place Spinster.” Signed prominently in the left margin in ink, “Jos. Reed, President,” and countersigned below by Timothy Matlack. The upper left-hand corner retains the original paper seal. In very good to fine condition, with some light toning, and scattered small stains. Starting Bid $200

Rare 1766 satirical cartoon on the repeal of the Stamp Act, “the Funeral Procession, of Miss Americ-Stamp”

74. Stamp Act: 1766 Satirical Engraving after Benjamin Wilson. Rare 17 x 12 satirical engraving after Benjamin Wilson’s celebrated political cartoon, “The Repeal. Or the Funeral Procession, of Miss Americ-Stamp,” published in London by Mark Baskett in 1766. Captioned in the lower border, the cartoon celebrates the repeal of the Stamp Act of 1765, which gave birth to the famed Revolution-era slogan, ‘No taxation without representation.’ The image is filled with visual puns and mischievous political allusions, showing Dr. William Scott, Lord Grenville, Lord Bute, the Attorney-General, the Solicitor-General, and a host of other political British figures mourning the repeal of the short-lived Stamp Act, portrayed as a tiny coffin. In very good condition, with overall creasing, and damage to the borders which could easily be matted out if desired. Starting Bid $500

World Leaders and Politicians

75. Simon Bolivar Document Signed. Partly-printed DS in Spanish, one page, 8.5 x 12.5, January 16, 1830. An untranslated military document issued by Simon Bolivar as president of Colombia. Signed prominently at the conclusion by Bolivar. The lower left retains the original paper seal. In very good to fine condition, with small areas of paper loss along the rough edges, and the signature light but fully legible. Starting Bid $200

77. Winston Churchill Typed Letter Signed. World War II–dated TLS, signed “Yours sincerely, Winston S. Churchill,” one page, 7.5 x 9.5, Prime Minister letterhead, October 16, 1944. Letter to British historian Keith G. Feiling, sent from Moscow during Churchill’s meetings with Josef Stalin during World War II. In full: “I shall certainly be very glad to see you after my return. Meanwhile, I see no objection to your using the proposed extracts, so long as their context is made clear. I must say however that I feel that end of next year is very early for the publication of a book of this kind. I am glad that you are showing the text to Bridges for examination from the point of view of the requirements of official secrecy.” In very good to fine condition, with scattered staining and soiling, and a light diagonal crease to the upper left corner. The work in question was probably Feiling’s The Life of Neville Chamberlain, which would be published in 1946. Starting Bid $300

Churchill writes from Russia during 1944’s significant ‘Moscow Conference,’ asking for Chamberlain’s biographer to consider

“the requirements of official secrecy”

Exquisite wartime portrait of Prime Minister Churchill

Germany’s fateful invasion

76. Winston Churchill Signed Photograph by Walter Stoneman. Superb vintage matte-finish 6.25 x 7.75 portrait of Prime Minister Churchill, affixed to the original 7.5 x 10 studio mount, signed on the mount in fountain pen, “Winston S. Churchill.” The reverse bears a photographer’s credit stamp attributed to Walter Stoneman. In fine condition, with lightly trimmed edges to the mount, and some light silvering to the image. An enduring portrait of Churchill captured at 10 Downing Street on April 1, 1941, the day Churchill was awaiting word on

of Yugoslavia. Starting Bid $500

Scarce signed tribute to Winston Churchill: “The Greatest Figure of Our Time”

78. Winston Churchill Signed Book. Signed book: Winston Churchill: The Greatest Figure of Our Time. First edition. London: Illustrated London News, 1954. Softcover, 10.25 x 14.5, 68 pages. Signed and inscribed on the first free end page in fountain pen, “To P. G. Oates, from Winston S. Churchill, 1954.” In very good to fine condition, with faint mottled staining to the signed page. Peter Geoffrey Oates (1919-2017) was a private secretary to Winston Churchill and Clement Attlee.

Starting Bid $300

79. Chevalier d’Eon Autograph Letter Signed. French diplomat, spy and soldier (1728–1810) whose first 49 years were spent as a man, and whose last 33 years were spent as a woman. ALS in French, signed “La Ch’re D’Eon,” four pages on two adjoining sheets, 6.25 x 7.75, September 6, 1778. Untranslated handwritten letter from Versailles. In fine condition. Starting Bid $200

Royalty

Rare

letter

by Queen Elizabeth I’s favorite-turned-traitor

81. Robert Devereux, 2nd Earl of Essex Letter Signed. English nobleman (1565–1601) and a favorite of Queen Elizabeth I until being placed under house arrest following a poor campaign in Ireland during the Nine Years’ War. In 1601, he led an abortive coup d’état against the government of Elizabeth I and was executed for treason. Scarce LS signed “Essex,” one page, 6.25 x 4.75, June 25, 1594. Letter to Richard Bagotte, bestowing “a bucke upon Mr. Bowier her majesties gentleman usher, in some place of that countrye.” Attractively double-matted and framed with an engraved portrait to an overall size of 14.5 x 22.25, with a window in the backing for viewing the address panel. In fine condition. Starting Bid $300

82. Germaine de Foix Document Signed. Queen consort (14881536) of Aragon as the second wife of Ferdinand II of Aragon. Very rare manuscript DS in Spanish, signed “La Reyna [The Queen],” one page, 8.5 x 12.25, no date. Untranslated document issued by Germaine of Foix as queen consort. Countersigned by her secretary. In fine condition, with a small hole to the center blank area. Starting Bid $200

83.

King Charles III Autograph Let-

ter

Signed on

Diana’s Pregnancy. ALS signed “Charles,” one page both sides, 7.25 x 9.5, Prince of Wales memorandum letterhead, November 15, 1981. Handwritten letter to Lady Marre, alluding to the recent announcement of Princess Diana’s pregnancy in the closing lines. In part: “Thank you so much for your letter…I would be willing for the fund to pay the full cost if you get an application for one of these vehicle conversion. I think it would be a good thing to do…I like the idea of asking Donald Dempsey to suggest an organisation in the north to supervise the mobile holiday home project if the fund pays for it…I think it would be splendid if the fund could provide money to buy necessary equipment for the M.S. research projects. This would probably be preferable to paying salaries...Thank you so much for your kind congratulations. We are so thrilled.” In fine condition. On November 6th, Buckingham Palace announced the pregnancy of Princess Diana—this would be Prince William, born June 21, 1982, then second in the line of succession to the throne. A desirable comment on a momentous royal occasion. Starting Bid $200

84. King George V Signed Invitation for His Royal Coronation (1911). Partly-printed DS, signed “George R. I.,” one page, 8 x 11.25, May 4, 1911. An invitation from King George V for the royal coronation of himself and his wife, Mary of Teck, which reads: “Whereas the twenty second day of June next is appointed for the Solemnity of Our Royal Coronation. These are to Will and Command you (all excuses set apart) to make your personal attendance on Us at the time abovementioned...to do and perform all such Services as shall be required and belong unto you. Whereof you are not to fail.” Signed neatly in the upper border in ink by the king. In fine condition, with a light paperclip impression to the left edge. Starting Bid $300

Invitation from King George V for his 1911 coronation, imploring the recipient “you are not to fail”

“We are so thrilled”—Charles on the announcement of Diana’s pregnancy

85. King Louis XV Autograph Letter Signed. Beautiful and scarce ALS in French, signed “Louis,” one page, 6.5 x 8.5, July 21, 1766. Addressed from Compiègne, an intimate handwritten letter from King Louis XV sent to his grandson, in full (translated): “Is it true that the Prince of Brunswick looks like your poor father. I would tend to believe it by the portraits that were sent to me and by everything that has been relayed to me. I still have a heavy cold but it is better since I have taken yogurt for two days and a little bit of theriaque at night. Summer has come back and I have felt more health going on my hunt than I have ever this year. That will be very good for the vineyards. We are both leaving during this week so that my next letter will be sent from Versaille. I kiss you tenderly my dear grandson.” Louis adds a postscript: “We have had yesterday a beautiful ceremony of the ordination that has been done by the Bishop of Soissons in the chapel and there were 29 celebrants.” The reverse of the second integral page retains the original red wax seal. In fine condition. An exquisite handwritten letter from Louis XV, examples of which are very rare, especially those with such a frank tone and directed to a close relative.Starting Bid $200

86. King Stanislaus I of Poland Autograph Letter

Signed. Twice King of Poland and Grand Duke of Lithuania, and at various times Prince of Deux-Ponts, Duke of Bar, and Duke of Lorraine (1677–1766). ALS in French, signed “Stanislas Rey,” one page, 7.25 x 9, February 9, 1740. Untranslated handwritten letter by Stanis?aw Leszczyn´ski, written from his country estate in Lunéville. In fine condition. Starting Bid $200

Princess Diana writes to disgraced BBC host Jimmy Savile about upcoming hospital work

87.

Letter Signed to Jimmy Savile.

signed “With love, from, Diana,” two pages, 8 x 13, Kensington Palace letterhead, October 10, 1995. Letter to disgraced BBC TV and radio personality Jimmy Savile, in part: “I particularly wanted you to know that I have continued my interest in mental illness and, especially, the work of the Special Hospitals. I am due to return to Broadmoor (temporarily!) on 14th November for a public engagement but, more importantly, to stay for a private tour of certain departments after the official business is over. I’m very keen to do more than just pass through as an occasional visitor...No firm details yet—but I just wanted Sir J. (who has done so much more for Broadmoor than I ever could) to hear about it from me!” Diana adds the valediction in her own hand, “Dear Jimmy.” In fine condition. Starting Bid $200

Princess Diana Typed

TLS

88. Princess Diana and King Charles III Signed Christmas Card (1985). Desirable Christmas card from 1985, embossed on the front with the Prince of Wales’s feathers and Order of the Garter motto and the Spencer family arms, measuring 10.25 x 7.25 open, featuring an affixed color portrait of the royal family with Prince Harry and Prince William riding a pony, signed and inscribed inside in fountain pen, “Mrs. Daniels—from Charles and” and “Diana.” In fine condition, with a few minor spots of foxing. Starting Bid $200

Desirable Diana and Charles Christmas card, inscribed to the princess’s clothier at Kensington Palace

89. Princess Diana and King Charles III Signed Christmas Card (1991). Desirable Christmas card from 1991, embossed on the front with the Prince of Wales’s feathers and Order of the Garter motto and the Spencer family arms, measuring 13.75 x 6 open, featuring an affixed color portrait of the royal family inside, signed and inscribed in fountain pen, “Evelyn, from the both of us, Diana” and “and Charles.” In very fine condition. Accompanied by the original transmittal envelope, addressed to Evelyn Dagley at Kensington Palace. Evelyn was Princess Diana’s clothier and dear friend. Starting Bid $200

90. Princess Diana and King Charles III Signed Christmas Card. Royal Christmas card from 1984 embossed on the front with the Prince of Wales’s feathers and Order of the Garter motto and the Spencer family arms, measuring 14 x 6 open, featuring an affixed color photo of the family with newborn Prince Harry, signed and inscribed inside in ink, “Lady Marre, from Charles and” and “Diana.” In very fine condition. Starting Bid $200

91. Queen Elizabeth II Writes to Her Midwife About Prince Charles’ Appendectomy. ALS signed “Elizabeth R.,” one page both sides, 4.75 x 7.5, Buckingham Palace letterhead, February 19, 1962. Handwritten letter to her midwife, Helen Rowe, in full: “Thank you for your kind letter about Charles It was all very sudden and luckily all was well in the end—and the appendix is reposing in a revolting heap in a bottle beside his bed! The operation was completely satisfactory and he is already walking across the floor of the ward and making very good progress. Andrew has been to see him several times and has been a very good tonic to the patient! It seems extraordinary that Andrew is already two today, and he is enjoying his birthday thoroughly in a very grown-up way! Thank you again for writing.” In fine condition.

The Queen’s eldest son, Prince Charles, 13, was rushed to Great Ormond Street Hospital and successfully underwent an emergency appendicitis operation on February 12, 1962. Sister Helen Rowe was Britain’s most famous midwife, who was present for the births of all four of Queen Elizabeth II’s children, as well as for the children of other British elite and royalty. Starting Bid $300

93. Queen Elizabeth II and Prince Philip Signed Christmas Card (1956). Exquisite royal Christmas and New Year’s card from 1956, with a gilt-embossed crown on the front, measuring 13.75 x 9.75 open, featuring a wonderful photo of Queen Elizabeth II and Prince Philip posing with their two young children on the deck of the HMY Britannia, signed in fountain pen, “Elizabeth R, 1956” and “Philip.” In very fine condition. Starting Bid $200

The Queen updates her midwife on the health of Prince Charles following his emergency operation:

“The appendix is reposing in a revolting heap in a bottle beside his bed!”

Regal oversized portrait of the newly crowned Queen Elizabeth II, signed in the year of her coronation

signature, and slight evidence of edge staining along the border edges. An exquisite

of the beloved British monarch. Starting Bid $500

92. Queen Elizabeth II Oversized Signed Photograph. Marvelous oversized vintage matte-finish 11 x 14.5 portrait of Queen Elizabeth II wearing her glimmering crown jewels, taken by Royal Court photographer Dorothy Wilding, affixed to its original 11.5 x 16 mount, nicely signed on the mount in fountain pen, “Elizabeth R, 1953.” Framed to an overall size of 16 x 20. In fine condition, with an unobtrusive repaired tear to the right of the

image

rare autograph of ‘Bloody Mary’

94. Queen Mary I of England Signature. Mary I (1516–1558) was the oldest daughter of King Henry VIII who ruled as Queen of England and Ireland from 1553 until her death at which time her half-sister, Queen Elizabeth I, ascended to the British throne. Her brutal persecution of Protestants earned her the nickname ‘Bloody Mary.’ Rare and highly sought-after ink signature, “Marye the quene,” on an off-white 3 x 1.25 slip, gorgeously matted and framed with a canvas print of her 1554 portrait by Antonis Mor to an overall size of 20.5 x 24.5. In fine condition. A fantastic and well-displayed autograph of a major British monarch. Starting Bid $1000

“Marye the quene”—

Religious Figures

Scarce Massachusetts Metaphysical College certificate signed by Christian Science founder

Mary Baker Eddy

95.

Certificate. American religious leader (1821-1910) who founded the Church of Christ, and scientist who authored the influential text outlining its doctrines, Science and Health with Key to the Scriptures. Scarce partly-printed DS, signed “Mary B. G. Eddy,” one page, 9.5 x 6.5, April 2, 1885. Certificate issued by the Massachusetts Metaphysical College, in full: “This Certifies That Mrs. G. P. Noyes C.S. has been my student, and is in good standing with the Massachusetts Metaphysical College, she being a member of the Christian Science Association.” The certificate is imprinted with the emblem of Christian Science at left: “Heal the Sick, Raise the Dead, Cleanse the Lepers, Cast out Demons.” Handsomely matted and framed with a portrait and biographical plaque to an overall size of 26.5 x 24. In fine condition, with three vertical folds.

The Church of Christ, Scientist was chartered in 1879, and in 1881, next to her home, the Massachusetts Metaphysical College was chartered. Followers multiplied and spread her teachings. In 1898, she founded the Christian Science Publishing Society, which publishes numerous periodicals and books, most notably The Christian Science Monitor. Today, hundreds of thousands around the world practice Christian Science. Starting Bid $300

Activists and Social Leaders

97. Nelson Mandela Signed Book. Signed book: Long Walk to Freedom. Later printing. Randburg, South Africa: Macdonald Purnell, 1994. Hardcover with dust jacket, 6.5 x 9.5, 630 pages. Signed on the half-title page in black felt tip, “N. Mandela.” In fine condition, with light dust jacket wear. Starting Bid $200

Mary Baker Eddy Signed Metaphysical College

96. Mohandas Gandhi Autograph Letter Signed (1894) on Theosophy. ALS signed “M. K. Gandhi,” four pages, 8.5 x 10.75, August 4, 1894. Handwritten letter to Mrs. A. M. Lewis of the Esoteric Christian Union, written during his second year in South Africa, regarding his efforts to promote interest in theosophy. In part: “I had occasion to come in contact with a doctor in Pretoria. He seemed to be the only gentleman in addition to another who took interest in theosophical subjects. I gave him the Perfect Way to read. He liked it so much that he wished me to get another copy for him…During my stay here I intend to spread as much as possible information about theosophy (to me there is little difference between Theosophy and Esoteric Christianity). I have therefore sent out letters to the President of the Vegetarian Society and Mrs. [Annie] Besant. I propose that the E.C.U. should send me a selection of books to be sold here. I would sell the books at cost price plus the postage and 5% commission to be kept by me. As to the price however I should be left free to use my discretion. I would send up the sale proceeds of the books every three months. The advertisement charges will be borne by me. If at the end of one year nothing is sold I would return the books at my cost. I give my personal guarantee for the safe keeping of the books and the sale proceeds…If it is necessary to read this letter or a portion thereof to the Union you can do so. I hope you will be able to persuade the Union, or those in authority, to accede to the above proposal.”

Gandhi continues to discuss a controversial work: “If you do not think much of the ‘Souls,’ what position is the book to occupy in respectful literature? If the author has written what is absolutely true from personal observation, the book cannot be lightly treated. If it is an attempt to delude the people into a belief in real truths by fascinating falsehoods the book deserves the highest condemnation possible. For we will not learn truth by means of falsehoods. Of course I write this without meaning the slightest disrespect for the author of whom I know nothing. She may be a lady of the highest probity and truth. I only repeat that to appreciate the Souls acquaintance with the author’s character is absolutely necessary.”

Finally, Gandhi dejectedly mentions a petition that Lewis had sent him: “I could get many signatures…But I am afraid the Natal signatures would be quite useless. Is it not a sad com-

mentary on the morality of the age that a most important and yet most harmless and elevating monument should not receive good support? At times when I think of these things I thoroughly despair of fruits of works. A verse from the Bhagavad Gita saves me from utter despair and consequent inaction—a verse which enjoins freedom from attachment to fruits of works.” In a brief handwritten postscript, signed with his initials (“M.K.G.”), he adds: “Please note change of address.” In fine condition.

Gandhi had settled in South Africa in 1893, taking on a one-year contract as an attorney for an Indian merchant there. It was while living in this racially charged environment that Gandhi began to develop his political ideology, which was informed by his interest in theosophy—an occultist stream of Western esotericism that drew its teachings from a variety of religious traditions. In this letter, he discusses the book The Perfect Way; Or, the Finding of Christ by Anna Kingsford and Edward Maitland, an influential early theosophical book.

Maitland was a member of the Theosophical Society and in November 1891 founded the Esoteric Christian Union. Gandhi became the Union’s South Africa agent in 1894, as he so suggests here. Maitland and Gandhi opened a correspondence, and Mailtand introduced Gandhi to Tolstoy’s The Kingdom of God Is Within You—a book which ‘overwhelmed’ Gandhi and led him toward nonviolence as a means to promote political change. While protesting in Johannesburg in 1906, Gandhi adopted his famous methodology of ‘Satyagraha,’ or nonviolent protest, which would become critical to his later fight for Indian independence.

Upon his return to India in 1915, Gandhi embarked on a decades-long crusade for Indian independence, demonstrating and urging nonviolence and civil disobedience as the most effective means of achieving this goal. His public acts of defiance resulted in repeated incarceration and brought him to international attention. In 1947—some 53 years after writing the present letter—he participated in the postwar negotiations that led to Indian independence; in the following year, he was assassinated by a Hindu fanatic. A lengthy, early, and important letter from Gandhi’s formative years in South Africa. Starting Bid $5000

“A verse from the Bhagavad Gita saves me from utter despair and consequent inaction”— the 24-year-old Gandhi promotes theosophy in South Africa

98. John Jacob Bausch Signed Card with Magnifying Glass. GermanAmerican maker of optical instruments (1830–1926) who co-founded Bausch & Lomb. Unusual ink signature, “J. J. Bausch, Aug. 20, 24,” on an off-white 3.5 x 5.5 souvenir card with attached miniature magnifying glass, imprinted: “In going over some articles that I have jealously kept these many many years, I found a limited number of tiny magnifiers that I personally constructed shortly after the Civil War period. Feeling that you would be sure to appreciate the keep-sake of the pioneer days of the optical business in America, I take great pleasure in attaching one of these magnifiers to this card and presenting it to you with my best personal wishes.” In fine condition. Accompanied by a modern shadowbox for display. Starting Bid $200

Document Signed. Partly-printed

DS, one page, 11.5 x 7.75, August 19, 1882. Stock certificate for 500 shares in Rockefeller’s Standard Oil Trust issued to W. C. Andrews, signed at the conclusion by John D. Rockefeller as president, Henry M. Flagler as secretary, and Jabez A. Bostwick as treasurer; endorsed on the reverse by Andrews to transfer the shares to John D. Rockefeller’s private secretary, William H. Beardsley, who fills in his own name, “W. H. Beardsley.” The original receipt, also signed by Andrews, remains affixed at the left edge. In fine condition, with the signatures lightly canceled. Starting Bid $200

99. John D. Rockefeller, Henry Flagler, and Jabez A. Bostwick

The Bausch & Lomb founder sends a tiny magnifier “that I personally constructed shortly after the Civil War period”

Important Standard Oil stock certificate issued to an original company director, signed by Rockefeller, Flager, and Bostwick

Scientists and Inventors

100. Alexander Graham Bell Autograph Letter Signed. ALS signed “A. Graham Bell,” one page, 4.25 x 7, November 26, 1872. Handwritten letter to “Miss Nettie Williams,” in part: “Please tell your mother that it will be ‘convenient’ and most ‘agreeable’ for me to spend Sunday with you all. When I saw you last, you were sick. I trust you have quite recovered.” In fine condition. Accompanied by a full letter of authenticity from JSA. A boldly penned letter by the celebrated engineer, pre-dating his invention of the telephone. Starting Bid $200

101. Thomas Edison Document

Signed. Partly-printed DS, signed “Thomas A. Edison,” one page, 11 x 8, November 24, 1903. Stock certificate issued to Harlan Page for thirteen shares in the Edison Storage Battery Company, nicely signed at the conclusion by Thomas Edison as the company’s president, using his iconic ‘umbrella’ autograph. In fine condition, with cancellation holes touching the signature. The Edison Storage Battery Company was organized in New Jersey on May 27, 1901, to develop, manufacture, and sell the alkaline storage battery that Edison had developed, which was used for mining lamps, train lighting and signaling, submarines, and electric vehicles. Starting Bid $200

Rare oversized portrait of Albert Einstein, presented to a Universal Pictures publicity man after a special screening of All Quiet on the Western Front

John

Pictures. On January 8, 1931, Laemmle hosted Prof. Einstein and his wife, Elsa, for a special screening of the 1930 Academy Award–winning epic anti-war film All Quiet on the Western Front. The film had been banned in Germany for its unfavorable view of war and for causing political disturbances. Einstein praised the film as a ‘fine piece,’ and expressed indignation at its suppression in Germany. A rare and remarkable oversized portrait signed by Albert Einstein, connected with his pacifist ideals. Starting Bid $2500

103. Albert Einstein Signed Photograph. Vintage circa 1931 matte-finish 11 x 14 photo of Einstein meeting with Universal Pictures co-founder Carl Laemmle, signed and inscribed in white ink, “Für John Johnston, Albert Einstein.” Reverse bears a typed note on John LeRoy Johnston’s letterhead, asking for the autograph. In fine condition, with two small creases and portions of the signature a few shades light.

LeRoy Johnston was a well-known Hollywood stills photographer who worked as a publicity director for Universal

Einstein poses with a young fan, dated to the year he moved to America

104. Albert Einstein Signed Photograph (1933). Vintage matte-finish 4.5 x 5.25 photo of Einstein seated and posing with an adoring young fan, signed neatly in the lower in black ink, “Albert Einstein, 1933.” In fine condition, with a scuff to the emulsion over Einstein’s left shoulder. A delightful signed portrait of Einstein that dates to the year the brilliant theoretical physicist emigrated to the United States, taking a professorship at Princeton and leaving behind the heightening tension in Europe. Starting Bid $1000

Image shown larger than actual size.

Einstein turns 75—the “old gypsy” fondly recalls good times in Switzerland

105. Albert Einstein Autograph Note

Signed. ANS signed “A. Einstein,” on a 5 x 3.25 card imprinted with thanks for birthday wishes, [April 10], 1954. Handwritten note to the Swiss lawyer and women’s rights activist Elisabeth Nägeli (1897-1988), who congratulated him on his 75th birthday: “Thank you very much for your messages, which bring old times to life. An old gypsy does not have it easy in this respect.” In very fine condition. A unique and desirable sentiment from the genius, who had spent his youth in Switzerland and was awarded his PhD by the University of Zurich in 1905. Starting Bid $1000

Einstein visits Hebrew College during his whirlwind visit to Cuba in 1930

108. Albert

Einstein Signed Guestbook Page

From His 1930 Trip to Havana, Cuba. Significant ink signature, “Dec. 1930, A. Einstein, Berlin,” penned on the reverse of a 9 x 12 guestbook page from Hebrew College in Havana, during Einstein’s brief two-day visit to Cuba, which marked the only time he visited the country. Einstein was an early proponent of Jewish universities, knowing that Jews were often excluded from institutions of higher learning. This page is an ideal, early example of such support. The sheet, the top of which is marked ‘Registro de Visitantes’ and annotated “Colegio Hebrew del Centro Israelita de Cuba,” features signatures of several other well-known dignitaries and Zionists of the early 20th century, such as Dr. Abraham Coralnik, editor of ‘The Day’ newspaper; Emanuel Celler, the longest serving Congressman in New York state history; Morris Fishman, Vice President of the Detroit Life Insurance Co. and spokesperson for United Jewish Campaign; Nathan Borin of Borin Brothers Co.; Rabbi Louis J. Victor Eppstein; Rabbi I. Edward Kiev, Head Librarian, Hebrew Union College; Oscar Lopez; Simon Eisenberg; Herman Chervony, board member of Centro Israelita de Cuba; Oscar Gutierrez; and Franco Goires. In very good to fine condition, with scattered light foxing and staining, and rusty paperclip impressions and file holes to one edge. Starting Bid $500

106.

Einstein Autograph

Signed. ALS in German, signed “A. Einstein,” one page, 7.25 x 10.5, Dr. Gustav Bucky letterhead, September 15, 1939. Handwritten letter to Judge Irving Lehman introducing his son-in-law, the literary historian Rudolf Kayser. Einstein hopes that he might find employment as a teacher with a Jewish organization (mentioning the Young Men’s Hebrew Association), and mentions the “truly tumultuous” times—presumably alluding to the state of the world in the immediate aftermath of Nazi Germany’s invasion of Poland.

In part (translated): “I have advised my friend, Dr. Kayser, who was married to my wife’s deceased daughter, to speak with you.

He has given evening courses at Hunter College, with quite good success. But this affair falls short of real needs and has no future. The question is, whether an efficacious possibility would exist with the Y.M.H.A. He is chiefly a specialist in the history of international literature, philosophy, and religious history. His gift for teaching is doubtless equal to his love for the profession of teaching. It would please me very much if he could find employment with this fine Jewish organization in some fashion—somewhere in the country. The times are truly tumultuous—everything goes its own way without pity.” In fine condition, with some light creasing to the upper left corner. Accompanied by an unsigned postcard portrait of Albert Einstein. Starting Bid $1000

Albert

Letter

After the outbreak of World War II, Einstein advocates for his son-in-law’s employment:

“His gift for teaching is doubtless equal to his love for the profession”

Einstein on masochism and a Freud biography

107. Albert Einstein Typed Letter Signed on Freud. TLS in German, signed “A. Einstein,” one page, 8.5 x 11, blindstamped personal Princeton letterhead, January 6, 1941. Letter to psychoanalyst Theodor Reik, one of Freud’s first students in Vienna. In part (translated): “Thank you very much for sending your two books. I have already read this about masochism with great interest; it seems very convincing to me. What I have read so far

in the book about Freud, I really liked. There is much more than a biography in the ordinary sense, and it will certainly help to demand the understanding of Freud’s wonderful personality.” In very good to fine condition, with minor losses to corners, and irregular toning affecting only appearance. A fascinating letter connecting two of the great intellectuals of the 20th century. Starting Bid $1000

Letter Signed. French bacteriologist (1866–1936) who received the Nobel Prize in Medicine for his identification of lice as the transmitter of epidemic typhus. Rare ALS in French, signed “C. Nicolle,” four pages on two adjoining sheets, 5.25 x 8.25, Institut Pasteur de Tunis letterhead, February 3, 1922. Untranslated handwritten letter addressed from the Pasteur Institute in Tunis, where he served as director from 1903 until his death. In fine condition. Starting Bid $200

Signature. American artist and

110. Samuel

whose development of the telegraph revolutionized worldwide communication. Sought-after ink signature, “New York, Nov. 9, 1871, With kind wishes, Sam’l F. B. Morse, C. L. Farrington, Holyoke, (Mass.),” on an off-white 5 x 4 slip affixed to a slightly larger page. In very good to fine condition, with trimmed edges and light staining. Starting Bid $200

F. B. Morse

inventor (1791–1872)

111. Charles Nicolle Autograph

109. Alexander Fleming Handwritten Manuscript on Penicillin. Fascinating AMS by Alexander Fleming, who penned this rough draft manuscript to use during an interview with Joe Bolton of the Office of War Information for a Voice of America broadcast near the end of World War II. The draft, 10 pages, 6 x 9, entitled “Pacific Broadcast,” is signed at the conclusion by Fleming, identifying it as a “Rough Draft,” who also makes numerous corrections and emendations in ink and pencil. Fleming forwarded this manuscript to Bolton with a TLS signed “A. Fleming,” one page, 5 x 8, Inoculation Department of St. Mary’s Hospital letterhead, September 11, 1945. The included letter, which is accompanied by its original mailing envelope, reads: “Thank you for your letter and for sending me the record which has just arrived. Thank you very much indeed.”

Fleming’s manuscript reads, in part: “I have been asked to talk to you on penicillin. The story of penicillin has been often told. A culture plate with which I was working in London in 1929 became contaminated by a mould. This mould was discovered to produce a substance which had a very powerful destructive action on many of the common bacteria which infect man. It belonged to the botanical class of Penicillium so I called the substance Penicillin. It was ten years afterward before the penicillin was concentrated by Florey, Chain and their colleagues at Oxford University. Florey brought his methods over to America and induced the scientists and manufacturers here to go ahead and produce penicillin. In America the methods were improved. And production was increased in so a phenomenal manner that now there is enough for anyone who wants it.

Well now we have penicillin and we have to use it, and to use it to best advantage we have to have a certain amount of knowledge. Penicillin is not a cure-all. It is the most effective chemical known on many of our common infections but it is without action on others. It would take too long to give a complete list of the sensitive and insensitive microbes but we might summarise by saying that the common microbes which cause sepsis, septicaemia, bone disease, pneumonia meningitis

are amenable to penicillin treatment as well as less common infections like anthrax actinomycosis and some others. The venereal infections too gonorrhea and syphilis are sensitive. But diseases such as typhoid fever dysentery cholera, typhus fever and the virus infections are not affected by penicillin…

Penicillin has now been shown to be remarkably successful in many of the common infections from which we suffer. Streptococcal, staphylococcal and pneumococcal infections have responded wonderfully. It may be, though that its greatest benefit to mankind will be in the treatment of venereal disease. Gonorrhea is cured in a few hours by a few injections (It is now much less trouble than a cold in the head) and it looks as if early syphilis can be dealt with by something like two weeks treatment. It may be possible that effective control can now eradicate the first of these diseases…

One thing we who use penicillin should always remember is that it is quite nonpoisonous. It is the only one of the antibacterial drugs which is quite nonpoisonous. We need never be afraid of giving an overdose and now that there is plenty of penicillin we should see to it that we give doses large enough to destroy the microbes not doses just enough to educate the microbes to resist the drug. Inadequate doses only lead to trouble. Sufficient penicillin administered to patients infected with sensitive bacteria gives spectacular results.” In overall fine condition, with minor paper loss to the top edge of the first page.

On October 26, 1945, a month after forwarding this letter and manuscript, Fleming then busy in his laboratory at St. Mary’s Hospital Medical School in London, was informed that he had won the Nobel Prize in Physiology or Medicine, and would jointly receive the award with Ernst Chain and Howard Florey for their discovery and development of penicillin. The Nobel Prize was a significant recognition of Fleming’s work and its impact on medicine, and it cemented his place in history as one of the most important scientists of the 20th century.

Starting Bid $5000

“I have been asked to talk to you on penicillin”— extraordinary manuscript draft from Alexander Fleming, penned a month before winning the Nobel Prize

112. Nikola Tesla Typed Letter Signed on Induction Coil Experiments. TLS signed “N. Tesla,” one page, 8 x 10.5, personal letterhead, July 25, 1894. Letter to research engineer, patent attorney, and inventor Noah Steiner Amstutz, in part: “The identical experiment which you illustrate was performed by Messrs. Spottiswoode, Gordon and others a very long time ago, and the same observation was made in regard to the properties of the current when the breaking was rapid. I think that in your experiment the strength of the current was reduced and the E.M.F. increased when the wheel was more rapidly rotated. You have probably got in this case less energy through the body. It is difficult to say exactly what the result in your case was, because it depends entirely on the electrical constants of the circuits and on the rate of breaking.” In fine condition.

The referenced experiment, described by Tesla as “identical” to the type performed by William Spottiswoode and James Edward Henry Gordon, very likely relates to their early investigations on induction coils, a subject in which Tesla was most acutely informed.

Tesla’s experience with induction coils began while working for inventor Thomas Edison in the late 1880s. While Edison was interested in improving the efficiency of his direct current (DC) electrical power system, Tesla, conversely, was an advocate for alternating current (AC) as a more effective solution. To demonstrate the power of AC, Tesla built a series of induction coils that could generate high-frequency, high-voltage electrical currents. A magnificent letter from Tesla, who, although quite busy, offers his scientific input to a fellow inventor. Starting Bid $5000

An electrical tip from Tesla:

“I think that in your experiment the strength of the current was reduced and the E.M.F. increased when the wheel was more rapidly rotated”

Intellectuals

Important letter from the rare French Enlightenment philosopher

113. Montesquieu Letter

Signed to William Warburton. Wonderfully rare LS in French, one page both sides, 4.75 x 7.5, January 6, 1752. A letter from Montesquieu addressed from Bordeaux and sent to the noted writer, critic, and churchman William Warburton, thanking him for sending his full edition of the writings of Alexander Pope, which Warburton had published the year prior. In full (translated): “Nothing can be more glorious to me, sir, than to receive this very moment this mark of the goodness and generosity of such a great man. I have learned by Mr. Domville that you have made me the favor of sending the works of Mr. Pope edited by you and enriched with your comments. They are like the engravings on Hercules shield. I would like to express, sir, my deepest gratitude which is proportionate to the great qualities of the person I owe such a magnificent present which means that both are infinite. I have the honor to be, sir, your most humble and obliged servant.” Reverse of second integral page bears the original red wax seal. In fine condition, with faint toning and soiling, and professionally repaired seal-related paper loss to the integral address leaf. A beautiful exchange between two intellectuals of France and England, with Montesquieu, who remains quite rare, expressing his admiration for both Pope and Warburton in this exceptional letter. Starting Bid $500

Explorers and Archaeologists

115. John Franklin: British Arctic Expedition Medal (1857). Scarce and highly sought after Arctic Medal, first issued in 1857 by the Admiralty for several expeditions, including the crew (posthumously) and searchers for Sir John Franklin’s lost expedition of 1845–1848; it was also awarded to all those who had been engaged in Great Britain’s Arctic discovery or search expeditions between the years 1818 and 1855. The octagonal silver medal measures 33mm in diameter and is suspended from a white ribbon. Designed by by Leonard Charles Wyon, the obverse features a bust of Queen Victoria facing left, with text, “Victoria Regina”; the reverse shows a three-masted ship amidst icebergs with a sledging party in the foreground, with “For Arctic Discoveries” above and “1818–1855” below. In 1904, the medal was redesigned and renamed the Polar Medal. Starting Bid $200

Archive from the cinematographer of Richard E. Byrd’s Antarctic Expedition of 1934

114. Richard Byrd 1934 Second Antarctic Expedition Archive. Personal archive of John Lovejoy Herrmann, a photographer for Paramount Pictures who served as cinematographer on Richard E. Byrd’s second Antarctic Expedition of 1934, highlighted by two American flags, 3 x 2 and 17 x 11.5, the smaller of which includes an ALS from Herrmann on his Paramount Antarctic Bureau letterhead, addressed from the Little American exploration base on January 25, 1935: “Greetings from the Paramount Penguin Theatre and the South Polar Region.” The larger flag is accompanied by a mailing envelope annotated in pencil, “John Herrmann gave Sam this flag—It was with Byrd when he flew over the South Pole.” Also included: a 5.25 x 4.25 postcard signed by Herrmann and Carl Petersen, with an ANS from Herrmann on the reverse, addressed from Little America on February 3, 1934; and a vintage 8 x 10 publicity photo of Herrmann with his Paramount camera, signed and inscribed in fountain pen. In overall fine condition. Accompanied by the original mailing envelopes hand-addressed by Herrmann, and other related material. Starting Bid $200

American West

Scarce lead promissory note by Moses Austin, one of the first American settlers of Texas

116. Moses Austin Autograph Document Signed. Founder (1761–1821) of the American lead industry, father of Texas pioneer Stephen F. Austin, and the first man to obtain permission to bring Anglo-American settlers into Spanish Texas. ADS, signed “M. Austin,” one page, 7.25 x 5.25, February 11, 1862. Handwritten promissory note by Moses Austin, in full: “Please pay Mr. Jos. Pratt One Hundred & forty two pounds & half of lead out of the Lead in your hands of mine and this order shall be your Discharge for the same.” Mounted and framed to an overall size of 10.5 x 8.5. In fine condition. Starting Bid $200

117. Edward S. Curtis Signed Book. Photographer (1868-1952) known for his photos of the American West and stylized portraits of Native Americans. Signed book: In the Land of the Head-Hunters. Later printing. Yonkers-on-Hudson, NY: World Book Company, 1915. Hardcover, 5.5 x 8.5, 113 pages. Signed and inscribed on the first free end page in fountain pen, “To Gene Stratton Porter, with kind regards, Edward S. Curtis.” In very good to fine condition, with various ex-library markings (including a stamp to the signed page and checkout card mounted to front pastedown), a bit of scuffing to the signed page below the signature, and general soiling and wear to the covers. Starting Bid $200

Notorious Figures

118. Meyer Lansky Autograph Letter

Signed. Legendary organized crime leader (1902–1983) who headed the notorious ‘enforcement’ syndicate Murder, Inc., which emerged in the early 1930s as successor to the warring Prohibition gangs and the old-line Mafia, and continued to operate into the 1950s. ALS signed “Shalom, Meyer,” two pages, 6.25 x 9.25, January 23, 1973. Handwritten letter to Joseph “Yoshki” Sheiner, an Israeli Security Agency officer. In small part: “A Russian refugee by the name of Avron Shifrin who claims he belongs to the Society—Maoz which is out to help Jews and Christians get out of the communist concentration camps came to see me for help. At present it is I who needs help. As usual I will help if you can find out who this Society is also that they are recognized to be helpful for our Russian Brothers to help get them to Israel.” He adds a postscript at the conclusion: “P.S. let me know as quick as possible on Maoz. If it is a good cause for us Jew I want to be helpful.” In fine condition, with two file holes to the right edge. Starting Bid $200

The ‘Mob’s Accountant’ seeks to aid Soviet Jews: “I will help if you can find out who this Society is also that they are recognized to be helpful for our Russian Brothers to help get them to Israel”

193.

1763

1775.

three pages two sheets, 7.75 x 12.5, January 16, 1768. Handwritten letter to his Indian Commissioner, William Johnson, an Anglo-Irish landowner in New York who spoke the Mohawk language. Gage aims to mediate the relationship between settlers and Native American Indians on the frontier. In part: “The opinion you give of the general causes of the discontent of the savages, which originate from our growing power and their jealousy of our designs against them, I know no remedy against, but by doing them all the justice we can. If we can remove the settlers from their encroachments it will be a manifestation of our earnest desire to do them justice. And they have seen a

person executed in New Jersey for the murther of an Indian, which must in some measure shew them we do what we can to give them satisfaction for the murther of their peoples, which tho only one example, is more than they have given us for the many white people they have killed at different times...The Cherokees are with you at an unlucky season of the year but if we can’t make peace for ourselves, I don’t see how we are to succeed for them. It seems determined by the last packet to erect governments in the interior country I suppose at the Detroit and the Illinois, where else I can’t guess unless Fort Pitt. In which shape this is to be done or what attempts of this nature are made. There are fifteen barrels of pork, and 24 of flower [sic] lying at Albany for your use and ordered to be delivered whenever you should sent for it.” In fine condition. Starting Bid $500

Thomas Gage Autograph Letter Signed on Native-Settler Relations. British general (1719–1787) who was commander in chief of the North American forces from

to

ALS signed “Tho’s Gage,”

Britain’s military commander in North America mediates disputes with the Native Americans:

“They have seen a person executed in New Jersey for the murther of an Indian...which tho only one example, is more than they have given us for the many white people they have killed”

194. Joshua Lawrence Chamberlain Signed Check. Maine-born Union major general (1828-1914) who was awarded the Congressional Medal of Honor for his defense of Little Round Top at Gettysburg. The First National Bank of Brunswick check, 7.25 x 2.75, filled out and signed by Chamberlain, “J. L. Chamberlain,” payable to himself, “J.L.C.,” for $1026.98, February 16, 1874. Nicely matted and framed with a portrait to an overall size of 14.75 x 20.75. In fine condition. Starting Bid $200

195. Joshua Lawrence Chamberlain Autograph Letter Signed. ALS signed “Joshua L. Chamberlain,” one page, 5 x 8, September 17, 1873. Handwritten letter to “Mrs. Chandler,” in full: “In case you buy the college house and desire to move it, I should advise the boards to sell or lease the corner lot on Bath & Federal Streets as a site for the house to be placed on. I think they will consent to lease & perhaps to sell.” Attractively mounted, matted, and framed with a portrait to an overall size of 22 x 18. In fine condition. Starting Bid $200

197. Napoleon Letter Signed. LS in French, signed “Np,” one page, 7.5 x 9, September 28, 1813. Untranslated letter to Nicolas Charles Oudinot, Duke of Reggio, pertaining to military matters concerning the 9th Cavalry Corps under General Normann. The blank integral page has been professionally inlaid into a larger sheet. In fine condition, with some very faint toning. Starting Bid $200

Recollecting the Civil War twenty years later, Davis writes of Beauregard’s failures and the “little interrupted march of Sherman through Georgia in absence of Hood’s army”

Signed on Beauregard, Hood, and Sherman. ALS, one page both sides, 5 x 8, October 11, 1884. Handwritten letter to Colonel Robert Scott concerning a text of his Civil War recollections, speaking of his dissatisfaction with General P. G. T. Beauregard’s actions during the war. In full: “Yours of the 8th inst. has been this day received, and the enclosure compared. It is in the main correct, the alterations you will find restored by pencil erasure and interlineation. You were correct in the supposition that it was a telegram; and that together with the fact that it was addressed to one fully informed of my views, will account for its brevity. The telegram to which mine was a response, was, I believe, the one which announced a change of the plan of campaign; which Genl. Beauregard accepted at Augusta, and thence, was to proceed to execute. The last sentence of my telegram conveyed to Genl. Beauregard my dissatisfaction at the change and doubt as to the expected result. If the subject is of sufficient interest to you, to induce you to read further of it, allow me to refer to a work entitled ‘Rise and Fall of the Confederate Government’ Vol. 2 pp. 567 et seq. and to Genl. [John Bell] Hood’s book ‘Advance and Retreat’ pp. 270. et seq. Hood writing after his disastrous campaign into Tennessee, and the but little interrupted march of Sherman through Georgia in absence of Hood’s army, was too truthful and manly to attempt to avoid responsibility by transferring it to me, or by showing how far he would have to start behind Sherman, after he had allowed Sherman to move southward and eastward, while he (Hood) was marching to the northward and westward.” In fine condition, with toning along the vertical fold. Starting Bid $200

198. Isma’il Pasha of Egypt Autograph Letter Signed. Khedive of Egypt and conqueror of Sudan from 1863 to 1879, remembered for the modernization of Egypt through investments in industrial and economic development, urbanization, and the expansion of the country’s boundaries in Africa; in spite of overseeing the construction of the Suez Canal, severe debt resulting from his policies led to its sale to the British government. Uncommon ALS in French, one page, 5 x 8, ornate gilt-embossed personal letterhead, November 15, 1884. Untranslated handwritten letter to his son. In fine condition. Starting Bid $200

196. Jefferson Davis Autograph Letter

The second highest-scoring French fighter ace (1894–1917 MIA) who tallied 54 victories during World War I, and was a French national hero at the time of his death at the young age of 22. Rare hand-tinted vintage 5.5 x 3.75 postcard featuring a dramatic illustration of German Taube aircraft being shot down by a French plane, signed in fountain pen, “G. Guynemer.” In fine condition. Starting

Iconic signed image of the “First Man-Flight, December 17, 1903, Kitty Hawk”

213. Orville Wright Signed Photograph of First Man-Flight. Iconic 6.25 x 4.5 cardstock photo of the Wright Brothers’ first flight, captioned at the bottom “First Man-Flight, December 17, 1903, Kitty Hawk, N. C.,” signed in the lower right in fountain pen by Orville Wright. In fine condition, with light foxing and the signature a shade light. Encapsulated in a PSA/DNA authentication holder. Starting Bid $300

212. Georges Guynemer Signed Postcard.

Bid $200

space exploration

Gorgeously presented full cast of Apollo moonwalkers

displayed complete collection of Apollo moonwalker ink and felt tip autographs, including: Neil Armstrong, Buzz Aldrin, Charles Conrad, Gene Cernan, Alan Bean, Alan Shepard, Edgar Mitchell, Harrison Schmitt, Jim Irwin, Dave Scott, Charlie Duke, and John Young. The signatures range in size from 3 x 1 to 6.25 x 3.5, with the majority written on off-white cards or sheets, and four signed on FDCs or commemorative covers. The collection is beautifully triple-matted with embroidered patches and bronze medallions for each mission, an information sheet, and a print of the Alan Bean painting entitled ‘America’s Team. Just the Beginning.’ Professionally gilt-framed under archival UV-coated Plexiglas to an overall size of 55 x 40.5. In overall fine condition. Starting Bid $500

215. Apollo Moonwalkers Complete Signature Display. Stunningly

Gordon Cooper’s well-used F-86F range computer

216. Gordon Cooper’s F-86F Range Computer. Gordon Cooper’s personally-owned and -used F-86F range computer, measuring 4.5˝ in diameter, signed on one side in blue felt tip, “Gordon Cooper.” The circular instrument boasts multiple rotating discs, and could be used to quickly compute air speed, climb rate, and other parameters pertaining to piloting the North American F-86 Sabre fighter jet. In fine condition. Accompanied by a letter of provenance signed by Cooper, in full: “This was my F-86F Range Computer I used while flying F-86 jet aircraft during the early part of my Air Force career in the 1950s. I used it to compute values such as fuel range and flight air speed while in flight. Many of the printed numbers and letters have worn away due to my repeated use. It slowly developed a warped shape due to storage in my flight suit and exposure to sunlight in the cockpit.” Starting Bid $200

217. Mercury Seven (7) Signed Stamp Blocks. Outstanding complete set of seven blocks of four 4¢ Project Mercury postage stamps, each signed in ink by one of NASA’s original astronauts. Includes: Gus Grissom (“Virgil I. Grissom”), John Glenn (“J. H. Glenn, Jr.”), Alan Shepard (“A. B. Shepard, Jr.”), Wally Schirra (“Walter M. Schirra, Jr.”), Gordon Cooper (“Leroy Cooper, Jr.”), Scott Carpenter (“Scott Carpenter”), and Deke Slayton (“Donald K. Slayton”). In overall fine condition, with poor-to-moderate signature contrast. Accompanied by three commemorative covers honoring the Mercury 7 astronauts, a small glossy photo of the group, and a NASA Facts newsletter covering Project Mercury. Starting Bid $200

218. Apollo 9 Final Flight Plan. Staple-bound official NASA manual entitled “Final, Apollo 9 Flight Plan, AS-504/ CSM-104/LM-3,” dated February 3, 1969, approximately 300 pages, 8 x 10.5, prepared by the Flight Planning Branch, Crew Procedures Division at the Manned Spacecraft Center. The plan provides general notes on the mission, updates on the CSM and LM, a detailed timeline, test objective activities, and a communications plan. The comprehensive timeline is highlighted by two spacewalks and the docking and extraction of a Lunar Module. In fine condition. Starting Bid $200

220. Apollo 10 Final Flight Plan. Staple-bound official NASA manual entitled “Final Apollo 10 Flight Plan, AS-505/CSM-106/LM-4,” 249 pages, 8.25 x 10.75, dated April 17, 1969, prepared by the Flight Planning Branch, Crew Procedures Division at the Manned Spacecraft Center. The plan provides a minute-by-minute timeline of the mission, which was the first manned voyage to circle the moon, and consists of five sections: General, Maneuver Update Forms, Detailed Timeline, Detailed Test Objectives, and Consumables Analysis. In fine condition. Starting Bid $200

219. Dave Scott’s Apollo 9 Flown Robbins Medallion. Flown sterling silver Apollo 9 Robbins medallion, approximately 1˝ in diameter, with a raised design of the mission insignia on the face—the orbiting CM and LM with Saturn V launch vehicle, and mission number “IX” at center. The reverse is engraved with the mission dates, “March 3–13, 1969,” and encircled by the surnames of the astronauts in raised text: “McDivitt, Scott, Schweickart.” The medal is serial numbered “157” and stamped below with the Robbins “Sterling” hallmark. Encapsulated and graded by NGC as “MS 64,” with the label noting the provenance, “Ex. David R. Scott.” Accompanied by its original case and a letter of provenance signed by Apollo 9 CMP Dave Scott, in full: “This is to certify that the enclosed ‘IX’ silver medallion, Number 157, was carried aboard the Apollo IX spacecraft during the Apollo IX mission from March 3 through March 13, 1969.” Starting Bid $200

Robbins medallion carried on the first flight of the full Apollo spacecraft, certified by CMP Dave Scott

Sought-after flown Apollo X Robbins medallion from Schweickart’s personal collection

221. Rusty Schweickart’s Apollo 10 Flown Robbins Medallion. Rusty Schweickart’s flown sterling silver Apollo 10 Robbins medallion, measuring approximately 1.25˝ x 1.25˝, featuring a raised design of the shield-shaped mission insignia on the face—a Roman numeral “X” towering over the lunar surface, with the CM and LM on orbit, with the crew’s surnames in the border: “Stafford, Young, Cernan.” The reverse is engraved with the mission dates, “May 18–26, 1969,” and serial number, “70.” Stamped below with the Robbins “Sterling” hallmark. Encapsulated and graded by NGC as “MS 65,” with the label noting the provenance, “Ex. Rusty Schweickart.” Accompanied by the original case and a letter of provenance from Schweickart, in part: “I hereby certify that this Apollo 10 silver Robbins medallion, serial # 70, was flown aboard the Apollo 10 mission in 1969. As a member of the astronaut office, I was permitted to purchase up to two Robbins medallions from each mission.” Starting Bid $500

222.

Signed Apollo 10 Translunar/Tran-

Trajectory Plotting Chart. Color first edition of the Apollo 10 Translunar/Transearth Trajectory Plotting Chart (ATT), 24 x 20, dated April 15, 1969, prominently signed in black felt tip, “Blazing the Trail for a Lunar Landing! Tom Stafford, Apollo X CDR.” The chart displays a polar view of the lunar mission profile for Apollo 10, showing the various significant events during the 8-day mission. Lithographed by ACIC 4-69, and prepared under the direction of the Department of Defense by the Aeronautical Chart and Information Center. Rolled and in fine condition. Starting Bid $200

Tom Stafford

searth

223. Buzz Aldrin Handwritten Notes. Handwritten notes in black ink by Buzz Aldrin on both sides of a 5.5 x 8.5 sheet of National Space Council (Executive Office of the President) stationery, unsigned with no date. The first side features a small sketch and an adjacent list to the left, which reads, in part: “Star Bird / 2 or 3 docking ports/ twin veh. thrust / all port comm. Comput. / incl. Landers / Removable H/S & retro pack / service module docking adapter (orbital reusable).” The reverse has been entirely struck through and scribbled over, but notable places or companies listed by Aldrin include “Lock,” “Boeing,” “Vail Resort,” and “Aspen.” In fine condition. Starting Bid $200

224. Buzz Aldrin Original Sketch of Space Station Freedom. Original concept sketch of the “Freedom Space Station” by Apollo 11 moonwalker Buzz Aldrin, accomplished in black ballpoint on an off-white 4.25 x 5.5 sheet of Albuquerque Hilton stationery, signed above, “29 Aug 88, Buzz Aldrin,” and by his third wife, “Lois D. Aldrin.” Aldrin annotates various components of the space station, including “Tetrahedron Maint. Facility,” “Elevators,” “HAB & LAB Permanently Manned,” and “ET’s H2 Farm.” The sheet, as well as Aldrin’s personal Starcraft Enterprises business card, is affixed to an 8.5 x 11 sheet of stationery for the California Bicentennial Foundation. In fine condition. Starting Bid $200

Aldrin draws a concept sketch of “Freedom Space Station”

Aldrin lists components for an unknown “Star Bird” project

227. Neil Armstrong Signed Book. Signed book: First on the Moon. First edition. Boston: Little, Brown and Company, 1970. Hardcover, 5.75 x 8.5, 511 pages. Signed and inscribed on the half-title page in blue ballpoint, “To Dan Henige—With Best Wishes—Neil Armstrong, Apollo 11.” In fine condition, with an ownership sticker on the first free end page. Starting Bid $200

226. Neil Armstrong Signed Photograph. Official color 8 x 10 NASA lithograph of Neil Armstrong posing in his white space suit against a lunar background, nicely signed in blue felt tip. In fine condition. A highly sought-after example of an uninscribed ‘white space suit’ portrait of the first moonwalker. Starting Bid $300

225. Buzz Aldrin Panoramic Signed Photograph. Color satin-finish 40 x 9 panoramic photo of Aldrin unloading the ALSEP from the Lunar Module Eagle during Apollo 11, signed in gold ink, “’Magnificent Desolation,’ Buzz Aldrin, Apollo XI.” In fine condition, with some moderate ink adhesion issues. Starting Bid $200

At a Stanford symposium, Armstrong, Aldrin, and Sagan discuss a mission to Mars

(NCOS) conference at Stanford University on November 19-20, 1985. Also included with the diagram is an ink signature of Sally Ride, the first American woman to fly in space, on an off-white 4 x 6 sheet. In overall fine condition.

The multi-signed diagram and the Ride sheet are accompanied by full letters of authenticity from Zarelli Space Authentication, as well as by a detailed and fascinating letter of provenance from the recipient, who was, by chance, invited to the private discussion following an elevator encounter with Sagan. The letter and other included documents are transcribed in full online. Starting Bid $500

229. Neil Armstrong, Buzz Aldrin, and Carl Sagan Signed Diagram on Mars Exploration. Amazing diagram handout of a prospective flight path from Earth to Mars, 11 x 8.5, dated November 15, 1985, signed in black ink by Neil Armstrong and Buzz Aldrin, and in black ballpoint by Carl Sagan and Kathryn D. Sullivan. This sheet was one of several distributed to special attendees at a private Mars discussion ‘breakout session’ held as part of the National Commission on Space

Early 1962 letter by newly minted “astronaut trainee” Neil Armstrong

228. Neil Armstrong Typed Letter Signed. Early TLS, one page, 8 x 10.5, NASA letterhead, October 18, 1962. Letter to A. B. Codding, in part: “Your letter of congratulations is most appreciated, for to know that people not known to us personally are interested in our recent appointments as astronaut trainees makes us aware of their enthusiasm about the manned space flight program.” In fine condition. Armstrong had just recently joined the astronaut corps as part of NASA Astronaut Group 2, announced on September 17, 1962. Starting Bid $200

230.

11 Training-Used ‘LM-TD+2’ Star Chart. John Young’s training-used single-sided Apollo 11 “LM-TD+2 Star Chart (A), Launch July 21,” measuring 8.25˝ in diameter, signed on the reverse in black felt tip, “From My Collection, John W. Young.” Planets are indicated with colored dots, and stars and constellations are charted in white: two notable stars are “DNOCES” (actually Iota Ursae Majoris) and “NAVI” (actually Epsilon Cassiopeiae), so named to honor the crew of the ill-fated Apollo 1: “Dnoces” is “Second” spelled backward, commemorating Ed White II; and “Navi” is “Ivan” spelled backward, Gus Grissom’s middle name. In fine condition. Starting Bid $200

John Young’s Apollo

Silver slung around the moon on Apollo 13— a sought-after Robbins medallion

the names of the crew as flown, and is engraved with the launch date of April 11, 1970, and the return date of April 17, 1970. The medal is serial numbered “277” and stamped above with the Robbins “Sterling” hallmark. Encapsulated and graded by NGC as “MS 65,” with the label noting the provenance, “Ex. Buzz Aldrin.” Accompanied by the original case and a letter of provenance from aerospace memorabilia specialist Ken Havekotte, certifying that the medal “originated

from the collection of Buzz Aldrin and was first sold in 1990 by Superior Galleries.”

Owing to the unusual circumstances of the Apollo 13 mission, the affiliated Robbins medallion differs from its counterparts. A total of 400 medals were originally minted with the names of the scheduled prime crew—James Lovell, Ken Mattingly, and Fred Haise—and carried on the harrowing flight. The lastminute crew change, with Jack Swigert replacing Mattingly due to potential illness, dictated a return of the flown medallions to Robbins to be melted down and re-struck with the correct crew. Additionally, since the lunar landing was aborted, only two engraving blanks were placed on the reverse side for the launch and return dates. Starting Bid $500

231. Apollo 13 Flown Robbins Medallion (Attested as From the Collection of Buzz Aldrin). Flown sterling silver Apollo 13 Robbins medallion attested as deriving from the collection of Apollo 11 moonwalker Buzz Aldrin. The medallion, approximately 1.25˝ in diameter, features a raised design of the Apollo 13 mission insignia on the face—three horses driving Apollo’s chariot across the surface of the moon. The reverse boasts

Scarce flown Apollo 15 Robbins medallion from the collection of moonwalker

Pete Conrad

232. Charles Conrad’s Apollo 15 Flown Robbins Medallion. Charles Conrad’s flown sterling silver Apollo 15 Robbins medallion, approximately 1.5˝ diameter, with a raised design of the Apollo 15 mission insignia on the face—three stylized birds soaring over the moon’s Hadley–Apennine region, encircled by the names of the mission and crew. The reverse features a quote in raised text, “Man’s Flight Through Life Is Sustained by the Power of His Knowledge,” and is engraved with the launch date of July 26, 1971; moon landing date of July 30, 1971; and return date of August 7, 1971. The medal is serial numbered “072” on the edge, and stamped with the Robbins “Sterling” hallmark. Encapsulated and graded by

NGC as “MS 64,” with the label noting the provenance, “Ex. Charles Conrad Jr.”

Accompanied by a letter of provenance signed by Conrad, in part: “This medallion, (serial #072) was carried aboard Apollo XV by astronauts Dave Scott, Jim Irwin and Al Worden during their mission, July 26–August 7, 1971.” Due to weight restrictions, only the first 127 of 304 minted Robbins medals were carried into space during the Apollo 15 mission—making the flown, lower-number examples exceptionally desirable. Starting Bid $1000

From a moonwalker’s collection— the rarest Apollo-flown Robbins medallion, carried on man’s last lunar voyage

233. Alan Bean’s Apollo 17 Flown Robbins Medallion.

Alan Bean’s rare and historic flown sterling silver Apollo 17 Robbins medallion, approximately 1.25? in diameter, featuring a raised design of the mission insignia on the face—an image of Apollo, the Greek sun god, with a stylized eagle, the moon, Saturn, and a galaxy in the background. The reverse is encircled with raised text, “America-Challenger, Apollo XVII, The Beginning,” and is engraved with the launch date of December 6, 1972, the moon landing date of December 11, 1972, and the reentry date of December 19, 1972. The medal is serial numbered “F24” on the edge, and stamped with the Robbins “Sterling” hallmark. Encapsulated and graded by

NGC as “MS 67,” with the label noting the provenance, “Ex. Alan Bean.” This is one of the most sought-after and difficultto-obtain of all the Apollo flown medals, as only eighty were flown on man’s final voyage to the moon—the fewest number of Robbins medallions carried on any Apollo mission.

Accompanied by the original case and a handwritten letter of provenance signed by Alan Bean, in part: “I hereby certify that the Apollo 17 Silver Robbins Medal, serial number F24, traveled with Eugene Cernan, Ron Evans, and Harrison ‘Jack’ Schmitt aboard their Command Module ‘America’ during their mission to the moon in December 1972.” Starting Bid $1000

art, architecture, and design

British painter (1909–1992) best known for his grotesque, sometimes violent imagery often incorporating flayed human figures. Signed book: Francis Bacon: Recent Paintings, 1968–1974. NY: Metropolitan Museum of Art, 1975. Softcover, 10.75 x 8.25, featuring 24 pages of introduction and commentary, followed by color illustrations of 36 artworks. Signed on the dedication page in green felt tip by Francis Bacon. In fine condition. Starting Bid $200

Letter Signed. French painter (1848–1894) who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was noted for his early interest in photography as an art form. Rare ALS in French, signed “G. Caillebotte,” one page, 4 x 6, 31 Bd. Haussmann letterhead, no date. An untranslated handwritten letter by the influential painter to Parisian stamp dealer Pierre Mahe. In fine condition. Accompanied by the original envelope addressed by Caillebotte, who lived in a bourgeois residence at 31 Boulevard Haussmann in Paris, and painted the street in many different lights as the days and seasons changed. Starting Bid $200

262. Francis Bacon Signed Book. Important

263. Gustave Caillebotte Autograph

264. Mary Cassatt Autograph Letter Signed. ALS in French, one page both sides, 4.75 x 6.75, Mesnil-Beaufresne letterhead, September 14, [no year]. Letter to her biographer, art critic Achille Segard. In part (translated): “Mr. Durand-Ruel has just communicated to me his answer to your letter. I will ask you if you would be so kind as to tell your employee to allow the person sent by the Durand-Ruel Gallery to take my painting in your house. I would like to do what I have to do during my stay here in Paris where I have all the models and the proper place to work and October would be a little late if I leave Paris for the south of France.” In fine condition. Paul Durand-Ruel was the most important commercial advocate of the Impressionists, and counted Degas, Monet, Manet, Pissarro, and Renoir amongst his other artists. A neatly penned, highly desirable letter directly related to her artwork. Starting Bid $300

265. Eugene Delacroix Autograph

Letter Signed. ALS in French, signed “E. Delacroix,” one page both sides, 5 x 8, April 2, 1867. An untranslated handwritten letter by the esteemed painter. In fine condition. Starting Bid $200

“Allow the person sent by the Durand-Ruel Gallery to take my painting”

Lear takes flight—an amusing self-portrait caricature within a good-bye letter to

Lady Waldegrave

British artist and writer (1812-1898) best known for his

books, which feature

pages on

7,

31, 1877. Handwritten letter to “Lady Waldegrave,” in part: “I shall trouble you with this gnoat because the chances are that I shall not see you again before I go out of England…I have to remain with my nose at the grindstone to finish one of the two large Northbook pictures, as to take it down to Stratton with as little delay as possible. After witch, & another visit to my sister, I shall go South, like the swollers.” Here, he adds a fantastic self-portrait sketch of a birdlike version of himself soaring through the air. In fine condition. A superior piece that incorporates the artistic elements for which Lear is known—from the playful misspellings to the amusing sketch, this is an ideal autograph from a significant figure in British arts and letters. Starting Bid $500

266. Edward Lear Autograph Letter Signed with Sketch.

‘nonsense’

his quirky drawings and amusing verse. ALS, three

two adjoining sheets, 4.5 x

July

267. Rene Magritte Autograph Letter Signed. ALS in French, signed “Rene,” one page on a 5.5 x 4 postcard depicting a beach scene, April 28, 1962. Untranslated handwritten letter to his cousin, “Alise Gonne Magritte,” desirably addressed in Magritte’s own hand, incorporating his surname. Also signed by Magritte’s wife, “Georgette.” In fine condition. A desirable pairing of autographs of this mythical couple—Georgette was Rene Magritte’s model and muse, appearing in several of his artworks. They even became the subject of a 1983 Paul Simon song, ‘Rene and Georgette Magritte with Their Dog after the War.’ Starting Bid $200

Fantastic signed booklet on the Matisse Chapel in Vence, presented to

MoMA director Monroe Wheeler

269. Henri Matisse Signed Booklet to MoMA Director. Desirable booklet entitled “L’Art Sacré” documenting Matisse’s work on the Chapelle du Rosaire de Vence, 30 pages, 7 x 10.25, published by Éditions du Cerf in 1951, signed and inscribed on the front cover in fountain pen to Museum of Modern Art director Monroe Wheeler, “A M. Wheeler, cordialement, H. Matisse.” Housed within a folder stamped: “Please return to the office of Monroe Wheeler.” In fine condition. A significant association piece. Starting Bid $200

Spectacular illustrated letter by Edouard Manet, with original watercolors of French fashion accessories

268. Edouard Manet Illustrated Autograph Letter Signed with Watercolors. ALS in French, signed “E. Manet,” three pages on two adjoining sheets, 4.75 x 8, July 1880. Exceptional, unpublished handwritten letter to the wife of his friend Jules Guillemet, illustrated with original watercolors showing little bags (which Manet called “pochettes”) of various shapes and sizes, asking her to choose a model which he will then bring her from Paris. In small part (translated): “I will probably go to Paris these days and I will bring you in exchange a pink, a yellow, or a blue to your liking. Write me what you want and the form; write me whatever you want. I’m going to ask you for lunch that day. It’s not nice to have let us down on Tuesday.” Manet closes by drawing a pen-and-ink portrait of the correspondent’s husband, the tracing of a self-portrait by Guillemet himself: “Here is Jules drawn by himself, I trace it with all the care possible.” The letter is tipped-in by its hinge to a volume labeled “Manet Recuil,” containing several works on Manet. In fine condition.

For Manet, fashion and its accessories represented nothing less than modern life itself. The motif of fashion accessories is frequent in his letters, which frequently ‘contain pictorial references to elements of feminine adornment: hats, little boots, handbags, parasols, etc. The hats and the bag appear as elements of a still life…These small watercolours constitute dashed-off manifestations of the same deep interest that we find in his more elaborately conceived large canvases’ (cf. G. Mauner, “Un arrosoir et quelques articles de mode,’ in: Manet, les natures mortes, Musée d’Orsay, 2001, p. 140). Starting Bid $10,000

270. Joan Miro Autograph Letter

Signed. ALS signed “Miro,” four pages, 8.5 x 11, Son Abrines, Calamajor, Palma de Mallorca letterhead, July 20, 1959. A lengthy handwritten letter sent to Henri Matarasso, a famous publisher and great collector of things related to the French poet Arthur Rimbaud, in part (translated): “Quite recently I have seen Jacque Cocteau in Paris…in the Adrien Maeght gallery, but in the manner that he greeted me I had the impression that he had not recognized me. What a treat for me it will be to go through your book Picasso’s Atelier, for which I thank you in advance from the bottom of my heart. I didn’t know the Illuminations published by you and I’m very anxious to see the volume that must be precious and moving. You can suppose my dear friend the admiration that I have for Rimbaud. I always have a volume of his poetry at my bedside and in my atelier. I only admire artists that have a divine spark and not those who don’t. I am very categorical on that point. All the rest are just jokes. What you propose to me is very tempting but an enterprise of such ambition and such responsibility I need time to think and find the right moment to attack such a monument as Rimbaud. For the time being, I can’t even dream of it because I am absorbed by my exhibition of June 1960 which will serve as a prologue to that of June 1961. That should have a great impact and be an important step. In the meantime and in what concerns my graphic work I would like to finish everything that is right now being done to start a new period with fresh ideas.” Signed beautifully at the conclusion by Miro. In fine condition. A significant letter penned at the height of his fame and rife with artistic associations. Starting Bid $200

271. Claude Monet Autograph Letter

Signed. ALS in French, three pages on two adjoining sheets, 5 x 8, Giverny par Vernon letterhead, March 9, 1920. A handwritten letter in pencil from Claude Monet to a friend, ostensibly Gustave Geffroy, in full: “All my excuses for not having answered earlier your very kind letter that you have sent me but apart from painting I am the laziest man in regards to writing. I was very happy to be able to ask a favor from the artist of the Salon d’ Autumne and I am very touched by your thanks as well as those that were addressed to me from you. Regarding the honor that you are so kind to do me as you probably can guess I decline it. While feeling very honored but I have few gloves for that and would like to stay tranquil in my little corner. Please believe me your close friend.” In fine condition. Starting Bid $300

Monet, branding himself as lazy, politely refuses an honor, “I have few gloves for that and would like to stay tranquil in my little corner”

272. Georgia O’Keefe Autograph Letter Signed on Being a “Woman Painter”. ALS, three pages, 8.25 x 7.75, February 21, 1971. Handwritten letter to “Jackie,” in part: “So many write wanting to come that I couldn’t possibly cope with it if I let them come—so I almost always say no—or say nothing at all. Particularly this winter because I do not want to catch a cold—I have seen very few of the people in this area that I might call friends—have very seldom had anyone for lunch or dinner…I understand your feeling of not wanting to come—it is a bit like my being annoyed to be called a woman painter—instead of just a painter. However, do as you will. I will be glad to have you if you change your mind.” Handsomely double-matted and framed with a portrait to an overall size of 43 x 18.5. In fine condition. Starting Bid $200

273. Pablo Picasso Signature. Vintage ballpoint signature, “Picasso,” on the reverse of an off-white 4.75 x 3 card imprinted with the contact information of pottery studio FoucardJourdan. In fine condition. Starting Bid $300

“It is a bit like my being annoyed to be called a woman painter—instead of just a painter”

274. Pablo Picasso Signed Print Portfolio. Print portfolio entitled “I Grandi Pittori Moderni: Picasso,” published in Italy in 1953 by Edizioni U, 8.5 x 10.75, signed inside the front cover in blue ballpoint by Pablo Picasso, “Picasso.” The portfolio is complete with its twelve mounted color prints of works by the Picasso, which demonstrate his mastery of a wide range of artistic styles, including portraits, landscapes, and still life artworks. In very good to fine condition, with toning, staining, and tears only to the portfolio folder, not at all affecting the bold signature or contents.

Starting Bid $200

276. Frederic Remington Autograph Letter Signed with Sketch. Prolific Western artist (1861–1909) chiefly known for his portrayals of the Old West, where he traveled extensively. His works, which usually depicted cowboys, Native American Indians, and horses, are notable for their authenticity of detail. ALS signed “Frederic R.,” one page, 7 x 8.75, no date. Handwritten letter outlining an upcoming trip to Florida, featuring a great sketch at the top: Remington draws an artist (himself) at an easel painting a large alligator with its mouth open; a palm tree is in the background. In full: “That’s better than I expected—I have had the grip and been d— sick—I have got catarrel to beat hell—I am going to die or take the old lady and pull for the palmetos—which I do on Florida Special tomorrow—how long? The length is decided by how my money holds out—that’s the motive—Three weeks if I like it—a year if you will come and bring Madam. Going to take a shot-gun and I am going in for sport. No d— high diddle diddle in a big cave full of niggers and dudes.—Clear shooting and I want to feel a big tarpon pull. Going Jacksonville—Tampa—& think far south—Will write you—but its too good to think you will come—If you did—me boy we would have some fun—Got sketching kit, want to shoot alligator.—want to draw nigger—want rest and good old fashioned loaf.” In very good to fine condition, with irregular light toning, a stain to the lower left corner tip, and a small chip to the right edge. Starting Bid $200

“Got sketching kit, want to shoot alligator”—the great Western artist enthusiastically prepares for Florida

illustrated

275. Frederic Remington Autograph Letter Signed with Sketch.

Prolific Western artist (1861–1909) chiefly known for his portrayals of the Old West, where he traveled extensively. His works, which usually depicted cowboys, Native American Indians, and horses, are notable for their authenticity of detail. ALS, one page both sides, 8 x 6.5, Endion letterhead, no date. Handwritten letter to journalist Julian Ralph, adding two sketches above his closing: first is of a well-dressed man asking an Oriental man: “Now Lung Khi where do they sell the best Scotch in Ho-ho ho.” The smaller illustration shows the two men going into an establishment identified on a sign as: “American Bar.” At lower margin, Remington adds an explanation of the drawing: “(Lung Khi kept a laundry at 369 Green Ave Brooklyn for Eight four years).”

Remington’s letter, in part: “Much obliged for the photo.—The[y] move like the patients in a chiropodists ante-room. But its a good photo.—I see there are the G-darndest plagues going in in Hong Kong—Foo-Chin—Ko-so—Fol-hi and other Chinese settlements on the coast that it ain’t safe this side of the Big Corral fence—I think any man who will go to China would go to Hell for a Pastime. Did you give Willie Bull-calf a good send off? After it published I wont dare go down— some their skinned glad—will push a new kind of edged tool into my mid-riff cause he think I wrote it. Lots of moon-gazers think I write all the letter press that goes with my pictures. I suppose likewise lots think you also are a drawer. I am now pleading with the Cos—tan to get Clark’s M.S. back but Walker has got an idea or…something…and won’t cough.”

Double-matted to an overall size of 13 x 11.5. In fine condition. Starting Bid $300

Scarce

letter by Frederic Remington:

“Lots of moon-gazers think I write all the letter press that goes with my pictures”

Rodin praises efforts to buy “The Thinker,” his most famous work

whose works, including the iconic

and

earned him a place among the most influential artistic figures of the late 19th and early 20th centuries. ALS in French, signed “Aug. Rodin,” one page, 4.75 x 6.75, 182 rue de l’Universite (the address of his studio) letterhead, January 8, 1905. Letter to Elie Faure, the foremost art historian of his time. In full (translated): “I thank you for having accepted to be part of the committee of The Thinker and to have sent your subscription. The committee has conducted this matter much beyond my hopes. Please accept therefore my dear Mr. Faure the expression of my most grateful thoughts.” In fine condition. In 1904, art critic Gabriel Mourey, through his magazine Les Arts de la vie, undertook a public campaign to purchase a monumental bronze of Rodin’s sculpture ‘The Thinker’ and offer it to the people of Paris. Faure lent his support in an open letter, and was named an honorary president of the fundraising committee. Starting Bid

278. Auguste Rodin Autograph Letter Signed on ‘The Thinker’. Seminal and highly lauded French sculptor (1840–1917)

‘The Kiss’

‘The Thinker,’

$200

277. Pierre-Auguste Renoir Autograph Letter Signed. ALS in French, signed “Renoir,” two pages, 4.25 x 6.5, August 30, [no year]. Untranslated handwritten letter by the celebrated Impressionist painter. Attractively matted and framed with a portrait to an overall size of 25 x 15. In fine condition. Starting Bid $200

Toulouse-Lautrec thanks a fellow artist for his articles against the critics

279. Henri de Toulouse-Lautrec Autograph Letter Signed. French painter and printmaker (1864-1901) famous for his posters and other images of Parisian nightlife in the ‘belle époque’ of the 1890s. ALS signed “H. T. Lautrec,” one page, 4.5 x 7, no date. Handwritten letter to fellow artist Andre Edouard Marty, later a leader of the Art Deco movement. In full (translated): “We remain open next week, so you may let it be known. I don’t know if I asked you to do it yesterday. Thanks for the articles against the jurists.” In fine condition. Starting Bid $300

Desirable “Campbell’s Soup” sketch inside a first edition of The Philosophy of Andy Warhol

280. Andy Warhol Signed Sketch in Book. Signed book: The Philosophy of Andy Warhol (From A to B & Back Again). First edition. NY: Harcourt Brace Jovanovich, 1975. Hardcover with dust jacket, 5.75 x 8.5, 241 pages. Signed and inscribed on the first free end page in black felt tip, “To Roberta Balfe, Andy Warhol,” with a full-page sketch of his iconic soup can, marked: “Campbell’s Soup.” In fine condition, with light wear to the unclipped dust jacket, several collector’s notations inside, and a bookplate to the front pastedown. Starting Bid $200

282. Andy Warhol Signed Poster. Original color 17.25 x 25 poster for the French art exhibition ‘Andy Warhol et le Pop Art,’ held at the Jeannie Abeille Gallery in Toulouse, France, from January 29 to March 4, 1975, featuring Warhol’s 1963 portrait of Elizabeth Taylor entitled ‘Liz,’ and listing artists like Peter Blake, David Hockney, Robert Indiana, Jasper Johns, and more, signed vertically along the right-side in black felt tip, “Andy.” Rolled and in very good to fine condition, with staple holes to the corners. some light creasing, and an area of surface loss to Taylor’s cheek. Starting Bid $200

Frank Lloyd Wright calls his work “the only truly American expression in the art of architecture”

284. Frank Lloyd Wright Document Signed on Architecture. Partly-printed DS, signed “Frank Lloyd Wright Architect,” one page, 5.5 x 8.5, no date. Application for information to be published in a directory, headed: “Business or Professional Record.” In the upper portion, which asks for “data to enable the editor to do complete justice to your business or professional record,” Wright has written, in full: “Work characterized as ‘New School of Middle West’ in America—Abroad, as the architecture of the ‘Prairie Dimension’—the only truly American expression in the art of Architecture. Many foreign publications of distinction publish the work and European architects manifest increasing interest in it.” Wright has also written “None” twice in columns asking for information on being an officer or director of a corporation and the office or position occupied. At the bottom of the form is a line that asks for a business card; beneath it, Wright has written: “(Never had one!).” In fine condition, with complete light backing for reinforcement. Starting Bid $200

283. James Abbott McNeill Whistler Signed Sketch. Original pen-and-ink sketch of young boy on an off-white 2.75 x 3 slip, applied to an 8 x 11 ornate stationery sheet, signed below in ink, “J. McNeill Whistler,” with Whistler’s butterfly monogram below. In fine condition. Starting Bid $200

304. Guillaume Apollinaire Autograph Letter

Signed. Influential French poet and playwright (1880–1918) credited with coining the word ‘surrealism,’ writing some of the earliest works to be described as such. ALS in French, signed “Guillaume,” one page on a 5.5 x 3.5 postcard of the aqueducts of Château de Maintenon, no date (circa 1912). An untranslated handwritten letter from Guillaume Apollinaire. In very good to fine condition, with scattered soiling and foxing. Starting Bid $200

305. Stephen Crane Signature. Scarce ink signature, “Yours faithfully, Stephen Crane, March 16, 1899,” on the reverse of an off-white 3 x 1.5 card imprinted with his address in England: “Stephen Crane, Brede Place, Sussex” (not visible in frame). Attractively cloth-matted and framed with a portrait and plaque to an overall size of 20.5 x 11. In fine condition. A rare, handsomely displayed literary autograph.

America’s foremost ‘naturalistic’ author Stephen Crane (1871–1900) moved to England in 1897. Although Crane never served in the military, he won international acclaim with The Red Badge of Courage, his 1895 book that told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and SpanishAmerican War (1898) for foreign newspapers. Crane’s signature is hard to find in any form. The one offered here is especially desirable as it was penned by him on his calling card. Crane suffered from tuberculosis and died in a German sanitarium the year after he signed this card, at the age of 28. Starting Bid $200

306. Philip K. Dick Typed Letter Signed. TLS signed “Love, Phil,” adding a heart with arrow, three pages, 8.5 x 11, February 14, 1981. Lengthy philosophical letter to science fiction author Patricia Warrick, in small part: “If the same object (Tree X, as I call it) is seen at two times and two places then ‘two times and two places’ is illusory as a way of perceiving reality. The perseverance of the object, which is to say the fact (as I noted) that things do not in fact perish, is due to the irreal nature of spatiotemporality. This must be so, and this, precisely, is what the brain concludes. It concludes this on the same basis that it concludes that when the mother approaches the crib three times in a row there are not three mothers but one mother. One mother seen three times. Thus this is a primal, elementary abstracting-process by the infant brain, absolutely correct and absolutely necessary.” In fine condition. Accompanied by the original mailing envelope.

Starting Bid $200

307. Charles Dickens Autograph Letter Signed. ALS, one page, 4 x 6.5, March 6, 1857. Handwritten letter to Mr. Ellis, ostensibly Joseph Ellis, (1815-91) proprietor of the Bedford Hotel, the lodging from whence this letter was penned, in full: “I have been kept out later than I intended, and have only just now (9 o’clock) returned. I shall hope to have the pleasure of seeing you at any time tomorrow that may best suit your convenience.” In fine condition, with faint toning along the folds. Dickens wrote portions of his 1848 novel Dombey and Son while staying as a guest at the Bedford Hotel. Starting Bid $200

Lengthy philosophical letter by Philip K. Dick, interpreting “the irreal nature of spatiotemporality” and Plato’s ‘Theory of Forms’

L.

playfully inquiring about

he

while en

see her. In part: “I wonder if you can be trusted with a message?...Will you tell your Papa I am very much obliged to him for so kindly wishing me to come down to Peterborough, and I think perhaps I could manage to do so, for a day or two...I shall very likely go to London at the end of this week, or the beginning of the next, so (if you’d really like it, you know—because of course I wouldn’t come if you’d rather not) I might come down to Peterborough on the Tuesday or Wednesday. I should like to know how far you are from the railway—and whether the road is dangerous—any wolves, for instance? But perhaps I had better travel armed as usual, with sword & pistols, & then I shall be ready for anything that may happen.” In fine condition. Starting Bid $500

308. Charles Dickens Signature. Neat ink signature, “Messrs. Coutts and Co., Strand, Charles Dickens,” on an off-white 3 x 2 slip. Handsomely double-matted and framed with a portrait to an overall size of 16 x 20. In fine condition. Starting Bid $200

309. Charles L. Dodgson Autograph Letter Signed to Young Girl. ALS signed “C.

Dodgson,” three pages on two adjoining sheets, 4.5 x 7, March 29, 1868. Handwritten letter to Dolly Argles, a 12-year-old female friend,

the threats

might encounter

route to

Dodgson playfully writes to a young girl: “Perhaps I had better travel armed as usual, with sword & pistols, & then I shall be ready for anything that may happen”

Remarkably rare signed photograph of Fyodor Dostoevsky, inscribed to his

architect brother

Signed Photograph to Brother. Prolific Russian novelist (1821–1881) whose literary works—such as Notes from Underground (1864), Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880)—explore the human condition in the troubled political, social, and spiritual atmospheres of 19th-century Russia. Excessively rare 4.25 x 6.5 cabinet photo featuring an oval portrait of Fyodor Dostoevsky by Constantin Shapiro, boldly signed and inscribed on the reverse in ink to his brother, the architect Andrey Dostoevsky: “Dorogomu bratu / Andreju ot brata / Fedora 12 Oktob[ra] / 79 [For my dear brother Andrey from his brother Fyodor, 12 October 1879].” The photo is protected by tissue guards on both sides and in very good to fine condition, with some flaking to the emulsion at the edges of the image side, and an inconsequential stain at the bottom of the signed side. A remarkable literary autograph, and an extreme rarity—the first Dostoevsky we have ever offered.

This incredible Dostoevsky signed photograph is not listed in the census of Dostoevsky’s inscriptions, published in 1990. Altogether, the editors of the scholarly 30-volume Academy of Sciences edition of Dostoevsky’s works count only 42 inscriptions, of which 16 are on photographs—a surprisingly small number for a so prolific and significant author of his day. That it is a presentation to his brother, Andrey Mikhailovich Dostoevsky (1825–1897), makes it an even more remarkable association piece. Andrey Dostoevsky’s memoirs, first published in 1930, are important to literary scholars as a source of information on the early years of Fyodor’s life.

The St. Petersburg photographer and Hebrew poet Constantin Shapiro (1839-1900) was a close friend of Fyodor Dostoevsky and produced several portraits of him. His fashionable studio on Nevsky Prospect was popular with celebrities, and his many famous sitters included Tolstoy, Chekhov, Tchaikovsky, Turgenev, and Gontcharov. Starting Bid $5000

310. Fyodor Dostoevsky

Vintage matte-finish 4 x 5.75 portrait of Conan Doyle in profile, by Elliot & Fry of New York, affixed to its original 8 x 11 photographer’s

Arthur Conan Doyle, Ap. 13/13.” Also signed below the image in pencil by the studio, “Elliot & Fry.” Professionally rebacked and restored to very good to fine condition, with a small repaired crack to the upper left corner of the mount, and a larger repaired crack across the lower right quadrant. In 1913, Doyle would publish the second book in his ‘Professor Challenger’ series, The Poison Belt, and the oft-anthologized short story, ‘The Horror of the Heights.’ Starting Bid $200

Autograph draft for Dumas’ article on the Italian clergy

Uncommon AMS in French, signed “Ale. Dumas,” five pages, 8 x 10.5, no date but circa early 1860s. Dumas’s untranslated manuscript for an article entitled “Le Haut et le Bas Clerge [The High and Low Clergy],” with a few deletions and emendations throughout. Intended for publication in one of the two newspapers managed by Dumas during his stay in Naples between 1861 and 1864, L’Indipendente and the Monte-Cristo, the article gives an uncompromising appraisal of the clergy in Italy, divided between high-ranking dignitaries and priests close to the common people, and offers his solutions. In fine condition. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $300

311. Arthur Conan Doyle Signed Photograph.

mount, signed on the mount in ink, “With cordial remembrance,

313. Alexandre Dumas, pere Autograph Manuscript Signed.

Dumas prepares articles by “General Manhes” for publication in L’Indipendente

312. Alexandre Dumas, pere (2) Handwritten Manuscripts. Two handwritten manuscripts in French by Alexandre Dumas, pere, totaling 13 pages, 8.5 x 11, no date but circa early 1860s. Dumas’s handwritten translations of two communications of General Manhes to be published in the Italian newspaper L’Indipendente, each signed at the conclusion in Dumas’ hand, “Manhes.” Dumas founded L’Indipendente in Naples in 1860, a daily newspaper which championed the cause of Giuseppe Garibaldi. Dumas, thanks to his experience in the world of French journalism, brought various editorial innovations to Naples, including the serialization of novels on the front page of the paper. He contributed to the newspaper almost daily—sometimes publishing multiple articles per day—until his return to France in April 1864. In fine condition. Starting Bid $500

Struggling in Hollywood, Fitzgerald signs on with Paramount Pictures in 1939

315.

1939

Contract. DS, one page, 8.5 x 11, April 13, 1939. Official letter from Para-

Pictures requesting F. Scott Fitzgerald to confirm that, following the termination of an earlier contract, he will render his services “as a writer in connection with the screenplay of the motion picture photoplay tentatively entitled AIR RAID…for a total compensation of One Thousand Two Hundred Dollars.” Signed at the conclusion in black ink by Fitzgerald. The contract is marked with a large ‘X’ and is not countersigned by a studio executive. In fine condition.

Fitzgerald struggled throughout 1939—his contract with MGM was not renewed, he was hospitalized twice for alcoholism, and he only managed to pick up odd jobs working on movie script re-writes, one of which was for the referenced Paramount film Air Raid, which was ultimately never greenlit for production. Fitzgerald’s reliance on Hollywood, and the industry’s subsequent dismissal of his talents, pushed him to return to drinking. By year’s end, however, Fitzgerald achieved sobriety whilst working on his Pat Hobby stories and his novel The Love of the Last Tycoon, a work left unfinished by his early death in December 1940. Starting Bid $500

F. Scott Fitzgerald Signed

Film

mount

316. Ernest Hemingway Signature. Desirable vintage fountain pen signature, “Yours always, Ernest Hemingway, 6 rue Feron,” on an off-white 3.25 x 1.75 slip clipped from the close of a letter, with several words in Hemingway’s hand on the reverse. In fine condition. Encapsulated in a PSA/DNA authentication holder. Starting Bid $200

Fitzgerald offends at a Jazz Age party:

314. F. Scott Fitzgerald Autograph Letter Signed

and Handwritten Poem. Remarkable pairing of an ALS and an unsigned handwritten poem: ALS signed “Ever your devoted friend, Scott,” three pages, 6 x 9.25, Hotel Rennert letterhead, no date but likely circa 1932. A letter to his friend Tom Lineaweaver, in part: “Had rather a run-in with your friend Davis—all my fault & yet unfortunate if it had any consequences. Leaving the Poes shortly after you, we went to a friend of his & from there called up Bryan Dancy. My idea was to drop in only, & on arrival, I called up the Rennert & asked them to send out a boy to drive my car. Some smart alec at the party met the man & sent him back so much against my will I had to stay to dinner. I wanted to be home. Anyhow it seems that I said to the assembly at dinner that ‘I was living in a state of mild masturbation at the Rennert.’ It seemed to me an entirely innocuous remark. I’d said the same thing to Eleanor a few hours before and she didn’t collapse, but Massa Davis & Wife decided to be offended. Then also I was unwise as to mention the word virginity in conversation. I realized about then that I was being to them, offensive. I sent for my man to come & drive me home & this time he appeared. This morning I sent Mrs. Dancy flowers & know there’s no harm done there, but what version that flowery ass, Davis, will give you I don’t know. I know that whenever I’m nice to people I don’t like or respect I’m sooner or later rude to them as a sort of compensation. I had heard the story of the Portsmouth Priory once too often.”

Also includes an unpublished handwritten poem in pencil by Fitzgerald, unsigned, two pages on two adjoining sheets, 5.5 x 7, no date but likely written around the time of Eleanor and Tom Lineaweaver’s marriage on June 28, 1920. The poem opens: “I remember,—years ago / When a deb. was desperate for a beaux, / She could phone to any Princeton Club / And get a dancing, if alcoholic sub.” The final couplet reads, “So now we’re gathered here today / To celebrate the initial jump in the hay.” The letter is in very good condition, with a few partial separations to the horizontal folds, and a complete separation to the top fold of the third page; the poem is in fine condition.

Fitzgerald lived at Baltimore’s Hotel Rennert from March 30–May 20, 1932, presumably dating the letter to this period. The recipient, Tom Lineaweaver, was Fitzgerald’s longtime friend and former Princeton classmate. In the humorous letter, Fitzgerald tells the story of his “offensive” behavior after leaving a party at the Poes—a reference to the grandsons of Edgar Allan Poe’s cousin, who attended Princeton as well. Fitzgerald was seemingly forced into company that he had little patience for, leading to a series of off-colored comments that shocked the guests. With the additional unpublished poem—which gives insight and depth to this friendship that spanned decades, as it was seemingly written for Tom and Eleanor’s wedding on June 28, 1920—this is a remarkable collection from the highly sought-after American icon, boasting references to his attendance at riotous Jazz Age parties. Starting Bid $1000

“I was living in a state of mild masturbation at the Rennert”

318.

Highly

March 10, 1926. Letter to Pierre-Quint, in part (translated): “Forgive me if my reply to your last letter was so regrettably delayed; This has to do with my wife’s serious illness and the large influx of correspondence...I would be happy to send you back the draft contract, but I have given it to Mr. Andre Germain, who was interested, and he has not yet returned it to me...I am asking Sue to have the contract with the small amendment that you allowed me properly written out and send it back to me for my signature.” In fine condition. Starting Bid $200

8.5 x 11.25,

319. Herman Melville Signature. Bold ink signature, “Herman Melville,” on an off-white 4 x 1 slip. In very good to fine condition, with small stains, loss along the bottom edge, and some writing showing through from the reverse. Accompanied by unsigned postcard photograph. Starting Bid $300

Thomas Mann Typed Letter Signed.

influential, Nobel Prize-winning German novelist and social critic (1875-1955). TLS in German, one page,

personal letterhead,

317. Victor Hugo Autograph Letter Signed. ALS in French, two pages on two adjoining sheets, 5 x 8, no date. Untranslated handwritten letter by great French author Victor Hugo. In very good to fine condition, with old tape reinforcements to fold splits. Starting Bid $200

320. Margaret Mitchell Typed Letter Signed. TLS signed “Margaret Mitchell Marsh,” one page, 6.75 x 9, personal letterhead, January 21, 1941. Letter to “Judge McMahan,” in part: “By heroic self-control my secretary and my cook managed not to eat the pears you sent me... We have just returned from a motor trip through the orange belt of Central Florida—a real full-length vacation of three weeks. It was quite the nicest vacation we have had since ‘Gone With the Wind’ was published. Our other trips have been brief...This time we visited several writing friends we had not seen in hears and had the sort of fun that appeals most to talkative people—arguing through the nights with congenial people over many cups of strong coffee.” Attractively double-matted and framed with a portrait of the author to an overall size of 16 x 26.5. In fine condition. A desirable, boldly signed letter with a reference to her great Southern novel. Starting Bid $300

Mitchell meets literary friends while on a “motor trip through the orange belt of Central Florida”—”the nicest vacation we have had since ‘Gone With the Wind’ was published”

Elusive handwritten letter from Madame de Sévigné

Handwritten Letter. French aristocrat (1626-1696) who is remembered for her letter-writing and is revered in France as one of the great icons of French 17th-century literature. Extremely rare handwritten letter in French from Marie de Rabutin-Chantal, marquise de Sévigne, unsigned, one page, 5.25 x 7.75, no date. Letter sent to Monsieur Duplessis, in part (translated): “Whatever judgment we suppose he may have had on the matter you are kind enough to observe and relay it and to awaken in him the affection he may have for me. It seems to me that this would be most appropriate and you would continue your efforts for this matter…(What would you say of the poor Madam Beobeaujeu who followed her husband from so close) The Marquis arrived two days ago very good looking but the fever has not receded. My daughter is desperate, you know her. She sends you her best regards and I assure you that what I had written to Madame Dignere will be enough and she will not write herself again.” In very good to fine condition, with light toning and foxing, and minor paper loss at the fold intersections. A delightfully scarce letter from Mme de Sévigné, one elevated by the rare mention of her daughter, whose shared correspondence greatly impacted future scribes and the richness of French literature.Starting Bid $500

321. Marie de Rabutin-Chantal, marquise de Sévigne

Exceedingly rare signed example of the “Joanne Rowling” first printing of the Prisoner of Azkaban

322. J. K. Rowling Signed Book: ‘Prisoner of Azkaban’ First Edition. Signed book: Harry Potter and the Prisoner of Azkaban. First edition, first printing. London: Bloomsbury, 1999. Hardcover with dust jacket, 5.25 x 8, 317 pages. Signed and inscribed on the dedication page in blue ballpoint, “To Danielle, with best wishes, J. K. Rowling.” In fine condition. The initial hardcover print run was halted mid-printing after it was discovered that “Joanne Rowling” rather than “J. K. Rowling” had made its way onto the copyright page; this is an extremely scarce example from that erroneous first run, made even rarer by the presence of Rowling’s signature. Tremendously desirable even in unsigned examples, this is a true treasure for any Harry Potter fan. Starting Bid $500

323. J. K. Rowling Signed Book. Signed book: Harry Potter and the Deathly Hallows. First edition. London: Bloomsbury, 2007. Hardcover with dust jacket, 5.5 x 8, 307 pages. Signed on the title page in black felt tip by J. K. Rowling. Autographic condition: fine, with a Rowling authentication hologram affixed opposite the signed page. Book condition: VG+/VG+. Accompanied by the original ticket for Rowling’s book signing at the Independent Bath Literature Festival on March 8, 2013. Starting Bid $200

324. J. K. Rowling Signed Book. Signed book: Harry Potter and the Goblet of Fire. Later printing. London: Bloomsbury, 2000. Hardcover with dust jacket, 5.25 x 8, 636 pages. Signed on the dedication page in black ballpoint, “J. K. Rowling.” Autographic condition: very fine. Book condition: VG/VG, with minor creasing to spine, and light sunning to jacket’s spine. Starting Bid $200

Work accident form signed by Saint-Exupery after his 1938 plane crash in Guatemala

325. Antoine de Saint-Exupery Signed ‘Accident at Work’ Form. Fascinating partly-printed DS, signed “SaintExupery,” one page, 6.75 x 9.75, June 30, 1938. Official “Accidents at Work” document from a Parisian justice of the peace, informing Saint-Exupery “of the closure of the investigation which was carried out after the accident which occurred on February 16, 1938, in your establishment in Guatemala and of which Mr. Andre Prevot was a victim.” Signed vertically on the left side in ink by Antoine de Saint-Exupery. In fine condition.

This document relates to a second plane crash Saint-Exupery survived by himself and and his mechanic-navigator Andre Prevot, whose plane, which was overloaded with fuel, crashed while taking off from the Guatemala City airport in February 1938. Saint-Exupery spent time in La Antigua, Guatemala recovering from his injuries. Starting Bid $200

326. J. D. Salinger Signed Bookstore Receipt. Receipt for a book purchase from the Dartmouth Bookstore in Hanover, NH, on February 11, 2004, 2.75 x 8, signed below in black ballpoint, “J. Salinger.” The book’s partial title “Earth Moved On.” In fine condition. Starting Bid $200

327. George Sand Autograph Letter Signed. Acclaimed French novelist and memoirist (1804–1876) remembered for her romantic affairs with the composer Frederic Chopin and the writer Alfred de Musset. ALS in French, one page, 4 x 5.25, November 7, 1852. Brief and boldly penned letter to a gentleman. In fine condition. Starting Bid $200

328. W. G. Sebald Autograph Letter Signed. German writer and academic (1944-2001) who, at the time of his death at the age of 57, was being cited by literary critics as one of the greatest living authors. Very rare ALS in German, signed “Max S.,” one page, 8.25 x 11.75, The Old Rectory (Upgate, Poringland, Norfolk) letterhead, November 11, 1997. An untranslated handwritten letter from W. G. Sebald, who signs with his preferred “Max,” which he claimed was his third given name. In fine condition. Sebald remains rare across all signed formats, this being the first we have ever offered Starting Bid $200

329. John Steinbeck (4) Autograph Letters Signed on Vietnam War. Unique archive of four handwritten letters by John Steinbeck to foreign correspondent Everett G. Martin, who spent his career reporting from some of the world’s most turbulent locales. He was Newsweek’s bureau chief in Saigon from 1966 to 1968, when he was expelled from the country for reporting on corruption within the South Vietnamese government. It was Ev Martin’s daring reporting and wonderfully descriptive writing that led the writer John Steinbeck to contact him when visiting Vietnam as a correspondent for Newsday magazine. The trip also allowed Steinbeck to visit his son, who was fighting in the war. Ev and Steinbeck became fast friends, and the trip strongly influenced Steinbeck, who was chastised by his liberal friends for his pro-war views when he returned. In these letters, Steinbeck focuses on innovations and inventions that may aid the war effort—chiefly, he desired to drag the Mekong River with large magnets in order to attract any metal explosives that may have been planted there. He also makes suggestions for an improved “Steinbeck Claymore” and some clever tricks using weather balloons and tampered-with mortar rounds. The archive includes:

1. ALS signed “John,” two pages, 8 x 12, January 26, 1967, written from the Oriental Hotel in Bangkok. In part: “Bangkok is wonderful and I will love it when I see it. So far I have been holed up writing about what I have left to write of about UN. And there was a lot, too much. I can’t write them all. Saw too much too quick. We’re going to the northeast on next Monday to this part where the VC are trying to get a fast hold... What I want to tell you is that I could not find a magnet in all of Saigon. I told Gen. Westmorland the idea and he was very interested but whether he ever said anything about it, I don’t know. I might even try here but the results are likely to be nil. It’s crazy because there are plenty of them at home.”

2. ALS signed “John,” one page, 8 x 12, February 5, 1967, in part: “We got back from the northeast provinces yesterday and found the enclosed letter. I know this company Edmunds and they are good. I am writing them to send the magnets to you...Also I asked them for any ideas they might have for other detection equipment. These are very versatile and intelligent people and they might come up with something.” The January 26th and February 5th letters are stapled together, along with both original mailing envelopes (one addressed in Steinbeck’s hand), a carbon copy of a letter to Steinbeck regarding 5-lb horseshoe magnets made by the Edmund Scientific Co., and

a photocopy of a letter of introduction for Ev and Linda Martin.

3. ALS signed “John,” one page, 7.75 x 10, Raffles Hotel Singapore letterhead, March 8, 1967, in part: “I still don’t see how armor can be used in the paddys but maybe they do and I guess where they have been operating there isn’t any mud. I do hope the magnets have arrived by now...When you handle them, take off your wrist watch and put it in your pocket. Pass that word please. They are so powerful that they will magnetize the works and stop the things. Also compasses go nuts in their presence…I haven’t been writing much since Laos. That is really a crazy place. You can’t believe it.” Accompanied by the original mailing envelope, addressed in Steinbeck’s hand, including his full name, “John Steinbeck,” written on the flap.

4. ALS signed “John,” six pages, 7 x 8.75, The Mandarin (Hong Kong) letterhead, March 24, 1967, in part: “Those magnets have now been on the way air mail for over 30 days. Being heavy some one probably stole them or lost them... On my hat rack at Sag Harbor I have lots of strange hats… the hard hat I wore at the Mohawk Project, a captain’s kepi, 1st Paris Artillery, the cap with general’s piping, I…wore as a correspondent in N. Africa. If John could bring me a beat up camouflage helmet for the hat rack, I would be glad...I don’t know what to do about the magnets. They will get there for the next war. If they aren’t there when I get home late in April, I’ll put a couple in McNamara’s hands and tell him to send them by courier. Incidentally, I’ll be seeing the President, Rush and McNamara…the balloon idea is this—get a weather balloon, inflate it with gas and weight it with buck shot so that it barely clears the ground. Then release it to move on the wind over infested country. The shot should give it an eccentric motion and I don’t think any V.C. could resist shooting at it, and then he could be pinpointed...At booby trap school I was showed how the VC trim the delay fuse of a grenade so that it blows instantly. Then they use it for a trap. Well we often capture grenades. The cores and the fuses come down separately and are assembled in the area. If any are available, they should be trimmed and left around. Then the thrower would kill himself. The same could be done with mortar rounds.”

In overall fine condition. Accompanied by a photocopy of Steinbeck’s article ‘Waist Deep in Moat With Camera Addict,’ published in Newsday on January 24, 1967, documenting his journey through a rice paddy with Ev Martin and the 4th Battalion, 9th Infantry. Starting Bid $500

Remarkable Vietnam War letters by John Steinbeck, suggesting inventions to aid the troops— the Nobel Prize winner’s creative ideas for magnets, weather balloons, mines, drugs, and more

Rare oversized portrait of the Bengali polymath

330. Rabindranath Tagore Signed Photograph. Bengali poet, playwright, philosopher, and author (1861–1941) who became the first non-European to win a Nobel Prize (Literature) in 1913. Scarce vintage sepia 8.25 x 11.5 paperstock photo of Rabindranath Tagore in a noble bust-length pose, signed in the lower border in Bengali in fountain pen. A small

printed caption bearing his name is affixed to the right of the autograph. In very good to fine condition, with tears to the top, and to the side borders, repaired with tape on the reverse. The largest signed portrait of Tagore that we have ever offered, and a great portrayal of one of literature’s foremost minds.

Starting Bid $300

331. J. R. R. Tolkien Typed Letter Signed. ALS, one page both sides, 5.75 x 7, George Allen & Unwin Ltd. letterhead, February 18, 1969. Handwritten letter to Boyd Hooper, in part: “Your tie most delightful..Unfortunately it arrived when I had only just begun to live in my present house—still in chaos after a disastrous removal—and I had not yet even a bedroom in order. Also I was soon taken back to hospital, and returned on Sep. 20 still partly crippled and under treatment for blood-congestion.” In fine condition.

Tolkien’s mention of his own “partly crippled” nature refers to his hospitalization on June 17, 1968. While Tolkien and his wife, Edith, were preparing to move from Oxford to Bournemouth, the author fell down some stairs and broke his leg. Afterward, as he told his son, Michael, ‘I was picked up off the floor of the hall and transported to the Nuffield [Orthopedic Center] as I was and never went back again – never saw my room, or my house again.’ Doctors operated on the leg and several weeks passed before Tolkien was allowed up on crutches. Starting Bid $500

A ‘thank you’ letter from 77-year-old

J. R. R. Tolkien, “still partly crippled” and convalescing from a broken leg

Scarce oversized print signed by Leo Tolstoy

332. Leo Tolstoy Signed Print. Scarce and highly desirable 10 x 13 print of Ilya Repin’s 1901 portrait of Tolstoy, published by Gesellschaft in Berlin, signed in the lower border in ink by the revered Russian author in Cyrillic, “Lev Tolstoy,” and dated 1908. Nicely matted to an overall size of 14.25 x 17.75. In fine condition, with some dampstaining to the lower border which has been matted out.

Ilya Repin and Leo Tolstoy were close friends for many years, and the writer was the subject of multiple portraits. This example, a close-up crop of an image of Tolstoy standing barefoot in his garden, conveys the writer’s state of concentration and self-immersion as he aspired to adopt a simple life. A superlative image, rarely seen in signed examples of this impressive size. Starting Bid $1000

Voltaire sends thanks for a foe’s explanation— “with all the feelings that you deserve”

333. Voltaire Autograph Letter Signed. ALS in French, one page, 4.5 x 7.5, no date but a docketing notation to the reverse indicates the letter was received at Ferney on August 4, 1764. A terse message to a gentleman, seemingly regarding a misunderstanding. In full (translated): “I have asked for nothing other than an explanation. You have been good enough to give it to me. I thank you for it. I have the honor of being, with all the feelings that you deserve, Sir, your very humble and obedient servant.” In very good to fine condition, with small old tape repairs to fold splits. Accompanied by a full letter of authenticity from PSA/DNA.

Whatever the disagreement may have been, it gave Voltaire the opportunity for displaying his most elegant and ironic contempt, observing all the polite formalities of correspondence, while inserting subtle hints of his disdain. This letter also marks a notable year in Voltaire’s career, as it saw the publication of his Dictionnaire Philosophique, one of his best-known philosophical works. Handwritten letters from Voltaire are rarely as neat and clearly signed as in this interesting one-page example. Starting Bid $500

title page from the author’s edition of Leaves of Grass

Title Page. Title page from the 1876 ‘Author’s Edition’ of Whitman’s renowned poetry collection Leaves of Grass, 4.75 x 7.5, published in Camden, New Jersey, in 1876, neatly signed in ink, “Walt Whitman.” The page features the text of his poem, ‘Come, said my Soul,’ which he used as the title-page epigraph for Leaves of Grass. Handsomely mounted, cloth-matted, and framed with a portrait and plaque to an overall size of 28 x 24. In fine condition, with faint toning, and minor loss to the upper right corner tip. Starting Bid $500

335. Stefan Zweig Autograph Letter Signed. Austrian novelist and playwright (1881–1942). ALS in German, one page, 7 x 4.5, personal monogrammed stationery card, no date. A neatly penned untranslated handwritten letter from Stefan Zweig. In fine condition, with scattered light foxing. Starting Bid $200

334. Walt Whitman Signed ‘Leaves of Grass’

365. Gaetano Donizetti Autograph Letter Signed. Italian composer (1797-1848) known as a leading composer of the bel canto opera style. ALS in Italian, signed “Donizetti,” one page, 4.25 x 6.5, no date. Untranslated handwritten letter by the celebrated composer. In fine condition, with an old tape stain to the top edge. Starting Bid $200

366. Antonin Dvorak Document

Signed. Esteemed Czech composer (1841–1904) of orchestral and chamber music, best known for his Symphony No. 9, ‘From the New World.’ Partly-printed DS, one page, 8.25 x 3, April 30, 1893. Receipt for salary received from the National Conservatory of Music of America, in full: “Received from The National Conservatory of Music of America, Nine Hundred & Thirty seven 50/100 Dollars for April salary.” Neatly signed at the conclusion by Dvorak as director of The National Conservatory of Music, a position he held from 1892 to 1895. In fine condition, with small staple holes to the upper left corner. Starting Bid $200

Puccini Signed Photograph. Fantastic vintage matte-finish 4 x 5.75 photo of the great composer in a handsome three-quarter-length pose, affixed to a 6.5 x 8.75 mount, boldly signed and inscribed on the mount in ink, “A Mr. Jaroslav Otto, Giacomo Puccini, London, Mai 909.” In fine condition, with some light soiling to the mount. Starting Bid $200

367.

Paris Premiere. Significant ALS in Italian, signed “G. Puccini,” one page, 5.25 x 8.25, Theatre National de l’Opera Comique letterhead, October 13, 1903. Handwritten letter to music publisher Giulio Ricordi, penned during the French premiere of his opera Tosca. In part (translated): “I write to you from a small office during the first act (we are now at the duet Scarpia Tosca)’—My thoughts are with you my dear Mr. Giulio and my heart is full of gratitude for having put me at this point! I hope the performance is to our satisfaction.” In fine condition. Accompanied by the original mailing envelope, addressed in Puccini’s hand. Starting Bid $200

368. Giacomo Puccini Autograph Letter Signed on

Giacomo

Tosca’s

“We are now at the duet Scarpia Tosca”—Puccini writes during the Paris debut of Tosca

Letter Signed. ALS in Italian, signed “G. Puccini,” one page, 5 x 8, Hotel Previtali letterhead, no date. Handwritten letter to “Nenez,” in full (translated): “Here are my scrawls! I am leaving tomorrow morning and I’ll bring with me the pleasant remembrance of all your kindness for which I thank you very very much. Continue to love me. Best regards to your wife.” In fine condition, with light toning from prior display. Accompanied by an unsigned photograph of the great Italian composer. Starting

370. Maurice Ravel Signed Photograph. Rare glossy 6.25 x 8.25 photo of sculptor Leon Leyritz’s Art Deco bust of Ravel, signed and inscribed in fountain pen, “A Mr. Milo Gibbs, souvenir…sympathique, Maurice Ravel.” Reverse bears a Bogue-LaBerge Concert Management stamp. In very good to fine condition, with some edge creasing, a short edge tear, and a light surface mark to the upper background area. Ravel considered the Leyritz bust his best portrait. Starting Bid $300

369. Giacomo Puccini Autograph

Bid $200

“Here are my scrawls!”

Striking photo of Guiseppe Verdi signed at the historic premiere of ‘Falstaff,’ his final opera

371. Guiseppe Verdi Signed Photograph (Dated to Falstaff Premiere). Italian composer (1813-1901) who was one of the most influential figures in the history of opera. Scarce matte-finish 4 x 5.75 half-length portrait of Verdi in a jacket and tie, stamped in the lower portion, “Ricordi & C. Deposto,” and affixed to its original A. Ferrario photographer’s mount, signed on the mount in black ink, “Milano, 9 Feb: 1893, G. Verdi.” In very good to fine condition, with silvering to the image, trimmed edges, and a light stain over most of the signature. Accompanied by a full letter of authenticity from PSA/DNA.

Widely considered one of the greatest comic operas of all time, Verdi’s Falstaff was adapted by the composer’s close friend and regular collaborator Arrigo Boito. It debuted on February 9, 1893 at the world-renowned La Scala theater in Milan, host to many of his landmark premiers. Signed in Milan on the day of the opening, this piece holds great significance—an extraordinarily rare photo! Starting Bid $300

372. George and Ira Gershwin Leasing Document for ‘Porgy and Bess’. DS, one page, 8 x 12.5, no date. Contract between George and Ira Gershwin, DuBose Heyward, and the International Play Bureau, with the former party agreeing to lease Porgy and Bess to the latter for a percentage of weekly box office receipts and an advance of $2500, as to be properly divided. Signed boldly at the conclusion in fountain pen by the Gershwins and Heyward. Matted and framed with a photo of the trio at a piano to an overall size of 24.5 x 20.5. In fine condition. Documents signed by both George and Ira Gershwin are quite rare, as they had different roles and responsibilities within their collaborations; these types of documents were important for their business dealings and for the protection of their intellectual property. Starting Bid $200

Modigliani by Gershwin, a brotherly drawing of a painting owned by George Gershwin

5.75 x 7.5 sheet that is signed in the lower left corner in black ink, “Ira Gershwin, Dec. ‘51.” Handsomely framed to an overall size of 11.5 x 13.25. In fine condition.

In addition to being a composer, songwriter, and pianist, George Gershwin was himself a practicing artist who produced over 100 paintings, drawings, and photographs. He was also one of the foremost collectors of modern art in his day, assembling a collection that included names like Modigliani, Renoir, Cezanne, Gauguin, Chagall, Rouault, and Picasso. Starting Bid $200

Document Signed. DS, five pages, 8.5 x 14, October 1, 1976. Agreement between Blue Sky Records, Muddy Waters, and Johnny Winter, in which Winter is hired to provide his “services to produce the recording artist professionally known as Muddy Waters,” outlining royalty payments and other terms of the deal. Signed at the conclusion in black ballpoint by Muddy Waters and Johnny Winter. Waters also initials the document five times. In fine condition. This document refers to Waters’s twelfth studio album, Hard Again, which was his first on the Blue Sky label after leaving Chess Records. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

373. Ira Gershwin Original Artwork. Scarce original drawing by lyricist Ira Gershwin of the Amedeo Modigliani oil painting ‘Dr. Deveraigne,’ which hung in the house of his younger brother, the esteemed composer George Gershwin. Accomplished in colored pencil and pastel on a

374. Muddy Waters and Johnny Winter

375. Woody Guthrie Autograph Manuscript Signed. Autograph manuscript, signed “Pvt. Woody W. Guthrie, #42234634,” one page both sides, 7.25 x 10.5, Scott Field, August 12, 1945. At this time, Guthrie was preparing to make a series of records entitled American Documentary. It is believed that only one record, Struggle: American Documentary (Asch Records #360), later rereleased by Sony Folkways and Stentson Records, was ever completed. The only album notes included with Struggle were those of Moe Asch. The present manuscript evidently comprises notes Guthrie intended to use for the series, which never made it to print.

In part: “I met a soldier out on a rifle range down in Texas that was telling a gang of men, ‘There’s good and bad in every church and every race. They just got to be put in their place and made to stay in it. I say give every color his part of town and make him stay in it. My home town had a fight or a killing just about every few days. I’m as good a trade union man as the next one, but I just can’t go in for this mixture of every kind and every color! They’ll always have hell in the unions as long as they try to break the laws of mama nature!’…I

told them, ‘Well, I think you’re both wrong because it just so happens that I make my living making up trade union songs and singing around picket lines, at meetings, rallies, stuff like that. And I’d really like you to see you try to run your town with everybody in a hole of his own color’…We had to line up, march to our rifles and face our targets out across the field. I didn’t have time right then and there to answer that man. We fired our carbines, our submachine M3’s, drove away singing in our buses…We remembered a few days ago in a lecture hall a Captain, a psychiatrist, has said, ‘You hear the negro out sing, you see him out march all of the other squadrons because he feels looked down on, and he shows you more friendly spirit out of unity than the other’…The Captain answered the racial expert pretty well, but of course on the subject of the fighting history of our trade union, the pregnant woman, the thirteen children, he did not have the time nor the authority to tell us about…I know that this album of Records, ‘American Documentary Number One’ is just a little answer to that soldier out there on that rifle range. It takes all night to sing the whole answer. But it can be sung.” In fine condition. Read more online at www.RRAuction.com Starting Bid $200

“Pvt. Woody W. Guthrie” recounts racially charged Army experiences for his never-completed “American Documentary Number One”

Fully signed Beatles single record for the megahit ‘She Loves You’

376. Beatles Signed 45 RPM Record Sleeve for ‘She Loves You’. Swedish Parlophone Records 45 RPM record sleeve for the single ‘She Loves You / I’ll Get You’ by the Beatles,’ signed on the front cover next to their likenesses in black ballpoint, “Ringo Starr,” “George Harrison,” “John Lennon,” and “Paul McCartney, xxx.” In very good to fine condition, with creasing and tears to the lower right corner. The record is not included. Starting Bid $1000

The Fab Four rock Bournemouth during their 1963 Autumn Tour

377. Beatles Signatures (1963, Winter Gardens). Bold, attractive vintage ballpoint signatures of the Beatles—John Lennon, George Harrison, Paul McCartney, and Ringo Starr—on an off-white 5.5 x 3.75 album page. The consignor notes that the autographs were obtained by a policeman who was part of the Beatles’ security when they performed at the Winter Gardens Theatre in Bournemouth, England, on November 16, 1963. In fine condition. Accompanied by a certificate of authenticity from Tracks and by a letter of provenance from the daughter of the original recipient. Starting Bid $1000

Exceedingly rare 1965 concert poster for the Beatles at Shea Stadium

378. Beatles 1965 Shea Stadium Poster. Fantastic original concert poster advertising the Beatles concert held at Shea Stadium on August 15, 1965, 10.75 x 17, billing other notable shows throughout the summer for artists such as Herman’s Hermits, the Dave Clark 5, The Kinks with the Moody Blues, and the First New York Folk Festival, which featured Phil Ochs, Chuck Berry, and Johnny Cash. The simple poster is printed with bold black lettering on heavyweight cardstock. Affixed to an 18 x 24 cardstock mount and in fine condition, with one light stain touching the date. Designed as generic ‘throwaway’ posters, these are extremely rare today. The legendary Beatles show at Shea Stadium went on to break records for attendance and revenue, and today is still considered one of the greatest concerts of all time. Starting Bid $500

Three of the Fab Four, with Paul curiously signing for present George and absent Ringo

379. Beatles Signatures (Lennon, Harrison, and McCartney). Light blue French airmail envelope from the George V Hotel in Paris, 6.75 x 3.75, signed in red felt tip, “George Harrison” and “John Lennon,” and in black felt tip, “Best wishes from The Beatles, Paul McCartney,” who, for reasons unknown, has also signed on behalf of bandmates George Harrison and Ringo Starr. In very good to fine condition, with folds, overall creasing, and a smudge to Paul’s rendition of George’s signature. The Beatles stayed at the George V Hotel in Paris while they were in France for their 18-day concert residency at the Olympia Theatre in January 1964. Starting Bid $500

381.

George Harrison Endorsed Check. Personal check from Tybee and Paul Spisto, 6 x 2.75, filled out and signed in another hand, made payable to George Harrison for $10, June 9, 1990. Endorsed on the reverse in black ballpoint by George Harrison. The reverse also bears an original endorsement from his wife, Olivia Harrison, which is struck through, and is annotated “Please pay the Material World Charitable Foundation Limited.” The memo field is marked as “Gift Award.” In very good to fine condition, with clear tape and surface

Beatles:

loss to the front of the check. Starting Bid $200

382. Beatles: George Harrison Signed Photographic Print. Color glossy 10.5 x 11.5 lightweight photographic print of George Harrison as taken by William Coupon in 1987, signed in blue felt tip by Harrison. In very good to fine condition, with scattered light creasing. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

384. Beatles: Paul McCartney Signature. Crisp vintage ballpoint signature, “Paul McCartney,” on the reverse of a Parlophone Records promotional card of the Beatles. The consignor notes that the autograph dates to the summer of 1963. The image on the front of the card was taken by Angus McBean on January 21, 1963, at EMI House in Manchester Square, London. In fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

383. Beatles: George Harrison Signature. Ballpoint signature and inscription, “To Jack, best wishes, George Harrison,” who adds an Om symbol on the reverse of an off-white 4.25 x 7 menu dated to May 13, 1997. In fine condition, with a small stain, and light show-through from the menu text on the back. Starting Bid $200

385. Beatles: Paul McCartney Signature. Neat vintage ink signature, “Paul McCartney,” on an off-white 5 x 7.25 inventory sheet from Town Newsagency Ltd., of West Malling, Kent, England. In very good to fine condition, with overall creasing, and an old repaired tear to the upper left corner. This signed inventory sheet represents a fascinating little piece of Beatles history—the Town Newsagency at 90 High Street in West Malling, Kent, was used as a ticket shop during the opening of the Beatles’ 1967 film Magical Mystery Tour; on September 22, 1967, Ringo Starr was filmed entering a shop and buying tickets for the tour from John Lennon, who was sporting a giant fake mustache. Starting Bid $200

387. Bob Dylan Signed Photograph. Uncommon glossy 10 x 8 photo of Bob Dylan in his role as ‘Alias’ in Sam Peckinpah’s 1973 Western film Pat Garrett and Billy the Kid, prominently signed in blue felt tip. In very good to fine condition, with scattered light creasing. Dylan composed the score and songs for the film—most prominently ‘Knockin’ on Heaven’s Door’—which were released on its soundtrack album, Dylan’s twelfth studio album and first soundtrack. Starting Bid $200

386. Sam Cooke Signed Photograph. Vintage glossy 8 x 10 publicity photo of Sam Cooke in a handsome suit coat, signed and inscribed in blue ballpoint, “To My Baby Stelle, You ‘Devil,’ Sam Cooke.” In very good to fine condition, with scattered light creasing, short edge tears, tape stains to the corners, and minor ink adhesion issues. Starting Bid $200

Fully signed, highly displayable program for Queen’s 1977 Euro Summer Tour

389.

Signed 1977 European Summer Tour Program. Superb original program for Queen’s 1977 European Summer Tour in support of their 5th studio album A Day at the Races, 20 pages, 11.25 x 11.25, signed on the front cover next to their respective images in black ballpoint by Freddie Mercury, Roger Taylor, John Deacon, and Brian May. The consignor notes that the autographs were obtained on either June 6 or 7, 1977, when Queen performed at Earls Court in London, England. In fine condition, with a faint stain and light handling wear. Accompanied by a certificate of authenticity from Tracks.

The 1977 tour signaled the first time that many of the band’s biggest hits were played live and in full length, including ‘Somebody to Love,’ ‘Brighton Rock,’ and ‘Bohemian Rhapsody.’ Other hits often seen on the setlist were ‘Killer Queen,’ ‘You’re My Best Friend,’ and ‘The Prophet’s Song.’ A spectacular Queen-signed program, captured at the apex of their extraordinary career—fully signed versions of this oversized program are extremely rare, with this particular example all the more desirable given its neatly and appropriately placed autographs. Starting Bid $500

Queen

388. Faces Signed Album. Ooh La La album by Faces, signed on the front cover in blue ballpoint, “Rod Sod Stewart,” “Grazias, Ron Wood, ELO-ELO,” “Ian McLagan, best wishes and thanks for the touch of home,” “Thanks, Tetsu [Yamauchi],” and “Best wishes, Kenny Jones.” The consignor notes that the signatures date to the mid-1970s. In fine condition. The record is included. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Scarce fully signed 1964 Decca promo card of the Rolling Stones

390.

card

Stones, 5.5 x 4.25, signed in ballpoint by Mick

Keith Richards, Brian Jones, Bill

This features the same image used for the cover of the band’s self-titled debut EP, which Decca released in January 1964 to test the commercial appeal of the group before they would commit to producing a full album. In fine condition, with scattered small stains. Accompanied by a full letter of authenticity from REAL. A desirable fully signed example from their early years, soon to break through to international stardom. Starting Bid $300

Rolling Stones Signed 1964 Decca Promo Card. Vintage circa 1964 Decca Records promo

of the Rolling

Jagger,

Wyman, and Charlie Watts.

392. Rolling Stones: Brian Jones Signed Photograph. Vintage paperstock 3.5 x 3 magazine or program photo of the Rolling Stones guitarist in a bust-length pose, signed in blue ballpoint, “Brian Jones, xxx.” Double-matted with two color photos to an overall size of 17.75 x 9.25. In fine condition. Starting Bid $200

391. Rolling Stones Signed Photograph. Vintage glossy 3.5 x 5.5 publicity postcard photo of the Rolling Stones (Brel CS167), signed in blue ballpoint by Mick Jagger, Brian Jones, Keith Richard, Bill Wyman, and Charlie Watts. In fine condition, with very poor contrast to Jagger, Richards, and (especially) Watts, whose pen appears to have run out of ink. Starting Bid $300

393. The Who Signatures. Large vintage ballpoint signatures of The Who—Pete Townshend, Roger Daltrey, Keith Moon, and John Entwistle—on two 5 x 3.75 album pages. In fine condition. A fantastic set of large, clean autographs from the legendary British rock band. Starting Bid $200

394. The Who: Keith Moon Signed Photograph. Sought-after glossy 8 x 10 MCA Records publicity photo of The Who, signed and inscribed in the lower border in black felt tip, “To Jim, Keith Moon, x,” who adds another inscription to his image, “Best wishes to Jim.” In fine condition, with two light paperclip impressions to the top edge. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

395. Madonna Signed Check to Aida Grey. Personal check, 6 x 2.75, filled out and signed by Madonna, “Madonna Ciccone,” payable to cosmetics pioneer Aida Grey for $45, June 13, 1986. In fine condition. Aida Grey was a pioneer in the field of cosmetics and skin care, whose clientele included names like Cary Grant, Joan Crawford, Julie Christie, Ingrid Bergman, Jacqueline Bisset, Nancy Reagan, and Marilyn Monroe. Starting Bid $200

classic entertainment

Marlon Brando’s handwritten invitation to A Streetcar Named Desire:

454. Marlon Brando Autograph Letter Signed to Solange Podell. ALS signed “Marlon,” one page both sides, 5.25 x 7.25, no date but circa late 1940s. Handwritten letter to French actress Solange Podell, with whom he had shared a romantic relationship. In full: “I have tickets in the box office for you for Wednesday (tomorrow) if you could come back after the show we could have dinner together. I’m sorry not to have called you for such a long time but I’ve been very upset and nervous.” In fine condition.

Solange Podell (1927-2020) was a cabaret dancer and actress who had minor roles in several movies in France in the early

1940s. On the advice of an American talent scout, she moved to Hollywood for a year before coming back east to New York City where she began taking classes at the Actor’s Studio. On a Broadway evening in 1947, she was told to go backstage during a production of A Streetcar Named Desire to meet the rising young actor who played Stanley Kowalski. Podell and Brando quickly formed a relationship, but their ambitions and careers took them on different paths: Brando would reprise his role as Kowalski on the big screen and earn an Academy Award nomination, and Podell turned to photography. Starting Bid $500

“If you could come back after the show we could have dinner together”

Glossy 8 x 10.25 United Artists publicity photo of Ingrid Bergman posing in profile for Alfred Hitchcock’s 1945 film Spellbound, signed and inscribed in green felt tip, “To Allan Smith, Ingrid Bergman.” In fine condition. Starting Bid $200

vintage semi-glossy 8 x 10 silver gelatin photo of Oscar-winning actress Joan Crawford seated and wearing a dazzling sequined blouse, a portrait captured by famed Hollywood glamour photographer George Hurrell, signed and inscribed in black ink, “For Agnes, Thank you for the beautiful handkerchief, Joan Crawford.” Reverse bears an MGM stamp crediting the photo to Hurrell. In fine condition. Starting Bid $200

Superlative signed formal portrait of Charlie Chaplin

Photograph. Stunning vintage matte-finish 7.5 x 9.5 studio portrait of Charlie Chaplin in a handsome tuxedo by Witzel of Los Angeles, boldly signed in fountain pen, “Yours truly, Chas. Chaplin.” In very fine condition. A superior formal portrait, prominently signed by the classic screen icon. Starting Bid $200

456. Joan Crawford Signed Photograph by George Hurrell. Marvelous

455. Charlie Chaplin Signed

453. Ingrid Bergman Signed Photograph.

457. Frances Farmer Signed Photograph. Promising American actress (1913–1970) whose career was cut short by alcoholism. She retired from films in 1942 and spent a large part of the remainder of her life in mental institutions, dying of cancer at 57. Vintage glossy 7.5 x 9.5 Paramount Pictures promo photo of Farmer with a cigarette in hand, signed and inscribed in fountain pen, “To Jack, Frances Farmer.” In fine condition, with evenly trimmed edges. Starting Bid $200

Photograph. Vintage

11

wearing a suit and tie in a handsome bust-length pose, signed in fountain pen, “Hi there! Errol Flynn.” In very good to fine condition, with scattered creasing, a bit heavier in the left background area. Starting Bid $200

459. Clark Gable Signed Photograph. Vintage mattefinish 8 x 10 MGM publicity photo of Gable in a handsome head-and-shoulders pose, signed and inscribed in fountain pen, “To Shirley, Best Wishes Always, Clark Gable.” Reverse bears a Metro-Goldwyn-Mayer credit stamp. In fine to very fine condition, with just a hint of faint rippling. Starting Bid $200

458. Errol Flynn Signed Oversized

matte-finish

x 14 studio portrait photo of Errol Flynn

462. Audrey Hepburn and George Peppard Signed Photograph. Appealing glossy 8 x 10 photo of Audrey Hepburn and George Peppard as they appeared in the 1961 romantic comedy Breakfast at Tiffany’s, signed in black felt tip by Hepburn and in silver ink by Peppard. In fine condition. Starting Bid $200

461. Katharine Hepburn Signed Photograph. Vintage glossy 11 x 14 close-up photo portraying Hepburn’s penetrating gaze, signed and inscribed in fountain pen to her longtime friend and correspondent Madeline Nueske, “To Madeline, with many kind thoughts, Katharine Hepburn.” In very good to fine condition, with noticeable creasing to the left side, and a small chip to the bottom edge. An outstanding autographed portrait of the four-time Oscar winner. Starting Bid $200

460. Audrey Hepburn Signed Photograph. Attractive matte-finish 4.26 x 6 postcard photo of Erwin Blumenfeld’s classic 1952 image of Audrey Hepburn with an infinity mirror, signed in felt tip by the Oscar-winning actress. In very fine condition. Starting Bid $200

463. Alfred Hitchcock Signed Photograph. Glossy 8 x 10 promo photo of Hitchcock in a suit and tie, signed in black felt tip, “Alfred J. Hitchcock.” Reverse bears an affixed Selznick International Pictures caption, claiming that the director would receive an Oscar nomination for his 1947 film noir courtroom drama The Paradine Case. In very good to fine condition, with scattered creasing and surface scratching. Starting Bid $200

464.

Remarkable 3 x 1.5 personal calling card imprinted with Houdini’s name, “’Safe Bind=Safe Find’ does not apply to the undersigned, Harry Houdini, orig. Handcuff King.” In fine condition, with some faint brushing to the ink. A marvelous, early autograph from

466. Laurel and Hardy Signed Photograph. Vintage mattefinish 7 x 4.75 photo of the classic comedic duo smiling side-by-side, signed in the lower border in fountain pen, “Thanks! Stan Laurel” and “Oliver Hardy.” In fine condition, with light silvering to the darker areas of the image and a trimmed top edge. A handsome and atypically seen portrait of these legendary entertainers. Starting Bid $200

465. Grace Kelly Signed Photograph. Vintage glossy 3.75 x 5.25 publicity photo of Grace Kelly wearing pearls and a black dress, signed in fountain pen. Affixed to a slightly larger mount and in fine condition. An attractive uninscribed portrait of the actress that became a princess. Starting Bid $200

Harry Houdini Signed Calling Card.

Houdini, evoking his legendary escape acts involving handcuffs and shackles. Starting Bid $300

“‘Safe Bind=Safe Find’ does not apply to the undersigned, Harry Houdini, orig. Handcuff King”

Lee becomes a member of the Screen Actors Guild in 1966

Lee was living in a tiny apartment on Wilshire Boulevard in Westwood, California, preparing for his television debut on The Green Hornet, when he wrote this check. Producer William Dozier was so impressed by Lee’s audition for the scrapped show Number One Son, that he cast Lee as Van Williams’ crime-fighting sidekick Kato. Although The Green Hornet was canceled after a single season, Lee’s iconic portrayal of Kato enabled the actor to make three crossover appearances on the wildly popular live-action Batman series between 1966 and 1967. A decidedly early check from Lee that predates his breakthrough role on The Green Hornet—quite possibly the first SAG dues that Lee ever paid. Starting Bid $1000

467. Bruce Lee Signed Check - PSA GEM MT 10. Personal check, 6 x 2.75, filled out and signed by Bruce Lee, payable to the Screen Actors Guild for $224, June 17, 1966. A secretarial hand has added to the top: “OK–membership.” In fine condition. Encapsulated in a PSA/DNA authentication and grading holder, evaluating the autograph as “GEM MT 10.”

Scarce program from Bruce Lee’s American debut at the 1964 International Karate Championships

468. Bruce Lee: Karate Championships 1964 Program. Scarce unsigned original official program for the “International Karate Championships, 1964” held at the Municipal Auditorium in Long Beach, California, 16 pages, 8.5 x 11, with a full-length image of Bruce Lee inside, billing him as one of the event’s demonstrators. The blurb notes: “Bruce Lee, a master of Gung Fu from Hong Kong, China, will demonstrate his remarkable skills.” The program also names Chuck Norris as a judge. In very good condition, with light dampstaining to the lower right corner of all pages, and soiling and creasing to the separated covers (partially split at spine). Starting Bid $200

Hattie McDaniel’s contract with Selznick International, signed two weeks after the premiere of Gone With the Wind

469. Hattie McDaniel Signed Contract (Two Weeks After Gone With the Wind Premiere). DS, 22 pages, 8.25 x 11, December 30, 1939. Contract between McDaniel and Selznick International Pictures, signed fifteen days after the premiere of Gone With the Wind. In part: “Producer employs Artist to render her services exclusively to Producer as an actress, performer, or entertainer in motion picture photoplays, television, and to make radiobroadcasts and personal appearances when, where and as requested by Producer. Term: From: January 1, 1940 (20 week guarantee) To: June 30, 1940. Compensation: $500.00 per week (20 week guarantee).” Eight options after the principal six month period ends are listed, raising McDaniel’s salary to $550 per week to the end of 1940 with consecutive annual raises which would reach $1500 per week if she worked for Selznick through 1946. Signed at the conclusion in fountain pen by Hattie McDaniel and countersigned by producer Daniel T. O’Shea. Stapled into its original. legal folder. In fine condition, with creasing only to the paper covers. Accompanied by an unsigned three-page summary of the contract, and a two-page autobiographical statement by McDaniel about the filming of Gone With the Wind. Starting Bid $200

Oversized signed photo of the stylish Bullitt star—

Starting Bid $200

to the front payee field. In addition to signing her name, Monroe has also added her address, “1309 N. Harper” in Los Angeles, where she lived for less than a year during 1950-51, her phone number, and the name and address of the bank. Another hand has added

470. Steve McQueen Signed Photograph. Fabulous vintage semi-glossy 11 x 14 silver gelatin photo of McQueen wearing his trademark shades, signed and inscribed in red felt tip, “To John— Thank you for being so nice to us here in San Francisco—Steve McQueen.” Reverse bears a Mel Traxel credit stamp and black felt tip notation, “Bullitt,” famous for its car chase scene through the streets of San Francisco. In very good to fine condition, with old tape to the corner tips, and creasing, primarily to the edges and corners.

“Thank you for being so nice to us here in San Francisco— Steve McQueen”

473. Marilyn Monroe Signed Check (1950). Desirable bank check, 8.5 x 3.25, filled out and signed by Marilyn Monroe, payable to Columbia Pictures hair stylist Helen Hunt for $5, November 18, 1950. Endorsed on the reverse by Hunt, who also added her name

above in pencil, “beauty salon.” In fine condition. A sought-after check signed less than a month before Monroe’s career-making contract with 20th Century Fox. Starting Bid $500

Rare multi-signed photo of Monroe with Montand and Cukor on the set of Let’s Make Love

creasing (heaviest to the upper left corner, and a light crease passing through

Marilyn’s left cheek), and light silvering to the darker areas of the image. Monroe remains among the most coveted of all Hollywood signatures, with signed photographs, more than essentially all other formats, rightly demanding the attention of interested bidders. The presence of additional signatures to a Monroe-signed photograph—especially those belonging to power players like Cukor and Montand, two men intrinsically linked to Monroe—is exceedingly rare, desirable, and, quite plausibly, a singular occurrence. Starting Bid $1000

471. Marilyn Monroe Signed Photograph with George Cukor and Yves Montand. Vintage matte-finish 10 x 8 photo of Monroe on the set of the 1960 musical comedy Let’s Make Love with costar Yves Montand and director George Cukor, signed and inscribed in black ballpoint, “For Herbert, love & kisses, Marilyn Monroe.” The photo is also signed and inscribed in blue ballpoint by Montand and Cukor. In very good to fine condition, with scattered

The pre-fame “Norma Jeane”

visits her former caretaker in 1944:

472.

as “Norma Jeane”. ALS signed “Love, Norma Jeane,” one page on a 5.5 x 3.5 postcard of Chicago’s New Michigan Avenue, no date but postmarked October 28, [1944]. Handwritten letter to her friend Jeanette Cox in Los Angeles, in full: “I’m sorry I didn’t see you just before I left, but everything seemed to have happened all of of [sic] sudden. I’m having a grand time in Chicago. Will be seeing you soon.” In fine condition. Encapsulated in a PSA/DNA authentication holder.

Discontent with the constant departures of her Merchant Marine husband Jim Dougherty, Norma Jeane decided to embark on her first railroad trip in October 1944. After first visiting her

half-sister Berniece in Detroit, Norma Jeane moved on to Chicago to see her previous caretaker and beloved mother figure, Grace Goddard. Although the trip was cut short when Dougherty unexpectedly announced that he would be returning soon to California, the solo journey provided a great boost in confidence for Norma Jeane. Not long after returning home, she was discovered by Army photographer David Conover who arrived at Radioplane to snap morale-boosting pictures of female workers for the First Motion Picture Unit. The attention Norma Jeane received spurred the bubbly redhead to quit her job from the factory in early 1945, and, not long after, sign on with the Blue Book Modeling Agency. An early and significant handwritten letter from the future icon. Starting Bid $500

Marilyn Monroe Autograph Letter Signed (1944)

Image shown is larger than actual size.

“I’m having a grand time in Chicago”

Scarce art exhibition program signed by Marilyn

Monroe and Arthur Miller

In very good to fine condition, with light soiling and a central horizontal fold. Monroe and Miller first met in Hollywood in 1950, and were married from 1956 to 1961. The pair separated shortly after Monroe completed filming The Misfits, written by Miller. A spectacular and uncommon pair of autographs from this early Hollywood power couple. Starting

474. Marilyn Monroe and Arthur Miller Signed Program. Program from an exhibition of work by newly elected members and award winners of the American Academy of Arts and Letters and National Institute of Arts and Letters from May 20–June 14, 1959, twelve pages, 6.25 x 9.25, signed on the front cover in fountain pen, “Marilyn Monroe” and “Arthur Miller.”

Bid $500

478. Frank Sinatra Signed Photograph. Handsome satinfinish 11 x 14 photo of the young Frank Sinatra posing behind a large microphone, signed in black felt tip. In very fine condition. Originally obtained by in-person specialist Mike Wehrmann, and accompanied by his personal handwritten letter of provenance. Starting Bid $200

476. Christopher Reeve Signed Photograph. Glossy 8 x 9.5 Universal City publicity photo of Christopher Reeve for the 1980 film Somewhere in Time, signed in blue felt tip. In fine condition. Starting Bid $200

475. Monty Python Signed Photograph. Desirable glossy 10 x 8 publicity photo of the Monty Python comedy troupe, signed in felt tip by John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. In fine condition. Starting Bid $200

Stunning Nat Wise tuxedo shirt custom-made for Frank Sinatra

Stage-Worn Tuxedo Shirt. Frank Sinatra’s personally owned tuxedo shirt, which was part of a traveling wardrobe the entertainment icon routinely used when performing on tour. The handsome off-white tuxedo shirt, custom-made by Nat Wise of Sunset Strip, California, features a pleated front with mother-of-pearl buttons, with the inner collar featuring the original Nat Wise tag and two tags marked “Frank Sinatra” and “Jan. 1969.” The consignor notes that this shirt was originally obtained from Sinatra’s home in Coachella Valley. In fine condition. A sensational Sinatra offering that dates to January 1969, a few months prior to the release of his iconic single ‘My Way.’

Originates from the collection of Sinatra’s former co-manager, Tony Oppedisano.Starting Bid $300

Personally-Owned and -Worn Collared Shirt. Personally-owned and -worn collared shirt by entertainment icon Frank Sinatra. The peach-colored collared shirt, which was personally designed by Sinatra and custom-made for him by Anto of Beverly Hills, California, features mother-of-pearl buttons, three-quarter-length sleeves, and the inner right placket features the original Anto label and two tags marked “Frank Sinatra” and “June 1991.” In fine condition.

Originates from the collection of Sinatra’s former co-manager, Tony Oppedisano. Starting Bid $200

477. Frank Sinatra

479. Frank Sinatra

481. Star Wars: George Lucas Typed Letter Signed (1977). TLS, one page, 8.5 x 11, Star Wars letterhead, August 29, 1977. Letter to science fiction screenwriter David Gerrold, in full: “Thank you for the opportunity to get to know your work. I have asked that Gary Kurtz read the material that you sent in connection with writing for the ‘Star Wars’ sequel. I also appreciate your enthusiasm for the picture and your kind words.” In fine condition. Encapsulated by Beckett Authentication Services.

Accompanied by a letter of provenance from David Gerrold, who wrote the script for the original Star Trek episode ‘The Trouble with Tribbles,’ created the Sleestak race on the TV series Land of the Lost, and wrote the novelette ‘The Martian Child, which won both Hugo and Nebula Awards. Gerrold writes, in part: “I saw Star Wars in May of 1977, at a preview screening on the 20th lot, two weeks before it opened. I was also first in line at the Chinese Theater, the day it opened. In august 1977, rumors were already circulating about sequels

to the year’s big hit movie, Star Wars. My agent suggested I toss my hat in the ring. (I’d already written for Star Trek, Land Of The Lost, and other science shows, plus I’d published a dozen books by then, so I had some credential in the field.) While I was pretty certain that George Lucas already had his own ideas in mind, I followed my agent’s advice and sent a note—mostly to congratulate George on one of the most enjoyable and exciting movies I’d ever seen. It wasn’t just a great movie, it transformed the entire industry, changing everybody’s idea of what was possible in a motion picture. George Lucas sent me the attached letter in reply.”

Additionally includes a copy of a Lucasfilm memo pertaining to some questions that Gerrold posed pertaining to characters and language in Star Wars, focusing on Han Solo’s unusual use of the term ‘parsec’—a unit of distance, not of time. Between the colorful Star Wars letterhead, George Lucas’s early and legible signature, and the interesting accompanying materials, this is a rare and fantastic Star Wars piece. Starting Bid $1000

George Lucas corresponds with a Star Trek screenwriter in 1977 “in connection with writing for the ‘Star Wars’ sequel”

Captain Kirk comments on Nimoy’s skill as Spock:

480. Star Trek: William Shatner Autograph Manuscript on Nimoy. Autograph manuscript signed “William Shatner,” one page, 7.25 x 10.5, personal letterhead, no date. Handwritten tribute to Leonard Nimoy’s acting skill in his portrayal of Star Trek’s Spock. In part: “Somehow Spock and Kirk were fighting and I was using my boxing and judo activities in dealing blows and subduing the enemies. At one point Leonard said, ‘Spock wouldn’t be fighting,’ and the director said, ‘What do you suggest,’ and Leonard said, ‘Well he’d do something like this,’ and he reached over and grabbed my shoulder and playing along I pretended to fall to the ground as immobile—I got up and we all laughed and Leonard had invented the Spock pinch—It was brilliant—He knew his character, he understood the philosophy by which Spock lived and flawlessly used it to invent a moment of action that was totally motivated by character…I don’t remember how live long and prosper was invented. I think it was a product of one of our writers but it was no doubt an inspiration given by the uniqueness of Leonard’s portrayal.” In very fine condition. Starting Bid $300

483. John Wayne Signed Book. Uncommon signed book: America, Why I Love Her. First edition. NY: Simon and Schuster, 1977. Hardcover with dust jacket, 7.25 x 10.25, 144 pages. Signed in the first free end page in ink, “Buck, you are indespensible, Duke, John Wayne, 1978.” Additionally bears a gift inscription above Wayne’s signature, “To: Buck, Merry Christmas 77, Love, Nancy.” In very good to fine condition, with light wear to the dust jacket, and some creasing and small edge tears to textblock. Starting Bid $200

“Leonard had invented the Spock pinch— It was brilliant’

sports

Rare Choynski letter to

the founder

of Ring magazine, Nat Fleischer

634. Joe Choynski Autograph Letter Signed to Nat Fleischer. ALS signed “Choynski,” two pages, 8.5 x 11, December 5, 1938. Handwritten letter to Nat Fleischer, the noted boxing writer and founder and publisher of The Ring magazine, in part: “…understand you flatter yourself to have an outstanding collection of athletes? Well you are the man to have ‘em…I’ll send some more as I come across ‘em. Also have a silk kerchief—said to have belonged to Bill Beach.” Choynski references his three bouts with Kid McCoy. In fine condition. Accompanied by the original mailing envelope, which Choynski addressed in his own hand. Starting Bid $200

636. Rocky Marciano Signed 1955 ProgramSigned by (7) Others. Vintage program for the “Second Annual Testimonial Dinner In Honor of Charlie Goldman” held at the Park Sheraton Hotel in New York City on November 26, 1955, 8.25 x 10.75, signed on the front cover in black ballpoint by Rocky Marciano. The program is also signed by the night’s honoree, his trainer Charley Goldman, Marciano’s best friend and training partner, Allie Columbo, boxers Barney Ross, Bob Olin, and Mickey Walker, cartoonist Harry Hershfield, and trainer and cutman Whitey Bimstein. In fine condition, with general handling wear. Starting Bid $200

635. Robert Fitzsimmons Signature. Legendary boxer (1863-1917) who was the sport’s first three-division world champion, winning the middleweight title in 1891, the heavyweight title in 1897, and the lightheavyweight title in 1903. Rare vintage ink signature, “Robert Fitzsimmons,” on an off-white 4 x 2.5 sheet. In fine condition. Accompanied by its original transmittal letter dated November 3, 1896. Starting Bid $200

animation and comic art

Walt Disney

portrait signed boldly by Walt Disney

Crystal-clear early

674. Walt Disney Signed Photograph. Remarkable vintage matte-finish 8 x 10 photo of Disney in a magnificent seated pose, signed and inscribed in bold fountain pen, “To Dr. Lucinda de Leftwich, with my best wishes, Walt Disney.” Another hand has annotated the lower portion in white ink. In very fine condition. A fabulous early portrait of the man behind the mouse. Starting Bid $500

677. Donald Duck production cel from a Walt Disney cartoon. (Walt Disney Studios, 1930s) Original production cel of Donald Duck from a Walt Disney cartoon, depicting the character wearing a feather-tipped hat with matching vest and shirt in a full-length pose. The cel is placed on a color copy background and displayed within a Courvoisier Galleries mat, 12 x 14, which is titled in pencil, “A Walt Disney Original, ‘Donald.’” Character image measures 2 x 3.25, with a mat opening of 6.25 x 6.5. In fine condition, with some toning to the mat. Starting Bid $200

678. Minnie Mouse and Peg Leg Pete production drawings from The Klondike Kid. (Walt Disney Studios, 1932) Original production drawings featuring Minnie Mouse and Peg Leg Pete from The Klondike Kid: first is a detailed layout drawing, showing Minnie Mouse swinging back and forth from a moose mount as Pete runs out of the frame, marked as “Scene 55,” with attached layout change sheet; and a production drawing from the same sequence, showing Peg Leg Pete with two knives raised overhead, marked “75.” Accomplished in graphite and colored pencil on two sheets of untrimmed 12 x 9.5 animation paper. The layout drawing measures an overall 10 x 7, and the Peg Leg Pete image measures 4.75 x 5. In overall fine condition. Starting Bid $200

679. Witch and children production drawings from Babes in the Woods. (Walt Disney Studios, 1932) Two original production drawings featuring the witch and children from Babes in the Woods: a production drawing of the witch carrying two children on her broom, accomplished on off-white 11.5 x 9 animation paper, marked “31” in the lower corner; and a detailed production layout drawing of the interior of the witch’s spooky house—complete with rats, cats, skeletons, and spider webs— accomplished in graphite and colored pencil on off-white 11.75 x 9.25 animation paper. Each piece is framed to an overall size of 18 x 15.5. In overall fine condition. Starting Bid $200

680. Baby Mickey and Baby Minnie Mouse production layout drawing from Mickey’s Nightmare. (Walt Disney Studios, 1932) Original production layout drawing with background detail and production flap from Mickey’s Nightmare, showing Mickey and Minnie Mouse as babies playing with rolldown window shades in a bedroom. Accomplished in graphite and colored pencil on untrimmed 12 x 9.5 Walt Disney Productions animation paper, listing the scene as “27” and the animator as “Ben.” Total image measures 9.25 x 7. Original blue contact layout sheet affixed to reverse left side of paper is marked “UMI” and “Sc. 27.” In fine condition, with trivial edgewear, areas of toning, and a central horizontal fold. Starting Bid $200

681. Minnie Mouse and Peg Leg Pete production drawing from Klondike Kid. (Walt Disney Studios, 1932) Original production drawing featuring Minnie Mouse and Pegleg Pete from The Klondike Kid, showing the classic Disney bad guy holding Minnie by her dress. Accomplished in graphite and colored pencil on untrimmed 11.75 x 9.5 animation paper marked “2” in the lower right corner. Image measures 3.75 x 4. In fine condition, with some light creasing and edgewear. Starting Bid $200

682. Mickey Mouse and Peg Leg Pete production drawing from Two-Gun Mickey. (Walt Disney Studios, 1934) Original production drawing featuring Mickey Mouse and Peg Leg Pete from Two-Gun Mickey, showing them engaged in a violent cowboy knife fight, with Pete prepared to deal Mickey a deadly strike. Accomplished in graphite on untrimmed 12 x 9.5 animation paper marked “17” in the lower right corner. Image measures 4.75 x 5.75. In fine condition. Starting Bid $200

684. Mickey Mouse, Donald Duck, and Goofy production drawing from Mickey’s Service Station. (Walt Disney Studios, 1935) Very desirable original production drawing of Mickey Mouse, Donald Duck, and Goofy from Mickey’s Service Station, which depicts the three auto mechanics in alarmed full-length poses. Accomplished in graphite and colored pencil on untrimmed 12 x 9.5 animation paper, which is marked “21B” in the right corners. Total image measures 5.75 x 6.5. In fine condition, with trivial creasing to borders. Mickey’s Service Station introduced Mickey Mouse, Donald Duck, and Goofy as a comedy trio, which would soon become a popular formula for Disney films—a sought-after example given the presence of all three iconic Disney characters. Starting Bid $200

683. Max Hare production cel from The Tortoise and the Hare. (Walt Disney Studios, 1935) Original production cel of Max Hare from The Tortoise and the Hare, which shows the heavily favored rabbit runner sitting on the dirt race track in a disgruntled full-length pose. The cel has been trimmed and applied to a custom hand-painted production background. Image measures 3.75 x 5, with a mat opening of 13.25 x 10. Matted and framed to an overall size of 23 x 19.5. In fine condition, with very light rippling and discoloration to face and ears. Starting Bid $200

685. Donald Duck and Goofy production drawing from Mickey’s Service Station. (Walt Disney Studios, 1935) Original production drawing of Donald Duck and Goofy from Mickey’s Service Station, which depicts the two bumbling auto mechanics in full-length poses, with Donald accidentally spilling oil into the rear-end flap of Goofy’s coveralls. Accomplished in graphite and colored pencil on untrimmed 12 x 9.5 animation paper, which is marked “294” in the lower right corner. Total image measures 5.25 x 4.5. In fine condition, with trivial wear. Mickey’s Service Station introduced Mickey Mouse, Donald Duck, and Goofy as a comedy trio, which would soon become a popular formula for Disney films. Starting Bid $200

687. Practical Pig production cel from Three Little Wolves. (Walt Disney Studios, 1936) Original production cel of Practical Pig from the Silly Symphony cartoon Three Little Wolves, showing the hardworking porker holding a shotgun in an upset full-length pose. Character image measures 3 x 3, with overall dimensions of 11.25 x 9.5; the lower right corner is marked “227.” In very good to fine condition, with some lifting to paint, and rippling to trimmed edges. Starting Bid $200

686. Big Bad Wolf and Nephews production cels from Three Little Wolves. (Walt Disney Studios, 1936) Fantastic matching set of original production cels featuring Big Bad Wolf and his three nephews from Three Little Wolves, showing them in the film’s opening scene as the Big Bad Wolf teaches a lesson about the ‘choice cuts of pig.’ The cels are trimmed to image placed on a matching color copy background. Images measure 5 x 3.5 (Big Bad Wolf) and 3.25 x 2.5 (nephews), with overall dimensions of 13.75 x 12. In fine condition. Starting Bid $200

688. Mickey and Minnie Mouse production drawing from Mickey’s Rival. (Walt Disney Studios, 1936) Original production drawing featuring Mickey and Minnie Mouse from Mickey’s Rival, showing the pair dangling from a tree branch, with Mickey desperately clinging to Minnie’s left leg. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper marked “13” in the lower right corner. Total image measures 10.25 x 6.5. In fine condition, with very light crinkling to the left side. Starting Bid $200

Marvelous Snow White production cel set-up

featuring three dwarfs illuminated by a lantern

689. Doc, Bashful, and Sneezy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring Doc, Bashful, and Sneezy from Snow White and the Seven Dwarfs, showing Doc leading the way with a mining lantern as forest animals look on. The cel has been trimmed and applied to a hand-painted background as prepared by Courvoisier Galleries for sale. Main character image of the three dwarfs measures 5.75 x 3.5, with a mat opening of 8.25 x 8. Beautifully double-matted and framed to an overall size of 18 x 17.5. The original Disney Courvoisier Galleries label has been applied to the frame’s backing. In fine condition, with a couple flecks of paint loss to the birds. A highly attractive and well-displayed Courvoisier set-up from Disney’s first animated feature. Starting Bid $500

Trio of Snow White’s dwarfs on a Courvoisier woodgrain cel set-up

690. Doc, Bashful, and Sneezy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Desirable original production cel featuring Doc, Bashful, and Sneezy from Snow White and the Seven Dwarfs, showing the three classic characters in excellent full-bodied poses. The cel has been trimmed and applied to a woodgrain background as prepared by Courvoisier Galleries for sale. Images measure 2.5 x 4.5 (Doc) and 4.25 x 4 (Bashful and Sneezy), with a mat opening of 9.5 x 7.5. Matted to an overall size of 14.5 x 13.25. The piece has the original Disney Courvoisier Galleries labels on the reverse. In fine condition, with some dampstaining along the bottom of the mat. Starting Bid $500

Handsome woodgrain Courvoisier set-up of Bashful, Doc, Sneezy, and Happy

691. Bashful, Doc, Sneezy, and Happy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring Bashful, Doc, Sneezy, and Happy from Snow White and the Seven Dwarfs, desirably showing the cluster of four surprised dwarfs in full-length poses. The cel has been trimmed and applied to a woodgrain background as prepared by Courvoisier Galleries for sale. Image measures 8 x 6, with overall dimensions of 9 x 9.5. The piece has the original Disney Courvoisier Galleries labels on the reverse. In fine condition. Starting Bid $500

2.75 x 6.25, with overall dimensions of 17 x 11.5. In fine condition. An attractive example of an iconic Disney character. Starting Bid $300

693.

Original production cel featuring Mickey Mouse and the stork from Clock Cleaners, showing the large stork carrying Mickey in a bundle like a baby. Image measures 10.25 x 7, with overall dimensions of 11.75 x 10. In fine condition. An unusually large image from a classic Mickey Mouse short—in 1994, 1000 members of the animation field voted Clock Cleaners as the 27th greatest cartoon of all time. Starting Bid $300

Mickey Mouse and Stork production cel from Clock Cleaners. (Walt Disney Studios, 1937)

692. Snow White production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Great original production cel featuring Snow White from Snow White and the Seven Dwarfs, showing the original Disney princess in a lovely three-quarter-length pose, her eyes closed and mouth open in song. The cel is trimmed to image and placed on a color copy background. Image measures

694. Happy and Sneezy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original full-figure production cel featuring Happy and Sneezy from Snow White and the Seven Dwarfs, showing the diminutive pair looking quite surprised. The cel has been trimmed and applied to a woodgrain background as prepared by Courvoisier Galleries for sale. Image measures 5 x 4, with a mat opening of 10 x 6.5. Handsomely framed to an overall size of 18.5 x 15. In fine condition. Starting Bid $300

695. Dopey and bunnies production cels from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cels featuring Dopey and two bunnies from Snow White and the Seven Dwarfs. The cels have been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Images measure 2.25 x 4 (Dopey) and 1.5 x 1.75 (bunnies), with a mat opening of 5.25 x 5.25 Attractively framed to an overall size of 15.25 x 15.25. The piece has the original Disney Courvoisier Galleries label applied to the frame’s backing. In very good to fine condition, with some lifting and chipping to paint in the Dopey cel. Starting Bid $300

696. Grumpy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel of Grumpy from Snow White and the Seven Dwarfs, showing the perpetually peeved dwarf in a full-length walking pose. The cel has been applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Image measures 3.25 x 5, with a mat opening of 4.75 x 6.75. Triple-matted and framed to an overall size of 16.75 x 20.75. In very good to fine condition, with some light discoloration to cel paint, and rippling and a thin tear to upper background. Starting Bid $200

697. Dopey production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring Dopey from Snow White and the Seven Dwarfs, showing the lovable character in a playful full-figure pose. The cel has been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Image measures 3 x 3.25, with a mat opening of 4.25 x 5. Double-matted and framed to an overall size of 13 x 14.75. In very good to fine condition, with ample lifting to paint, most noticeably to Dopey’s face and hat. Starting Bid $200

698. Sneezy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring Sneezy from Snow White and the Seven Dwarfs, showing him seated and holding his fish flute and cymbal. Image measures 5.5 x 4.5, with overall dimensions of 12.25 x 9.75. In fine condition, with adhesive remnants to corners. Starting Bid $200

699. Frank Follmer panoramic concept painting for Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Impressive original panoramic concept painting by Frank Follmer for Snow White and the Seven Dwarfs, showing Snow White, the Prince, Grumpy, Doc, Happy, Sleepy, Bashful, Dopey, and Sneezy in a wonderful group scene, with the Queen’s castle visible in the distance through the trees. Accomplished in graphite and watercolor on 17.5 x 10.5 artist’s paper, signed in the lower right in pencil, “F. Follmer.” In fine condition. Starting Bid $200

701. Forest Animals production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring forest animals from Snow White and the Seven Dwarfs, showing several chipmunks, squirrels, and bunnies bounding through a field beneath a mushroom cottage. The cel has been trimmed and applied to a hand-painted background as prepared by Courvoisier Galleries for sale. Characters range in size from .75 x .75 to 1.25 x 1.5, with a mat opening of 9.5 x 7.5. Matted to an overall size of 14.5 x 13. The piece has the original Disney Courvoisier Galleries labels on the reverse. In fine condition. Starting Bid $200

700. Frank Follmer production concept painting from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Adorable original panoramic concept painting by Frank Follmer for Snow White and the Seven Dwarfs, showing Snow White, Happy, Grumpy, Bashful, Doc, Dopey, Sleep, and Sneezy, as well as a few forest critters, gathered together outside of the dwarfs’ forest cottage. Accomplished in graphite and watercolor on 17.75 x 11.75 artist’s paper, signed in the lower right in pencil, “Frank Follmer.” Double-matted to an overall size of 22.25 x 15.25. In fine condition. Starting Bid $200

702. Rabbit and bunnies production cels from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Cute original production cels featuring a mom rabbit and her baby bunnies from Snow White and the Seven Dwarfs, with cattails and reeds to the left. The cels have been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Character images measure from .75 x 1.25 ti 4 x 1.5, with a mat opening of 7.5 x 5.5. Framed to an overall size of 14 x 12.5. In fine condition. Starting Bid $200

Great Courvoisier set-up from The Hockey Champ

9.5 x 7.75. Nicely framed to an overall size of 19 x 18. In fine condition, with a bit of lifting and loss to paint (most noticeably to the green band on one of the hockey sticks). A great Couvoisier set-up in its

705. Donald Duck and nephews production cels from The Hockey Champ. (Walt Disney Studios, 1939) Original production cels featuring Donald Duck and his nephews from The Hockey Champ, showing Donald teaching Huey, Dewey, and Louie how to skate, shoot, and handle the puck. The cels have been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Images measure 3 x 4 (Donald) and 3 x 4.25 (nephews), with a mat opening of

original mat. Starting Bid $500

703. Ferdinand the Bull production cel from Ferdinand the Bull. (Walt Disney Studios, 1938) Original production cel of the title character from Ferdinand the Bull, depicting the friendly bovine in a humorous wide-eyed pose. The cel has been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Character image measures 4.75 x 6.75, with overall dimensions of 9.75 x 12.75. In fine condition, with trivial lifting to paint on right horn. A large and highly displayable Courvoisier setup from this Oscar-winning short film. Starting Bid $200

704. Mickey and Minnie Mouse production drawings from Brave Little Tailor. (Walt Disney Studios, 1938) Two original production drawings of Mickey Mouse and Minnie Mouse from Brave Little Tailor, showing Mickey dressed in his medieval attire and holding his hat, and Minnie as a princess holding her dress in an alarmed pose. Both are accomplished in graphite and colored pencil on individual sheets of untrimmed 12 x 10 animation paper, respectively marked “44” and “22A” in the lower right corners. The images measure 2.75 x 4.25 (Mickey) and 2.5 x 5 (Minnie). In overall fine condition, with trivial crinkling to the left side of the Mickey sheet. Starting Bid $200

706. Minnie Mouse production cel from Mickey’s Surprise Party. (Walt Disney Studios, 1939) Original production cel of Minnie Mouse from Mickey’s Surprise Party, which shows Mickey’s girlfriend pushing herself up from a couch in a full-length pose. Image measures 6.5 x 4, with overall dimensions of 12.25 x 10; the cel is marked “72” in the lower right corner. In fine condition, with light rippling to edges. Mickey’s Surprise Party is the first cartoon with Mickey and Minnie Mouse in their current designs, created by animator Fred Moore. Starting Bid $200

707.

production cel

from Society Dog Show.

(Walt Disney Studios, 1939) Original production cel featuring Pluto from Society Dog Show, showing Mickey’s dog in a fine full-bodied pose with his tail pointed skyward. Image measures

3.75 x 4, with overall dimensions of 11 x 9.75. In fine condition. Starting Bid $200

708.

Follmer

of

from The

Pig. (Walt Disney Studios, 1939) Original preliminary model sheet drawing of The Three Little Pigs by Frank Follmer, which shows 17 different images of the piglet trio for the Silly Symphony cartoon The Practical Pig. Accomplished in graphite on untrimmed 11.75 x 9 artist paper, which is signed in the lower left with his initials, “F. F.,” who adds costume notes to a couple of images. In fine condition. Accompanied by a copy of a letter from Walt Disney Archives regarding Follmer’s participation with the company. Follmer worked at Walt Disney Studios from the late 1930s through the early 1940s, assisting on projects like Snow White and the Seven Dwarfs, Pinocchio, and Fantasia. Starting Bid $200

Frank

model sheet drawing

The Three Pigs

Practical

Pluto

Stunning Courvoisier set-up from Pinocchio

(Jiminy Cricket), with a mat opening of 9.5 x 7.5. Framed to an overall size of 16.5 x 16.5. In fine condition. A great Courvoisier set-up from the popular Oscar-winning animated feature. Starting Bid $500

709. Pinocchio and Jiminy Cricket production cels from Pinocchio. (Walt Disney Studios, 1940) Original production cels featuring Pinocchio and Jiminy Cricket from Pinocchio, showing the puppet-turned-boy looking at Jiminy Cricket, who is perched upon a flower. The cel has been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Images measure 6 x 6.5 (Pinocchio) and 1.75 x 1.5

Concept painting of Mickey Mouse as the star-spinning ‘Sorcerer’s Apprentice’

710. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, which shows the young wizard-to-be during his magical dream sequence: standing atop a pinnacle and wearing the mystical hat of the Sorcerer Yen Sid as a comet streaks past in the sky. The black night sky background is neatly dotted with stars. Accomplished in gouache on black 9.75 x 9 artist’s board. In fine condition, with tack holes to corners. Starting Bid $500

Magical Mickey stands atop a pinnacle in his fantastic Fantasia dream

artist’s board. In fine condition, with tack holes to corners.

Starting Bid $500

711. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, which shows the young wizard-to-be during his magical dream sequence: standing atop a pinnacle and wearing the mystical hat of the Sorcerer Yen Sid as a comet streaks overhead in the dark blue night sky. Accomplished in gouache on black 8.5 x 7.5

Impressive concept scene for Fantasia’s ‘Sorcerer’s Apprentice’ sequence

712. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, showing the young wizard-to-be in Sorcerer Yen Sid’s magic hat during dream sequence: standing atop a pinnacle and impressively commanding torrential waves to shoot up all around him. Accomplished in gouache on black 8.25 x 7.5 artist’s board. In fine condition, with tack holes to corners. Starting Bid $500

Sensational Fantasia concept artwork of Mickey on Yen Sid’s spellbook

713. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Awesome original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, showing the young wizard-to-be riding Sorcerer Yen Sid’s spellbook through a magical whirlpool during a dream sequence. Accomplished in gouache on black 8.25 x 7.5 artist’s board. In fine condition, with tack holes to corners. Starting Bid $500

Magnificent concept painting of Mickey Mouse as the ‘Sorcerer’s Apprentice’

714. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Dramatic original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, showing the young wizard-to-be in Sorcerer Yen Sid’s hat, chasing his magic broom up the stairs as water begins to engulf him. Accomplished in gouache on black 8.5 x 7.75 artist’s board. In fine condition, with tack holes to corners. A splendid piece of concept art from one of Disney’s greatest and most innovative films. Starting Bid $500

715. Mother and baby Pegasus production cel from Fantasia. (Walt Disney Studios, 1940) Original production cel of a mother Pegasus teaching her baby how to fly during the ‘Pastoral Symphony’ segment of Fantasia. The cel has been applied to a hand-painted background as prepared by Courvoisier Galleries for sale, which bears two “WDP” stamps to the lower right corner. Total character image measures 10.75 x 5, with a mat opening of 13 x 11. Double-matted and framed to an overall size of 19.25 x 17.25; frame backing bears the original Walt Disney Productions label. In very good to fine condition, with some instances of discoloration and lifting to paint, mostly to the wing of the mother. Starting Bid $300

Fantasia’s mushroom dancers from the ‘Nutcracker Suite’

716. Mushrooms production cel from Fantasia. (Walt Disney Studios, 1940) Uncommon original production cel featuring the dancing mushrooms from the ‘Nutcracker Suite’ segment of Fantasia, showing six mushrooms in a synchronized dancing pose. The cel has been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Total mushroom image measures 6 x 3.5, with a mat opening of 6.75 x 6. Framed to an overall size of 15.75 x 14. In very good to fine condition, with some foxing and staining to the mat. Starting Bid $300

718.

(Walt Disney Studios, 1937) Wonderful original panoramic concept painting by Frank Follmer of a large assortment of characters from Fantasia, including Mickey Mouse as the Sorcerer’s Apprentice, a magic broom, Hyacinth Hippo, Madame Upanova, a centaurette, and several Nutcracker Suite dancers like a sugarplum fairy, thistles, flowers, and mushrooms, which includes Hop Low. Accomplished in graphite and watercolor on 17.75 x 10.75 artist’s paper, signed in the lower right in pencil, “F. Follmer.” Double-matted and framed to an overall size of 25 x 17.75. In fine condition. Starting Bid $200

Outstanding cel set-up from Tugboat Mickey

717.

(Walt Disney Studios, 1940) Outstanding original production cels featuring Mickey Mouse and the pelican from Tugboat Mickey, showing Captain Mickey seated on a swing while he paints the boat’s mast at the start of the cartoon; his pelican assistant happily rests to his right. The cels are trimmed to image and placed on a matching studio copy background. Images measure 4 x 7.25 (Mickey) and 3.5 x 4 (pelican), with overall dimensions of 12.5 x 11. In fine condition. A superior cel set-up boasting a large, colorful image of Disney’s iconic mouse. Starting Bid $300

Frank Follmer panoramic concept painting for Fantasia.

Mickey Mouse and Pelican production cels from Tugboat Mickey.

719. Jiminy Cricket production cel from Pinocchio. (Walt Disney Studios, 1940) Original production cel featuring Jiminy Cricket from Pinocchio, showing the hardworking cricket fixing the music box inside Geppetto’s house. The cel is placed on a matching studio copy background. Image measures 5 x 5.5, with overall dimensions of 12.75 x 10.75. In fine condition. Starting Bid $200

720. Chernabog production drawing from Fantasia. (Walt Disney Studios, 1940) Original production drawing of the Chernabog from Fantasia, showing the imposing winged demon during the terrifying ‘Night on Bald Mountain’ sequence. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper, marked “55” in the lower corner. Image measures 8.5 x 11.25. In fine condition, with a few light creases. A ferociously large drawing of Vladimir Tytla’s greatest creation. Starting Bid $200

721. Chernabog production drawing from Fantasia. (Walt Disney Studios, 1940) Original production drawing of the mighty Chernabog from Fantasia, depicting the imposing demon with arms folded and wings spread wide during the terrifying ‘Night on Bald Mountain’ sequence. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper marked “324” in the lower right corner. Image measures 11.25 x 11. In fine condition, with trivial toning to lower border and a small tear to top edge. A powerful drawing of Vladimir Tytla’s greatest and most evil creation. Starting Bid $200

722. Male and female centaur production cel from Fantasia. (Walt Disney Studios, 1940) Original production cel of a male and female centaur from Fantasia, showing the two mythological creatures holding hands in half-length poses during the film’s ‘Pastoral Symphony’ sequence. The cel, which is slightly trimmed, is placed on a color lithograph background.

Total image measures 4 x 3, with overall dimensions of 17 x 12.5. In fine condition, with an irregularly trimmed lower right corner. Starting Bid $200

723. Chernabog production drawing from Fantasia. (Walt Disney Studios, 1940) Original production drawing of the mighty Chernabog from Fantasia, depicting the imposing demon with arms open and wings spread wide during the terrifying ‘Night on Bald Mountain’ sequence, a moment accentuated by terrific smoke effects swirling about the creature’s body. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper marked “C43” in the lower right corner. Total image measures 13.75 x 11.5. In fine condition, with a few unobtrusive creases. Starting Bid $200

724. Frank Follmer concept drawing from Fantasia. (Walt Disney Studios, 1940) Original concept drawing by Frank Follmer for Fantasia, featuring a topless Centaurette bathing below a trio of ostrich ballerinas from the ‘Pastoral Symphony’ segment of the film. Accomplished in graphite on 12 x 9 artist’s paper, signed in the lower right in pencil by Follmer. In fine condition. Accompanied by a copy of a letter from Walt Disney Archives regarding Follmer’s participation with the company. Follmer worked at Walt Disney Studios from the late 1930s through the early 1940s, assisting on projects like Snow White and the Seven Dwarfs, Pinocchio, and Fantasia. Starting Bid $200

725. Madame Upanova production drawing from Fantasia. (Walt Disney Studios, 1940) Original production drawing featuring Madame Upanova from the ‘Pastoral Symphony’ segment of Fantasia, which depicts the ballet-dancing ostrich in a fine full-length pose. Accomplished in graphite on 13 x 12 animation paper marked “# 78” in the lower right corner. Image measures 3.25 x 6.75. In fine condition, with a tear to the right edge, and short tears to the bottom edge. Starting Bid $200

726. Pinocchio production drawing from Pinocchio. (Walt Disney Studios, 1940) Original rough production drawing featuring the main character from Pinocchio, featuring a full-bodied image of the boy puppet in a seated pose. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper, signed in pencil by animator Willis Pyle, “W. Pyle, 1939.” Image measures 4.5 x 5. In fine condition. Starting Bid $200

Scarce Courvoisier combo of Walt Disney and the two stars of Dumbo

727. Walt Disney signed Dumbo and Timothy Q. Mouse production cels from Dumbo. (Walt Disney Studios, 1941) Original production cels of Dumbo and Timothy Q. Mouse from Dumbo, signed and inscribed on the original Courvoisier mat in green crayon, “To Carl Hinshaw, with best wishes, Walt Disney,” with the encircled Walt Disney Productions “WDP” stamped above. The cels, which depict the young elephant standing with his miniature mentor mouse near a circus tent, have been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Character images measure 1.5 x 1 (Timothy) and 5 x 3 (Dumbo, with a mat opening of 7.5 x 7.25. Double-matted and framed to an overall size of 13.75 x 18.25. In very good to fine condition, with peeling to both cels, and lifting to paint on one of Dumbo’s feet and to the lower half of Timothy. Starting Bid $500

728. Animation Pioneers (26) Multi-Signed Program with Earle, Davis, Ross, and More. Wonderful original program from the “A Tribute to the Pioneers of Animation” dinner banquet held on September 1, 1994, 64 pages, 5.5 x 8.5, signed on their respective biography pages in ink or felt tip by 26 legendary animators and cartoonists, including Eyvind Earle, Marc Davis, Preston Blair, Ollie Johnston, Ward Kimball, Myron Waldman, Walter Lantz, Bill Melendez, Virgil Ross, Frank Thomas, Richard Thomas, Bob Allen, Ed Benedict, Dick Bickenbach, Shamus Culhane, Ron Dias, Bill Hurtz, Paul Julian, Maurice Noble, Ken O’Connor, Bill Peet, Irv Spence, Clair Weeks, Lou Zukor, and Morey Zukor. In fine condition. Accompanied by a cardstock group poster of the animators with facsimile signatures. Starting Bid $200

729. Miss Bunny production cel from Bambi. (Walt Disney Studios, 1942) Original production cel featuring Miss Bunny from Bambi, showing the cute female rabbit in a full-body pose. The cel has been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Image measures 2.75 x 3, with overall dimensions of 5.25 x 6.5. The piece retains a small section of the original Disney Courvoisier Galleries label on the reverse, as well as a “Walt Disney Productions” ink stamp. In fine condition, toning to edges of the celluloid. An uncommon piece, as Miss Bunny appears in just one scene. Starting Bid $200

730. Donald Duck production cel from a Disney cartoon short. (Walt Disney Studios, 1942) Original production cel of Donald Duck from a Disney cartoon short, showing Donald extending a pink perfume bottle in an anxious full-length pose. Image measures 5.75 x 5.25, with overall dimensions of 12.5 x 10; the cel is marked “D237” in the lower right corner. In fine condition, with some trivial surface impressions, and some faint spreading to the pink paint. Starting Bid $200

731. Br’er Rabbit and Br’er Fox production cel from The Song of the South. (Walt Disney Studios, 1946) Original production cel featuring Br’er Fox and Br’er Rabbit from the ‘Uncle Remus’ tales portrayed in Song of the South, showing the clever fox preparing to roast the rabbit after capturing him. The cel is placed on a color copy background. Image measures 6.5 x 6.75, with overall dimensions of 13.5 x 10.5. In fine condition. A large uncommon image from a controversial Disney feature. Starting Bid $300

15 x 11. In fine condition. Starting Bid $300

x 6.5, with overall dimensions of 12.25 x 10.25. In fine condition. Starting Bid $200

placed on a color copy background. Image measures 2.5 x 4.75, with overall dimensions of 12 x 10. In fine condition. Starting Bid $200

732. Br’er Bear production cel from The Song of the South. (Walt Disney Studios, 1946) Uncommon original production cel featuring Br’er Bear from the ‘Uncle Remus’ tales portrayed in Song of the South, showing the dimwitted bear in a large, full-figure pose. Image measures 4.5 x 7.75, with overall dimensions of

733. Br’er Fox production cel from The Song of the South. (Walt Disney Studios, 1946) Large original production cel featuring Br’er Fox from the ‘Uncle Remus’ tales portrayed in Song of the South, showing the crafty fox in a frustrated half-length pose. The cel is placed on a color copy background. Image measures 7.5

734. Br’er Rabbit production cel from The Song of the South. (Walt Disney Studios, 1946) Original production cel featuring Br’er Rabbit from the ‘Uncle Remus’ tales portrayed in Song of the South, showing him all tied up and hanging after being captured by the clever Br’er Fox. The cel is

735. Joe and Jenny production cel from Melody Time. (Walt Disney Studios, 1948) Original production cel featuring Joe and Jenny from Melody Time, which shows the romantic couple ice skating during the film’s ‘Once Upon a Wintertime’ segment. The cel is placed on a matching studio copy background. Total character image measures 5.5 x 4, with a mat opening of 6.5 x 5. Double-matted and framed to an overall size of 11.25 x 9.75. In fine condition. Starting Bid $200

736. The King, Grand Duke, and King’s Messenger production cels from Cinderella. (Walt Disney Studios, 1950) Three original production cels featuring The King, Grand Duke, and King’s Messenger from Cinderella, with each character represented in a large, full-bodied pose. The King is shown with a cigar in hand; the Grand Duke wears a monocle and golden epaulets; and the King’s Messenger carries a pack full of invitations to the royal ball. Each cel is placed on a solid background and displayed within a 10 x 12 black paper frame. Character images measure from 5.25 x 5.5 to 6 x 7. In fine condition. Starting Bid $200

737. Jiminy Cricket production cel from a Disneyland TV Show. (Walt Disney Studios, circa 1950s) Original production cel featuring Jiminy Cricket from a Disneyland TV show, showing him strolling with his umbrella in a nice full-bodied pose. Image measures 2 x 2.75, with a mat opening of 4.5 x 6.5. Framed to an overall size of 10 x 12. Reverse bears an affixed gold Walt Disney Productions label, stating: “This is an original handpainted celluloid drawing actually used in a Walt Disney production.” In fine condition, with a small paint chip to his chest. Starting Bid $200

Hunting in the great outdoors with Goofy and son in Father’s Lion

738. Goofy and Son production key master background set-up from Father’s Lion. (Walt Disney Studios, 1952) Rare original production key master background set-up featuring Goofy and Goofy, Jr. from Father’s Lion, showing the father-and-son duo on their hunting trip, with Goofy holding his shotgun and his son armed with his popgun in excited full-length poses. The cels have been trimmed and applied to a hand-painted production background. Images measure 5.5 x 5.75 (Goofy) and 2.5 x 3.75 (Goofy, Jr.), with a mat opening of 9.75 x 8. Framed to an overall size of 17.25 x 16.5, with the mat bearing an “Original WDP” stamp. Reverse of the frame bears the original Walt Disney Productions label, which identifies the cartoon as “Foul Hunting.” In fine condition. Starting Bid $300

739. Susie production cel from Susie the Little Blue Coupe. (Walt Disney Studios, 1952) Original production cel featuring Susie from Susie the Little Blue Coupe, showing the title character with her eyes wide open. The cel is trimmed to image and placed on a matching studio copy background. Image measures 4.75 x 4.25, with overall dimensions of 14.5 x 11. In fine condition. The cartoon’s method of giving cars human features—using the windshield for the eyes and eyelids—served as a stylistic inspiration for the 2006 Disney-Pixar animated feature, Cars, and its sequels and spin-offs. Starting Bid $200

741. Amos Mouse and Benjamin Franklin production cel from Ben and Me. (Walt Disney Studios, 1953) Original production cel featuring Amos Mouse and Benjamin Franklin from Ben and Me, showing the little colonial mouse perched happily in the founding father’s tricorn hat. Total character image measures 9.25 x 7.5, with overall dimensions of 11 x 8.5; the cel is tape-affixed to a cardstock mount. In fine condition, with some lifting to paint to the extreme lower right, which could be matted out if so desired. Starting Bid $200

740. Tinker Bell production cel from Peter Pan. (Walt Disney Studios, 1953) Desirable original production cel featuring Tinker Bell from Peter Pan, showing the diminutive winged fairy in a large full-figure pose. The cel is trimmed to image and placed on a matching studio copy background. Image measures 3.5 x 7.5, with overall dimensions of 17 x 12. In fine condition. Starting Bid $300

742. Michael Darling production cel from Peter Pan. (Walt Disney Studios, 1953) Original production cel of Michael Darling from Peter Pan, showing the young boy in a running profile wearing his pink pajamas and holding his beloved teddy bear. The cel is placed on a color copy background. Image measures 4.25 x 4, with overall dimensions of 17 x 12.5; the trimmed cel is marked “43” in the lower right corner. In fine condition, with a crease and staples holes to the top section. Starting Bid $200

744. Donald Duck, Goofy, and Mickey’s Nephews production cel from a Disneyland TV Show. (Walt Disney Studios, 1956) Appealing original production cel of Donald Duck, Goofy, and Mickey’s three nephews from a Disneyland television show, depicting each beloved character in a brightly colored full-length pose. Total image measures 9.75 x 7, with overall dimensions of 16 x 12.5; the cel is marked “D-8” in the lower right corner. In fine condition. Starting Bid $200

743. Peg production cel from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel of Peg from Lady and the Tramp, depicting the sassy Pekingese smiling and looking over her shoulder. Image measures 8.25 x 5, with a mat opening of 12.5 x 7.5. Triple-matted and framed with an engraved plate to an overall size of 19.25 x 15.5. In fine condition. Starting Bid $200

747. Pecos Bill and Widowmaker production cel from Disneyland TV Show. (Walt Disney Studios, circa 1956) Original production cel featuring Pecos Bill and Widowmaker from the Disneyland TV Show, showing the gunslinging cowboy atop his trusty steed. The cel is placed on a color copy background. Image measures 3 x 4, with overall dimensions of 17 x 12.5. In fine condition. Starting Bid $200

746. Donald Duck production cel from a Disneyland television show. (Walt Disney Studios, 1956) Original production cel featuring Donald Duck from a Disneyland television show, depicting the happy duck holding a paper airplane in a fantastic full-bodied profile pose. The cel is placed on a studio copy background of a beach, and the character image measures 6.25 x 7.5, with overall dimensions of 13 x 10.25. In fine condition, with evenly trimmed edges and trivial lifting to paint. Starting Bid $200

745. Mickey Mouse production cel from a Disneyland television show. (Walt Disney Studios, 1985) Original production cel featuring Mickey Mouse from a Disneyland television show, showing Mickey in a cool full-figure with a blue jacket, red pants, and brown shoes. Character image measures 4.5 x 5.75, with overall dimensions of 12 x 9. In fine condition, with trimmed edges, the upper of which bears two staples, and some yellowing to the white paint. Starting Bid $200

748. Fauna and Flora production cel from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel featuring Fauna and Flora from Sleeping Beauty, showing the two good fairy godmothers with their magic wands in attractive full-length poses. The cel is placed on a matching color copy background and displayed within its original 14 x 12 mat, the reverse of which bears a golden Walt Disney Production label indicating that the cel was released by the Art Corner at Disneyland. Total character image measures 9.25 x 7, with a mat opening of 10 x 8. In fine condition. Starting Bid $200

750. Maleficent production drawing from Sleeping Beauty. (Walt Disney Studios, 1959) Original production drawing of Maleficent from Sleeping Beauty, showing her in her immense dragon form shortly after being fatally pierced by Prince Phillip’s ‘Sword of Truth.’ Accomplished in graphite on untrimmed 15.5 x 12 animation paper marked “107” in the lower right corner. Image measures 12 x 11. In fine condition, with a couple of short edge tears. An impressive production drawing that includes the first use of blood in a full-length Disney movie. Starting Bid $200

749. Briar Rose and Prince Phillip production cel from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel featuring Briar Rose and Prince Phillip from Sleeping Beauty, depicting the pair dancing together in the forest. The cel is placed on a matching studio copy background. Image measures 1.5 x 2.75, with overall dimensions of 17 x 12.5; the cel is marked “107” in the lower right corner. In fine condition, with a small bumpy area to the cel that in no way affects the paint. Starting Bid $200

751. Maleficent production drawing from Sleeping Beauty. (Walt Disney Studios, 1959) Original production drawing featuring Maleficent from Sleeping Beauty, showing the evil sorceress gripping her scepter in a demanding fulllength pose. Accomplished in graphite and colored pencil on 14.25 x 12 animation paper marked “364A” in the lower right corner. Image measures 9.5 x 5.5. In fine condition, with some creasing, and a couple of short tears to the bottom edge. Starting Bid $200

753. Jiminy Cricket production cel from Walt Disney’s Wonderful World of Color. (Walt Disney Studios, circa 1960s-70s) Original production cel featuring Jiminy Cricket from a special Christmas episode of Walt Disney’s Wonderful World of Color, showing him decked out in his festive greenand-red outfit. ‘From All of Us to All of You,’ the 1958 special holiday episode of Walt Disney Presents, was updated and shown on Walt Disney’s Wonderful World of Color annually through the 1960s and 1970s; this cel originates from one of the later versions of the episode. Image measures 2.25 x 2.25, with a mat opening of 3.25 x 3.75. Framed to an overall size of 6.25 x 6.75. In fine condition. Starting Bid $200

752. Maleficent production drawing from Sleeping Beauty. (Walt Disney Studios, 1959) Original production drawing featuring Maleficent from Sleeping Beauty, showing the evil sorceress holding her staff in a large half-length pose. Accomplished in graphite on untrimmed 15.5 x 12.5 animation paper, marked “45” in the lower right corner. Image measures 5 x 8.5. In fine condition. Starting Bid $200

754. Cruella de Vil’s Car production cel from One Hundred and One Dalmatians. (Walt Disney Studios, 1961) Original production cel of Cruella de Vil’s car from One Hundred and One Dalmatians, a burgundy-red touring vehicle inspired by a 1920 Alvis Speed drophead coupé and a 1931 Bugatti Type 41 Royale Weinburger Cabriolet. Image measures 8.5 x 4.25, with overall dimensions of 16 x 12.5; the cel is marked “203” in the lower right corner. In fine condition, with a trimmed right edge. Starting Bid $200

Marc Davis imagines skeleton scenery for Disney’s popular Pirates of the Caribbean ride

measures 12 x 10. In fine condition, with tack holes to corners. A dark and dramatic concept painting for a popular Disney attraction.

One of Disney’s Nine Old Men, the legendary core animators of early Disney films, Davis joined Disney in 1935 as an apprentice animator on Snow White and the Seven Dwarfs. He continued to work on classic films like Bambi, Cinderella, and Alice in Wonderland, and then later transferred to Disney’s Imagineering team where he contributed whimsical story and character concepts for Disneyland attractions like the Haunted Mansion, It’s a Small World, and Pirates of the Caribbean. Davis is probably best known as the father of some of Disney’s most memorable animated women, including Cruella De Vil from One Hundred and One Dalmatians, Maleficent from Sleeping Beauty, and Tinker Bell from Peter Pan. Starting Bid $500

755. Pirates of the Caribbean ride concept painting by Marc Davis. (Walt Disney Studios, 1966) Extremely rare original concept painting by Marc Davis for Disneyland’s famous dark ride attraction Pirates of the Caribbean, depicting a skeleton pirate in a rowboat with the ‘Jolly Roger’ flag: a jug of rum sits at his feet, and a parrot is perched atop an anchor. Accomplished in watercolor on 15.5 x 13.5 heavyweight art paper, signed in the lower right in pencil by Marc Davis. The total image

756. Mowgli and Baloo production cel from The Jungle Book. (Walt Disney Studios, 1967) Original production cel featuring Mowgli and Baloo from The Jungle Book, which depicts the ‘man-cub’ being picked up by his sloth bear teacher. Image measures 5 x 8.5, with overall dimensions of 17 x 12. The cel, which is marked “13” in the lower right corner, is placed upon a color copy background. In fine condition. After a lukewarm reaction to his studio’s last film, The Sword in the Stone, Disney took a more prevalent role in the story and design of The Jungle Book, which would be the last film to include Disney’s personal input and touches, with Disney passing away before the film’s premiere. Starting Bid $200

757. Hathi, Jr. production cel from The Jungle Book. (Walt Disney Studios, 1967) Original production cel featuring Hathi, Jr. from The Jungle Book, showing the young elephant in a desirable fullfigure pose. The cel is placed on a solid yellow background. Image measures 4.25 x 6.75, with a mat opening of 6.25 x 8.25. Framed to an overall size of 11.5 x 13.5, with a window in the backing for viewing the gold Walt Disney Productions/Disneyland label, stating: “This is an original handpainted celluloid drawing actually used in a Walt Disney production.” In fine condition, with irregular bubbling to the frame’s finish. Starting Bid $200

758. Duchess and Thomas O’Malley production cel from The Aristocats. (Walt Disney Studios, 1970) Original production cel featuring Duchess and Thomas O’Malley from The Aristocats, showing the feline couple side by side. The cel is placed on a color copy background. Images measure 3.5 x 6 (Thomas O’Malley) and 2.75 x 6 (Duchess), with a mat opening of 11.75 x 8.5. Attractively matted and framed to an overall size of 17.5 x 14.25. In fine condition. The Aristocats was the last project to be personally approved by Walt Disney before his death in 1966. Starting Bid $200

759. Thomas O’Malley production cel from The Aristocats. (Walt Disney Studios, 1970) Original production cel featuring Thomas O’Malley from The Aristocats, depicting the smooth-talking, streetwise cat in a great full-length pose. The cel is placed on a matching studio copy background. Image measures 6 x 3.75, with a mat opening of 9.75 x 7.75. Displayed within its original 14 x 12 mat, the reverse of which bears a golden Walt Disney Production label indicating that it was sold at Disneyland. In fine condition. Starting Bid $200

760. Winnie the Pooh and Piglet double-sided storyboard drawing from Winnie the Pooh and Tigger Too. (Walt Disney Studios, 1974) Original double-sided storyboard drawing featuring Winnie the Pooh and Piglet from Winnie the Pooh and Tigger Too, showing the pair of friends on their stroll through the forest. Both Pooh and Piglet are shown wearing scarves. Accomplished in ink on both sides of an off-white 6 x 4.5 sheet. Handsomely double-matted and framed to an overall size of 13.75 x 12.5, with a window in the backing for viewing the opposite side. In fine condition. Animation production artwork is rarely found in this double-sided format. Starting Bid $300

761. Orville production cel from The Rescuers. (Walt Disney Studios, 1977) Original production cel featuring Orville from The Rescuers, showing the aviator bird with one wing raised. The cel is placed on a solid beige background. Image measures 9 x 8, with a mat opening of 13.5 x 9.5. Framed to an overall size of of 20 x 16. The piece has the silver Walt Disney Company seal to lower right. In fine condition. Starting Bid $200

762. Cinderella and Prince Charming limited edition cel from Cinderella. (Walt Disney Studios, 1980s) Limited edition hand-painted cel featuring Cinderella and Prince Charming, numbered 209/275, showing them hand-in-hand, preparing to dance. Image measures 6.5 x 7, with a mat opening of 13.5 x 10.5. Framed to an overall size of 21 x 18. The piece has the silver Walt Disney Company seal to lower right. In fine condition. Starting Bid $200

763. Cinderella and Fairy Godmother limited edition cel from Cinderella. (Walt Disney Studios, 1980s) Limited edition hand-painted cel featuring Cinderella and her Fairy Godmother, numbered 209/275, showing the fairy with her wand as she transforms the princess’s ragged clothing into a beautiful gown. Images measure 2 x 6.75 and 4.5 x 6.5, with a mat opening of 13.5 x 10.5. Framed to an overall size of 21 x 18. The piece has the silver Walt Disney Company seal to lower right. In fine condition. Starting Bid $200

original production

for

film The Black Caul-

depicting the heroic young swineherder Taran descending the dungeon stairs of the Horned King’s Castle. The masterful artwork conjures a palpably rank underground atmosphere, rife with an array of moss-laden stonework, twisting roots, and pointy bones and spikes. Accomplished in gouache on 30 x 12.5 artist board, which is marked in the lower left, “0128, A-555.” In fine condition. A brilliantly moody panoramic concept piece and the first from The Black Cauldron that we have ever offered. Starting Bid $300

Bid $300

765. Toontown alley hand-painted production background from Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Scarce original hand-painted production background from the Oscar-winning live-action/animated film Who Framed Roger Rabbit, showing an alleyway in the Toontown sequence. This background is seen at the 1:14:30 mark in the film, as Judge Doom runs down the alley. Vividly accomplished in watercolor on untrimmed 17 x 12.5 illustration paper. In fine condition. Starting

764. Taran production panorama concept painting from The Black Cauldron. (Walt Disney Studios, 1985) Rare and incredible

panorama concept painting

the animated dark fantasy adventure

dron,

766. Roger and Jessica Rabbit production cel from Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Original production cel featuring Roger and Jessica Rabbit from the Oscar-winning live-action/animated film Who Framed Roger Rabbit, showing them tied together and hanging from a hook. The cel is placed on a matching black-and-white photographic background. Image measures 4 x 6.5, with overall dimensions of 20 x 12.25. In fine condition. Starting Bid $300

767. Roger and Jessica Rabbit publicity cel for Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Original publicity cel of Roger and Jessica Rabbit from Who Framed Roger Rabbit, which depicts the husband-and-wife duo dancing under a bright spotlight with floating musical notes. Total image measures 9.5 x 9.5, with a mat opening of 11.75 x 9.75. Triple-matted to an overall size of 18 x 16. In fine condition. Starting Bid $200

768. Prince Eric and Sir Grimsby production key master background set-up from The Little Mermaid. (Walt Disney Studios, 1989) Impressive original production key master background set-up featuring Prince Eric and Sir Grimsby from The Little Mermaid, which depicts the handsome prince and his loyal steward in half-length poses standing in front of windows that reveal a beautiful late-day sky. The cel is placed on a matching hand-painted production background from the same film. Total character image measures 10.75 x 5.75, with a mat opening of 12.5 x 7. Triple-matted and gilt-framed to an overall size of 19.5 x 14.25. In fine condition. Accompanied by a certificate of authenticity from The Walt Disney Company. Starting Bid $300

769. Beast color model production cel from Beauty and the Beast. (Walt Disney Studios, 1991) Rare original color model production cel featuring a huge image of Beast from Beauty and the Beast, showing him dressed in his fancy ballroom suit. Image measures 13 x 9, with overall dimensions of 17 x 12.5. In fine condition. An extremely large color model production cel from a modern Disney classic. Starting Bid $200

770. Mickey Mouse color model production cel used for the Bandleader

Mickey sericel. (Walt Disney Studios, 1998) One-of-a-kind original color model production cel of Mickey Mouse used for the production of the long sold-out sericel Bandleader Mickey, which was produced by Walt Disney Animation Art in 1998. The hand-inked and hand-painted cel, which shows Mickey as he appeared in the 1935 short film The Band Concert, is placed on a matching studio copy background, a design used for the officially released background. Image measures 7 x 9.25, with overall dimensions of 17 x 12; the bottom edge of the cel is marked in felt tip, “Mickey Band Concert Sericel, Color Model.” In fine condition. Starting Bid $200

771. Donald Duck color model production cel used for the Donald’s Memory Book sericel. (Walt Disney Studios, 1998) Original color model production cel of Donald Duck used for the production of the long sold-out sericel Donald’s Memory Book, produced by Walt Disney Animation Art in 1999. The cel, which shows Donald looking at a scrapbook filled with scenes of his past appearances, is placed on a matching studio copy background. Image measures 8 x 6, with overall dimensions of 16.5 x 12. Also included is a framed original ‘Donald’s Memory Book’ sericel, with authenticity seal numbered “111114,” signed on the original mat in black ink by the sericel’s designer and longtime Donald voice actor Tony Anselmo. Accompanied by a certificate of authenticity from Disney Enterprises. In overall fine condition. Starting Bid $200

772. Pluto production key master background set-up from Mickey Mouse Works. (Walt Disney Studios, 1999) Original production key master background set-up featuring Pluto from ‘Pluto Vs. The Watchdog,’ the sixth episode from the first season of the television series Mickey Mouse Works. The cel is placed on a matching hand-painted production background from the same film, which depicts Mickey’s dog running across a checkered kitchen floor. Image measures 5 x 4.25, with a mat opening of 12 x 9.5. Double-matted and framed to an overall size of 20.75 x 18.25. The lower right corner bears a Walt Disney Animation Production Art seal. In fine condition. Accompanied by a certificate of authenticity from Disney Enterprises. Starting Bid $200

773. Baloo and Shere Khan production cel and panoramic production background from The Jungle Book 2. (Walt Disney Studios, 2003) Wonderful original production cel and panoramic production background of Baloo and Shere Khan from The Jungle Book 2, which depicts the large bear roughhousing with the suddenly defenseless tiger. The cel is placed on a wonderful hand-painted panoramic Disney production background of a native village. Full character cell image measures 9.25 x 7, with overall dimensions of 23.75 x 13; the lower right of cel bears the Walt Disney Television stamp and is marked as “Show 200, Scene 116.” In fine condition. A large and vibrant display from the Jungle Book’s box-office smash sequel. Starting Bid $200

775. Captain Hook limited edition cel for the 60th anniversary of Peter Pan. (Walt Disney Studios, 2013) Original limited edition cel of Captain Hook from Peter Pan, numbered 6/25, sold at Disney’s Soda Fountain and Studio Store in Hollywood to commemorate the 60th anniversary of Peter Pan. The cel, which depicts Captain Hook smirking and holding a telescope, is placed on a matching copy background. Image measures 8.75 x 7.75, with a mat opening of 11.25 x 8.25. Displayed within its original 17.25 x 14.75 mat, which is annotated in pencil, “Walt Disney’s ‘Capt. Hook.’” In very fine, still-sealed condition. Accompanied by a certificate of authenticity from Disney’s Soda Fountain and Studio Store. Starting Bid $200

774. Ariel and Sea Horses limited edition cel for The Little Mermaid. (Walt Disney Studios, 2013) Original limited edition cel of Ariel and three sea horses, numbered 35/50, which was sold at Disney’s Soda Fountain and Studio Store in Hollywood—this edition sold out in the first day! The cel, which depicts the red-haired mermaid underwater with her three little friends, is placed on a matching copy background. Image measures 5.5 x 8.25, with a mat opening of 11.75 x 9. Displayed within its original 17.25 x 14.75 mat, which bears the Soda Fountain and Studio Store seal and is annotated in pencil, “Walt Disney’s ‘Little Mermaid.’” In very fine, still-sealed condition. Accompanied by a certificate of authenticity from Disney’s Soda Fountain and Studio Store. Starting Bid $200

Mary Blair

Jiminy Cricket brought to life by a Disney animation legend—an umbrella-twirling motion sequence of over 45 early production drawings from Pinocchio

777.

from Pinocchio.

1940) An unprecedented collection of 47 original rough production drawings of Jiminy Cricket from Pinocchio by acclaimed Disney character animator Preston Blair. The sequence is numbered 12 through 112 and depicts Jiminy Cricket in a full-length pose that shows him twirling his umbrella, fixing his ascot, and strolling towards the sheet’s center, a walking motion punctuated by a playful heel-clicking jump. Each drawing is accomplished in graphite on an untrimmed sheet of 12 x 10 animation paper marked in the lower right corner with its respective sequence number, the majority of which are odd-numbered. A full number list can be found in our online description. In overall fine condition, with intersecting folds and light uniform blocks of toning to the first six sheets; the balance features the occasional small crease or mark.

Accompanied by a typed letter from Ramsay Harris dated November 17, 1964, which directly mentions this lot: “The other day I ran across your sequence of rough drawings of Jiminy Cricket doing his little dance with the umbrella. You certainly can catch the spirit of those movements, Preston you old animator. Remember doing hippos and crocodiles beside the Salton Sea?” From The Ramsay Harris Collection. Starting Bid $1000

Preston Blair: Collection of (47) Jiminy Cricket production drawings

(Walt Disney Studios,

is Soledad Mountain.

to an overall size of 30 x 24. The original cardboard backing board is also included, with one side marked in pencil, “‘Gold Hill,’ $40, L. Blair,” and the opposite bearing four exhibition slips, two with the title “Requiem,” and one signed in black ink by Blair. In fine condition. From The Ramsay Harris Collection. Starting Bid $200

778. Lee Blair Original Watercolor Painting. Original watercolor painting by artist Lee Blair, 21.25 x 16, signed in the lower right in black paint by Blair, who also signs the reverse in pencil, “Lee Blair, Mojave, Gold Hill, Calif., Goldtown, April 1941.” The scene rendered depicts a large hill teeming with stations for gold mining, a landscape that may very well show the Golden Queen Mine on what

Matted

Magnificent May Blair panoramic concept art of Cinderella’s nighttime dash to the royal ball

Mary Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World), and her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. Starting Bid $1000

780. Mary Blair panoramic concept painting from Cinderella. (Walt Disney Studios, 1950) Marvelous original panoramic concept painting by Mary Blair for Cinderella, showing the coach riding through town en route to the castle for the royal ball. Gorgeously executed in hues of blue, black, and purple, the well-balanced composition has all the characteristics of Blair’s masterpieces, with stylishly simplified forms and excellent use of light—the moon and stars illuminate the stunning night scene. Accomplished in tempera on 19.25 x 9 artist’s board. In fine condition, with tack holes to corners. A spectacular example of Mary Blair’s original artwork for a Disney classic.

Brilliant sunset scene executed by Mary Blair for Song of the South

779. Mary Blair concept painting of Br’er Rabbit, Fox, and Bear from The Song of the South. (Walt Disney Studios, 1946) Nice original concept painting by Mary Blair for Song of the South, showing the clever Br’er Fox leading Br’er Rabbit and Br’er Bear down a fence-lined road, with gorgeous flowers blooming on either side. Inspired by a classic folktale as told by Joel Chandler Harris in his ‘Uncle Remus’ stories, Blair brilliantly executes the Southern scene, with a blazing orange sunset filling the sky. Accomplished in tempera on 9.25 x 8.5 artist’s board. In fine condition, with tack holes at corners. Starting Bid $500

The fancy bedroom of Cinderella’s evil stepmother, as imagined by Mary Blair

781. Mary Blair concept painting of Lady Tremaine for Cinderella. (Walt Disney Studios, 1950) Original concept painting by Mary Blair for Cinderella, showing the film’s main antagonist, Lady Tremaine—Cinderella’s wicked stepmother—relaxing in her bedroom with Lucifer the cat. The detailed artwork portrays an ornate room with purple walls, filled with luxurious furniture and decor, including a massive gilt-framed mirror, fabric-draped bed, gaudy high-backed chairs, and a golden chandelier. Accomplished in tempera on 11 x 10 artist’s board. In fine condition, with tack holes to borders. A bright, colorful, and meticulously conceived work from a Disney master. Starting Bid $500

Marvelous Alice in Wonderland concept painting by Mary Blair, featuring Alice and the Cheshire Cat

782. Mary Blair concept painting of Alice and Cheshire Cat from Alice in Wonderland. (Walt Disney Studios, 1951) Superlative original concept painting by Mary Blair for Alice in Wonderland, showing Alice peering up at the Cheshire Cat as he lounges on a sign that reads: “This Way.” The astonished Alice encounters the grinning cat during her moonlit stroll through Tulgey Wood in this beautifully rendered painting, perfectly executed by Blair in hues of purple, green, and black. Accomplished in tempera on 10.75 x 10.25 artist’s board. In fine condition, with tack holes at corners. A marvelous example of Mary Blair’s original artwork, portraying two of Disney’s most desirable characters. Starting Bid $1000

Strikingly surreal concept painting of Alice in Wonderland’s garden

783. Mary Blair concept painting of Alice and Flowers for Alice in Wonderland. (Walt Disney Studios, 1951) Amazing original concept painting by Mary Blair featuring Alice from Alice in Wonderland, showing the instantly recognizable title character in her blue dress in the garden. The diminutive Alice is surrounded by massive, lively foliage of all colors—pinks, greens, yellows, and blues—in this impressively surreal scene. Accomplished in tempera on 9.5 x 9.5 artist’s board. In fine condition, with tack holes to corners. A remarkable, beautiful painting of an iconic Disney character.

Mary Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World), and her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. Starting Bid $1000

Concept art of Alice, the Dodo, and other sea creatures, wonderfully rendered by Mary Blair

784. Mary Blair concept painting of Alice and Dodo Bird for Alice in Wonderland. (Walt Disney Studios, 1951)

Playful original concept painting by Mary Blair featuring Alice from Alice in Wonderland, showing her on the beach with the Dodo bird and other creatures—including other birds, a lobster, and a starfish—during the ‘steeple chase’ sequence. The Dodo stands on a rock at center as the others run around him in the moonlit scene. Accomplished in tempera on 10 x 9 artist’s board. In fine condition, with tack holes to corners.

Mary Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World), and her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. Starting Bid $1000

Original space-themed concept art for ‘It’s a Small World,’ designed by Mary Blair

785.

including Earth and Saturn. Accomplished in tempera on 14 x 11 artist’s board. In fine condition, with tack holes to corners.

created

Enterprises for

New York World’s Fair. The fair’s theme was ‘Peace Through Understanding,’ dedicated to ‘Man’s Achievement on a Shrinking Globe in an Expanding Universe’—ideals perfectly captured in this concept artwork, which shows two cosmonaut children floating in outer space, tethered to a rocket ship, as the Sputnik satellite orbits above. The starry background features six planets,

Mary Blair, who had been an art director on several Disney animated features, including Cinderella, Alice In Wonderland, and Peter Pan, developed the ‘It’s a Small World’ attraction’s whimsical design and color styling. Her imaginative take on the space program, still in its infancy in America and the Soviet Union, aptly portrays ‘Man’s Achievement on a Shrinking Globe in an Expanding Universe.’ A wonderful piece of concept art for a popular Disney attraction. Starting Bid $1000

Mary Blair concept painting of Cosmonaut children and Sputnik for the It’s A Small World ride. (Walt Disney Studios, circa 1963) Original concept painting by Mary Blair of cosmonaut children for the ‘It’s a Small World’ exhibit and ride

by WED

the 1964

Eyvind Earle

From a forest clearing, Eyvind Earle envisions Sleeping Beauty’s fairy tale castle

in a beautifully painted panorama

Legendary Disney artist Eyvind Earle was Sleeping Beauty’s production designer, and Disney gave him a significant amount of freedom in designing the settings and selecting colors for the film. Earle also painted the majority of the backgrounds himself, and his stylistic influence is readily apparent in the final product. Starting Bid $1000

786. Eyvind Earle panoramic concept painting for Sleeping Beauty. (Walt Disney Studios, 1959) Fabulous original panoramic concept painting by Eyvind Earle for Sleeping Beauty, wonderfully depicting the film’s iconic castle from a distant forest clearing. Thick-trunked trees, simple ferns, and rocky outcrops dominate the foreground, with the iconic castle perched upon a cliff in the distance. Brilliantly accomplished in gouache on 26.5 x 9.25 artist’s board, and signed in the lower right corner in white paint by Eyvind Earle. In fine condition.

788. Eyvind Earle concept painting of Princess Aurora for Sleeping Beauty. (Walt Disney Studios, 1959) Masterful original concept painting by Eyvind Earle for Sleeping Beauty, portraying Princess Aurora asleep in her bed, awaiting the arrival of Prince Phillip to rouse her from her eternal slumber. Earle handles the nocturnal scene with delicate precision, evoking a profound sense of serenity: the film’s namesake lies still upon a purple bed, her brown hair hanging over the bedside; her arms folded and her head topped with a tiara; the long blue sheet extending from bed to checkered floor softly dotted like a starry night sky. Accomplished in gouache on 14 x 6.25 artist’s board, signed in the lower right corner in pink paint by Eyvind Earle. In fine condition. Starting Bid $500

787. Eyvind Earle concept painting of Prince Phillip and Maleficent from Sleeping Beauty. (Walt Disney Studios, 1959) Dramatic original concept painting by Eyvind Earle for Sleeping Beauty, showing Prince Phillip fighting Maleficent in the forest of thorns. Wearing a bright red hero’s cape, Prince Phillip valiantly defends himself from the massive fire-breathing dragon, deflecting a laser-like breath of fire with his ‘Shield of Virtue.’ Executed in dark hues of green, gray, black, and purple, the action-packed piece wholly conveys all the feeling of this sensational scene. Accomplished in gouache on 15 x 6 artist’s board, signed in the lower right corner in pink paint by Eyvind Earle. In fine condition, with tack holes to corners. Starting Bid $500

789. Eyvind Earle concept storyboard painting of Baby Aurora in her Cradle from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept storyboard painting featuring Aurora in her cradle as a baby from Sleeping Beauty, showing a ray of light hovering over the cradle. This blue ray of light is Merryweather the blue fairy coming to put her final spell on Aurora to protect her from Maleficent’s evil spell. Signed in the lower right by Earle. Painting, measuring 11.25 x 5.5, is framed to an overall size of 20.5 x 15. In fine condition. Earle’s work in this piece is magnificent in its rendering of a medieval room using modern artistic sensibilities, a distinct style that continues throughout his designs for Sleeping Beauty. An absolutely stunning piece of artwork with vivid colors that aptly capture the enchanting feel of the film. Starting Bid $500

790. Eyvind Earle concept storyboard painting of Pink Castle Spires from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept storyboard painting featuring the pink castle spires from Sleeping Beauty, showing the thin stylized towers set against the purple sky with an enchanting design passing behind. Signed in the lower right by Earle. Painting, measuring 14.5 x 5.75, is framed to an overall size of 23.75 x 14.75. In fine condition. This vivid concept of the castle is especially important, as the Sleeping Beauty Castle became a focal point of Disneyland and the basis of the Disney logo. Starting Bid $500

791. Eyvind Earle concept storyboard painting of the Landscape with Stylized Castle from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept storyboard painting featuring the landscape from Sleeping Beauty, showing the green tree-lined grounds, including Earle’s recognizably stylized square trees, with the castle with pointed towers looming in the distance. Signed in the lower right by Earle. Painting, measuring 11.5 x 6, is framed to an overall size of 20.75 x 15. In fine condition. An absolutely stunning piece of artwork with vivid colors that aptly capture the enchanting feel of the film. By this time Disney had already made two fairy-tale feature films, Snow White and Cinderella, so Walt Disney desired to make Sleeping Beauty stand out from its predecessors with a different visual aesthetic-eschewing the soft, rounded look of the earlier movies in favor of a more stylized one, as seen in this concept artwork. Sleeping Beauty was also made using Super Technirama 70, which allowed more detailed and complex backgrounds than ever before. Starting Bid $500

Sleep-

room. Maleficent is ominously seated in her chair with her goons dancing in the foreground. Signed in the lower right by Earle. Painting, measuring 9.5 x 5, is framed to an overall size of 20 x 15.5. In fine condition. Disney artist Eyvind Earle was Sleeping Beauty’s production designer, and Disney gave him a significant amount of freedom in designing the settings and selecting colors for the film. Earle also painted the majority of the backgrounds himself. The elaborate paintings usually took seven to ten days to paint; by contrast, a typical animation background took only one workday to complete. Disney’s decision to give Earle so much artistic freedom was not popular among the Disney animators, who had previously exercised some influence over the style of their characters and settings. Starting Bid $500

792. Eyvind Earle concept storyboard painting of Maleficent and Goons in her Throne Room from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept storyboard painting featuring Malificent’s Throne Room from

ing Beauty, showing her purple throne standing out against the ghastly green of the rest of the

793. Eyvind Earle concept storyboard painting of Prince Phillip from Sleeping Beauty. (Walt Disney Studios, 1959) Gorgeous original concept storyboard painting featuring a weary Prince Phillip on his horse, from Sleeping Beauty. This is from the dungeon scene where Maleficent shows Prince Phillip that he will be prisoner for nearly a lifetime, then released as an old man, missing his chance for a life of love with Sleeping Beauty. Signed in the lower right by Earle. Painting, measuring 11.75 x 5.75, is framed to an overall size of 23 x 17. In fine condition. This shows Phillip on the brink of a key moment in the story-at the castle gates Prince Phillip faces a fierce battle with Maleficent, who has assumed dragon form. A positively beautiful painting that served as inspiration for Disney’s animators. Starting Bid $500

Other Studios

794. Looney Tunes original panorama drawing by Virgil Ross. (Warner Brothers Studios, 1990s) Original super-pan drawing by Virgil Ross featuring classic Looney Tunes characters Yosemite Sam, Michigan J. Frog, Speedy Gonzales, Elmer Fudd, Wile E. Coyote, Porky Pig, Henry Hawk, Daffy Duck, Foghorn Leghorn, Road Runner, Tweety Bird, Taz, Granny, Sylvester and son, Marvin the Martian, Gossamer, and Bugs Bunny. Accomplished in graphite and colored pencil on untrimmed 23.5 x 10.5 animation paper, signed at the bottom in pencil, “Virgil Ross.” In fine condition. This exceptional drawing was done to be sold in the Warner Brothers Studio stores in the 1990s—this elaborate example is an especially rare large size. Starting Bid $200

795. Cindy Lou Who production cel from Dr. Seuss’ How the Grinch Stole Christmas. (MGM Studios, 1966) Original production cel featuring Cindy Lou Who from Dr. Seuss’ How the Grinch Stole Christmas, signed at the bottom in black felt tip by legendary animator Chuck Jones. The cel shows Cindy Lou with her slab of ‘roast beast’ in one of the film’s final scenes, as narrator Boris Karloff reads: ‘He brought everything back, all the food for the feast. And he himself, the Grinch, carved the roast beast!’ The cel is placed on a color copy background featuring the Grinch. Image measures 3 x 3.25, with a mat opening of 11.5 x 8.5. Framed to an overall size of 18.5 x 15.5. The piece has the silver Linda Jones Enterprises seal to lower right, and is accompanied by a certificate of authenticity. In fine condition. A scarce and fantastic signed production piece from a Christmas classic. Starting Bid $200

Scarce animation cel of Cindy Lou Who with her Grinch-carved ‘roast beast,’

signed by director Chuck Jones

796. Walter Lantz signed Andy Panda production cel. (Walter Lantz Productions, 1942) Extremely early original production cel Andy Panda that was later converted into a publicity cel for the studio, signed in black felt tip, “This is an original painting from one of my animated ‘Cartunes,’ Walter Lantz, creator of Andy Panda.” Image measures 2.75 x 3.5, with overall dimensions of 12 x 8.5. In very good to fine condition, with light scattered marks, evenly trimmed edges, and some light toning. Starting Bid $200

797. Cosmo Spacely production cel from The Jetsons signed by Mel Blanc. (Hanna-Barbera Studios, 1980s) Original production cel of Cosmo Spacely, the boss of George Jetson, in a half-length pose with a hand on his head, signed in black felt tip by the iconic character’s legendary voice actor, “‘Spaceley,’ Jetsun! Your [sic] fired, Mel Blanc.” Character image measures 4.5 x 4.5, with a mat opening of 9.25 x 8. Archivally framed to an overall size of 15.75 x 14.5. In fine condition, with wear only to the frame. Originates from the family collection of Hollywood legend Kirk Douglas. Starting Bid $200

Excellent vintage Snoopy sketch by Charles Schulz

798. Charles Schulz Signed Sketch of Snoopy. Fantastic vintage original ballpoint sketch of Snoopy in a full-bodied seated pose accomplished by Schulz on an off-white 4.75 x 6 sheet, neatly signed below, “Charles M. Schulz.” Attractively double-matted and framed with a portrait and plaque to an overall size of 17.5 x 14.75. In fine condition. A superb original drawing of the beloved Peanuts pup. Starting Bid $300

6. John Quincy Adams Signature Starting Bid $200

27. Joe Biden Signed Bumper Sticker Starting Bid $200

28. James Buchanan and Harriet Lane Johnston Signatures Starting Bid $200

29. George Bush Signed Photograph and Typed Letter Signed Starting Bid $200

30. George Bush Autograph Letter Signed as Vice President Starting Bid $200

31. George Bush Signed Book Starting Bid $200

32. George and Barbara Bush Signed Photograph Starting Bid $200

33. George W. Bush Signed Book Starting Bid $200

34. George W. Bush Signed Book Starting Bid $200

35. George W. Bush Signed Book Starting Bid $200

36. George W. Bush Signature Starting Bid $100

37. Jimmy and Rosalyn Carter Signed Photograph Starting Bid $200

38. Jimmy and Rosalynn Carter Signed Presidential Inauguration Invita... Starting Bid $200

39. Bill Clinton Signed Photograph Starting Bid $200

40. Calvin Coolidge Document Signed as President Starting Bid $200

41. Calvin Coolidge Document Signed as President Starting Bid $200

42. Dwight and Mamie Eisenhower Signed Photograph Starting Bid $200

43. Gerald Ford and Charles J. Carrico Signed Warren Commission Depos... Starting Bid $200

44. Gerald Ford and Malcolm Perry Signed Warren Commission Report Starting Bid $200

45. Gerald Ford Signed Photograph Starting Bid $200

46. Gerald Ford and Malcolm Perry Signed Souvenir Typescript Starting Bid $200

47. Warren G. Harding Document Signed Starting Bid $200

48. Rutherford B. Hayes Document Signed as President Starting Bid $200

49. Herbert Hoover Typed Letter Signed as President Starting Bid $200

50. Lyndon B. Johnson Bill Signing Pen Starting Bid $200

51. Lyndon B. Johnson Typed Letter Signed Starting Bid $200

52. Lyndon B. Johnson Bill Signing Pen Starting Bid $200

53. John F. Kennedy (2) Campaign Handbills Starting Bid $200

54. William McKinley Document Signed as Governor Starting Bid $200

55. William McKinley Typed Letter Signed Starting Bid $200

56. William McKinley Document Signed Starting Bid $200

57. Richard Nixon (5) Christmas Gift Presidential Prints Starting Bid $200

58. Richard Nixon Signed Book Starting Bid $200

59. Richard Nixon Signed Inaugural Invitation Starting Bid $200

60. Richard Nixon: Air Force One (9) Glasses from 1974 Trip to Soviet... Starting Bid $200

61. Barack Obama and Bruce Springsteen Signed Book Starting Bid $200

62. Barack Obama, Joe Biden, Hillary Clinton, and Robert Gates Autogr... Starting Bid $200

63. Ronald Reagan Signed Photograph Starting Bid $200

64. Eleanor Roosevelt Signed White House Card Starting Bid $200

65. Franklin D. Roosevelt Typed Letter Signed as Governor Starting Bid $200

66. Franklin D. Roosevelt Bust by Jo Davidson Starting Bid $200

67. William H. Taft Typed Letter Signed Starting Bid $200

68. Harry S. Truman Signature Starting Bid $200

69. Harry S. Truman Typed Letter Signed Starting Bid $200

70. Harry Truman Typed Letter Signed Starting Bid $200

71. Harry Truman Typed Letter Signed Starting Bid $200

72. Harry S. Truman Signed Book Starting Bid $200

80. Francisco de Paula Santander Autograph Letter Signed Starting Bid $200

102. Thomas Edison Signature in Trading Card Starting Bid $200

119. Apple: Ronald Wayne Autograph Quotation Signed Starting Bid $200

120. Apple: Ronald Wayne Signed Apple II Manual Starting Bid $200

121. Apple: Wozniak and Wayne Signed Photograph Starting Bid $200

122. Apple: Wozniak and Wayne Signed Photograph Starting Bid $200

123. Apple: Wozniak and Wayne (2) Signed Floppy Disks Starting Bid $200

124. Isaac Asimov Typed Letter Signed Starting Bid $200

125. Agehananda Bharati Typed Letter Signed Starting Bid $200

126. Ronnie Biggs Autograph Letter Signed Starting Bid $200

127. Max Born Typed Letter Signed Starting Bid $200

128. Camilla, Queen Consort Typed Letter Signed Starting Bid $200

129. Kit Carson Jr. Signature Starting Bid $200

130. Vint Cerf Signed Sketch Starting Bid $200

131. Clementine Churchill Autograph Letter Signed Starting Bid $200

132. Winston Churchill Funeral Program Starting Bid $200

133. Richard 'Deadwood Dick' Clarke Signature Starting Bid $200

134. Nino Cochise Autograph Letter Signed Starting Bid $200

135. Denton Cooley Signed Baseball Starting Bid $200

136. Dalai Lama Signed Book Starting Bid $200

137. Danish Kings (2) Documents Signed Starting Bid $200

138. DNA: James D. Watson Signed Book Starting Bid $200

139. Egypt and Israel Flight Envelopes (1977) Starting Bid $200

140. Elisabeth, Empress of Austria Hand-Addressed Envelope Starting Bid $200

141. Elizabeth, Queen Mother Signed Christmas Card (1965) Starting Bid $200

142. Francisco Franco Signed Photograph Starting Bid $200

143. Rajiv Gandhi Signed Photograph Starting Bid $200

144. Edmund Hillary Signature Starting Bid $200

145. Edmund Hillary and Tenzing Norgay Signed Commemorative Cover Starting Bid $200

146. J. Edgar Hoover Typed Letter Signed Starting Bid $200

147. J. Edgar Hoover Signed Photograph Starting Bid $200

148. J. Edgar Hoover Signed Photograph Starting Bid $200

149. Johns Hopkins Document Signed Starting Bid $200

150. Robert F. Kennedy Typed Letter Signed on JFK Library Starting Bid $200

151. Ted Kennedy Signed Photograph Starting Bid $200

152. Kennedy Assassination: Clint Hill (4) Signed Starting Bid $200

153. King George II Document Signed Starting Bid $200

154. King George III Document Signed Starting Bid $200

155. King George III Signature Starting Bid $200

156. King George III Document Signed Starting Bid $200

158. King William IV Signature Starting Bid $200

159. King William IV Autograph Letter Signed Starting Bid $200

160. Urbain Le Verrier Autograph Letter Signed Starting Bid $200

161. Auguste and Louis Lumiere (2) Autograph Letters Signed Starting Bid $200

162. Thurgood Marshall Signature Starting Bid $200

163. Mary of Teck Signed Photograph Starting Bid $200

164. Charles Maurras Autograph Letter Signed Starting Bid $200

165. John McCain Signed Book Starting Bid $200

166. Gaspard Monge Letter Signed Starting Bid $200

167. Antonio Egas Moniz Handwritten Notes and Signed Envelope Starting Bid $200

168. Robert Mugabe Signed Photograph Starting Bid $200

169. Nobel Prize Winners (20+) Signatures Starting Bid $200

170. Jean Perrin Typed Letter Signed Starting Bid $200

171. Prince Philip Document Signed Starting Bid $200

172. Princess Charlotte Augusta Matilda Autograph Letter Signed Starting Bid $200

173. Princess Grace of Monaco Typed Letter Signed Starting Bid $200

174. Princess Grace of Monaco Signature Starting Bid $200

175. Prohibition: 1930 Liquor Prescription Starting Bid $200

176. Queen Elizabeth II (4) Original Programs Starting Bid $200

177. Queen Victoria Document Signed (1862) Starting Bid $200

178. Syngman Rhee Signature Starting Bid $200

179. Bertrand Russell Signed Photograph Starting Bid $200

180. Pierre Salinger Signature Starting Bid $100

181. John Sherman Handwritten Speech Accepting Nomiation as President ... Starting Bid $200

182. Charles Scott Sherrington Autograph Letter Signed Starting Bid $200

183. Adolph Sutro Signed Check Starting Bid $200

184. Richard 'Diamond Dick' Tanner Autograph Letter Signed Starting Bid $200

185. Margaret Thatcher Signed Photograph Starting Bid $200

186. Margaret Thatcher Signed Photograph Starting Bid $200

187. Margaret Thatcher Signed Book Starting Bid $200

188. Titanic: Millvina Dean Signed Photograph Starting Bid $200

189. Friedrich Wilhelm Voigt Signed Photograph Starting Bid $200

190. Watergate: Woodward and Bernstein (2) Signed Items Starting Bid $200

191. Elie Wiesel Signed Book Starting Bid $200

192. Wallis, Duchess of Windsor Autograph Letter Signed Starting Bid $200

199. Pappy Boyington Signed Print Starting Bid $200

200. Civil War: John H. Ruoff Journal Starting Bid $200

201. Enola Gay Signed Print: 'Atomic Warfare Is Born' Starting Bid $200

202. Enola Gay: Paul Tibbets Signed Book Starting Bid $200

203. Iwo Jima: Joe Rosenthal Signed Cover Starting Bid $200

204. Iwo Jima: Felix de Weldon Signed Photograph Starting Bid $200

205. Douglas MacArthur Signature Starting Bid $200

206. Mountbatten of Burma Autograph Letter Signed Starting Bid $200

207. Rob O'Neill Signed Sept. 11th Memorial Program Starting Bid $200

208. Sidney Smith Letter Signed Starting Bid $200

209. Admiral Heihachiro Togo Signature Starting Bid $200

210. USS Constitution 1927 Restoration Hull Wood Starting Bid $200

211. Duke of Wellington Autograph Letter Signed Starting Bid $200

214. Astronauts Signed 'Sieger' Stamp Collection (20) Starting Bid $200

234. Gene Cernan Oversized Signed Photograph Starting Bid $200

235. Buzz Aldrin Oversized Signed Photograph Starting Bid $200

236. Apollo Lunar Surface Experiments (ALSEP) Handbook Starting Bid $200

238. Frank Borman Oversized Signed Photograph Starting Bid $200

239. Frank Borman Oversized Signed Photograph Starting Bid $200

240. Scott Carpenter Signed Photograph Starting Bid $200

241. Charlie Duke Oversized Signed Photograph Starting Bid $200

242. Charlie Duke Oversized Signed Photograph Starting Bid $200

243. Charlie Duke Signed Oversized Photograph Starting Bid $200

244. Gemini 6 (2) Signed Recovery Covers Starting Bid $200

245. Gemini Astronauts (4) Signed Stamp Blocks Starting Bid $200

246. Gemini Astronauts (3) Signed Covers Starting Bid $200

247. John Glenn Signed Photograph Starting Bid $200

248. Alexei Leonov and Valentina Tereshkova Signed Print: 'Seagull' Starting Bid $200

249. James Lovell Typed Letter Signed and Signed Stamp Block Starting Bid $200

250. Jim McDivitt Oversized Signed Photograph Starting Bid $200

251. Mercury Astronauts: Carpenter, Cooper, and Schirra Signed Photogr... Starting Bid $200

252. Mercury Astronauts: Carpenter, Schirra, and Cooper Signed Photogr... Starting Bid $200

253. Edgar Mitchell Signed Photograph Starting Bid $200

254. Edgar Mitchell Signed Photograph Starting Bid $200

255. Alan Shepard Signed Book Starting Bid $200

256. Alan Shepard Signed Stamp Block Starting Bid $200

257. Deke Slayton Typed Letter Signed on Apollo 15 Starting Bid $200

258. Tom Stafford Signed ASTP Mission Chart Starting Bid $200

259. Edward H. White II Signed Stamp Block Starting Bid $200

260. John Young MultiSigned Stamp Block (4x) Starting Bid $200

261. John Young's Apollo 11 Training-Used 'CSM TLC/TEC' Star Chart Starting Bid $200

281. Andy Warhol Signed Postcard Starting Bid $200

285. Ansel Adams Signed Book Starting Bid $200

286. Giovanni Boldini Autograph Letter Signed Starting Bid $200

287. Charles Bragg Signed Sketch of Charles Dickens Starting Bid $200

288. Charles Bragg Signed Etching: 'Asylum' Starting Bid $200

290. Marc Chagall Typed Letter Signed Starting Bid $200

291. Christo Signed Photograph and Fabric'Surrounded Islands' Starting Bid $200

292. Howard Chandler Christy Signed Print Starting Bid $200

293. Rockwell Kent Typed Letter Signed Starting Bid $200

294. Moise Kisling Autograph Letter Signed Starting Bid $200

295. Oskar Kokoschka Signed Postcard Starting Bid $200

296. Marie Laurencin Autograph Letter Signed Starting Bid $200

297. Frans Masereel Autograph Letter Signed Starting Bid $200

298. Norman Rockwell Signed Photograph Starting Bid $200

299. Norman Rockwell Typed Letter Signed Starting Bid $200

300. Norman Rockwell Typed Note Signed Starting Bid $200

301. Norman Rockwell Signed Book Starting Bid $200

302. Norman Rockwell Signed Book Starting Bid $200

303. Norman Rockwell Signed Postcard and Typed Letter Signed Starting Bid $200

336. Natalie Clifford Barney Autograph Letter Signed Starting Bid $200

337. Katherine Lee Bates (2) Typed Letters Signed Starting Bid $200

338. Peter Benchley Original Sketch of Jaws Starting Bid $200

339. Samuel L. Clemens Hand-Addressed Mailing Envelope Starting Bid $200

340. James Dickey Signed Photograph Starting Bid $200

341. Alexandre Dumas, pere Autograph Letter Signed Starting Bid $200

342. Fireside Poets: Holmes and Whittier (2) Signatures Starting Bid $200

343. Jean Genet Autograph Letter Signed Starting Bid $200

344. Dashiell Hammett Signature Starting Bid $200

345. Max Jacob Autograph Letter Signed Starting Bid $200

346. Johann Kaspar Lavater Autograph Letter Signed (1787) Starting Bid $200

347. Maurice Leblanc Autograph Letter Signed Starting Bid $200

348. Jack London Signed Check Starting Bid $200

349. Anita Loos Typed Letter Signed Starting Bid $200

350. Andre Malraux Autograph Letter Signed Starting Bid $200

351. Heinrich Mann Autograph Letter Signed Starting Bid $200

352. Arthur Miller Signed Book Starting Bid $200

353. Henry Miller Autograph Letter Signed Starting Bid $200

354. Marcel Pagnol Autograph Letter Signed Starting Bid $200

355. Robert Ripley Signed Photograph Starting Bid $200

356. Alain Robbe-Grillet Autograph Letter Signed Starting Bid $200

357. Leopold von SacherMasoch Autograph Letter Signed Starting Bid $200

358. Arthur Schnitzler Autograph Letter Signed Starting Bid $200

359. John Steinbeck Signature Starting Bid $200

360. Bram Stoker and Henry Irving Handwritten Letter Signed Starting Bid $200

361. Paul Valery Autograph Letter Signed Starting Bid $200

362. H. G. Wells Autograph Letter Signed Starting Bid $200

363. Franz Werfel Autograph Letter Signed Starting Bid $200

364. Emile Zola Autograph Letter Signed Starting Bid $200

396. Leonard Bernstein Signed Photograph Starting Bid $200

397. Conradin Kreutzer Autograph Letter Signed Starting Bid $200

398. Ruth Slenczynska Signed Photograph Starting Bid $200

399. Johann Strauss II (4) Photographs Starting Bid $200

400. Charles-Marie Widor Handwritten Opera Notes Starting Bid $200

401. Harry Armstrong Autograph Musical Quotation Signed Starting Bid $100

402. Louis Armstrong Signed Photograph Starting Bid $200

403. Miles Davis Signature Starting Bid $200

404. Duke Ellington and Band Signed Program Starting Bid $200

405. Ella Fitzgerald Signed Photograph Starting Bid $200

406. Dizzy Gillespie Signed Photograph Starting Bid $100

407. Jean Goldkette Signed Photograph Starting Bid $200

408. Benny Goodman Signed Photograph Starting Bid $200

409. Lionel Hampton Signed Photograph Starting Bid $100

410. W. C. Handy Signed Book Starting Bid $200

411. John Lee Hooker Signed Photograph Starting Bid $200

412. Lena Horne Signed Photograph Starting Bid $100

413. Liberace Signed Photograph Starting Bid $200

414. John Philip Sousa Autograph Musical Quotation Signed Starting Bid $200

415. Glen Campbell Signed Photograph Starting Bid $200

416. Johnny Cash Signed Album Starting Bid $200

418. Beach Boys Signed Photograph Starting Bid $100

419. Beatles E.M.I. Promotional Poster Starting Bid $200

420. Beatles: Ringo Starr Signed Photograph Starting Bid $200

421. Beatles: Ringo Starr and Barbara Bach Signed Photograph Starting Bid $200

422. Sam Cooke Signature Starting Bid $200

423. Cream: Ginger Baker Signed Drum Head Starting Bid $200

424. Crosby, Stills, and Nash Signed Album Starting Bid $200

425. Fats Domino Document Signed Twice (1978) Starting Bid $100

426. Marianne Faithfull Signature Starting Bid $200

427. Jimi Hendrix Experience: Mitch Mitchell Signature Starting Bid $200

428. Billy Joel Signed Photograph Starting Bid $200

429. Elton John and Bernie Taupin Signed Album Starting Bid $200

430. Jeff Lynne Autograph Letter Signed Starting Bid $200

431. Manfred Mann Signatures Starting Bid $200

432. Dave Matthews Band Signed Poster Starting Bid $100

433. Moody Blues Signed Concert Ticket (1965) Starting Bid $200

434. Nirvana 1993 Wallace Civic Center (Fitchburg) Concert Ticket - PS... Starting Bid $200

435. Roy Orbison Signature Starting Bid $200

436. Ozzy Osbourne Signed CD Insert Starting Bid $200

437. Pink Floyd: David Gilmour Signed CD Starting Bid $200

438. Pink Floyd: Roger Waters 1990 'The Wall –Live in Berlin' Concert... Starting Bid $200

439. Lou Reed Signed CD Booklet Starting Bid $200

440. Lou Reed Signed CD Booklet Starting Bid $200

441. Lou Reed Signed CD Booklet Starting Bid $200

442. Rolling Stones: Richards, Watts, and Taylor Signed Album Starting Bid $200

443. Linda Ronstadt Signed Oversized Photograph Starting Bid $200

444. Phil Spector Document Signed (1966) Starting Bid $200

445. Phil Spector (2) Signed Checks Starting Bid $200

446. Bruce Springsteen Signature Starting Bid $200

447. Sting Signed Photograph Starting Bid $100

448. Jackie Wilson Signed Photograph Starting Bid $200

449. Woodstock Three-Day Admission Ticket PSA MINT 9 Starting Bid $200

450. Boy George Signed Photograph Starting Bid $100

451. Sonny and Cher Signatures Starting Bid $200

452. Spice Girls Signed Photograph Starting Bid $200

482. Edward Van Sloan Autograph Letter Signed Starting Bid $200

484. Bud Abbott Signed Photograph Starting Bid $200

485. Actors Collection of (16) Signed Candid Photographs Starting Bid $200

486. Actresses Collection of (12) Signed Candid Photographs Starting Bid $200

487. Nick Adams Signature Starting Bid $100

488. The Addams Family (2) Signed Photographs Starting Bid $200

489. Julie Andrews Signed Photograph Starting Bid $200

490. Josephine Baker Signed 45 RPM Record Starting Bid $200

491. Theda Bara Signature Starting Bid $200

492. Mikhail Baryshnikov Signed Photograph Starting Bid $100

493. Anne Baxter Signed Photograph Starting Bid $100

494. Cecil Beaton Autograph Letter Signed Starting Bid $200

495. Ingrid Bergman Signed Photograph Starting Bid $200

496. Ingrid Bergman Signature Starting Bid $200

497. Harry Blackstone, Sr. Signed Photograph Starting Bid $200

498. Marlon Brando Signature Starting Bid $200

499. James Cagney Signed Photograph Starting Bid $200

500. Henry Calvin's Box Office Blue Ribbon Award for Babes in Toyland Starting Bid $100

501. John Candy Signed Photograph Starting Bid $200

502. John Carradine Signed Photograph Starting Bid $200

503. Wilt Chamberlain Twice-Signed Photograph Starting Bid $200

504. Charlie Chaplin Signature Starting Bid $200

505. Colin Clive Signature Starting Bid $200

506. Claudette Colbert Signed Photograph Starting Bid $200

507. Sean Connery Signed Photograph Starting Bid $200

508. Gary Conway Signed Photograph Starting Bid $100

509. Gary Cooper Typed Letter Signed Starting Bid $200

510. Joan Crawford Signed Photograph Starting Bid $200

511. Tony Curtis Signed Photograph Starting Bid $100

512. Tony Curtis and Janet Leigh Signed Photograph Starting Bid $100

513. Joe Dallesandro Signed Photograph Starting Bid $100

514. Stormy Daniels Signed Photograph Starting Bid $200

515. Linda Darnell Signed Photograph Starting Bid $100

516. Sammy Davis, Jr. Signed Photograph Starting Bid $200

517. Doris Day Signed Photograph Starting Bid $200

518. Robert De Niro Signed Photograph Starting Bid $200

519. John Decker Signed Check Starting Bid $100

520. Marlene Dietrich Signed Photograph Starting Bid $200

521. Kirk Douglas Signed Photograph Starting Bid $200

522. Kirk Douglas Signed Photograph Starting Bid $200

523. Irene Dunne Autograph Letter Signed to Joan Crawford Starting Bid $100

524. Eleanora Duse Autograph Letter Signed Starting Bid $200

525. Easy Rider: Fonda and Hopper Signed Photograph Starting Bid $200

526. Buddy Ebsen Signed Photograph Starting Bid $100

527. Corey Feldman and Corey Haim Signed Photograph Starting Bid $200

528. John Ford Signed Photograph Starting Bid $200

529. Ava Gardner Document Signed (1950) Starting Bid $200

530. Judy Garland Signed Photograph Starting Bid $200

531. Richard Gere Signed Photograph Starting Bid $100

532. William Gillette Autograph Note Signed Starting Bid $200

533. Paulette Goddard Signed Photograph Starting Bid $200

534. Paulette Goddard Signed Photograph Starting Bid $200

535. Paulette Goddard Signed Photograph Starting Bid $200

536. The Godfather: John Cazale Signature Starting Bid $200

537. Gone With the Wind: Clark Gable and Vivien Leigh Signatures Starting Bid $200

538. Gone With the Wind: Cammie King (2) Signed Photographs Starting Bid $100

539. Gloria Grahame Signed Photograph Starting Bid $200

540. Cary Grant Document Signed Starting Bid $200

541. Tom Hanks Signed Photograph Starting Bid $200

542. Harry Potter: Daniel Radcliffe Signed Oversized Photograph Starting Bid $200

543. Laurence Harvey Signed Photograph Starting Bid $100

544. Howard Hawks Document Signed Starting Bid $200

545. Rita Hayworth Signature Starting Bid $200

546. Tippi Hedren Signed Mini Poster Starting Bid $200

547. Margaux Hemingway Signed Photograph Starting Bid $100

548. Jim Henson Signed Photograph Starting Bid $200

549. Audrey Hepburn Signed Photograph Starting Bid $200

550. Jon-Erik Hexum Signed Photograph Starting Bid $200

551. Rex Ingram Signed Photograph Starting Bid $100

552. Jennifer Jones Signed Program Starting Bid $200

553. George S. Kaufman and Robert E. Sherwood Document Signed Starting Bid $100

554. Gene Kelly Signed Photograph Starting Bid $200

555. Percy Kilbride Signed Photograph Starting Bid $100

556. Alan Ladd Signed Photograph Starting Bid $100

557. Carla Laemmle Signed Photograph Starting Bid $100

558. Hedy Lamarr Signed Photograph Starting Bid $200

559. Burt Lancaster Signed Photograph Starting Bid $200

560. Burt Lancaster Signed Photograph Starting Bid $100

561. Fritz Lang Signed Candid Photograph Starting Bid $200

562. Christopher Lee Signed Photograph Starting Bid $200

563. Christopher Lee Signed Photograph Starting Bid $100

564. Vivien Leigh Autograph Letter Signed Starting Bid $200

565. Vivien Leigh Signature Starting Bid $200

566. Vivien Leigh and Laurence Olivier Signatures Starting Bid $200

567. Jack Lemmon Signed Photograph Starting Bid $200

568. Lotte Lenya Signed Photograph Starting Bid $200

569. Lerner and Loewe Document Signed Starting Bid $200

570. Ida Lupino Signed Photograph Starting Bid $100

571. Ida Lupino Signed Photograph Starting Bid $100

572. Jayne Mansfield Signed Photograph Starting Bid $200

573. Dean Martin and Jerry Lewis Signed Photograph Starting Bid $200

574. Ilona Massey Signed Photograph Starting Bid $100

575. Louis B. Mayer Signed Oversized Photograph to Arthur Freed Starting Bid $200

576. Louis B. Mayer and Hedda Hopper Document Signed Starting Bid $200

577. Dorothy McGuire Signed Photograph Starting Bid $100

578. Victor McLaglen Signed Photograph Starting Bid $200

579. Carmen Miranda Signed Photograph Starting Bid $200

580. Robert Mitchum Autograph Letter Signed Starting Bid $200

581. Maria Montez Signed Photograph Starting Bid $200

582. Monty Python and Fawlty Towers (8) Signed Photographs Starting Bid $200

583. Pola Negri Signed Photograph Starting Bid $100

584. Rick Nelson Signed Photograph Starting Bid $200

585. Paul Newman Signature Starting Bid $200

586. Paul Newman and A. E. Hotchner Signed Book Starting Bid $200

587. Kim Novak Signed Photograph Starting Bid $200

588. Kim Novak Signed Photograph Starting Bid $200

589. Rudolph Nureyev Signed Photograph Starting Bid $200

590. Peter O'Toole Signed Photograph Starting Bid $200

591. Merle Oberon Signed Photograph Starting Bid $100

592. Merle Oberon Signed Photograph Starting Bid $100

593. Warner Oland Signed Photograph Starting Bid $200

594. Laurence Olivier Typed Letter Signed Starting Bid $200

596. Anna Pavlova Signed Photograph Starting Bid $200

597. George Peppard Signed Photograph Starting Bid $100

598. Anthony Perkins Signed Photograph Starting Bid $200

599. Vincent Price Signed Photograph Starting Bid $200

600. Vincent Price Autograph Letter Signed Starting Bid $200

601. Christopher Reeve Signed Photograph Starting Bid $200

602. Kelly Ripa Signed Photograph Starting Bid $100

603. Fred Rogers Typed Letter Signed Starting Bid $200

604. Rowan and Martin (2) Documents Signed for TV Script Rewrites Starting Bid $200

605. Peter Sellers Signature Starting Bid $200

606. Dick Shawn Signed Photograph Starting Bid $100

607. Norma Shearer Signed Photograph Starting Bid $200

608. Simone Simon Signed Photograph Starting Bid $100

609. Frank Sinatra Signed Cafe Society Menu Cover Starting Bid $200

610. Six Hours to Live CastSigned Photograph Starting Bid $200

611. The Sopranos Signed Photograph Starting Bid $200

612. Caroll Spinney Signed Photograph Starting Bid $200

613. Sylvester Stallone Signed Photograph Starting Bid $200

614. Barbara Stanwyck and Robert Taylor Signed Photograph Starting Bid $200

615. Star Trek: The Next Generation Starship Model Prop Starting Bid $200

616. Star Wars: Carrie Fisher Signed Check Starting Bid $200

617. Star Wars: Alec Guinness Signed Photograph Starting Bid $200

618. Star Wars: Alec Guinness Signed Photograph Starting Bid $200

619. Star Wars: James Earl Jones Signed Miniature Ethan Allen Armchair

620. Glenn Strange Signed Photograph Starting Bid $200

621. Superman: Margot Kidder Signed Photograph Starting Bid $100

622. Gomer Pyle: Frank Sutton (2) Signed Photographs Starting Bid $100

623. Ernest Thesiger Signed Photograph Starting Bid $200

624. Thelma Todd Signed Photograph Starting Bid $200

625. Francois Truffaut Signed Photograph Starting Bid $100

626. Conrad Veidt Signed Photograph Starting Bid $200

627. Josef von Sternberg Autograph Note Signed to Marian Marsh Starting Bid $100

628. Robert Wagner Signed Photograph Starting Bid $100

629. Clint Walker Signed Photograph Starting Bid $100

630. Mae West Signed Photograph Starting Bid $200

631. Gene Wilder Signed Photograph Starting Bid $200

632. Willy Wonka and the Chocolate Factory Signed Photograph Starting Bid $200

633. Anna May Wong Signature Starting Bid $200

637. Muhammad Ali Signed Oversized Photograph by John Stewart Starting Bid $200

638. Muhammad Ali Signed Limited Edition Figurine Starting Bid $200

640. Abe Attell Signature Starting Bid $200

641. Billy Backus Signed Boxing License (1976) Starting Bid $100

642. Yogi Berra and Don Larsen Signed Photograph Starting Bid $200

643. Boxers (6) Vintage State License Cards Starting Bid $100

644. Boxing Managers: Al Weill and Cus D'Amato License and Business Ca... Starting Bid $100

645. Tom Brady Patriots vs. Jets NFL Ticket (September 23, 2001) - PSA... Starting Bid $200

646. Knockout Brown Signed Photograph Starting Bid $200

647. Marcel Cerdan Signed Photograph Starting Bid $200

648. Jim Clark Signature Starting Bid $200

649. James J. Corbett Signed Photograph Starting Bid $200

650. James J. Corbett Autograph Letter Signed Starting Bid $200

651. Tommy Farr Signed Photograph Starting Bid $100

652. Nat Fleischer (2) Original Baseball Pass Cards Starting Bid $100

653. Joe Frazier ThriceSigned Boxing Physical Examination (1967) Starting Bid $100

654. Charley Goldman Lot of (7) State Boxing Licenses(2) Signed Starting Bid $100

655. Joe Humphreys (2) Signed Checks Starting Bid $100

656. Derek Jeter Signed Baseball Starting Bid $200

657. Rod Laver (2) Signed Items - Photograph and Trading Card Starting Bid $200

658. Tommy Loughran Signed Photograph Starting Bid $200

659. Joe Louis Signature Starting Bid $200

660. Mickey Mantle Signed Magazine Starting Bid $200

661. Archie Moore Signed Fingerprint Card Starting Bid $200

662. Murder Incorporated: Stan Kowalski and Tiny Mills Signed Photogra... Starting Bid $200

663. Carlos Ortiz ThriceSigned Boxing License (1958) Starting Bid $200

664. Floyd Patterson and Ingemar Johansson (4) Signed Items Starting Bid $200

665. Willie Pep and Sandy Saddler Signed Photograph Starting Bid $100

666. Terry Sawchuk Signature - PSA MINT 9 Starting Bid $200

667. 'Sailor' Tom Sharkey Signature Starting Bid $100

668. Homer Smith Signed Photograph Starting Bid $100

669. Lew Tendler Signed Photograph Starting Bid $100

670. Dick Tiger Signature Starting Bid $200

671. Jersey Joe Walcott Signed Photograph Starting Bid $100

672. Jerry West Signed Basketball Trading CardPSA GEM MT 10 Starting Bid $200

673. Harry Wright HandFilled Standings Scorecard Starting Bid $200

675. Disneyland: Aunt Jemima's Kitchen Placemat Starting Bid $200

676. Mickey and Minnie Mouse (4) Drawings Starting Bid $200

776. Pluto production cel from a Walt Disney cartoon Starting Bid $200

799. Walt Disney (2) Photographs Starting Bid $100

800. Goofy production cel from Goofy's Freeway Troubles Starting Bid $200

801. Myron Waldman Signed Limited Edition Popeye Cel: 'Anchor Parking' Starting Bid $200

802. Myron Waldman Signed Limited Edition Casper Cel: 'How to Win Frie... Starting Bid $200

803. Myron Waldman Signed Limited Edition Popeye and Betty Boop Cel: '... Starting Bid $200

804. Myron Waldman Signed Limited Edition Popeye Cel: 'Dynamite Muscle... Starting Bid $200

805. Betty Boop production drawing from Judge for a Day Starting Bid $200

806. Cows, Butterflies, and Mice production drawing from a Disney cart... Starting Bid $100

807. Mickey Mouse production drawing from Mickey in Arabia Starting Bid $200

808. Mickey and Minnie Mouse production drawing from Puppy Love Starting Bid $200

809. Mickey and Minnie Mouse production drawing from Puppy Love Starting Bid $200

810. Mickey Mouse production drawing from The Steeple Chase Starting Bid $200

811. Mickey Mouse production drawing from Mickey's Mellerdrammer Starting Bid $200

812. Mickey Mouse and Peg Leg Pete production drawing from Two-Gun Mic... Starting Bid $200

813. Mickey Mouse, Peg Leg Pete, and falling rocks production drawings... Starting Bid $200

814. Mickey Mouse production drawing from Two-Gun Mickey Starting Bid $200

815. Minnie Mouse production drawing from Camping Out Starting Bid $200

816. Donald Duck and Goofy production drawing from Mickey's Service St... Starting Bid $200

817. Mickey Mouse production drawing from Mickey's Elephant Starting Bid $200

818. Fifer Pig production cel from Three Little Wolves Starting Bid $200

819. Max Hare production model drawing from Toby Tortoise Returns Starting Bid $200

820. The Huntsman production drawing from Snow White and the Seven Dwa... Starting Bid $200

821. Mickey Mouse production drawing from Moose Hunters Starting Bid $200

822. Donald Duck production drawing from Modern Inventions Starting Bid $200

823. Grumpy production drawing from Snow White and the Seven Dwarfs Starting Bid $200

824. Little Hiawatha markup drawing from Little Hiawatha Starting Bid $200

825. Little Hiawatha production drawing from Little Hiawatha Starting Bid $200

826. Mickey Mouse production drawing from Mickey's Parrot Starting Bid $200

827. Joe E. Brown production cel from Mother Goose Goes Hollywood Starting Bid $200

828. Mickey Mouse production drawing from Brave Little Tailor Starting Bid $200

829. Mickey Mouse and Giant production drawing from Brave Little Tailo... Starting Bid $200

830. Mickey Mouse and Pluto production drawing from Society Dog Show Starting Bid $200

831. Donald Duck production drawing from The Hockey Champ Starting Bid $200

832. Donald Duck production drawing from The Autograph Hound Starting Bid $200

833. Male and female centaurs concept storyboard drawing from Fantasia Starting Bid $200

834. Stromboli production drawing from Pinocchio Starting Bid $200

835. Evil Coachman production drawing from Pinocchio Starting Bid $200

836. Pinocchio production drawing from Pinocchio Starting Bid $200

837. Bald Mountain goblins and ghouls production drawing from Fantasia Starting Bid $200

838. Pterodactyl production drawing from Fantasia Starting Bid $200

839. Blue Fairy markup drawing from Pinocchio Starting Bid $200

840. Pinocchio production drawing from Pinocchio Starting Bid $200

841. Pinocchio production drawing from Pinocchio Starting Bid $200

842. Josa Carioca production cel for a Walt Disney in-house 'thank you... Starting Bid $200

843. Tick-Tock the Crocodile production drawing from Peter Pan Starting Bid $200

844. Briar Rose production drawing from Sleeping Beauty Starting Bid $200

845. Goofy production drawing from How to Play Baseball Starting Bid $200

846. Bambi production drawing from Bambi Starting Bid $200

847. Donald Duck production drawing from Honey Harvester Starting Bid $200

848. Jaq and Gus limited edition cel from Cinderella Starting Bid $200

849. Mickey Mouse production cel from a Disneyland television show Starting Bid $200

850. Mermaid production color model drawing from Peter Pan Disneyland ... Starting Bid $200

851. Alice and Caterpillar dye transfer print from Alice in Wonderland Starting Bid $200

852. Lost Boys production cel from Peter Pan Starting Bid $200

853. Tick-Tock the Crocodile production drawing from Peter Pan Starting Bid $200

854. Michael Darling production drawing from Peter Pan Starting Bid $200

855. Michael Darling production drawing from Peter Pan Starting Bid $200

856. Jiminy Cricket production cel from a Mickey Mouse Club cartoon Starting Bid $200

857. Flora production cel from Sleeping Beauty Starting Bid $200

858. Maleficent production drawing from Sleeping Beauty Starting Bid $200

859. Lackey production cel from Sleeping Beauty Starting Bid $200

860. Briar Rose production drawing from Sleeping Beauty Starting Bid $200

861. Merlin production drawing from The Sword in the Stone Starting Bid $200

862. Donald Duck production cel from Steel and America Starting Bid $200

863. Buzzie the Vulture production cel from The Jungle Book Starting Bid $200

864. Mickey and Minnie Mouse and Chip and Dale production drawing from... Starting Bid $100

865. Winnie the Pooh, Rabbit, and Owl production drawings from a Winni... Starting Bid $100

866. Bill Justice concept drawing of Bongo and LuLuBelle for the book ... Starting Bid $200

867. Lucifer and Jaq limited edition cel from Cinderella Starting Bid $200

868. Mickey Mouse production drawings by Mark Henn Starting Bid $200

869. Tod production cel from The Fox and the Hound Starting Bid $200

870. Taran production cel from The Black Cauldron Starting Bid $200

871. Winnie the Pooh and Rabbit production cel and production backgrou... Starting Bid $200

872. Winnie the Pooh production cel from The New Adventures of Winnie ... Starting Bid $200

873. Roger Rabbit production drawing from Who Framed Roger Rabbit Starting Bid $200

874. Felix the Cat production cel from Felix the Cat: The Movie Starting Bid $200

875. Pinocchio and Jiminy Cricket limited edition cel from Pinocchio Starting Bid $200

876. Ariel production cel from The Little Mermaid television show Starting Bid $200

877. Ursula and crystal ball production cels from The Little Mermaid t... Starting Bid $200

878. Snow White production cel from the 65th Academy Awards Television... Starting Bid $200

879. Shere Kahn production cel from Jungle Cubs Starting Bid $200

880. King Louie production cel from Jungle Cubs Starting Bid $200

881. Cruella De Vil production cel from 101 Dalmatians: The Series Starting Bid $200

882. Mickey and Minnie Mouse production cel from Mickey Mouse Works Starting Bid $200

883. Mickey Mouse limited edition hand-painted cel from Disney World Starting Bid $200

884. Walt Disney World 15Year Service Award Starting Bid $200

885. Goofy and the Mad Hatter (3) production drawings from an Eastern ... Starting Bid $100

886. Winnie the Pooh production cel from a Disney television cartoon Starting Bid $200

887. Lee Blair: Group of (4) Saludos Amigos Books Starting Bid $200

888. Preston Blair: Collection of (5) Animation Books with Printers Pr... Starting Bid $200

889. Chuck Jones Signed Print of Bugs Bunny Starting Bid $200

890. Bugs Bunny original model sheet drawing by Virgil Ross Starting Bid $200

891. Daffy Duck original model sheet drawing by Virgil Ross Starting Bid $200

892. Yosemite Sam original model drawing by Virgil Ross Starting Bid $200

893. Road Runner original model sheet drawing by Virgil Ross Starting Bid $200

894. Bugs Bunny, Yosemite Sam, King Arthur, and Dragon original model ... Starting Bid $200

895. Bugs Bunny, Porky Pig, and Hunting Dog original drawing by Virgil... Starting Bid $200

896. Bugs Bunny and GasHouse Gorilla original drawing by Virgil Ross Starting Bid $200

897. Bugs Bunny, Napoleon, and Soldier original drawing by Virgil Ross Starting Bid $200

898. Bugs Bunny and Edward G. Robinson original drawing by Virgil Ross Starting Bid $200

899. Tweety and Sylvester original drawing by Virgil Ross Starting Bid $200

900. Bugs Bunny and Witch Hazel original drawing by Virgil Ross Starting Bid $200

901. Tweety and Granny production cel from The Sylvester and Tweety My... Starting Bid $200

902. Don Knotts signed limited edition hand-painted cel for The Incred... Starting Bid $200

903. Batman and Jackson Chappell production cels from Batman Beyond Starting Bid $200

904. Clampett Studio limited edition hand-painted cel of Roadrunner an... Starting Bid $200

905. Walter Lantz Group Lot of (7) Items Starting Bid $100

906. Bill Hanna, Joe Barbera, and Alex Lovy Signed Photograph Starting Bid $100

907. Fred Flintstone and Barney Rubble production cels and production ... Starting Bid $200

908. George Jetson production cel from Jetsons: The Movie Starting Bid $200

909. George Jetson, Astro, and Lucy (7) production drawings from Jetso... Starting Bid $200

910. Bill Hanna and Joe Barbera Signed Serigraph Cel Starting Bid $200

911. Charles Schulz Signed Comic Strip Starting Bid $200

912. Snoopy production cel from The Charlie Brown and Snoopy Show Starting Bid $200

913. Rudolph Wendelin Original Sketch of Smokey the Bear Starting Bid $200

914. Stan Lee Signed Book Starting Bid $200

915. Bart Simpson production cel from The Simpsons Starting Bid $200

916. Friz Freleng signed production cel and drawing from The Pink Pant... Starting Bid $200

917. Ren and Stimpy production key master background set-up from The R... Starting Bid $200

918. Ren and Stimpy production cels and production background from The... Starting Bid $200

919. Ren and Stimpy production cels from The Ren & Stimpy Show Starting Bid $200

920. Ren and Stimpy production cels and production background from The... Starting Bid $200

921. Bob Kane Signed Print Starting Bid $200

922. Bob Kane Signed Batman Print Starting Bid $200

923. Star Wars: Skottie Young Signed Sketch Starting Bid $200

924. Beavis and Butt-Head production cels from Beavis and Butt-Head Starting Bid $200

925. Beavis and Butt-Head production cels from Beavis and Butt-Head Starting Bid $200

926. Beavis and Butt-Head production cels and production background fr... Starting Bid $200

Conditions of Sale

ANYONE EITHER REGISTERING TO BID OR PLACING A BID (“BIDDER”) ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH R&R AUCTION COMPANY OF MASSACHUSETTS, LLC (“RR AUCTION”) TOGETHER WITH BIDDER, THE “PARTIES”).

This Agreement contains important provisions that control rights and liabilities, and specifically has provisions governing how disputes are handled as well as LIMITATIONS OF LIABILITY that can be imposed upon RR Auction, WAIVER OF JURY and ARBITRATION PROVISIONS. This acknowledgement is a material term of these Conditions of Sale and of the consideration under which RR Auction agrees to these terms. PLEASE READ CAREFULLY.

The following terms and conditions (“Conditions of Sale”) constitute the sole terms and conditions under which RR Auction will offer for sale and sell the property on its website, and/or described in the catalog of items for auction (the “Catalog”). These Conditions of Sale constitute a binding agreement between the Parties with respect to the auction in which Bidder participates (the “Auction”). By bidding at the Auction, whether in person, through an agent or representative, by telephone, facsimile, online, absentee bid, or by any other form of bid or by any other means, Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby.

Section 1

The Parties1.1

RR Auction and Auction

This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company of Massachusetts, LLC, as identified with the applicable licensing information on the title page of the Catalog or on the www.RRauction. com Internet site. The Auction is conducted under these Conditions of Sale. Announcements and corrections from the podium at live auctions and those made through the Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed Catalog.

1.2 Bidder

Bidder shall mean the original Bidder on the property offered for sale by RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal.

The rights granted to Bidder under these Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise without the express written assent of RR Auction. Bidder may not transfer, assign, or otherwise convey these Conditions of Sale or any of the rights herein, and such purported transfer, assignment, or conveyance shall be null and void. No third party may rely on any benefit or right conferred on any Bidder by these Conditions of Sale, and no third party is intended as a beneficiary of these Conditions of Sale.

Bids will not be accepted from minor persons under eighteen (18) years of age without a parent or legal guardian’s written consent containing an acknowledgment of the Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder.

All Bidders must meet RR Auction’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. RR Auction reserves the right to exclude any person from the Auction.

If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid and

agrees to be bound by these Conditions of Sale in addition to company for whom the Bidder is acting

By accepting the Conditions of Sale, Bidder personally and unconditionally guarantees payment.

Section 2 Bidding Privileges

2.1 In order to place bids, Bidders who have not established an account with RR Auction must either furnish satisfactory credit information (including two collectibles-related business references) or supply additional information if requested, well in advance of the Auction. Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Privileges will be granted at the sole discretion of RR Auction. Additionally, Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide a cash deposit prior to RR Auction’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the Auction venue.

2.2 Bidder providing any false or misleading information provided in connection with the registration shall be a material breach of the Conditions of Sale and in addition to any other remedies at law shall excuse RR Auction from performance under these Conditions of Sale, including the right to any refund.

2.2 Bidding privileges may be revoked without notice, for any reason, at the sole discretion of RR Auction .

Section 3 Buyer’s Premium

3.1 The Bidder acknowledges and agrees that a 25% buyer’s premium will be added to the hammer price on all individual lots sold in timed and live Auctions. . For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check or wired funds have fully cleared. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date, whichever is earlier. Bidder’s failure to pay any payment in full when due required shall constitute a material breach, and in addition to other damages available under contract or law, at RR Auction’s election, RR Auction may cancel the sale and require full premium still be due along with interest at 1.5% per month from the date of breach, or at the maximum legally allowable rate.

Section 4

Bidding

4.1 Each Bidder’s determination of its bid should be based upon its own examination of the item(s) and independent investigation, rather than the any reliance as to what is represented in the Catalog, online or elsewhere. Bidder affirms that it regards any statements made by RR Auction concerning the item as solely opinion and that Bidder is making its own inspection and independent evaluation of the goods, and is not relying upon any description or statements by RR Auction (including as to quality, authenticity, provenance, ownership, liens existing, on goods legality, or value) in making its determination to bid on or purchase an item. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS CONCERNING ANY AND ALL PURCHASES TO THE FULLEST EXTENT UNDER APPLICABLE LAW.

4.2 RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile, online, and in person) will be present, and since a re-offering could damage the momentum of the sale, once the hammer has fallen and RR Auction has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot,

even if the Bidder has made a mistake.

4.3 All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder.

4.4 Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder and Bidder has fully satisfied any outstanding financial obligations to RR Auction (including as it concerns aby other lots). RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder.

4.5 It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all risk of loss upon the earlier of shipment to Bidder or in Bidder’s possession.

4.6 Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder further grants RR Auction a lien consisting of a senior security interest (or purchase money security interest to the extent applicable) in such sums or items to the fullest extent applicable, authorizes RR Auction to file documents concerning the interest, and Bidder agrees to execute any further documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued fees and expenses, until the indebtedness is paid.

4.7 By bidding in this sale, Bidder personally and unconditionally guarantees payment. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by a principal, director or officer that they he or she personally and unconditionally guarantees any payment due RR Auction.

4.8 RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders.

Section 5

Bidding Options

5.1 Non-Internet bids (including but not limited to in-person, facsimile, phone and mail bids) are treated similarly to floor bids in that they must be on-increment. Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid.

5.2 When identical bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins.

5.3 In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction.

5.4 RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless RR Auction directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). For live auctions, RR Auction will have final discretion in the event that any dispute should arise between Bidders. RR Auction will determine the successful Bidder, cancel the sale,

or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises, RR Auction’s sale record is conclusive.

Section 6 Payment

6.1 Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than sixty (60) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder.

6.2 Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot.

6.3 All sales for total invoices greater than $1,000 are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements.

6.4 All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via e-Check, personal or corporate checks.

6.5 In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment.

6.7 If RR Auction refers any unpaid invoice to an attorney for collection, the Bidder agrees to pay and shall be liable for RR Auction’s attorney’s fees, court costs, and other collection costs incurred by RR Auction in addition to the invoice amount and interest the greater of 1.5% per month or at the maximum legally allowable rate from date of invoice to collection. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

6.8 RR Auction shall have a lien against the merchandise purchased by the Bidder (as well as to the extent it is a consignor any other monies owed or due to Bidder) to secure payment of the Auction invoice. RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bid-

der’s property in their possession.

6.9 All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC. RR Auction clients with an invoice totaling $1,000 or under will have the option to pay by VISA, Mastercard, Discover or Paypal. All Paypal payments must be sent to FinanceDepartment@rrauction.com. Authorize.net, a third-party service provider contracted by RR Auction for processing on-line payments, charges a nonrefundable service fee of 3%, which will be added to your final invoice should you pay by credit/debit card.

cancel any bid, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal, cancellation, or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone at any time.

Section 11

Conducting the Auction

11.1 RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages.

RR Auction is a remote seller and we are now required to collect Sales/ Use Tax from our bidders. The states that we have nexus in we will be required to collect and remit sales tax on your behalf. Each state has different requirements to meet nexus. When RR Auction has achieved a certain monetary and/or invoice threshold in each state we will apply sales tax to your total invoice. The states that are affected are: ARIZONA, ARKANSAS, CALIFORNIA, COLORADO, CONNECTICUT, FLORIDA, GEORGIA, ILLINOIS, INDIANA, IOWA, KANSAS, KENTUCKY, MAINE, MARYLAND, MASSACHUSETTS, MICHIGAN, MINNESOTA, NEBRASKA, NEVADA, NEW JERSEY, NEW YORK, NORTH CAROLINA, OHIO, OKLAHOMA, PENNSYLVANIA,RHODE ISLAND, TENNESSEE, TEXAS, UTAH, VIRGINIA, WASHINGTON, WISCONSIN

If we have not achieved nexus in a particular state it is still your responsibility to pay sales tax on your purchases.

The sales tax rate is determined by the State, Country, and City where purchases are shipped to. If you decide to pick up your purchases at our New Hampshire location you will not be required to pay sales tax. The State of New Hampshire does not have a general sales and use tax. All purchases picked up at our Massachusetts location will be taxed at the current rate of 6.25%.

If you have a resale number please email Sue@RRAuction.com or fax to (603) 732-4288 a copy of your state resale certificate and you will be exempt from paying sales tax.

Section 8

Delivery; Shipping; and Handling Charges

Bidder is liable for shipping and handling and providing accurate information as to shipping or delivery locations and arranging for such. RR Auction is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction.

Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

Section 9

Title

Title shall not pass to the successful Bidder until all invoices of Bidder (including those pertaining to the item(s) at issue) and amounts owed to RR Auction are paid in full. It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Section 10

Rights Reserved

RR Auction reserves the right, at any time before, during or after an auction has ended to: withdraw any lot before or at the time of the Auction,

11.2 RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments. RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auctions record of final sale shall be conclusive. RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale.

11.3

Reserves

Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own. RR Auction may execute bids consecutively or otherwise up to one bid increment below the reserve.

11.4 Off-Site Bidding

Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form.

11.5 Estimate Prices:

In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 732-4280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading).

11.6 Owned or Guaranteed Property:

RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction.

11.7 Before the Auction:

Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment.

11.8 Maximum Bids In All Auctions:

To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under

Section 7 Sales Tax

Bidder’s bid.

11.9 Successful Bids:

The fall of RR Auction’s hammer indicates the final bid. RR Auction will record the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice.

11.10 Unsold Lots:

If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

11.11 Bidding in Timed Auction:

Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/EDT, Bidder may not bid on that lot after 6 pm EST/EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion.

11.12 Bidding - Internet Live Auction:

Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

During live internet or live auction, property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid or bids (successively or otherwise) on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. All auctions for lots are with reserve unless specifically stated otherwise.

During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www.liveauctioneers.com, www.invaluable.com and www.icollector.com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any third-party site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the third-party sites carry an additional Buyer’s Premium.

11.13 Miscellaneous:

Agreements between Bidders and Consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with ”do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available.

11.14 Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.

Section 12 RR

Auction’s Remedies

Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of material breach or default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than

the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any Bidder’s property in RR Auction’s possession or to which title has not yet passed to Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the Commonwealth of Massachusetts.

Section 13

Warranties

13.1 RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale. All property and lots are sold ”as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright, trademark, or other intellectual property (including exhibition or reproduction rights) related to the item, or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title.

13.2 All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices.

13.3 Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly.

13.4 All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”). On any lot presented with an AC issued by RR Auction, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “AC”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The AC inures only to the original Bidder (as shown in RR Auction’s records). Bidder may not transfer, assign, or otherwise convey the AC and such purported transfer, assignment, or conveyance shall be null and void.

Section 14

Firearms

RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm.

Section 15

Unauthorized Statements

Under no circumstances is any employee, agent or representative of RR

Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed Bidder and by an authorized officer of RR Auction by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction.

Section 16

Bidder’s Remedies

16.1 Except as stated expressly herein, Bidder’s sole and exclusive remedy related to or pertaining to items it bids upon, views, or purchases from RR Auction, and any claims by Bidder related to authenticity, ownership, condition, title or value, shall be against Consignor only.

16.2 This section sets forth the sole and exclusive remedies of Bidder as against RR Auction (inclusive of its affiliates, officers, managers, employees or agents), or in any way arising out of, related to, or in connection with these Conditions of Sale, , and is expressly in lieu of any other rights or remedies which might be available to Bidder by law. Time is of the essence with respect to these procedures.

16.3 Title to Items

The Bidder hereby accepts the benefit of the Consignor’s warranty of title and any other representations and warranties made by the Consignor for the Bidder’s benefit. In the event that Bidder demonstrates in writing, satisfactory to the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction may make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand (if any made), RR Auction may disclose the identity of the Consignor to Bidder and may assign to Bidder all or some of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and/or assignment, all responsibility and liability of RR Auction, if any, with respect to said lot or item shall automatically terminate related to or arising from these Conditions of Sale or such transaction operating as a complete waiver and general release by Bidder as to RR Auction and its agents, contractors, and affiliates, as to any and all claims concerning or related to the item, if any . RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction by Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances.

16.4 Authenticity Challenge Process

(1) If Bidder wishes to dispute or challenge the Authenticity of the lot or item (including asserting that it is incorrect), Bidder must adhere to the following procedure: Within 30 days of the Auction Date, Bidder must present written evidence to RR Auction, that the lot is not authentic as determined by a known expert in the field (and one recognized by RR Auction within its discretion) and send the physical item or lot at issue to RR Auction along with all evidence relied upon by Bidder for contesting the Authenticity. (“Authenticity Challenge Process”) “Authenticity” shall mean a gross discrepancy in the between the description, genuiness, or attribution of the item as represented by RR Auction in the Catalog or at the auction, and the item. If RR Auction concurs that the lot is not Authentic as was represented (it is sole discretion), Bidder’s sole and exclusive remedy as against RR Auction (inclusive of its affiliates, agents, employees, and contractors) shall be a refund of the purchase price of the subject item paid by Bidder, with no other costs, liabilities or amounts recoverable by Bidder. If RR Auction does not agree with the assertion by Bidder, then

the Parties shall follow the dispute resolution procedures of these Conditions of Sale. Strict adherence to the Authenticity Challenge Process is a condition of standing for Bidder to initiate suit or claim.

(2) So long as Bidder has complied with the Authenticity Challenge Process, any claim, suit or action, by Bidder concerning an AC or Certification of Authenticity, or related to the authenticity of the item must, without any exception, be brought within one (1) year of Auction Date and is subject to the other limitations and conditions stated in the Conditions of Sale.

16.5 Other Issues. Any dispute or claim by Bidder against RR Auction (or its affiliates, directors, employees, officers, agents, or contractors)) other than Authenticity, concerning any item or lot bid upon, or purchased, including value, title, condition, bidding process, or description must be asserted (if at all) in the following manner:

(1) If the description of any lot in the Catalog is materially or grossly incorrect (e.g., gross cataloging error), or there is any other gross material issue pertaining to the item or lot, the item or lot may be returned if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date with explanation in writing.. If there is any discrepancy between the description in the Catalog and a certificate of auction, then the description in the certificate of auction (“Lot Challenge Process”). This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received by RR Auction within the period of time stated herein or not materially or grossly in deviation from the description. Such a refund is subject to RR Auction’s sole discretionary review, and any request for refund must be made concurrently with returning the physical item or lot to RR Auction. Any item not returned within said frame will constitute acceptance of the item and a waiver and release of any and all claims by Bidder pertaining to the item other than with respect to authenticity; and

(2) Provided that the Bidder has engaged in the Lot Challenge Process, any claim concerning such must be brought no later than one (1) year of the Auction Date for the item or lot at issue and is subject to the other limitations and conditions stated in the Conditions of Sale.

NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED OR PROVIDED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE AND BIDDERS OR AS MAY BE REQUIRED BY LAW. FAILURE TO COMPLY WITH SUCH SHALL BE A COMPLETE DEFENSE TO ANY CLAIMS BY BIDDER RELATED TO THE CONDITIONS OF SALE, ANY AUCTION OR BID.

16.6 LIMITATION OF LIABILITY. For any and all claims by Bidder arising out of or related to this Agreement, Bidder’s viewing, bid, or purchase of items, or any agreement between the Parties, or otherwise, Bidder agrees that to the fullest extent such can be limited under the law, Bidder shall have no right to recover and hereby waives any and all rights to recover from against RR Auction or its affiliates, directors, employees, officers, agents, or contractors, consequential or indirect damages, lost profits damages, punitive, exemplary, statutory (or multiplier damages), physical or emotional distress damages, general or special damages of any kind (beyond amounts actually paid by Bidder for item(s) at issue), and in the event of recovery of any damages whatsoever, such shall be limited by the amounts actually paid by Bidder to RR Auction for the item(s) at issue in such claim, or if no money was paid to RR Auction by Bidder for items at issue, or there items are at issue, the amount of $150.00.

Section 17

RR Auction’s Additional Services

For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for dam-

age to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge.

Section 18

Headings

Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer.

Section 19 Entire Agreement

Except to the extent Bidder is also a consignor (in which case the terms of the consignment agreement shall also govern), these Conditions of Sale constitute the entire agreement between the Parties together with the terms and conditions contained in the auction Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties.

If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court or arbitrator of competent jurisdiction, the remaining parts of the agreement and remainder of the sections or terms and provisions of the section and all sections shall continue in full force and effect without being impaired or invalidated in any way.

Section 20 Governing Law and Enforcement

20.1 The Parties agree that all agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location.

20.2 The Parties agree that these Conditions of Sale, any other related agreement(s), along with all claims between the Parties, including those arising out of or related to such are governed by the laws of the Commonwealth of Massachusetts, without regard for its conflict of laws principles. The Parties agree that any dispute between the Parties, including but not limited to those related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the ”Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”) The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA in Boston, Massachusetts, unless the Consumer Arbitration Rules apply, in which case, such rules and venue will govern. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the Arbitration shall also recover all of its related fees and costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and costs, if RR Auction prevails, such recovery, in addition to all remedies available at agreement or law, shall include the Buyer’s Premium as defined in these Conditions of Sale. Federal arbitration law, including the Federal Arbitration Act apply to this agreement to arbitrate and its related provisions. The arbitration and all related proceedings shall be held strictly confidential and all documents and discovery shall be held confidential and not used, published or disclosed publically or to anyone outside the Parties or expert consultants or counsel who shall agree to hold such confidential.

20.3 The Parties consent to the Commonwealth of Massachusetts as exclusive jurisdiction and venue for all claims between the Parties except as provided specifically herein and may seek confirmation of the decision in the Arbitration pursuant to the Federal Arbitration Act in any Court of competent jurisdiction, including the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts. To the extent such is necessary under the law, RR Auction may enforce the Arbitration award against Bidder and any related Party

in any court of competent jurisdiction. Nothing in this Agreement shall be construed as RR Auction consenting to jurisdiction or venue in any location outside of the Commonwealth of Massachusetts.

THE PARTIES MAY NOT BRING CLAIMS AGAINST EACH OTHER AS A CLASS OR CLASS MEMBER IN ANY CLAIMED CLASS, OR IN A REPRESENTATIVE ACTION UNLESS OTHERWISE AGREED. UNLESS OTHERWISE AGREED, THE CLAIMS AGAINST EACH OF THE OTHER CANNOT BE CONSOLIDATED OR JOINED WITH MORE THAN ONE ADDITIONAL PERSON OR ENTITIES’ CLAIMS. NO INJUNCTIVE OR DECLATORY RELIEF SOUGHT BY BIDDER IF ANY, CAN AFFECT OR BE ORDERED TO AFFECT ANY OTHER BIDDERS OR PERSONS.

20.4 Except as provided specifically in these Conditions of Sale in Bidder’s Remedies against RR Auction (along with its affiliates, directors, agents, officers, employees, and contractors) for any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other related agreement(s), brought by Bidder must be brought within the earlier of the Auction Date as it pertains to the item(s) at issue or no later than one (1) year of the acts, omissions or circumstances occurred giving rise to the alleged claim, without exception. This provision is intended as a full, complete and absolute bar to and release of any claims by Bidder initiated after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding in the event of any dispute, specifically including but not limited to third party claims and cross-actions brought by Bidder. These provisions are consideration for the execution of these Conditions of Sale.

20.5 To the fullest extent under applicable law and except as specifically stated herein Bidder hereby holds harmless, releases and discharges RR Auction and its agents, officer’s directors, affiliates, successors, and assigns from any and all claims, liabilities, obligations, promises, agreements, damages, causes of action, suits, demands, losses, debts, and expenses of any nature whatsoever, known or unknown, suspected or unsuspected existing prior to these Conditions of Sale. Bidder agrees to the Conditions of Sale and upon each instance that Bidder participates in any auction, bids, or otherwise agrees to such terms and reaffirms this release as of the date of so participating or agreeing unless Bidder otherwise provides clear written notice to RR Auction prior to so bidding.

20.6 The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction.

20.7 Liquidated Damages for Specific Breaches

In the event that Bidder provides false information in connection with registering for bidding, fails to correct or update information or breaches the Conditions of Sale by failing to pay the purchase price when due after becoming the winning bidder, as liquidated damages associated with such breaches, R&R may obtain from Bidder the greater of (1) 150% the reserve of the item (if any); (2) the amount bidder bid; or (3), the full amount that bidder would have otherwise paid. Bidder will also be liable for an additional 20% of such amount to account for additional administrative costs, shipping, additional advertising, and other damages and liabilities fees that are difficult to calculate on an item-by-item basis.

20.8 Indemnity. Bidder agrees to defend, indemnify, hold harmless RR Auction (along with its officers, directors, agents, contractors, and affiliates) from and against any and all claims, costs, fees, damages, and liabilities arising out of or related to these Conditions of Sale, view of items, or lots, bidding, or participation in any auction by RR Auction, and/or or in any way connected to any item you viewed, bid upon or purchased through RR Auction.

Section 21: State-by-State Law Issues

This Auction is being conducted in and the sale shall take place in the State of Massachusetts. Notwithstanding, the foregoing, should these terms and conditions violate the law of any State should that state’s law be found to govern, or any provision herein determined to be invalid, the

clause itself and the remainder of the Agreement shall be valid to the fullest extent allowed. Also, to the extent other states law apply to any transaction arising out of the Agreement (without admitting such), RR Auction states:

For Residents of California:

SALE OF AUTOGRAPHED COLLECTIBLES: AS REQUIRED BY LAW, A DEALER WHO SELLS TO A CONSUMER ANY COLLECTIBLE DESCRIBED AS BEING AUTOGRAPHED MUST PROVIDE A WRITTEN EXPRESS WARRANTY AT THE TIME OF SALE. THIS DEALER MAY BE SURETY BONDED OR OTHERWISE INSURED TO ENSURE THE AUTHENTICITY OF ANY AUTOGRAPHED COLLECTIBLE SOLD BY THIS DEALER.

A written express warranty is provided with each autographed collectible, as required by law. This dealer may be surety bonded or otherwise insured to ensure the authenticity of any autographed collectible sold by this dealer.

Section 22 Glossary of Condition terms

Information provided to prospective Bidders with respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by RR Auction.

Use of the following terms constitutes an opinion as follows:

VERY FINE describes an item believed to be in virtually flawless condition, and is used sparingly for items of exceptionally attractive appearance.

FINE is the most common statement of condition, and applies to most items that we offer. It describes items that we believe to show expected handling wear, generally acceptable random flaws (such as light creases, small bends, etc.), and an overall appearance that is pleasing to the majority of collectors.

VERY GOOD describes an item that we believe exhibits more moderate flaws (such as toning, light staining, professional reinforcements or repairs, etc.). Most collectors would be comfortable with items in very good condition, and this would be the expected condition for many formats (early presidential documents, for example).

GOOD describes an item which we believe to have obvious visible flaws, including heavy wear, missing portions, or repairs that affect appearance; generally items in this condition are offered only if an item is otherwise believed to be exceedingly rare or important.

Bidder may call and request further details and information about RR Auction’s opinions concerning any item via phone or email which shall provided in RR Auction’s discretion.

Certificate of Auction, Certificate of Authenticity and Goods Acquired:

Bidder warrants that Bidder (and its agents, assigns, successors, and affiliates) shall not purposely deface, destroy, dismember, cut-up into parts the item or Lot purchased at auction from RR Auction and in the event such shall occur whether purposefully or accidently, Bidder (and its agents, assigns, successors, and affiliates) shall refrain from advertising, promoting, or marketing the item as having been purchased from RR Auction and shall in no event display, expressly claim, or imply that the item was certified or auctioned in such state by RR Auction. As liquidated damages for such breach, Bidder agrees to be liable to RR Auction for the greater of the amount of three (3) times the hammer price of the item along with all other fees and costs as otherwise provided in this Terms of Sale.