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v i c e p r e s i d e n t f o r C l u b s a n d Ents B o b

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cause, the event

b e e n in t r o u b l e e v e r s i n c e . U n i o n President Dave Hellard a t t e m p t e d to salvage the situation, p r o p o s i n g t h e

e

g y m as possible prem ise s to stage t h e event.

undersized, h e explained there existed

possible alternatives.

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members vie

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a s h a m e , that's a l l " c o m m e n t e d t h e

fire r e g u l a t i o n s t o h a v e a b e e r fest last-

t u r b a n c e s c o u l d j e o p a r d i s e IC's p r o s p e c t s

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sional licence f r o m ajustices c o m m i t t e e

impressed".

o or t h r e e d a y s " a c c o r d i n g t o C h i e f y O f f i c e r K e n W e i r . T h e b e e r fest

has b e e n o r g a n i s e d f o r R A G b y t h e U

¬ ­® s

dejected William Bentley V P (Finance).

Editor: A n d y O f o r i

Arts Editor: H e l e n a C o c h e m e

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late n i g h t e v e n t c a u s i n g late n i g h t dis-

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M u s i c Editor: D e n n i s P a t r i c k s o n

t h e latest d e v e l o p m e n t s

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A s s i s t a n t Editor & F i l m s : D a v i d R o b e r t s

union

as t h e e n d o f this year's b e e r fest "It's just

refused

1

M r Foster felt t h e f a t e o f t h e b e e r

¡ , J o h n Foster, s u p p l i e d a fest is n o in t h e h a n d s o f t h e u n i o n a n d ¢ h o f e x p l a n a t i o n s as t o £ y t h e ¢ s o f t h e o p i n i o n t h e e v e n t s " P o s t ¦ g y m p r o p o s a l s a non-starter. L o o k i n g p o n e d rather t h a n c a n c e l l e d " h e s u g past t h e fact that t h e v e n u e s g r o s s l y g e s t e d D B ' s o r O l a d y ' s at § . M a r y ' s a s n e i g h b o u r s " , for instance a

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D e l i v e r y last i s s u e : D a v i d R o b e r t s , A n d y Ofori & n u m e r o u s others

C o b u r n , R A G Chair, m i r r o r e d his

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°°± .

Cher s greeted by M o h a m m e d Al Fayed, £ o g a v e h e r t h e c u s t o m a r y f l o o r

the Constituent College Unions.

° r

h t h e m e t h o d s M r Hellard É ÊË Ì e to b e r or n o t to given the choice o f d b e in favour o f t h e proposal, move I °ÍÎ . but f o r c i n g t h e m t o m o v e is clearly °

r f i g u r e s in t h e M e d l a n d City

lion p o u n d s p e r h o u r , is a d i s t i n g u i s h e d

by floor tour o f t h e d e p a r t m e n t store,

h

s o u r c e s in all four U n i o n s h av e s p o k e n o u t

a n d Guilds U n i o n s have also p l e d g e d to

against

oppose the scheme.

o n W e d n e s d a y 6 Jan-

t o p p e d t h e 1998 charts, b o o m e d o n

u n d e r m i n e their "identity a n d s u b s t a n c e " .

uary, b e c a u s e b y h a l f past e i g h t in t h e

e v e r y l o u d s p e a k e r . In a s e n s a t i o n a l p u b -

morning, the pavement

licity s t u n t , t h e e n t e r t a i n e r

y

star h a d b e e n e x p e c t e d t o c o n d u c t t h e

his c o n c e r n

y

c e r e m o n y last y e a r , b u t s h e p u l l e d o u t According to the advertisement,

'There

is o n l y O N E sale'. T h e a n n u a l o p e n i n g o f t h e C h r i s t m a s s a l e at H a r r o d s ,

ritual. It s e e m e d a s if t h e g a t h e r i n g at

¢ n

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packed.

u n e x p e c t e d l y a f t e r t h e d e a t h o f h e r exhusband

t

h e r latest s i n g l e ' B e l i e v e ' ,

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bom-

Eager s h o p p e r s a n d d e d i c a t e d c e l e b r i t y

barded by questions (she apparently ate

vantage

n o t h i n g for breakfast a c c o r d i n g to her

¢ s jostled to claim a p r i m e point by the entrance.

p l a n n e d t o u s e "If t h e clubs

response to o n e exuberant

reporter)

ICU P r e s i d e n t D a v e H e l l a r d h a s c o m e u n d e r attack in his a t t e m p t t o re-organise

´ µ¶ t

t h e y s e e as a n a t t e m p t t o

¼½ ¾ e h a v e e v e n s e e n this as a first

move

The

real q u e s t i o n ,

¡ ,

is still

over M r Hellard's long-term intentions, but

in a n a t t e m p t t o c o m p l e t e l y d i s b a n d t h e

h

CCUs.

today, a n d a m e e t i n g o f ICU C o u n c i l d u e

M r Hellard first o u t l i n e d his plans t o m o v e m o s t C C U c l u b s into direct ICU c o n -

M r H c l l a r d d u e b a c k f r o m holiday

to t a k e p l a c e t o m o r r o

night, his true

m o t i v e s s h o u l d s o o n b e c o m e apparen t .

trol at t h e D e c e m b e r m e e t i n g o f ICU C o u n cil, since

¿ ÀÁ n t h e stormclouds h av e y

gathered and opposition to any percieved attack o n t h e

 r

of the Constituent

Unions has mobilised.

à ¡ ,

as M r

Hellard h a s b e e n o n h o l i d a y f o r t h e last four

Ä ,

h e h a s b e e n u n a b l e t o react

to this criticism, or c o m m e n t in his d e f e n c e .

e

T h e m o s t v o c a l o p p o s i t i o n to M r H e l -

l o f M i n e s n a I-ox, £ o h a s

lard has c o m e f r o m Royal President Alistair

Monday

point for point re-buffal o f M r Hellard's proposals ,

h

h e b e l i e v e s " h a d n o fac-

´ µ¶ t d a p p e a r  ° g i n n u e n d o s " . H e

tual basis o t h e r t h a n to b e g e n e r a l

s m s

a l s o feels that s o m e o f t h e c o m m e n t s M r

Tuesday

Hellard m a d e in Felix at t h e e n d o f last term l

" s u g g e s t that t h e C C U Presidents a r e p e o ple o f substantially

The h o n o u r o f inauguration rested

and

hounded

mercilessly

by

the

r

character

£o

² ¢ ³ °° ° g p a p a r a z z i . §£ e p o s e d b e s i d e brass d o o r diva C h e r , e arrival c o i n c i d e d s o m e - k n o b s , a d m i r e d a l i n e n d i s p l a y a n d ´ µ¶ t i r o n i c a l l y h a b r a s s b a n d r e n d i - g r a s p e d a c h i n a plate, b y h t i m e s h e ±³· ' b y t h e ¢ s e x t r e m e l y irritated h t h e p e r s i s t i o n o f ' W h e n I'm « ¹º» B e a t l e s (to b e fair, s h e ' s o n l y ¸ . T h e tent m e d i a attention, e x h a u s t e d from

procession s r o u n d e d off h pomp t o t t e r i n g a r o u n d in h e r h i g h h e e l s , ³ ¢ n car- b l i n d e d by g l a r i n g f l a s h l i g h t s a n d p r o b and circumstance by

vocal) resistance. Will Bentley, Royal C o l l e g e

riages a n d a trio o f b a g p i p e r s . T h e super-

of

in t h e c a p a b l e h a n d s o f

ably quite peckish.

s

c a n n o t b e relied u p o n " - a n d is unsurpris-

Wednesday

ingly a n n o y e d b y this attitude. H e c o n c l u d e s that " t h e u n d e r l y i n g r e a s o n for t h e s u g g e s t e d c h a n g e . . . is t h e abolition o f t h e

s

CCUs themselves".

Friday

In t h e o t h e r C C U s , o p p o s i t i o n to M r Hellard's p r o p o s a l s also f a c e stiff (if less

ÅÆ ÇÁ ÈÆ e U n i o n Vice-President, e x p r e s s e d

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§Ï 7 2BB Internal tel ¦ 58072 Internal fax: 48072 External tel & fax: 0171 594 8072 URL: Ð Ð Ð ¢ Ð ÄÑ · x E-mall: felix@ic.ac.uk

° s G a r d e n s , L o n d o n EC1N 7RJ ° ¢ : Ö§§N 1040 - 0711 Telix is a registered Printed at M C P Litho Limited, Units B2 & ÒÓ, Hatton Ô ¢ , 16 - 16a Õ¢ h p h o t o g r a p h e r s .

Felix is p r o d u c e d for a n d o n b e h a l f o f Imperial C o l l e g e U n i o n Publication Board. Copyright × Telix 1998. P h o t o g r a p h i c copyrights r e m a i n

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s

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ÙÜ s

later l i c e n c e

as

ident

o n l y o n e Friday n i g h t all t e r m

ôðô y õ ö ö k a f t e r ÷øø ù . n e Ù l i c e n c e ÙÜ s g r a n t e d o n

Ù

n i g h t s is n o

just

previous years.

ÜããØ ÙÛ d

carnival.

This

200 extra carnival tickets to b e

s o l d o n t h e Friday, a n d in t h e e n d t h e

ÙÜs

groups

tial a r e a , t h e

t h e f i n a l F r i d a y o f t e r m , 18 D e c e m b e r , for the

o p p o s e d b y l o c a l res-

and

other

900 - 200 m o r e t h a n in T h e Ents a n d M a r k e t -

i n g M a n a g e r h o p e d that t h e i n c r e a s e d space

influential Given

ÙØëãd

encourage more people

guaranteed

Ù

ÙÛãêØóe

U n i o n staff. N o

it's u p to t h e s t u d e n t s

Ù

t r i u m p h for

to m a k e use of t h e m .

JOB IDEAL FOR HO EXPERIEHCE HECESSARY. aBOTS R

no

has are i n d e e d a

WE A R E LOOKING FOR NEW S T A F F T O W O R K IN T H E ICU S H O P ON SHERFIELD WALKWAY

T

that

bar e x t e n -

s i o n s a n d i n c r e a s e d c a p a c i t y ICU

STAFF REQUIRED THE

Ù

t h e U n i o n is i n t h e h e a r t o f a r e s i d e n -

d

to be turned

in t i m e

1am

d o e s not a l l o

m e m b e r s of the council.

didn't sell out, a n d p e o p l e h a d

The

Ù Úâ ê h

guarnight

further e x t e n s i o n s o n carnival nights. A

M a r k e t i n g M a n a g e r c o m m e n t e d that it

to get their bike c o d e d to

arrive e a r l y in t h e d a y , t o a v o i d q u e u e s that

Ùâã l

Autumn term.

the

separate

bers o f t h e c o l l e g e t o get their p o s t c o d e bicycles free

Lon-

greater capacity than Kings'

and UCL's u n ion s.

on

a p p r o v e d by C h e l s e a a n d W e s t m i n s t e r

Bike Branding

Ùâå h a

don,

r e s u l t in l e s s s t u d e n t s

W e d n e s d a y a n d Friday n i g h t s .

that

his £900-a-day f e e .

advantage

the

Union

a n o n y m i t y , to p r o v i d e d e t a i l e d

take

licence

hired the a c a d e m i c ,

insisted o n

to

Ù

f i l m , T h e W o r l d Is N o t E n o u g h ' , h a v e

ÙÚo

y

public entertainments

The n e

ú "it's b e e n a p a i n f o r us... Ù e k n o Ù ûüýþ e been turning p e o p l e ÿ ÿ . The probl e m ÙÜ s Ù e ðñ ò e m i s i n f o r m e d . " I m p e rial C o l l e g e U n i o n is n o Ù t h e b i g g e s t

to c o m e to the U n i o n this t e r m

l ,

g

p l e a s e , if y o u a r e n ' t

e

1 expect equal

opportunities,

t r an s l at e s a s

coffee and

50:50 ratios?

e

through

something.

i n t e r e s t i n g l y , if

More A s y o u e n t e r y o u r first l e c t u r e o f t h i s

l

p r e m i l l c n i a l year, c l u t c h i n g t h i s s o m e -

t

s l i m i s s u e o f Felix, I h o p e y o u h a v e

'

The ' W o m e n in

and fe

has started m e thinking.

m e m o r i e s o f the N e

particularly one

o

you kno

m

e

Year. A

n

g o e s to any-

c o n t r i b u t e d t o Felix last t e r m . . .

e

to come

sion gets o n t o p o f y o u .

,

n revi g o f

s

the time! Exams can be a dis-

g t e r m , a n d

article ( p a g e 8) W h y should

science?

T h e basic

Felix is n o e x c e p t i o n s o

do

p o s s e s s d i f f e r e n t m e n t a l abilities to m e n ,

Get a 2nd h a n d 1 6 M B Kingston E D O

it s e e m s t o m e l h a l t h e c a u s e o f ' W e s t -

R A M ( K I M 7 6 0 E L D / 1 6 ) for o n l y

v a l u e s t h o s e skills p o s s e s s e d m o s t l y b y

,

n

in g e n e r a l .

Rather than

pre-

m e n t s is that

ferences

n

a r c just a s s u i t e d It m a y b e u n f a s h -

r a n O x f a m j a c k e t , s o q u e s t i o n it I

n d o think differently (not shall

) t h a n m e n . If it is t r u e better, not a that t h e r e a r e s o m e skills that s h o

!

a n d thus discriminates against

t e n d i n g that t h e r e a r e n o ( m e n t a l ) dif-

i o n a b l e to q u e s t i o n this a s s u m p t i o n , but

ruptive i n f l u e n c e o n all c l u b s in t h e

Thinkpads

n

a s s u m p t i o n b e i n g m a d e in all t h e a r g u -

to science as m e n .

if y o u h a v e t h o u g h t o f c o n t r i b u t -

i n g t o Felix b u t just h a v e n ' t g o t a r o u n d to it,

enter

ÂŁ15 EDO RAM for IBM

e r n ' s e x i s m is clear. O u r s o c i e t y u n d e r -

f o n d m e m o r i e s o f the Christmas break,

e right to h often

g e n d e r bias, a r e

t h e r m o d y n a m i c s p o p by t h e o f f i c e f o r a

n

It's d e s i g n e d for I B M 760s, 765s, 560s,

!"!# , "$!# , "$%# , "&!# ,

t h e m u n d e r t h e 'Equal O p p o r t u n i t i e s '

t

banner,

it b e b e t t e r if

e

If interested, please c o n

con-

I centrated o n c h a n g i n g our society's values

instead?

Comments

constructive criticism

tact Patrick Lam at

and

.

t

-Ed

Room to Rent in

PRIZE DRAW FOR FREE ()*+ ,*)

<

Bedroo m Flat: ÂŁ70 ; .

RENT!

a 21 Resident at IC presents a concert

h y

c o m i n g later this t e r m ,

y Conductor â&#x20AC;˘

s p a c e , by t h e

- n

Britten - P r e l u d e a n d F u g u e Jonathan Harvey - From Charles Ives-Three Places

e England in N e

Did your intercollegiate

Rosemary Hardy

e

/ y

meal

. h

-Chamber

Did anything

If y o u r

45 6 012 3 t

Price

hall

you couldn't to do

you practising

(arr. Barshai)

r

789:

L o v e l y flat,

have

g

video,

attend?

in 2 other female

your

stop

0

religion?

P l e a s e call

is y e s t o e i t h e r o f

1 or

Tasha o n

number must b e supplied)

m a c h i n e , TV,

mlns from

Charing Cross Hospital

your hall

t h e s e , d o s o m e t h i n g a b o u t it - call

ÂŁ10/ ( c o n c e s s i o n s E4)

t

times

Julian A n d e r s o n - Poetry N e a r i n g

B o o k i n g a n d i n f o r m a t i o n line o p e n f r o m 29th D e c e m b e r

Imperial C o l l e g e

s r o o m t o let =>

h m flat

this

clinical students

o -

Asbury

ELDs T h i n k p a d s ! '

the sexes, a n d h i d i n g

6

8

for m o r e info.

AEROBICS SCHEDULE Description

Time

Level

Monday

12:30 5:30 6:30

Circuit Training General Body Sculpt Begllnt Intermediate Aerobics

Tuesday

5:30

Intermediate Aerobics

Day

Wednesday 1:00 5:30

Body Sculpt Begllnt Intermediate STEP

Thursday 5:30

Intermediate Aerobics

5:30

Friday

SpeciafOffer!

IC Students IC Staff/Other Students

14 16 Only

Aerobics

IntlAdv

Half Price Membership

Valid

(Offer

Sunday

2:00

Kensington Gardens

& .25 Members Non Members ÂŁ2.00

L MN O O PO

L

HELD HERE

J a n

? e

A l l Classes a n * at

E F GH IE J K

held

E G

Y

M

T o j o i n in, just t u r n u p

Prince's Gardens

Museum

25th

'Weeks.

Class Prices

Hyde Park

a ,

e

2

Intermediate STEP

Kensington Gore

imperiai Coilege

ends

for

Professional

at

BC @9A D9

I n s t r u c t o r s

P r i c e s ! !

for a n y class!

'99)

g s l

f

r

m

r

f s

e e

n

n o

g

d

s

s

e

u

e

t

e

e

e y

k

0

g

u

r

t g

g

.

.

n e

d s

r

, r 0

ZjC /

s

6

1

t o

U

se separate s h a m p o o a n d c o n -

QR o b o t t l e s i n t o t h e STU VWX ? - VWYY , s u r p r i s i n g l y , \ t h e Z[SVW r s e e m s n o t o b e y e s . In t h e m o s t s h o c k i n g split s i n c e ] U [ [ y a n d C h e r ^ _ ` t t h e i r s e p a r a t e VZaS , t h e b o y s at V i d a l ]ZSSUU n - R b o o n l y a f e R y e a r s a g o c d ee s p e n d i n g m i l l i o n s o f p o u n d s ditioner?

Take

extolling t h e virtues o f t h e dual action

S TU V W X f [ g

experience to t h e point of

questioning the mental

VWYYghWf[ g

and

a maiden

I managed

pol-

i n c i d e n c e s o f split e n d s , f o l l i c l e d a m a g e a n d less e f f i c i e n t c l e a n s i n g o v e r a l l .

a l m o s t a f o r t n i g h t , b u t , in t h e V U X s s o f

isn't it?"

my

hero

Hercule

Poirot

f am ous Belgian since Merge introduced

hygiene

had been

happening

irre-

of the

VUX Y d

'abit o f m e k k i n g itself

s h a m p o o a n d c o n d i t i o n e r in o n e b o t t l e

begun a

as putting m al e a n d

into

knern. O n a routine

The

cleaning

Earnalot:

" N o , n o . Let m e m a k e it

is still very m u c h t h e r e .

quite clear. T h e r e

Th e n a m e itself - ]UYU "

quality o f t h e p r o d u c t as a

- clearly

s u g g e s t that t h e r e is, is s i m p l y i r r e s p o n -

underlines

that point...."

"Oh

is n o t h r e a t t o t h e

VTUYe

a n d to

m o n g e r i n g . O u r position

sible scare

Paxman.

w

r e m a i n s as it h a s ­ ®^­¯ s b e e n t h e r e

VfY l

c o m e o n , M r . Earnalot,

b e n o d r o p in c l e a n s i n g

s u r e l y this is a b l a t a n t

tough o n grime, t o u g h o n the causes of

seems to be 'Yes'."

attempt to encroach

grime.

VTU d ]Zj XsZ y j o b t h e r e

§ ¨d

QR o tier

by t h e b a c k d o o r isn't it?"

n o

¥¦

r

" N o , n o . N o t at all.

T h e cen tra l p r i n c i p l e o f unitary c l e a n s i n g

the ?

s h o p p i n g trip

a

Vf S e

ad-exec

"Take o bottles

- z e truse 'as t h e

d e c a d e - h a v e d i s c o v e r e d that m i x i n g

is a b o u t a s

It's n o t h i n g m o r e t h a n

Worried

Tin-Tin t o a n e x p e c t a n t

d e n t a l l y b u m p e d in t o

R bo

- the most

Detergent

lead to

icy? I m e a n , it's a bit o f a b l o o d y c h e e k

personal

community

"Back to Caustics" c a m p a i g n

a n i n c r e a s e in t h e n u m b e r o f r e p o r t e d

jZf[WXg©V o

to kee p

VfY l

m o v e a c o m p l e t e reversal of y o u r earlier O n e C o n -

up t h e pretence of u n d e r s t a n d i n g u p for

s p o n s i b l e e n o u g h t o o p t o u t o f this, t h e

the

of those members of

t

over.

Vfj h m y m o t h e r at y

o n e V W W W [ s , I acci-

sexual

iX UVWS s

hUVl

failed to

classmate

o n t h e c o s m e t i c terrias a first-

three-biscuits-in-the-pack-breaker, a n d

Paxman:

tory o f y o u r c o m p e t i t o r s ,

n

m a i n t a i n e d that

reunited?"

R b o have long the distinction h W jV W W n

- R e are

"Do y o u envisage a time

QR o

the

i U VW r

constituents might be

f e m a l e g e r b i l s in t h e s a m e c a g e . I c a n

n

he spotted the bottle of V 0 5

the role o f t h e c l e a n i n g a g e n t o n t h e

clearly r e m e m b e r t h e first e m e r g e n c e o f

s h a m p o o in m y m o t h e r ' s t r o l l e y I k n e V

o n e hand, a n d the conditioner o n the

a n d it's a b i g if, I t h i n k that it's s o m e

t h e p r o d u c t s in q u e s t i o n i n t o t h e p u b l i c

that it

G a m e O v e r . By M o n d a y , it

o t h e r s h o u l d b e c l e a r l y d e f i n e d . Isn't

off. A l t h o u g h

all r o u n d t h e c l o a k r o o m a n d m y

this just a case o f g o o d b y e Vidal - A l o e

i d e a o f a r e u n i f i c a t i o n in p r i n c i p l e ,

Vera?"

feel that t h e current situation -

R xs

d o m a i n a n d I still b e a r t h e m e n t a l s c a r s

VZ s

that r e s u l t e d f r o m m y f a t h e r ' s r e f u s a l t o

credibility never recovered. Even Trudi

a l l oV his family t o e x p e r i m e n t

Wallace deserted

Vfj h

"that

o f f e r e d t o V T f p m y bails o f f a g a i n . E v e n -

overpriced mixed together rubbish".

For t h o s e o f y o u

R b o greV

to adult-

h o o d in t h i s m o b i l e - p h o n i n g , i n t e r n e t -

k lmnopqr the

, Eurostar-riding d e c a d e that is

90's,

S[UVhUZXsf[g a

s

stigma brought by

pre-

continuing to take o bottles into the

w

the com-

Roy North a n d

the

our

of

mother only

Look,

used

Vfj h

painfully

y z y {e

o f t h e t e r r i b l e risk

Go"

that

VU Yd

m y lack o f a u f a i t n e s s

it d o e s n ' t a f f e c t h i s ability t o d o his j o b ) .

tionary

hair

VZSTf[g

Vfj h

this r e v o l u -

experience.

I

l e a r n e d t o b l u f f m y R x y t h r o u g h intricate

latest

is f i n e b y m e a s l o n g a s

If t h e i s s u e in q u e s t i o n

c d ee

a political

policy rather t h a n a personal

] ZSU U n V U Y d

hygiene

ST U VW r g e l s - is right f o r o u r c o m V U Y d o n l y m o v e i n t o a ]f[uY e n it R x s right a n d p r u Combination dent to d o so."

Paxman-. rather than

only to be sent back to

» ¼½¾¦

¿À

a n d G o " , it's m o r e

]WW .

¥ ¾¦Á

ÀÂ

i n g p a p e r s a r e in and

craze hit our school..."

"But M r . Larna.."

j e c t e d t o t h e s a m e k i n d o f scrutiny as o u r elected

Earnalot: "If I m i g h t b e ZYYUVW d t o f i n t h e r e is t h e q u e s t i o n o f

c o n s u m e r c h o i c e . B e i n g in m a n u f a c t u r -

n o t o n l y r e s u l t s in y o u r l i n o c o m i n g u p sparkling clean

VTUYe

but also leads to the

r o o m b e i n g r e d e c o r a t e d a n d flo-

ral c u r t a i n s b e i n g h u n g at t h e

]ftfYZXYa ,

perhaps

Kotex

its a n d d e m e r i t s , all t h e t i m e l i v i n g in

f u l , follically d i s a d v a n t a g e d l e a d e r o f H e r

fit. I h a v e i n s t r u c t e d m y t e a m t o u n t h i n k

Anne Frankesque

Majesty's

p r o b a b l y m o r e a r e f e r e n c e t o that d i s -

Vfj h Trudi W a l l a c e in e I c o m p l e t e l y pavilion

appointing episode t h e cricket

Vf[sUVS. V U Y d have for R b y m e n -

i n g m e a n s that y o u h a v e t o b e p r e p a r e d t o t a k e t o u g h d e c i s i o n s , a n d it m a y b e

b e e n c a l l e d to a c c o u n t

usually dis-

c o n c e p t o f universal scalp b e n e -

the thinkable."

Paxman:

" H oR d o y o u

Z[S VW r

VTWXWhy

u s i n g Flash o n y o u r f i l t h y k i t c h e n f l o o r

struating

R bo

VWXW , rather

harder to explain the process

that t h e r e is a c a s e f o r l o o k i n g at t h e

Opposition,

If t h e y pushed

representatives.

they might have b e e n

VTUYe

p l a y s all t h e p o l i t i c a l a c u m e n o f a s h e e t

ÅUV-

e v e r , t h e m a r k e t i n g b o y s a r e rarely s u b -

product, Vidal

fear that m y guilty

something

o f t h e sort.

to shreds by t h e m e d i a . Even t h e y o u t h -

VU Yd s o m e h o V c o m e to the

[ UV YWsu e of m y peers. Classmates V U Y d e n d l e s s l y a r g u e o v e r hair t y p e s a n d V TW j T W r t h e y c d e e N o r m a l , G r e a s y . T h e c o m m o n c o n s e n s u s R x s or that I R x s D u l l a n d Lifeless - b u t that R x s

" Or

discussions o f the m a n y different prepa-

secret

y o u . Well,

t h e first e d i t i o n s o f

rations available a n d their relative m e r -

be ripped

M r . Earnalot-

thank

some of the morn-

der-and-fabric-softener

Vfj h e a c h ot h e r , it is m e r e l y a m o v e j U V ZX s s d e v o l v i n g c l e a n i n g iU VW r a n d g i v i n g t h e QR o i n g r e d i e n t s g r e a t e r a u t o n o m y VfjTf n t h e b a t h r o o m a s a VTUYW ¶ " ]WvU[sYa ,

ÃÄ o "Wash

a c a s e o f "Wait a n d

the Gulag ¸ ¹º n the

ditioner have

ish.

in

the help o f the

pany. W e

approach

Paxman:

Vfj h

Re Vfj h

lemon

shampoo and con-

to stifle m o a n s o f

ecstasy

¡ h

the

°±²³±´µ e

cause

r u n n i n g a n d t r i e d f o r | } } ~s t o d i s g u i s e

close partnership,

R xy

to the

VUX f[g

shampoo and conditioner

"...I · s rehabilitated,

problem.

i m p o r t a n t ties that

p o l i t i c i a n s c a n o n l y d r e a m a n d is

Peter M a n d e l s o n

the

concept

VTfvh

R xy

t h e root c a u s e

the very close a n d

jVo

in a

in

birth o f this n eR - "Wash

in o r d e r t o

occurs,

R e are not o p p o s e d

deals

does not d a m a g e

Vf j T U t c o n d i t i o n e r , I f e e l a great VWf uT t liftf r o m m y s h o u l d e r s . ]UYU " - as this

marketed

that

the

c a l l e d - r e p r e s e n t s t h e sort o f U-turn o f

R xs IR xs

strategy

place

Firstly, W e

"If s u c h a m o v e

follicle

uncleanliness y o u

o n e let o n that m y

oneself back then by continuing to take

I

have

tackle

Vfj h

ing

As a vul-

QR o ª « ¬ s if I m a y . ­ ®^­¯ s m a i n t a i n e d that

school, and some-

c o u n t e r - r e v o l u t i o n a r y hair t r e a t m e n t is

S TU VW X .

b u t s e r i o u s l y , I'd like t o e v a d e that q u e s t i o n in

term

hit

t h e s o c i a l s t i g m a that o n e b r o u g h t o n

bottles into t h e

" N e V Lather - N e R B a t h t i m e " J e r e m y . N o

fabric-softener

Basil B r u s h it is i m p o s s i b l e t o a p p r e c i a t e

nerable a n d sensitive t e e n a g e r

"I p r e f e r t o t h i n k o f it a s

must have a long-

and

VZjvTf[g

Earnalot:

hf[WsgVZSTf[uiUVsWXgZ[s-

But

"

caps

back-to-front,

rather t h a n b y

rehabili-

Dreft.

s

trousers

and baseball

VU X n

n

craze

jVW[jagSUtWjTf[u s in b a g g y

R xs

tated, only to b e sent back to t h e G u l a g

to appreciate the social

sented by middlel

t h e b r o u h a h a over "Wash

magazine

programmes about

c

TUVW WX ,

and Go" subsided and I

"...it is impossible

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1

Why Should We Even Bother? h

T

h e g e n d e r b a l a n c e in s c i e n c e a n d t e c h n o l o g y is

unattractive to enter a n d apparently u n p l e a s a n t to

not r e f l e c t i v e o f t h e p o p u l a t i o n . This is e x t r e m e l y

Ò áè k

in g i v e n b y t h e rate o f

o b v i o u s in t h i s c o l l e g e . If y o u ' r e f e m a l e in c e r t a i n

ject.

It a p p e a r s that t h e r e is s o m e t h i n g m o r e f u n d a -

ÒÓÔÔ , c o n s p i c u o u s .

d e p a r t m e n t s y o u c a n f e e l a little,

The

ÒáâÓn

leaving the sub-

Ò è á ð ñ . It a p p e a r s that t h e e n t i r e òó ôõ öó e is u n s u i t e d t o m o s t Ò á â Ó ð . This

mentally

edifice

C o l l e g e r u n s e n d l e s s r e c r u i t m e n t d r i v e s a i m e d at 6 t h

called

unsuit-

f o r m girls u n d e r t h e a u s p i c e s o f Õ Ö×E a n d h a s s t art e d

ability is c o n t a i n e d in t h e set u p o f t h e i n s t i t u t i o n s o f

to s p r e a d its g o s p e l t o y e a r 9 girls ( t h e y e a r t h e y c h o o s e

science.

their

ØÙÚ ÛÜÝ .

It s e e m s t o b e t a k e n f o r g r a n t e d that m o r e

girls s h o u l d e n t e r s c i e n c e .

The question of

Þ ßy

still

remains.

T h e u n i v e r s i t i e s , r e s e a r c h in stitu tes, p u b l i c a -

é Ò é è ç ã ð g b o d i e s a n d t h e Þ î y in ÷ ð á Ò Ô Ó ç ñ e is p r e s e n t e d . This is n o t u n l i k e l y , after all s c i e n c e Þ î s set u p by m e n f o r m e n , õ in a n a g e ø ù n Ò á â Ó n ú û ü e e x c l u d e d a s a m a t t e r o f

tion m e t h o d s , grant

Òåãæh

scientific

c o u r s e . If s c i e n c e is a m a l e c o n s t r u c t a n d it is u n s u i t e d to

Ò á â Ó ð , Þ ß y are Þ e

p r e s s u r i s i n g girls t o t a k e s c i e n c e ?

It s e e m s t o m e that t h e m a i n r e a s o n for e n c o u r a g ing more

ÒáâÓn

to enter science has b e e n t h e belief

that e q u a l o p p o r t u n i t i e s is t h e s a m e t h i n g a s n u m e r i c a l r e p r e s e n t a t i o n . If fifty p e r c e n t o f u n d e r g r a d u a t e s e n t e r i n g s c i e n c e are f e m a l e t h e n t h e r e is n o d i s c r i m i n a t i o n g o i n g o n . I d o n o t b e l i e v e this is true. Even if half t h e undergraduates

úû ü e

t o b e f e m a l e I d o n o t b e l i e v e they

have equal opportunities

ÒåãÔ e

t h e structure o f s c i e n c e

is s u c h that m o s t o f t h e m e n d u p l e a v i n g t h e field. T h e r e are very f eÞ

ÒáâÓn

in t h e h i g h e r e c h e l o n s o f s c i e n c e .

This is unlikely t o i m p r o v e ject i n i m i c a b l e t o

ÒáâÓð.

ÒåãÔ e

science remains a sub-

nities in t h e realm o f s c i e n c e t h e r e n e e d s t o b e a dramatic

girls.

c h a n g e t o t h e institutions o f s c i e n c e . W i t h o u t a n e q u a l

d o o r in their face o n c e t h e y h a v e g o t t h e r e is n o t o n l y a

opportunity to succeed,

Òãäåáï t

a n equal opportunity to

p e r v e r s e d e s i r e b u t a sadistic o n e . W e a r e lying to girls a b o u t t h e Òáð çÓ è ý ï l t i m e a n d c a r e e r s t h e y c a n h a v e in

the field there

ÒãÔ l

b e n e v e r b e a s u bs tan tial n u m b e r o f

in t h e field. U n l e s s t h e current s i t u a t i o n in sci-

e n c e is c h a n g e d there is little point in trying t o recruit m o r e

A

There are

àÞ o

Þ ßy Ò á â Ó n in s c i Òãä h n u m b e r s .

m a i n lines o f a r g u m e n t over

e n c e is b e n e f i c i a l . T h e first is c o n c e r n e d

If y o u e x c l u d e h a l f t h e p o p u l a t i o n y o u e x c l u d e h a l f o f all p o t e n t i a l s c i e n t i s t s . If t h e p o o l o f t a l e n t f r o m scientists a r e

çè é Ò n

is h a l f

ê ëì t

Òåãæh

it c o u l d b e , t h e o v e r -

all quality o f t h e s c i e n t i s t s t r a i n e d is s i m i l a r l y r e d u c e d .

T h e r e f o r e if m o r e means there

ÒãÔ l

ÒáâÓn

a r e e n t e r i n g s c i e n c e that

b e m o r e g o o d s c i e n t i s t s . If t h e r e a r e

m o r e g o o d scientists there

ÒãÔ l

be more g o o d science.

T h e s e c o n d l i n e o f a r g u m e n t is that in a d i f f e r e n t

ÒáâÓn

Òéí .

ÒãÔ l

think

This d i f f e r e n t m o d e o f t h o u g h t l e a d s

t o h a v e s p e c i a l skills. If

then they

ÒáâÓn

ÒáâÓn

enter science

b r i n g t h e s e s p e c i a l skills t o s c i e n c e .

T h e s e s p e c i a l skills a r e g e n e r a l l y l u m p e d u n d e r that delightful term f e m i n i n e intuition (thinking by another n a m e ? ) . This f e m i n i n e i n t u i t i o n is t h o u g h t in s o m e

Þ îy

to enable better s c i e n c e to occur.

These arguments explain suggest Þ ßy having m o r e Ò á â Ó n Ò á ï Ô d b e g o o d f o r s c i e n c e . T h e y fail t o e x p l a i n Ò å y s t u d y i n g s c i e n c e is g o o d f o r Ò á â Ó ð . Girls t e n d not t o c h o o s e s c i e n c e , t h e p r o g r a m m e s r u n b y Õ Ö×E s e e m t o exist t o e n t i c e Ò á â Ó n i n t o t h e s u b j e c t . Girls are b e i n g a c t i v e l y p e r s u a d e d i n t o s c i e n c e .

W h a t is it

a b o u t s c i e n c e that is s o u n a t t r a c t i v e t o f e m a l e s ?

It is

I o actively e n c o u r a g e girls into a f i e l d that s l a m s a

get t h e v e r y grant that e n a b l e s us t o carry o n Ò áè ÷ã ð g in

ÒáâÓn

increasing the numerical proportion of

y

T o h a v e truly e q u a l o p p o r t u -

l

s c i e n c e . W e are actively e n c o u r a g i n g t h e m t o þÿ e their time o n a pipe dream.

a g a i n s t us, Þ

If t h e f i e l d is intrinsically b i a s e d

ßy should Þ e

bother

Òãä h

science?

l

1

9

Brightening Prospects e n e e e g , "I'm g o i n g travelling" is a c l a i m m a d e regularly a m o n g s t s t u d e n t s in t h e u n i v e r s i t y b a r s . W e ' r e all a l intent i o n e d lot, b u t t h e t r u t h is t h a t o n l y o n e o u t o f e v e r y five that talk a b o u t it a c t u a l l y g e t t o t h e p o i n t o f f i l l i n g in their l u g g a g e l a b e l s . W h y is that?

N o o n e d e n i e s that g o i n g o v e r s e a s a n d e x p e r i e n c i n g a d i f f e r e n t c u l t u r e is a g o o d t h i n g . In fact, t h e c o n s e n s u s is that y o u a r e l i k e l y t o h a v e a n o u t r a geously f u n t i m e , your m i n d l b e o p e n e d , your c h a r a c t e r e n r i c h e d . . . a n d o f c o u r s e , o u r e l d e r s l all

e y o u still c a n . . . " A n d in that t h e y

chant "...Do it n o

h a v e a fair p o i n t .

o if y o u a r e d e t e r m i n e d t o b e o n e o f t h e o n e s that actu all y g e t s t o h o l d t h e b o a r d i n g p a s s in y o u r

(presently c l e a n ) h a n d , t h e r e r e m a i n o r o u t e s o f ov e r seas e x p e r i e n c e for y o u to c h o s e f r o m .

You have t h e option o f b u m m i n g your

y around

h o s t e l s , g e t t i n g s m e l l y , s t o n e d a n d p r o g r e s s i v e l y lazy.

O r at least that is fast b e c o m i n g t h e p e r c e p t i o n o f employers o n reading "...been travelling..." o n a n a p p l i c a t i o n f o r m . A n d it is, let's f a c e it, v e r y o f t e n a fair d e p i c t i o n o f t h o s e m o n t h s . " W h o s a j o b any o have spent

, l b e b e i n g u t t e r e d b y t h o s e

t o o m a n y s o n t h e T h a i Islands... g o a t e e b e a r d , n o d o u b t , in p l a c e . It's n o t until y o u r e t u r n h o m e , having forgotten your m u m ' s birthday, d o g s funeral, a n d little sister's c o n f i r m a t i o n , that y o u start t o r r y o u actually 'lost' y o u r s o u l in t h e blissful h a z e

o f b e a c h a n d h a m m o c k , r a t h e r t h a n ' d i s c o v e r i n g it' a s you had meant to!

T h e r e is a n o t h e r

y to soak yourself n

another culture, e keeping-up-appearances for your future prospects.

T e a c h i n g A b r o a d a n d Projects A b r o a d a r e a n o r g a n isation h s y o u r t i m e o v e r s e a s t o b e s t r u c t u r e d

A s h a n y trip o v e r s e a s , y o u h a v e t o p r o v i d e

n f u n d s , b u t in p a y i n g f o r all y o u r e s s e n t i a l

your )

A s y o u a r c o n l y c o m m i t t e d t o / g 18 h o u r s per + - - k ( M o n d a y t o I riday) y o u h a v e p l e n t y o f f r e e t i m e

a n d , b o t h t o y o u r s e l f ( b u i l d i n g u p y o u r CV,

e x p e n s e s u p f r o n t ( f o o d , a c c o m m o d a t i o n a n d insur-

to tour a r o u n d y o u r r e g i o n , a n d i n d e e d , t o discover your

m a k i n g clearer j u d g e m e n t s o n y o u r abilities a n d i n t e n -

a n c e ) y o u d o n o t h a v e t h e difficulty o f b u d g e t i n g e

s o u l ! A n d I s u g g e s t that y o u g o o n t o travel m o r e o n

t i o n s in life), a n d t o t h e c o m m u n i t y to h y o u

o n t h e r o a d . Y o u h a v e t h e s e c u r i t y o f p a i d staff in y o u r

c o m p l e t i n g your p l a c e m e n t , either a l o n e or h other

choose to go. They have arranged over

0 voluntary

destination for b a c k u p a n d * , a l o n g h t h e

v o l u n t e e r s , s a f e in t h e / 3 e that y o u h a v e s o m e -

k p l a c e m e n t s in India, G h a n a , M e x i c o , Brazil, C h i n a ,

! a a n d Russia. Y o u a r e p r o v i d e d h

assurity o f m e e t i n g u p h other like-minded v o l u n -

t h i n g h i g h l y r e g a r d e d o n y o u r CV. E a c h d e s t i n a t i o n

Tibet, U k r a i n e ,

t e e r s . G e n e r a l l y g o o d sorts!

offers a feast o f sights a n d d i f f e r e n t cultural e x p e r i e n c e s

f o o d a n d a c c o m m o d a t i o n h a local family, i m m e r s -

for y o u t o e x p l o r e that m u s t n o t b e m i s s e d .

The most popular p l a c e m e n t s are t e a c h i n g c o n -

A s f o r + ,- . e y o u a r e g o i n g - THEY N E E D Y O U . O n e

volunteer o s r e c e n t l y / g in a r e m o t e v i l l a g e

in G h a n a s m a d e a Tribal C h i e f , s u c h s his impact

v e r s a t i o n a l E n g l i s h in s c h o o l s , t o a r a n g e o f a g e s ( n o

(as c o v e r e d b y T h e Daily Express, 01y TV a n d This M o r n -

a c t u a l l y g o i n g t o b e part o f t h e s e e x o t i c p l a c e s , t h e n

TEFL q u a l i f i c a t i o n r e q u i r e d - h s a v e s h u n d r e d s , if n o t

ing). Y o u l r e c e i v e a heart felt 2 e f r o m t h e local

t h o u s a n d s , o f p o u n d s ) , c o n s e r v a t i o n p r o j e c t s , a n d (lis-

c o m m u n i t y that y o u live a n d k ; t h e y a r e g r a t e -

c o n t a c t Dr P e t e r 8 9: ; e at T e a c h i n g A b r o a d , G e r r a r d

H o u s e , R u s t i n g d o n , W e s t 4 < < = , B N 1 6 1 A W . T e l : 0190

ing y o u n t h e culture a n d c o m m u n i t y .

ten u p M e d i c s yet t o a r r a n g e y o u r Electives) k in h o s -

ful f o r y o u r v o l u n t a r y c o n t r i b u t i o n , as t h e y c a n n o t

pitals. A d d i t i o n a l l y , t h e r e is a s t o c k o f l i m i t e d p l a c e m e n t s

afford to pay y o u . Everyone gains f r o m t h e cultural

a v a i l a b l e in a r e a s s u c h a s j o u r n a l i s m , a c c o u n t a n c y ,

If this d o e s 5 67 t y o u r a p p e t i t e , a n d m a k e s t h e important difference ! n

t a l k i n g a b o u t it a n d

e x c h a n g e , a n d in s t a y i n g in o n e p l a c e y o u g e t t o b u i l d

85991 1 o r m a i l t o : i n f o @ t c a c h i n g - a b r o a d . c o . u k > b site f o r m o r e i n f o r m a t i o n , a n d Check out the

for c o n t a c t n u m b e r s o f p e o p l e o h a v e just r e t u r n e d ;

, e n g i n e e r i n g , FT., a n d h o t e l m a n a g e m e n t . . . T h e r e

u p r e l a t i o n s h i p s a n d / 3 e that 4 d b e i m p o s -

? 3@ ! ? ?4k A s k the Careers Office to

is t h e o p t i o n o f c o m b i n i n g p r o g r a m m e s , a n d "# $ % r

sible to achieve by simply travelling t h r o u g h . Ihe b e n -

y o u r p l a c e m e n t , y o u c h o s e t h e d a t e s that y o u & ' ( t f o r y o u r travel a n d p r o g r a m , h p l a c e m e n t s p o s s i b l e from o n e m o n t h u p to a year.

efits a r e l o n g t e r m a s l as s h o r t t e r m - s o m e t h i n g that s h o u l d h e l p y o u r f a m i l y a n d f r i e n d s a c c e p t that y o u are g o i n g .

c o n t a c t T e a c h i n g a n d Projects A b r o a d if y o u & ' (t a presentation from the organisation.

A n d n o y o u h a v e g o t s o m e t h i n g t o talk a b o u t in t h e bars. M a k e y o u r m o v e .

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1999 Preview

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The Good LPs Will Out? Bring The Hits On! If You Tolerate

Shut Up!

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h e b e s t A B y t o d o t h i s is p r o b a b l y in a l p h a b e t i -

Dark, E P F d h is o n g e n e r a l r e l e a s e n e x t year. m n

d e c i d e o n a n a l b u m title. T h e y h a v e t h e E I Q R F S g title

r e l e a s e o f their latest o f f e r i n g in A p r i l . It's b e i n g p r o -

s u r e e v e r y t h i n g ' s h o A t h e y ¿ t it. T h e a l b u m R S I E n

cal o r d e r . C D , let's c u t o u t all t h e m u s i c a l b a n -

r e c o r d e d a n v wx yz h Digital H a r d c o r e ' s A l e c E m p i r e . In

Rev, EF J l b e g r a b b i n g t h e m i c r o p h o n e f o r o n e o f t h e

o f Peasants,

d u c e d b y N i g e l G o d r i c h , h e o f R a d i o h e a d f a m e . In fact,

as Cocked

ter a n d g e t o n E F G h it. T a k e a d e e p b r e a t h . . . .

t h e m i d s t o f all this, s h e ' s h o p i n g t o start E I Q k o n h e r

tracks. Under

o n . H o A a b o u t K2? [drum

k is set t o r e l e a s e h i s H I J J I E K L p t o

f o u r t h a l b u m p r o p e r . It's n o t e a s y b e i n g a p o p s t a r , y o u

o f t h e m o r e p r o m i s i n g r e l e a s e s o f 1999 .

Mutations

I N O E P O Q e a r o u n d June/July. T h o s e n o t k e e n o n

Muta-

s also

RSIE.

D o n a h u e , vocalist E F G h current indie-faves

The Influence

Mercury

Of Love l o o k s set t o b e o n e have

s o n g s E Q FG G O n b e f o r e his next m a j o r r e l e a s e ' E FJ l b e l o o k -

seven-minute-plus s i n g l e . It's c a l l e d Tender a n d EFJ l pre-

m a n a g e d t o d r a g in a f e A n a m e s o f f t h e street t o g u e s t

o n t h e i r latest o f f e r i n g t o t h e E I Q J ~ , The Cantino

i n g for a r e t u r n t o t h e f r e s h , i n n o v a t i v e a n d s l i g h t l y

c e d e their a s yet u n t i t l e d sixth s t u d i o a l b u m , E P F d h

sions. T h e r e ' s P r i m a l \ d Q O ] N s B o b b y G i l l e s p i e a n d age-

eccentric Beck.

b u t it m i g h t n o t c a t c h

J o n n y Q O O S E I I d m a y e v e n play o n it. ° ±² ³ ² n M a l k m u s

fill]

d have taken their t i m e t o f o l l oE u p their

Talking o f collaborations,

Blur a r e b a c k in b u s i n e s s o n M a r c h 1 E F G h a n e A

tions b e c a u s e it a p p e a r e d t o b e a ' s c r a p b o o k o f p a t c h y

Pigs and Astronauts

g r o u n d - b r e a k i n g a n d m u l t i - u n i t s h i f t i n g Leftism.

gave his v i eE o n t h e a l b u m : 'The s o u n d of t h e a l b u m

A

s o far is s o m e t h i n g | ´ µ ¶ e c a l l i n g Trip M e t a l but E F G h t h e

Head?

o b v i o u s l y b e t a k i n g a b a c k s c a t this yea r a s t h e ' G r a s s Å ÆÇ l p r o b a b l y ¿ t t o c a n v a s t h e U K E F G h a m a s s i v e sell-

r e l e a s e d a t e f o r t h e e l e c t r o p e o p l e is s e t f o r A p r i l .

u s u a l P a v e m e n t v i b e t o it.' L o o k H I Q E ] Q d t o s o m e e x p e r -

I E O O Q , t h e y ' v e b e e n t h r e a t e n i n g t o r e l e a s e this t h e i r

i m e n t a l stuff!

s e c o n d a l b u m f o r a l o n g t i m e _ DA . Let's h o p e A e g e t

R u m o u r s a r e a b o u n d that

i n g t h e i r next a l b u m , t h e f o l l o E u p t o t h e critically

x a r e o n e o f t h e n e A kids o n t h e b l o c k . You'll

a p p r o a c h e d but they're n o t s a y i n g . R e c o r d contracts a n d

a c c l a i m e d Vanishing

all that n o n s e n s e ! For t h e r e c o r d , it s h o u l d b e o u t in a

r e p o r t e d , just y e t , t h o u g h .

this i s s u e o f Felix. T h e y ' r e f r o m I c e l a n d , t h e y ' r e

couple of months.

made

. I E O O Q , their d e b u t s i n g l e To Earth With Love h a s

c o m e g o o d in 1999 . T h a n k G o d s o m e r e c o r d e x e c u t i v e has g o n e t o I c e l a n d !

are also r u m o u r e d to b e fol-

g u p Decksanddrumsandrockandroll

later o n in t h e

A f t e r h a n g i n g o u t i n LA E F G h p e o p l e like M o n e y M a r k a n d B e n \GFJJOQ , h a v e a l m o s t f i n i s h e d their f ol º» ¼ ½ T h e a l b u m h a s t h e E I Q R F S g title Reef JIE KL p t o ¹

EFJ l b e

On A Fresh

b r i n g i n g it o n f o r a s e c o n d t i m e a b o u t P ] J H E ] y t h r o u g h kVZg j E I Q R F S g title.) It'll b e very '99 E F G h Cod's Big `

a s i n g l e o u t f r o m it in F e b r u a r y a n d t h e n t h e a l b u m i n

they are! Apparently, there are s o m e interesting col-

i n t e r e s t i n g t o s e e t t h e y c o m e u p E F G P . T h e i r first

t h e y t e n d t o t o u r like p r o v e r b i a l b a s t a r d s .

a l b u m A B s (partly) r e c o r d e d in O i l y P e a c o c k ' s

fj

Tip b u t is likely t o c h a n g e . T h e r e s h o u l d b e

tracks h a v e b e e n n a m e d - Am I Black Country Enough VWXYZ[ and Fish-lip. \ G Q ] S ^ e pair o f boys, For You?and TU l a b o r a t i o n s b u t t h a t ' s all b e i n g k e p t a bit h u s h - h u s h .

out tour.

N o t h i n g firm has b e e n

pleasing the heterosexual a n d homosexual

M Felix A l b u m o f t h e Year E F S S O Q ,

In fact, t h e y d o n ' t e v e n h a v e a E I Q R F S g title. A f e A

D a n n y G o f f e y ' s c o m m i t m e n t s to Lodger EFJl

year.

o u t f o r t h i s y e a r . ' \FJJ y silly n a m e !

s o m e t i m e in M a r c h . T h e y d o n ' t h a v e a title f o r it a s y e t .

e

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masses alike. I m e n t i o n t h e m only as a ' o n e to E]Gd h

been EFJl release their next a l b u m

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T h e r e ' s n o real a l b u m s o n S O E d I N O Q s

a n d h o p e f u l l y they'll

are record-

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f i n d a r e v i e E o f t h e i r e p o n y m o u s l y titled m i n i - a l b u m in up almost entirely o f E I N O n

s h o u l d b e r e a d y f o r r e l e a s e in t h e s u m m e r .

M C o n f i r m e d track titles a r e a s H I J J I E : Out Of The Blue, ÂÃÂÄ Pumping On the À Á a n d What Went Wrong In Your

M a r c h . A n e x t e n s i v e t o u r is p r o b a b l y o n t h e c a r d s a s After a EPF J e {| { y f r o m t h e musical limelight

garage

a r e in t h e s t u d i o _ DA . E x p e c t a t i o n s

a n d that s o u n d e d i n n o v a t i v e l y q u i r k y . G o d R S I E s t

run h i g h E F G h this b a n d after t h e ' u n d e r g r o u n d ' s u c c e s s

t h e y ' l l d o E F G h a 24-track s t u d i o a n d s o m e h i g h l y p a i d

m e r . It's e i t h e r g o i n g to b e c a l l e d Minus

o f t h e i r T h r e e EPs c o m p i l a t i o n . In p a r t i c u l a r The Patty a bc Patty ` U EP. E P F d h A B s c h a m p i o n e d b y o u r DA n stu-

R S I E J O ~ ^ ] J e p r o d u c e r ready t o cater t o their s o n i c

cade. A c c o r d i n g t o J o h n \ ¾ L FQ O , t h e ratio o f I S ^ E Q F G F S g

a p p e a r s in t h e s h o p s in t h e s a m e m o n t h . This is t h e i r

n e e d s . This yea r c a n o n l y s e c t h e m rise f u r t h e r . G o o d

E F G h r e s p e c t to h i m s e l f a n d C h r i s H c l m e is still r o u g h l y

Brett A n d e r s o n a n d t h e b o y s h a v e a n e A a l b u m

d e n t r a d i o s t a t i o n , I C R a d i o , c a u s e d a c o m f o r t a b l e stir

first r e l e a s e in over a year s o all I c a n say is that it's a b o u t

l u c k t o t h e b o y s f r o m llkley!

Indie f a v o u r i t e s I ^ E ] i E FJ l b e r e l e a s i n g t h e i r s e c -

t h e s a m e a s it A B s b e f o r e . R e c o r d i n g o f t h e a l b u m EFJ l

r e c o r d e d a n d r e a d y f o r r e l e a s e in February. In c o m -

a m o n g s t t h e l i s t e n i n g m a s s e s . T h e i r d e b u t a l b u m is

bloody time.

e

n e a r i n g c o m p l e t i o n a n d s h o u l d b e o u t in t h e first h a l f o f t h e year. h

aeZabZ fg 's l o v e l y s i n g l e , `

Daughter

s EFJ l r e t u r n a n d r e l e a s e a n a l b u m in t h e s u m M

s o m e creative stuff f r o m t h e m this year.

\GFJ l s q u a b b l i n g o v e r t h e title o f t h e H I J J I E K L p t o kYb E FJ l r e l e a s e t h e i r next T h o s e c h e e k y L i v e r p u d l i a n s , Cast, r e t u r n t o t h e T To The Deep End, kYb m u s i c s c e n e after b e i n g { | { y for just o v e r a yea r E F G h To a l b u m in F e b r u a r y . D e s p i t e b e i n g p r o u d o f T

o n d a l b u m in M a r c h . It h a s t I t h i n k c o u l d b e a s o l i d

actually start this m o n t h a l t h o u g h a lot o f the s o n g s h a v e

parison to Coming

c o n t e n d e r f o r A l b u m Title O f T h e Year: Come

b e e n t r i e d a n d t e s t e d in f r o n t o f live a u d i e n c e s s o c o n -

d e s c r i b e d t h e s o u n d a s ' n o t a s p o p p y . It's p r o b a b l y

cert g o e r s s h o u l d r e c o g n i s e s o m e o f t h e m . Tracks s o

c o l d e r s o u n d i n g a n d a bit h a r d e r - e d g e d . It's very var-

t h e i r n e A a l b u m . Midget

title. C e r t a i n q u a r t e r s o f t h e b a n d h a v e d e s c r i b e d it a s

far i n c l u d e Petroleum,

The Light,

i e d , m u c h m o r e t h a n a n y t h i n g È É Ê Ë e ever d o n e . ' T h e ÌÍ ª Î e c r e E h a v e t e a m e d u p E F G h Ï Ð Ñ Ò e O s b o r n e (Paul

EFJl release t h e HIJJIEKLp t o

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End, M a r t i n R o s s i t e r is r e p o r t e d t o h a v e

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' b e d r o o m M o g a d o n EPFGO y gay disco funk opera

a n d h e r g u e s t v o c a l s o n T h e C h e m i c a l Brothers' Dig Your Yb Hole a l b u m h e l p e d t o raise h e r p r o f i l e i n 1998. h

a r o u n d A p r i l . Track titles a r e typically in t h e J o h n } I E O r

b e e n a bit d i s a p p o i n t e d E F G h it: ' W e just t o o k t o o l o n g

a

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m a k i n g it. C o t h i s o n e A e just sat ~ I E n a n d d i d it in a

s o u n d ' Easy t o d e f i n e , it is n o t . I n t e r e s t i n g t o listen t o ,

Let's h o p e s h e p r o g r e s s e s f u r t h e r in 1 9 9 9 . H e r n e A

In fact, if y o u t a k e t h e E I Q ~ s d r e a m , f r e e , s o u l , s h i n e ,

month

it p r o b a b l y E F J l b e .

a l b u m f e a t u r e s c o l l a b o r a t i o n s E F G h E v e r y t h i n g But T h e

star, { | { y a n d d a y a n d c o n s t r u c t a p h r a s e o f s o m e sort, M y o u ' r e E O J l o n t h e A B y to n a m i n g a Cast s o n g . \ O Q F I L J y

The Day, Dreamer.

o n e could go o n .

this o n e is a m o r e o p t i m i s t i c , y o u n g e r a l b u m . ' ' Best Of. c o m p i l a t i o n b e c a m e o n e o f last

Performance

it p r o m i s e s t o b e a r a u c o u s r o c k a n d roll

a l b u m l o o k s set t o b e a r a A a n d Trash-y affair. F o r g i v e the p u n !

b e p l e a s i n g p u n t e r s at v e n u e s all o v e r t h e c o u n t r y

T h e r e E FJ l a l s o b e a b o x s e t o f s i n g l e s b e i n g r e l e a s e d .

their s e c o n d a l b u m E P F d h h a s t h e E I Q R F S g title Final

That s h o u l d l o o k n i c e o n m y s h e l f a l o n g s i d e m y M a s -

Times

sive A t t a c k a n d N i r v a n a s i n g l e s b o x sets.

n a m e . Travis h a v e o p t e d f o r M i k e H e d g e s a n d N i g e l

Allah.

V ll

and ` U

and

Rage, last y e a r s a A t h e rise a n d rise o f a f e m a l e -

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f r o n t e d W e l s h b a n d that t b v t h e n a m e o f C a t a t o -

to t h e e f f e c t o f , ' T h e r e E F J l b e n o n e A O a s i s m a t e r i a l

but EFJl not b e officially released under

G o d r i c h Ó Ô Õ c Pavement]

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t o p r o d u c e . Ô Õt t o hit t h e

nia. T h e photo-ability o f o n e Cerys ] G G P O E s m i g h t h a v e

until t h e y e a r 2 0 0 0 . ' W e l l , t r u e t o h i s E I Q ~ , O a s i s l o o k

b e e n a factor but y o u can't a r g u e E F G h t h e fact that t h e y

set t o r e l e a s e a s i n g l e i n \ O G O N O r E F G h a n a l b u m

m u s i c s h o p s in M a y , a f e A tracks h a v e c o n f i r m e d lYk g laYZ g titles: Why Does It Ö Rain On Me? ×

In Fhc jbcaY a n d As You Are. H a r d l y All I Wanna Do Is Rock, Ø is it?

m a n a g e d to shift shed-loads o f units last year. Their n e A

rapidly s n a p p i n g at t h e h e e l s o f it. H e a l s o said that t

a l b u m EF J l a p p e a r i n late M a y o r early A p r i l . T h e r e ' s n o

h e d o e s E Q F G e E F J l b e d i f f e r e n t f r o m a n y t h i n g that h a s

W h e n y o u ' r e s c a n n i n g t h r o u g h t h e A-Z o f R o c k/P o p

title t o it as yet. H o A a b o u t R e g i o n a l C o t t o n ? [drum

g o n e b e f o r e . It's o b v i o u s l y this s i d e o f his p r e d i c t i o n that

in y o u r H M V / O u r Price/Virgin y o u ' l l b e p l e a s e d t o k n o E

he's concentrating o n !

that in M a r c h E P O n y o u g e t n e a r t h e e n d o f t h e a i s l e Ù S ~ O Q E I Q J d EFJ l h a v e a n e A r e c o r d o u t . T h e r e a s o n that

fill]

Pot, '98 s e e m e d t o b e a bit q u i e t for

Char-

M e n t i o n i n g a b i g o n e like O a s i s , I f e e l d u t y b o u n d

latans. T h e y s h o u l d b e r e l e a s i n g a n a l b u m this y e a r b u t

t o m e n t i o n a less l a r g e b a n d that a r e E I Q G P y o f a t t e n -

t h e y h a v e n ' t really b e e n h a n g i n g r o u n d t h e s e parts

n o d e t a i l s a r e a v a i l a b l e a s y e t . This EF J l b e their first

tion. O n e Lady ¡ E S O r cut t h r o u g h t h e m u s i c s c e n e E F G h

lately is that t h e y E ] S G O d t o t a k e s o m e t i m e o u t a n d g e t lj s o m e p e r s p e c t i v e after t h e Born ` e x p l o s i o n . Enti-

a l b u m E F G P I L t t h e s o r e l y m i s s e d late k e y b o a r d i s t R o b Girl's B e n Wyatt a n d B e n H a r p e r . For t h o s e that l i k e d

C o l l i n s . I'm e x p e c t i n g T h e C h a r l a t a n s t o r e c o r d a n

y e a r ' s b i g g e s t s e l l e r s . T h i s y e a r , T i m B o o t h a n d t h e rest

EFJl b e

a b s o l u t e b e l t e r o f a r o c k ' n ' r o l l r e c o r d this year. I h o p e

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I'm right.

b e f o r e t h e y e a r is o u t .

B u b b l e - g u m p o p artists Bis E F J l r e l e a s e t h e i r next aVjkl a l b u m next m o n t h . It's c a l l e d ` Dancing and it l o o k s

and Cocktails,

Entitled

after t h e r e l e a s e o f Midget

A f t e r r e l e a s i n g their g r e a t e s t hits u n d e r t h e n a m e

o f t h e first a l b u m , a r e f i n e m e n t o f that s o u n d . '

T h e r e E FJ l b e n e A m a t e r i a l f r o m N e A O r d e r t h i s

Gets Around.

I ran H e a l y a n d t h e m o t l e y c r e E s h o u l d b e k i c k i n g

o f Melting

right u p y o u r street. C i e d e s c r i b e s it a s ' a n e x t e n s i o n

e t h e i r d e b u t Word

Raid.

o f f a n e A set o f t o u r s in 1999 . T h e y ' v e a l m o s t f i n i s h e d

Road

Reservation,

Blue a n d Tomb

Into

E P F d h i n c l u d e Electronic, M o n a c o a n d T h e O t h e r A D.

t h r o u g h t h e s u c c e s s o f Mulder

Park, t h i s a l b u m , Central

Pacific

Pi, Dolphins,

Up, certain quarters o f t h e b a n d h a v e

year o n c e p e o p l e h a v e f i n i s h e d t h e i r s i d e p r o j e c t s ,

t h o u g h , it's t h e m u s i c that c o u n t s a n d I'm s u r e t h e v ' l l

Trailer

Blue o r Motor-

The private p s y c h e d e l i c brothers o f the d a n c e

Much

m a l i g n e d b y t h e music press

their t u r b o c h a r g e d a n d f u l l y r e v v e d u p d e b u t s i n g l e , £¤¥ T h e n e x t a n d c u r r e n t s i n g l e , I Do Wheelkings ¢ M Need You, P I E s a l i g h t e r s i d e . It'll b e a c r i m e if ¦ e d o n ' t g e t t o s e e a n a l b u m r e l e a s e d f r o m t h i s lot t h i s

(probably

March.

fish, it's likely t o b e a t i g h t e r a l b u m t h a n t l e d Beaucoup ZVabc Toughest In The Infants. `

T h e \ L O r Furry A n i m a l s E FJ l r e l e a s e t h e i r t h i r d

W e l l that s e e m s t o b e y o u r lot. I'm s u r e t h e r e ' s

a l b u m p r o p e r early in t h e s u m m e r . T h e i r c o l l e c t i o n o f

p l e n t y m o r e stuff o u t t h e r e . K e e p y o u r e y e s o n Felix f o r

is in t h e s h o p s n o A a n d h a s b e e n

a n y n e A h o t s h o t s . If y o u E I L J d like t o r e v i e E m u s i c f o r

s c e n e a r e set t o let their l o n g - p l a y e r hit r e c o r d s h o p s

because o f Crispin's middle-class background)

a c r o s s t h e n a t i o n a r o u n d early s u m m e r t i m e .

\ P ] R O r a r e b a c k this y e a r a n d E F J l r e l e a s e t h e i r s e c o n d

E F G h s o m e n e A m u s i c after r e l e a s i n g a G r e a t e s t

Hits

r e c e i v e d v e r y E O J J , critically a n d a m o n g s t t h e f a n s .

Felix, c o m e a l o n g t o t h e m e e t i n g s at Felix o n Fridays.

ical B r o t h e r s ' t h i r d a l b u m p r o p e r g o e s b y t h e n a m e o f

a l b u m in M a r c h . It E F J l b e p r e c e d e d b y t h e s i n g l e Mys-

T h e r e s h o u l d b e a s i n g l e o u t in Apri l t o c o i n c i d e E F G h

T h i n g s u s u a l l y kick o f f at a r o u n d one-thirty b u t it's b e s t

t h e s a m e a s u s u a l f r o m this lot. Y o u e i t h e r like it o r y o u

Under

to b e t h e r e a f e A m i n u t e s b e f o r e h a n d . I l o o k H I Q E ] Q d

lag her, t h e g o d f a t h e r o f p o p u l a r rock, EFJ l m a k e a n o t h e r Z jb

g u e s t v o c a l t o g o E F G h h i s last effort. ` Unfor-

tical Machine Gun at t h e e n d o f F e b r u a r y . For t h e M a l b u m , they've got H o m o m I E ] P E ] Q N i back to d o

t h e t o u r . T h e y h a v e n ' t m a n a g e d t o d e c i d e o n a title y e t

d o n ' t b y _ DA .

p a c k a g e at t h e b a c k e n d o f last y e a r . P a u l H a r t n o l l h a s aY Z Z s a i d , ' W e ' r e c a l l i n g it Middle Of §

b e c a u s e it's M ¬­ ® ª « e is I N O E P O Q O , n o m a t a h a r d p l a c e t o b e . ¨© ª «

so I guess the 'Animals Don't Give A

to s e e i n g t h e o l d f a c e s a n d s o m e n e A o n e s . T h a n k y o u

s o m e m o r e vocals. H e d i d t h e backing vocals for

ter E P O Q e y o u ' r e s t a n d i n g a n d n o m a t t e r h o A h a r d y o u

picture.

b y t h e E ] . Expect t h e u s u a l e c l e c t i c g u b b i n s

try t o g e t { | { y f r o m t h i n g s . ' T h e r e E FJ l b e a s i n g l e i n

F e e l i n g like t h e y r u s h e d t h i n g s a bit last t i m e , M \ L O Q ^ Q ] s d o n o t ¿t t o m a k e t h e s a m e m i s t a k e

as if t h e s i n g l e Action

and Drama

E FJ l p r e c e d e it. Expect

BJork s e e m s t o b e k e e p i n g h e r s e l f b u s y d u r i n g t h e op first half o f ' 9 9 . m n s r e l e a s i n g a n a l b u m o f l o v e s o n g s , op o f E P F d h s o m e m a y b e c o v e r s . m n s a l s o starring in a n d qrstsu g t h e s o u n d t r a c k t o t h e m u s i c a l D a n c e r In T h e

The Influence

Of Love.

Chem-

Apparently Noel Gal-

Kula

year.

affair. For t h e r e c o r d , it hits t h e s h e l v e s at t h e start o f

tunately, Beth O r t o n EFJl n o t b e able to contribute

Govinda,

b e c a u s e s h e ' s d o i n g h e r DA n a l b u m . C e above] Tsk!

a n d various mystic chants. They s e e m to b e suffering

Pop-stars t o d a y ! T h e y ' r e s o s e l f i s h ! I E O O Q ,

f r o m t h e s a m e d i s e a s e a s m o s t artists in that t h e y can't

Jonathon

T h o s e o r c h e s t r a l trance-y t y p e s in O r b i t a l a r e b a c k

M a r c h a n d a tour to HI JJI E .

O v e r in t h e ¯C , P a v e m e n t a r e g e a r i n g u p f o r t h e

o d d i t i e s , Outspaced,

y o u get the

a g a i n . T h e y ' r e t a k i n g all t h e t i m e t h e y n e e d t o m a k e

for y o u r t i m e .

Dennis

c

2

1

E o

M

a n y o f y o u m a y h a v e t h o u g h t that B l o n d i e Ă&#x161;Ă&#x203A; Ă&#x153; e s o m e band from the seventies. You're Ă?Ă&#x17E;Ă&#x;Ă ĂĄ â . They're actually a fresh n e band

ready to attack t h e m u s i c s c e n e ãäü h s o m e innovative

s o n i c m u s i n g s . ĂŚ ç è ä ĂŠ ĂŞ ĂŤĂŹ Ă­ , t h o u g h , this is t h e b a n d that Ă&#x161;Ă&#x203A; Ă&#x153; e o n e o f the most influ-

a r o u n d fifteen years a g o

ential b a n d s a r o u n d . There's a terrible s t i g m a a t t a c h e d t o b a n d s that r e f o r m y e a r s after t h e i r p r i m e . T h e y t e n d to b e s e e n as m i l k i n g past g l o r i e s . A G r e a t e s t

m e a n , f o r C h r i s t ' s ĂŚ ç ! I k n o ĂŁ critics t e n d t o slate o l d â artists t r y i n g n e t h i n g s b e c a u s e t h e y s e e it as a n â attempt to n over the y o u n g a u d i e n c e s o I d e c i d e d t o listen t o it a g a i n ĂŁ ä ĂĽ h a m o r e o p e n m i n d a n d m y fears Ă&#x161;Ă&#x203A; Ă&#x153; e c o n f i r m e d - t h e title t r a c k is t e r r i b l e ! N o q u e s t i o n .

I t h i n k t h e p r o b l e m m a y h a v e b e e n that t h e y t r i e d

Hits

to get everything o n t o record ã äüòÊê t filtering out t h e

p a c k a g e last yea r c o u l d l e a d p e o p l e t o t h i n k that t h i s

d u f f e r s . T h e r e a r e a c t u a l l y a h a n d f u l o f d e c e n t tracks

is ĂŽ ĂŻĂ° t t h e y ' r e d o i n g . T h a t ' s far t o o c y n i c a l , t h o u g h .

but o n c e y o u e x p e r i e n c e t h e c r a p o n e s , y o u d o n ' t

Y o u g e t t h e f e e l i n g that t h i s is a c t u a l l y f o r real. W h a t âù actually h a p p e n e d s in t h e s p r i n g o f 1998 t h e f o u r

h a v e t h e heart t o s l o g t h r o u g h a n d f i n d t h e g e m s .

Noth-

ing Is Real But The Girl is r e m i n i s c e n t o f t h e B l o n d i e o f â ù

o r i g i n a l m e m b e r s m e t u p a n d d e c i d e d t o let past dif-

o l d - that's a g o o d t h i n g , b y t h e

f e r e n c e s lie. T h e y e n t e r e d t h e s t u d i o a n d this is ĂŽ ĂŻĂ° t

g o o d because y o u can hear t h e band gelling together

t h e y m a n a g e d t o c o m e o u t ã ä ü ò , No Exit.

rather t h a n D e b b i e ' s v o i c e p e r v a d i n g all. It's t h e sort o f

T h e q u e s t i o n is ã ò ç ü ò ç r it's a n y g o o d . A l b u m Þÿ ôþÜáøÚúÝ ßý sounds promising. There's a opener. ó

it's n o t g o i n g t o t u r n t h e k i d s o n b u t at least this

. Double

m a t u r e track that t h e y s h o u l d b e ã è ä ü ä g

Take is also

Êã. Obviously âù y

M a d n e s s - l i k e g u i t a r riff j o l t i n g t h r o u g h t h e intro a n d â e h e a r D e b b i e Harry's f am i l i a r v o i c e g e t t i n g car-

you don't e n d up embarrassing yourselves.

r i e d a l o n g by ĂŽ ĂŻĂ° t c a n o n l y b e d e s c r i b e d as a r e g g a e

I'm b e i n g a t a d h a r s h o n this t h e i r ' m o d e r n i s a t i o n . ' T h e

q u i c k s t e p r h y t h m . This is a r e d h e r r i n g , t h o u g h . N o t h -

fact r e m a i n s that o n c e y o u r f i r e ' s g o n e o u t , t h e r e ' s n o

Forgive

p o i n t r e k i n d l i n g it u n l e s s y o u ' r e g o i n g t o m a k e it b u r n

then

i n g e l s e o n t h e a l b u m s o u n d s r e m o t e l y like it.

A

t h i n g s really g o Ê ã ò ä Ï Ï . It c a n o n l y b e d e s c r i b e d as very â poor. What e g e t is D e b b i e Harry t r y i n g t o r a p ! I

o p e n s ã ä ü h Î ïð t is s u r e l y a rip-off o f a N e

and Forget

O r d e r riff. U n f o r t u n a t e l y , ĂŽ ĂŻĂ° t

ĂŠ ĂŹ ĂŹ ĂŠ ĂŁ s is n o t a N e

O r d e r s o n g . It's just a n a v e r a g e ü ò è Ê ã ã y

â

I like t h e B l o n d i e o f o l d a lot ã ò ä h is p r o b a b l y

b r i g h t e r . A n d b u r n b r i g h t e r , No Exit d o e s n o t .

â

â

y

d

Dennis

song -

s o m e t h i n g m o r e s u i t e d t o a b-side o r p e r h a p s e v e n a n a l b u m filler! T h e p r o b l e m ĂŁ ä ĂĽ h it is that t h e r e is n o s p a r k a n d this is ĂŽ ĂŻĂ° t is m i s s i n g f r o m s e v e r a l s o n g s o n t h e a l b u m . It's a r u n n i n g t h e m e that s h o u l d h a v e b e e n Ă&#x161;Ă&#x203A; Ă&#x153; s t o p p e d in its tracks b e f o r e t h e s o n g s e committed to t a p e .

T h e title track o p e n s ã ä ü h s o m e classical m u s i c that I'm s u r e o t h e r s ãäÏ l b e a b l e t o r e c o g n i s e in stan tly b u t t h e n a m e o f it e l u d e s m e .

MOJAVE

Ă­ĂŁ Ă­, from

there

^

t

W

' l o v e is t h e u l t i m a t e s a l v a t i o n ' t h e m e : ' A n d y o u

g e m o f a n a l b u m . I t h i n k t h e trick is s i m p l i c i -

s o m e k i n d a a n g e l , y o u t o o k m e aside, said h e y never-

ty itself. It's o n l y n i n e s o n g s l o n g , l o o o f t e n ,

m i n d , I'll m a k e y o u f e e l be t t e r . ' In c o n t r a s t t h e r e a r e

b a n d s just tack a n extra c o u p l e o f tracks o n t o m a k e

m o r e bitter pills in t h e a l b u m . Yer Feet s e e s t h e s i n g e r

t h e i r a l b u m t h e 'right l e n g t h . ' Ì ä e isn't e v e r y t h i n g , you

ĂŠĂŁ. What

e got here

is a c o l l e c t i o n o f

a c o u s t i c b a s e d tracks that r a n g e f r o m u p b e a t t o , ã ç Ï Ï ,

Ê ã ç ü . I a d m i t that at t i m e s , t h e v o c a l i s t slips i n t o

a B o b D y l a n s o u n d b u t t h a t ' s just s p l i t t i n g hairs.

O p e n e r , Who

s .

Ă&#x161;Ă&#x203A; Ă&#x153;

ell ã ç Ï Ï , this t u r n e d o u t t o b e a n i c e little

e

contemplating the aftermath of a failed relationship: T n e e d s o m e t h i n g s o l i d I c a n h o l d like a d o g that c o m e s ã ò ç n I call b u t I d o n ' t n e e d y o u . '

The strength of Mojave

is in t h e b e a u t y o f their

s o n g s . T h e s o u n d is s i m p l e . O r g a n s a n d p i a n o s a c c o m -

Do You Love, s t r u m s itself i n t o a

pany an acoustically s t r u m m e d rhythm section. There

lovely s o n g that asks y o u t o l o o k at you rself : ' W o u l d y o u â

Ă&#x161;Ă&#x203A; Ă&#x153; like o you e if y o u m e t t h e m s o m e p l a c e ? W o u l d

a r e n o e l e c t r i c g u i t a r s o r f u n k y l o o p s z i p p i n g in a n d o u t

y o u r e c o g n i s e the lines o n a stranger's face?' I k n o ĂŁ

c o m e t o t h e ã è Ê g h o u s e . If, ò Ê ã ç ç è , y o u ' r e l o o k i n g

o f tracks s o if y o u ' r e after m u s i c a l e x h i l i r a t i o n y o u ' v e

all this s o u l - s e a r c h i n g t u r n s p e o p l e o f f b e c a u s e t h e y s e c

for m u s i c a l s a l v a t i o n , Out Of Fune

it a s part o f t h e pr e - m i l l e n i a l p a c k a g i n g that m u s i c a l

ã ä ü ä g f o r y o u t o c o m e i n . Q u i e t l y brilliant.

artists a n d o t h e r s a l i k e a r e t r y i n g t o c a s h in o n . ever, M o j a v e

ĂŠĂŁ-

c o m e a c r o s s a s very g e n u i n e a n d n o t in

t h e least c o n t r i v e d . T h a t ' s a c o m m o d i t y that p e o p l e try very hard to create ã ä üò Ê ê t success. M o j a v e

s e e m to

a c h i e v e it e f f o r t l e s s l y .

T h e lyrical c o n t e n t o f t h e a l b u m is m o s t l y r e l a t i o n s h i p b a s e d . Give

What

You Take

is y o u r b a s i c l o v e

s o n g : T h e r e ' s a light in y o u r e y e s that fills m e ã ä ü h life.

T h e r e ' s a l o v i n ' in y o u that m a k e s m e ã a fly.' A g a i n , I k n o ã it s o u n d s c h e e s y b u t ã ò ç n y o u hear it, y o u k n o ã it's f o r real.

Kinda Angel

e c h o e s t h e s a m e sort o f

is a n o p e n h o u s e

Dennis

c

1 Albums

T p

T

he m e d i a splurge reads s o m e -

;<6"

t h e m into a s o n g : 'You

t h i n g like t h i s : 'Built T o s last album,

the epic

Perfect

the d e c a d e ' s

EF G

e right

H IJ

F

n

y o u s a i d that all that glitters isn't g o l d .

From

You

On, m u s t s u r e l y s t a n d a s o n e o f

s o u t s o m e o l d r o c k lyrics a n d f o r m s

EF G

e right

H IJ

n y o u s a i d that

all just br i c k s in t h e " 6 . Y o u

finest guitar a l b u m s , a

n y o u s a i d that y o u c a n ' t

EF G

EFK G

OK

e

e right

N L M LO

s get

act o n e : I c e l a n d ' s its

number "!-#

" ;

"!-#

men.

n far o u t Icelandic

n are apparently generally

h men

7 8

o double-date because

to h a v e a bit m o r e faith in t h e n e 7 m u s i c that's c o m i n g t h r o u g h starts

" ;

/!"6.650

d]eb \

. A

h a very nice chorus a n d g o e s

o n to c r e a t e t h e 'rollercoaster r i de ' effect

not s o m a n y o f t h e m ar e in circulation

t h e lyrics s i n g o f . Great

V WX Y V X

m i x e s pile-driving guitars, quick beats,

. Fact

;"!

: Bellatrix is a five-piece

Expectations

monumental testimony to the !"# r o f

H IJ

t h e r o c k t r a d i t i o n . Fact.' W e l l , if t h a t is t o

1 2

be b e l i e v e d t h e n their

p album.

y o u s a i d that e v e r y t h i n g is g o n n a b e

at

must surely stand

a l r i g h t . ' For t h e r e c o r d , t h e y o r i g i n a l l y

catchy m e l o d i e s a n d nice vocals. From

b e l o n g to L e d Z e p p e l i n , Pink Floyd, T h e

fact

Rolling

d e s t i n e d f o r s u c c e s s . K e e p i n g fact o n e

the names

in m i n d , c a n

ing the record shops. I don't k n o " h o7

Keep

* '() ( +

It Like A

$! !"%&

as o n e o f t h e d e c a d e ' s mental

,!-#.!"/0

i n g that they're

they're

most

monu-

. Fact. I'm n o t say-

crap.

It's j u s t

4

3 1 2

n o t really t h e s a v i o u r s o f t h e

/5"65

/!"6.650

3

4

e

"<!/

s (I t h i n k t h a t ' s

/0"#<

g

H IJ

all-girl I c e l a n d i c b a n d that is v e r y g o o d

n

"<!/9

,

s o n a p o s t c a r d t o Felix

t h e usual

Z7

o

[

p o p music

e c a n d e d u c e that t h e y a r e

[

e then hazard a guess

p l e a s e or e l s e it'll b u g m e f o r a g e s ) a n d

that this is all b u t a s u b t l e p l o y t o f i n d

The Beatles respectively.

themselves a

;<6/9# 5

, this

" .#

Bcllatrix e m p l o y all sorts o f p o p -

e n d o r s e m e n t o f t h e l e n g t h i e r variety a s

m u s i c tricks t o m a k e t h e i r m u s i c a n d

m o s t o f the d e c e n t tunes are t h e shorter

songs interesting. The s c r e e c h i n g gui-

poppier ones.

tars, t h e v i o l i n s , t h e " : < / g s y n t h e s i s e r

, eh?

W e i g h i n g i n at a fairly fifty m i n u t e s Keep

It Like A

tains e l e v e n t r a c k s

" ;

9:;"# 9: * '() ( +

All t o g e t h e r ,

t

:!"#U#<

. Built T o

Keep

T h e y ' r e a bit a v e r a g e .

h only o n e track

u s e d to g o o d effect.

m u c h all p o p s o n g s a n d t h e b a n d ' s p o p

quickly. There's definitely p r o m i s e here

n't h a v e b e e n a b l e t o s a y t h e y a r e b a d

sensibilities

h t h e vocalist's

a n d t h e " : 0 ; / g at t h e e n d o f t h e

imitators o f others.

. The

a l b u m is e n o u g h t o m a k e y o u l a u g h . It's

distinctively r h y t h m guitar out

":

"#

l

" ;

American "!<

;" /9#

Dennis

T h e o p e n i n g track

" ;

pheric p r o m p t i n g a q u i c k burst o f t h e o l d

6/0"#<

"!& .

]^_`a^]bcd \

Lyrics like T d o n ' t

they could b e marketed

Much

"#

sion is a c h e e r f u l s o n g full o f

-

l o n g it " l t a k e f o r Bellatrix t o b e " # , if e v e r , b u t I t h i n k t h e y a r e a s

g o o d as anything out there, a n d hopefully c a n o n l y g e t b e t t e r .

Ahmed

":6;0!#U#<

. Another

dimen-

0"## /

g

fast b e a t s a n d m a n y a c h o r u s l i n e . This

. Just i n c a s e y o u

. The song

;<6"

l a n d t h i s is

masterplan

"!/.#< /9

e

have any

l o " t h e u s u a l verse-chorus-verse traditio n

e

EFK G

s a n d I c a n t s e e far a h e a d ' a r e

that r o c k trios t e n d t o g o f o r . T h e y ' r e a EF G

n

is a

a h u g e d i s c l a i m e r i n that t h e y h a v e n o

D 7 C

e just p l u m p for

-

like t h e rest o f t h e a l b u m it d o e s n ' t f o l -

rock trio, b y t h e

7

H IJ

o m i n o u s l y p r o p h e t i c . P e r h a p s they k n o "

You Were Right is p r o b a b l y t h e s t a n d ?@ >AB

e kno"

h its s e a r c h i n g g u i t a r c h o r d s a n d

vocals.

air guitar r o u t i n e .

It Like A = >

[

nice s m o o t h introduction to the a l b u m

e t h e l e a d is q u i t e o f t e n s t rat os -

o u t track o n Keep

been inclined to dismiss them, I

is g o o d b u t it c a n g e t v e r y d u l l

alright b u t that's it.

k is fairly s o l i d t h r o u g h -

nised, l o o often today

T h e fact is, h a d I

* '() ( +

k

h b a n d s like this is it'll

a g o o d lead vocalist (Bjork-esquc?) a r e all

It Like A

over six m i n u t e s l o n g . T h e y a r e pretty

"!<

" ;

s o u n d s , t h e c h u n k y b e a t s , a n d n o t least,

l

fall s h o r t o f b e i n g s o m e t h i n g s p e c i a l .

con-

The trouble

take a l o n g t i m e for t h e m t o get r e c o g -

fghig

r choice o f men?

t the

2

a n d folksy violins into a g o o d song.

routine of

o r e a d s that

, that's all b a s e d o n 1 7 8

P Q R ST

EF G

is o n e o f t h e l o n g e r s o n g s . That isn't a n

t they are - plain a n d simple.

music press says a n d

t y o u "6/;. Y o u

though.

that

rock t r a d i t i o n . A h a l f d e c e n t r o c k b a n d is

3

is t h e sort o f s t u f f that m a k e s y o u start

basically

s a m o u n t o f critical a c c l a i m . T h e s o u n d is t h e u s u a l

h

E

A m e r i c a n r o c k s e e m s s t u c k in t h e m i x t u r e o f c h i r p y o p t i -

"60

h

o f a m b i e n t a n d big-beat s o u n d s that h e l p e d their h e ad -

m i s m a n d p o u n d i n g g u i t a r s that is s o m e t i m e s c a l l e d

liners g a i n s u c c e s s last y e a r . Y o u " l b e h e a r i n g m o r e

post-grunge.

from these guys in the future, I promise.

#j6.!

h are n o exception. They've got t h e

vocal s o u n d spot o n (Imagine t h e bl ok e

Knock On Wood)

7 8

o sang y

b u t luckily a s t o m p i n g d r u m b e a t pulls

A n enthusiastic hard rock g r o u p from

the s o n g r o u n d t o m a k e a n e n j o y a b l e listen.

"6/0#6

, Liberty

7 escape from the confines of metal by adding seductive m e l o d i c

e e c h o e s t h e b a g g y s o u n d f r o m that e r a ,

" ;

;" 0;

s o n t o t h e t h u m p i n g r a7

!"#

r o f this

their s e c o n d s i n g l e .

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h a s b e e n e m p l o y e d t o kill a high-ranking m e m b e r

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h i s d a u g h t e r , Claire Forlani .

look a n d feel exactly t h e s a m e - except

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s

6

1

e â&#x20AC;˘

a

â&#x20AC;˘ â&#x20AC;˘ â&#x20AC;˘ â&#x20AC;˘ j o u r n a l i s t , ' > o ba t t l e s

, failing to get into t h e Christmas

b r e a s t e d h e r o i n e m i g h t . C o u l d it b e t h e

e d i t i o n m e a n s that I c a n m i s s o u t t h e

c o l d c l i n i c a l l a b e n v i r o n m e n t that t h e

t h r o u g h a n easy-on-

obvious 'Cracker' a n d !"#$"% g t h e

the-eye office c o m p l e x

o p p o s i t i o n ' p u n s . If y o u & ' n a s e m i -

l e a d c h a r a c t e r h a s t o fight his ' , y o u t o f -.//.012 g a spectacularly crocked exper-

decent PC m a c h i n e a n d h a v e not played

i m e n t ? A 3 ) ( n f u s e in lab e q u i p m e n t or

m o t i o n v i d e o or an i -

introduced using

full

or b o u g h t t h e g a m e t h e n y o u h a v e m a n -

a d o d g y test p r o b e h a s n o t h i n g o n m a n -

a g e d t o m i s s o n e o f t h e m o s t brilliantly

a g i n g t o o p e n d i m e n s i o n a l p o r t a l s to

mation, oh yeah a n d ; her * ) ( 3 : r a c t i o n is

underhyped a n d understated games.

other ()* 4 s bri m m i n g ("5h harmful a n d

l e s s frantic.

The g a m e s c o m m u n i t y might have

h orrif ic c r e a t u r e s . Is it t h e fact that m o s t

r a v e d a b o u t it, b u t that's b e e n t h e e n d

o f t h e t a b l o i d * ! 6 " ! ( ! * s 7 8 9e n o t a b l e t o

lack o f p o p u l a r p r e s s

o f it. P e r h a p s it's t h e r a t h e r u n s e x y m a l e

c o p e ("5h the introduction

sequence?

s u p p o r t a n d IV, C i n -

l e a d c h a r a c t e r - a p o s t d o c Physics ( ) * + ! r

T h e r e is n o s i m p l e v i d e o i n t r o d u c t i o n in

e m a a n d Billboard a d s ,

has n o t really s e n t t h e p o p u l a r p r e s s Into

this g a m e as y o u ( : % 4 ! r a l o n g , travelling

it h a s b e e n o n e o f t h e b i g hits o f t h e

a n d s e c u r i t y g u a r d s a n d they'll f o l l o ( for

a s p i n in t h e s a m e ' , y t h a t a l a r g e

t o t h e lab c o m p l e x o n t h e m o n o r a i l pick-

Christmas season purely because

just a n e x c e l l e n t g a m e . T a k i n g t h e q u a k e

a ( $ " ! . T h e s e c u r i t y g u a r d s carry s o m e ; ? " * ! @ ) ( ! r o f t h e i r &' n ( $ " h d e f i n i t e l y

h a z a r d s u i t . T h e suit

2 g r a p h i c s e n g i n e , a n d b o l t i n g t o it a

is a n a d v a n t a g e , ( $ " e t h e s c i e n c e staff

m a n a g e s t o d o u b l e as

story line a n d s o m e q u i t e clever A l , V a l v e

help out by o p e n i n g doors a n d k e e p i n g

a

has t a k e n t h e s h o o t i n g g a m e

y o u u p to s p e e d o n t h e story line. T h e

i n g u p t h e rather u s e f u l

protective

layer

3 ! 5 ( ! ! n t h e n i c e , soft, but easily c r u m p l e d soft

But

despite

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it is

another

step ?)*(:*4 .

e n e m i e s a l s o react t o y o u r a c t i o n s . N o

Graphically a n d sonically the g a m e

m o r e (" l t h e e n e m i e s p e r f o r m suicidal

hasn't m o v e d t h e g e n r e ? ) * ( : * d t o o far.

r u n s at t h e player. L n e m y g r u n t s (" l try

harsh a l i e n 'eat h u m a n '

T h e s o o t h i n g v o i c e o f t h e h a z a r d suit

to clea r t h e a r e a b y l o b b i n g g r e n a d e s

( ) * d o u t s i d e . O r is it

( : * % " % g s y s t e m is a n i c e t o u c h , a n d t h e

rather t h a n r u n n i n g i n t o a m b u s h e s . If

the slightly disturbing

introduction of music to emphasise dan-

t h e y g e t e x p o s e d t o s u p p r e s s i o n fire

(:y the hero handles a ; * ) ( 3 : * ? <o f o r t h e

ger or e x c i t e m e n t gives t h e g a m e a m o r e

t h e y ( " l r u n a n d h i d e . It is just a very

f i l m like t o u c h . T h e A l o f t h e c h a r a c t e r s

g o o d A D first p e r s o n s h o o t i n g g a m e .

p o p u l a r p r e s s t o like it

f o u n d in t h e g a m e , b o t h f r i e n d l y a n d

Let's h o p e that V a l v e g e t t o ( ) * k o n

they

large

hostile, also helps reinforce the m o v i e

more of these.

or

e x p e r i e n c e . Talk t o s o m e o f t h e scientists

bits

inside

and the

need

breasted

a

:(=!*,

n

Gary B C

s s

t mishes

and

â&#x20AC;˘

battles.

s e r i o u s G o l f g a m e for t h e very s e r i o u s l y

T h e r e is a l a r g e , ( ! l

rich G o l f e r . But d o n ' t let that put y o u off,

number of ; u n i t s , ( $ " h all p l a y

there are a m a z i n g l y a f e' fun features

massive,

realistically. O f c o u r s e ,

- ( ! l f u n f o r G o l f . C o m p e t e in a t o u r ; n a m e n t a n d * ) ( 4 s (" l cheer y o u o n ,

lliriltlli

I d o n ' t k n o ( h o ' real-

all ( $ " e t h e o c c a s i o n a l b a l l o o n or jet

istic this is as I a m n o t

flies i n t o 6 " ! ( . M i s s a s h o t a n d try t o g e t

a

veteran, but H t h e r e is n o p o i n t e

y o u r c o m p u t e r p l a y e r t o I ( ! : * . All p o s -

y o u s c r e a m at t h e c o m -

enjoyable ?

sibly c l e a n f u n . b u t is it really all that D e e p ( " 5 $ " n Felix ^ ) ( ! * s L < '99 ' , s

p u t e r after a n u n r e a l i s tic battle result. T h e r e is

In t h e ( ) * d o f t h e G o l f " DT :5 ) r t h e var-

i n s t a l l e d in a n a t t e m p t t o p r e v e n t Christ-

a lot t o a p p e a l t o d i e -

i o u s m a k e r s all a i m their g a m e s at dif-

m a s b u r n o u t o c c u r r i n g a m o n g t h e crack

hard (: *# :D ! *I , but

ferent e n d s of t h e serious simulation

t e a m o f ( * " 5 !* I . Us s u c c e s s is m e a s u r e d in h u m a n lives s a v e d f r o m m a d n e s s a n d

t h e r e is also s o m e t h i n g

s p e c t r u m . At o n e e n d t h e r e is t h e j o k e y

Talonsoft are the masters o f h e x b a s e d

in h e r e f o r e v e r y o n e J ( ! : D ) I t e v e r y -

! % I " 3 e G o l f s i m u l a t i o n , in t h e m i d d l e

bedlam. T h e _ ` a s team has reported

( : * # : D ! s f o r t h e PC, ( " 5 h t h e i r Battle-

o n e . O r m o r e accurately - m o r e

is t h e slightly m o r e s e r i o u s A c t u a G o l f A,

that e v e n t h e Arts Ed ' , s s e e n t r y i n g t o

than

g r o u n d series, N o r m K o g e r ' s O p e r a t i o n a l

c ou l d b e e x p e c t e d given t h e nature o f

d e s i g n e d f o r t h e U<X m a r k e t a n d a g e n -

g e t d u g i n t o t h e s a n d y <t b % 4 * ! ( I '

Art o f W a r a n d Eastern Front ( a ( ) * d ' , r

t h e g a m e ) . It d o e s n o t t a k e l o n g t o g e t

tle i n t r o d u c t i o n f o r t h e casual user. In t h e

b u n k e r s . < o t h a n k s t o A c c e s s a n d Links

II c a m p a i g n ) . T h e i r latest r e l e a s e . W e s t -

i n t o it, e s p e c i a l l y a s t h e s c e n a r i o s a r e all

h a r d u s e r c o r n e r is d e f i n i t e l y A c c e s s '

L '99 Felix c a n p u b l i s h a g a i n , c de t bet-

e r n Front, is e f f e c t i v e l y Eastern Front b u t

graded. T h e training missions are quite

Links L< 9 9 .

ter r e c o m m e n d a t i o n t h a n that c a n ' e

shifted EFG t a f e' h u n d r e d miles. Y o u

s i m p l e a n d g e t y o u t o u s e y o u r units

H e r e is a g a m e that t a k e s itself s o

c a n play a n y o n e o f a h u g e s e r i e s o f historically a c c u r a t e s c e n a r i o s in t h e W.

i n t e l l i g e n t l y a n d a s a t e a m - rather t h a n KLLMNOP g t h e e n e m y to pick t h e m off

very seriously. There are three different ; VWX s t o u s e t h e m o u s e to ( $ : k t h e lit-

European,

o n e by o n e .

tle virtual ball a l o n g t h e g r e e n grass stuff.

Mediterranean

or

North

African theatres, or as a c a m p a i g n o f interlocking scenarios.

A s e x p e c t e d , e v e r y t h i n g is d e t a i l e d

T h e p r e s e n t a t i o n , e s p e c i a l l y f o r this t y p e o f g a m e , is e x t r e m e l y g o o d . T h e

T h e r e is e v e n a c o n t r o l m e t h o d

that

i n v o l v e s r o l l i n g t h e m o u s e in a p r e t e n d YZ[\] . It is a g a m e that : ) ( s t h e s c r e e n

to a n i n c r e d i b l e d e g r e e o f a c c u r a c y . T h e

m u s i c is a t m o s p h e r i c a n d q u i t e e x c i t i n g Q RS n played loud. The graphics are also

s c a l e o f t h e g a m e is a r o u n d b a t t a l i o n

v e r y g o o d a n d clear. This is certainly o n e

level - y o u d o n ' t d e c i d e t h e s t r a t e g y f o r

of t h e best ( : * # : D ! s available. Highly

and

the ( $ ) e o f the Allied forces for e x a m -

recommended.

M u n i c h c a n h a n d l e it ( " 5 $ ) T t b r e a k i n g

ple, b u t a r e i n v o l v e d in s m a l l s c a l e skir-

OVt

r e s o l u t i o n to b e s o h i g h that o n l y t h e finest quality screens f r o m Y o k o h a m a the keenest

video

cards

from

i n t o tears. W h a t ' c h a v e h e r e is a v e r y

give.

Gary B C

7

1

r s Once upon a time o n a games console

anguish from t h e poor tortured souls

ground

not that f a r f g f y a L u c a s A r t s

a n d d e c i d e d t o t a k e all o f t h e f l y i n g e l e -

m e a n s , b u t try n o t t o l e a v e

game

as possible

by all

a t t e m p t e d t o e x t e n d t h e hij r W a r s l i c e n s e

m e n t s , m i x a bit o f o D c a r d l i g h t s i d e o f

bits o f y o u r

into t h e k l m n d o f o D shoot-em-ups. T h e

the force' magic a n d release Rogue

|ml . Rogue | m l n is n o t g o i n g

A n o t h e r c h a n g e is t h e s t a n -

to give a n y o f t h e secrets f r o m t h e u p

t i o n e d just b e h i n d t h e craft

series o f p r o b e s , s cou t s a n d transports,

a n d c o m i n g ' C h a p t e r O n e ' f i l m as it is set

and although some of y o u

kz{ h b o n u s e s for b r i n g i n g t h e m | l k n } kz{ h T o cables a n d h a r p o o n s rather

j u s t a f t e r t h e D e a t h hij r g o t its j u s t

might kz{ h t o t h e internal

deserts a n d before t h e Empire

v i e k c a m e r a i m m e d i a t e l y it is

g a m e . p qr s t u s o f t h e E m p i r e , h a d a n y e x c e l l e n t start. v wx s p e e d e r s f i r i n g at a

struck

craft

behind.

d a r d c a m e r a a n g l e ; it's p o s i -

than s h o o t i n g t h e m t o bits. U n f o r t u -

back. Y o u get t o play Luke k o t o g e t h e r

n o t all that c l e v e r a n i d e a a s t h e g r o u n d

b e f o r e they m a n a g e to kill y o u or stop yo u r

nately t h e g a m e h a d a d a r k s i d e , a rather

k z { h W e d g e A n t i l l e s h a s just s e t u p a n

f r o m t h e internal v i e k rushes into v i ek

objectives b e i n g c o m p l e t e d . I h e p r o b l e m

poor a n d annoyingly frustrating series o f

elite s q u a d r o n k o get t o t a k e o n all t h e

s i n g l e p e r s o n s t a g e s ~ e o n e m i s t a k e

n a s t y a n d difficult m i s s i o n s . M i s s i o n s that

l i n v o l v e y o u f l y i n g t h e classic kz ,

y k z , k z s a n d v wx | ms

a little t o o q u i c k l y .

o apart f r o m f e e l i n g like a n a r c a d e or } -pardon my k l m | a console game, h o

s a m e y . P e r h a p s t h e y m a k e it a little bit

g o o d actually is it? W e l l t h e g r a p h i c s k z { h

s p e e d e r rather th an a prope r fighter as y o u

a l o n g k z { h a v e r y fast a n d v e r y e a s y t o

a d e c e n t Dfx c a r d a n d a pretty p o o r

a t t e m p t t o t a k e o n e n e m y fighters, b u t

c r a s h V-Wing.

p r o c e s s o r a r e v e r y i m p r e s s i v e . It's n o t

t h e y a r c still e n e m y fighters l n n l k z g t h e

This g a m e is not a n

, Tie-fighter or X

q u i t e t h e 'float m y b o a t ' level that War-

s a m e predictabl e path k z { h little in t h e k y

g a s m m a n a g e d t o p o u r into m y e y e s b u t

o f e v a s i v e m a n o e u v r i n g . It is a n A l p r o b -

vs

Pretty

it p a s s e d t h e f l i n c h test -1 leant into m o s t

m u c h all o f t h e mis-

o f t h e turns. T h e s o u n d is a l s o fairly - k n l

l e m a n d n p l a y e d next t o s o m e t h i n g

like Half-life a v e r y o b v i o u s p r o b l e m . {zn l

sions take place very

h o k e l s e c a n it b e d e s c r i b e d - s o u n d : A

if y o u l o v e d I n c o m i n g f r o m last s u m m e r

close

to the g r o u n d

John Williams derived C D etched by a

or o D flight A r c a d e g a m e s it kzn l entertain

and expecting a nice

s c r i e s o f e n g i n e , g u n a n d missile s o u n d s .

for m a n y h o u r s a s t h e levels b e c o m e pro-

s of t l a n d i n g is n o t at all

T h e actual g a m e play is g o o d - s h o o t , mis-

gressively m o r e difficult. hij r W a r s obses-

part o f t h e g a m e p l a n .

o attack your targets

sile ( g u i d e d , t h o u g h usually u n g u i d e d ) ,

sives kzn l h a v e p r o b a b l y already c o m p l e t e d

even tangle your e n e m i e s kz{h the help

it o v e r C h r i s t m a s .

k l n d f o r c e y o u b a c k t o restart t h e k l n e 10 m i n u t e l e v e l .

l l e b a c k at LucasArts h a d o b v i ously b e e n

listening to t h e cries o f

Tie g a m e .

from

as

near

the

of t h e c o m p u t e r controlled k z n

is that it all starts to get a bit predictable a n d m o r e difficult b y p l a c i n g y o u in a s n o k

Gary 5.

k m

B

I his t i m e Turok is b a c k h e l p -

player a r e not as g o o d a s t h e y

ing h u m a n i t y b y f i g h t i n g intelli-

s h o u l d b e . T h e first g r i p e is

g e n t D i n o s a u r s a n d their masters

t h e c o n t r o l m e t h o d . This a b i l -

k zne preventing the o p e n i n g o f

ity t o l o o k u p , | l k n a n d

k z h

a r o u n d at t h e s a m e t i m e a s

s h o u l d it o p e n k l n d k z e o u r

running lmk m|, ¢ £k m|s

universe out - o h k nl I s u p p o s e

a n d z | k ¤ s is all f i n e a n d

a

dimensional

prison,

{ k o d e c e n t s t o r y l i n e s in a ~ k

d a n d y e x c e p t that t h e n u m -

k l n d b e spoiling m e . Turok has

ber o f keys n e e d e d to d o s o

m a n a g e d to get his h a n d s o n

s o m e nice k l m y including

the cerebral bore - a k l n

starts t o r e q u i r e f i n g e r g y m nastics o f O l y m p i c k z z g q u a l i t y . T h e

b e c a m e borin g a n d a potential uprising

multiplayer g a m e s b e c o m e a m as s o f

k s q u e l l e d u s i n g fresh drinks and mul-

that h o m e s o n t o a b a d d i n o ' s

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tiplayer G o l d e n e y e - k l « r says Christ} s not present. m a s is a t i m e o f p e a c e ¦ §¨ } A y e a r o r s o later a n d t have e

person g a m e they have also included a

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g o t - n o t all that m u c h o f a n i m p r o v e -

m u l t i p l a y e r o p t i o n k z h d i v i d e s t h e TV

step lmk m| , t h e buildings a p p e a r i n g

m e n t really. N o t a s m u c h f u n a s G o l d -

v e r y 2 D n c l o s e u p . In a C h r i s t m a s } e x p e r i m e n t u s i n g f o u r s t u d e n t s it s

e n e y e a n d not as involving as Zelda...oh

it in t h e e y e c a n d y s t a k e s . T u r o k 2 is

s c r e e n i n t o h a l v e s a n d q u a r t e r s m u c h in } the same y as G o l d e n e y c . Unfortu-

a t t e m p t i n g t o t a k e this m a n t l e b a c k .

nately t h e multiplayer a n d t h e single

o n l y five g a m e s b e f o r e t h e c e r e b r a l b o r e

A n o t h e r s e q u e l o f a g a m e l a u n c h e d at

h e a d a n d d o c s a n i c e j o b in i n s t a n t

expletives, most of them c o n c e r n i n g ¥ ¦ §¨ t k e y d o e s that' a n d ' h o k c l o s e t h e y

the | k n o f t h e N64. Turok : Dinosaur } s the top d o g o f the console Hunter ¡ D first p e r s o n s h o o t e r f o r a g e s . O n l y

t r e p a n n i n g - nice. As k n l as a single

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Lara o n your back In h e r b i d t o t a k e o v e r t h e k l m n d o n l y c u r r e n t l y s u r p a s s e d b y t h e V i r g i n t r a i n c o n troller, R i c h a r d B r a n s o n , Lara h a s t a k e n t i m e o f f f r o m e x p l o r i n g a n d l a u n c h e d a r a n g e

o f c l o t h i n g a n d a c c e s s o r i e s . E v e r y t h i n g f r o m s k i n n y ² zm{ s t o ³ m z l k s c a n

k n l p e r h a p s T u r o k o m i g h t b e better. ­®¯°± ¬

iMac notebook ? (possibly maybe, probably yes) ¶·¸¸·¹º»

g o n f r o m t h e i r f o r m o v e r f u n c t i o n m k y s u c c e s s in t h e i M a c ¼ ½ ¾ ¿À h k z n l

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k ms f r o m 5 p m - 9am).

o it is t r u e . Y o u c a n h a v e Lara o n y o u r b a c k , k m d r o u n d y o u r kmz { , a g a i n s t } y o u r n a k e d s k i a . o o h err p e r h a p s I s h o u l d just s t o p ´ µ .

t h e M a c W o r l d e x p o . Á l k z g A p p l e , e x p e c t it t o l o o k s i m u l a r t o t h e o l d e M a t c , k z { h a clam - sh ell c a s e a n d a r e l e a s e d a t e s o m e t i m e b e f o r e June/July ( t h o u g h if t h e y start t o d o t h e s e in t a n g e r i n e it m i g h t l e a d t o s e v e r a l f a s h i o n - r a g e m u r d e r s ) .

s

8

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I n u l e d in 1 9 9 8 t o d i s p l a y

the struggle for i n d e p e n d e n c e

t h e h i g h l i g h t s o f h i s pro-

m e r c o l o n i e s . Ă&#x203A; Ă&#x153; Ă? Ă&#x17E; Ă&#x; Ă&#x17E; r his ultimate a i m Ă&#x192;Ă s not the impar-

ific c a r e e r .

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tiality o f a r e p o r t e r ,

the c o m m e m o r a t i v e pro-

interpretation o f an

gram, complements the

artist. H i s p e r c e p t i o n

presentation turopeans Ă&#x2021;Ă&#x160;Ă&#x192; previously Ă&#x2030; n at t h e Ă&#x2039;Ă&#x152;Ă?Ă&#x17D;Ă&#x152; Ă? d Gallery. As t h e Ă&#x2019;Ă&#x201C; Ă&#x201D;Ă&#x2022;Ă&#x201C;Ă&#x2013;Ă&#x201C; Ă?Ă&#x2018; title s u g g e s t s , focuses o n images from the A m e r i c a n (Mexico,

I

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taneous impulse

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is particularly s e v e r e

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day

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his-

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c h r o n i c l e of the 20th

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interplay s

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nostalgic black a n d ç è Êê e i m a g e s captivate

e r n m e n t ' s d e m i s e . H e also d o c u m e n t e d

,

illustrated

nessing decisive

moments

.

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diversity, e s t a b l i s h i n g a

century. T h r o u g h the

torical

.

an ethnographer,

eye and heart in the

last y e a r ! A s a

ê Nearest tube: ùòó h Kensington

off p h o t o g r a p h e r l o o k i n g at t h e results o f

p i o n e e r in t h e field o f Ă&#x192;Ă&#x201E;Ă&#x2026; photojournalism, -

s a m e line o f sight."

e b r a t e d h i s 90th birth-

U n t i l 12th Apri l

post-McCarthy capitalism".

sively

d e a t h . H e actually c e l -

Helena

cultural a n d religious

H e n r i Cartier-Bres-

and

is e n c h a n t i n g .

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is to place the head,

a single detail - fore-

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h

u n s u r p r i s i n g c o n s i d e r i n g h i s socialist t e n Ă&#x201A;Ă&#x2020; s described as a "pisseddencies. He

Cartier-Bresson e x p l o r e s

son travelled

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of

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ĂŹĂ­ĂŽ ĂŤ

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by t h e p h o t o g r a p h e r h i m s e l f f r o m t h e m u s e u m ' s archive.

h t h e i r e x c e p t i o n a l quality. Ă&#x160;Ă&#x192; -

in 1947 f o r i n s t a n c e

teller at t h e t e n d e r a g e o f e i g h t e e n .

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erful,

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i Lanka, C h i n a , Indonesia a n d Japan). Ă&#x201A;Ă&#x2020; T h e c o l l e c t i o n o f 50 prints s selected

rately p r e d i c t e d m a n y

t h e Ă&#x; ĂŻĂ&#x17E; Ă? Ă&#x17E; r

T h e i n s p i r a t i o n a l prints a r e visually Ă°

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n an a n e c d o t e Henri Cartier-Bresson Ă&#x201A; he consulted a fortunerecalls h o

The clairvoyant a c c u -

in f o r -

R Y n f i n d t h e p o e t r y in train s t a t i o n s , t h e

portraits t o l a n d s c a p e s , f r o m g l a m o r o u s

t h e i r f a t h e r s f o u n d t h e p o e t r y in f o r e s t s

celebrity pictures to provocative fashion þÜá Croissant and Fag s h o t s ( Kate Moss ô

a n d rivers."

s p r i n g s t o m i n d ) , f r o m abstract c o m p o -

certainly conjure

up fond

Until August

ê Nearest tube: ùòó h Kensington

memories.

Each skilled c o m p o s i t i o n is b r o u g h t t o life

A d m i s s i o n : EREE t o s t u d e n t s

by its d y n a m i c t e x t u r e . " A p h o t o g r a p h is

O p e n i n g hours: daily 1 0 a m - 5.45pm

n o t a n a c c i d e n t - it is a c o n c e p t . "

(Mondays from 12pm)

Dovlma

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case for t h e V&A's c o m p r e h e n s i v e

i n g t h e h i g h l i g h t s o f its a c c l a i m e d úÝÝßÝÝÝýÞÿ g collection. I expected the

and

includes i m a g e s by

a variety o f international p h o t o g r a p h e r s Ă&#x192; Ă&#x160; Ă&#x161; Ă&#x201E; g n 1845 t o 1998, a p p l y i n g Ă&#x192; Ăš l as u n c o n a variety o f t r a d i t i o n a l a s

assortment o f p h o t o g r a p h s , flaunt-

lack o f c o h e r e n c e

ventional t e c h n i q u e s (cyanotypes, stereographs a n d photograms). The exhibition

n the miscel-

explores the evolution of the m e d i u m

laneous pictures to b e t h e exhibition's

t h r o u g h o u t t h e c e n t u r y in a n a t t e m p t t o Ă&#x160; Ă&#x161;Ă&#x192;Ă&#x2021; Ăš Ă&#x201E; p r o v e its g s i g n i f i c a n c e as a

, b u t t h e p h e n o m e n a l diversity

actually t u r n e d o u t t o b e a r e f r e s h i n g a n d s t i m u l a t i n g asset. T h e c o n t r a s t i n g styles

y

Helena

s i t i o n s t o realist r e p o r t a g e s . T h e p i c t u r e Ă&#x201A; of ø o students semi-conscious on a Ă&#x192;Ă&#x201E;Ăš s o f a after a n i g h t at t h e u n i o n l almost

Ă&#x2021;Ă&#x160;Ă&#x192;

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c o n t e m p o r a r y f o r m o f art. A s t h e a u t h o r

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