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KEEP T H E C A T FREE The Students'
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s An enthusiastic applicant is sought for the post of Sub Warden at Clayponds Village, from mid May 1999. Clayponds is a community of 309+ students (PG&UG) living in self-catering flats and houses and is situated in Ealing. Duties will include assisting the Warden in the pastoral care of students, promoting social life and good order in the village and some general administration.
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The post is open to substantive members of College and would suit someone with experience of pastoral care and a desire to live in a student community. If successful, the applicant will live in a rent-free studio flat in the village and will normally be resident in Clayponds throughout the year. Application letters should state why you want the post and the relevant qualities or experience you can bring to the team. Two referees should be given (including email addresses). This should be sent to Dr Mark Tyrer, Department of Materials, Royal School of Mines as soon as possible. Informal inquiries to: Dr Mark Tyrer, Warden 1017159) 46860 â&#x20AC;˘Jyrer@fcJCJk Mr Stewart Thompson, Assistant Warden [617159) 45451 stewaitthompsaH@lc.acjk Miss ioanne Christer, Sub Warden 61713518173 Ixhrlstertgicjejak
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New Scientists Lyndsey Clark Examines The N e w Face Of Science Fiction
Mi
y Ă? Ă&#x17E; Ă&#x; Ă h in ĂĄ â ĂŁ à ä ĂĽ ĂŚ â ç Ă&#x17E; ç y ĂĄ Ă&#x; ĂŁ ä ĂĽ a h a s
been
All t h e èäÊĂ?êçäĂ?ÊäÍĂ&#x;Ïä, ùòóô the þüäçĂ&#x; I ĂŚ â è Ă ĂĽ â à ä ç ĂŁ Ă&#x; è t i r o n y o Ă? ĂŽĂŻĂ° r e s t o r e d ! - The Faculty.
c a n h i g h s c h o o l i d e o l o g y o Ă? t h e 80s, a n d it's Sci-Fi t o o ! Ăś W h a t ĂĽ â ç e c o u l d y o u w a n t in a Ă? Ă&#x; ĂŠ ĂĽ I üáèt ĂĄ âãĂ? äè s here to b e i n g slightly biased o n a c c o u n t o Ă? t h e Ă? Ă&#x17E; ĂĄ t t h a t I a ĂĽ a è ä ĂŠ Ă? ĂŞ ĂĄ â ĂŁ Ă? ä è è ä d Sci-Fi nut. I'ĂĽ s u r e t h e r e a r e p l e n t y o Ă? y o u è ø ĂĽ ĂŚ Ă&#x17E; Ă Ăš Ă&#x; è ä ç s o u t t h e r e b u t , l e t ' s Ăş Ăť Ăź e it, IC Is a p r e t t y u n i q u e p l a c e i n èâüe ýÞýÿ
respects. With
The
g has h a p p e n e d
' C o o l ' l i k e Babylon
è â ĂĽ ä Ă Ăš Ă&#x; ĂŁ g truly
Faculty ĂĄĂ&#x;ĂŞĂ? i h a s
ä å â ü e cool. Not
5 or N e w Labour, but really c o o l
like U r b a n S p o r t s w e a r o r ' U t i l i t y C h i c ' . Like ü â è t S c i e n c e F i c t i o n , o � c o u r s e t h e r e i s n ' t a s c i e n t i s t t o b e � â á ã d i n The Faculty. it's t h e k i d s w h o
A n d oĂ? course
s a v e t h e d a y (their
knowledge
g l e a n e d Ă? ç â ĂĽ èåĂ&#x;ĂŞĂ? i ĂĽ â ĂŹ Ă&#x; ä s o Ă? t h e p a s t ) .
But
even
w h e n Ă? Ă&#x; ĂŠ ĂĽ s h a v e s c i e n t i s t s in Ă Ăš ä ĂĽ , è â ĂĽ ä Ă Ăš Ă&#x; ĂŁ g h a s c h a n g e d recently. Just w h e n w e w e r e g e t t i n g u s e d to è â ĂĽ e nice, ĂĄ â ĂĽ Ă? â ç Ă Ă&#x17E; ĂŠ y p r e d i c t a b l e , s t e r e o t y p e s , there springs a n e w b r e e d oĂ? ĂĽ â ĂŹĂ&#x; e scientist.
e
p e o p l e t h i n k t h e s e r e p r e s e n t a t i o n s oĂ? scientists a n d s c i e n c e in p o p u l a r c u l t u r e c o u l d a c t u a l l y Ă&#x17E; Ă? Ă? ä ĂĄ t o u r choice oĂ? career a n d w h e t h e r to
ä å â ü e 'real' sci-
e n t i s t s or n o t . S o w h a t is t h i s Ă&#x; ĂĽ Ă&#x17E; e t h a t ' s s u p p o s e d Ăś to be p e n e t r a t i n g our s u b c o n s c i o u s C l a s s i c n a r r a t i v e t e n s i o n in t h e character driven stories a n d
pull
between
plot driven o n e s
has
a l w a y s b e e n g l a r i n g l y a p p a r e n t in Sci-Fi. W e e i t h e r g e t g o o d r o u n d e d c h a r a c t e r s a n d really p r e d i c t a b l e p l o t s , like t h e F r a n k e n s t e i n t h i n g i n Jurassic sic i n v a s i o n i n Independence
Day.
Park or t h e c l a s
r w e get g o o d
a n d o r i g i n a l s t o r i e s b u t w i t h Ă?ĂŠĂ&#x17E; t a n d ĂŠ Ă&#x; Ă? ä ĂŠ ä è s c h a r a c ters. T h e Ă? â ç ĂĽ ä r a p p r o a c h , c o n c e n t r a t i n g o n c h a r a c t e r , is a ĂĽ â ç e r e c e n t ĂŚ Ăš ä ĂŁ â ĂĽ ä ĂŁ Ă&#x17E; .
ár new
breed
o è ĂĄ Ă&#x; ä ĂŁ Ă Ă&#x; Ă? Ă&#x; c h e r o is a ĂĄ â ĂĽ ĂŚ ĂŠ ä x c r e a t u r e , ç ä Ă? ĂŠ ä ĂĄ Ă Ă&#x; ĂŁ g its l i n e a g e as ĂĽ á ĂĄ h as it r e b e l s a g a i n s t It. It is n a t u r a l that Sci-Fi a n d t h e s c i e n t i s t s w e Ă? Ă&#x; ĂŁ d t h e r e e v o l v e a s s c i ence advances and our society's attitudes change.
driven plots a n d towards character driven o n e s . Tw o
o b s e s s i v e l y r e c y c l e s a n d p r e a c h e s at o t h e r s t o d o t h e
þ�à är t h e u p s a n d d o w n s o � t h e d i s c o v e r y a n d u s e o�
r a t h e r i n t e r e s t i n g r e c e n t ä ĂŤ Ă&#x17E; ĂĽ ĂŚ ĂŠ ä s a r e Jurassic
è Ă&#x17E; ĂĽ ä . H e is t h e o n e w h o is ĂŹ ä Ăš ä ĂĽ ä ĂŁ Ă ĂŠ y a g a i n s t t h e
nuclear w e a p o n s , scientists è á � � ä ç ä d è â ü e really b a d
a n d Independence
p r e s s . But, t o o u r p o s t C o l d W a r
generation,
the
Park
use oĂ? nuclear w e a p o n s
Day.
ã e o� the üâèt interesting things about
Juras-
$%&%'()
while the president
and
y a r c k e e n . T h i s is n o t a n á ã å â ü ü â n c o u n t e r
sic Park is t h a t , a l t h o u g h t h e g e n e t i c i s t s a r e t h e b a d
r e a c t i o n to t h e i d e a that scientists a r c Ă&#x17E; ĂĽ â ç Ă&#x17E; l
â Ï ä ç ã ü ä ã às a n d not
guys, t h e r e are other characters w h o are also s c i e n -
r u i n e d ĂĽ Ă&#x17E; ĂŁ * Ă&#x; ĂŁ d by g i v i n g us the p o w e r oĂ? k n o w l e d g e
scientists. H e r o i s ü has å â ü e to be a s s o c i a t e d w i t h
tists. P a l a e o n t o l o g i s t s h a v e a l w a y s b e e n p r e t t y c o o l
in t h e Ă?Ă&#x;çè t p l a c e . N o w t h a t t h e p o w e r a n d c o n t r o l o Ă?
the s u p p r e s s i o n rather t h a n the use oĂ? n e w k n o w l -
by virtue o Ă? t h e Ă?Ă&#x17E;ĂĄt that d i n o s a u r s are c o o l , but t h e
nuclear w e a p o n s has p a s s e d out oĂ? the h a n d s oĂ? the
ü â è t I n t e r e s t i n g c h a r a c t e r h a s t o b e Dr Ian
Ă&#x17E;Êåâü.
s c i e n t i s t s , w e i n c r e a s i n g l y s e e s c i e n t i s t s as t h e c h a r -
A s t h e c h a o s ĂĽ Ă&#x17E; Ă Ăš ä ĂĽ Ă&#x17E; Ă Ă&#x; ĂĄ Ă&#x; Ă&#x17E; ĂŁ , G o i d b l u ĂĽ plays M a l -
a c t e r s w h o a r e a w a r e o Ă? t h e c o n s e q u e n c e s a n d try
c o ĂĽ w i t h o u t any oĂ? the usual stereotypes oĂ? ĂĽ Ă&#x17E; Ă Ăš -
to e n c o u r a g e restraint.
physicists h a v e
ä ĂĄ â ĂĽ e èâ ĂĽ ä ĂšĂ&#x17E; t Ă&#x;üÌâà äãà . Power,
w e k n o w , l i e s in t h e h a n d s o Ă?
edge.
á r h e r o s c i e n t i s t is a r e b e l a n d
ĂĽĂ&#x17E;ÏäçĂ&#x;ĂĄk
w h o rejects the èåĂ&#x;ä ĂŁĂ Ă&#x;Ă? Ă&#x; c a n d political institutions to d o w h a t h e (or w h y n o t e v e n
) t h i n k s is b e s t .
and
neither
äüĂ&#x17E;Ă Ă&#x;åè . While the geneticists Ă?âç e carelessly a h e a d
But t h i s is all a n a s i d e r e a l l y . W h a t w e w a n t t o
i n h e r e n t l y g o o d n o r e v i l , s o t h e r e is ü â ç e s c o p e � â r
with n o t h o u g h t Ă?âr the c o n s e q u e n c e s oĂ? ĂĽ ä Ă Ă ĂŠ Ă&#x; ĂŁ g
k n o w is w h a t ä Ă? Ă? ä ĂĄ Ă s all t h i s ĂĽ Ă&#x; Ăš t h a v e o n u s y o u n g
T h e s c i e n t i s t is n o w
üâçe
r o u n d e d c h a r a c t e r i s a t i o n in
ÚáüĂ&#x17E;n
and
is
ĂĄ Ă&#x;ĂŞ Ă? Ă&#x; .
with nature, M a l c o ĂĽ advocates caution and respect
S c i e n c e F i c t i o n , as a g e n r e , h a s b e e n � â ç å ä d t o c h a n g e in t h e lat e 1 9 9 0 s . W e h a v e a l r e a d y s e n t ü ä n
r the natural order oĂ? things.
, with the three heroes representing
w a s h e d into èåĂ&#x;äãà Ă&#x;Ă?Ă&#x; c careers, by t h e Ăš Ă&#x; ĂĽ s a n d Ă?Ă&#x17E;ĂŁ Ăś c i e s o Ă? p o p u l a r c u l t u r e P e r s o n a l l y , I t h i n k it's p r o b a b l y
ĂĽĂ&#x;ĂŠĂ&#x;Ă Ă&#x17E; ç y a n d s c i e n c e . T h e scien tist in
t o o early t o tell. W e , Ă&#x17E; Ă? à ä r a l l , a r e c h i l d r e n o Ă? t h e e i g h t -
G o l d b l u ĂĽ a n d dis-
i e s a n d c h o s e t o start d o w n t h e t r a c k t o a s c i e n c e
Day p r e s e n t s a t r a d i t i o n a l ü â à ä l
Independence
i n t o s p a c e , � â á ã d n o little g r e e n i n v a d e r s o n M a r s ,
o
t h e Sci-Fi
âÏäçãüäãà ,
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released the p o w e r oĂ? the Ă&#x17E; à â ĂĽ , a n d c l o n e d living
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set in t h e p r e s e n t d a y w i t h t e c h n o l o g y w e c a n e a s -
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Ă? Ă&#x17E;ĂĄ t t h a t h e e n c o u n t e r s è â ĂĽ e i n c o n v e n i e n c e in s a v -
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save
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ä � â ç e this n e w b r e e d o� s u p e r s e n s i t i v e sci-
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Ă&#x161;Ă?Ă&#x201C;Ă?Ă&#x;Ă?
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,
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Ă&#x201D;Ă&#x201C;Ă&#x2014;Ă?Ă&#x2DC;
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.
N a u g h t y by Nature arrived, v i a the Ă&#x201D;Ă&#x161;
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ÚÎĂ?Ă&#x161;Ă?Ă?Ă&#x2022;Ă?
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Ă?Ă&#x201C;Ă?
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Ă?Ă&#x2022;ĂŁ
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racing
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like
Gran
.
w
EA t h o u g h h a s t a k e n t h e risk
ity t o h i g h a n d l o w s i d e t h e b i k e - c r a s h
bles
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a n d tried t o p r o d u c e a { y e g r o w n up
in s p e c t a c u l a r w a y s t o t h o s e n o t in t h e
z y { z s a x t n o t t o start l e a n i n g i n t o
ing their legs r o u n d h u g e
{y|y e } { z . Based o n the {y e
k n o w - is e x c e l l e n t
t h e c o r n e r s in { } | .
z z x z r s u p e r b i k e s e r i e s rather t h a n t h e
h a s r e a l i s e d that a b i k e d o e s n o t x y y w
h a l x litre 2 s t r o k e { } z s k n o w n a s
t h e } { e h a n d l i n g p h y s i c s as h a l x a car.
their b o n e s - very very c l o s e c o n t a c t .
G r a n d Prix b i k e r a c i n g , t h e } { e e c h o e s
z n t h e throttle up s u d d e n l y t o o s o o n
Short o
t h e ¥ y { a o n e style o car } { z s rather
in a c o r n e r a n d t h e b a c k w h e e l w i l l l o o s e
d o as t h e control { z | y d o
t h a n t h e { y e o p e n play o
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w rstsuv , t h e taste o hospital x y y d a n d t h e w x z z l o { z | } l In v e r y c l o s e c o n t a c t w i t h w
volunteering
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r t h e British
{ } z d s p a c e x t p r o g r a { t h o u g h w
w
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the Gran
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on a budget o
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there are very
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w
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w~
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w g o o d {y|y e racing } { z s
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with M a n x
l s i z e a r c a d e racer in t h e a v e r a g e s t u -
suddenly
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cornering
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w~
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r in this b i k e r s h e a v e n a n d
s h o r t o a l s i z e d r e p l i c a it w i l l h a v e t o
w
choice -
play, a n d t o p r e v e n t z { } z t
{ e
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nerve
perhaps
there
s h o u l d b e a w a r n i n g to turn t h e reaction settings d o w n to a { { { .
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u p t o its h i g h e s t
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you
g r o w n u p . I only there w e r e p e o p l e to
graphics
arcade
when
T h e x y e x z z } k j o y s t i c k is a l s o catered
and
T h e r e is an
a c t i o n that b i k e s p r o v i d e , w h y a r e t h e r e
sponsors so kindly d o n a t e d
{ } e with a g o o d card a n d kick t h e
taking.
r o n c e lets k e e p t o t h e s t r a i g h t
and narrow).
w
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Æ w~ r o n c e a d e s i g n e r
about
w
r a c i n g style,
and
and
start t o x z z l t h e
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gravel
rash
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the
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while
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g o g g l e s . T h e n p e r h a p s it w o u l d b e p o s -
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while, while
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b a d . W i t h EA S u p e r b i k e c h a l l e n g e t h e
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just b e h i n d t h e
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y o u a w h o l e { | |y z y c a r p a r k o n e w
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t o r e l a u n c h t h e o r i g i n a l v e r s i o n in b u d -
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ago
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the
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r the t w o w h e e l x z . The }{z s o
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park
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t a n d interesting { y .
ster,
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the Ú{z -
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but
h a v e s a i d is j o b a s in b a n k j o b , b l o k e j o b
can
t h e s e cars x y y w t h e o r i g i n a l ' w e d o n ' t
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syste{ o
p a r t i c u l a r l y w a n t a l a r g e writ x y { G e n -
thing to d o with b l o w i n g things u p but
the
origi-
Grand
eral M o t o r s or Ford' t e c h n i q u e . T h e o l d
e v e n t h e s e p a g e s are not g o i n g to sink
nal
has
zxt A u t o w h i p p e d u p c o n t r o v e r s y w } { y g h u n d r e d s o E x pr e s s r e a d e r s all
J u g u l a r (Jaguar), n o w g e t { Ø z d in w i t h
t o that level.). T h e } { e s t r u c t u r e { t
| } x y { z d t h e streets into a series o
t h e C r a p i (Capri). W h i l e d r i v i n g x} t cars
well b e t h e } { e as GTA - US but the
areas connected
over t h e y { e counties. A } { e b a s e d
t h r o u g h t h e streets o
jobs, t h e voices a n d t h e cut s e q u e n c e s
o n robbery, { z r a n d drugs w a s never
t h e d e s t r u c t i o n d e r b y o n l y really b e g i n s
ä a r e all M i c h a e l C a i n e ã å s Fil { style
n o r t h - s o u t h a n d east-west r o a d s .
g o i n g to be a x} y |e } { y g
that
w h e n r u n n i n g } { y k driving a petrol
w i d e b o y . Even the police have d e v e l -
î§ïð§
c r o w d , z { } y b e c a u s e o t h e x} t
tanker, y | z{} |z r bus, or e v e n { y e
o p e d a c c e n t s that w o u l d h a v e sat r a t h e r
that t h e } { e r e l i e d o n d r i v i n g o n t h e
w o r l d t h e r e is n e v e r t h e z Ø | z { z t o
x n t h e o p e n t o p tourist b u s - a n d o n
n i c e l y b e t w e e n t h e x } { z s o t h e Italian
gangland
right a n d t h e y o n l y d i d that w h i l e o n t h e
y o u r zx t is a { z d x } t 5 0 0 a n d o n
J o b . A J o h n Barry s o u n d t r a c k in t h e b a c k -
x }{ z | y Ù z s or attacks o n the Q P R
way d o w n to the Bordeaux holiday cot-
t h e right is a p o l i c e car } | | z { | g t o r o a d
g r o u n d w o u l d } { y t b e t o o retro - a n d
t e a { b u s w i t h a rocke t l a u n c h e r - t h o u g h
t a g e . Luckily
block us.
p e r h a p s | } x y t h e r e is t h e s t e a d y
ä ã å s r a d i o style tracks that
i know a
strea{ o
as t h e i n s u r a n c e b o u g h t y { e
better
a n d keeps the excellent
} y { } y your {e
ridden
players. Also t h e z Ø | z { z t o
a x} t
payability
spree.
c h a s e t h r o u g h t h e streets o
. Who
s i o n . Úx | z r a rather { e
Ñ
w
w~
rthese people the expan-
sion pack GTA - London, takes y o u away
w
x y { t h e r o u g h a n d | { e o t h e states and into the g u n a n d y { b swinging London o
w
ÓÔÕÖ ×
the Ò
says t h i n g s a r e g e t t i n g { y e v i o l e n t .
w
L o n d o n is
w
,
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o
w
w~
o
w
t h e US ver-
little
johnny's
w
N o t i c e I said e x p a n s i o n p a c k . Y o u still
scooter
n e e d the original to be installed o n t h e
bosses
PC t o b e a b l e t o play. T h o u g h w i t h G T A
y { z | e a series o
2 o n its w a y , y { z y e surely is just a b o u t
s i o n s a n d carjack y o u r w a y
r o n e o the big
y o u }||z{ t
w
to
ÛÜÝ-
w
w
æ
xy | }|z y
{ h
w
w
by nice a n d { e
But h e y t h i s is { } e b e l i e v e x { n n o t t h e real p l a c e . In t h e real
w
killings
in
Chelsea
w
using
w x} s w o u l d n ' t { d as l o n g
w
w
London
as
y { z y w is lost w h e n y o u h a v e t o x t
have
t h r o u g h t h e g r i d l o c k o n t h e A 4 0 o n a Fri-
t r i e d , this is a L o n d o n
d a y n i g h t . It's a b a r r e l o { y z s g u v '
that n o o n e s o u t h o
and well worth p o p p i n g up west and
çèéêë ì
as t h e y
grid
w
d will r e c o g n i s e .
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w
treating yourselx to y { e violence a n d r o b b e r y t r e a c l e . , err r e a d e r s .
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