2021-2022 OUR 72ND SEASON!
DIRECTOR’S NOTE BOX OFFICE INFORMATION THERE ARE CURRENTLY THREE WAYS TO PURCHASE TICKETS 1. Online at VeniceTheatre.org 2. By emailing Info@VeniceTheatre.net 3. By calling 941.488.1115 We will re-open for walk-up sales later this season. No matter how you purchase, there are no additional fees. We do not hold tickets without payment. We accept VISA, MasterCard, American Express, and Discover. When purchasing you will be asked for your credit or debit card information. PHONE Box Office 941.488.1115 Education Department 941.486.8679 SINGLE TICKET PRICES vary depending on age, show series, time of year, and other factors. Current ticket prices for each show are available at VeniceTheatre.org. Tickets are non-refundable. SEASON PACKAGES Golden Ticket MainStage Pass MainStage Winter Pass X-Treme Pass Stage 2 Pass Generations Pass Adult and Youth
Writing something “clever and inspiring” for this playbill seems somehow inappropriate for the occasion. After a year filled with hard rhetoric, frustration, often sadness, and vitriol, I think we may just want to escape…if only for a little while. We can fall in love with everyone in a Maine “almost” town. We can laugh at the denizens of a north Florida trailer park. We can revel in the music of Fats Waller. We can relish a magical musical set in the French countryside. And we can feel, with a young girl, injustices in a small Alabama town. We can tap our toes with the music, shed a tear, or laugh out loud. We can love—again—where we are. We’re at the theatre, where the moments are just moments. There’s no re-wind button, no mute, no channel-changer, no pause button. It is ethereal, unique to just this group of people…here at this performance. It’s never exactly the same from day to day, night to night. This performance will never happen again. Thank you for being a part of the magic of live theatre. It’s okay now to tune out CNN and Fox, shut down Facebook and Instagram, and turn off your phone. Just relax and enjoy this show at Venice Theatre. Welcome back.
MURRAY CHASE Producing Executive Director
GIFT CERTIFICATES are available in a variety of denominations. GROUP SALES We will hold 15 or more seats for your group with a 10% deposit. The balance is due three weeks prior to the event. For more info contact Barbara Mullen at BarbaraMullen@VeniceTheatre.net. STUDENT PRICES Student ID is required to purchase tickets at the student rate. ADVERTISING Advertising opportunities are available in Venice Theatre’s printed programs, on the website, and on the digital screens in our lobby and auditoriums. For more info contact Dennis Berkery at 941.525.4079 or Dennis@VeniceTheatre.net. SPONSORSHIP To sponsor a production or a theatre program, contact Eric Watters at 941.584.0640 or EricWatters@VeniceTheatre.net.
2 Venice Theatre Shownotes
WELCOME TO VENICE THEATRE! Founded in 1950, Venice Theatre has thrived for 72 years as our area’s community theatre. With your patronage, our community’s support, and the tremendous time and talent of volunteers, Venice Theatre has become the largest community theatre per capita in the United States.
shownotes 2021-2022 Creative Direction
White Studios Harriett Hritz Kimberly McClure Publications Director
Rhonda Sudik Editor
Laurie Colton
CONTENTS 2 Director’s Note 4 President’s Note 4 Board of Directors 5 Advertising Directory 5 Season at a Glance 7 Our Staff 8 Audition Information
Contributing Photographers
Renee McVety Kelly Duyn Sandy Davisson Sean Priest Rhonda Sudik VT Volunteers Advertising Sales
Dennis Berkery 941.525.4079 Dennis@VeniceTheatre.net. Contact Venice Theatre
Venice Theatre 140 Tampa Ave. W. Venice, FL 34285 Phone 941.488.1115 Email Info@VeniceTheatre.net Venice Theatre is sponsored in part by
The Division Of Cultural Affairs Florida Department Of State The Florida Arts Council Sarasota County Tourist Development Tax Revenues Gulf Coast Community Foundation The Ehrhart Family Foundation
9 Volunteer 11 Meet Benny 12 Intermission 15 Education & Outreach 18 Teen Spotlight 23 Classes 25 aactWORLDFEST 33 Venice Theatre’s Next Act 39 Remembering Allan Kollar 42 Beyond Our Buildings 47 The Silver Foxes 53 Play Your Part 59 Encore!
Like us and follow us on
Facebook, Instagram,Twitter, and YouTube
SMOKEY JOE’S CAFE, 2018
Shownotes Venice 5
BOARD OF DIRECTORS OFFICERS President Laura B. Kopple
PRESIDENT’S NOTE
Vice President
Jean Trammell Treasurer
Lynn Crandall Secretary
Carroll M. Hunter DIRECTORS Phyllis Banks Neil Kasanofsky Carole Raymond Gar Reese Doug Taylor PAST PRESIDENTS 2011-15 Jean Trammell 2007-11 Lee Thacker 2005-07 Nancy Hoover 2000-05 Jean Trammell 1998-00 Cathy Linder 1997-98 Nancy Hoover 1994-97 Arthur Gallway 1991-94 Paul Carrier 1990-91 Allen Ocker 1989-90 Laurel O’Connor 1988-89 Rudy Dengel 1987-88 Jack Taylor 1986-87 Rudy Dengel 1985-86 Lee Linkous 1984-85 Jack Dundas 1983-84 Jack Taylor 1981-83 Jack Dundas 1979-81 Jack Taylor 1978-79 Ted Arliss 1976-78 Mo Smith 1973-76 Yvonne Pinkerton 1969-73 Mrs. Samuel Roth 1968-69 Mrs. Gene L. Green 1967-68 Mrs. Dorrie Yerkes 1965-67 Mrs. Gene L. Green 1964-65 Seymour Smith 1962-64 Mrs. Gene L. Green 1961-62 Robert D. Mahon 1959-61 Seymour Smith 1958-59 Edward W. Fanning Ill 1957-58 Christopher Magee 1956-57 Robert W. Pocock 1953-56 Raymond A. Piercy 1952-53 Dick Merrified 1951-52 E.H. Winslow 1950-51 Muriel Olds Dundas
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So…that happened. Can we just say that 2020 was a bad dream, didn’t exist, or put us into idle gear for a while? I guess not, but we can certainly wish it. Well, Venice Theatre is still here and, actually, stronger than before the pandemic. Thanks to you, we managed to maintain our entire staff (although with some salary reductions for several months). You came through with your treasure at a time Venice Theatre most needed it. We’re here because you did, and because you continue to do, that. Your continued support puts us in excellent shape to ramp up for a full season. With our talented artists already working on all the shows, we expect a dazzling array of quality entertainment throughout 2021-2022. We’re excited about and hopeful that we are going to be on the “other side” of that “bad dream.” Much has been happening while you were away. We’ve remodeled the Jervey Theatre, improving the look, comfort, and accessibility. We’ve remodeled much of the lobby and restrooms with more to come. We’re improving our design and technical facilities, and we’re designing the renovation of our newly-purchased arts & education building. You’re helping to make it happen. So, sit back, relax and enjoy. Welcome back to Venice Theatre!
LAURA B. KOPPLE President, Board of Directors
ADVERTISING DIRECTORY Abby’s On Miami
41
Affordable Golf Cars
18
Artist Series Concerts
43
Be Amazing with Al
16
Best Friends Automotive
8
Bogey’s Restaurant/Sports Pub
32
Café Venice
52
Cardinal Mooney High School
49
Cassariano Italian Eatery
43
Charlotte Players
52
Classic Creations
22
Côté France French Bistro
34
Cuisine on Call
32
Dean Painting
8
Devine’s Wine Bar
19
Digital Scoreboards
21
Dr Gregg Hassler
27
Drs Suleskey & Koewler, DPM
22
Dutchcrafters 40
SEASON AT A GLANCE
Season at a glance JUL/AUG/SEP
The Mel Brooks Musical Young Frankenstein
G2K ... Once Upon a Mattress An Act of God
Almost, Maine
The Mystery of Irma Vep - A Penny Dreadful OCT/NOV/DEC
The Great American Trailer Park Musical
She Kills Monsters - Young Adventurers Edition
Elephant’s Trunk Thrift Store
19
Farr Law Firm
24
Final Touch Frame & Gallery
55
Florida Cancer Specialists
31
Flynn’s on Venice Ave
16
FourThought Private Wealth
IFC
Fox Furniture
46
Garden of Eden Florist
36
Ain’t Misbehavin’
Generous Property
37
Lady Day at Emerson’s Bar and Grill
Gerzeny’s RV World
41
Gold Rush BBQ
10
Disney’s Beauty and the Beast
Gulf Coast Community Foundation 30
Assisted Living The Musical®: THE HOME for the Holidays A Christmas Carol JAN/FEB/MAR
The Last Five Years
Gulf Shores Realty
45
Habitat for Humanity Re-Store
37
Heitel Jewelers
20
To Kill a Mockingbird
Hill’s Kitchen & Bath Creations
43
Blackbird
Horse & Chaise Rentals Hotel Venezia Hough & Co, PA CPA
43 57 48
Hamlet
APR/MAY/JUN
Bugsy Malone A MIDSUMMER NIGHT’S DREAM, 2018
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ADVERTISING DIRECTORY Island Village Montessori School 41 Jacaranda Trace 46 James Griffith Salon 24 Jeffrey Hunek MD 16 John W Rothe CPA, LLC 50 Kitchen & Bath on the lsle 32 ® Laura B Kopple, Inc Realtors BC Lemon Bay Playhouse 50 Luna Ristorante 28 Made in Italy 38 Manatee Performing Arts Center 56 Montgomery Carpet 51 Muirhead, Gaylor, Steves, Waskom 16 Palm Printing 58 Richard Namikas, Au D 24 Ristorante San Marco 24 RTR Urology 1 Sandy’s Designer Clothing 14 Seed & Bean 20 Sharky’s/Fins 50 Schultz & Hill Foundation 22 SILL - Sarasota Institute of Lifetime Learning 44 Sommerville Financial Group of Raymond James 6 Spirited Away Art Therapy 28 State College of Florida 32 Stephenson Eye Associates 50 Superior Heating & Cooling 22 The Boone Law Firm 14 The Players Centre 57 The Salon of Venice 28 The Venice Chorale 54 The Venice Symphony 37 Theatre Winter Haven 32 Tidewell Foundation 13 Toale Brothers Funeral Home 14 Today’s Dentistry 10 Total Dentistry 38 Venetian Cleaners 60 Venice Avenue Creamery 14 Venice Community Concert Series 51 Village on the Isle IBC
OUR STAFF
MURRAY CHASE
LEADERSHIP Producing Executive Director
Murray Chase
Artistic Director
Benny Sato Ambush General Manager/Director of Diversity
Kristofer Geddie
DESIGN AND PRODUCTION Production Manager/Technical Director
John Andzulis
Assistant Production Manager
Alyssa Goudy Assistant Technical Director
MARKETING Director of Marketing and Public Relations
Laurie Colton
Brian Freeman
Publications Director
Assistant Technical Director/Master Electrician
Director of Advertising
Rhonda Sudik
Cindy Carruth
Dennis Berkery
Resident Scenic Designer
FRONT-OF-HOUSE
Tim Wisgerhof
Resident Music Director Michelle Kasanofsky Production Stage Manager & Props Mistress
Lisa Million
Resident Sound Designer
Box Office Manager
Barbara Mullen
Box Office Associate
Keith Patrick Kelley Front of House and Bar Manager
Jeff Hyde
Nate Blaweiss
EDUCATION & OUTREACH
Costume Shop Manager
Director of Education & Outreach
Maureen S. Demers
Sandy Davisson
Costume Shop First Hand/ Volunteer Liaison
Assistant Director of Education & Outreach
Brittany Hardison
Kelly Duyn
Lead Teacher and Silver Foxes Director
Brad Wages DEVELOPMENT Director of Development
Eric Watters
Deputy Director of Development
Camille Cline
Development Consultant
Paul Borgmann
Digital Development Associate
Luke Manual McFatrich
OPERATIONS Bookkeeper
Linda Mangold Volunteer Coordinator/Human Resources Director
Madeline McGrail Facilities Manager
Kim Kollar
Executive Assistant
Cara Herman
Event Coordinator/Benefits Coordinator
Lori Chase
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2021-2022 AUDITIONS
PRODUCTIONS
AUDITIONS
PERFORMANCES
Almost, Maine
JUL 25-26
SEP 24-OCT 10
The Mystery of Irma Vep
JUL 25-26
SEP 24-OCT 10
The Great American Trailer Park Musical
AUG 29-30
OCT 29-NOV 28
The Silver Foxes
SEP 13 (10 a.m.)
MAR 25-28
Assisted Living...Holidays
SEP 19-20 (4 p.m.) NOV 19-DEC 19
A Christmas Carol
OCT 3-4
DEC 10-20
Ain’t Misbehavin’
NOV 7-8
JAN 14-FEB 6
Disney’s Beauty and the Beast NOV 7-8
FEB 25-MAR 27
The Last Five Years
NOV 7-8
MAR 4-APR 3
To Kill a Mockingbird
FEB 6-7
APR 15-MAY 1
Bugsy Malone
MAR 6-7
MAY 20-29
Auditions begin at 7 p.m. Sun & Mon unless noted. All dates, times and shows are subject to change. Visit VeniceTheatre.org/audition for updated info, perusal scripts and to sign up.
8 Venice Theatre Shownotes
MEET MADELINE MCGRAIL
A CHRISTMAS CAROL, 2019
A PLACE FOR YOU We asked the newest member of our team, Artistic Director Benny Sato Ambush, what he finds special about Venice Theatre and why he believes you should join us. After his first couple of months on the job, here’s what Benny had to say about the benefits of volunteering and engaging with us.
Theatre is the greatest, most democratic of art forms because it can contain all the art forms. At its center is storytelling. And who doesn’t love a good story? Beyond the visible onstage actors, many unseen skills are necessary for the collaborative magic of theatre-making. Venice Theatre, a community theatre, truly involves the greater Venice community in all aspects of ‘putting on the show.’ Mentored by experienced professional staff, community volunteers are trained in a broad range of theatre-making skills: acting, singing, dancing, auditioning, improvisation, directing, set building, costume making, stage managing, and the like. We work with nearly all ages - from first graders to the forever young. Venice Theatre relies on these partnerships. Besides the fun involved, engaging with us can offer great benefits in all aspects of your life such as building the selfconfidence to present yourself confidently in public, honing your ability to focus, learning how to think quickly on your feet, solving problems imaginatively, strengthening your social intelligence by working with a diverse community of people, making choices, thinking originally and critically, exercising empathy, and perhaps most importantly, better understanding yourself and who you are. Said simply, community engagement at Venice Theatre is human development. Join us - we have a place for you.” Please go to VeniceTheatre.org/volunteer to learn about these opportunities and others, and to fill out an application. Performers interested in auditioning should visit VeniceTheatre.org/audition.
Volunteer Manager and Human Resources Director Venice Theatre has been part of my life since moving to Venice 43 years ago. Whether taking class, performing on stage, working backstage, or attending performances, Venice “Little” Theatre became home; a place of joy and safety to explore, express, and even escape the turbulence of life. The people in this community make VT home to so many. After years of traveling to pursue my education and explore various professional opportunities, I am honored to be back home as a full-time member of the theatre staff. What I love most is every day I get to connect with people who contribute their time and talents to the success of Venice Theatre. I get to hear their stories, learn from them, and become part of the VT story as each person adds another thread to the tapestry that makes us strong. On February 24th of 2020, I stepped into the position of Volunteer Manager and Human Resources Director. On Friday, March 13th the world came to a halt and has been ever-changing since. Due to the nature of my job, I was charged with leading the theatre’s Covid-19 Task Force. It has been a baptism of fire. Taking on the behemoth task of understanding and keeping current on the science behind the pandemic has been manageable only with the support of Venice Theatre’s leadership, staff, and a team of dedicated individuals from the community and medical field. The goal of the task force was and remains keeping everyone as safe as possible throughout the transition to this new paradigm we are living. My favorite quote has guided me through this time. Hungarian physicist, Edward Teller said: “When you come to the end of all the light you know, and it’s time to step into the darkness of the unknown, faith is knowing that one of two things shall happen: Either you will be given something solid to stand on or you will be taught to fly.”
Shownotes Venice Theatre 9
FIND US ON
YOUR AD COULD BE HERE! CALL DENNIS 941.525.4079 10 Venice Theatre Shownotes
MEET BENNY Benny Sato Ambush, most recently from Boston, MA where he formerly served as Senior Distinguished Producing Director in Residence at Emerson College, began working with Venice Theatre as Artistic Director in late July of 2021. At the time of this writing, he has already held two sets of auditions, cast and begun rehearsing Almost, Maine, taught several workshops, attended every show and student showcase we’ve presented, listened a lot, and cheered us on as we started our first full season since the pandemic hit. Our Producing Executive Director Murray Chase says, “Benny is a superb director. While here, he will direct two of our shows, as well as work to secure artistic quality and consistency across the board.” Benny became acquainted with VT when he served as an adjudicator for our 2014 and 2018 international community theatre festivals and will help in the planning of the 2022 festival set for June 20-26. (See more on p. 25) A veteran Stage Directors and Choreographers Society (SDC) director, institutional theatre leader, educator, published commentator and consultant, Benny has been Artistic Director of three theaters, two of them professional - TheatreVirginia and Oakland Ensemble Theatre - and has held leadership positions at several other prestigious arts organizations across the U.S. He says, “I am blessed to artistically helm a theatre for the fourth time in my career - thank you Venice Theatre! My skill set, expertise, and aesthetic were forged, tested, and honed by experiences in multiple regions across the United States. I have personally witnessed the special bond that community members have with the Venice Theatre, now in its eighth decade.” He has a BA in Theatre Arts and Dramatic Literature from Brown University and an MFA in Directing from the University of California, San Diego. In 2020, he was inducted into the College of Fellows of the American Theatre. Welcome Benny!
Shownotes Venice Theatre 11
INTERMISSION WHILE YOU WERE AWAY
On March 13, 2020 when it became clear that we would need to close our doors, we figured there’d be a few canceled performances and that we’d soon be back in business. As weeks turned into months, we adjusted the best we could to our new reality. One of our slogans over the years has been “Our Curtain’s Always Up!” We were not accustomed to being closed for more than a few days at a time. As we worked to stay motivated, creative and productive, downtime was used to reorganize and regroup. The costume shop and production team reimagined our spaces to work more efficiently and cleared the way for renovations to come. Kim and Kristina did lots of extra cleaning and disinfecting with the help of Medrep Technologies and Jantize America. Our costume shop volunteers sewed masks from home. Our Education & Outreach Department quickly pivoted to teaching virtual classes. Story time with Kelly and Terrance became a YouTube hit. We all learned how to zoom! CONTINUED PAGE 42
12 Venice Theatre Shownotes
14 Venice Theatre Shownotes
CHANGING THE LIVES OF GENERATIONS READ ABOUT VENICE THEATRE’S AMAZING EDUCATION & OUTREACH PROGRAMS
HONK!, 2019
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16 Venice Theatre Shownotes
MEET GRETCHEN
ROALD DAHL’S WILLY WONKA JR. SUMMER 2019
Gretchen Beaumier started taking classes at Venice Theatre at age 12. When she was old enough, she began working as a summer camp intern and for the last four summers has worked in the Education & Outreach Department as the Office Administrator. She graduated from UNC Greensboro in Spring of 2021 and returned to Venice year-round. Lucky for us, she’s getting even more involved at the theatre! Our young students are so excited that she’s teaching classes. Her level 2 middle school acting class filled up as soon as we offered it. Gretchen has a broad range of theatrical experience, from improvisation and directing, to stage management and technical theatre. When we were looking to hire a stage manager for this season’s Stage 2 production of The Mystery of Irma Vep - A Penny Dreadful, Gretchen stepped up to take the reins of this technically complicated and fast-paced comedy.
Venice Theatre is proud of its top-notch Education & Outreach Department where opportunities abound for children, teens and lifelong learners. Students of all ages can come to Venice Theatre to learn about acting, singing, dance, comedy, technical theatre, theatre history, and more. Our team of professional instructors offers new classes and workshops each fall, spring and summer. Community interest in our classes just keeps growing and the only thing limiting what we can offer is space, which is why we can’t wait until the grand opening of our Arts Education Center in the Summer of 2022! Check out the latest class schedule at VeniceTheatre. org/education or call our Education & Outreach office at 941.486.8679 to register for classes today. FOR MORE EDUCATION & OUTREACH ON NEXT PAGE
We asked her what she enjoys most about VT and she said without hesitation, “The community. Ever since I first stepped foot in the building at age 12, VT has been a welcoming and comfortable space. I love that I get to help students discover their passion for the arts in the same place that I did. It is incredibly exciting to watch students grow and thrive because of the support they receive here.” After missing one summer at the theatre due to Covid-19, Gretchen was excited to come back. “We’ve all had a loss of social interaction to some degree over the last year and a half, no matter our age. It takes a minute to get used to being back, but I’ve found the theatre setting to be the perfect place for students to reconnect and regain confidence.” If meeting Gretchen has you thinking about how you can get involved at VT, check out classes and volunteer opportunities at VeniceTheatre.org.
Shownotes Venice Theatre 17
teen spotlight Venice Theatre is fortunate to have teens in our midst who are talented, intelligent, and fun to be around. We are always looking for new ways to challenge our young people and keep them interested in the theatre. In recent years - at their request - we’ve strived to give our teens more opportunities to learn, grow, perform, and even direct. They’ve stepped up to help us develop programs like the Youth Production Company and the Teen Improv Troupe. They’ve taught us to become more savvy on social media. Each summer a group of middle and high school students work as interns for our education department. Add to this, the chance to be a part of SummerStock or the Technical Theatre Apprenticeship Program (TTAP) and we think VT is one of the coolest places for teens to hang out in Venice!
We have never been shy about giving teens an opportunity to shine. We have never been shy about giving teens an opportunity to shine. Kelly Duyn, now the assistant director of our Education & Outreach Department, was a recent high school graduate when Sandy Davisson invited her to teach her first class. Casey Trascik, now the head of the drama department at Venice High School, received her own high school diploma on the Venice (Little) Theatre stage because she was starring in a show and chose to miss her
18 Venice Theatre Shownotes
KELLY DUYN AND CASEY TRASCIK IN 2002
graduation ceremony. Eli Schildkraut was just 12 years old when he was hired to music direct his first show. In 2019 we commissioned him to write two new songs for our version of A Christmas Carol. He recently graduated from Berklee College of Music. We’re excited to see where his career will take him. Broadway would be no surprise. Many of our young folks get their start with us when they are as little as kindergarteners. Quite a few of them stay involved through middle school and high school. Several return during their college breaks to be in SummerStock or our annual production of A Christmas Carol. Often, they keep in touch even after they begin their careers, perhaps doing a show with us now and then if they live in the area. Sometimes, like Kelly, they come back to work for us. We can’t think of a better endorsement for our education programs!
SUMMERSTOCK STUDENTS WORK IN SCENERY FOR INTO THE WOODS
YOUTH PRODUCTION COMPANY In 2018 a group of young actors, with the support of the Education & Outreach Department, started a new program that allows them to spread their wings and rise to a new level of leadership in the organization. The Youth Production Company (YPC) is designed to: • create opportunities for high school age students to develop exceptional & unique portfolio material for college applications • create additional performance and technical opportunities for area youth • create an environment for students to create art on their own terms, where they are responsible for all aspects of the project • develop 21st century workplace skills (collaboration, communication, problem solving, and creativity). We are delighted to report that after a forced break due to the pandemic, YPG is regrouping and accepting new applicants to plan their next production. Interested? Contact Kelly Duyn at 941.486.8679 or KellyDuyn@VeniceTheatre.net.
SUMMERSTOCK Directed by Brad Wages, VT SummerStock is a challenging training ground for young actors pursuing careers in theatre. The program began in 2007 with an energetic production of Footloose! This past summer our young performers entertained audiences with the hilarious Mel Brooks Musical Young Frankenstein. Other summers have featured Broadway classics like Oklahoma!, Annie Get Your Gun and West Side Story; biblically-themed musicals like Jesus
Christ Superstar, Joseph and the Amazing Technicolor© Dreamcoat, and Godspell; historically important masterpieces like Cabaret; and contemporary fare like Zombie Prom and Urinetown. Auditions for our 2022 SummerStock program will be in April. Stay tuned! If you or a talented young person you know are interested in SummerStock, learn more at VeniceTheatre.org or call 941.486.8679. MORE EDUCATION & OUTREACH NEXT PAGE
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teen spotlight TECHNICAL THEATRE APPRENTICESHIP PROGRAM (TTAP) TRAINING THE NEXT GENERATION OF PROFESSIONAL THEATRE TECHNICIANS Lights! Sound Effects! Costumes! Venice Theatre’s Technical Theatre Apprenticeship Program (TTAP for short) teaches the craft of technical theatre to students from age 16 to adult. This two-year program is accredited by the Florida Department of Education. Students can get a competitive edge on college applications or even go directly into the workforce. TTAP graduates are eligible to become professional stage technicians with journeymen status. TTAP give students true hands-on apprenticeship experience. Apprenticeship is the oldest form of job training where apprentices work one-on-one with professionals in their area of expertise.
TEEN IMPROV TROUPE
Venice Theatre TTAP graduates are spread across the country and world. Several have returned to Venice Theatre to work as paid professionals with our design team.
Director Luke McFatrich invites students in grades 9 -12 to audition for our Teen Improv Troupe. The troupe meets once a week for 9 weeks each semester to explore popular improv games, techniques and concepts in a fun, fast-paced environment. No experience is required. Troupe rehearsals culminate in a ticketed performance in our Pinkerton Theatre.
To learn more about TTAP, visit VeniceTheatre.org or call 941.486.8679.
Go to VeniceTheatre.org/audition to find out when the next auditions are or call 941.486.8679 to learn more.
20 Venice Theatre Shownotes
22 Venice Theatre Shownotes
classes
MEET JULIE
LEARNING IS A PROCESS; IT NEVER ENDS. Such is the approach for Venice Theatre’s education programs. We offer a “no shortcuts,” high-quality theatre training program with top-notch, caring instructors. Whether you’re in kindergarten or a lifelong learner looking to brush up on your theatre history, auditioning skills, or try your hand at improv, Venice Theatre is ready to make a dramatic impact on your life. When the theatre had to close due to Covid-19, our Education & Outreach Department didn’t miss a beat. Director Sandy Davisson and her team transitioned to virtual classes, staying connected with our local students and reaching new ones as far away as Scotland. Class offerings vary from semester to semester but will always include acting classes for all ages and experience levels, musical theatre, and behind-the-scenes specialty classes for those who are interested in what goes on backstage. You can also sign up for one and two-day workshops in case a longer commitment doesn’t work for your schedule. Our most recent semester offered a total of 27 different online and in-person classes for every age group including auditioning, playwriting, directing, and more.
JULIE KULIN, DISENCHANTED, 2019
Julie Kulin has been volunteering, taking classes and performing with Venice Theatre since she moved to Florida from Erie, Pennsylvania over five years ago. In fall 2021 she added directing to her resume as Assistant Director of Almost, Maine. When Covid-19 hit, Julie stayed involved with the theatre by taking virtual classes with us each semester - cold reading for auditions, acting, directing, performance art, playwriting. When we were ready to start in-person classes this summer, we could count on Julie to be there. We asked her what kept her coming back to virtual and in-person classes and she explained, “I really enjoy the people. It is such a positive experience for me. The teachers are very encouraging as well as the rest of the class. I feel supported and free to grow as an artist in an environment that is so welcoming. I also have made some new and wonderful friends through my Venice Theatre classes. I am so thankful for them.”
STUDENTS REHEARSING FOR THE SPRING CLASS SHOWCASE
Julie’s favorite hobby is performing. You’ve seen her on our Pinkerton Stage in Blood Brothers and Disenchanted. Her turns as Pocahontas and Princess Badroulbadour were stand-outs. One of the biggest challenges for her due to the Covid pandemic was losing the chance to perform. Julie says, “But because of the innovation of the education department here at Venice, the zoom classes helped to keep me going during a hard time of isolation and loneliness. These classes kept me going during such an uncertain time, and gave me goals to work on as an artist as well as giving me something to look forward to every week.” Check out the latest schedule of in-person and virtual classes and register at VeniceTheatre.org/education or call 941.486.8679
THE ADULT IMPROV CLASS PRESENTS THEIR FINAL SHOWCASE
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24 Venice Theatre Shownotes
SAY YES TO AACT WORLDFEST REPRINTED FROM AACT SPOTLIGHT SEPT/OCT 2019
Kelli McLoud-Schingen is the Artistic/ Executive Director and founder of World Stage Theatre Company in Tulsa*. Her theatrical training was received at Aurora University, Roosevelt University the Oxford School of Drama. Kelli has directed for stages in The Netherlands,Chicago, and Tulsa and has performed as an amateur and professional actor in England, Chicago, Minneapolis, Houston, and Tulsa. *okworldstage.org
A FIRST-TIMER’S EXPERIENCE OF AACTWORLDFEST BY KELLI MCLOUD-SCHINGEN I’d like to tell you a story. 2018 was my first year joining AACT and I saw that aactWORLDFEST was going to be held later that summer. I registered right away - not because I knew what would happen at aactWORLDFEST, but exactly because I didn’t know what would happen. All I knew was that we were a new company and needed information on how to run the business. What better place to be than with others who are on the boards, technical directors, set designers, costumers, stage managers, actors, artistic directors, and more of community theatre! The fact that it was an international festival was a bonus for me. Our company is called World Stage Theatre Company and our mission is to give actors and audiences access to the world by telling multicultural, inspirational, and transformational stories that will connect our hearts CONTINUED NEXT PAGE
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There are performances that I witnessed last year that haunt me and minds with people, places, and ideas. Having an opportunity to attend aactWORLDFEST, where there would be actors and performances from all over the world, was so exciting to me that I simply couldn’t miss it! I have to tell you; the festival didn’t disappoint. I came to the festival alone but by the first workshop I had already met someone who has become a good friend and mentor, Steven Butler, Artistic/Executive Director of Actor’s Warehouse in Gainesville, Florida. Steven’s organization had already been around for six years and he was willing to let me know how he built his company. Our missions are similar, so he shared his organizational structure, show ideas, and how he selected the directors for his shows. The connection with him has proven so incredibly helpful that I feel so lucky to have met him. By day two I had become a super-fan of the play, Pichanga performed by Cristián Lopez and directed by Manuel Ortiz of Chile. Manuel Ortiz is the executive director and founder of the Latinamerican Theater Corridor. This seven year old theater platform has partners in Argentina, Brazil, Chile, Colombia, Spain and Mexico. The Latinamerican Theater Corridor is a network partner at the International Amateur Theatre Association IATA, the same organization where AACT participates as the National Center in USA. It seemed a no-brainer that we would connect with them. I mentioned to them both that one day I hoped to bring their performance to Tulsa, Oklahoma. And lo and behold, when I returned home, Manuel informed me that he would be performing at Texas Nonprofit Theatre’s Fringe Festival in Fort Worth, Texas, which was only four hours from Tulsa. So, I quickly got permission from my board to host them and to produce Pichanga in Tulsa only three months after
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aactWORLDFEST! I couldn’t believe it! The stars had aligned. Manuel and Cristián came to stay with my family for a full week. They facilitated a Documentary Theatre Workshop and two performances of Pichanga to critical acclaim! We promised that we would do more work together and Manuel has signed on to direct the first production of our 2019-2020 season. The show, She Like Girls, is a Playscripts play that I also found at aactWORLDFEST! There are performances that I witnessed last year that haunt me. I have dreams that I will also bring those shows to Tulsa someday: namely the performances from Argentina and Denver. So, let me go back to how I started this article - What do I get from aactWORLDFEST? Let me count the ways:
1 A bountiful network of community theatre professionals – both new and seasoned
2 Endless information and resources to help an organization survive and thrive
3 Friendly AACT staff and volunteers who are completely accessible, including the Executive Director Quiana Clark-Roland, who is really one of the most caring individuals I’ve met
4 A once in a lifetime opportunity to witness some of the most thrilling, provocative, and innovative international performances you will EVER see in one place
5 The opportunity to experience a well-oiled community theatre machine through the hosting theatre company
of aactWORLDFEST, Venice Theatre not to mention access to Lori and Murray Chase and Kristofer Geddie, major players at the company
6 And so much more! So, if you’re still on the fence wondering if you should attend aactWORLDFEST, just say Yes! I can promise you won’t regret it! Register today! (See page 29)
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What is aactWORLDFEST? A world-wide week-long community theatre festival in Venice, Florida, USA on Florida’s beautiful southwest coast.
Performances
Registration is open for aactWORLDFEST
Delight in performances from top-quality theatre troupes from around the globe. Many perform in their native language, but it’s easy to follow what’s happening because the language of theatre is universal!
2022 to be held at Venice Theatre
Workshops
week-long international theatre festival.
in Venice, Florida, June 20-26, 2022. Join the excitement of this world-wide
Enjoy a variety of learning experiences involving an array of theatre forms.
You will not be disappointed! Sensational
Fellowship
VeniceTheatre.org/international.
Delightful dinners, after-glow gatherings, impromptu drum circles, and “lobby gabs” make up the recipe for lifelong, global friendships!
festival packages are available at
Who can attend?
Anyone with a love of theatre! You’ll have the time of your life at this Festival in Paradise! Shownotes Venice Theatre 29
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VENICE THEATRE’S NEXT ACT WRITTEN BY CAMILLE CLINE, DEPUTY DIRECTOR OF DEVELOPMENT
VISION For generations, Venice Theatre’s profile has risen. Each year, it expands the scope, scale, and diversity of its performances. It casts locally and it seeks talent from all over the world. It answers the community’s demand for fresh stories as well as familiar favorites. Its staff challenges professionals and students to find their voice and nurtures their process in achieving it. Venice Theatre enjoys a reputation locally, regionally, and nationally without equal for the quality of its work. But its facilities have not kept pace. Venice Theatre’s Vision Statement highlights the goals that its staff and volunteers have met year after year, to the extent that only one item remains: Facilities that provide comfortable, accessible, and safe housing for all our activities. The Next Act Capital Campaign is set to reach that goal and achieve that vision. CONTINUED PAGE 35
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VENICE THEATRE’S NEXT ACT CONTINUED
ARTS EDUCATION BUILDING FLOOR PLAN
THE NEXT ACT: SPACE TO GROW When Venice Theatre purchased the Arts Education Center, formerly the Hamilton Building, with a $1,000,000 match gift from Dr. William H. Jervey Jr., in November 2019, Producing Executive Director Murray Chase’s dream of expanding Venice Theatre’s campus became a reality. “We’re ready for, and we need, the VT campus. It’s a campus where volunteers and artists rehearse and perform in one building, we build the productions in another building, and we teach theatre and life skills in yet a third building, one designed for education,” explains Chase.
alarm, and state-of-the-art workspaces for scene building, painting, and prop storage, thanks in part to a generous grant from the Selby Foundation. While Venice Theatre was dark, the Jervey Theatre in the Main Building was refreshed with new paint and carpet. The lobby bar and restrooms were renovated with more changes to come. GET INVOLVED:
• Did you know that 91 percent of Americans believe that the arts The 9,518-square-foot structure is primed for sprung flooring installation, are part of a well-rounded K-12 education? four roomy studio spaces, a green room, offices, conference rooms, • Research on creativity shows that Nobel laureates in the technical and storage facilities, and a reception area. sciences are 17 times more likely to be actively engaged in the arts than other scientists? “In the Main Building we have two legitimate classrooms. They are simply not enough. We can’t meet the demand of our students. The • Arts travelers stay longer and spend more? new Arts Education Center will accommodate classes first, from Our high-quality productions and education efforts work to ensure morning until night, from young children to seniors,” shares Chase. future generations will enjoy Venice Theatre. It is a world-class Director of Education and Outreach Sandy Davisson sees The Next campus for theatrical performances and outreach. As a registered Act as a bridge to secure learning environments and more specialized charity, our work relies on crucial support from individuals, help for individual students. “More space will allow us to broaden and businesses, trusts, and foundations. diversify our curriculum, offer more convenient times for classes, and As we open the Arts Education Center and make improvements to collaborate with a greater number of organizations,” she shares. the Main Building and Technical Arts Building in phases, we rely “More resources will allow us to expand teacher trainings. We have on donations from people like you to open, maintain, and develop a top-quality group of instructors, but we need to bring in experts the campus. We cannot make the impact we are planning over for continuing education of our group. We believe our teachers are the coming decades without our generous donors and volunteers, the heart of our department. They must be given what they need corporate partners, nonprofit counterparts, and community leaders. to succeed.” Davisson goes on to paint a picture of a future The Next Act Education Endowment and capital improvements will provide: Two tracks of classes in a newly formed Academy, a Creative Drama track and a Performance track, for those who seek to pursue a career in the theatre arts. To maximize a safe environment, the former ABC Liquor Store, now the Technical Arts Building (TAB), is being upgraded with water, air, fire
The new Arts Education Center will accommodate classes first, from morning until night, from young children to seniors. CONTINUED NEXT PAGE
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VENICE THEATRE’S NEXT ACT CONTINUED We are incredibly grateful to each and every one, including our Staff and Board of Directors, the Ehrhart Foundation, our own Silver Foxes, the Selby Foundation, Carole Freeland Raymond, Dr. Frank Bruno, the Dan and Shirley Gawne Family, Dennis and Ruthanne Neeser, Steve and Redenta Picazio, Gulf Coast Community Foundation, and the City of Venice. In the future, Venice Theatre must have the resources to ensure our visitors are treated to the most vibrant and professionally managed theatre possible. Supporting the capital campaign and the endowment is a critical component of achieving that assurance. Gifts to Venice Theatre provide significant support by allowing it to fulfill its mission as a well-regarded organization in our community. We invite you to visit our website, VeniceTheatre.org, to learn more about the ways in which you can actively support the theatre, whether it’s through: • Donations, monetary or in-kind • Becoming a Member, including the Benefactor Society starting at $10,000, the Platinum Society at $7,500, and the Gold Society at $5,000. Bronze Society and above also receive access to the Presidents’ Club during most weekend performances • Becoming a Patron • Becoming a Corporate Partner • Sponsoring a production, learning program, or facility
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• Remembering Venice Theatre in your will • Volunteering All proceeds go directly to supporting the work of Venice Theatre. We are extremely grateful to all our supporters. Whether you are new to giving or have a long history of philanthropy, consider Venice Theatre as you plan your philanthropic gifts for this and coming years. THE FUTURE What started as a single-story stage on an old basketball court has grown to a jewel in the crown that is Sarasota County. Patrons and learners from near and far will soon be able to study, socialize, and be entertained by the diverse productions in their customized venues for optimal enjoyment and education. As Venice Theatre grows, improvements to its scenes/lighting/sound, offices, workshops, prop shop, and box office will debut in later phases. Funds for the studios, scene shop, and other spaces throughout the three-building campus will grow to provide a hub for a whole new generation of acting, music, dancing, and art fans. Continued support from the local community and in-kind donations from theatre lovers is eagerly anticipated. Questions? Contact Camille Cline at Camille@VeniceTheatre.net or 941.539.8872 (call/text).
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REMEMBERING ALLAN KOLLAR
HI! I’M ALLAN! EVERYBODY SAY HI ALLAN!
“Allan Kollar was one of the funniest, most passionate, most enthusiastic people I’ve ever met...and one of the most talented. He was like a brother.” ~ Venice Theatre Producing Executive Director, Murray Chase “The Georgia-born actor and director always had a distinct Southern charm combined with a sense of rebelliousness and mischievousness. … When he was directing, you could count on experiencing a sense of adventure. And when he was on stage … you always knew that he was going to take good care of whatever character he played.” ~ Jay Handelman, The Herald-Tribune CONTINUED NEXT PAGE
AACTWORLDFEST, 2010
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REMEMBERING ALLAN KOLLAR CONTINUED On Aug. 29, 2020 the Venice Theatre family suffered a huge loss. Our Artistic Director Allan Kollar battled cancer for six months before dying at the age of only 56. Because he was ill during the time of Covid, not many of us were able to spend time with him in his last months except for participating in a few drive-by parades past his house where he came out on the front lawn and - true-toform - entertained us. Allan missed the chance to see the theatre re-open after the pandemic; and now that we are producing again, things aren’t the same without his strong, quick-witted, passionate and compassionate presence. We’ll have no more curtain speeches that begin with “Hi, I’m Allan. Everybody say Hi Allan!” and end with, “In case of an emergency, proceed calmly to the nearest exit and I’ll meet you at Bogeys.” Hired by Producing Executive Director Murray Chase, Allan worked full-time at Venice Theatre for 22 years. He was integral in raising the theatre’s stature in our community, as well as nationally and internationally. Allan was the creator and driving force behind many innovative projects including: • Modernizing and computerizing the box office • Establishing the bar as a licensed business • Establishing and growing the concert season • Establishing and growing the annual cabaret festival • Establishing and growing the annual NYC trip • Establishing and nurturing the sister theatre/mentor program with Artists Collaborative Theatre in Kentucky.
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Using his exceptional ability to work well with all types of people, Allan oversaw the growth of the theatre’s volunteer force, the programming for the volunteer parties, the establishment and growth of the acting intern program, and the growth and management of the production staff. He is remembered for the heart and soul he brought to his work. He is remembered by the friendships he cultivated in the theatre community. He is remembered by hundreds of actors who worked under his mentorship. He taught, he encouraged, he listened, he made us laugh, and he always put on a good show. In addition to being an accomplished director he was an award winning actor, both dramatic and comedic, who was a delight to work with and watch on stage. About acting with Allan, Murray says, “He had the fastest mind I ever knew. You could throw any curveball at him and he would handle it with ease. But you never knew what he would throw back at you.”
He taught, he encouraged, he listened, he made us laugh, and he always put on a good show.
MURRAY CHASE AND ALLAN KOLLAR IN GREATER TUNA, 2006
On July 27, 2021 - what would have been his 57th birthday - over 200 people gathered in the Jervey Theatre to celebrate Allan’s extraordinary life. Even more joined us online. Allan’s wife Kim graciously welcomed everyone to the theatre, cried a little, and laughed a lot more as she told a hilarious story or two. Allan’s brother, Eric, Reverend Evan Farrar, and Murray Chase shared remembrances. Video greetings were shown from George Grove of the Folk Legacy Trio and Stephanie Richards’ team from the Artists Collaborative Theatre in KY where Allan spent many summers as a mentor. A group of singers shared a beautiful rendition of “Walk with Me” from The Full Monty, one of Allan’s favorite musicals. The celebration closed with Kristofer Geddie and Brad Wages leading the crowd in a rousing rendition of the “Time Warp” from another favorite musical - The Rocky Horror Show. A reception followed at Sharky’s On the Pier with food generously donated by owner and friend of the theatre, Mike Pachota. Dozens of friends, colleagues and family members reminisced in the perfect Florida weather until after the sun went down over the Gulf. It was hard to say goodbye.
AACTWORLDFEST, 2018
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INTERMISSION CONTINUED FROM PAGE 14
EDUCATION & OUTREACH CONTINUED FROM PAGE 21
beyond our buildings
Venice Theatre loves to share the joy of live theatre with our community. Our programs are making a dramatic impact at schools, assisted living facilities, and other non-profit organizations in Venice and the surrounding area. We meet you where you are. Through programs such as Troupe In A Trunk, our Teen Improv Troupe, The Silver Foxes, and our TheatreMatters! partnership with Boys & Girls Clubs, we see firsthand how the arts make a difference in people’s lives. The Silver Foxes (see p. 47) can attest to the physical, cognitive, social and cultural benefits that come with performing. Students with intellectual and developmental disabilities build confidence, life skills, and experience the joy of performance through our Dynamic Drama classes.
In April of 2020 you supported us during the online Giving Challenge donating a remarkable $96,035.50. Because of matches offered by The Patterson Foundation and Dr. William H. Jervey Jr., that total grew to $288,106.50! In the fall of 2020, we were able to produce some small-scale live shows with strict safety protocols. Kristofer Geddie and Michelle Kasanofsky reopened the theatre with a cabaret called “Hope.” Lori and Murray Chase starred in A.R. Gurney’s Love Letters. Laurie, Candace and Kim performed The Vagina Monologues directed by Murray Chase. A few concerts and cabarets were added to the schedule, but after Dwight Icenhower performed an intimate tribute to Elvis, we had to shut down again as Covid cases rose.
These programs create performance opportunities outside of traditional theatre, bringing the community into the theatre and the theatre into the community! Please read on to learn more about VT’s outreach programs … theatre with a heart.
VOLUNTEER RITA MAZER WITH TROUPE IN A TRUNK AUDIENCE MEMBERS
In the winter and spring of 2021 we continued to teach, improve our spaces and raise funds. Under the leadership of Producing Executive Director Murray Chase and our board of directors, we kept our staff in place to be ready for when we could open again in April of 2021. It was then that Kiley and Casey Berkery wowed us with the musical john & jen. A few more concerts and cabarets kept us going through the beginning of May and then we closed for two months to begin renovations. The Jervey Theatre got a makeover with a beautiful new coat of paint and new carpeting. But before the carpeting could go in, all the seats had to come out! Add to this new bathrooms and a new bar and our main floor is looking great. We have many more renovations and plans to come as part of our Next Act Capital Campaign which you can learn more about in the pages of this program. Thank you for sticking with us during this challenging and exciting time!
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BOYS AND GIRLS CLUB THEATRE MATTERS! IN ACTION
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EDUCATION & OUTREACH CONTINUED FROM PAGE 21
beyond our building
THE BOYS AND GIRLS CLUB THEATRE MATTERS
First through fifth graders at the Robert and Joan Lee Boys and Girls Club can participate in our theatre arts program, THEATRE MATTERS! The program develops each student’s individual talents and skills. It also teaches them to work as a team. This increases their problem-solving skills and improves their presentation and communication skills. If you know a student who would benefit from THEATRE MATTERS!, contact The Boys and Girls Club at 941.485.7050. SCHOOL-TIME PERFORMANCES For the past several years we have invited area teachers, home school parents, and their students to enjoy and learn about theatre together. There’s nothing more exciting to us than when our building is filled with young people – many of them seeing a play for the first time. They
44 Venice Theatre Shownotes
never fail to become engaged in what they’re watching. We see it in their faces, hear it in their laughter and applause, and notice it in the questions they ask after the show. Our school-time productions have core-curriculum and social connections for students of all ages. The theatre provides teachers and students with tools to explore these wonderful stories. If you would like to learn more about bringing your students to a school-time performance, or would like to help defray the costs of this program with a donation, please contact Kristofer Geddie at KGeddie@VeniceTheatre.net. TROUPE IN A TRUNK We want as many young people as possible to experience the excitement of live theatre. With that goal in mind, each spring a small cast of volunteer actors rehearse an original play, pack their costumes and props in a trunk, and head out to area schools. Troupe in a Trunk is fun, but it’s also a powerful teaching tool. “Troupe” scripts have an educational theme and teachers are provided with study materials prior to performances.
For more information about how Troupe in a Trunk can perform at your school or to audition for this year’s play, call Kelly Duyn at 941.486.8679 or go to VeniceTheatre.org.
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RETIREMENT NEVER LOOKED SO GOOD!
THE SILVER FOXES
the silver foxes The Silver Foxes are a professionally-directed volunteer troupe who have been bringing entertainment to the area for almost 30 years. These young-at-heart performers act, sing and dance at venues all around the community. Their reputation has spread far and wide with booking demands continuing to grow. Each March they bring a fullscale production to our MainStage Jervey Theatre, led by their beloved director, Brad Wages. Check your calendars now and get your tickets for their 28th Annual Extravaganza - “Broadway for the Chill of It” March 25 – 28, 2022. Tickets are $25 and should be purchased early at VeniceTheatre.org or 941.488.1115. JOIN THEM If you’re over 50 and have a penchant for acting, singing or tap dancing, think about becoming a “Fox.” Auditions are held each fall. More information is available at VeniceTheatre.org/SilverFoxes. If you’re not a performer, there are opportunities to help in all areas of theatre including technical assistance with sound, backstage volunteering, and assisting in the production of shows.
SOUNDS OF THE CITY, 2019
HIRE THEM The Silver Foxes roadshow performances are perfectly suited for community centers, clubhouses and any venue where there is access to a dance floor. The troupe will provide an entertaining, humorous and delightful selection of songs, skits and tap dancing that will enchant your audience. You’ll want to make their show an annual event! To book them contact Sandy Davisson, Director of Education & Outreach at 941.488.1115 x.224 or SandyDavisson@VeniceTheatre.net.
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PLAY YOUR PART
G2K... ONCE UPON A MATTRESS, 2021
As the saying goes, “There are no small parts, only small actors.” To continue making a dramatic impact on all stages of life, Venice Theatre needs you to play your part. If you are reading this, you’re already playing a significant part by being in the audience. No play is complete without you!
MORE WAYS YOU CAN PLAY YOUR PART:
• If you enjoy the show, tell your friends • Join us for a Behind-the-Curtain tour • Volunteer • Give to our annual appeal • Become a member of the President’s Club. Membership begins at the $1,000 donor level • Become a Corporate Partner • Sponsor a production, learning program, or facility • Remember Venice Theatre in your will. Visit VeniceTheatre.org to learn more about these opportunities. The perfect role is waiting for you!
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major gifts & sponsors Every year, Venice Theatre must raise approximately 28% of our yearly operating budget in contributed giving. Without the generous support of our donors, we would not have become the integral, enduring gem in the crown of our beautiful community for 70-plus years. You can play a significant part - a starring role, you might say - in carrying this long-standing tradition into the future. We invite you to join our growing list of major donors and sponsors. Beginning at the $1,000 level, you will be eligible to join the Presidents Club, an exclusive group for Venice Theatre’s most generous supporters. The Presidents Club members receive special privileges like a reception preceding select performances of our MainStage Series in the Jervey Theatre (The 2021-2022 Season includes Almost, Maine; The Great American Trailer Park Musical; Ain’t Misbehavin’; Disney’s Beauty and the Beast; and To Kill a Mockingbird) and complimentary beverages. RUTHANNE & DENNIS NEESER
Presidents Club memberships also include the Benefactor Society starting at $10,000, the Platinum Society at $7,500, and the Gold Society at $5,000. Learn more about how to join the Club by contacting Eric Watters at 941.584.0640.
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JOIN THE LEGACY CIRCLE
Gifts by Will and Trusts are among the easiest ways to make significant future gifts to the individuals and charity that matter most to you. Once you include a bequest provision in your will or trust for Venice Theatre, you will be welcomed to our Legacy Circle.
MAGGI TAYLOR
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OUR GROWING LIST OF LEGACY CIRCLE MEMBERS INVITES YOU TO JOIN THEM! • Fran Costa • Daniel Cole • James & Lynn Crandall • Cara Herman & Chris Cole • Bea Holt • Laura Kopple • Dennis & Ruthanne Neeser • June Novak-Bock • Darby Klein Park • Carole Raymond We are certain that there are more of you out there that • Maggi Taylor qualify. To be included in Venice Theatre’s Legacy Circle, please contact Eric Watters at 941.584.0640. • Eric D. Watters
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ENCORE! The Future. A prospect each of us faces on a daily basis. A prospect that is part promise, part peril; part excitement, part anxiety. And while many of us are content to let the future take its course - we are, after all, inherently optimistic - many others realize that by playing our part, we can shape the future rather than having it shape us. So it is with Venice Theatre. From its inception the theatre’s founders and leaders have looked to and planned for the future. The theatre has grown strategically, continuously - indeed, relentlessly. In doing so it has shaped individual lives and the life of the Venice community. And it has been able to do so through thoughtful planning and unyielding determination. In fact, it has shaped its future. Now an even more expansive future presents itself. With the purchase of the Arts Education Center, the conversion of the Annex to the Technical Arts Building, and a number of equipment improvements in the main building, Venice Theatre can create a future that will match the superb quality of its productions and education experiences. But we need your help. Please play your part in shaping this future - a future that will stimulate promise and excitement in both individual lives and in our community. The Next Act awaits. Places!
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