St John's Wood magazine August 2016

RIMOWA ELECTRONIC TAG

THE FIRST DIGITAL CHECK-IN SOLUTION FOR YOUR LUGGAGE.

The future of convenient travelling: RIMOWA Electronic Tag. Check in your luggage with your smartphone wherever you are and drop it off within seconds. Find out more at: www.rimowa-electronictag.com

Open Now RIMOWA Concept Store in the United Kingdom: London 153A New Bond Street

Illustration Tim Cooper

Celebrating craftsmanship throughout August

Rossana Flagship Store 17 Duke Street, Mayfair London W1U 1DL

Rossana UK ADV 420x297 HT50.indd 1

www.rossana.uk.com Tel +44(0)207 167 4717

HT50 design Massimo Castagna

06/07/16 17.08

a.d. massimo castagna / graphics enrico severi

CONTENTS August 2016

37

Regulars 10 Editor’s letter 12 Five minutes with...

Jess Schuring, founder of Heartcore on her fitness goals 14 The agenda August’s cultural round-up of events and exhibitions 60 True grit Soldier on through summer with uniform- inspired dressing 88 Food & drink news The latest restaurant openings and culinary highlights in and around north-west London

90

22 18

Features 18

A touch of frost Life in the spotlight with Sadie Frost as she prepares to return to the stage as Gypsy Rose Lee

48 Art and glory Meet the creative minds behind the 2016 Olympic Games’ official prints 70 The pace maker Times are changing at Jaguar as it enters the SUV market 90 Star quality Celebrated chef Merlin Labron-Johnson opens a new restaurant 98 Treasure island Adventure and relaxation on an island tour of Mauritius

26 22 Show time The show must go on this summer at Regent’s Park Open Air Theatre 26 Ahead of the game The Brazilian art and fashion designers putting Rio on the map

34 Collection

53 Fashion

79 Health & beauty

94 Travel

45 Art & antiques

75 Interiors

87 Food & drink

103 Property

N O T J U S T A N E W T V. A W H O L E N E W C AT E G O R Y OF TELEVISION.

OLED’s next generation pixel construction allows for unique screen architecture which is so light and thin it can be bonded to a transparent piece of glass.

This stunning television produces an incredible picture with infinite contrast that is complimented by an innovative sound bar stand that produces superb audio.

A masterful television from LG’s award winning OLED TV range. lg.com/uk/discoveroled

What the Experts Say

LG EC970V

WINNER TV OF THE YEAR

LG 55EG960V MAY 2015

B&D-LG-OLED-A4-SINGLEPAGE.indd 1

10/06/2016 16:31

editor’s letter

editor

From the A U G U S T 2 0 1 6 s i ssu e 0 0 3

Acting Editor Lauren Romano Assistant Editor Melissa Emerson Contributing Editors Hannah Lemon Camilla Apcar Jewellery Editor Olivia Sharpe Watch Editor Richard Brown Editorial Assistant Marianne Dick Brand Consistency Laddawan Juhong Senior Designer Daniel Poole Production Hugo Wheatley Jamie Steele Danny Lesar Alice Ford General Manager Fiona Fenwick Executive Director Sophie Roberts Managing Director Eren Ellwood

Proudly published by

RUNWILD MEDIA GROUP

6th Floor, One Canada Square, Canary Wharf, London, E14 5AX 020 7987 4320 www.rwmg.co.uk Runwild Media Ltd. cannot accept responsibility for unsolicited submissions, manuscripts and photographs. While every care is taken, prices and details are subject to change and Runwild Media Ltd. takes no responsibility for omissions or errors. We reserve the right to publish and edit any letters. All rights reserved.

DISTRIBUTION: The St John’s Wood Magazine is distributed in St John’s Wood and the surrounding areas

Members of the Professional Publishers Association

10

“Just to be remembered is good enough for me. Lots of people are forgotten.”

Sadie Frost Life in the public eye hasn’t always been easy for Sadie Frost, although the enigmatic actress with a film production company and directing and fashion designing credits to her name refuses to let her past overshadow her other achievements. Ahead of a new stage role playing showgirl Gypsy Rose Lee, she talks facing her critics, letting go of past failures and juggling family life on page 18.

Failure is not an option for Timothy Sheader, artistic director at Regent’s Park Open Air Theatre. Although he admits the only spanner in the works is the weather when we catch him during the rehearsals for Jesus Christ Superstar. Turn to page 22 to read about his mission to bring equality to the theatre experience and why the show must go on, come rain or shine.

Lauren Romano Acting Editor

On the

cover

Also published by

R u nwild M edia G ro u p

SADIE FROST, PHOTOGRAPHY © RACHELL SMITH. READ THE INTERVIEW ON PAGE 18.

luxurylondon.co.uk A website. A mindset. A lifestyle.

NOW OPEN 47 – 51 BROMPTON ROAD KNIGHTSBRIDGE

WATCHES-OF-SWITZERLAND.CO.UK

Regulars

5 minutes with...

Heartcore was sparked by a love for people, fitness and wellbeing.

The workouts are all designed to be effective, fun and challenging at the same time. It started with our signature method, the CoreFormers, and it’s still the workout we’re best known for. I plan to grow Heartcore into a global brand while enjoying life, love and being healthy.

few places at night that is full of life, light and love.

I like the more natural look.

My earliest London memory is calling Scotland Yard.

I begged them to help me find my dog – Mr Bojangles – who had just run away. I found him eventually.

I’m more of an early bird.

I love watching the sun rise. It’s one of the most beautiful and peaceful moments ever. As for evenings, I don’t really watch TV, but with someone else in charge I can easily be persuaded to indulge in a Netflix session.

Jess Schuring The founder of fitness studio Heartcore on the perks of waking up early and the advice she lives by

Warm bread with salted butter is another guilty pleasure. Although Lebanese cuisine and sushi are my two favourite food choices because of their clean ingredients. But if I had to be locked in a building overnight, I’d choose a bakery – it’s one of the

When it comes to make-up, I don’t wear much but I love Nars and Chantecaille and also Eve Lom products for my face. My closet is a real mix of rock, glam and hippy pieces.

It’s full of little to well-known designers on and off the high street that I find and fall in love with on my travels. I like to go on holiday anywhere where it’s warm, the sun shines and I can swim in the sea, but one of my top destinations of all time is the South of France.

I admire everyone in the sporting world. All are tremendous athletes no matter of their status, race or gender.

They teach us how incredibly powerful our bodies are and what we are capable of achieving with dedication, passion and one-of-a kind commitment.

It’s hugely inspiring.

studio images courtesy of heartcore

“I remind myself on a daily basis that I’m the one in charge and I’m the one who decides how I want to feel”

‘Be yourself and trust your gut feeling’ is one of the best pieces of advice I’ve ever been given. I remind myself on a daily basis that I’m the one in charge and I’m the one who decides how I want to feel and how I want to live my life.

Heartcore St John’s Wood, 27a Queen’s Terrace, NW8, heartcore.co.uk

12

s l u x u ry l o n d o n . c o. u k s

In the frame

literary itinerary

London rooftops by Victoria Filimonova

Just shy of its 80th anniversary, the Hampstead Photographic Society is celebrating another successful summer season with an exhibition of its best work. This month the club will take over the Peggy Jay Gallery at Burgh House for a week, when a diverse range of photographs by its talented members will be on show. Pop in to view the impressive landscapes, portraits and urban scenes shot by the society’s burgeoning shutterbugs.

3-12 August, New End Square, NW3, burghhouse.org.uk

The agenda Local news and events from in and around the area

northern lights

WORDS:REBEKAH DIXON

Jukana mana chuguna, jumujarra, two waterholes, 2010, Courtesy of the artist, Mangkaja Arts Resource Agency Aboriginal Corporation and the Rebecca Hossack Art Gallery

Water tight Rebecca Hossack Art Gallery transports visitors to the arid desert of indigenous Australia where the Walmajarri people have hunted out hidden water sources as a means of survival for generations. Jumu: Artists of Fitzroy Crossing presents a series of bright paintings of secret water holes

by Jukuna Mona Chuguna, which document the landscape and traditions of the tribespeople.

Until 6 August, 28 Charlotte Street W1T (with a group exhibition continuing throughout August at 2a Conway Street), rebeccahossack.com

Having conquered Britain’s interiors and fashion circles, the Nordics are making waves in the foodie scene too. Simon Bajada’s new book Nordic Light features easy-to-make recipes for light bites, with a focus on seasonal produce and Scandinavian cooking techniques. Learn how to whip up milk parfait, Icelandic flatbread served with cashew cream and caviar and flourless matcha millet and blueberry buns. £25, hardiegrant.co.uk

Paint or politics

EXHIBITIONS

Solo exhibition The Big Oil Splash by French artist Zevs – otherwise known as Aguirre Schwarz – opens at Lazarides this month. Zevs’ provocative critique of consumer culture is often manifest in distorted images and logos, and this series of paintings and sculptures explores the overreaching influence of the oil industry on foreign policy, tourism and banking.

Partly influenced by David Hockney’s 1967 A Bigger Splash, the work also reflects Zevs’ interest in Pop Art, comics and film noir.

Until 1 September, 11 Rathbone Place, W1T, lazinc.com Oil Painting, Esso, 2014, Mixed media on canvas

IMAGE CREDIT: Simon Bajada

Regulars

OUT & ABOUT

On the fringe The Camden Fringe Festival returns this month with more than 250 productions at 25 different venues across London. Opera, theatre, poetry and film screenings will be on offer, including an adaptation of Shakespeare’s King Lear in honour of the 400th anniversary of the Bard’s death and performances from the EDIFICE Dance Theatre, Benchmark Theatre Company and live comedic musician Simon David.

1-28 August, tickets from £5, camdenfringe.com

Cover artwork for the bfg (jonathan cape, 1982) © quentin blake

Smoke and mirrors

A sketchy business

The Lisson Gallery gets interactive this month with Performer/Audience/Mirror. The show takes inspiration from Dan Graham’s 1977 performance at De Appel Arts Centre in Amsterdam, where the artist created an immersive experience for his audience using mirrors. Don’t miss film screenings by 18 artists including Marina Abramovic and John Akomfrah.

Until 27 August, 52 Bell Street, NW1, lissongallery.com

Roald Dahl fans will be pleased to hear that the Quentin Blake Gallery at the House of Illustration is holding an exhibition of 40 original artworks entitled The BFG in Pictures. Initial designs that did not make the final illustrations for the 1982 book will be revealed for the first time to tie in with the recently released film animation.

Until 2 October, 2 Granary Square, N1C, houseofillustration.org.uk

Dan Graham, performance/ audience/ mirror, 1975 © Dan Graham, courtesy of the artist and lisson galery

Circle of life

Ron Arad Curtain Call by Mat Colishaw IMAGE CREDIT: Stuart Leech

s l u x u ry l o n d o n . c o. u k s

Internationally renowned artist and architect Ron Arad is the designer of choice for the fifth run of the Bloomberg Summer at The Roundhouse series, which opens this month. Curtain Call, a floor-to-ceiling art installation, will provide a canvas for films, live performances and audience interaction from artists such as Universal Everything, Christian Marclay and David Shrigley. The installation will mark the beginning of the venue’s 50th anniversary celebrations and will run alongside live music events such as the BBC Proms.

6-29 August, Chalk Farm Road, NW1, roundhouse.org.uk

15

Regulars

SPOTLIGHT The Koppel Project

Clockwise from top left: Second exhibition Wyrd Then - Weird Now, sculptures by Sol Bailey Barker; First exhibition Pandiculate! The Joy of Stretching, artworks by Harriet Poznansky and Katie Hayward; Literary Event inside the Vault Gallery; Helena Kennedy in Conversation with Koppel Project Artists; Phaidon at The Koppel Project

WHETHER IT’S IN a police station or a church crypt, galleries have a habit of cropping up in the most unlikely of places and The Koppel Project is no different. It’s made a home for itself in a decommissioned vault. The former Barclays Bank building on Baker Street has been transformed into a welcoming exhibition space.

“A gallery is an amazing community hub where people can come and have interesting conversations and challenge their ideas,” explains Gabriella Sonabend, The Koppel Project’s creative director. “A gallery shouldn’t be elitist, it should be democratic. Our model here is all about breaking down those barriers and finding a new audience.”

16

Accordingly, the light-filled communal space features a café with tables, often occupied by freelancers or office workers holding meetings over flat whites. The project is run in partnership with Phaidon (and houses the publisher’s only UK store) to host a free cultural program of writing residencies, book launches, and literary events. Recent highlights have included a talk by human rights lawyer Baroness Helena Kennedy and book signings by photojournalists Martin Parr and Steve McCurry.

Downstairs in the vault, the everchanging rota of exhibitions deals with storytelling and social engagement as a central theme. The summer season kicked off with a show about the refugee crisis, alongside a programme of workshops on displacement and dispossession. The current group exhibition, It’s Always the Others Who Die, curated by Hannah Thorne, promises an “uplifting apocalypse party of absurd clutter”, with work by artists Louise Ashcroft, Nicholas Abrahams and Nicholas Pankhurst.

“We’re trying to give something back to this area,” Sonabend concludes.

“Anyone can be a captive audience and everyone can contribute.”

It’s Always the Others Who Die runs until 5 September, 93 Baker Street, W1U, thekoppelproject.com s l u x u ry l o n d o n . c o. u k s

BOOK YOUR FREE CONSULTATION NOW

T H E S TA I R C A S E CO M PA N Y

At Jarrods Ltd, we can modernise your staircase, with very little disruption to your home. You will even be able to use your stairs while the refurbishment is taking place.

We are extremely proud of our bespoke designs and workmanship and we can match your staircase with the interiors of your home.

Whether it is traditional, classic or contemporary, we can modify your stairs and hallway from a simple thoroughfare, to an elegant, modern living space within your home.

We also design and create completely new staircases for those that are embarking on larger projects.

Refurbish your current Staircase

• Nationwide Service • 10 year guarantee • FREE design service • Truly bespoke designs and craftsmanship

in as little as two days.

Visit us at:

RW 18710 297x210 Jarrods.indd 1

jarrodsstaircases.co.uk

• We’ll be with you every step of the way

Call us on:

02920 529797

Institute of Carpenters

20/07/2016 16:52

image credit: rachell smith

interview

a touch of

frost As Sadie Frost prepares to return to the stage as infamous striptease artist Gypsy Rose Lee, she talks to Lauren Romano about life in the public eye

S

adie Frost is no stranger to a label: Jude Law’s ex-wife, Kate Moss’ best friend, founding member of the Primrose Hill set. These are just some of the tags that are often pinned to her by the tabloids, although they fail to do the mum of four, who is also an actress, producer and designer, justice. Not that she is likely to find herself in the spotlight these days – unless it comes rigged to a stage.

Those in any doubt as to what Frost actually does might like to cast an eye over her chameleonic CV. Her countless acting credits include her breakthrough role in Francis Ford Coppola’s 1992 film Dracula; in 2012 she set up a production company, Blonde to Black Pictures with friend Emma Comley, all the while steering her fashion label FrostFrench from administration in 2008 to success with two lingerie ranges now sold in Debenhams.

And she’s just about to start rehearsals for a 21-performance run of the Zoe Lewis’ Britten in Brooklyn. Set in New York in 1940, the play follows the bohemian lifestyles of real-life luminaries, including composer Benjamin Britten, authors WH Auden and Carson McCullers and notorious burlesque performer Gypsy Rose Lee, played by Frost.

“I can relate to Gypsy because I was in showbusiness from the age of four and grew up surrounded by lots of performers. I was always a real musical fan. I loved Hollywood and old film classics and Gypsy was one of my favourite characters,” Frost begins. “Gypsy is such a savvy, interesting person. When you’re in that world it’s difficult to grow up, so

s l u x u ry l o n d o n . c o. u k s

she’s quite childlike in a way, but also quite nurturing. She’s a real survivor, against all odds – she’s got to keep going.”

Frost hardly had a conventional childhood herself. Her parents, psychedelic artist David Vaughan, who worked with The Beatles, and his 16-year-old muse Mary Davidson, broke up when she was young, leaving her with nine half siblings.

Frost’s first taste of showbusiness came aged three, when she starred in a Jelly Tots advert. She seemed destined for stage school, but dropped out of the Italia Conti Academy of Theatre Arts after developing an eating disorder, instead completing her studies at Hampstead School.

Today she hasn’t strayed far from her north London roots.

Although she’s understandably guarded about her private life, she gives me the bare bones of life chez Frost. Home is Belsize Park where she lives with her three children from her relationship with Law (whom she met while filming Shopping in 1994, they married in 1997). As well as Rafferty, 19, Iris, 15 and Rudy, 13, Frost has another son, Finlay, from her previous marriage to Spandau Ballet guitarist Gary Kemp. “I’ve always lived in north London, so I don’t know much else. But it’s incredibly beautiful and leafy and residential, with really good schools. It serves me well.”

For a time in the ’90s, Law, Frost and their posse seemed to keep the magazine gossip columns in business, meaning that the highs and lows were played out for all to see. Frost was thrust into a media maelstrom following her divorce from Law, who left her for Sienna Miller in 2003. The full extent of the press’ prying eyes wasn’t seen until much later and last year Frost received £260,000 in damages for having

19

interview

frost with jude law

her phone hacked while married to Law. The intrusion must have taken its toll, but it’s not something she wants to dwell on.

Instead she has thrown her efforts into maintaining a stable family life and positive outlook. “When you have your children early you constantly feel like you have to justify yourself,” she admits. Not comparing herself to others has proved an effective coping strategy.

“I’m very lucky, I love my job and the people I work with. I think the key to happiness is accepting there are going to be things that are successful and things that aren’t and not to hold onto a specific job as being a failure.”

With rehearsals for her next role pending, Frost tells me she was drawn to the politically charged script for Britten in Brooklyn. “It presents such a fascinating view of the time and it’s still very relevant right now. The play

“It’s harder for women to get a role. It’s annoying, but you have to accept that it’s a very competitive industry” deals with immigration, racism, borders and people being displaced – issues that mirror what we’re dealing with in this day and age.”

The play is based on true events. Is it more daunting to portray real people? “Of course you worry about that, but there’s not that much footage of Gypsy so I have to read the words, and try to interpret her character. I’m not going to impersonate her – you have to feel the character as much as possible.” Part of this will include nailing her American accent. “I have put the work in. It doesn’t come to me easily,” she confesses.

She works hard at her well-being regime too.

Her secret to a youthful visage (an avocado face pack and a meditation sesh) appears in her 2014 health book Nourish: Mind, Body & Soul, and it must be working; at 51, Frost looks a decade younger. She organised a yoga retreat for her 50th (when Kate Moss famously got kicked off an easyJet flight on the way home). I push her on whether she feels pressured by the industry to stay young. “I think it’s always about adapting. Of course it’s harder sometimes for women to get a

20

this page:

in 2000

role. It’s annoying, but you have to accept that it’s a very competitive industry. Things are changing, but there isn’t loads of work out there,” she says eventually.

Whether or not it’s the fear of being an out of work actor, Frost has never been short of things to do. One of her proudest achievements was completing a masters in film studies last year, which she admits was a challenge. “When you’ve been working for a long time in a career that’s had lots of ups and downs, you’re happy doing whatever you’re doing. It’s always the process, not the end result that interests me,” she explains.

She stays on top of everything by being ruthlessly organised and setting aside a couple of days a week for the film company, another couple for FrostFrench and the rest for family and gym time. She insists keeping fit is the key to fighting exhaustion, which is just as well because her production company Blonde to Black Pictures is gearing up for a slew of screenings. First up there’s the American release of Buttercup Bill, followed by the premiere of another of her films, Set The Thames on Fire, in which she stars alongside Sally Phillips and Noel Fielding.

“Once Britten in Brooklyn is finished I’ll be working on the development and pre-production for two new films,” she says, “one set in America, and one here, so that’ll probably take up most of next year…” With all that on the horizon I think it might be time for a new label.

© Everett Collection; © Featureflash Photo Agency; © landmarkmedia; all courtesy of shutterstock

Britten in Brooklyn runs from 31 August – 17 September at Wilton’s Music Hall, tickets from £19, wiltons.org.uk

s l u x u ry l o n d o n . c o. u k s

DISCOVER THE NEW AUTUMN WINTER COLLECTION

57- 58 SOUTH AUDLEY STREET LONDON W1K 2ED + 4 4 (0) 20 7499 1801 PURDEY.COM

AW-Mayfair-Purdey-full page bleed menswear ad-19-7-16.indd 1

19/07/2016 09:36

show

time

Come rain or shine, the show must go on at Regent’s Park Open Air Theatre.

Lauren Romano meets artistic director Timothy Sheader to talk about getting stuck in the mud on stage and why Jesus Christ Superstar is harder to stage than Shakespeare

interview

All images courtesy of David Jensen

s l u x u ry l o n d o n . c o. u k s

23

T

imothy Sheader would have made a good boy scout. Robert Baden-Powell’s motto of ‘be prepared’ is not lost on the artistic director for Regent’s Park Open Air Theatre.

“We just don’t know whether it’s going to pour, whether the sun will be on our backs, or the wind in our hair,” he muses with a theatrical flourish as rehearsals for forthcoming musical Jesus Christ Superstar rumble on in the background.

“And all those things change how the actors perform and how we watch and listen to the play, so there’s complicity between the audience and the performer. None of us know how it’s actually going to end and that’s as close to the exhilaration of a football match as theatre gets.”

Unpredictability doesn’t begin and end with the weather forecast. Sheader is adept at throwing curveballs into the line-up. Ever since he took over from Ian Talbot, the artistic director for 20 years, in 2007, he has strived to make the theatre, and its offering, as inclusive as possible.

Back then the auditorium was largely known for staging Shakespeare, but the Bard has taken a backseat of late to make way for Oscar Wilde, Arthur Miller and Anton Chekhov. “Shakespeare is the playwright that’s most performed outside throughout the world, so it feels like he’s had a

good go at outdoor theatre,” he jokes. Of course, the 400th anniversary of Shakespeare’s death hasn’t gone unmarked. Last month Donmar Warehouse associate director Robert Hastie reimagined Henry V with Olivier award-winning actress Michelle Terry playing the warrior king.

Almost ten seasons in and it’s still unclear which other brave revivals Sheader has up his sleeve.

This summer Jesus Christ Superstar is sandwiched between Henry V and Pride and Prejudice, while early on in his tenure he staged The Crucible by Arthur Miller, which ended up attracting a whole new audience. According to the statistics 72 per cent of those who watched the play had never visited the theatre before.

“There is something about the theatre not having walls, or a roof, or plush velvet curtains.

There’s an equality about the theatre experience here,” Sheader admits. “It doesn’t feel perhaps as intimidating for some people on their first visit.”

We move onto the great bastion of British small talk: the weather, because there’s nothing quite like Mother Nature to sabotage your outdoor show with a thunder storm. “There’s a joy about live outdoor theatre that nobody knows the outcome, least of all me,” Sheader chuckles. Still, he’d probably try a sun dance rather than have a repeat performance of a couple of years ago when the multi-tiered stage in Sondheim’s Into the Woods nearly ended up sinking and the two stepsisters’ high-heeled boots got stuck in the mud.

Of greater importance to Sheader is finding the right play, not only to withstand the elements but the timeframe of an evening. Andrew Lloyd Webber and Tim Rice’s Jesus Christ Superstar fits the daylight to dusk bill. For this latest interpretation the emphasis will lie with the music, not the lyrics. “We’ve gone back to the

interview

concept album that the show was based on and we’re trying to stage a gig really. We’re calling it ‘gig theatre’,” he explains. As a result the casting net has fallen on singers so that the musical is delivered with a really authentic voice.

“We all respond to music before we respond to the spoken word. It’s always going to reach more people than the spoken word does.” Does he think musical theatre is much maligned? “Unless you’ve directed a musical you have no idea how difficult it is. It’s much harder than Shakespeare.

You have to understand and find the style and tone of three writers: the lyricist, the composer and the book writer and pull it all together, with the choreography, the acting, the singing, the dancing… it’s mammoth.”

Sheader set his heart on being a director at 18 after his acting abilities were called into question. “I realised I was just showing off,” he laughs. Drawn to the dramatic possibilities of the courtroom he did a law degree before changing his mind and landing a job as a trainee assistant director at the Orange Tree

Theatre in Richmond for £50 a week.

His first director’s credit at Regent’s Park was for Twelfth Night back in 2005. “I didn’t understand the rain, I didn’t understand the unpredictability,” he reminisces. He certainly didn’t think he’d still be here 11 years later.

When we speak the cast have yet to rehearse Jesus Christ Superstar on site and Sheader is gearing up for a four-day countdown from dress rehearsal to first performance. “There are lots of unknowns because the sets are so big. You can’t stage it until you get there so you have to hold your nerve,” he says. “It’s pressurised, but it’s a very exciting time too because you finally see it all coming together.”

And with that, right on cue, a grey cloud looms ominously overhead as Sheader excuses himself and hurries off back to rehearsal. I hope he finds Jesus (aka singer songwriter Declan Bennett) and prays for some divine intervention.

Jesus Christ Superstar runs until 27 August, openairtheatre.com

“None of us know how it’s going to end and that’s as close to the exhilaration of a football match as theatre gets”

s l u x u ry l o n d o n . c o. u k s

25

ahead of the

game It’s all eyes on Brazil this month, as Rio de Janeiro plays host to the 2016 Olympic Games.

Ahead of the event, five native designers tell Ellen Millard why their homeland has already won gold in the worlds of art and fashion

ADRIANA DEGREAS From Trancoso in Bahia to Ipanema in Rio de Janeiro, there’s no shortage of Brazilian beaches for swimwear designer Adriana Degreas to test out her designs, which are making waves on international shores

“Brazilian design encapsulates all things tropical. It is vibrant and full of life, while still being chic and sophisticated.

With my designs I like to keep things tropical with strong, vintage undertones.

Brazil has always influenced me: the sun, landscapes, beaches, colours and lifestyle all play a huge part. I am proud of my nationality and all of my collections have a little bit of Brazil in them. Brazilian women are very strong and passionate and have long been an influence and inspiration for my work.

My family has always worked in art and fashion. Growing up, I used to play in my grandmother’s vintage store and this

definitely sparked my love for fabric.

I wanted to become a designer because at the time everyone in Brazil was creating and exporting the green and yellow colours of the country. I saw a gap in the market and I decided to do the opposite, creating a colour palette of nude tones, which was something that the Brazilian beachwear scene had not really experienced until then. I think it will keep developing and we will see Brazilian design at all the major fashion weeks soon.”

Available at Matches Fashion, 87 Marylebone High Street, W1U, adrianadegreas.com.br

IMAGE CREDIT: Nicole Fialdini

feature

“Rio de Janeiro is the most cosmopolitan and international place in Brazil and is also one of the most beautiful cities in the world.”

JOÃO MANSUR Rio de Janeiro’s architecture has an interesting European flavour, says home-grown architect João Mansur, who is proud of the city’s cosmopolitan vibe

“During my teens, my father hired an important architect to make plans for our new family home. Once the project was done, I made a lot of radical changes that made the professional very angry, but my father very happy.

Coincidently, the same architect ended up being my architectural history teacher at university.

As I was born in Rio de Janeiro, all of my references come from a city that has European characteristics. There is a Parisian accent in the public buildings and the palaces and residences are mixed with the intense Portuguese colonial style. It is a twist of the Occident and the Orient.

All the chic interiors are kind of ‘east meets west’, which is probably why my style has so many international influences.

s l u x u ry l o n d o n . c o. u k s

IMAGE CREDIT: fernando lombardi

Architecture and interior design used to be an elite business in Brazil, but in the last 20 years, it has become more accessible to the middle classes. A new generation of professionals has appeared with great examples of work, mainly furniture and objects. The main focus today is recycling and sustainability.

What makes me proudest to be Brazilian is that I am Cariocan, which means Rio de Janeiroborn. It is the most cosmopolitan and international place in Brazil and is also one of the most beautiful cities in the world.

The greatest challenge of my life happened around 35 years ago, when I got married and moved from Rio de Janeiro to São Paulo. I left my roots for a new life in a different world. But I have no regrets. Everything good – professionally, socially and financially speaking – happens in this town. São Paulo is the heart of South America.” joaomansur.com

27

TESSA PACKARD The fine jewellery designer was raised in London, but her Brazilian heritage shows through in her work, which comprises bright colours and bold statement pieces

“My earliest design memory is smudging lipstick on my Barbie and pretending to be a make-up artist. It sounds very silly, but these are the moments when I remember thinking that design, colour and composition actually mattered. Even as a child my Lego house had to be the perfect Lego house and my Barbie’s outfit had to be the perfect Barbie’s outfit. Everything I did was very artistic and I’ve always had an interest in design.

I think being Brazilian has given me a love for the bold and the bright, as well as a fearlessness about design. My jewellery doesn’t tend to be massively delicate; it’s quite statement and maybe that’s a part of my Brazilian heritage. Or maybe it has got nothing to do with it, but my gut instinct is that somewhere along the line it has influenced me one way or another.

British design plays more on the heritage aspect of things, whereas Brazil doesn’t quite have

the same slant to its luxury goods sector. Everyone says that Europeans are the ones with history, but Brazil has history too; it just seems to be less understood or talked about in western education.

Brazilian design has always been at the forefront. You could argue that Brazilian art led the most prolific movement in terms of establishing female artists on the international scene, from Lygia Clark to Lygia Pape. The number of female designers in Brazil swelled in the 1950s, an era when female artists weren’t necessarily respected.” tessapackard.com

PATRICIA BONALDI The wedding dress designer’s summer collection of hand-embroidered designs is a celebration of the nation’s nature, colours and people

“It’s difficult to describe Brazilian design in just one word.

Brazil is a huge country and every region has its own characteristics. My style features a lot of Minas Gerais culture. The state is known for its handmade work in the arts, construction and clothing industries. I like to do the same. The ethos of my brand is all about care and time. A dress takes days to make and my team dedicate their time and attention to make this possible.

I get inspired 24 hours a day, seven days a week. I never stop. Everything around me serves as inspiration: people, situations and the streets. My summer collection is all about Brazil; it’s a celebration of my country. I wanted to show that what we have is the best. The Brazilian people are happy and kind, and our landscape is one of the most beautiful in the world.” patriciabonaldi.net

IMAGE CREDIT: João Arraes

feature

“Rio has this effortlessly cool vibe; the beaches are right by the city and nature and concrete blend into one.”

HARRY BRANTLY The London-based co-founder of Frescobol Carioca on how a brand was born out of Brazil’s best-loved beach game

IMAGES COURTESY OF FRESCOBOL CARIOCA

s l u x u ry l o n d o n . c o. u k s

“Frescobol is a bat-and-ball game played along the coastline of Brazil, where the goal is to keep the ball in the air for as long as possible. We claim it’s Brazil’s second national sport, after football of course.

I bought Max [Leese, Frescobol Carioca’s cofounder] a set of wooden beach bats for his birthday several years ago. We went on a surfing holiday together in France and ended up spending more time playing with the beach bats than surfing and everyone on the beach gathered around to play. That inspired us to bring the game to Europe.

Our first collection took inspiration from Rio’s iconic mosaic pavements, the calçadão, and our latest collection is inspired by Oscar Niemeyer’s undulating architecture around Brazil, which formed part of the wider modernism movement.

When you walk around Rio, the juxtaposition of the city with the jungle and the sea is fascinating. Rio has this effortlessly cool vibe; the beaches are right by the city and nature and concrete blend into one.

Now, Marylebone feels like home. Chiltern Street is becoming more of a menswear destination: we work with Andre Balazs’ hotels in the US, so we knew the type of customer going to Chiltern Firehouse would be right for our store. Marylebone has a certain charm about it.

I love the fact that London is the centre of the world in so many ways – I just wish the weather was better!”

47 Blandford Street, W1U, frescobolcarioca.com

29

AROUND THE WOR There’s a flurry of new literary releases to choose from this summer, so even if you don’t have a holiday planned you can read your way across the globe with this round-up of novels set in striking locations, both past and present W o r d s : M E L I SS A E M E RSO N

feature

ORLD IN

s l u x u ry l o n d o n . c o. u k s

BOOKS

31

MINNESOTA Peter Geye’s vivid take on the wilds of Minnesota in Wintering reflects the isolation of the landscape as well as the loneliness humans inflict upon themselves.

Geye was born and raised in Minneapolis, Minnesota, where he still lives today – and his ability to bring the location to life is unmatched.

In the story, the elderly Harry Eide disappears into the unforgiving territory around Minnesota’s Gunflint Range as he retraces a journey he took once before to escape a crumbling marriage. Cue woods and ice floes, canoes and abandoned shacks – and a bear. With emotions as powerful as the landscapes, the story will stay with you long after you finish it. £20, Wintering by Peter Geye, waterstones.com

CALIFORNIA It’s all about the summer of ’69 in the book that you’re sure to see every commuter glued to this summer. Emma Cline’s first novel The Girls sparked a bidding war between publishers and the film rights have already been sold. Focusing on the complexities of girlhood and its lead character Evie Boyd’s desire to belong and be understood, the novel is loosely based on the Charles Manson era of violence. Adapting to life after her parents’ divorce and becomingly increasingly distant from her hippy-ish mother, Boyd is drawn in by a group of girls and the cult they belong to, led by the charismatic Russell, and her obsession blinds her to the dangerous reality of it. Heavy on psychological insight, it’s a gripping debut. £12.99, The Girls by Emma Cline, waterstones.com

SPAIN AND LONDON

GHANA

After selling more than a million copies of her 2014 debut The Miniaturist – set in 17th century Amsterdam – Jessie Burton is back and has clearly done her location homework again, this time focusing on rural Spain and 1960s London.

Aspiring writer Odelle Bastien, recently arrived from Trinidad, is working as a typist in a gallery when a lost masterpiece is delivered, surrounded by rumours of its painter’s mysterious demise.

Winding back the clock to 1936 in civil war-torn Spain, the painting’s provenance and a passionate family drama is revealed in layers, introducing themes of identity, deception and obsession. The two emotional stories resonate with each other, and touch on the true value of life as an artist. £12.99, The Muse by Jessie Burton, waterstones.com

Beginning in the 18th century and sweeping through 300 years of Ghanaian history, 26 year-old Yaa Gyasi’s first novel illustrates the contrasting lives of half-sisters Effia and Esi. Born in different villages, one marries into a comfortable life while the other is imprisoned and falls prey to the Gold Coast’s slave trade – and it only gets heavier. The long time period allows the novel to show the knock-on effects on the characters’ children and grandchildren, battling warfare and colonisation in Ghana and the scars of slavery. As the narrative moves through the family tree, it feels more like a collection of stories than a novel, but that does little to dull the emotional weight and depth of the characters portrayed. £16.41, Homegoing by Yaa Gyasi, bookdepository.com

feature

MEXICO CITY Umami by rising literary star Laia Jufresa – who was invited by the British Council to be the first ever International Writer in Residence at the Hay Festival of Literature in 2015 – presents an evocative and sensory insight to its central American setting. The action unfolds in sunny Mexico City, where five houses surrounding a courtyard are each named by the community’s anthropologist owner to represent the tastebuds of the tongue: sweet, salty, sour, bitter and umami, translated loosely as deliciousness in Japanese. Its residents experience grief, illness, loneliness and divorce, but are united in their difficulties. The five voices and the jumpy timeline require a little patience, but perseverance pays off. £12.99, Umami by Laia Jufresa, waterstones.com

FRANCE Camille Aubray’s depiction of a 1936 summer on the French Riviera is one for foodies. Mixing both fictional and real life historical personas, we first meet the impressionable 17-year old Ondine working in her family’s café, where she comes into contact with a reclusive man (who is later revealed to be Picasso). His personal struggles and her rebellious nature lead to Ondine becoming his lover and muse. When the liaison is later uncovered by her granddaughter Céline, we see how a family’s past can have a hold on its present.

Out 9 August, £20.85, Cooking for Picasso by Camille Aubray, amazon.co.uk

SWEDEN

EGYPT

If you’ve ever been hooked on shows like Making a Murderer or podcasts like Serial, then this Scandi crime drama is one for you. Translated into English after winning the prestigious August Prize for Best Swedish Fiction Book of the Year, Everything I Don’t Remember begins with a terrible accident, or suicide. A curious writer decides to investigate the man’s death, and begins to piece together a portrait of the victim. Via shifting perspectives, the tale questions which memories form what we come to accept as truth and once again proves that you can count on the Swedes to spin a suspensefilled crime drama. £12.99, Everything I Don’t Remember by Jonas Hassen Khemiri, waterstones.com

Split across three different time periods – 1984, 1998, and 2014 – Chronicle of a Last Summer, the first novel from Egyptian writer Yasmine El Rashidi, begins in Cairo.

Written in the first person, the novel uses a six-year-old protagonist to show the reader Egyptian life, and follows her all the way to adulthood. Set during the reign of President Mubarak and the turbulent aftermath of his rule, the story focuses on the highly politicised landscape and how this informs the narrator’s views. The injustices of Egyptian society are suddenly brought closer to home by the unexplained disappearance of her father in this gripping, coming of age tale. £17.04, Chronicle of a Last Summer by Yasmine El Rashidi, amazon.co.uk

s l u x u ry l o n d o n . c o. u k s

33

collection

BRING to LIGHT

S

ummer may have escaped London this year, but across the Channel its spirit has not been lost. This August, French jeweller Chaumet refreshes three classic collections – Liens, Hortensia and Joséphine – with pieces to help women breeze through the summer months looking effortlessly chic. In Liens, the sea’s vivid hues are represented in lapis lazuli, turquoise and mother-of-pearl, set within miniature versions of the house’s iconic “X” motif, while the Hortensia Aube Rosée collection holds particularly feminine appeal. Empress Joséphine’s passion for flowers is brought to life in a delicate range featuring pink sapphires, opals and rose gold.

Finally, as the sun sets, Joséphine invites us to sparkle with ten pieces in a rounded reinterpretation of Chaumet’s historic Le Régent cushion-cut diamond.

From £850, available from 1 August, chaumet.com Image courtesy of Chaumet Jeux de Liens collection

34

s l u x u ry l o n d o n . c o. u k s

M ANUFACTUR E DE H AU TE H OR LOGER IE

TONDA METROGR APHE

Steel case Chronograph automatic movement Date in an aperture Integrated titanium / steel bracelet Made in Switzerland www.parmigiani.ch

ATELIER PARMIGIANI 97 MOUNT STREET, MAYFAIR, LONDON W1K 2TD, TEL. 020 7495 5172 LONDON SELFRIDGES, THE WONDER ROOM | ARIJE WATCHES OF SWITZERLAND | FROST OF LONDON | BEAU GEMS BIRMINGHAM RUDELLS | HARROGATE & YORK ODGEN | LEICESTER LUMBERS SCOTLAND AND NEWCASTLE ROX DIAMONDS AND THRILLS | TUNBRIDGE WELLS G COLLINS AND SON

collection

Written in the stars As we await to see who will shine at the Rio 2016 Olympics, there is already a Brazilian star burning brightly in the world of jewellery.

This year marks the 50th anniversary of Amsterdam Sauer’s first Diamonds International Award win, honouring the Constellation ring.

To celebrate its jubilee, the original gold cylinder design has been transformed into a collection of rings, bracelets, necklaces and earrings. “We are all looking at space,” explains creative director Stephanie Wenk. “There are new revolutions in astrophysics, discoveries of stars, a reshaping of the universe. In a way, this excitement is a lot like the space race times in the 1960s when the Constellation ring was created. This collection makes women shine even brighter.”

Constellation collection, from a selection, amsterdamsauer.com

Jewellery news

WORDS: OLIVIA SHARPE

Metamorphosis Brazilian jewellery is defined by its bold, playful and unashamed use of colour and this has very much been reflected in jeweller Fernando Jorge’s new collection: Bloom. First showcased at this year’s Paris Couture Week as six one-of-a-kind pieces, the collection has since expanded into 15 styles for autumn.

The Morpho ring takes inspiration from the eponymous butterfly native to the Amazon rainforest and incorporates cabochon Paraiba tourmalines with Australian chrysoprase. Meanwhile, the rare hyacinth macaw in flight has been brought to life through vivid Australian boulder opals and African tanzanites.

From a selection, fernandojorge.co.uk s l u x u ry l o n d o n . c o. u k s

Fairy tale With multi-million pound turnovers, three standalone stores in London and an increasing number of boutiques worldwide, Monica Vinader has firmly laid down roots on the global jewellery scene.

This month sees the company make yet another mark with the launch of Petra. Named after the ancient Greek word meaning “stone”, this collection of semiprecious pieces presents a new direction for the brand, with a jagged hexagonal design contrasted by sharp faceted stones.

Mix and match the stackable rings – which feature pink quartz, moonstone or labradorite – for a chic everyday look this summer.

From £65, 14 South Molton Street, W1K, monicavinader.com

Full plume Bulgari has always remained faithful to its Italian heritage and its new high jewellery collection is arguably its most elaborate tribute to date. Aptly named Magnificent Inspirations, it is divided into three lines – Mediterranean Eden, Roman Heritage and Italian Extravaganza – each designed by the brand’s creative director, Lucia Silvestri.

From intricate floral motifs to sinister serpents and ancient Roman coins, the house’s most famous icons are represented throughout, but the piece that truly glitters is undoubtedly the Divas’ Dream Gioco e Vanità necklace. Adorned with blue sapphires, emeralds and diamonds, it recalls the fanned tail of a peacock.

From a selection, 168 New Bond Street, W1S, bulgari.com

37

All images courtesy of Ara Vartanian

collection

of Olivia Sharpe meets Brazilian jeweller Ara Vartanian, who is bringing his native country’s vibrancy to London with his first flagship boutique in Mayfair

A

designer does not necessarily have to emulate his own designs, but in the case of Ara Vartanian and his one-of-a-kind jewellery pieces, you can clearly see the correlation between creator and creation.

Normally based in São Paolo, the Brazilian jeweller has been travelling to and from London with much regularity of late as he prepares to open his first flagship store in Mayfair’s Bruton Place. With Brazil being a hotbed for jewellery talent (65 per cent of the world’s gemstone supply originates from here), Vartanian is not the first homegrown talent to have flown the nest, with the likes of Fernando Jorge and Yael Sonia dividing their time between Brazil, Europe and the US. Vartanian also has a strong presence in the US, with stockists in LA and New York, but in a

s l u x u ry l o n d o n . c o. u k s

recent interview with The New York Times, he implied how his choice of London as the location for his next store was somewhat serendipitous: “the wind blew and the sails pointed in that direction”. And it is with this casual but determined breeziness that Vartanian drifts into Morton’s Club one morning for our interview.

With chiselled good looks and simply dressed in a black T-shirt, jeans and leather jacket, the jeweller appears to possess the same confidence and self-assurance as his celebrated jewels.

Although his outer appearance lacks the same vibrancy as his colour-rich pieces, his innate passion materialises when he begins discussing his work. “I am very much involved with everything that’s to do with the brand,” he states emphatically. “After all, it carries my name, so I’m the person designing all the pieces and buying the stones.”

Vartanian is well known for his daring and dramatic designs, pioneering such innovative techniques as the inverted diamond.

39

Ara Vartanian São Paulo showroom, photography: Rui Mendes

Five years ago he set himself the challenge of creating a ring for multiple fingers – a trend that has since catapulted into the mainstream. “Just a few weeks after designing the double finger ring, I decided to go one step further and create a three-finger version with an 11-carat yellow diamond,” he explains. “It takes someone quite daring to buy and wear such a piece, so it’s a great feeling being able to offer something to those willing to look outside of the box.”

It is little wonder, then, that Vartanian’s designs have attracted a wealth of confident and assertive women, the most notable being Kate Moss. The jeweller speaks openly of his first meeting with the British supermodel at his São Paulo atelier almost

“It was when I began turning diamonds upside down that my relationship with my father soured” five years ago. “[Kate] came by my store and later her team called and told me that she had commissioned me to design a tanzanite ring. So I invited her to my showroom and she was very impressed. Since then we have developed a nice family friendship.”

This “family” relationship refers to himself, Moss and Fran Cutler (leader of the legendary 1990s Primrose Hill party set) and Vartanian credits both women for having convinced him to lay down roots in London. “It was around the same time when I was considering bringing my brand into another country that both of them were pushing me to come to London. So Kate held a few events for me here, and that was it.”

So why is London such a perfect fit for Vartanian? “It has got this side to it,” he comments. “There is a lot of respect for the past. I think that consumers here like that one-of-a-kind aspect and have a great deal of respect for the artisan. It’s also at the top of the pyramid in terms of design.”

As he presents me with a scaled-down model of his atelier, he explains that the design will take after his existing boutique in Brazil. I note the distinctly masculine feel of its earthy tones and sharp geometric lines. “Yes, definitely,” he agrees. “It is masculine, and my jewellery is masculine for the simple reason that it has been designed by a man. I have a team of architects who’ve worked with me for the past ten years, but I have a very strong hand. If I tried to match a person’s sense of style with my jewellery, it wouldn’t work.”

Vartanian prides himself on his ability to be able to tap into what jewellery women want to wear, but insists he has never compromised on his own vision, and expects his customers to come to him. Penélope Cruz was recently photographed at a film screening wearing the jeweller’s hook earrings and, considering the Oscar-winning actress had up until that point typically sported Chopard to such events, it was quite a turn-up for the books. For Vartanian, however, he is happy when he sees any woman wearing his pieces. “For me, that’s the ideal situation. Someone who tried it and actually bought it. I create jewellery for women who understand my pieces and take a chance by buying one.”

If there was one man who did not initially understand his vision, it was his father, Nerces.

Vartanian is descended from a line of jewellers and his brother Jack has also taken up the tradition – both of them having been fortunate enough to grow up surrounded by precious stones. After graduating in economics from Boston University, Ara fancied himself as a banker (due to Charlie Sheen and Michael Douglas’ performance in Wall Street, he tells me) and worked as a trader at NASDAQ in New York. However, he soon realised that he didn’t quite have Gordon Gekko’s business acumen. “I left after three years because I was terrible at it and lost a lot of money,” he smiles. He began buying stones for his family’s business, but in 2005 sold his car and set up on his own.

collection

“It was when I started turning diamonds upside down that my relationship with my father soured,” he laughs. “That’s when he said, ‘Son you’re crazy.’ So I said, ‘Dad, I better give you a hug and say goodbye.’”

While Vartanian loves the “freedom of creating”, he does not play with convention for the sake of it. His finished pieces masterfully balance size and proportion, and prove that there is method in the madness. He predominantly sticks to traditional processes, sketching each design before it is made by hand. The design journey always begins with the stone itself – the more challenging, the better.

“I have no favourite stones, expect perhaps the more difficult ones. Unusual cuts that I’m never going to come across again. I like to buy stones so that when I eventually have to give them up, it gives me pain.”

By pairing timeless gems with modern materials, his pieces have a contemporary finish. “I think even if you’ve got a 13-carat diamond, if you design it in the right way people can wear it without it attracting too much attention,” he reasons. “I don’t want someone to buy one of my pieces and it end up sitting in a drawer. The philosophy of my generation is that if you work hard for your money, you want something that you can show off.”

Despite his seemingly ostentatious approach, the humble craftsman prefers to remain under the radar, believing this to be the secret to his success. “I’ll never think that I stand out. I try to be very careful with this because when you start thinking you stand out, you soon find you don’t. I just like to think I’m a guy doing the best he can. I don’t really plan things. I try to go where the wind’s blowing.”

44 Bruton Place, W1, aravartanian.com

s l u x u ry l o n d o n . c o. u k s

41

Watch news WORDS: RICHARD BROWN

Choose the right watch for you Mike France, co-founder of English watch company Christopher Ward, gives his advice on what to look out for when buying a quality timepiece From left: C60 Trident Chronograph Pro 600, £1,395; C60 Trident Pro Titanium 600-#2, £775

Do your research. Researching watch companies ensures a greater appreciation of each brand’s ethos.

Take careful notice of the materials used in the production of an individual watch.

Certain materials, such as stainless steel, are more prone to scratching. Ceramic and titanium will ensure that your watch remains scratch-proof and light to wear.

Titanium is about half the weight of steel, but almost twice as strong.

Consider the quality of the movement.

Watch mechanisms produced and assembled in Switzerland are the industry leaders. Many “Swiss”-made mechanisms do not fulfill the strict criteria to be considered Swiss. A

watch is only truly Swiss if the movement follows certain regulations, and is cased and given a final inspection in Switzerland. Watches that don’t meet this criteria may simply advertise themselves as “Swiss Movement” or “Swiss Quartz”. True Swiss watches will be advertised as “Swiss Made”.

Don’t worry about making a watch an investment piece. Except in rare cases, watches do not make a good long-term investment. As soon as they are worn they immediately start depreciating in value, and the nature of the watch market means that trends and tastes make predicting where it is heading very hard. Even for those watches that

will hold their value or slightly appreciate, it can take decades for them to do so.

The beauty of watches is to be found in the intricacy of their design and aesthetics, and the personal pleasure they can bring to the owner. A watch is often the first thing noticed when meeting someone, and adds a level of sophistication and timelessness to any outfit. A fine wristwatch can provoke thought and discussion, and serve as an extension of the owner’s interest and identity.

collection

From left: Big Bang Broderie Sugar Skull 41mm £22,900; £10,200

Price doesn’t mean quality. When Christopher Ward was founded, we took time to analyse the market and found that many of the big players and household names were selling their watches at seven to 12 times the production cost due to considerable advertising and marketing overheads.

Christopher Ward will only ever sell a watch at a maximum of three times the cost of the production, including VAT. It is financially savvy to purchase a watch directly from a watch house rather than via a third party retailer, as doing so cuts out the middle man and their markup.

Well-known doesn’t always mean most reputable. It is important that you buy a watch from a reputable brand that is held in high regard within the industry, whose staff are knowledgeable, which operates ethically and has excellent customer and post-sale support.

Customers also need to be savvy with the watch’s warranty and return policy.

Our famous 60/60 guarantee – the most comprehensive in the world of watchmaking – means you have up to 60 days to return your watch free of charge if for any reason you are not happy with it, and a 60-month movement guarantee. This means you can have complete peace of mind when purchasing one of our timepieces.

SPECIAL OFFER Christopher Ward would like to offer a ten per cent discount to readers. To redeem the offer, please use the code TMM10 at christopherward.co.uk. For terms and conditions, please visit christopherward.co.uk/terms

s l u x u ry l o n d o n . c o. u k s

Sewing machines Last year, with the help of Swiss embroidery specialists Bischoff, Hublot encased silk needlework within carbon fibre for the first time to produce the Big Bang Broderie, which won Best Ladies Watch at Geneva’s annual Grand Prix de l’Horlogerie. This year the collection is bolstered by the arrival of the Big Bang Broderie 41mm and the Big Bang Broderie Sugar Skull 41mm, each of which is delivered in 200-piece runs in ceramic, steel and yellow gold. Inside, you will find Hublot’s in-house, self-winding HUB 1110 movement, proving that eye-catching style has not come at the cost of mechanical substance.

From £11,800, hublot.com

Diving in Raymond Weil has launched its first dive watch, and it ticks a lot of boxes.

Clean, legible looks; a credible, self-winding movement; a sporty rubber strap with double-push security system; and, for the few people who might actually use this watch for the purpose it was intended, a unidirectional rotating ceramic bezel with Super-LumiNova indicators and a PVD-coated case that’s water resistant to 300 metres.

Freelancer Dive Watch, from £1,595, raymond-weil.com

Best of both worlds It’s the paradox playing out at the heart of the watch industry: thousands of pounds spent on mechanical kit that we know will perform less ably than a £20 digital equivalent. If that notion has ever struck you as slightly absurd and you have pined for the majesty of a mechanical watch, but would really love to know the exact, not sort of, time, Grand Seiko has the answer.

The brand’s Spring Drive movement derives its power from a conventional mainspring and gear system, while accuracy is controlled by a quartz oscillator. Promising to gain or lose no more than ten seconds a month, this is the world’s most precise spring-wound wristwatch.

Spring Drive Black Ceramic, £8,500, grand-seiko.com 43

TO READ MORE ARTICLES LIKE THIS VISIT www.luxurylondon.co.uk

@luxurylondonofficial 

@luxurylondonofficial 

@theofficialll

art

true to form

I

gnoring the advice of most art teachers to draw what you see, Barbara Hepworth was renowned for moulding works inspired by how she felt. Through the curve of wood or the tension in wire, she captured the obscure nature of intense emotion. The final decade of the acclaimed artist’s life was her most experimental, and it is these few years that Phillips auction house is revisiting through an exhibition that is part of its year-long partnership with The Hepworth Wakefield. Prints and sculptures, which rarely leave the premises of the West Yorkshire gallery near Hepworth’s birthplace, have journeyed to Mayfair for a limited show of seven weeks. It’s sure to be one of the greatest lessons in modern art outside of the classroom.

Late Hepworth, until 27 August, Phillips, Berkeley Square, W1J, phillips.com

s l u x u ry l o n d o n . c o. u k s

45

Q&A with…

Art news Shining a spotlight on the best drawings, paintings, furniture and photography on show in Mayfair this month words: carol cordrey

Metaphysical marvels The late Carlo Carrà (1881-1966) was a distinguished and multitalented painter. He rose to prominence through the Futurist and Metaphysical movements – the former reflected the development of modern machinery and dynamism; the latter emerged from a philosophical understanding of the mind and was characterised by unsettling, mysterious compositions of dramatic light and incongruous, severe juxtapositions of monumental objects.

A new exhibition at Hanover Square’s Blain Southern demonstrates how Carrà incorporated both styles as well as that of Cubism, through a set of a rarely exhibited paintings and drawings that also illuminate the artist’s important role in the history of art.

Carlo Carrà: Metaphysical Spaces, until 20 August, blainsouthern.com

Straight from the studio At Ben Brown Fine Arts in Brook’s Mews, a solo exhibition of studio pieces by Ron Arad showcases the internationally acclaimed designer and architect’s desire to constantly push boundaries, as well as his innovative approach to wood, steel and glass.

Arad’s inspiration stems from the great William Morris, who promoted the finest craftsmanship, practicality and beauty. To wit, the exhibition includes a sculptural bookshelf based on the map of China, a huge cedar log transformed into an inscribed and inviting bench and Puddles, an installation made from 32 mirror-polished steel tables.

Ron Arad: Summer Exhibition, until 15 September, benbrownfinearts.com

Q: How will The Print Room function in relation to your physical exhibitions?

A: The online Print Room exhibitions will run side-by-side with our gallery exhibitions. It gives us the chance to celebrate much more of the medium than within the confines of a strict exhibition schedule with relatively limited selections.

Q: Will The Print Room hold an archive of images for sale?

A: Yes, all the prints seen online are available to view and purchase in the gallery on request. We also hope to take The Print Room photographs to art fairs in the future.

Q: Do you see the facility as a conduit for encouraging new collectors of photography?

A: Very much so. We hope that our simple to use and transparent website on which to learn more about fine art photography will encourage collectors to make their first purchases.

Q: Which famous photographers are on your future exhibition schedule?

A: We have a host of exciting exhibitions coming up, including new works by Steve McCurry, Matthew Pillsbury, Alex MacLean, Gered Mankowitz, Terry O’Neill and Brian Duffy. theprint-room.com

Clockwise from top left: Carlo Carrà, Gentiluomo Ubriaco, 1916, Private Collection; Carlo Carrà, Il Pino sul Mare, 1921, Courtesy Archivio Carlo Carrà; Ormond Gigli, DONNA JORDAN WEARING NORMA KAMALI, NEWSWEEK, 1978, ©Ormond Gigli, courtesy of The Print Room; Ron Arad, Puddles, 2015, each unique, dimensions variable, ©Ron Arad, 2016, Courtesy of Ben Brown Fine Arts, London

Giles Huxley, co-founder of Beetles + Huxley, on the photography specialist’s new online gallery

art

Prize lots 1. Sound Sculpture by Harry Bertoia; Erica chaise by Vladimir Kagan; and 4 juillet II, Paris (from Chambre Close)

by Bettina Rheims Sotheby’s second annual Contemporary Living sale in New York features 1970s rarities, including this Harry Bertoia sculpture and a chaise longue designed by Vladimir Kagan. Fernando Santangelo directed the vignettes: his cool, thoughtful vision can also be witnessed in his redesign of Los Angeles’s legendary Chateau Marmont for André Balazs.

Estimated values $30,000-$50,000, $3,000-$5,000 and $5,000-$7,000, Contemporary Living at Sotheby’s New York, 28 July, sothebys.com

2. A late Victorian sofa by Howard & Sons A highlight of Christie’s renowned interiors sale this month is an original (and re-upholstered) Howard & Sons sofa with turned ebonised legs, brass caps and castors. This late 19th-century piece is a high-quality example of enduring Victorian craftsmanship.

Estimated value £4,000-£6,000, Interiors at Christie’s South Kensington, 17 August, christies.com

3. Lupine Patch by William Wendt German-born William Wendt’s artistic philosophy revolved around romantic ideals of nature: he would search for meaning in his surroundings and the sensitive landscapes that he painted. His 1921 work Lupine Patch is a fine example of his glorious use of saturated colours and block painting, and is thought to be his only work depicting wild lupine.

Estimated value $120,000-180,000, California & Western Paintings & Sculpture at Bonhams Los Angeles, 2 August, bonhams.com

4. A rare letter from Charles Dickens to Wilkie Collins Charles Dickens famously burnt hundreds of letters from his family and friends but, thankfully, many of his addressees carefully preserved their correspondence with him, permitting some fascinating insight into the author’s mind. This letter written in December 1857 is addressed to Wilkie Collins and invites him to a get-together with writers William Russell Howard and John Thadeus Delane.

Estimated value £1,000-£1,200, Autographs and Memorabilia at Bloomsbury House London, 11 August, dreweatts.com s l u x u ry l o n d o n . c o. u k s

#1 Image courtesy of Sotheby’s #2 IMAGE ©Christie’s Images Limited 2016 #3 Image courtesy of Bonhams #4 Image courtesy of Dreweatts & Bloomsbury Auctions

47

ART

ARTAND

GLORY

As Team GB makes its way to Rio for the Olympic Games, Marianne Dick talks to the creative minds behind this year’s official prints and explores the complex relationship between art and sport

T

he worlds of sport and art are usually regarded as incomparable to each other: the former is built on competition and precision while the latter is subjective and expressive.

Nevertheless, when Baron Pierre de Coubertin founded the Olympic movement and the International Olympic Committee (IOC) on 23 June 1894, he envisaged gold medals for champions of painting, sculpture, architecture, literature and music, as well as the physically impeccable. At the Stockholm Olympic Games in 1912, the Baron’s dream was finally realised with the introduction of a group of art-based categories known as “the muses’ pentathlon”.

By the time the Olympic Games landed in London for the second time in 1948, however, the art-based competitions had lost their momentum, and even Coubertin had won a literature prize under a pen name. This was perhaps due to a lack of quality – professionals were excluded from the contests – and erratic medal-giving. Sadly, the muses’ pentathlon was scrapped and the 151 medals awarded to the participants are no longer counted in official totals.

More than half a century later, when the Olympics returned to our capital in 2012, the sporting spectacle’s relationship with arts and culture appeared to have returned to the start line. Danny Boyle was awarded the IOC OlympiArt Award – a prize given to one

s l u x u ry l o n d o n . c o. u k s

This page: Eddie Peake, Sweat, 2016, ©Eddie Peake. opposite: Benjamin Senior, Stroke Tempo, 2016, ©Benjamin Senior, both Courtesy of Counter Editions, London and Team GB

exceptional artist in the host city – and the fourth edition of the Sport and Art contest took place.

Another notable celebration of London as a cultural hub was a series of official posters designed by a diverse selection of contemporary artists: an esteemed project that was undertaken by art publishers Counter Editions.

“An astonishingly iconic body of work was created for the Olympics over the past 100 years,”

49

explains Charlotte Bell on behalf of Counter Editions. “We believe it’s important that this longstanding artistic tradition is continued by some of the best British artists working today.”

Tracey Emin and Sir Howard Hodgkin – who were both part of the 2012 series – return this year with offical Rio 2016 posters in response to the spirit of Team GB and the host city, again made by Counter Editions. Emin’s artwork depicts the winding road that leads to the iconic statue of Christ the Redeemer, with the definitive proclamation “True Love Always Wins” in her signature scrawl (pictured bottom right).

Meanwhile Howard Hodgkin, who painted a poster for the 1984 Winter Olympics in Sarajevo, offers a simple, bold arrangement of three bright, citrusy and thirst-inducing paint strokes in the colours of the Brazilian flag (pictured top right).

clockwise FROM LEFT: David Shrigley, Life Is Fantastic, 2016, ©David Shrigley; Sarah Jones, Cabinet (Spiral), 2016, ©Sarah Jones; Howard Hodgkin, The Road to Rio, 2016, ©Howard Hodgkin; Tracey Emin, True Love Always Wins, 2016, ©Tracey Emin, all images Courtesy of Counter Editions, London and Team GB

“It’s important that this artistic tradition is continued by some of the best British artists working today” Fresh to the challenge is Royal College of Art graduate Benjamin Senior (with a set of geometrically clad divers, pictured first page) and Eddie Peake, who is notorious for his carnal creations. He produced his loud, energetic print by laying down masking tape and then removing it to reveal both the letters and the paper beneath the paint (pictured previous page).

“I hope it is a joyous message,” says Peake. “I have always loved watching the Olympics and I love that by making this print in conjunction with Team GB, I am involved with it in some way. It offers a means of engaging people who otherwise might not be interested, a way of connecting the cultural dots.”

ART

At the other end of the modern art spectrum, visual artist Sarah Jones took inspiration from early Olympic posters when arranging her stirring still life photograph (pictured centre).

“The green glass object is a spiral: as a motif, the spiral often represents energy in a number of cultures. The yellow sphere contains many other smaller yellow spheres, which made me think about aspiration and the constant effort and dedication required to achieve Olympic standards,” explains Jones. “It’s then elevated on an upturned glass, hovering, upheld. The objects are set against a blue backdrop, contained as if in a cabinet: preserved like a trophy.”

Another new contributor is David Shrigley, whose whimsical commentary on everyday life can also be found on teacups at Sketch on Conduit Street and tea towels in gallery gift shops. His simple, cheerful poster portrays an Olympic torch (which also resembles an ice cream, pictured far left), held in the grip of a thumbs up, perhaps a nod to his upcoming Fourth Plinth sculpture in Trafalgar Square. The bright green phrase “life is fantastic” is emblazoned around the image; a reminder of the glorious things that can happen when different nations meet.

Coubertin once stated: “The important thing in life is not the triumph, but the fight; the essential thing is not to have won, but to have fought well.” While art and sport may not be historical bedfellows, the Olympic Games have proven to be just as much a celebration of the world’s rich and varied cultures as of sporting prowess. Both generate positivity through escape and focus, and their unity helps ignite ideas and success in the face of uncertainty – regardless of how many medals are won. It’s a powerful message for Team GB and the whole of the nation to take with them to Rio. Prices start from £475, available from 2 August at countereditions.com, enquire@countereditions.com, 020 7684 8890

s l u x u ry l o n d o n . c o. u k s

51

THE NEW V3.

OUR LIGHTEST LUGGAGE. EVER.

211 Regent Street • Westfield Shepherds Bush • London City Airport Case • Harrods • Selfridges TUMI.COM

FW16_V3_BLUE_CITY_MAGAZINE_210 x 297mm.indd 1

6/16/16 1:06 PM

FASHION

design by

numbers

A

t the tender age of 12, Pedro Lourenço created his first collection. When he was 19, the São Paulo designer launched his own label. Now at 25, he has stepped up as creative director for La Perla. Bringing his structural approach of clean lines and sharp angles, he has channelled the work of fellow Brazilian and architect Oscar Niemeyer into the latest lines of lingerie, nightwear, swimwear and loungewear. Innovative engineering and unusual fabric techniques, such as dégradé (a minimalist version of tie-dye) and intricately sewn frastaglio (flat-stitch embroidery), ensure that our sock drawers and holiday suitcases will be the envy of everyone.

9 Old Bond Street, W1S, laperla.com

LA PERLA F/W16-17 PHOTO CREDIT: Mert Alas & Marcus Piggott Model: Valery Kaufman

s l u x u ry l o n d o n . c o. u k s

53

THE ULTIMATE STYLE SOLUTION

Whether it be creating a new wardrobe for the upcoming season, crafting an exquisite gown for a social event or giving a unique gift experience to the person was has Whether it be creating new wardrobe for the everything.

A gift afrom you upcoming crafting an exquisite gown for designedseason, by them.

Commission aYou social event or giving a unique gift experience Couture. to the person was has everything, a gift from you designed them, commission The YoubyCouture service You Couture. enables you to bring your The You Couture enables to bring your personal styleservice to life, withyou every personal style to life,ofwith every intricate detail of intricate detail your garment your garment being by yourwith designan and an array of being by your design rare and fine fabrics for you to choose from. array of rare and fine fabrics for you to choose from.

02071013832 02071013832 Contact@youcouturecollections.com Contact@youcouturecollections.com www.youcouturecollections.com www.youcouturecollections.com

fashion

Lady Dior’s new maison New Bond Street’s glorious House of Dior is Mayfair’s fashion mecca of the moment, with four floors of Dior delights ranging from homme to home. To mark the recent opening of the flagship, contemporary British artist Marc Quinn reimagined the divine Lady Dior bag in a range of vibrant and surreal prints.

Marion Cotillard models Dior’s timeless style in the autumn campaign beside the Seine; debuting a novel embroidered shoulder strap and a graded metallic version (pictured right).

House of Dior, 160-162 New Bond Street, W1D, dior.com

Style update WORDS: Marianne Dick

Pearly queen The inspiration for Nicholas Kirkwood’s new season designs stemmed from a monthlong trip to Los Angeles, where a female-heavy 1980s electronica soundtrack provided the backdrop. The Moon Lit collection’s signature Casati pearl range is toughened up with block heel biker boots and shades of the deepest inky black: fusing feminine delicacy with an unabashed forthright attitude.

Casati ballet flats, £435, 5 Mount Street, W1K, nicholaskirkwood.com

Sporting silks

Hands of Georgia Georgia O’Keeffe once said: “I found I could say things with colour and shapes that I couldn’t say any other way” – a notion many of us can relate to sartorially. Coinciding with her Tate Modern retrospective, Jigsaw has enlisted creatives Rob Phillips and Sam Kerr to interpret O’Keeffe’s artwork, attitude and appearance into a unique capsule collection.

Georgia illustration top, £120, 55 Duke Street, W1K, jigsaw-online.com s l u x u ry l o n d o n . c o. u k s

Quality craftsmanship is at the heart of the William & Son way of life – you’d be pushed to find a more all-encompassing pool of talent under one roof. Sabina Savage started up her scarf brand in 2013, yet her delicate hand-drawn prints hold an elegance comparable to those made by the most established of labels. This season’s jumping jacks and winning whippets provide the perfect seasonal enhancement to your wardrobe.

Scarves, from £225, 34-36 Bruton Street, W1J, williamandson.com 55

IT’S A

WOMAN’S

WORLD As the much-anticipated Magnolia Cup returns to Glorious Goodwood this year, Marianne Dick chats to one of Mayfair’s most in-demand designers Amanda Wakeley about her bespoke racing silks

A

manda Wakeley is without doubt a busy woman. Last year she celebrated 25 years of her understated luxury label at Harry’s Bar on South Audley Street, surrounded by glamorous guests including businessman Richard Caring, Elizabeth Hurley and Joan Collins. Just a few streets away from where the celebrations took place lies her two-year-old London flagship: a stunning townhouse featuring a listed 1920s staircase and objets d’art inspired by nature. The store, at 18 Albemarle Street, invites customers to treat the space as a lavish sartorial home with rooms named accordingly, such as ‘the hall’ and ‘the drawing room’.

“I really feel Mayfair is the heart of the West End,” explains Wakeley. “I love Albemarle Street. I love the fact it’s almost like a Parisian street: the scale of the buildings

From LefT: A design by vivienne westwood; The Neptune Investment Management Gordon Stakes, photo credit: Dominic James OPPOSITE: amanda wakeley

is sensational, the height of the rooms and the proportions… it’s very special.”

On top of overseeing major store renovations that took place, Wakeley continued to produce relentlessly successful clothing collections – which she describes as ‘clean glam’ – as well as her bridal line, Sposa. In 2010, she was awarded an OBE for her services to fashion and her extensive charity work which, despite her hectic schedule, she regularly makes time for. Most recently, she was bestowed the task of designing a set of jockey

FASHION

s l u x u ry l o n d o n . c o. u k s

57

silks for the eponymous amateur all-female Magnolia Cup at The Qatar Goodwood Festival, which runs from 26 to 30 July: an event that reminds her of her rural roots.

“I grew up in the country so I love horses and horse-racing. I’m amazed by their beauty and power and elegance – they are the most finely tuned, amazing creatures,” says Wakeley.

The Magnolia Cup is the highlight of the annual Glorious Goodwood Ladies’ Day, where 11 prominent businesswomen – some with little or no experience of riding at all – train and compete in a race to raise money for charity, all while wearing bespoke racing silks created by female fashion designers.

This year, Wakeley has designed the silks for Shadi Halliwell, the group marketing and creative director at Harvey Nichols.

“I love the idea of women getting on a racehorse and training to do something that is outside their regular skill set,” says Wakeley. “It’s incredibly brave and if as a female designer I can support them, then that’s a really nice alignment. When I look at Shadi who had never been on a horse until two years ago, I’m in awe of that bravery.”

“I love the idea of women getting on a racehorse and training to do something that is outside their regular skill set”

FASHION

FROM Left: DESIGNS BY Claire Featherstone; Unique Sibanda; BEUlAH; Amanda Wakeley BELOW: Golden Steps wins the Qatar Stewards’ Sprint Stakes, PHOTO credit: Chris Ison

s l u x u ry l o n d o n . c o. u k s

Wakeley has taken a print from her S/S16 collection and adapted it for her silks design. The Beam pattern is inspired by the clean lines of architect Santiago Calatrava’s gleaming constructions.

“He is known for his beautiful suspension bridges, so we created this lovely, very graphic, almost kaleidoscopic print and interpreted it into beautiful light jumpsuits and slip dresses. It actually translates brilliantly onto the silks,” Wakeley explains.

With an extensive list of high-profile devotees, which includes everyone from the Duchess of Cambridge to artist Tracey Emin, it’s likely that there’ll be more than just the one Wakeley outfit spotted at Goodwood this year. I ask Wakeley who she would love to dress for the occasion and she decides it would be

her recent acquaintance Jemima Hannon, wife of horse trainer Richard Hannon.

“I love the fact she supports her husband so regularly at the races and she’s got a great sense of style. I think it’d be quite cool if she was in the same Beam print that is on the silks on the day of the Magnolia Cup.” The Magnolia Cup is an incredible feat for all of the riders involved, so it’s very fitting that these inspirational women, such as Wakeley, should be a part of the glamorous event. But who inspires the designer? For Wakeley, it is women everywhere.

“My mother has always inspired me, but I’m also inspired by many of my customers. They’re so varied and I love that: I don’t sell to just one type of woman.”

This is the beauty of the Amanda Wakeley world: that it is accessible to every woman, from Bond girls to royalty and prime ministers.

Though if she had to describe the ideal Wakeley woman, she’d say she is: “Multi-skilled and multi-talented, a super busy woman on the run who wants to look effortlessly chic.” It’s a profile that sounds strangely familiar... amandawakeley.com; goodwood.com

59

True

grit Soldier on through the summer season with uniform dressing.

Soften strong-shouldered jackets, sailor-style buttons and khaki coats with a pair of silk slacks or feminine frills P h o t o g r a p h y: H e l e n e S a n d b e r g Styling: Karen Munnis

Dress, £700, BOSS, 180 Regent Street, hugoboss.com

fashion

ABOVE Jacket, £390, and skirt, £180, Paul Smith, 9 Albemarle Street, W1S, paulsmith.co.uk; Jumper, £85, Whistles, whistles.com; Bag, POA, Marni, 26 Sloane Street, SW1X, marni.com; Faux pearls medal with crown brooch, £78, and crystal medal cross brooch, £38, both Butler & Wilson, butlerandwilson.co.uk; Gloves, £200, Lisa Redman, Fortnum & Mason, fortnumandmason.com, lisaredman.co.uk

RIGHT Top, £1,710, Dsquared2, 51 Conduit Street, W1S, dsquared2.com; Trousers, £595, Peter Pilotto, available at Club 21, 189 Brompton Road, SW3; Shoes, Marni, POA, as before; Hat, stylist’s own

62

s l u x u ry l o n d o n . c o. u k s

s l u x u ry l o n d o n . c o. u k s

fashion

LEFT Jumper, £165, Paul Smith, as before; Trousers, POA, Marni, as before; Boots, POA, Peter Pilotto, peterpilotto.com

ABOVE Hat, as before; Jacket, £1,150, Peter Pilotto, Feathers, 42 Hans Crescent, SW1X, feathersfashion.com; Trousers, £595, Peter Pilotto, Selfridges, selfridges.com

s l u x u ry l o n d o n . c o. u k s

65

fashion

ABOVE Jacket and shirt, both POA, Dolce & Gabbana, 6-8 Old Bond Street, W1S, dolcegabbana.com

RIGHT Dress, ÂŁ575, Pringle of Scotland, 94 Mount Street, W1K, pringlescotland.com

66

s l u x u ry l o n d o n . c o. u k s

CREDITS Model: Chanel Caldwell from Select Model Management Hair: Adam Garland using Oribe Make-up: Maria Comparetto at emmadaviseagency.com using SUQQU skincare and cosmetics Fashion assistant: Sarah Akinola Photography assistant: Jake Newell

The London Shooting Show on the 16th and 17th of September is an invitation only exclusive event showcasing the best of British game shooting.

Expect to see tweed, fashion, luxury goods and prestigious cars alongside the finest English craftsmanship employed to make the finest guns. Experience the thrill of firing a large calibre rifle or shoot a Purdey shotgun at clay pigeons at this event filled show. Only 40 minutes from the centre of London.

The British countryside comes to London in September so –

AIM... TO BE THERE! Book your invitation through

www.londonshootingclub.com/london-shooting-show

LSS FULL PAGE ADVERT 210MM X 297MM.indd 1

20/06/2016 14:30

fashion

High-fashion hunting You might associate model Stella Tennant and stylist Isabella Cawdor with high heels rather than the Highlands, but their friendship is also based on their shared love of stomping around the great outdoors. This summer, they put their heads together and injected some old-school glamour into Holland & Holland’s latest collection. The innovative, utilitarian designs are made of rich wools, furs and tweeds, catapulting the brand to the forefront of heritage fashion.

Available at Holland & Holland, 33 Bruton Street, W1J, hollandandholland.com and Harrods, harrods.com

Style spy WORDS: MARIANNE DICK

Rubber sole

The beautiful games Frescobol Carioca has created the essential capsule collection for those descending on Rio this month for the 2016 Olympic Games, including prints based on the traditional game of frescobol. Lian Pontes de Carvalho invented the game in the mid-1940s on the city’s shoreline, and 70 years on it has inspired an entire lifestyle range. Originally an artisan racket manufacturer, the label now offers bright, whimsical swimming shorts, T-shirts and accessories.

Planalto linen beach towel, £120 and bat T-shirt, £75, frescobolcarioca.com

Racing Kors It’s been an exciting few months for Michael Kors.

Not only has he opened a glittering flagship store on Regent Street, but he has also announced an official lifestyle partnership with McLarenHonda. The label’s opulent apparel is perfectly suited to the jet-setting Formula One lifestyle, and to celebrate this highprofile coupling, 50 leather jackets bearing the racing company’s logo and a numbered plaque will be available exclusively at the London store.

Leather Jacket, £999, Michael Kors, 179 Regent Street, W1B, michaelkors.com s l u x u ry l o n d o n . c o. u k s

Crockett & Jones might be a stalwart of the British shoe-making scene, but it is by no means behind the times. The company’s latest collection includes the ‘city sole’: the result of a creative collaboration with The Harboro Rubber Company.

The sole features sharp edge trimming and a reduced waist, fusing the well-groomed elegance of a traditional leather sole with the everyday durability of rubber.

Chestnut Calf & Dark Brown Suede, £545.00 and Hayle Ocean Suede, £325, crockettandjones.com

69

the pac Designer Ian Callum once swore Jaguar would never make an SUV. Times change. Matthew Carter welcomes the F-Pace

Y

ou can just imagine the planning meeting at which the Jaguar F-Pace was first discussed. “Look, everyone else has got an SUV… even Bentley,” says Big Cheese No. 1.

“If we are going to compete on level pegging with Porsche, BMW and Audi, we really need one of our own.”

A small voice in the corner of the room starts to speak. “But what about…” says Work Experience Boy. Before he can continue, he’s drowned out by Big Cheese No. 2.

“You’re not wrong,” says No. 2. “Jaguar is known for its sports cars and sports saloons, so it will need to be a great driver’s car. It will need a bit of pace – sort of F-Type Coupé meets SUV. I know, let’s call it F-Pace.”

As the cheers gradually die away, that small voice tries again. “But we already have an SUV in

motoring

e maker

s l u x u ry l o n d o n . c o. u k s

71

our line-up, in fact we’ve got lots of them.

They’re all called Land Rover.”

Silence descends on the room as the Jaguar Land Rover top brass mull over the fact that, yes, the F-Pace would indeed be looking to compete for sales with cars like the Range Rover Evoque and Land Rover Discovery Sport.

Eventually No. 1 says: “Never mind that. The Jaguar F-Pace will be different. It will be a four-wheel drive sports car with an estate car’s practicality. It will be the most sporting SUV in its class.” Thus, possibly, the F-Pace was born.

While that might have been a fictional planning meeting, there’s no doubt that Jaguar desperately needed an SUV in its line-up, even though its design chief Ian Callum once dismissed the

Jaguar F-Pace R-Sport AWD Price: £40,360 Engines: Front-mounted, 1,999cc, four-cylinder diesel Power: 180 hp Performance: 129mph max, 0-62mph in 8.2 secs Drive: Four-wheel drive, eight-speed automatic transmission

notion. Today, everyone has an SUV or two in their product ranges and while it is possible that some potential Land Rover sales might be lost to the new Jaguar, at least they are being kept in-house. Better that than lose sales elsewhere.

And the F-Pace is different. Despite having all that 4x4 know-how, Jaguar has chosen to base the F-Pace on its own XE and XF saloons rather than on a Land Rover. That means it has lightweight, largely aluminium, architecture, which gives it the agility and dynamism Jaguar craves.

This is reflected in its styling. While it is clearly an SUV, with a higher than normal on-road stance, it is lower, sleeker and more sporting than many of its rivals. Jaguar designers might have compromised a little on interior space to

motoring

get the result they wanted (while the boot is a good size, the rear passenger compartment is a squeeze for three), but there’s no denying the end result has been worth it.

At the moment there are three engine choices on offer: a pair of 3.0-litre V6 engines – one petrol and one diesel – and a 180hp 2.0-litre

This really is a sporting SUV that drives better than its rivals turbo diesel. Both V6s are four-wheel drive and auto only, while the 2.0-litre is available as a manual or automatic and with either four- or rear-wheel drive. This test focuses on the 2.0-litre, auto, four-wheel drive F-Pace R-Sport which comes in at just over £40k before options.

This, of all versions, is most likely to become the biggest seller.

s l u x u ry l o n d o n . c o. u k s

It’s easy to see why. It’s robustly priced but well equipped with safety features, parking aids, DAB radio, heated seats and sat nav all as standard. The test car had a few mainly cosmetic options to bump the price up to almost £45k, but of these only the £1,200 fixed panoramic roof made a genuine difference. Unusually, the F-Pace is a car you can buy off the shelf without having to dig deeper to get what you need.

Other than a bigger engine perhaps. The 2.0-litre diesel – a new Jaguar Land Rover design – works well enough but doesn’t shine. It feels a little coarse at low speeds and while its economy and emissions are in line with modern requirements, its performance is not. Despite the smooth eight-speed automatic, overtaking is not as punchy as you might expect. It cruises comfortably enough, but spirited cross-country runs are not as they could be.

The bigger engines perform better but cost more to buy and run. What the F-Pace needs is a four-cylinder engine with more power – and one is on its way. Shame it’s not here now, as the F-Pace chassis delivers in spades. The ride is firm but not uncomfortable and perfectly matches the poise and precision of the handling. This really is a sporting SUV that drives better than its rivals.

Much of this is down to the plethora of advanced chassis aids inherited from the F-Type sports car. As well as rear-biased four-wheel drive system, the F-Pace has torque vectoring technology to control the engine power going to each wheel so that cornering is as near neutral as possible.

It can be driven across the mud with a certain degree of confidence but, in truth, if you want to climb Everest use a Land Rover. JLR has clearly decided that, while there will be some crossover in sales between F-Pace and Range Rover Evoque, the two cars are quite different. If you don’t need to cross fields regularly, stick with the Jag. As compromises go, the F-Pace is as good as it gets. It looks great and handles superbly. It’s not cheap, nor is it as roomy as a traditional estate car, but it is well equipped and, if early signs are anything to go by, it should hold its value well.

That Work Experience Boy was right. JLR does have an abundance of SUVs in its joint portfolio, but its engineers have made sure the F-Pace has different qualities to the Evoque or Defender Sport. It’s been worth the wait.

73

BESPOKE HANDMADE FURNITURE www.oficinainglesa.com London Showroom

info@oficinainglesa.com +44 (0) 207 2264 569

INTERIORS

DESIGN from the desert

A

vant-garde design meets carnival spirit in this collaboration between Paul Smith and Italian design house Gufram, launched earlier this year at Salone del Mobile in a limited edition of 169. Psychedelic Cactus is the latest reworking of Gufram’s original green coat stand that first brought the great outdoors into the home in 1972 – representations of which can be found on shirts, ties, scarves and socks from Smith’s autumn collection. The Italian furniture specialist celebrates its 50th anniversary this year, and this colourful cactus is sure to start the party in any hall, passageway or living space. £4,400, Paul Smith, 9 Albemarle Street, W1S, paulsmith.co.uk

s l u x u ry l o n d o n . c o. u k s

75

DISCOVER A VERY SPECIAL COLLECTION OF HOME FRAGRANCE AND BATH & BODY PRODUCTS INSPIRED BY TEA

DARJEELING

YERBA MATÉ

BLENDED FOR POSITIVITY

B L E N D E D F O R F O C U S & C LA R I TY

Discover Yerba Maté, a fresh, stimulating aroma, inspired by the steeped leaf infusion of Argentina and South America. Evoking the wild solitude of the Pampas grasslands, Yerba Maté will sharpen your senses and free your thoughts with enlivening petitgrain, a shot of maté, guaiac wood and vetiver. This is pure energy.

Yerba Maté joins Darjeeling, our original aromatic infusion, blended for positivity with zesty lemongrass, citrus and warm nutmeg, layered over a rich black tea base. Both blends are captured in candles, room diffusers, bath & shower, hand cleansers and body hydrators, infused with potent natural botanicals. These are scents to surround yourself in. Every day. Every place. From lounge to bath, work space to holiday.

DISCOVER MORE AT T-LONDON.COM

TL DJ YM advert-AW 14.1.16.indd 2

15/01/2016 06:58

interiors

Gorgeous gifts A Roberto Cavalli outfit is always distinguishable in a crowd – but a Roberto Cavalli interior is completely unmistakable. Each item oozes with glamour: from the exquisitely finished linen to the glittering objets d’art. The Kyra chandelier (pictured) makes a timelessly elegant centrepiece to a room, without overwhelming the rest of the decor. The definition of sophistication.

Kings of Chelsea, 387 King’s Road, SW10, kofc.co.uk

Interiors news WORDS: MARIANNE DICK

House of Annabel East meets west on the terrace of Berkeley Square’s infamous members’ club Annabel’s, which has been decked out in plush prints by House of Hackney. The husband and wife team of Frieda Gormley and Javvy M Royle has created a bespoke print called Limerence for the revamp. Decorative pieces such as lampshades and cushions are available to buy so you can recreate the club’s laid-back glamour at home.

The Annabel’s Cushion, £95, houseofhackney.com

s l u x u ry l o n d o n . c o. u k s

Wax lyrical Cire Trudon was founded in Paris in 1643, making it one of the oldest candlemakers in the world. Its stark white candles famously illuminated the Palace of Versailles, yet it is still concocting innovative methods of scent diffusion today. La Promeneuse, designed by Pauline Deltour, is a perfumed wax cameo suspended above a night light. It melts slowly, releasing one of the brand’s distinctive aromas. Even when unlit, La Promeneuse draws the senses with its grooved antique glass shell and aged brass frame. £250, Fenwick, 63 New Bond Street, W1A, trudon.com

Mood lighting Natural light is key to maintaining a well-balanced mood, and now premium blinds company Luxaflex has introduced an innovative PowerView technology, which makes it simpler than ever to control the ambience of your home. You can adapt your window blinds via an app or a compact controller (called the Pebble) as the light changes throughout the day, save your favourite settings and select automatic states such as ‘wake up’ and ‘lights out’.

Luxaflex blinds are available at abbottscarpets.co.uk, luxaflex.co.uk 77

It’s never too late...

LUXURY BODY BUTTER IN WHITE CASHMERE FROM THE BATH & BODY COLLECTION

www.lilouetloic.com

health & beauty

Change with the seasons With brown, gold, green and berry tones, the Wild About Fall collection from Dolce & Gabbana is inspired by the autumnal Sicilian landscape. As captured in this expressive campaign portrait by photographer Tom Munro, the rich, dark hues are striking without being too gothic. Apply the copper and golden colours of the trees and turning leaves with the eyeshadow palette in Enchanting Fall, and to lift the look with a subtle glimmer, apply the nude or gold Sheer Shine Gloss to lips.

From £21, harrods.com

Beauty news W O R D S : m e l i ssa e m e rson

A natural nip and tuck

Past meets present

Launching this month, Sensai’s Cellular Performance range concentrates on giving the anti-ageing benefits of facial products – resilience, youthfulness and hydration – to the rest of the body. Tighten up areas prone to the loosening of skin, such as the thighs, arms and waist, with the Body Firming Emulsion, and use the Throat and Bust Lifting Effect to firm up and contour the neck area, which is thinner and more delicate than the face. The Intensive Hand Treatment cream helps protect against UVB rays, which can age skin even when the sun isn’t strong enough to burn, while all products boost skin’s natural hydration levels with Japanese koishimaru silk.

All topped off with an oriental orchid, plum and apricot scent.

From £70, harrods.com

L’Artisan Parfumeur celebrates its 40th anniversary this year, as its 38-strong fragrance collection launches in Selfridges. Now in the hands of a different fragrance family with a century of experience, the bottles have been given a makeover with dark, smoky glass, while retaining the signature heptagonal shape. selfridges.com

Cat’s eyes If you’re on a quest for the perfect mascara, Burberry launches its best contender yet. Available in jet black, chestnut brown and midnight blonde, the Cat Lashes brush combines both long and short bristles in order to neatly separate and define lashes while coating them evenly. The cone-shaped tip allows you to add that retro feline flick and the clump-free formula stops the hairs getting stiff. £24, uk.burberry.com

s l u x u ry l o n d o n . c o. u k s

79

STRONGER. SLIMMER. FIRMER. FITTER. in six week s ta k e 5 i nches off your waist, los e a s tone, doub le you r fi t nes s

“LOSE WEIGHT AND GAIN FITNESS IN RECORD TIME. WITH THE BODYDOCTOR’S WORKOUT ANYTHING IS POSSIBLE” The Sunday Times Style Magazine

Coming Soon B o dy d o c to r - Fi t f o r Lov e A co u p l e t h at sweat together , stay together

Th e B e s t Tra i n i n g I n Th e Wo r l d - An d i t ’s O n Yo u r D o o r s t e p ww w. bo dy d o c to r . c o m / 0 2 0 7 4 9 9 9 9 9 0 / s o u t h au d l e y s t r e e t, m ayfa i r w 1

PROMOTION

Cutting edge Hairdresser Andrew Williams – known to most as Will – divulges the tricks of the trade for lustrous locks and how to avoid lifeless looking hair

How did you get into hairstyling?

I started about 25 years ago. I was studying psychology and a friend asked me if I wanted to work in a salon for a bit of pocket money. I fell in love with it.

Where did you learn your craft?

I trained with a big company called Saks. Thankfully, I didn’t have any disasters starting out. When I was training, everybody was having their hair permed, so as an assistant that’s all I did every day.

Do you follow trends?

I create bespoke styles, focusing on the client’s hair type and face shape. If a client comes in with an idea that won’t suit them, it’s my job to tell them. They might bring in a picture of Kate Moss and want the overall look. I block out the face and body so they just see the hair and that generally changes their mind.

How long have you been at Jo Hansford?

Just a couple of weeks. It’s been great to work with Jo; she is probably the most amazing colourist in the UK, if not the best in the world.

What are your top four tips for healthy hair?

Get a cut regularly – every six to eight weeks. Find the right stylist. Always look after your hair with regular shampoo and

s l u x u ry l o n d o n . c o. u k s

conditioning. Don’t overuse tongs or straighteners – too much heat can be a really bad thing.

Are there any products you would recommend?

For fine hair, you should always have a volumising spray. For thick hair, use a mask to smooth down the cuticles and give it a nice shine. And you should always think about having a colour that’s going to complement your look.

What has been the highlight of your career so far?

I’ve travelled to Milan, Rome, Ibiza, Portugal and Budapest for fashion shoots and TV advertisements, which has been really fun, but I most enjoy working in the salon. I never stop learning – if you think you’ve stopped learning then it’s time to leave.

How much does a hairstyle impact on wellbeing?

Hair stylists have the ability to ruin someone’s life for eight weeks! That’s why I offer consultations and go through everything with the client so they get exactly what they want.

What do you like about working in Mayfair?

I love the whole feel of the area – it’s like a village in central London. It suits me. It’s a great place to people watch too.

To book a consultation with Will contact Jo Hansford, 48 South Audley Street, W1K, johansford.com

81

health & beauty

S PA R E V I E W

Lovely lady

locks

Daniel Galvin at Selfridges is a class act, offering a VIP experience and a superlative blow-dry, as Katy Parker uncovers

O

nce in a while our hair deserves a treat.

This was exactly my thinking when I booked myself in for an appointment at the recently opened Daniel Galvin salon at Selfridges. Forming part of the department store’s Body Studio – a section dedicated to wellbeing – the salon sits alongside more than 100 specially curated sportswear, swimwear and lingerie brands and the first café from the Hemsley sisters.

Entering the salon on a Saturday lunchtime, when Oxford Street is at its most chaotic, is a welcome retreat. Unusually for a London salon, the space is light, bright and airy, with large windows offering views onto the streets below.

The space is vast, allowing for ample room between each hair station, meaning that your experience at the salon feels immensely private.

Every customer at Daniel Galvin is treated like a VIP, and as such I feel thoroughly spoiled from start to finish. After an indulgent hair treatment, followed by the obligatory and relaxing head massage, I sit in the chair and allow my stylist Donna to work her magic on my damaged, lifeless locks. Clearly an absolute pro, Donna snips and trims at my tresses with fluidity and ease, removing the dead ends and styling my hair to complement my face shape.

Before I know it, we’re onto the all-important blow-dry. I have an event in the evening and tell Donna that I have trouble maintaining blow-dry styles – as no matter how thoroughly my hair is curled and treated, it always seems to return to its default arrangement within a matter of hours.

Viewing this as a challenge, Donna gets to work.

82

After an extensive blow-drying session, featuring copious amounts of clipping, drying and curling, she is happy – and so am I. I have bouncy, shiny, healthy hair that looks red carpet-ready. And miraculously, it still looks this way come evening, with the curls and volume still intact.

If it’s a fantastic colour rather than a great blow-dry you’re after, the salon has just launched a colour menu – exclusive to the Selfridges salon for the next month. Vacation Blonde will be a series of blonde looks and techniques themed around the world’s most glamorous destinations including Ibiza, Venice Beach, the Carribean and St Tropez. Summer won’t be around for much longer, so spoil your hair while it lasts. danielgalvin.com

s l u x u ry l o n d o n . c o. u k s

There are approximately

2 million sports injuries in the UK every year – 95% of which are soft tissue injuries

Stop that injury affecting your fitness, book a consultation today.

Early diagnosis, treatment and physiotherapy can reduce the risk of long term damage. Our orthopaedic consultants work together with experienced sports medicine physicians and physiotherapists to manage a wide range of orthopaedic problems.

Call Our tEam tOday

020 7483 5000

www.thewellingtonhospital.com

PROMOTION

Whiplash injuries Whiplash is a common neck injury caused by sudden movement of the head, which we often hear about in relation to road traffic accidents. Dr Evan Kabir of JDoc365 discusses the symptoms and treatments for people affected by it

Symptoms Common symptoms of whiplash include: • Headaches • Neck pain and stiffness causing difficulty in moving the neck • Tenderness over the muscles of the neck • Pain in the arms or shoulders Commonly, symptoms do not occur immediately but can take at least 6-12 hours to develop after the injury and may continue for several days. Severe symptoms can cause concern but investigation often fails to find any abnormality. A description of events, the symptoms and examination will often reveal the diagnosis. Further tests rarely reveal any additional problems but may be requested if a fracture is suspected.

Treatment Pain relief Pain associated with whiplash can be initially treated with simple over-the-counter painkillers. Paracetamol can be helpful in treating mild neck pain. Non-steroidal antiinflammatory drugs (NSAIDs), such as ibuprofen, can also be helpful to reduce pain and inflammation. These options are usually sufficient for most people. Paracetamol or ibuprofen can be taken separately on an as required basis or regularly if needed. If pain persists, paracetamol and ibuprofen can be taken regularly together but this depends on the severity of the pain and/or patient preference.

If further pain relief is required, your GP will be able to prescribe stronger painkillers. Always refer to the manufacturer’s recommended instructions when taking any

painkillers. Ibuprofen should be avoided if you have a stomach ulcer or have had one in the past. You should also avoid ibuprofen if you have a history of severe heart failure or liver disease. Seek medical guidance or consult your GP if you need further advice.

Exercise It is important to try and keep your neck mobile by performing gentle neck exercises. There is evidence that immobilising the neck and using soft collars can actually delay recovery. Therefore, early mobilisation and return to normal activities is encouraged. This may initially be painful but it is not harmful or a sign of further damage.

If symptoms persist despite self-managing symptoms, a referral to physiotherapy may be required. Physiotherapy can help improve pain and stiffness associated with a neck injury. Your physiotherapist can give you exercises to continue at home as well.

In addition to this, it is important to maintain good posture when sitting, standing or walking by keeping your back straight and avoiding slouching. It is also important to ensure you have a supportive pillow when sleeping.

Most people with whiplash will find their symptoms improve with the simple measures above but occasionally symptoms can persist for several months after the initial injury. Consult your GP for further advice if your neck pain is interfering with your work and other day-to-day activities.

The Wellington Hospital have a team of experienced private GPs available daily, including clinics with doctors from JDoc365.

If you would like to make an appointment, you can call the Enquiry Helpline team on 020 7483 5000 85

ĕĕ

A dark doorway in the heart of Chelsea holds the key to the perfect venue for any event...

Whether you are planning to host a launch party, corporate event, birthday party, fashion show or you just want an excuse to gather colleagues, friends or family in a room, our events team are here to guide you through every step of the process.

The Dom Pérignon Room is available to hire as a stand-alone ‘club-within-aclub’ comprising a private bar, booth seating & its own DJ for up to 65 guests.

E info@raffleschelsea.com

W raffleschelsea.com

PROMOTION

The breakfast club Book a table at The Grazing Goat in Fitzrovia for the most important meal of the day

B

reakfast like a king, lunch like a prince and dine like a pauper, so the saying goes. Even so, numerous reports suggest that half of us admit to regularly skipping breakfast altogether. For those who can’t face blending a protein shake with the NutriBullet first thing in the morning, The Grazing Goat opens its doors for breakfast at 7.30am, and takes bookings for both big and small groups in its bright and rustic first floor dining room.

As well as the obligatory eggs and avocado, highlights from the menu include Gruyère, glazed ham and spinach omelette; baked eggs, tomato and spicy sausage ragout; and courgette and sheep’s cheese fritters. For a hint of sweetness, opt for the homemade banana and date bread served with whole berry jam and vanilla butter, or the coconut chia seed pudding with berries and seeds, washed down with a blueberry, oat and yoghurt smoothie. And if you’re in need of a boost or want to feel more virtuous, an apple, cucumber and fennel juice should do the trick and blast away those Monday morning cobwebs.

Breakfast served from 7.30am to 11.30am, The Grazing Goat, 6 New Quebec Street, W1H, thegrazinggoat.co.uk

s l u x u ry l o n d o n . c o. u k s

87

Italian job Pioneer of Pugilian cuisine Ostuni has opened a second venue in Highgate Village. Specialising in simple dishes originating from the trulli kitchens of the heel of Italy, the 92-cover restaurant serves traditional antipasti and bombettes (street food snacks), alongside other authentic highlights, including orecchiette pasta dishes and salt-crusted seabream baked in the restaurant’s stone oven.

1 Hampstead Lane, Highgate Village, N6, ostunirestaurant.co.uk

Food & drink news WORDS: REBEKAH DIXON

Turkish delight The blink-and-it’s-gone British barbecue season might not stick around for long, but over in Marylebone the charcoal is warming up, ready for the opening of Yosma. Executive chef Hus Vedat (pictured, centre) will focus on the Turkish mangal tradition of barbecuing and pit roasting everything from bell peppers to grapefruit and fennel-marinated seabass over coal, all without an incinerated burger in sight.

We’ll raise a glass of raki to that.

50 Baker Street, W1U, yosma.london image credit: patricia niven

Sea life Whether you want to dance or dine until dawn, Ibiza is the place to do it.

The party island’s culinary reputation has grown to match its clubbing one as a surge of new chefs and food producers take advantage of the thriving local fishing and farming culture. Anne Sijmonsbergen (left), the only organic tomato farmer on the island, offers a taste of the Balearics in her first cookbook Eivissa: The Ibiza Cookbook, with her take on dishes such as paella, grilled muscles and grapefruit curd cake. Sunshine and sangria not included. £13.60, amazon.co.uk image credit: David Munns

A raw deal When ex-professional poker player John Tabatabai became ill, he took a gamble and switched to an all-raw diet (as seems to be the norm these days) in a bid to eat his way back to good health. So successful was said clean eating regime that he quit his day job and decided to try his luck with London’s food scene. His new restaurant, Rawligion, serves a vegan menu of raw cauliflower sushi, seaweed caviar and pizzas made from dehydrated courgette and seeds.

3 Tottenham Street, W1T, rawligion.co.uk

food & drink

review

In the picture The team behind the popular Picture has opened a second site in Marylebone.

Lauren Romano visits to see if it still hits the right notes

T

he local neighbourhood restaurant has had to fend off a lot of competition of late. The capital’s reputation as a culinary incubator shows no sign of ending anytime soon, meaning that not a month goes by without some new chef setting up shop. As the foodie frontiers continue to move, pledging loyalty to just one restaurant is a lot to ask.

Luckily Picture knows the drill. Its original Great Portland Street outpost in Fitzrovia has earned a following of dedicated diners since its launch in 2013, and the team is hoping for a repeat performance over at its second site in Marylebone.

The saying ‘if it ain’t broke, don’t fix it’ springs to mind. The new venue has been opened by the same trio as the original – Alan Christie and Colin Kelly, ex-head chefs at the Michelinstarred Arbutus and Wild Honey, and front of house manager Tom Slegg – and has rolled out a similar concept to its older sibling. With its friendly but unobtrusive service, hearty, unfussy cooking and good value, it’s a shining example of what a neighbourhood restaurant should offer.

Design wise, things have been kept contemporary and stylishly spartan, with a neutral colour scheme, comfortable banquette seating and flattering candlelight, while on the food front, the popular tasting menus showcasing Christie and Kelly’s seasonal favourites have also made it over from Fitzrovia.

Not quite peckish enough to eat six courses on this occasion, we opt for à la carte. Tom recommends choosing

s l u x u ry l o n d o n . c o. u k s

one dish from each of the starter, fish and meat sections.

These arrive in quick succession, artfully presented on beautifully mottled crockery. The charred spiced cauliflower has a satisfyingly smoky taste, while its dainty accompaniments of sea purslane, peas and shallots add a fresh twist. The ravioli meanwhile is served al dente, coated in a reduction of caramelised onion, peas, broad beans and lettuce topped with a generous shaving of pungent pecorino: it tastes as divine as it smells.

Next up the flaky cod with chorizo and Paris brown mushrooms is a light sequel and complements a crisp pinot blanc from the Alsace region, although the Mediterranean inspired stonebass with courgette, aubergine and black olive is the stand-out dish.

The plates are small, but even so it proves a struggle to finish the unctuous 28-day-aged beef with red wine sauce, despite the moreish garnish of bone marrow crumbs. The roast chicken with portobello mushrooms and curly kale continues in the same comfort food vein.

On Tom’s encouragement we make room for an excellent creamy parfait and a slice of almond cake topped with sweet apricots. Unnecessary perhaps, but it would be rude not to get the whole picture.

19 New Cavendish Street, W1G, picturerestaurant.co.uk

89

star quality Merlin Labron-Johnson, the chef behind the much celebrated Portland, is poised to open a second restaurant in Fitzrovia this month. He tells Lauren Romano about playing spot the Michelin reviewer and why working with some of the greatest chefs taught him a lesson in humility – and French

T

here aren’t many chefs who can say they’ve won over restaurant critic AA Gill and the other top-flight reviewers, but Merlin Labron-Johnson has. And at the tender age of 24 too.

It wasn’t intentional though, the modest cook assures me. His CV makes him sound a bit like Bear Grylls, but with better knife skills. Before taking the helm at his first head chef gig at Portland, Devon-born Labron-Johnson learned the ropes (and the language) in the Swiss Alps, foraged in the Heuvelland Woods and went onto work alongside Kobe Desramaults at the internationally acclaimed In de Wulf in Belgium.

Back in the big smoke the 45-cover Portland has redefined fine dining by doing away with the white tablecloths, the formality and the fuss in place of stripped-back décor and inventive cooking. Past highlights from the ever-changing menu include white truffle and Gruyère macarons; and crispy chicken skins with liver parfait, candied walnuts and pickled grapes.

Now Labron-Johnson is set to work his magic on a sister restaurant, Clipstone, which opens this month and promises a more neighbourhood feel together with hearty dishes such as oven baked brill and dulse butter, muscovado sugar tart, and wines on tap. And the even better news for those fed up of queuing? You can book. image credit: keiko oikawa

interview

I didn’t set out to get a Michelin star.

Portland started off as quite a different restaurant to what it ended up being. It opened as an all-day restaurant with a very small kitchen team and a big menu, and gradually that reversed over time so that now we have a bigger team and a smaller menu. This was because of the reviews, the loyalty of our customers and the quality of the people coming to work with us. There are nine of us in the kitchen now. The talent we have both here and in front of house is great.

The Michelin inspectors will usually introduce themselves after the meal. You don’t know that the inspectors are coming but because it’s an open kitchen and because I’ve worked in Michelinstarred restaurants before, I do have an idea of what they look like and how they behave, and how they eat. I don’t feel pressured to retain the star because we’re better now than when we were awarded it. There is more pressure just to be good, to compete with other restaurants that are in the same league. We question ourselves more about whether we’re delivering.

Michelin-starred dining is definitely changing.

It’s becoming more accessible, which is perhaps indicative of the dining scene as a whole. I think that’s what Michelin was aiming for this year with restaurants like Portland and Lyle’s – both are relaxed places with serious cooking. Eight or nine years ago there wasn’t that much diversity in Michelin-starred restaurants in London, but that’s changing now.

I’ll be working across two venues when our new restaurant Clipstone opens this month. The idea is to create a more casual setting. I wouldn’t even call it a version of Portland – it’s a different restaurant with a distinct neighbourhood feel.

I’m inspired by nature, the seasons and the time I spent cooking in the Swiss Alps. The roots of my food are French. My cooking is inspired by the different places that I’ve worked, but the menu at Portland is also the product of the creative partnership between me and my sous chefs who come from all over of the world.

s l u x u ry l o n d o n . c o. u k s

91

I try not to leave a dish on the menu for more than two weeks, so as soon as something goes on we’re already starting to think about what we’re going to replace it with. One of my favourite dishes is a pithivier, which is essentially a classic French pie – but quite a lot of work goes into it. I only make it during the game season in autumn, which is always an exciting time for produce. I really like the flavour of smoke too, so there’s always something smoky on the menu.

Portland is in really good company in Fitzrovia. It’s great to see all these places opening up here because people didn’t notice the area much a few years ago. Back then there were a few fine dining restaurants. But now there’s everything from bistros to the new BAO, and you’ve got Charlotte Street too which is just covered with great places to eat. I’ve got a list of

interview

places I want to try; it’s almost frustrating because there are so many!

I always prefer to go out for dinner on my night off. When I do stay in I cook with my girlfriend and we might make chicken and salad.

The other night she wanted me to teach her how to make mayonnaise. The most memorable meal I’ve eaten in London was when my brother was visiting from Germany. We went to Nuno Mendes’ Taberna do Mercado and the evening was a mixture of great food and really great company.

I worked with some of the most incredible chefs including Kobe Desramaults. I had a lot of admiration for him when I was at In de Wulf in Belgium. When you go to a different country and you turn up somewhere and you don’t speak the language you just have to be very humble and get your head down. Nobody spoke English at the first restaurant I worked at, so it was a very good

s l u x u ry l o n d o n . c o. u k s

“Nobody spoke English at the first restaurant I worked at, so it was a very good environment for learning French” environment for learning French very quickly.

I’ve always thought it’s a beautiful language. I imagined that if I lived and worked in other countries then I’d have experiences and techniques that weren’t that common over here.

My last meal would probably be a traditional Spanish dish made with morcilla blood sausage, fries and an egg. It kind of all gets mashed up – it sounds a bit strange, but it tastes good. I’d have that with a glass of wine.

Clipstone opens in August at 5 Clipstone Street, W1W; Portland, 113 Great Portland Street, W1W, portlandrestaurant.co.uk

93

Rendezvous AT THE RITZ

T

his spring, the curtains opened at the Ritz on Place Vendôme, following its first refurbishment since opening in 1898. All 142 rooms have been redesigned – an undertaking that involved the man power of 1,000 people over the past four years. The École Ritz Escoffier cooking school has been expanded and the swimming pool’s turquoise mosaic updated; there’s a new underground ballroom, a 1,600 sq m garden and the first Chanel spa in the world. The hotel captured the hearts of Ernest Hemingway, Marcel Proust and F. Scott Fitzgerald, and 15 of the 71 suites are named and themed after such famous guests.

From approx. £835 a night, ritzparis.com F. SCOTT FITZGERALD SUITE IMAGE CREDIT: VINCENT LEROUX

travel

Join the club The Blue Palace in Crete opens its Isola Beach Club this month, a bohemian venue set amid olive trees with a stylish bar overlooking the Mediterranean Sea. Enjoy views of the neighbouring island of Spinalonga or people watch from the daybeds dotted across the 200-metre private beach, before tucking into fresh seafood and meze at the hotel’s traditional Greek taverna, Blue Door.

Come evening, throw some shapes on the dancefloor as DJs hit the decks to spin tunes from dusk til dawn.

From £228 a night, bluepalace.gr

Into the wild

Travel news W O R D S : R e b e ka h D i x on

Making waves Sporting highlights have come thick and fast this summer, what with the Euros (the less said about that the better), Wimbledon and now the Olympic Games. For a friendly tournament en famille, Berluti has released a number of travel friendly summer games, including a retro bat and ball.

Available in shades of red and blue, the set is part of Berluti’s beach essentials range, which also includes classic espadrilles, swimming trunks and a leather-trimmed beach bag.

From a selection, berluti.com

Set within 33,000 acres of private land in South Africa’s Kruger National Park, Singita Lebombo Lodge re-opens this month, with 13 minimalist suites suspended above the N’wanetsi River.

Food will be a major focus with chef Liam Tomlin from Cape Town’s award-winning Chefs Warehouse in charge of the local ingredient-driven menu, while a rooftop dining area and interactive kitchen will encourage a sociable dining experience.

From £1,084 per person per night on a full-board basis, singita.com

The royal treatment In its former life the Gran Meliá Palacio de los Duques hotel welcomed Dukes, art collectors and the movers and shakers of the Madrid intelligentsia through its doors. It might not be the catchiest of names, but the recently opened retreat is housed in a former 19th century palace that was originally built for Spanish royalty. Nearby cultural hotspots include the Royal Palace, the Palacio del Senado and the Teatro Real opera house, while the hotel itself boasts grand architecture and a cocktail list fit for a queen.

From £229 a night, melia.com s l u x u ry l o n d o n . c o. u k s

95

M

ontpellier is the eighth-largest city in France, although it’s often overlooked. It’s got ancient architecture – the university dates back to the 13th century and includes one of the oldest surviving faculties of medicine – that fuses with the city’s youthful energy. Outside of the city centre, rolling vineyards lie waiting to be explored and just a few kilometres further south is the Mediterranean coast.

At the centre of the city you’ll find the Place de la Comédie: presided over by the famous fountain of the Three Graces, it is one of the largest pedestrianised squares in Europe. Known locally as the ‘oeuf’ due to its egg-like shape, this buzzing zone is constantly filled with market stalls, musicians and people enjoying an alfresco bite while watching the world go by.

After a morning spent browsing, a walk through the medieval Écusson comes highly recommended. Forget about Google maps and let the narrow streets lead you to hidden architectural treasures and picturesque corners.

The most impressive place in the old town is the basilica of Notre-Dame des Tables. In comparison to the daunting stature of the Cathédrale Saint-Pierre de Montpellier, it is smaller, more intricately detailed and in many ways much more beautiful.

Aside from its excellent reputation in education and research, Montpellier also boasts a colourful art scene. The main draw is the Musée Fabre, however there are a number of other smaller galleries dotted around, such as the Pavillon Populaire and the Galerie d’Art Réno, which celebrate regional artists.

While the old town is a wonderful reminder of Montpellier’s history, the areas of Antigone and Port Marianne are an indication of its future. These spots, on the banks of the River Lez, are full of striking examples of modern architecture including the Hôtel de Région designed by Ricardo Bofill, Le Nuage by Philippe Starck and the Pierresvives building from late architect Zaha Hadid.

[city break]

MONTPELLIER Home to enchanting architecture and exuding a youthful spirit, the city of Montpellier is the crowd-pleasing capital of Languedoc-Roussillon, says Marianne Dick

travel

Where to stay The idyllic Domaine de Verchant is a peaceful retreat a stone’s throw away from central Montpellier. The 16thcentury stone château is nestled within 13 hectares of vineyards and blends period architecture with modern design.

The hotel recently opened its decadent Verchant Le Spa; a 2,000 square metre haven that offers an indulgent range of treatments developed by Anne Sémonin and Valmont. For a fully immersive experience, the spa also offers The Grand Cru – a treatment that draws inspiration from its surroundings, with a red grape wrap and a grape seed and salt exfoliation. domainedeverchant.com

SUITCASE E S S E N T I A L S #1 Sunglasses, £230, Prada, selfridges.com

#2 Lipstick, £34, Sisley, liberty.co.uk

Where to eat Montpellier offers a fine selection of Michelin-starred restaurants. One of the most spectacular has to be Eric Cellier and Pierre Morel’s Maison de la Lozère, where you can dine under 13th-century vaulted ceilings or among lush greenery on the secluded patio. The menu offers a carefully curated range of the region’s finest gastronomic exports, and the wine list is of an exceptional standard. If a trip back into town in the evening seems too tiring, then the Domaine de Verchant also houses the Restaurant Verchant headed by the Michelinstarred chef Damien Cousseau. celliermorel.com Domaine de Verchant Domaine de Verchant

s l u x u ry l o n d o n . c o. u k s

#3 Swimsuit, £265, Kiini, matchesfashion.com

#4 Trousers, £595, Roland Mouret, net-a-porter.com

Don’t miss In a place that claims 300 sunny days per year, spending an afternoon inside may not be on your list of priorities.

However, the Musée Fabre – a few minutes’ walk from the Place de la Comédie – is well worth a visit. With works by its namesake artist FrançoisXavier Fabre, as well as Peter Paul Rubens and Eugène Delacroix, the gallery also houses a modern art section, which opened in 2007. museefabre.fr

#5 Shoes, £415, Aquazzura, brownsfashion.com

97

treasure

island Ellen Millard finds adventure and escapism on the paradise island of Mauritius

I

t’s not yet 8am and I’m hugging the side of a mountain face, my hands and feet covered with mud as I claw at the rocks, which are wet from a torrential rain shower.

To my right is a seemingly endless drop, which I’m trying (unsuccessfully) to ignore.

The rain may have eased off but the sun has taken its place, beating down on us with its 20 degree heat. “You’re nearly there” shouts our guide, Nicolas, who navigated the craggy ascent with such ease you’d be forgiven for thinking it was no more challenging than a staircase. One final push and I reach our destination, the summit of Le Morne Brabant, which looms over the south-west coast of Mauritius.

The imposing mound sits on private land but was made a UNESCO World Heritage Site in 2008, which means the basalt mountain and its

travel

surrounding 15 hectares of green wilderness remain largely untouched. From the summit, breathtaking views of the rolling hills, lush forests and deep blue lagoon stretch out in front of us and, further out to sea, foaming waves break against the coral reef that circles the island like a protective ring.

Mauritius is far greener than I expected it to be, with a landscape of vibrant foliage that peppers the terrain in emerald hues. In fact, the whole island comes as a surprise, and while I arrive ready for a beach retreat, armed with a sunhat and a vague memory that the island was once home to the dodo, I leave buzzing with adrenaline.

Mauritius has a complicated history. It’s been invaded by Arabs, Portuguese, French and later the British, which lends the now independent peninsula a fusion of nationalities, religions,

s l u x u ry l o n d o n . c o. u k s

languages and cultures, all of which refreshingly get along just fine. Mixed in with its British ways – they drive on the left, take GCSEs and have a parliament modelled on Westminster – are home-grown customs that hint at the relaxed, carefree nature of its people, from Sega music to delicious fragrant curries that a true Mauritian would lace with chilli and wash down with a glass of sweet rum.

Post-hike I enjoy my first taste of this laidback lifestyle with a yoga session in the gardens of LUX* Le Morne. Sitting under the watchful eye of the mountain, the hotel stretches out across the south-west coast of Mauritius and is so vast it houses four pools, three restaurants and 149 rooms, all a few footsteps away from powdery sand and a translucent ocean. Despite its size the resort is pleasantly peaceful, so much so that we do our

99

best warrior pose in the middle of the complex and still manage to get the vinyasa well and truly flowing.

There’s no shortage of things to do here, from kitesurfing and swimming with dolphins to simply lounging around in the daybeds and deck chairs that are dotted around the resort, but I’m told of a water sport outside the hotel that is unique to Mauritius – so I prise myself away from the pool to see what all the fuss is about. It turns out that the fanfare is well deserved.

Mauritius is home to a fleet of Seakarts, a speedboat-jet ski hybrid that offers an altogether more exhilarating experience than its traditional counterparts. There are only six in the world and they are all based on the island. The boats race through the lagoons at 70km/h, seamlessly cutting through waves and offering panoramic views of Le Morne and the surrounding lagoon.

If you don’t have the strongest of sea legs then seakarting probably isn’t for you, but there’s still a chance to explore the depths of Mauritius on land. One morning I take a bike tour through Chamarel on twisting roads that snake up to the waterfalls of River St Denis and across to the Seven Coloured Earths, an unusual geological phenomenon of rainbow ash dunes that have been exposed by years of erosion.

It’s a challenging ride that takes us up steep hills, pushing our calf muscles to the limit – or at least it would have been, had we not been riding Electrobikes.

The power-assisted cycles have a motor that kicks in when the going gets tough, allowing you the time to take in the surrounding scenery: coffee plantations, pineapple fields, old sugar factories and charming fishing villages, all flanked by a backdrop of blue skies that blur into the aquamarine Indian Ocean.

My stay is sweet but short and I only have time to explore the western coast of the island. But on the last day I get a

I take a bike ride through Chamarel on twisting roads that snake up to the waterfalls glimpse of what I’ve missed: via a helicopter tour that provides a bird’s-eye view of the coastline and sugar cane fields. From the air we get a good look at the lively coral reef that pulses beneath the water, waving its rainbow tentacles and tantalising the waves that crash against it. We fly to Pieter Both, the second highest mountain in Mauritius where a wobbly rock formation resembling a human head watches over the island from a height of 820 metres.

travel

On our return to the helipad we spy our home for the final night, Angsana Balaclava, nestled in the crook of Turtle Bay. Fifty-two rooms and an impressive private villa boast views of the ocean and a cosy décor that would make it difficult to venture outdoors if it were not for the suntraps that are the private pools and lounge areas, where an entire week could easily be spent soaking up the rays or reading a book borrowed from the hotel’s well-stocked library. From above we can see sun loungers dotted around the main pool in which snoozing guests rest and smartly dressed staff in lemon yellow shirts scurrying around the poolside bar, where diners eat with their feet in a shallow pool of cool water.

As we touch down at the airport, I marvel at how quickly one hour spent in the helicopter has gone and note that I wouldn’t mind my similarly lengthy commute so much if it were spent admiring panoramic postcard-worthy views. I imagine signal failures and

passenger alarms would be the stuff of London myths if the underground were installed in Mauritius, where an easy, laidback attitude is customary among its inhabitants. Is it just the round-the-clock sunshine? Whatever it is, we could all do with a bit of escapism once in a while, whether that may be a beach retreat or a hike up to a UNESCO World Heritage Site. A one way ticket to Mauritius should do the job. I’ll see you there.

N E E D • T O • K N O W Rooms at LUX* Le Morne from £193 a night, luxresorts.com Garden suites at Angsana Balaclava from £374 a night and ocean front pool suites from £545 a night on a bed and breakfast basis, angsana.com Hiking Le Morne Brabant from £30pp, trekkingmauritius.com Seakart experience from £115 for one hour, fun-adventure.mu Three hour Electrobike tour of Chamarel, from £40 per person, electrobikemauritius.com

All images courtesy of MTPA

s l u x u ry l o n d o n . c o. u k s

One hour helicopter tour, £59 per person, airmauritius.com

101

travel

HOTSPOT

peru

WORDS: REBEKAH DIXON

STAY The Belmond Palacio Nazarenas in Cusco was a former school, convent and home of a famous warrior in its past life. It’s since undergone an extensive restoration to become the contemporary hotel it is today. Offering 55 suites, a tranquil spa and the city’s first heated outdoor pool, the hotel is the ideal retreat after a day of exploring colonial architecture and archaeological sites. Spend an afternoon relaxing on the terrace, home to indigenous flowers, a herb garden and relaxing fountains, before treating weary soles at the Hypnôze spa.

From £335 a night, belmond.com

F A dramatic landscape made up of desert plains and snowy peaks did you know?

Machu Picchu (above) was built by the Inca Empire in the 1400s but was abandoned a century later and remained forgotten until 1911, when it was rediscovered by American explorer Hiram Bingham III.

102

ew countries are as culturally and historically rich as Peru, where UNESCO World Heritage Sites are dotted across a dramatic landscape made up of desert plains, snowy mountain peaks and tropical Amazonian rainforest. From the ancient citadel of Machu Picchu, situated on a mountain ridge more than 2,400 metres above sea level, to the world’s deepest canyon, Cotahuasi, found near the city of Arequipa; there’s plenty to explore on foot.

Those who decide to hang up their hiking boots for a day can escape the Inca trail by white-water rafting down the Urubamba river or eating their body weight in ceviche, traditional Lomo Saltado stir fries or (for the brave) barbecued guinea pig.

s l u x u ry l o n d o n . c o. u k s

HOMES showcasing the

finest HOMES & PROPERTY from the best estate agents

Elegant & exclusive

The latest prime properties

Image courtesy of Aston Chase

GREVILLE PLACE WEST HAMPSTEAD NW6 F R E E H O L D H O U S E W I T H G A R D E N A N D PA R K I N G

Offered for sale is this truly beautiful, white fronted, lateral house in Greville Place, measuring approximately 1,926 sq.ft. The house also benefits from off street parking to the front and a private 100 foot garden.

The property offers tremendous volume and light throughout comprising three en suite bedrooms over lateral living accommodation.The master bedroom suite overlooks the Greville Place nature reserve. Although small, the reserve has a number of interesting features including a small wildlife pond, bee hives and interesting historical trees. The magnificent views are accompanied by perfect silence, creating a magnificent ambience in this Grade II listed house.

The second bedroom suite also sits on the first floor with the main living accommodation spread over the ground and lower ground floors. The ground floor entrance is extremely grand and immediately sets the tone in the house, leading on to a living/dining room which has a terrace

+44 (0)20 7586 2777

•

overlooking the spectacular private garden. This floor also offers a guest WC. In addition to a third bedroom suite, the lower ground floor boasts a kitchen which sits on and looks out onto the garden. The house has the benefit of full planning permission to extend the lower ground floor out to the garden, which includes a watering system.

Greville Place is within 0.5 km of Maida Vale underground station (Bakerloo Line) and St. John's Wood Station (Jubilee Line) is 0.9 km away.

ACCOMMODATION • 3 bedrooms (all with en suite bathrooms) • Reception room with balcony • Kitchen/breakfast room • Guest WC • Terrace • Rear garden • Private parking • Approximately 179 sq m (1,926 sq ft) • EPC: D

FREEHOLD

stjohnswood@knightfrank.com

•

ASKING PRICE £2,750,000

5-7 Wellington Place, London NW8 7PB

View of Regent’s Park

CHESTER TERRACE REGENT’S PARK NW1 A N E L E G A N T N E W LY R E F U R B I S H E D R E G E N C Y T O W N H O U S E , W I T H E X T E N S I V E V I E W S A C R O S S R E G E N T ’ S PA R K

Designed and renovated by award winning interior architects and designers SHH, the property has recently undergone a major programme of refurbishment throughout and the result is a classical property which now has a chic and modern interior. Features include a passenger lift which gives access to each floor, a stunning roof terrace with excellent views of the open spaces of Regent’s Park, a double reception room with excellent volume and a sumptuous master bedroom suite.

ACCOMMODATION • 3 reception rooms • Kitchen • Master bedroom suite • 3 further bedrooms • Media/cinema room • Staff suite • Garage • Roof terrace • Balcony • Approximately 415 sq m (4,468 sq ft) • EPC: E

LEASEHOLD

+44 (0)20 7586 2777

•

JOINT SOLE AGENTS

stjohnswood@knightfrank.com

•

GUIDE PRICE £13,750,000

5-7 Wellington Place, London NW8 7PB

3 R 4S EM O A LD IN , IN G 3

50 50 ST EDMUND’S TERRACE ST JOHN’S WOOD NW8 APARTMENTS COMPLETE AND READY FOR OCCUPATION SALES PRICES £4,250,000 – £9,850,000 LETTINGS PRICES £795 – £8,500 PER WEEK

LUXURIOUS NEW APARTMENTS FOR SALE, WITH PANORAMIC VIEWS OF PRIMROSE HILL AND REGENT’S PARK. THESE STUNNING APARTMENTS ARE FINISHED TO THE HIGHEST OF SPECIFICATIONS AND OFFER THE BEST IN LUXURY LIVING.

These three new stunning buildings are part of a luxury development designed by Squire & Partners, set within elegant landscaped courtyard gardens and arranged to take advantage of views over the surrounding park. They draw their influence from the Regency history of the site and evoke a contemporary, yet timeless quality.

The development has a 24 hour concierge, as well as boasting 5 star spa & leisure facilities that include a 20m swimming pool, steam room and state of the art gymnasium. This exclusive gated development further benefits from underground parking.

This is park living at its most exclusive; an elegant, private retreat that gathers everything you need for sophisticated city living into one place.

Award-winning architecture, thoughtfully-designed interiors, and world-class

+44 (0)20 7586 2777

•

specification and facilities, on the doorstep of everything London has to offer.

Home to many seeking a luxurious London haven, St Edmund’s Terrace is situated in the charming urban village of Primrose Hill that has a culture that's at once private and exciting. From Pan-Asian eateries and lively cafés, to traditional pubs, contemporary galleries and apothecaries, Primrose Hill is exclusive, yet convenient and welcoming.

A short walk to the North West of the development reveals the independent boutiques, smart cafés and delicious dinner spots of St John's Wood High Street and St John’s Wood Underground Station (Jubilee Line) is a 4 minute walk.

Please note that the images are Computer Generated Images and are for illustrative purposes only.

stjohnswood@knightfrank.com

•

5-7 Wellington Place, London NW8 7PB

BLOMFIELD ROAD LITTLE VENICE W9 A SUBSTANTIAL STUCCO FRONTED PERIOD HOUSE POSITIONED AT THE END OF TERRACE ON BLOMFIELD ROAD, ARGUABLY THE MOST DESIRABLE STREET IN LITTLE VENICE.

This charming property is nestled on the banks of the picturesque Regent’s Canal and is moments away from the boutique shops and cafés of Clifton Road. The main house offers a double reception room on the ground floor with high ceilings and pretty Juliet balconies both to the front and rear.

The first floor is occupied by a beautiful master suite leading up to three further bedrooms on the second floor.

The house benefits from great entertaining space on the garden level with a further family room, large kitchen with eat-in breakfast area and a separate dining room which leads directly out onto a private patio.

The semi-detached house is surrounded by a generous wrap around garden affording two outdoor dining areas. To the rear of the house sits a self-contained mews house as well as a fully fitted gymnasium and off-street parking, which is rarely available in this neighbourhood.

Blomfield Road is within close proximity to Warwick Avenue Underground Station (Bakerloo Line), which is 0.2 of a mile away. London Paddington Station is only 0.4 of a mile away and Heathrow can be reached within 15 minutes via the Heathrow Express from Paddington Station.

Master bedroom with dressing room and en suite bathroom, 5 further bedrooms (3 with en suite bathrooms), 7 bathrooms, 2 reception rooms, 2 kitchens, breakfast room, cloakroom, self-contained apartment, living room, gym, conservatory, utility room, 2 balconies, front and rear garden, patio, private parking. Approximately 4,424 sq ft. EPC: E.

£6,000 PER WEEK UNFURNISHED GUIDE PRICE £11,500,000

+44 (0)20 7586 2777

•

stjohnswood@knightfrank.com

•

5-7 Wellington Place, London NW8 7PB

CUMBERLAND TERRACE REGENT'S PARK NW1 CROWN ESTATE LEASE 117 YEARS UNEXPIRED PRICE ON APPLICATION JOINT SOLE AGENT

A beautifully presented substantial Grade I Listed family home spanning over 598sq m/ 6,438sq ft on a long lease. This historic family home must be viewed to be truly appreciated. Cumberland Terrace enjoys the quiet seclusion and security that comes with overlooking central London's largest park and yet is within easy reach of the City and the West End.

ACCOMMODATION AND AMENITIES Principal bedroom with en-suite dressing room & bathroom, 3 further bedrooms (2 with en-suite bathrooms, 1 with en-suite shower room & 1 with en-suite dressing room), guest bedroom with en-suite bathroom drawing room, sitting room, dining room, kitchen/breakfast room, library, playroom/TV room, laundry room, mews house comprising 2 bedrooms, 2 bathrooms (1 en-suite), reception room, wine cellar, storage vaults, patio, roof garden, gated communal gardens, integral garage, off street parking.

astonchase.com

ABBEY GARDENS ST JOHN'S WOOD NW8 FREEHOLD £3,795,000 SOLE AGENT

6 9 – 7 1 PA R K R O A D LO N D O N N W 1 6XU 020 7 7 24 47 24

A wider than average Grade II Listed house (223sq m/2,410sq ft), situated in this extremely popular quiet tree-lined road. The house is presented in good condition, featuring a delightful private garden and off street parking for two cars. Abbey Gardens is located on the west side of St John’s Wood, close to Violet Hill Park, The American School in London and St John’s Wood High Street and Underground Station (Jubilee Line).

ACCOMMODATION AND AMENITIES Principal bedroom with en-suite bathroom, 3 further bedrooms, family bathroom, kitchen/breakfast room, drawing room, reception room, TV/family room, playroom, dining room, off street parking for 2 cars, roof terrace, 42 ft rear garden, storeroom.

ELM TREE ROAD ST JOHN'S WOOD NW8 FREEHOLD GUIDE PRICE £6,000,000 SOLE AGENT

Discreetly situated behind a south facing private walled garden is this exceptional and unique low built family house (293sq m/3,159sq ft). The house is predominantly arranged over two floors only, with the added benefit of off street parking. Presented in excellent condition throughout, it provides lots of natural light and space for grand entertaining and family living. Located nearby to the vibrant mix of thriving cafés, restaurants and boutiques of St John’s Wood High Street, it is also close to St John’s Wood Underground Station (Jubilee Line) and bus routes to the West End.

ACCOMMODATION AND AMENITIES Principal bedroom with en-suite bathroom, dressing and sun room, 4 further bedrooms, study/bedroom 5, 2 family bathrooms, fitted kitchen, breakfast room, large drawing room, dining room, family room, south facing walled garden, sun terrace, off street parking, fully air conditioned, under floor heating to ground floor, Leax lighting system, video entry phone system, electric sun blind.

astonchase.com

CARLTON HILL ST JOHN’S WOOD NW8 FREEHOLD GUIDE PRICE £6,750,000 JOINT SOLE AGENT

6 9 – 7 1 PA R K R O A D LO N D O N N W 1 6XU 020 7 7 24 47 24

An imposing Grade II Listed, double fronted, detached house (308sq m/ 3,320sq ft) offered in excellent condition throughout. The house has been meticulously refurbished over the years to an exceptionally high standard and offers an abundance of light and volume throughout all of the principal rooms.

Further benefits of this beautiful family home are newly landscaped front and rear gardens by the acclaimed award-winning designer Kate Gould and secure gated off street parking.

ACCOMMODATION AND AMENITIES Principal bedroom with dressing room & en-suite bathroom, 3 further bedrooms with en-suite bathrooms, reception room, kitchen/breakfast room, family room, dining room/living room (currently used as a gym), guest cloakroom, utility room, 65 ft landscaped rear garden, front garden with secure gated off street parking for 2/3 cars.

WARWICK AVENUE LITTLE VENICE W9 FREEHOLD ÂŁ7,350,000 JOINT SOLE AGENT

A Grade II Listed period house (382sq m/ 4,113sq ft) benefiting from off street parking for two cars and a delightful 68 ft west facing rear garden. The house is offered in good condition throughout and retains many of its original features, with high ceilings and well planned accommodation throughout. Warwick Avenue is situated within walking distance of the shops and restaurants of Clifton Road and Warwick Avenue Underground Station (Bakerloo Line).

ACCOMMODATION AND AMENITIES Master bedroom with large walk-in dressing room & en-suite bathroom, 6 further bedrooms, 1 en-suite bathroom, 3 shower rooms (2 en-suite), reception room, study, gymnasium, dining room, garden room, Bulthaup kitchen/breakfast room, 2 guest cloakrooms, utility room, 68 ft west facing garden, patio, off street parking for 2 cars, partial air conditioning, cellar. EPC=E.

astonchase.com

GLOUCESTER GATE REGENT'S PARK NW1 CROWN ESTATE LEASE £5,750,000 JOINT SOLE AGENT

6 9 – 7 1 PA R K R O A D LO N D O N N W 1 6XU 020 7 7 24 47 24

A charming low built house (332sq m/ 3,467sq ft) mainly arranged over two floors only. In good condition throughout, the house offers spacious well planned accommodation. The property is situated on the outer circle of Regent’s Park and is within walking distance of Regent’s Park Underground Station and the fashionable shopping facilities of St John’s Wood, Marylebone High Street and the West End.

ACCOMMODATION AND AMENITIES Principal bedroom suite with dressing room & bathroom, 3 further bedrooms, family bathroom, shower room, reception room, study, dining room, kitchen/breakfast room, family room, garage, utility room, 2 storerooms, air conditioning. EPC=E.

cbreresidential.com/uk

Prince Albert Drive, Regents Park NW8

Luxury portered five bedroom apartment to rent with views of Regents Park This elegant and spacious five bedroom family apartment situated in one of London’s most prestigious portered blocks includes five double bedrooms, three bathrooms and w/c, a fully equiped kitchen, dining room and large reception room with views of regents park. St John’s Wood (Jubilee Line) is the closest Underground Station (0.3 miles). The property is perfectly located for the green open spaces of Regents Parks with its manicured parklands, tennis centre, lake, open-air theatre and of course London Zoo. Approximately 2,227 sq ft (206 sq m)

Guide price £1,950 per week +44 (0)20 3257 6482

residential.lettings@cbre.com

cbreresidential.com/uk

Fitzroy Place, Fitzrovia W1

An exquisite three bedroom duplex penthouse apartment with exceptional amenities Rich in character and quality, this apartment’s design makes the most of its unique position at the heart of central London.

Arranged over two floors, this seventh floor penthouse comprises a spacious open plan bespoke kitchen/living room with direct access to a private terrace extending to 70 sq ft and a staff kitchen/utility room, separated by a marble and brass staircase, the accommodation on the top floor comprises master bedroom suite with walk in wardrobes and a luxury bathroom including a walk in shower as well as direct access to the top floor terrace. Two further en suite bedrooms and a separate study. Approximately 4,469 sq ft (415 sq m)

Guide price ÂŁ12,750,000 +44 (0)20 7182 2477

residential.sales@cbre.com

MODERN AND BRIGHT TWO BEDROOM APARTMENT Luxborough Street, Marylebone, W1

• Two Bedrooms • Bathroom • Reception Room • Separate Kitchen • Second Floor • Energy Rating: C

£650 Per Week Furnished/Unfurnished

Kay & Co Marylebone & Fitzrovia Lettings

020 3394 0027 marylebone@kayandco.com

kayandco.com

CONTEMPORARY TWO BEDROOM MEWS HOUSE Weymouth Mews, Marylebone, W1

• Two Bedrooms • Two Ensuite Bathrooms • Large Kitchen/Dining Area • Reception Room • Guest W.C • Integral Garage • Energy Rating: C

£1,295 Per Week Unfurnished Kay & Co Marylebone & Fitzrovia Lettings

020 3394 0027 marylebone@kayandco.com

kayandco.com

Marylebone&Fitzrovia_August.indd 1

15/07/2016 10:07

Mary

PENTHOUSE WITH PANORAMIC VIEWS & 1,643 SQ FT TERRACES

Kay & Co

Bolsover Street, Fitzrovia, W1

Marylebone & Fitzrovia Sales

020 3394 0027 Three Bedrooms with Ensuite Bathrooms • Open Plan Kitchen/Dining/Reception Room • Duplex Utility Room • Two Terraces • Underground Parking • 24 hr Concierge • Energy Rating: B

marylebone@kayandco.com

kayandco.com

£6,995,000 Leasehold

10:07

Marylebone&Fitzrovia_August.indd 2

15/07/2016 10:07

St James’s Street, St James’s SW1

£9,750,000

This stunning four bedroom penthouse is located only moments away from both St James’s and within walking distance of Green Park Station. The apartment is split over three levels and comprises four bedrooms and four bathrooms and benefits from a superb terrace overlooking St James’s Park and the beautiful architecture of St James’s. The apartment would benefit from modernisation. EPC rating E. Approximately 3,234 sq ft ( 301 sq m).

Master bedroom with en suite bathroom | 3 further bedrooms | 2 further bath/shower rooms | Reception room | Kitchen | Entrance hall | Terrace | Direct lift access

Leasehold approximately 83 years Now we’ve found our new home, let us help you find yours. We look forward to welcoming you soon.

77-79 Ebury Street, London SW1W 0NZ sothebysrealty.co.uk +44 20 7495 9580 | london@sothebysrealty.co.uk

sothebysrealty.co.uk

St James’s Place, St James’s SW1

£1,500 per week

A beautiful two double bedroom apartment on the second floor of a boutique development in St James’s. The open spaces of Green Park and St James’s Park, Green Park Station and the amenities of Piccadilly and Mayfair are all within walking distance. The apartment has been furnished to a very high standard throughout and benefits from a Sonos sound system and air conditioning. EPC rating D. Approximately 982 sq ft ( 91 sq m).

Master bedroom with en suite bathroom | Second bedroom with en suite shower room | Open plan reception room/kitchen | Guest cloakroom | Air conditioning

Available furnished for a long let

© 2016 UK Sotheby’s International Realty. All rights reserved. Sotheby’s International Realty is a registered trademark licensed to UK Sotheby’s International Realty in the UK. Each offïce is independently owned and operated. All information non - contractual, approximate and subject to error, change and withdrawal without notice. Rent excludes administration fees. Please contact our offïces who can provide this information.

PROPERTY

Property news PrimeResi brings you the latest news in prime property and development in London

Mapped: Central London’s ‘best investment prospects’ “Knowing where to invest has become more important than ever” says LCP in its latest report, which picks out six pockets of central London showing significant potential.

T

he firm’s analysis puts average prices at around £4.7m in the traditional heartlands south of Hyde Park like Knightsbridge and Belgravia, after annual growth of up to 13 per cent in recent years. But as this rate of increase tapers off, other up-and-coming areas should “take the up slack”.

PCL’s centre of gravity already appears to be shifting from Kensington and Chelsea’s prime enclaves to the neighbouring City of Westminster, observes the team, where average prices can stand 20 per cent lower than the PCL average – and things look set for future growth and gentrification.

The stretch from Bayswater down to Fitzrovia and up to Regent’s Park and Maida Vale is picked out as representing “particularly good value at the moment”. Having Paddington and King’s Cross stations in the area is always going to be a good thing and all those rundown commuter hotels and offices offer plenty of investment potential.

Factor in Crossrail coming in through Paddington and Tottenham Court Road and the virtues here are “clear to see”.

IMAGE COURTESY OF LONDON CENTRAL PORTFOLIO

central london’s best investment prospects North of Hyde Park steals the march, whilst Knightsbridge and Belgravia look set to taper off, according to LCP’s research on long term price and growth trends by postcode sector

PrimeQResi

Deal number surge in referendum aftermath Leading London estate agencies saw deal numbers surge in the immediate aftermath of the EU Referendum Douglas & Gordon has reported that its transaction tally nearly tripled in the week following the Brexit vote compared to the preceding seven days, and Knight Frank claimed a 38 per cent increase over the same period.

Douglas & Gordon’s number of agreed sales also soared on the back of the Brexit result, increasing by 11 per cent compared to a week earlier, when everything was on hold. “Politically we may be in uncharted waters, however many of our clients who delayed listing their property until 24 June were simply waiting for a result one way or the other,” says the firm’s CEO James Evans.

“London property transactions happen for a variety of reasons and our experience is that those who are wanting or needing to buy, sell, rent or let will continue to do so.”

International buyers played a big role in the post-referendum deal party, as a plummeting sterling enticed overseas buyers to Britain with instant discounts on offer. A week after the vote, the sterling/dollar exchange rate stood at US $1.31, meaning that London property was effectively 25 per cent cheaper for US buyers than it was two years earlier.

primeresi.com

Journal of Luxury Property

120

s l u x u ry l o n d o n . c o. u k s

All apartments benefit from the use of the residents’ private dining room overlooking the Dan Pearson designed courtyard garden

A LIFESTYLE TO SHARE When it comes to an address, King’s Cross has it all – right at the heart of London.

Unbeatable connections, an historic, canalside setting, beautiful parks, gardens and squares, shopping, eating, culture and education.

Two and three bedroom apartments at amazing King’s Cross from £995,000.

Visit the show apartment and marketing suite Monday to Friday by appointment, contact us on 020 7205 4349

14-15 Stable Street London N1C 4AB plimsollkingscross.co.uk

Whether you seek a beach, boating or golf estate, historic home, private island or quality condominium, Sinclair Realty LLC represents Bermuda’s most beautiful homes.

We look forward to providing you with the private listing access, depth of expertise and ‘above and beyond’ service that is the Sinclair hallmark.

“The island’s only real estate company solely dedicated to the luxury market”

W HY B UY BERMUDA?

Geographic Convenience • London – less than 7 hours • New York – 2 hours • Toronto – 2.5 hours • Miami – 3 hours

Quality of Life & Business • Britain’s oldest self-governing overseas territory • Pathway to British citizenship through residency • Bespoke international business center • Quality infrastructure for Family Offices • No personal or corporate income tax or capital gains tax • One of the world’s highest standards of living • Security and low crime rate • Pleasant two-season climate • Natural Beauty – pink sand beaches and turquoise waters • Home of the 2017 America’s Cup

sinclairrealty.com

SINC03-2413 Revised DPS.indd 2-3

DOMICILE:

BE R M U DA Safe Haven of the Atlantic

T +1 441 296 0278 M +1 441 334 8437 E estates@sinclairrealty.com

Available seven days a week

08/07/2016 12:27 PM

Urban Jurgensen Advert - RWMG 333x235mm.indd 2

22/04/2016 14:07