Renaissance Downtown Phoenix Research, Program, Concept I Rutuja Chittekar
Executive Summary Renaissance Downtown Phoenix is one of the oldest luxury hotels in the Phoenix. The original Adam’s Hotel was built in 1896. It has gone several renovations over the years since then and has a great significance in the Downtown Neighborhood. It is in close proximity with many offices, cultural centers, Museums and Phoenix Convention Center. This brings lot of visitors to the hotel throughout the year. City of Phoenix initiated the project of activating two blocks between Central avenue and 2nd street on Adam’s Street. It is a pedestrian corridor which connects front of the convention center to rest of the downtown Phoenix. Research study provided by Gensler and initiative from the owner of Hotel Renaissance has made easier for the City of Phoenix officials to make this project a success so far. The scope for this project is to rethink the lobby of this hotel along with bar and the coffee shop that opens up to a landscape corridor on Adam’s street. This connection to the outdoor space will play a crucial role in addressing the new design. Initial research for the project background lead to two main case studies based on the typologies. The study of indoor-outdoor spatial relationships at AZ 88 in Scottsadale and functioning of a lobby in The W Scottsdale. These two studies provided good insights on hospitality experiences and the local culture that is followed by the industry. The project objectives and Renaissance brand formed an user experience from a local as well as visitor’s perspective. This initial research coupled with the idea of discovery from the Renaissance brand, formed the idea of wanderer in Downtown Phoenix and what would be the possible discoveries. The most prominent and exclusive one was the Mural art on the walls and alleys of Downtown neighbourhood. The architecture of the facade tells a beautiful story of bridging “old and the new”. This project will explore the surroundings and bring that character of Downtown Phoenix inside to make it a memorable experience.
Table of Contents • Site background
04
• Case Studies
10
• Quantitative and Qualitative Analysis 22 • Context Diagram
24
• Concept Statement
27
• Precedent Images
28
• Sustainability Goals
29
Site Analysis
4
Site Background Downtown Phoenix has its own and unique identity which stands out from the surrounding buildings, landscape, people and culture. The area holds many financial, local, state and federal government, business and other corporation offices. Even though the Downtown Phoenix is located from 7th street to 7th avenue, the real concentration is in the area of Central avenue and Washington street. Majority of Downtown Phoenix is moving towards a pedestrian oriented zone where people can walk comfortably between their offices and surrounding amenities. It is one of the vibrant areas in terms of art, dining, retail and which is available in abundant quantity within short walking distance. New innovative technologies are being introduced in buildings and landscapes. The convention center brings lot of tourists and visitors to the downtown area and it has thus become a strong center of attracting people. Welcoming people to the dessert and giving them the real idea of what is it like to be in the valley of Arizona has been a big goal for Downtown Phoenix. Thus, public spaces play a vital role in the downtown area for being a place to gravitate people and create activities that will make them stay in Downtown Phoenix little bit longer. Light rail has been a key component in the development of Downtown Phoenix. It connects this business district to the residential and other commercial parts of Phoenix, Tempe until Mesa. It has made the commute lot easier and comfortable for people who do not own cars. Interesting light rail stations, its innovative design and typical shading function of it is helping increase the pedestrian traffic in this area. As it runs on the main areas of downtown, people catch the beautiful surroundings, attractions and entertainment spots while they are on commute. This corridor is surrounded by designed landscape, mixed use buildings and important connections. During major sport events, concerts people prefer taking light rail because of its accessibility and comfort.
5
1910
Current
1975
History Renaissance Downtown Phoenix is a brand of Marriott and is company’s largest lifestyle brand which offers distinguished service to people who travel for their business. This brand is about discovering new every time for people who are looking for new experiences in life. Renaissance’s motto is “work to live” that suggests providing moments during business trips which will be remembered. In other words, people who seek for discoveries in their work will find something unique at Renaissance Hotel. Wanderer, explorer, traveler, tourist, visitor, backpacker, commuter many words defining only one idea to ‘discover’. The idea is to be curious enough to find something unique and unexpected. Those ‘aha’ moments in everyone’s life that changes one’s life are worth celebrating. Hotel Renaissance brand understands the importance of all these positive moments in people’s life and lifts up to give an unique beautiful experience to its guest. Hotel Adams was built in 1896 by J C Adams. In 1910, the hotel burned down and was rebuilt completely. The new hotel was 5 storey fire proof building until it was torn down again in 1973. The current ‘cheese grater’ building under the name of Renaissance was built in 1975. A contemporary style building that is designed to provide a suitable environment inside. The current building is owned by Renaissance and is undergoing renovations in lobby and exterior facade along with the street improvements.
6
Adam’s Street Activation Project Renaissance Downtown Phoenix plays an important role in the context of Adam’s street activation project. In the Downtown, this particular corridor falls between the light rail stations on west, newly developed convention centers on east and surrounded by several hotels, restaurants and a cultural center. City of Phoenix started this project in order to activate two blocks between Central avenue and 2nd street. It is a pedestrian corridor which connects front of the convention center to rest of the downtown Phoenix. The former dull and dead walkways were intended to be lighten up with landscape and other amenities. The study showed up some vital elements in this activation such as creating activities which will invite people to the Adam’s street, enhancing systems that support pedestrians and the proposed activities and the ability of these two blocks to sustain and hold successful events on its own Owners of the hotels on this street and City of Phoenix are aiming to generate the revenue which will create higher tax dollars and improved perception of Phoenix. Convention center opens up to this street and thus is an important location for people from all around the world who come to Phoenix for their businesses and thus come out during lunch breaks after hours for dinner to eat and relax. After the study provided by Gensler, City of Phoenix realized that it was not a great Phoenix experience for visitors. This activation project will address to the issues of connection of outside to inside spaces and programs of the building. Adam’s street activation project brings a positive opportunity to this hotel itself.
7
Site Observations Retrofitting and Renovation of hotel’s façade is meant to help Adam’s street activation project as well as a way to generate revenue for the its own. The proposal is almost about to be done and ready to use. The hotel has opened its arm to the street and created an inside-outside space for retail. This semi outdoor space blends in with beautiful landscape which takes the advantage of the good weather Arizona receives for most days of the year. The shade for this space is completely in new form of steel members and opposite of the existing façade but does perfect job of bringing new addition to the building. Garage doors for retail shops is in fact a welcoming gesture of outside space and landscape into the inside and giving a good peek of hotel for people walking on the streets. These retail shops which open on Adam’s street is way to invite everyone whether they are guest staying in the hotel or not. This connection of urban fabric to the interiors of the hotel is a key factor in this project. Celebrating the Downtown Phoenix in Renaissance brand’s own way creates a special feature. Hotel Renaissance’s another important characteristic is the celebration of local environment and retaining the surrounding culture which becomes a great opportunity here if tackled carefuly through design. This Project is highly challenging in terms of context, existing conditions and the brand’s idea of discovering new experiences. A good combination of all three will bring successful solution - first to Hotel Renaissance and thus to the ultimate goal of Adam’s street project. The perfect blend of urban design and interior fabric will create a new identity for Hotel Renaissance in Downtown Phoenix. This is not only a hospitality project but an urban deisgn issue and a new approach towards the interdisplinary solution catering to give comfort, experience and a new inspiration for local public as well as visitors.
8
Existing Conditions Alley
To the Ballroom
First Street
Main Entry
Lobby
Tertiary Entry
Secondary Entry
North Central Avenue
To Restaurant To the hotel
Bar
Starbucks
Adam’s Street
N
9
Site Analysis
10
AZ 88 Background AZ 88 the bar is located in Scottsdale Civic Center mall that holds Scottsdale city hall, the “Love” sculpture, and outdoor amphitheater, Museum, shops, restaurants, Civic center library and Scottsdale Center for the Performing Arts. It is very famous for its ‘$8 Martinis’ across the Valley. It was opened in March, 1988. Inspired by the good food, drink, conversation, and warmth of family gathering at the home of his mother, Karl Kopp determined to create a bar and restaurant that would be so distinctive in its quality and style as to become a Scottsdale landmark. It is a very hip and modern youthful style of` bar. It has a full bar, good lounge and regular seating and a space that opens outside to the patio looking over the landscape of Civic Center mall. A well designed outdoor patio can bring a boon for restaurants. It becomes a great opportunity for holding a big party and events too when needed. The dynamic orange color leaf like installation that is placed above your head is eye catcher from outside. It certainly plays a vital role in inviting guest to this place without even putting a big name plate anywhere. This place could be a spontaneous visit because of its chic looks and vibrant colors from outside.
11
Design Language As you enter through the patio inside the small waiting area with glass walls on four sides it gives you the clear picture of the entire restaurant for you to choose your own space. The seating inside and outside is bit cramped and on the weekends can become very busy. When you sit yourself anywhere inside, your eye catches the bar distinctively, it being very brightly lit compared to the rest of the space and an art installation behind the bar. Currently it projected a beating heart that beats with rhythm of the loud music. It certainly does not get unnoticed from anywhere. Another Interesting feature this bar has is in its red-pink color around the seating area inside. As you enter this becomes a bit overwhelming with bright colors accenting on the edges with an otherwise dark environment. But it does an amazing job of distinguished ambiance as you get comfortable. This also continues inside the restroom. Restroom that looks very dull from outside looking at the door, feels completely different as you enter. It gives a fancy look with bright red, pink lights that control the environment. Art Installation on the wall behind the bar compliments the context it is situated in surrounded by many art buildings. They change these art installations from time to time which becomes an interesting attraction for customers. Clear full height glass walls and doors that open to outside patio is one of the interesting feature of this restaurant. The connection of outside to the inside space is about a transition that influences human emotions. This threshold releases the tension between two distinct spaces which has very different function. Interior spaces are controlled in terms of physical elements like lighting, sound, temperature. However outside spaces are more natural, organic and free minded. AZ 88 does a good job of connecting the elements of their design with simple clear glass wall.
12
Inferences
Bar/ Resturant (enclosed)
Threshold
AZ 88 the bar was mainly studied for the connection of indoor-outddor spatial relationship. This case study was a good example of what simple glass as threshold can do to the building and environment. An indoor space creates differnt effect on human behavior than the semi and outdoor space. The bridging of these three spaces is important in terms of design.
Patio (semi-open)
Outdoor (open)
13
The W
Background The W is a luxury hotel is one of the chain by Marriott that started in 1988. It has an youthful style compared to other Marriott brands. It has its own brand language which can be seen as a common thread in their hotels. Lobbies are commonly known as ‘Living Room’. Another interesting concept Hotel W follows is the use of letter ‘W’ in various ways. For example; swimming pool is called “Wet”, concierge is “Whatever Whenever”, laundry room as “Wash”. The W hotels are contemporary luxury designs that intend to give extra ordinary experience. Each hotel is unique to the location with a play or work style during the day and very high energy spaces at night. They give really fresh, dynamic and comfortable experience just as if the guest is to live in their own living spaces. Hotels across the world are very much synthesized with the first one from New York city – energetic, vibrant and progressive. The W Scottsdale is located on East Camelback Road, 6 minutes from Scottsdale fashion square which has many restaurants and bars. Scottsdale is a very youthful and vibrant area of Maricopa County in Arizona having plenty of late night partying and buzzing hotels around. It sits between the Phoenix on one side which is a business hub for Arizona and Tempe on southern side which has one of the big campus University of Nation. Scottsdale is famous for its rich quality life.
14
Entry Sequence The entry sequence to this hotel is very dramatic. A very huge entrance with a columnar installation right in the center where across is the entry door to the hotel. You seem to get so attracted to this piece of art that you forget to look at the door when you are walking. And it becomes very obvious if you are in car to go around this piece of structure to the valet. This is a huge space for arrival and receiving above which is open pool deck. On the right side you can see the Sushi Bar which compliments with the language of the building. After this dramatic entry you enter into the lobby that takes your breath away with its dynamic and vibrant interiors. The first thing your eye catches is the Blue back lit Reception straight ahead and you immediately know where to go. While you walk towards the reception, there is a retail store on your left and the bar, lounge and stairway up to the pool on your right. The entry sequence is very thoughtful and well-designed that does not need signage or wayfinding boards to move around the lobby. It is very simple and easy to comprehend. The language of design is very simple, elegant yet very youthful and vibrant that suits the Scottsdale style. Even though there are many elements in the space, they all go hand in hand with each other and complement each other. Bright blue color is very noticeable and gives the spaces an energetic and soothing feeling.
15
Lobby Layout - The W Retail Store
Concierge
Spa
Sushi Bar
Bar and Lounge
Restrooms
Stairs up to pool deck
Arival/ Valet
Lobby
Lobby Corridor
Meeting Rooms
Elevator Lobby
Reception
16
Bar and Lounge The connectivity from the Lounge is well planned and thought out. It is a straight simple corridor with connecting areas and spaces like branches. Ceiling helps connecting the two ends of the lobby when you look across from the entrance. The branches or spaces around are very highlighted with color, lighting and design that gets noticeable easily. One of the great things about this lobby is it give you a small, chic retail store, spa entrance and an internal entry to the sushi bar form the lounge. A really vibrant bar compliments the lobby of this hotel. This beautiful bar sits below the staircase with a back lit blue textured wall. The stairs have their own unique strong style of design that does not overpower the bar at all. Two of them with their own design language that holds a good tension in the space. The stairs in fact give a double height open space to the bar counter which does a good job of opening up some room during the rush hours. The lounge is very chic with its modern furniture. It is well lit on one side and also gives some dimly lit dark cozy spaces on the other side of bar. Bar and lounge has various styles of seating to give different experiences to the guests. This connects to the restroom and the other entry for the outside Sushi Bar. Stairs create a beautiful place for taking pictures which has become an important part of the Hospitality design these days especially for young crowd.
17
Restrooms Restrooms is one of the areas which you will distinctively remember. In any hospitality project, a well-designed restroom defines the hotel’s classy style. This hotel does a very good job of giving a luxurious and modern style restroom experience to its guests. Even though the entries for male and females are different you essentially enter the common vanity space that has shared washbasins. This highlights hotel’s dynamic, contemporary and progressive thought process. It perfectly speaks to the young generation of today who believe in equality to promote gender neutral restroom idea. On the contrary after this surprising vanity experience you enter the cubicles area which is very calm and composed with traditional style. The entire restroom experience is dramatic to create a set of different emotions for people. Communal sinks are very modern, black with form oriented design of its own. This is a good example how a space can change human behavior and plays an important role in influencing the society.
18
Decorative Elements Once again, the cohesiveness shows prominently within the space through decorative art pieces on the sides of the long lobby corridor to the elevator lobby. Flooring and ceiling of this corridor is very clean beige and simple that does not overwhelm you while you walk. This gets your attention to the left side towards these dark black sculptures that look like human figures in an artsy form with a different chair in every little block. These leather chair catches your eye and you momentarily linger around these art pieces. Placement of this is very perfect and it accents the wall in way to be appreciated well.
19
Inferences Lobby of Hotel W Scottsdale brings a sensory environment experience for the people around the valley and visitors who come for business trips. It is indeed an extraordinary and exclusive experience designed for people that look for high end energetic time. The brand clearly speaks through elements, service and design of the space. It serves local culture in the neighborhood of Scottsdale giving a destination for social gatherings.
20
Project Goal
This project will explore the the redesign of the hotel’s lobby and its connection to the surrounding neighborhood through the concept of ‘discovery’.
21
Quantitative Analysis (Programming) Alley
From the Ballroom
From Restaurant From the hotel
To Central Avenue & Melinda’s Alley
Bar
From Phoenix Convention Center
First Street
Lobby From Adam’s Street
North Central Avenue
Reception
Coffee Shop
Space
Sq Foot
Entries to the lobby 16522 + 602.75 Adam’s Street
N
Main Lobby
3982.33
Reception
1470
Bar
2128.60
Coffee shop
1474.5
22
Qualitative Analysis (Brand Experience)
Brian is a software developer from a company in Seattle. He is visiting Phoenix for a business his company is looking forward to. He goes straight to the conference from the airport in the Phoenix Convention center in Downtown Phoenix. In the afternoon, he decides to move towards Hotel Renaissance for the stay because he is very much familiar with the brand from all around the world. When he Commences the hotel, he is satisfied to find that essence of the brand where he feels comfortable. He wanders in the lobby to reach near the reception area to seek help for further procedures.
Brian - Visitor
Anna and Chris are taking an afternoon walk in the downtown area after a long time since they moved to Tuscon. Talking about their old days in downtown, they enter Adam’s street and see a beautiful coffee shop over by the sidewalk. As they enter the coffee shop, they sit themselves near the garage door. Unwinding into the surroundings, they are take in the outside street and immerse into talking. They wonder how they have never noticed this Renaissance hotel before. Anna suggest to go in after a cup of coffee to take a look. Chris agrees as he looks across towards the live and vibrant hotel lobby. As they are wandering in the lobby and appreciating this new discovery today, they meet Brian in the waiting lounge. After brief introductions, Brian mentions that it’s his first time in Phoenix and he is looking forward to spend some time around before he flies back. Anna and Chris suggest some places to go around and urges him to explore some nature as its beautiful weather. Brian waves a goodbye to them and smiles to see beautiful sunny day outside across the bar. All of them are happy to have discovered something new today.
Chris and Anna - Locals
23
Context Diagram 10
4 mi
nu
5
1. Hotel Hyatt
te
s
2. Phoenix Convention Center
9 5 minutes
7
Site
6
3. Hotel Palomar
1
4. Park
2
8
5. ASU Downtown Phoenix Campus
3
6. Herberger Theater Center 7. Orpheum Theater
10 2
8. Symphony Hall 9. St. Mary’s Roman Catholic Basilica 10. Talking Stick Resort Arena
24
Mural Locator 1
2
5
6
1. Roosevelt and 7th Avenue 2. Roosevelt Row 3. 1st and Adam’s Street 4. Melinda’s Alley on 1st Ave 5. North 2nd Street 6. 6th Street
3 4
Site
25
Mural Examples
1
2
3
4
5
6
26
Concept Statement Murals are means of communication tool to express social, political and cultural opinions. Sometimes it also becomes an aesthetic element for the neighborhood as a form of public art. Roosevelt Row holds beautiful Murals by best known artists in Phoenix. Roosevelt Row Art District is a walkable, creative district in the urban core of downtown Phoenix that is nationally known for its arts and cultural events, award-winning restaurants, galleries, boutiques and live music Whether a local or visitor, it’s an interesting walk in the downtown to explore new murals every often. Most of the Murals are Mexican-inspired which brings a unique character to Downtown Phoenix. Locals as well as visitors find this art form to be an element of exploration as artist keep chnaging the artwork very often. These little discoveries are worth looking out for when walking in the neighborhood. Exploring the Downtown Phoenix through these beautiful murals around that define neighborhood’s alley culture to bring it inside the Renaissance Downtown Phoenix Hotel. This will give a unique local character to the hotel and a new brand experience for customers that visit.
27
Precedence Pictures Clear
Gritty
Urban
28
Sustainability Goals This project will follow LEED and WELL building standards in design and execution. For LEED, the important factors being material selection, indoor environment quality, energy efficient equipments and resources, use of natural daylight and good acoustic balance in the environment. For WELL building standards, the project will seek comfort, mindfullness, light and air quality throughout the design. This is important in terms of the quality of life inside the building for the users. The project will focus on overall sustainable bulit environment on a larger scale that will enhance the building life cycle.
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Renaissance Downtown Phoenix Design Package I Rutuja Chittekar
Table of Contents • Concept Exploration
03
• Mural Locator
05
• Floor Plan
06
• Finish Plan
07
• Lighting Concepts
08
• Reflected Ceiling Plan
09
• Look and Feel Concepts
10
• Sections and Elevations
16
• Conceptual Renderings
18
Discoveries around the neighborhood
3
Discoveries around the neighborhood
4
Mural Locator Map
5
Floor Plan (Finish + Furniture)
North Central Avenue
Alley
Tertiary Entry
Primary Entry
Reception
Storage/ Prep
Lobby
Bar
Storage
Secondary Entry
Coffee Shop
N Adam’s Street
6
Lighting Concepts
7
Reflected Ceiling Plan
+ 14’
+ 12’
+ 12’
+ 12’
+ 12’
N
8
Look and Feel - Lobby
9
Look and Feel - Reception
10
Furniture Selection - Lobby and Reception
Arne Jecobsen Egg Chair Brand: Palette Parlour Color: Walnut Finish: Leather Size: 33.8w x 31.1 d x 42�h 14.5 seat height
Langham Dinning Chair Brand: Modloft Color: Aged Carmel on Cathedral Ebony Finish: Leather Size: 20w x 22d x 32h; 18 seat 11
Look and Feel - Coffee Shop
12
Look and Feel - Bar
13
Furniture Selection - Bar and Coffee shop
Boet Brand: Hightower Color: Black Finish: Powder coated Size: W 15.75 x D 15.75 x H 30
Aero Round Dinning Table Brand: Restoration Hardware Size: 42” dia, 30” h
14
South Elevation - Mural Wall
DN UP
1 DN
2 DN
DN
UP
UP
15
Sections
Section 1
DN UP
Section 2 DN
DN
DN
UP
UP
2
1
16
Lobby
17
Reception
18
The Bar
19
Renaissance Downtown Phoenix Construction Documents I Rutuja Chittekar
RUTUJACHI TTEKAR 1255,EASTUNI VERSI TYDRI VE TEMPEARI ZONA85281 480. 738. 6389 r chi t t ek@asu. edu
RENAI SSANCEDOWNTOWNPHOENI X 100N.1STST . PHOENI X,AZ85004 1STFLOORLOBBYI MPROVEMENTS I SSUEFORPERMI T04. 28. 2017
LOCATION MAP
GRAPHIC SYMBOLS
PROJECT INFO PROJECT INFORMATION:
ELEVATION AND PLAN INDICATIONS
FINISH
SPEC SECTION
WALL FINISH
XX-99 XX-99
GLASS
05120 STRUCTURAL STEEL
BASE FINISH EXTENT OF FINISH
DIRECTION OF ELEVATION
A
WALL FINISH XXXX
PAINTED GYP BOARD
EXTENT OF FINISH
SPECIAL FINISH
XXXX
FLOOR FINISH
Private County: Maricopa
State State: AZ
RUTUJA CHITTEKAR
SHEET WHERE SHOWN
Improvement renovation for Business use scope of work includes new walls, doors, ceiling, lighting, finishes. Infrastructure plans are also included.
LOCATION ON ROW WHERE SHOWN
DESIGN PROFESSIONAL INFORMATION:
DIRECTION OF ELEVATION
Designer
ROW OF ELEVATION SHEET WHERE SHOWN
Architectural Structural Mechanical Plumbing Electrical
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
ELEVATIONS SECTION INDICATIONS A
ACOUSTICAL CEILING TILE
CHANGE IN FLOOR FINISH
SAND OR GROUT
FINISH START POINT
STONE
FINISH DIRECTION CARPET INSTALLATION METHOD AND DIRECTION
WOOD (FINISHED)
XX A11.01
SHEET WHERE SHOWN
GLAZING ELEVATIONS DETAIL NUMBER
X CONCRETE
AX.XX.X
INSTALLATION METHOD
GLASS
SIM
AREA TO BE DETAILED GYPSUM BOARD
MILLWORK
RETURN AIR SUPPLY AIR
XXX
CONSTRUCTION
Firm The design school NA NA NA NA
Name
Phone
Rutuja Chittekar NA NA NA NA
480-738-6389 NA NA NA NA
Email rchittek@asu.edu NA NA NA NA
APPLICABLE CODES
SHEET WHERE SHOWN
DESCRIPTION OF SIMILAR OR OPPOSITE
MECHANICAL FIXTURES
VICINITY MAP
100 N. 1ST ST PHOENIX, AZ 85004
AFP: N/A Zip Code: 85004 APN: N/A Phone: N/ A
PROJECT SUMMARY:
ROW OF ELEVATION SHEET WHERE SHOWN
XX A11.01
XXXX
KEY NOTE LOCATION ON ROW WHERE SHOWN
EXPOSED CONCRETE
Name of Project: Renaissance Lobby Improvement Address: 100 N 1st Street Phoenix Proposed Use: No proposed change Owner: Renaissance Downtown Phoenix Email: N/ A Owned By: City/ County Code Enforcement Jurisdiction: City: Phoenix
MILLWORK SCHEDULE TAG (IF USED)
Year
Codes
2012 2012 2012 2012 2006 2012 2011
Interantional Building Code Interantional Existing Building Code Interantional Mechanical Code Interantional Plumbing Code Interantional Energy Conservation Code Interantional Fire Code Interantional Electrical Code
City of Phoenix Building Construction Code Amendments
LINEAR DIFFUSER A
X
EXHAUST FAN ACCESS DOOR
X
MECHANICAL
WINDOW REFERENCE NUMBER (REFER TO WINDOW SCHEDULE)
XXXXX
EQUIPMENT NUMBER (REFER TO MILLWORK SHEETS)
REFERENCE TO PARTITION TYPE X
RETURN
ELEVATION DATUM POINT
AX.XX
KEY PLAN
BUILDING DATA
XX COLUMN GRID
A
WALL TYPE REFERENCE
SECTION SYMBOL
Construction Type: I-A (No proposed Change) Occupancy Classification: A2, A3, B Project Size: 15,000 sq. ft Zoning: DTC-BCORE Building Height: 187’-0” (19 stories + Basement) Fire Sprinklers: Yes Fire Alarms: Yes Fire Extinguishers: Yes
SUPPLY OFFICE
LINEAR
04F06
ROOM NAME ROOM NUMBER ALIGN
EXHAUST XXXXXX ACCESS
DOOR NUMBER (WITH SCHEDULE) XX
DN UP
ALIGN WITH ESTABLISHED SURFACES SHEET NOTE
Date
Description
SHEET INDEX
SITE PLAN
SHEET INDEX Sheet Number
A0.00 A0.01 A1.00 A2.00 A3.00 A4.00 A5.00 A5.01 A6.00 A7.00 A8.00 A9.00 A9.01 A9.02 A9.03 A11.0 16 16
4/28/2017 8:19:31 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
SITE
J H G 34 F 29 E 33 D 30 C 31 B 32 A
DN UP
Sheet Name
Sheet Index and General Project Info General Notes Floor Plan Reflected Ceiling Plan Furniture Plan Finishes Plan Enlarged Plans 1 Enlarged Plans 2 Sections Interior Elevations Millwork and wall section Details Ceiling Plan details Cut sheets - RCP 1 Cut sheets - RCP 2 Cut sheets - RCP 3 Infrastructure Design
Discipline
Use
Position Index
Seal / Signature
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Sheet Index and General Project Info
Scale
As indicated
1 2 3 4 5 20 6 21 7 22 8 23 9 24 10 25 11 26 12 27 13 28 1415
A0.00 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004
34 F
1 A6.00
RUTUJA CHITTEKAR
29 E
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
102
A2_
33 D
33' - 0"
LOBBY 01
1 ________ ________ A5.01
A7.00
A2_
01.1
01.1
2' - 9"
22' - 4"
22' - 8"
2' - 4"
30 C
2' - 6"
22' - 6"
51' - 9"
22' - 11"
5' - 4"
D2_
24' - 0" 4' - 9"
22' - 3"
7' - 0"
12
101
KEY PLAN
1' - 9"
1' - 11"
2' - 8"
7' - 6" D2_
102
31 B
5' - 0"
7' - 0"
A2_
24' - 5"
STORAGE/ PREP 04
D2_
12' - 2"
BAR 03
18' - 9"
27' - 2"
1 ________ ________ A5.00
M1
COFFEE SHOP 02
5' - 10" D2_
102
10' - 0"
9' - 4" 8' - 0"
6' - 5"
STORAGE 05
Date
Description
101
32 A
20 6
21 7
FLOOR PLAN SCALE: 1/8" = 1'-0"
CONSTRUCTION PLAN GENERAL NOTES
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C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
SCALE: 1 1/2" = 1'-0"
22 8
23 9
1 2
10 24
11 25
12 26
LEGEND
4
SCALE: 1/8" = 1'-0"
AX.XX.X
A
3. EXISTING CONDITIONS WERE TAKEN FROM ORIGINAL DWGS AND SITE VISITS.
OFFICE
4. USE 5/8" TYPE GYP. BOARD THROUGHOUT
04F06 XXXXXX
6. REFER TO A0.09 FOR NEW WALLS DETAILS AND SECTIONS 7. TEMPERED GLASS TO BE PROVIDED AS REQUIRED. ALL EXPOSED EDGES SHALL BE MITERED AND POLISHED. REFER TO A4.00 FINISH PLANS AND A7.00 FOR INTERIOR ELEVATIONS
DOOR NUMBER (WITH SCHEDULE)
A
9. ALL COLUMNS IN SCOPE TO BE WRAPPED AND REFER TO FINISH PLANS AND SCHEDULES FOR FINISHES IN EACH SPACES.
XX A11.01
3
NOT FOR CONSTRUCTION RENAISSANCE HOTEL IMPROVEMENTS Project Number
XXX A
MILLWORK SCHEDULE TAG (IF USED) WALL TYPE EXISTING
LOCATION ON ROW WHERE SHOWN
8. PREP SLAB AS REQUIRED FOR SPECIFIED FINISHES - SEE FINISH PLANS
INT_622 Description
Floor Plan
DIRECTION OF ELEVATION NEW ROW OF ELEVATION SHEET WHERE SHOWN
NOT IN SCOPE
SHEET WHERE SHOWN XX
ELEVATIONS
SHEET
Scale
As indicated
OVERHEAD/ X AX.XX
01.1. BUILD NEW PARTITION FOR MURAL WALL AND TO BE COORDINATED WITH LOCAL ARTIST
MILLWORK
ROOM NAME ROOM NUMBER
Seal / Signature
Project Name
REFERENCE TO PARTITION TYPE
5. REFER TO A0.11 FOR FURNITURE, LIGHTING, DOOR SCHEDULES.
14 28
SHEET WHERE SHOWN
DESCRIPTION OF SIMILAR OR OPPOSITE AREA TO BE DETAILED
2. ALL PARTITIONS TO BE TYPE "A3" U.N.O. REFER A9.01 FOR PARTITION WALL DETAILS.
SHEET NOTES
SIM
COLUMN GRID
1. SEE SHEET A0.00 FOR GRAPHIC SYMBOLS, ABBREVATIONS AND GENERAL NOTES
SCALE: 1 1/2" = 1'-0"
DETAIL NUMBER
X
X
X
13 27
SECTION SYMBOL
XX
DOOR
A1.00 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004
34 F 2' - 6"
1 A6.00
p1
17' - 2"
p1
6' - 0"
p1
6' - 0"
RUTUJA CHITTEKAR 1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
EQ
CL1 14' 0"
EQ
EQ
EQ 2
29 E
33 D
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
LP1 p4
7' - 10"
LP1
p4
3' - 5" p3
p2
p3 p2 p3 p3
p2
14' - 0"
11' - 9"
p3
31 B
p2
10' - 0"
p2
p4
CL2 11' 0"
p4
5' - 4" 10' - 9" p4
p4
1 ________ ________ A9.00
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
p5 p5 p5 p5 p5 p5
1' - 3" p5
p5
1' - 7"
4' - 0"
1' - 6"4' - 0"
6' - 9"
4' - 0"
6' - 9"
8'-7"
12' - 2"
8'-7"
4' - 10"
p4
CL3 11' 0"
p3
KEY PLAN
p4
5' - 4"
p2
p3
10' - 0"
CL2 11' 0"
p4
p3
4' - 0" 3' - 11" 4' - 0" 3' - 11" 4' - 0"
LP1
10' - 10"
10' - 10"
8' - 6"
p4
p4
8'-7"
p4
LP1
4' - 6"
EQ EQ EQ EQ EQ EQ EQ 2' - 4"
4' - 0" 4' - 1"
CL1 14' 0"
8'-7"
4' - 0"
8' - 6"
30 C
4' - 9"
2' - 4"
EQ 2
EQ
1' - 4" 2' - 10"3' - 1" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0"
EQ
12
13' - 8"
EQ
EQ
EQ
A7.00
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
1' - 3"
EQ 1' - 3" 5' - 2"
CL1 14' 0"
CL1 14' 0"
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ 1' - 9"
Date
Description
32 A
Seal / Signature
20 6
21 7
REFLECTED CEILING PLAN
4/28/2017 8:19:42 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
SCALE: 1/8" = 1'-0"
RCP GENERAL NOTES SCALE: 1 1/2" = 1'-0"
22 8
23 9
1 2
10 24
11 25
12 26
RCP LEGEND
4
SCALE: 12" = 1'-0"
SYMBOL
13 27
14 28
NOT FOR CONSTRUCTION
DESCRIPTION
MANUFACTURER
TYPE
SIZE
Project Name
6516" TRIM
WAC
RECESSED CAN LIGHT
7.5" DIA
RENAISSANCE HOTEL IMPROVEMENTS
1. SEE SHEET A0.00 FOR GRAPHIC SYMBOLS, ABBREVATIONS AND GENERAL NOTES
P1
BULLARUM CHANDELIER
LUMENS
DECORATIVE LIGHT
51"W X
2. ALL SPRINKLER HEADS, LIGHT FIXTURES, SPEAKERS, SMOKE DETECTORS TO BE CENTERED IN CEILING TILE UNLESS NOTED OTHERWISE.
P3
CHELSEA 3 LIGHT PENDANT
LUMENS
PENDANT LIGHT
9.5" DIA X 9" H
Project Number
P4
EXOS DOUBLE SHADE SUSPENSION LUMENS
DRUM PENDANT LIGHT
22" DIA X 15" H
INT_622
3. SURVEY FIELD COMDITIONS AND VERIFY WORK IS BUILABLE AS SHOWN. REFER TO MECHANICAL, ELECTRICAL AND FIRE SPRINKLER (INFRASTUCTURE) DRAWINGS AND SPECIFICATIONS FOR DESIGN OF THESE SYSTEM (DUCT SIZE, CIRCUITING). 4. REFER TO A0.11 FOR LIGHTING FIXTURE SCHEDULE.
LP
LIGHT THREE LINEAR PENDANT
LUMENS
LINEAR PENDANT LIGHT 48"L X 6"D X 10"H
Description
P5
PELE PENDANT
LUMENS
PENDANT LIGHT
6.5"D X 10"H
Reflected Ceiling Plan
METAL SLAT CEILING
HPS
BAFFLE TYPE
2"W X
GYP CEILING
ARMSTRONG
CEILING TILE
2' X 2'
GYP CEILING
ARMSTRONG
CEILING TILE
1' X 1'
5. REFER A5.04 CEILING DETAILS FOR METAL SLAT CEILING. CL1
6. SPRINKLERS, FIRE SPEAKERS AND EXIT SIGNS SHALL BE LOCATED IN ALIGNMENT WITH LIGHT FIXTURES AND OTHER CEILING ELEMENTS.
CL2
7. ALL GYP BOARD CEILINGS TO BE PT1 U.N.O. CL3
Scale
As indicated
RCP SHEET NOTES SCALE: 1 1/2" = 1'-0" 01. REFER A7.02 CEILING DETAILS FOR METAL SLAT CEILING
3
A2.00 © 2016 Gensler
34 F 100 N. 1ST ST PHOENIX, AZ 85004
CH4
RUTUJA CHITTEKAR
29 E
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
CH2 T3
T1
LOBBY 01
T2 T2
CH1
CH2
CH3
CH4
33 D CH6 CH7
CH6
CH7
CH3
CH3
CH1 T2
T2
CH1
CH1
T1 T1
CH3
T2
CH5
CH6 T7
CH6
T1
30 C
T5
T6
T4 T4
CH14
CH14 CH10
CH14
CH11 CH13
CH14
CH8
CH13
CH10
KEY PLAN
CH9
CH15
T5 CH8
T4
CH14
T4 BAR 03
CH14
CH11
COFFEE SHOP 02
CH15 T5
CH13
CH14
CH14 CH9 T5
CH13 CH11 CH14
CH14
31 B T8
CH14
CH9
CH14
CH12
T8
CH12
T8
CH12
T8
CH12
T8
CH10
CH12
CH13
CH13 CH10
T6
CH10
Date
Description
32 A
20 6
Furniture Plan SCALE: 1/8" = 1'-0"
21 7
22 8
23 9
1
10 24
11 25
12 26
FURNITURE SCHEDULE
3
SCALE: 12" = 1'-0" FURNITURE SCHEDULE
GENERAL NOTES
4/28/2017 8:19:44 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
SCALE: 1 1/2" = 1'-0" 1. ALL FURNITURE AND FIXTURES ACCEPTED AND PLACED BY GC 2. GC TO CORDINATE WITH FURNITURE VENDOR FOR POWER AND COMMUNICATION LAYOUT
2
SYMBOL CH1 CH2 CH3 CH4 CH5 CH6 CH7 CH8 CH9 CH10 CH11 CH12 CH13 CH14 CH15 T1 T2 T3 T4 T5 T6 T7 T8 Grand total:
TYPE COLLINS CHAIR TAUPE DINING ARMCHAIR CENTURY 2000 ARNE JECOBSON EGG CHAIR 3 SEAT SOFA BENCH JASPER OTTOMAN CHLOE ARMCHAIR PYRAMID BAR STOOL BOET LANGHAM DINING CHIAR BACCO HIGH SAARINEN EXECUTIVE ARM CHAIR BOUNCE WOOD ARM THE BOWEN DINING WIT ARM CHAIR IN WAIMOR COFFEE GRAND COFFEE TABLE CUSTOM COMMUNITY TABLE ASTOR DINING TABLE RISON DINING TABLE AERO ROUND DINING TABLE BOERUM ROUND COFFEE TABLE GREENWICH DINING
MANUFACTURER PALETTE PARLOUR MODWA HANE J PALETTE PARLOUR ROOMEON ROOM AND BOARD CONTEMPORARY FURNITURE MODEWA HIGHTOWE MODLOFT CONTRACT KNOLL MODWA FRANCE &SON MODWA LANGLEY STREET MODLOFT CUSTOM MODLOFT KNOLL RESTORATION WEST MODLOFT
SIZE 25W X 27D X 18.5L X 16W X 61W X 32D X 33W X 31D 70W X 25D X 34W X 25D X 18L X 16W X 20L X 21W X 15W X 15D X 20W X 22D X 20W X 22D X 24D X 26W X 31L X 30W X 33H X 21L X 22H 30L X 30W X 18H X 30W X 55W X 28D X 120L X 24D X 30H 30H X 71L X 42W X 42 DIA X 16H 36 DIA X 16H 55W X 55D X
COUN 8 8 7 6 1 11 6 6 7 10 9 10 17 28 6 4 4 1 7 7 4 1 5
13 27
14 28 Seal / Signature
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Furniture Plan
Scale
As indicated
A3.00 © 2016 Gensler
34 F
100 N. 1ST ST PHOENIX, AZ 85004
WT2 WC2
WC2
RUTUJA CHITTEKAR
WC2
WC2
29 E
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
102
PT2
WC2
S1
LOBBY 01
WT1
WT1
WC2
33 D
A7.00 12
PT1
PT1
PT1
PT5
PT1
PT1
PT1
PT3 S1
30 C
WT3
101
WT2
L1 L1 PT5
PT2 WDB
KEY PLAN
WT4 P2 BAR 03
WDB
S3 L1
STORAGE/ PREP 04
WDB
COFFEE SHOP 02
WDB
L1
WC1 102
S1
WT4 S2
102
31 B WC3
PT2 WC3
WC3
WC3
PT3
STORAGE 05
101
Date
Description
32 A
20 6
Finish Plan SCALE: 1/8" = 1'-0"
21 7
22 8
23 9
10 24
11 25
1 FINISHES SCHEDULE
FINSIH LEGEND C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
SCALE: 1/8" = 1'-0"
SYMBOL DESCRIPTION EXISTING WALLS NEW WALLS NOT IN SCOPE WOOD FINISH STONE POLISHED CONCRETE PORCELAIN FLOOR TILE PORCELAIN FLOOR TILE WOOD FINISH
4/28/2017 8:20:03 PM
CERAMIC TILES
SYMBOL DESCRIPTION ACT1 CEILING TILE ACT2 CEILING TILE C1 FLOOR TILE CT1 FLOOR TILE CT2 FLOOR TILE CT3 FLOOR TILE CT4 FLOOR TILE G1 GLASS L1 LAMINATE MT1 METAL PT1 PAINT PT2 PAINT PT4 PAINT PT5 PAINT S1 COUNTERTOP S2 COUNTERTOP S3 COUNTERTOP WC1 WALL COVERING WC2 WALL COVERING WC3 WALL COVERING WDB WOOD WORK WT1 WALL TILE WT2 WALL TILE WT3 WALL TILE Grand total: 24
NAME GREY DUNE TEGULAR GYP BOARD CEILING TILE POLISHED CONCRETE TERRAZZO TILE GREY TERRAZZO TILE WHITE PORCELAIN TILE WOOD FINISH PORCELAIN TILE TINTED GLASS OILED BRONZ ALUMINUM PAINTED SILVER CUSTOM MURAL WALL PAINT DOVE WHITE EGGSHELL DOVE WHITE GLOSS MATTE WHITE QUARTZ STONE - MONTGOMERY QUARTZ STONE - WHITNEY QUARTZ STONE - CAMBRIAN BLACK LEATHER - OLD RATTLESNAKE SILVER SHANNON BRAIDS 7 BARS BURNT OAK CERAMIC TILE - JADE CERAMIC TILE - T6 WAFFLE DECO CERAMIC TILE - PEARL SHIMMER
MANUFACTURER ARMSTRONG ARMSTRONG LOCAL SUPPLIER TREND TERRAZZO TREND TERRAZZO STONE SOURCE STONE SOURCE GLASSBOARD & KEMPLY CHEMENTAL PURE FREEFORM LOCAL SHERWAN WILLIAMS SHERWAN WILLIAMS SHERWAN WILLIAMS CAMBRIA CAMBRIA CAMBRIA EDELMAN WOLF GORDON HBF TEXTILES HARMONY CEDAR DALTILE KEISER TILE ANN SACKS
12 26
13 27
14 28
Seal / Signature
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Finishes Plan
Scale
1/8" = 1'-0"
A4.00 © 2016 Gensler
24 10
ENLARGED PLANS GENERAL NOTES Copy 1
6
SCALE: 1 1/2" = 1'-0" 1. REFER TO FINISH PLANS AND SCHEDULE FOR FINISHES
LEVEL 02 16' - 0"
2. REFER TO 18.00 MILLWORK DETAILS FOR COSNTRUCTION OF CASEWORK
100 N. 1ST ST PHOENIX, AZ 85004 ACT1 INTERIOR CEILING 11' - 6"
7' - 3"
L1
WC3
WC3
2' - 0"
3' - 0"
2' - 6"
9' - 0"
9' - 0"
9' - 7"
3' - 0"
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
WDB
6' - 6"
30 C
6' - 0"
2' - 9"
1' - 7"
RUTUJA CHITTEKAR
S3
LEVEL 01 0' - 0"
BAR ELEVATION - SOUTH 2
5
24 10
20' - 0"
29' - 2"
A5.00
3
SCALE: 1/4" = 1'-0"
4 A5.00 3
LEVEL 02 16' - 0"
KEY PLAN
ACT1
WT3
1' - 2"
7' - 4"
6"
INTERIOR CEILING 11' - 6"
31 B
9' - 0"
9' - 0"
WDB
L1
3' - 0"
S3
LEVEL 01 0' - 0" Date
Description
10 24
BAR COUNTER PLAN
1
SCALE: 1/4" = 1'-0"
31 B
30 C
BAR ELEVATION- NORTH
4
SCALE: 1/4" = 1'-0"
30 C
Seal / Signature
31 B
LEVEL 02 16' - 0"
4/28/2017 8:20:18 PM
INTERNAL CEILING 14' - 0"
ACT1 ACT1
INTERIOR CEILING 11' - 6"
INTERIOR CEILING 11' - 6"
WT3
Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
L1
Description
9' - 0"
9' - 0"
WDB
S3
Enlarged Plans 1 3' - 0"
S3
L1
8' - 8"
PT2
9' - 5"
L1
INT_622
L1
3' - 0"
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
ACT1
NOT FOR CONSTRUCTION
LEVEL 01 0' - 0"
LEVEL 01 0' - 0"
Scale
As indicated
BAR ELEVATION - WEST SCALE: 1/4" = 1'-0"
2
BAR ELEVATION - EAST SCALE: 1/4" = 1'-0"
5
A5.00 © 2016 Gensler
23 9
10 24
LEVEL 02 16' - 0"
100 N. 1ST ST PHOENIX, AZ 85004
9' - 9"
INTERNAL CEILING 14' - 0"
RUTUJA CHITTEKAR
3' - 0" WT2
WT3
WT2
WT3
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
9' - 0"
10 24
S2
2
27' - 6"
A5.01
22' - 5"
LEVEL 01 0' - 0"
3
A5.01
RECEPTION ELEVATION - WEST
3
SCALE: 1/4" = 1'-0"
4
29 E
KEY PLAN
LEVEL 02 16' - 0"
12' - 9"
INTERNAL CEILING 14' - 0"
23 9
ACT1
3' - 0"
WC2
WT2
9' - 0"
WT3
S1 LEVEL 01 0' - 0"
Date
Description
29 E
RECEPTION
RECEPTION ELEVATION - SOUTH
1
SCALE: 1/4" = 1'-0"
10 24
SCALE: 1/4" = 1'-0"
Seal / Signature
23 9
ENLARGED PLANS GENERAL NOTES SCALE: 1 1/2" = 1'-0"
LEVEL 02 16' - 0"
NOT FOR CONSTRUCTION
2. REFER TO 18.00 MILLWORK DETAILS FOR COSNTRUCTION OF CASEWORK
Project Name
RENAISSANCE HOTEL IMPROVEMENTS
ACT1
Project Number
INT_622 WC2
Description
WC2
S1
Enlarged Plans 2
3' - 0"
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
5
1. REFER TO FINISH PLANS AND SCHEDULE FOR FINISHES
INTERNAL CEILING 14' - 0"
4/28/2017 8:20:19 PM
4
LEVEL 01 0' - 0"
RECEPTION ELEVATION - EAST SCALE: 1/4" = 1'-0"
Scale
As indicated
2
A5.01 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004
29 E
33 D
30 C
31 B
32 A RUTUJA CHITTEKAR
LEVEL 02 16' - 0"
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
INTERNAL CEILING 14' - 0"
ACT1
PT1
INTERIOR CEILING 11' - 6" 101
WT3 PT5
PT5
9' - 0"
WC2
L1
S1
3' - 0"
WC2
3' - 0"
WT2
S3
L1
WC3
S3 LEVEL 01 0' - 0"
Section 4 SCALE: 1/4" = 1'-0"
SECTIONS GENERAL NOTES SCALE: 1 1/2" = 1'-0"
1
KEY PLAN
2
1. REFER TO A0.00 FOR SHEET INDEX, GENERAL NOTES AND ABBREVATIONS 2. ALL INTERIOR FINISHES TO COMPLY WITH LOCAL BUILDING CODES 3. REFER TO A1.03 FOR FINISH PLANS AND A6.03 FOR FINISH SCHEDULE 4. ALL WALLS AND TRIMS SHALL BE PAINTED PT1 UNO 5. ALL WALLS TO RECEIVE WOOD BASE TO MATCH WITH ADJACENT FINISH UNO 6. REFER TO A3.02 FOR PARTITION WALL SECTIONS/ DETAILS 7. REFER TO A5.03 FOR CEILING DETAILS
Date
Description
Seal / Signature
4/28/2017 8:20:22 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Sections
Scale
As indicated
A6.00 © 2016 Gensler
13 27
12 26
11 25
10 24 100 N. 1ST ST PHOENIX, AZ 85004
6' - 2"
INTERNAL CEILING 14' - 0"
RUTUJA CHITTEKAR
104
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
104
PT1
PT1
02
PT1
01
LEVEL 01 0' - 0"
MURAL ELEVATION 1
1
SCALE: 1/4" = 1'-0"
10 24
1 A6.00
23 9
22 8
21 7
20 6
INTERNAL CEILING 14' - 0"
10' - 0"
PT1
WC2
PT3
WC3
WC3
WC3
PT1
01
PT3
EX
EX
INTERIOR CEILING 11' - 6"
2' - 7"
PT1
PT1
KEY PLAN
LEVEL 01 0' - 0" Date
MURAL ELEVATION 2 SCALE: 1/4" = 1'-0"
ELEVATIONS GENERAL NOTES SCALE: 1 1/2" = 1'-0"
2 4
FINISH LEGEND & SCHEDULE SCALE: 1/8" = 1'-0"
SYMBOL DESCRIPTION EXISTING WALLS NEW WALLS
1. REFER TO A0.00 FOR SHEET INDEX, GENERAL NOTES AND ABBREVATIONS
NOT IN SCOPE
2. ALL INTERIOR FINISHES TO COMPLY WITH LOCAL BUILDING CODES 3. REFER TO A1.03 FOR FINISH PLANS AND A6.03 FOR FINISH SCHEDULE
WOOD FINISH
4. ALL WALLS AND TRIMS SHALL BE PAINTED PT1 UNO
STONE
4/28/2017 8:20:26 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
5. ALL WALLS TO RECEIVE WOOD BASE TO MATCH WITH ADJACENT FINISH UNO
POLISHED CONCRETE PORCELAIN FLOOR TILE
ELEVATIONS SHEET NOTES SCALE: 1 1/2" = 1'-0" 01. GC TO WORK WITH MURAL WALL ARTIST FOR FINISH SPECIFICATIONS AND DETAILS 02. NANA WALL SYSTEM AS PER THE VENDOR SPECIFICATIONS
3
Description
PORCELAIN FLOOR TILE WOOD FINISH CERAMIC TILES
FINISHES SCHEDULE SYMBOL DESCRIPTION ACT1 CEILING TILE ACT2 CEILING TILE C1 FLOOR TILE CT1 FLOOR TILE CT2 FLOOR TILE CT3 FLOOR TILE CT4 FLOOR TILE G1 GLASS L1 LAMINATE MT1 METAL PT1 PAINT PT2 PAINT PT4 PAINT PT5 PAINT S1 COUNTERTOP S2 COUNTERTOP S3 COUNTERTOP WC1 WALL COVERING WC2 WALL COVERING WC3 WALL COVERING WDB WOOD WORK WT1 WALL TILE WT2 WALL TILE WT3 WALL TILE Grand total: 24
NAME GREY DUNE TEGULAR GYP BOARD CEILING TILE POLISHED CONCRETE TERRAZZO TILE GREY TERRAZZO TILE WHITE PORCELAIN TILE WOOD FINISH PORCELAIN TILE TINTED GLASS OILED BRONZ ALUMINUM PAINTED SILVER CUSTOM MURAL WALL PAINT DOVE WHITE EGGSHELL DOVE WHITE GLOSS MATTE WHITE QUARTZ STONE - MONTGOMERY QUARTZ STONE - WHITNEY QUARTZ STONE - CAMBRIAN BLACK LEATHER - OLD RATTLESNAKE SILVER SHANNON BRAIDS 7 BARS BURNT OAK CERAMIC TILE - JADE CERAMIC TILE - T6 WAFFLE DECO CERAMIC TILE - PEARL SHIMMER
MANUFACTURER ARMSTRONG ARMSTRONG LOCAL SUPPLIER TREND TERRAZZO TREND TERRAZZO STONE SOURCE STONE SOURCE GLASSBOARD & KEMPLY CHEMENTAL PURE FREEFORM LOCAL SHERWAN WILLIAMS SHERWAN WILLIAMS SHERWAN WILLIAMS CAMBRIA CAMBRIA CAMBRIA EDELMAN WOLF GORDON HBF TEXTILES HARMONY CEDAR DALTILE KEISER TILE ANN SACKS
Seal / Signature
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Interior Elevations
Scale
As indicated
A7.00 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004
EXISTING SLAB TO REMAIN
RUTUJA CHITTEKAR
FLAT STRAP & BACKING PLATE
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
HEAD OF WALL FRJS
SOUND ATTENUATION BLANKET SCHEDULED CEILING, REFER TO RCP METAL STUD
HEAD TYPE X GYP BD 5/8
METAL RUNNER TRACK
MILLWORK DETAIL SCALE: 12" = 1'-0"
METAL STUD
1
SOUND ATTENUATION BLANKET
PLAN KEY PLAN SOUND ATTENUATION BLANKET
METAL STUD METAL RUNNER TRACK
MECHANICAL FASTENER
FIRESTOP SEALANT
BASE
EXISTING SLAB TO REMAIN
Date
Description
PARALLEL TO DECK FLUTES
PARTITION TYPE A3 - TYP GYP WALL SCALE: 3" = 1'-0"
2 Seal / Signature
4/28/2017 8:20:28 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Millwork and wall section Details
Scale
As indicated
A8.00 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004 METAL FRAME C - STUD
12" MAX UNISTRUT OVERHANG, TYP.
METAL FRAME C - STUD 14' 0"
RUTUJA CHITTEKAR
4'-0" MAX VERTICAL SUPPORT SPACING, TYP.
THREADED ROD ATTACHMENT TO UNISTRUT AND STRUCTURE ABOVE DESIGNED AND PROVIDED BY OTHERS. THREADED ROD BY OTHERS. INSTALLER TO ENSURE HANGING METHOD DOES NOT INTERFERE WITH THE MOVEMENT OF HANGER BRACKET INSIDE OF UNISTRUT.
1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
GYP BOARD SECTION 5/8"
2"
15 8"
1-5/8" X 1-5/8" UNISTRUT P1000 12 GA. STEEL PRIMARY CHANNEL
HANGER BRACKET
63 8"
10"
NEW LED LIGHT FIXTURE @ EXISTING COVE DETAIL
TYPICAL SECTIONS
BEAM PROFILE
11 2"
METAL TRACK STUD - 1 1/4" X 2 1/2" 6" O.C. SPACING SHOWN, VARIES BY PROJECT.
6 1/2"
METAL GYP BOARD 5/8"
SCALE: 3" = 1'-0"
BAFFLE TYPE CEILING - SECTION TYPICAL SCALE: 12" = 1'-0"
1'
CEILING - EXISTING COVE SCALE: 3" = 1'-0"
3 KEY PLAN
THREADED ROD ATTACHMENT TO UNISTRUT AND STRUCTURE ABOVE DESIGNED AND PROVIDED BY OTHERS. THREADED ROD BY OTHERS. INSTALLER TO ENSURE HANGING METHOD DOES NOT INTERFERE WITH THE MOVEMENT OF HANGER BRACKET INSIDE OF UNISTRUT. 1-5/8" X 1-5/8" UNISTRUT P1000 12 GA. STEEL PRIMARY CHANNEL HANGER BRACKET AT ALL BAFFLE/ UNISTRUT INTERSECTIONS, TYP.
Date
Description
Seal / Signature
NOT FOR CONSTRUCTION
4/28/2017 8:20:31 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
BEAM PROFILE SHOWN, ALL BAFFLES SIMILAR
Project Name
ISOMETRIC VIEW - BAFFLE CEILING SCALE: 12" = 1'-0"
2
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Ceiling Plan details
Scale
As indicated
A9.00 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004
RUTUJA CHITTEKAR 1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
KEY PLAN
Date
Description
Seal / Signature
4/28/2017 8:20:33 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Cut sheets - RCP 1
Scale
A9.01 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004
RUTUJA CHITTEKAR 1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
KEY PLAN
Date
Description
Seal / Signature
4/28/2017 8:20:36 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Cut sheets - RCP 2
Scale
A9.02 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004
RUTUJA CHITTEKAR 1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
KEY PLAN
Date
Description
Seal / Signature
4/28/2017 8:20:39 PM
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Cut sheets - RCP 3
Scale
A9.03 © 2016 Gensler
100 N. 1ST ST PHOENIX, AZ 85004
34 F
1 A6.00
D
MS
RUTUJA CHITTEKAR 1255, EAST UNIVERSITY DRIVE, TEMPE, ARIZONA 85281 480-738-6389 rchittek@asu.edu
D
29 E
CR
SD
SD
SD
CR
D
33 D
D
D
D
SD
SD
SD
30 C
SD
MS
MS
D
SD
SD
SD
MS
MS
KEY PLAN
MS
D
D D
SD
SD
D
SD
SD
SD
31 B IA
IA
MS
IA
Date
IA
Description
32 A
20 6
21 7
Infrastructure design SCALE: 1/8" = 1'-0"
22 8
23 9
1
10 24
C:\Users\rchittek\Downloads\REN Revit Model_INT622_Rutuja2.rvt
SCALE: 1 1/2" = 1'-0"
LEGEND
2
FLOOR MOUNTED DUPLEX RECEPTACLE WALL MOUNTED DUPLEX RECEPTACLE
1.
TYPICAL SMOKE DETECTORS ARE 30' APART.
2.
TYPICAL SPRINKLER SPREAD IS 12' 6" AND 10' APART.
WALL MOUNTED NETWORK RECEPTACLE, 2 PORTS-TYP.
3.
MAXIMUM DISTANCE OF SPRINKLER HEAD FROM THE WALL IS 5'
WALL MOUNTED, LIGHT SWITCH
4.
EACH PIPE SUPPLIES 5 SPRINKLER HEADS
OS
SECURITY INTRUSION ALARM
MS
MOTION SENSOR
CR
CARD READER
8" MAIN WATER SUPPLY PIPE
PB
PANIC BUTTON
5" WATER SUPPLY PIPE
DOME SECURITY CAMERA
3" WATER SUPPLY PIPE
WALL MOUNTED LIGHT SWITCH W/ OCCUPANCY SENSOR
AV-CP
CONTROL PANEL, AV
L-CP
CONTROL PANEL, LIGHTING CEILING MOUNTED SPEAKERS
SPRINKLER
IA
D
TV
4/28/2017 8:20:41 PM
12 26
SCALE: 1/8" = 1'-0" ELECTRICAL DEVICES
INFRASTRUCTURE DESIGN GENERAL NOTES
11 25
SPRINKLER HEAD SD
SMOKE DETECTOR
13 27
14 28
Seal / Signature
NOT FOR CONSTRUCTION Project Name
RENAISSANCE HOTEL IMPROVEMENTS Project Number
INT_622 Description
Infrastructure Design
EXIT SIGN
Scale
As indicated
CABLE OUTLET
A11.0 © 2016 Gensler