dream

eye. of of ourthe full psychological potential is t c ruoiat uedits ehbeyond personality ego.

Beneath the taohton a t.directs sThe atheldepth lreach ewveneer conscious ego’s is the essential Self which guides and thesomething body through the subconscious mind.

We know that keeps heart pumping, blood eall n This flowing, lungs breathing, etc.our all without conscious o urw e h intent. been dubbed the subconscious.

This mysterious, yethas ever reliable, subconscious alsotap houses the fullest potential ofsubconscious the psyche.

When we to can this o inner realm, raise the intent conscious awareness, weThere get in with and utilizethis our inner inner creativity. are touch manywe ways potential. needtotoreach put the ego to , niu dn rest temporarily.

The First chattering to be ufl ilike nai set aside time so that the personality fullness insight of needs the entire r oy ebna dencnecreative psyche can for see the light of mind.

Creative always feels a momentary gap has been opened is anda a sudden burst i of light has surfaced.that Intuitive thought complete understanding issues and forth, as is if lifted. out of the blue.

The veil of presumption doubt oi a v ftn e i Creative psyche opensA up and releases gem of wisdom ewe wereswaiting few good methods the ofare enhancing this gap to for. access inner meditation, self-awareness, soft focus andcreativity a light-hearted attitude. ll.p do w le raoio f yc rrenaetnivv i t sgydi d,snmindful A on each method:Meditation: There are many forms of meditation and they don’t all involve sitting alone oword isome ta vquiet itom c i o u s in place.

Though this is to helpful if you can m i n d accomplish it, you can also learn meditate in the midst shopping mall. Fruitful meditation is nclosing t h e s uofb c specific oan s crowded c ieyes, o u s . thought, the still the chattering mind, and n agt r . e y l i e s i o on one u sound (via mantra) or focus enter complete stillness in the Void. If meditation appeals l y e a s . to you there are many varied methods, you can seek out which puts your brain dy uc oem u iS an sworks aalpha w tbest ior, for r eha twi v io ers Fr dnumginto whenyou. you Meditation become proficient a waking ocoy v etu , theta state. In this altered state the gap will open and creative mind emerge. Meditation is also recommended by a heart prominent hospital in Boston forbeen recovering cancer a y t oto and disease patients.

It has scientifically o u t o f a l l t h e t h i n g s y o u a r e n o t a w a r e o f shown calm the body, reduce blood pressure and enhance f ro re a s e rsystem. immune The benefits of daily meditation are becoming by the medical and scientific roeht larekneg ethe a d rawmore opfaccepted communities. creativity is an additional e ns t o- m e mby o r i e product. s yeo u d o runs n ’ tEnhanced r e mthrough e m b e r , inner Self-Awareness: The practice of selfa n d awareness all the great religious and lycDtime you cans safely get philosophical disciplines.

Buddhism, Zen, Sufi Mystics, o t h i s i o u Christianis Mystics, Hindu Yogis, and Taoists practice the with justifying text if ur nthtype aiov e s ea esuntiisr dsmall t art This is a non-judgmental na l suenough ol iof cofsmindful nwatching ocand nuself-awareness. form one’s daily actions and thoughts in the ouri line u present moment in a detached frame of mind. When learned e' is long andn applied, If this can create the necessary gap between , ifvis o tshorter e enough. tid line n g the egoif and you the Self and great clarity of mind unfolds. or di e da worlds se process Soft-Focus: This is an excellent way to stop the thinking inhs an and busy environment. Just allow ’td have the ywoi tih n c eaheyes ton iimmediate w totmaintain a soft focus on a neutral surface digfmeae l iinsgesumany ithe n sy no u octype gthe a,wta nnthen e, as aligns and be. aware of everything around you without focusing a s m Y eao the y on any one thing. You will notice immediately that your he margins words space t hentire a,it. t n a t uvision r a It l l y o cisc u r .increased and your sensitivity to eu fonperipheral lves toteaccommodate is enhanced, while your mind is l"t er i h tp ecnenvironment oc dt awkward. e ayour You’ve This is the focus of martial artists, dancers and mally w n , newspaper e w ag r e a ttlooks i dye a s hdacolumns r e l yii n go swcalmed. where all well-trained athletes. you create a soft-focus the o with r set k When xtsis justified, ego is temporarily aside and the subconscious mind fnsnodco ehall rtoften m wheren inner creativity i n bs i d e o This f y o uabounds r iss u b an c o n scan c i o u scome . to the surface. ordsa the ustretching oic e ewtway e Light-Heartedness: excellent frame of mind ss a little hi the gor ci ecolumn, e nn of to keepcolumn the personality ego from getting a rigid hold either side the I n t h e m o r e f t thenpsyche and stifling creative thought. When we see u nbigg gapc in the aon i hw oa middle. humor in we perceive the intuitive and ah eshappen u oic srnmoments owith cneverything, u that otherwise ethe hat’s can original go unnoticed when we act udr eetrl cy iha er tntype. i sewhat ta ieicabr e a lgslm e,t t n . s l fdopart ified When you it, from habitual behavior patterns. Humor embellishes the s unconscious is that of absurd and unusual, and this is where creativity springs l li y vnot be cte might as radical t e a r t i s t s o f a l l t y p e s ,.i“ column, any e —newspaper but if ”g rnebnec fotoo t t of these methods is practiced daily c I fahone t ie g na from.If they can become creative behavior patterns. When a are urelatively eines ,o from the present moment with y inevitably r eis cre i vfye normally i nend s pfluidity i r oa t i up oclarity n short, iofn rwith d mind, rbeyond e a mbecomes s . expressing ill syche that calm a habit, creative mind is always s m a trtable h gaps n some g lines, , ai mnanin dgl available.

In this way the experience of inner creativity e v i t a l r y n o t a h t v i a t h e will become living presence in your life Ego detachment le other lines will be aall perfect oh k attitude for creating a gap in your present it i v i tof g o is rthe together y nwsquashed reach in promoting creativity is, uo f c rve a i c.consciousness. k The erole of rdreamsThe i e many in this area, unclear. Does paying attention to lassnis toiuc s )nsa uco cmt i eulike hy tl (n rhaactually olsiyens oe ti oo u s .teother Tpissuesstimulate i n h e s b c o n s c i e a t e r one’s dreams one’s creativity, r oet grniiyfnk ga itsuji htorinw yaw does dream material simply provide inspiration for creative work? b y notion of an unconscious, as n e l l a m s s i e p y t r u o y vni tey gctogm ens oilusiv elneil Israuthere r a o y yr to eh nns inse ihwa lmeaningful ,erluboiysidistinction v gt forierpoeit y o it l oyidea u tc hgaeueat nhh i inbetween g tsour y no nu oa rcreativity e n o t a w a r e oinf dreams and problem solving in dreams? dlrthe owt t neoaf mra l l , ethat v ’ d as behavior , y y ht . sa neyht With vp ie eht question, consider for instance, e m ro r)ai esmsguythe oo,eu .iehd experience ocntnrespect ’sit nlor eotm ecm bntoe ur of , the last w ot leit bn- s i rei o wt e s im n g vwh nineteenth-century chemist F.A. Kekule, tn avdomt moickH ca toti sy ewho vklwas esattempting me ht the to determine ?sinfluenced e o r e ern awkwa iskoosby unconscious l yllua usu r of the benzene molecule. hd wthsnmeuloy c reppoap.sthe westructure n nees subconscious of his fireplace one evening, odefiitl rsuo yi Dozing s f o , t j s t x etoff inoffront he dreamed snakelike benzene molecules dancing in the fire. ils n gind g o n a l a i h c t e r t s d r o w a to conscious At one point of the snakes latched e ehteold. ations, However, ssoits rc a one w fheuertrl ion gfs ,olw int hmei nuddis ylo uocnvery onto own tail and began spinning. rhti i . n ias ere se nos drow, eht i prag gtib t h a h w this experience aInthwho a t ttu r ia lsurreal l yuoBc c u r . hypnagogic o n e first put aSigmund h c h taFreud hw es’t an h t nspo gtnuags Kekule discovered a e o y n e h W . e p y t d e fi i t s ujhis problem—that the benzene molecule was arranged in a ring pattern. the key to ast ai d eWaesaba r e atl yoi nn g nthggtim Here h e t c e ff e e h t it seems that this scientist’s vuvloicertepapysquashed her nm s ndreamlike ewill hti n s itogether sexperience theory aord ntuageneral gwe all while other eaoobe u rall s u embodied b c o n s c i o u s .creative problem solving. levia lepr gaps erlines a s eneisome l rt ud of yf y othe omfortable es, in lines, w i t h de nwill e yrlibinevitably a.tiv wsmore uoup ypurely teni 'l Inli the artistic realm, ith ou end with Iartists n tt rhte om fo rof molines s yn i sare pag elba me oall cshort, nu types receive nninspiration in dreams. r sl oe rt, ur interaction iwy s niand ln rerelatively hits tocolumn, el ihthe w o One of better-known examples if srscious newspaper butofif eithe r o o f r t s t i c r e a l m , d e h s a u q s a n i n g in the experience the eighteenth-century violinist Giuseppi Tartini, cal effect might behadas radical n rsenotwewho a dream init, which the devil played a tune that so enchanted him ytra o a uu k it, justified type.

When you do s otmind. sthat o f ahappen lhelutimmediately y p Freud’s e s with awoke lthat’s yea r t i can the conscious ith ut t owhat e and attempted capture as much of it as he could remember. i e o fto le. ar e big gap dwith piece, the Devil’s Trill, because his most famous composition. c eni v eisian d s p i rta t i.olin nThe i n resulting dthe r ethe a m s . middle. p os d umn on side of column l either l oof f column, tle across the or a traditional little societies pt relationship a n rFinally, e in way a mword all the way t cstretching athe inspiration from dreams e ljustified, f creative .often ith text is with r a i n cannot be meaningfully separated from spirit guidance through dreams. e rnewspaper lu te scolumns m .In ea study nof the tall en all where Mistassini Cree, for example, en the conscious and the y o u . ’ve usually looks awkward.

You’ve a s o n Adrian Taner remarks that emselves to accommodate rIt tn ds o f it. It “Power...is sometimes thought to arrive in dreams, in the form of formulae for songs, y to ace words p gtathe e margins n space or s f s the or o shamanistic techniques, gns line, then as the type c a u e d r e a maligns . scious has been compared to or ideas for the decoration of clothing or other objects.” cn o a dhave n the don’t many worlds on the t h Thus, for the e Cree, u t your you line is shorter or if you peoples, tIf i e s as u for other traditional w e m s t youro line is long enough. If n e religious revelation and rof an e “iceberg”— meaning and is ,small enough ayour i nand p getype c inspiration blend together in an indistinguishable whole. way if awith justifying text if r e tt sartistic n d h e isget squashed together o f e get only time you can safely E a c h le other lines will be all o r e a d a r c h only a in relatively tiny rtable gaps some lines, w up e with ill u pl tinevitably .a eh r eWt eend s ines are relatively short, m o r e f newspaper innd e column, but if usually i (the na uconscious)is g f ct might not re ber aso radical e vo t t ified type.

When you do it, e w e h ecan happen with hat’s what uru tbig e a m so percent f (the hle, in the middle. a while r s gap n ninety e either m e e of r, the s column , u ab gside sststheo column, or a little a l the l surface. ord all the way scious) tstretching rh isedbelow s xt ois justified, with en d often t n ee columns ewspaper where all h e ally You’ve ne g , hn looks i i accommodate l awkward. lves to it. It .

T wa wmargins w.w at t y pa i .oo the rg he space r words eo e, the aligns tn. ras t o n i then i www e vg ey r i e . ctype om ’t on othe f nt have i amany n t worlds g h line is sshorter or if you m u t ur isoslongn enough. t line g ,If o er u ri and d v type a n ts ish,small a wtenough with justifying text is if m e l .e time o ryous can , safely get ly ab l i l l i t y n w o f t g ha s e y. eh ac v o e m e n i nt g h , e f n s o e v sa e n d r oi t y o u r

The only time you can safely T away with justifying text i your type is small enough your line is long enough your line is shorter or if don’t have many worlds on line, then as the type al to the margins the words s themselves to accommodate it t usually looks awkward. Yo seen newspaper columns where s text is justified, often a word stretching all the across the column, or a li word on either side of the wo co with a big gap in the mid But that’s what can happen justified type. When you do the effect might not be as rad th as the newspaper column, bu your lines are relatively sh y you will inevitably end up uncomfortable gaps in some un li while other lines will be

,

e

e

o

o e o

l

t

t g i

d

o

l

o n t

g

n

D

a

n i i

n

a

m

v r

i

"

r

l a w

t

,

.

o

l h

i

e

l

n

u t r

v

w

a

e

'

r

i

n

y

o r a

t

r

a

y a

y

a

o

e

t u

b

u

m

d s o

r

j

n

y s t

c

a n

a u

a

e e e b

e

e

r

d

o c b u s o y e v i t n e t e v i t d n a o r i t

, t l d

c n

y f i i ,

a

u s d

i

i

s a n t

t e

W o s

"

r d e

l o h

n

U S 8M I N D A N D I N T I V I T Sub Y r

w e e

u

r r e

o a

a u

r t

your line is long enough. I your line is shorter or if yo d don’t have many worlds on th l line, then as the type align to to the margins the words spac them themselves to accommodate it.

I u usually looks awkward. You’v seen seen newspaper columns where al text is justified, often wit a a word stretching all the wa ac across the column, or a littl word on either side of the word colum w with a big gap in the middle But that’s what can happen But wit justified type. When you do ju it the e the effect might not be as radica asi as the newspaper column, but your your lines are relatively short you will inevitably end up you wit uncomfortable gaps in some uncom lines w while other lines will be al squashed togethe

o

i

y

p o

a

. g e

t a c o

o u f

n

l o s c t

a e , b p

r

n

e t d d r

e h

r a i e

o

e h T g o t y a r c e f i u s m i n

g

e i g

p o r y d n t r a t s a e d a s c n i p e e

u y a o o

6

-

CONSCIOUS

When stymied, stop for a while.

l

Give yourself a motive.

i

n

t

5

Make a date with your subconscious mind.

y

7 73 2

Write every idea down.

c m g

u t

h

9

s d n e t d n i m s u o i c s n u o y t a h w f o e r o m u h t e r o n g I . o t n o r u o y f o s t c e p s a y g n i l l e t e r ' u o y r a y e h t d n i m s u o n y l s u o i c s n o C .

o

e o .

h

e

0

r e

i

b

6

k

r

m

e v i t a e r c e b o t s e i t i n l l i w d n i m s u o i c s n o c b u e v i t a e r c e r o m u o y g n i s a e d i r u o y n w o d g n i t d n a e g a r u o c n e o t y a w n a c u o Y . y t i v i t a e r c

s

e

4

Dreams have ling exercised a fascination over the human imagination. We spend approximately one-third of our lives in a state of sleep, much of the night filled with dreams.Peculiarly vivid or disturbing dreams leave behind impressions that are hard to dismiss. But what are dreams? And what significance, if any, do they have for the dreamer?

m u i n n i d m p t o h r e t y a n a t r . te a na C or o te n e s c c wr hei ea o nt u i s yv l oe m y suu, i a n d l o o k f o Crna oro t oo p pb a oe n r d ct ru y en o ai u tt r ii ve aes m i s f n u e d b e c dw o ii n l n s l g c i s y o t o u ta u soo r p m o r e c r e a t i v se d io i d w s e n a a s y . g o o uW o rr d i t i w i d ma nim e fy no t o e n c o u r a g i ed c r a ec n aa d tn i i vk n ie c te r yp e . a a s Yn e o gd " i d e a j o u r n a l a. c D o t h i s Y o u r e g u l a r l y , a " ni d t y h o a u t ' l y l o u n o o t f i t c e e m y oo sru te aa rr i te d e hw a ar s vi it w ni h r gnyi e o M e m d a i y o cn ro re m a i l d l e t y ahs b e f o r g o t t e m n o r, t b h su e ut m b cb d oy o n w sw n cr , ii ot y ui y M o o sne umu d m at yh e wm o, r ka n od n b b u e t r i v n e art ny o s fc s or o re m ma e t t ti h hv it eeh ns me Y o e u n c c o a u n r a a g l e s to r c ry eo g au r tr eis vea ilt tf e y r b i iy v n eYn p u t ti id ne ga s c ri en at to i p p r a a i c n t t i c o e r .

I f yc r f ro yr e nx ya tm w hp r il i en p t u ,g te y t a n e w .

E v e n j up r s a d t i o f fd w er o ri r ev k ni tn t g o r oa s pu ea tft i i f c ai nt i s q u i c k p e o t i hn y et o l u pi .s m i Tt n ho dr je oa g o w f o r p i k a it t n s t g e r o r e u n g t s su . hii l e st d l C s h u a r n r g o i u n n g d i y n o g u si mr s c c m r o e a r a e n t i c ve r in e tc a yo t .u i r v Wa i i ag tt l i i na f e ym ? oo uu H nr i t k al e io nv u eC s p ph w i t h y o u r c a sp aT t rr o ty r n y es ri .ti td Nie ena c m egs r o ei d? r wi ord nie ta aes . rf oFo oor fr y tno oeul i b au s n i o n t e e s b s o , o k t at s p koat t h e p a r k a n d oT p o s o f i n t d e . nb yv A i n t r y h o e c n h m d ab eu wiu n rdcsn cb ar na i gn e to u yt o uo s arfi t t i t ' s r u t s . op fo A n t v t o i h t e u a n l m d ee r r a e s n a t i s a n o n g n cbd o f d r e a m s i s a b l ey s co o au u c sa a e b n o t t u h e te l y v il y o o u f r q u a l i t A i t ett o o o n a e s p l s e ee c vl t ef s .l o ra f el a b l l a d r e a m a o uqp ue r ar s ls e io l tn i,f e . se a E oc a y ofh c o n o t y eh o le u e . md er W ne e ta m a o r fi e s a m e e t i n g p a r t qs e o o a b f c j h e y c o p t u e r r i s s n e o l n y f o a iu Een d r u e n ad em r . s t T a o n d b e t ti h s ot d lr eem aae rma nsn i swn yeg m bmo ouf i lsm n eo l a on rg du ea rg e t, o ay n i n u n m d e e s r s s a t g a e n d y o t u ud h nr n e e d t o r e a d l W h t i h l et e o l w ab e ne gc a uo t am t ge e e u m n. i m ot rh ee am we aa rn ei n m og e sf t o f d tw he a tm u ws r et e a hs m at s va l eya wn ch oe n sp co ii on ut s t oh fam ot t N ud mi br ee rc st ,i o nc so l ao lr t h aW vo er d ms e ai nn i nt gh se wc h dam rve eea an mia n ogd f,o tu eab N nsl tu hme d y o o .h u o r Tm oo p a ih b mo i pn l re i os tdh v iaW y t ot h ue n dm ee ra sn ti an ng h d da m

t .y y no du r y ol ui 'f re n l d l i yn go u y ' o r u e r Cu n o in e ms p cw o h i r o t nua sn y l n ts eua l l n g y o o u u a o r t e c r e e a t i v o e u , b c i o n s c i n bi d cm op t no h sr e ct y ia on a ut r s. e m i n d t h e y a r u n i m p o r t a n t a n d l o o k f o r nt e s c w ih e o n u s y lo u y e c r e a t i v e ,bo ep p co rr et au tn ii vt ei ,e s a tn odnaC or ote ne sc wrc hei eao nt u i syv loe l o o k f o ry om ui rn d s uw bi cl ol n ss ct ia or ut s a n d l o o k f o n ,d pb t oe r ct ru ne ia tt ii ev se , i m dfo e er a ee s d . ci rn W eg r a i tyt ioi vun e g o p p o r t u n it to i eb a n d y o u r guae d b e s c dw o ii n l n s l g c i s yo t ou a us r d t oitawson n d ae yni gocn ouoc o rur d er aai w sdg a eeey a s s u b cc a or nne dsa ct iiy ovo ueu r e c r e a t i v e c r e a t i v i t y .

Y o u s t a r t m i f n ed e dw ii nl yc or ue a m d e i u oad sew a. n s W yi r s oi tu a i r nc g a n k e e p a n " i d e a t o i r v en o " d n o c d i o n wu c ar r y a e g a t es o ej o r u e r g n u a l l a . r " l y D , o a t n h d ii ds e ag dsoi .ood dwe Wan rws ia ytiy ois unt r ec aa tn i vk ie te yp . a n y o u ' l l e n c o u r a g n o t i c e d e a j o u r n a l .m " ot hsr ate ta ri ytd oe uha as ov fiw tnh egi nl e aY nco dru e iac nta cin rv eik ate sye a n " i d e ng u D l o a r t l h y i , s a n yd M o eum da iay or cen ro wre rm iai tld ile nya g s . j o u r n a l . gal us t .'e l y l o u n o o t f i t c e e n b b u e t f b o y r g w o r t i t t e i n n , g D o t h i d o w n , y o u r t a r t h a v i n g t h e m g e ir a o r i ce d r e wea r s i i t w d i h e nwi a sg l os .ute r br k ca on o ns n sf co t ir h om e u m st , h me a am rn yeyd go uu l' al rl l yn ,o t ai nc u h o f t e a yf onrogromtatlelny, i n t o s o m e t h i n gt h a s t t ma oy r ro t e a v n i d i e a c a r n e a a t l i s v o e . tm m b d y o w w n r , i t y i o n u g r v eY ro yu w h i l e y g o c a r e w r i t i n e n c o u r a g e g r e a t e r u ag b y c o w n o s r c k i o o u n s M e d i o c r c r e a t i v i t y i n i d e a s m a y o u r s e l f b y .a t n h s e f m o , r m a n t d h e pm u t ti id ne ga s c ri en at to i v e n o r m a l l y b tr y o c s r o e m a e t t i h v i e n p. pg r a a i c n t t i c o e r . w I r f i t y e o , u w r if to ir ng gob tu ttt he enb vo e u g en r c c eo a ua n rt a e a g r l e s oE f v o ae r nna y e tjd x hui a isf m ntf p ge l dr e ren , ine vtw t i. r n y g s um bad cyo ow nwn so, cr iky oo uou t h e m , a n o eo , uau tr is ve il tf y b iy n t or o su et ee t o w o r k ti id ne ga s c ri en at to iq v uT e ih ce k pe or i inc fta n ii sth e tili tvopsn re .tar ony s fsc oro rem mae tt tih hvi een tc n t t i c o e r . w I r f i t y e o w, u o g r e k t i n y g o u o u m t i s n i d d e Y o u c a n a l s e n gc ro eu ar ta e g ero e n e yr e r w ae . nx ya E tm v hp e il n en ,g o f i t s r e g u l a r r e a t i v i t a n tg ti n e gr n ys o . u r i c n y o u r s e l u sdti fdfreirveinntg Cshp a b i y v e p u i t d t e i a n u n r r eo nu cn od ui rn ag gs e c r e a t u t e t o w o r k c a oa e q rsu ei e c k i e f r i c ta c nm r o e r a e t i c v r i e t a y t . i v W i a t n iy tn tI of pyo ror au cw tpr iai cit ene p t. o T hg ee t p oy io nu t l i i n f e y ? o u H r i k l e o v u e p e tf ro yr ae nx ya tm hp il n oeni s un t td s r iw e do g er uk oi l nf a g r a y moN oue ure nd tp aas ir t nt o n r we yir t. h j ua s tdn ie dfw rf. ie vrE iev nne ay t t e r n s . s i t t i i d n e g a s o ? n T a r y r o o rfto ou t se e et o i fw o ir u a n r n r g o e i u n n n c g d o i u y n r o g a u stg r ebo i u d ws e ria ins t e e sf . os r, F o ytr o a u kn r ee w T h ie sc pa qon ui inh cte kl eip a e t i c v r i e t a y t . i v W i a ttn y ht a e n p o a t r e k b o a o n k d t s o i t m i tn od gw eo tr k yi on t h e d u c k p o n d . n y o u r l o v eb y o u t s i d e o wra fw ei m ?t o h u H n iy t ko a eu i r n u pe n A v n iy r oc hn am ne gn e t o c f a ni t sp a rt et ge ur ln as r o e t r n ye r . i d N e e a e s d ? g e t y o u r b r a i n C h a n g i n g y o u o f i t ' s r u t s .s u r r o u n d i n g r y s i t t i n g o u t igen k ta e aes . rf oFo oor fr y tno oeu wr A t ov i u t n a d l e r rs et aa sn od nc a nc rc Weer anae ncta toit uvi mriv oati rgyt m e a n i n g o f i t n e s s , t a kte h e h n e o b t y p e a b t r o h k oe k a d n ut ddc o rkt ete ahl mel sy y iao slu s boa eb cc o aa uun ts le ii fn ea ?yw omi Huot iruh kn etyl aoo iuvu y o u r q u a l i t i e s ead n.n v Ag i ne r yt o cy n ho m au e nrl ng eo eot vf f e ls a e la d fl r .l e a Aa m ts p a oe r nc e et sp s aot rnTo tr rnay ye rrs i.oi dot eNft aei setn u a l i t i e s o f w r i t e . f F r a i n o u t o f o q o o r r y n o e u pu er r s s e o ln f, . e aE ca hc h i d e a s i t t' u sa n l d r e u rr t es s at . sa on Aandd rre eel ae mmm e e ein tst i nyo g of u p t.a h r eWt es t nh oeb t u epsbatior anok kek esa stn hsf e d r m e e a a m ns i i n s g e o a f c h y o p u e r r s s e o l n f a i n n d s i t b y t h e s c o a u c s a e n t t h e e l y dl ro eb ja em c. t T i o n b y e o t ut re Ar n y d cu hc ak n gp eo n od y u o r u q a u ab l o i ut i t em s e u a n n d i e n r g s t o a f n d d r t e h a e m sec na vn i gr eo tn my eo nu w e m u s t l e a r n hf s e l f .

A t a e s d p l r e ee c va t em s l a o ra f el ls y m i b n o l o r l d a e n r g u t a o g e , v bi irt ta' ais ln r rou eut ats s. oo t h e onau d ca u hl r i spt eie re l ss f o no. ,f m ue ns ds ea rg se t ay no du n e e dt to h ue n dm ee r a s nt ia nn t h af r e c htr h ee l ed mr ee na tm l a nt go u ar ge ea d. o Wt h e i l e b f e c d a r u e s a e m s t h i e w e a t t e m p y o u .

W e a r e e e t i n g bs e c o m e m o r e a wt ao r ae l s oy o cu a na b t o e ul p a r t f y o u r s e l f q u a l i t i e o f t h e m e a n i n gy o u r t e a c h p e r s o n A d r e a m s t h a t o n eo f l es ve el lf . a l o dT u o r o bb jde et r ct e te a r m i .n w o e f h a v e w e m u s t a s p e c t s dem ee ar ns it na gn d o ft hs e t t a h y e c p o o n i s n c t i o t u h s a to o u f rq aus ae dl lri fet ai. me sE aa roco e l aa a mr n sn g u ws a ey g m e mb , ou ls Nt udh mia brv eee rc stm ,ie oa nnc sio nl ago lsr l.s , pt eh ree sl oed nmr ,ee na etm a coi y o u .

W e a r W o r d s i n t h e ds p n ae tgr o es r t d ya e no r du t tn o hea dee dr da e os a u m bh lo o em f o t mp e eh n ao nn h ie a ns v ig emna, en eoed tfa ico nyhb goj upe prec asrt res tloi d o .

T o i m p r o v e y o u r d r e a m o r e a d t h e etg ou aa gbt ee t .c e o m Wm phe it l e yt oto hu ue r n dm a ee bra isn lti ian ngt dy ud nr de ea rmm sesT tao anw nieb dne gmt tut hose r e a w a r e o f o hf a vd e r e s a t m r so n ag n, d l e a r n s y m b o l a n g u a g e r p u la ,n d tsh o h a f,e t d m w re e ea na h im a n s v g e p eop msu i to oi w sv e ee rf, i i n o r d e r t p n g l.e u n d e r s t a n d t h d d r ee av m e s l m ow pe t u h s e t m e s s a g e y o oe n msp uco sii ton ut ss tt aoh yfa t a b i l i t y t o n e e d t o r e a br ee rc st ,i o cn os l oa rl sl w , ata nry da no tsf fo ot rhb mie nc oko uim rne g t h ea t lt aW enh mgi pul tae g ewt c o n s c i o u s v e m e a n i n g s . v e r y y eo r r e d a s m i o n f t t e h n eow fde r tef hae em e s dm ea ian nnd ti onw gh oa uot rf a bw ea cr oe m eo f m ot rh ve ea n ai n dg o, u ba ls e m e a n i n g o s u b c mo i n n s d c. i o u s d r e a m s t h a t w h o m o p h o n e s

eu n

, e r s e . y u , r s e , r s l g e e g r a o e e . p a " s d e n g s u . e y e , y m r s n d m g . o e r y f g s . t , , g n g t k t r . s u g f r . r s e . e y e p n r d ? g o w r , a o d e . f t r f A n d g s y l t s t l f e f h h f s e s f n n . r e f t l , o e u d . e o e e f e

creative

gap

certain things

will

immediately happen. Paradoxes will become

this

lot of conditioning yet. When you enter

they haven’t accepted or been molded by a

This is why children are more creative,

eye. The depth of our the full reach psychological potential isego. beyond of the personality Beneath the Self conscious ego’s is the essential which guides veneer and directs the through the subconscious mind.

We body all know blood that something keeps our heart pumping, flowing, lungs breathing, etc. all without conscious intent. This has been dubbed the subconscious.

This mysterious, yet ever fullest reliable,potential subconscious also psyche. houses the of the When subconscious we can tap this inner to realm, raise the intent conscious awareness, we getcreativity. in touch with and utilize our inner There are many ways to reach inner creative potential.

First we this need The to put the ego to rest temporarily. chattering personality needs to be set for a time socan that the fullness ofaside theCreative entire psyche see the light of mind. insight always feels a momentary gap been opened andlike a burst of light has has surfaced.

Intuitive thought is a sudden thatveil issues forth, complete as ifand outunderstanding of the The of presumption isblue. lifted.

Creative psyche opens up doubt and releases the gemgood of wisdom we were waiting for.

A few methods inner of enhancing thisare mindful gap to access creativity meditation, self-awareness,attitude. soft focus and each a light-hearted A word on method:Meditation: There are many forms of meditation andsome theyquiet don’tplace. all involve sitting alone in Though this is helpful if you can accomplish it, you learn to meditate in the midstcan of also a crowded shopping mall.

Fruitful ismind, closing the eyes, still themeditation chattering and focus on one specific thought, sound (via mantra) or complete stillness in the Void.

If enter meditation appeals to you are many varied methods, you can there seek puts out which works best for you.

Meditation your brain into an alpha or, when you become proficient a waking theta state.

In this altered state the gap will open and creative mindbyemerge.

Meditation is also recommended a prominent hospital in Boston for patients. recoveringIt cancer and heart disease has body, been scientifically shown to calm the reduce blood pressure and enhance the immune system. The benefits of daily meditation are becoming more accepted by the Enhanced medical and scientific communities. Enhanced inner creativity is an additional by product. SelfAwareness: The practice of self-awareness runs through all the great religious and philosophical disciplines.

Buddhism, Zen, Sufi Mystics, Christian Mystics, Hindu Yogis, and Taoists practice the art of mindful self-awareness. This is a non-judgmental form of watching one’s daily actions and thoughts in the present moment in a detached frame of mind. When learned and applied, this can create the necessary gap between the ego and the Self and great clarity of mind unfolds.

Soft-Focus: This is an excellent way to stop the thinking process in an immediate and busy environment. Just allow the eyes to maintain a soft focus on a neutral surface and be aware of everything around you without focusing on any one thing.

You will notice immediately that your peripheral vision is increased and your sensitivity to your entire environment is enhanced, while your mind is calmed.

This is the focus of martial artists, dancers and well-trained athletes. When you create a soft-focus the ego is temporarily set aside and the subconscious mind where inner creativity abounds can come to the surface. Light-Heartedness: This is an excellent frame of mind to keep the personality ego from getting a rigid hold on the psyche and stifling creative thought. When we see the humor in everything, we perceive the intuitive and original moments that otherwise go unnoticed when we act from habitual behavior patterns. Humor embellishes the absurd and unusual, and this is where creativity springs from.If any one of these methods is practiced daily they too can become creative behavior patterns.

When a fluidity of mind, expressing from the present moment with calm clarity becomes a habit, creative mind is always available. In this way the experience of inner creativity will become a living presence in your life Ego detachment is the perfect attitude for creating a gap in your present personality programming. We all have behavioral programs that we have accepted through social, parental, genetic and educational conditioning. These seem necessary for mutual coordination and cooperation in society. Yet, the need to be perpetually conditioned is what keeps us from being spontaneously creative.

Clarity

will

be

pervasive.

The difficult part is unlearning the conditioning you have accepted all your life.

For each individual this will be different. There is no set of conditions that you must give up, just the acceptance of a conditioned response to everything you do.

Allow yourself to engender the wonder of a child.

Challenge habitual responses.

Be completely present. Allow yourself to become detached from what you’ve always assumed was “real” and see what happens.

This is almost too simple for those who enjoy complexity and intellectual stimulation.

That intellectual mindset is itself a conditioned response to life.

Most approaches to creativity are to look outside of ourselves for something that is novel or stimulating. Novelty is not necessarily creative.

Stimulation doesn’t resolve problems.

Truly creative people can stop at any moment, view what they are doing and see a sincerely original and resolute answer to whatever question they ask.

This is because they don’t live for other people’s opinions, nor do they have to look outside of themselves for answers to difficult questions. They know instinctively that within themselves, hidden within the creative mind, that momentary pause of detached reflection, the answer lies waiting to be discovered.

Creative mind is always present in that interval or gap between a conditioned ego response and a spontaneous self-aware intuitive moment. It can be learned.

It has always been within you it just grows dimmer as we get used to not allowing it as we did when we were children.

Dive into the gap head first, allow your heart to follow.

Meditation has the reputation of being mystical and religious.

For our purposes, meditation is just sitting in silence. This sounds simple, but it is very difficult. In our society we are constantly bombarded with input - TV, radio, the Internet, other people, etc.

As a result, we never sit in silence with ourselves. When you first meditate, you r mind will race. These thoughts are what’s in your conscious mind, and as long as they are there you are not getting in touch with your subconscious.

The key here is to relax and let those thoughts go.

This will seem impossible at first, but practice it. Start small, with 5 minutes a day, and work your way up.

Journaling is similar to meditating in that you are trying to get past conscious thoughts.

Journaling is simply writing your thoughts down. Unlike keeping a diary, though, the kind of Journaling we are talking about it is free flow writing where your pen never stops moving and you don’t care about what you write. When you start, it is ok to write ‘I have nothing to write’ over and over until something comes up.

Don’t censor yourself, and don’t let your pen stop.

It is best to journal in the morning, before your conscious mind has been filled with events of the day. Journaling should be done by hand, not on the computer. When you write, try to fill three pages.

The first pageor two will be basic conscious stuff you need to get out of your mind. Filling three pages helps get past all that.For a good deal more on Journaling, read ‘The Artist’s Way’ by Julia Cameron.If you want to start tapping into

the taking.

whatever you want to know is there for

truly say that once the gap is entered,

the mind. From personal experience I can

of comprehension will suddenly pervade

Duality will cease and a 360 degree focus

resolved.

the unconscious

bdivisions, the

the unconscious ious and the bdivisions, the ious and the cious. While the cious. While the ious is shaped ious is shaped l experiences, unconscious l experiences, inheritance of experience of unconscious storehouse of ences exists in inheritancewhich of chetypes,

ne specific dream experience of dian and Jungian metimes referred storehouse of ologies, meaning n the processes sences mind.exists in

chetypes,

In typography, a column is one or more vertical blocks of content positioned on a page, separated by margins and/or rules. Columns are most commonly used to break up large bodies of text that cannot fit in a single a block ofistext on In typography, column one are or a page.

Additionally, columns used to improveblocks page composition more vertical of content and readability. Newspapers very positioned on frequently usea page, complexseparated multicolumn layouts to break up by margins and/or different stories andrules. longerColumns bodies of texts within a story.

Column are used to refer break to up can most also commonly more generally the vertical large bodies delineations of text that created cannot by a typographic grid system which fit a single block of text on typeinand image may be positioned. a page. Additionally, columns are used to improve page composition and readability. Newspapers very frequently use complex multicolumn layouts to break up different stories and longer bodies of texts within a story. Column can also more generally refer to the vertical delineations created by a typographic grid system which type and image may be positioned.

which

The unconscious is that part of the psyche that is normally beyond The unconscious is that part of the reach of consciousness. The the psyche that is normally beyond the reach of consciousness. The basic notion of an unconscious, as basic notion of an unconscious, as well as the idea that our behavior well as the idea that our behavior in influenced by unconscious motivations, is very old. However, in influenced by unconscious it was Sigmund Freud who first put forward a general theory of the motivations, is very However, unconscious and itsold. interaction with the conscious mind. Freud’s it was Sigmund Freud who first put concept of the relationship between the conscious and the forward a general theory of the unconscious has been compared to that of an “iceberg”— meaning unconscious its interaction that only and a relatively tiny part (the conscious)is usually with the while conscious Freud’s visible, ninetymind. percent (the unconscious) is below the surface. concept of the relationship

ne specific dream

between

dian and Jungian

unconscious has been compared to

metimes referred

that

of

ologies, meaning

that

only

part

(the

Bal-

n the processes

s mind.

ANCE

paragraph balance between columns & leading explorations

the

conscious

an

“iceberg”— a

and

meaning

relatively

conscious)is

the

tiny

usually

visible, while ninety percent (the unconscious) is below the surface.

Freud’s view o is that we are selfish animals aggressive urg desire for pl learn, however, their cruder im Freud formulat unconscious regi as they grow partially as aup of conflicts that training is in ofte hypn illness urges that peo French neurolog unacceptable and admit are a part Charoct.

Fre Mental illness o numerousbecome urges demonst deal thro today with we would ca coping proces therapy involve suggestion.

Cha the repressed the dysfunction. subjects and req dreams to gain in perform certain patients’ repr and referred to their emergence royal road” to t trance. The su out the tasks, to recall why the demonstrations with clinical suggested to Fre part of what we unconscious moti

f human nature e fundamentally s driven by ges and the leasure. People how to repress pulses into view the ted ion ofhis the mind p.result At the of core his t lead to mental nosis under the en a denial of ople regard as gist J. with Martin d do not to tudof themselves. witnessed occurs when such trations of what too strong to ugh the normal all ss. posthypnotic Freudian es discovery of rcot urgeshypnotized causing .uested Freud that analyzed they nsights into his tasks following essed desires, dreams as “the ethe from hypnotic unconscious. ubjects carried but were unable ey did so. These in combination l experiences eud that a large do is based on ivations.

Freud’s view of human nature is that we are fundamentally selfish Freud’s view of human nature is animals driven by aggressive that we are fundamentally selfish animals driven by aggressive urges and the desire for pleasure. urges and the desire for pleasure.

People learn, however, how to People learn, however, how to repress their cruder impulses into the unconscious region of the repress their cruder impulses mind as they grow up. At the core of conflicts that lead to mental into theis unconscious region the illness often a denial ofof urges that people regard as unacceptable mind as not they with grow to up. admit At theare core and do a part of themselves. Mental illness of conflicts that urges lead become to mental occurs when such too strong to deal with through the illness is oftenprocess. a denial Freudian of urges normal coping therapy involves discovery of that people regard as unacceptable the repressed urges causing the dysfunction.

Freud analyzed and do to notgain withinsights to admit arehis a dreams into patients’ repressed desires, and part of themselves. referred to dreams Mental as “theillness royal road” to the unconscious. occurs when such urges become too

In Freud’s view, the purpose of dreams is to allow us to satisfy in fantasies the instinctual urges that we have repressed into the unconscious. So that we do not awaken as a result of the strong emotions that purpose would of be In Freud’s view, the evoked if we were to dream about dreams is to allow us to of satisfy the literal fulfillment such desires, the part the mind in fantasies the ofthe instinctual that Freud called censor transforms thehave dream contentinto so urges that we repressed as to disguise its true meaning.

The process of So psychoanalytic the unconscious. that we do dream interpretation involves a not awaken of asthe a censored result surface of the “decoding” dream inemotions order tothat discover strong would its be real meaning. evoked if we were to dream about the literal fulfillment of such desires, the part of the mind that Freud called the censor transforms the dream content so as to disguise its true meaning.

The process of psychoanalytic dream interpretation involves a “decoding” of the censored surface dream in order to discover its real meaning.

8/9.6 pt

Carl Jung divide mind into two

Carl Jung divide personal uncon mind into two personal uncon collective uncon collective uncon personal uncons personal uncons by our perso the collecti by our perso represents our the collective the collecti humankind.

Thi humanity’s expe represents the form ofoura sometimes determ the collective images.

Both Fre psychology are s humankind.

Thi to as depth psyc that they focus humanity’s expe of the unconscio the

form

of

a

sometimes determ

images. Both Fre

strong to deal with through the

psychology are s

normal

to as depth psyc

therapy

coping

process.

involves

Freudian of

that they focus

the repressed urges causing the

of the unconscio

dysfunction.

discovery

Freud

analyzed

dreams to gain insights into his patients’ repressed desires, and referred to dreams as “the royal road” to the unconscious.

8/19.6 pt

the unconscious

bdivisions, the

the unconscious ious and the bdivisions, the ious and the cious. While the cious. While the ious is shaped ious is shaped l experiences, unconscious l experiences, inheritance of experience of unconscious storehouse of ences exists in inheritancewhich of chetypes, ne specific dream experience of dian and Jungian metimes referred storehouse of ologies, meaning n the processes sences mind.exists in

chetypes,

which

ne specific dream

dian and Jungian

metimes referred

ologies, meaning

n the processes

s mind.

In typography, a column is one or more vertical blocks of content positioned on a page, separated by margins and/or rules. Columns are most commonly used to break up large bodies of text that cannot fit in a single block of text on a page. Additionally, columns are used to improve page composition and readability. Newspapers very frequently use complex multicolumn layouts to break up different stories and longer bodies of texts within a story. Column can also more generally refer to the vertical delineations created by a typographic grid system which type and image may be positioned.

r

e r o m g n i v a h t r a t s n e t f o u o y t a h t . g n i t i r w e r a u o y e l i h w s a e d i e b y l l a m r o n y a m s a e d i e r c o i d e M m e h t g n i t i r w y b t u b , n e t t o g r o f y a m s u o i c s n o c b u s r u o y , n w o d m e h t m r o f s n a r t d n a , m e h t n o k r o w . e v i t a e r c y r e v g n i h t e m o s o t n i r e t a e r g e g a r u o c n e o s l a n a c u o Y g n i t t u p y b f l e s r u o y n i y t i v i t a e r c . e c i t c a r p o t n i s a e d i e v i t a e r c r o f , e t i r w r o t n i a p u o y f I n e v E . w e n g n i h t y n a y r t , e l p m a x e e t u o r t n e r e f f i d a g n i v i r d t s u j r e k c i u q s i t i f i e e s o t k r o w o t t e g o t s i t n i o p e h T . p l e h n a c s t i f o e d i s t u o g n i k r o w d n i m u o y g n i g n a h C . s n r e t t a p r a l u g e r e g a r u o c n e n a c s g n i d n u o r r u s r u o y y t i v i t a e r c e r o m t n a W . y t i v i t a e r c a p u e k i H ? e f i l e v o l r u o y n i d e e N . r e n t r a p r u o y h t i w n i a t n u o m a n o g n i t t i s y r T ? s a e d i y r o t s r o f s a e d i w e n r o F . e t i r w o t f o o r k o o b e t o n a e k a t , s s e n i s u b r u o y k c u d e h t y b t i s d n a k r a p e h t o t t n e m n o r i v n e f o e g n a h c y n A . d n o p f o t u o n i a r b r u o y t e g n a c o t n o s a e r l a t i v A . s t u r s ' t i s m a e r d f o g n i n a e m e h t d n a t s r e d n u u o y l l e t n a c o s l a y e h t e s u a c e b s i . f l e s f o s e i t i l a u q r u o y t u o b a a f o s t c e p s a l l a l e v e l e n o t A . f l e s r u o f o s e i t i l a u q e r a m a e r d e h t f o t n e m e l e h c a e , n o s r e p h c a E g n i t e e m e r a e W . u o y s i m a e r d n o s r e p h c a e n i f l e s r u o y f o s t r a p o T . m a e r d r u o y n i t c e j b o d n a g n i n a e m e h t d n a t s r e d n u r e t t e b l o b m y s n r a e l t s u m e w s m a e r d f o d n a t s r e d n u o t r e d r o n i , e g a u g n a l e h t d a e r o t d e e n u o y e g a s s e m e h t o t t p m e t t a e w e l i h W . e g a u g n a l g n i n a e m e h t f o e r a w a e r o m e m o c e b t s u m e e v a h e w t a h t s m a e r d f o t a h t t n o p e h t f o s u o i c s n o c y a t s l l a s n i t c e r i d , s r o l o c , s r e b m u N m a e r d e t n i s d r o W . s g n i n a e m e v a h , g n i n e m e l b u o d a e v a h n e t f o e v o r p i o T . o d s e n o h p o m o h s a d n a t r e d n u o t y t i l i b a r u o y e v a h d a s m a e r d f o g n i n a e m e h t , e v i t s o p , l u f e s o p r u p , g n o r t s t s u m e s m a e r d g n i r e w o p m e d n a m r o f s n a t o t y t i l i b a e h t p o l e v e d m o c e b t d n a g n i k n i h t f o y a w r u o o s u o i c s n o c y r e v t a h w d n a s m a e r d i c s n o c b u s

e ynu d sm o tr o e r i ed l iyt to g ma ii b vn T h e s u b c o n s c y T o o pp o i f m n p w r h o a t e n d s t o g i v e a y a t tv g t ee nn o t o ir u oe n m h o e s t o .

I a n i n g , a s o f w h a t y o u p a h de o p u c a t i v e at b r l e te o .

I g n o r e t h e c t s o f e d a sy m o ai uo sn f t e n l ie f d a s p e c t s o f y y ueo rau n'r si r ut to. e en ,ls lc aii n no g n e bh g s a n d y o u ' r e yc om c u s t i o n s a l l y o u r s u b c o n s c r s m, u i n nc i do m l p to o hr r es t y, a n a t r . e t h e y a r e u n i s y l o yu p o niC on o tt n e s t cwh i a eo t nu C o n s c i o u s l y s c ai ro eu s c ro h f e a t i v e , m u s t s t a y y o u a r e c r e a f o r t wa en d h al vo eo k f o p d r e a m s t o l o o k f o r o p p o e b em pe coa rrn eti aun tng ii vt ei ,e s a n u ds t o b e c r e a t y o u r s eu b n s c i o e a r oc fo m a i w n d w i l l s t a r t o b e c o m e y o u r s u b c o n s c f e ee dt c i n g y o u w i l l s t a r t f e lw aem n o gar u t a .g e e rmW. epr a ti t t i i v n e g m o r e c r e a t i v d d io t dw o e n a r s y e ao du iw d a e y a s W r i t i n g d o a y og uo o r d r a s s a it g so e g e i d e a s i s a g o r s t a a n n d de ni tcn hoc e u r e a sYeo u e n c o u r a g e a n d oc rr de ea rt i tv oi t y . e a t i v i t y .

Y o ac na gn u ak ge ee ,p a n " i d ec a r r n s y m b o l a n " i d e a j o u jm os u rw ne a lm .u "s t D o t h i s a nr ie n g g l oa f r hl ey , a nt d h i s r e g u l a r l y , ao n u db tt m cr. ts yt T i e t e r n o t i c e t h a t oan ut' y l y lo o uu nr o o t f i t c e e n te h s t a r t h a v i n g p r s o n a n d s st a v i n g e a l ra f td h i l e y o u a r e e i ha tu omyi.uoon r r s n rs i tw ih ni gl .e w ugW dee iap ori M e d i o c r e i d a cerri rtes w M rem e i ld le ya s d e a m n o r m a l l y b e f a y n o r m a e m e n t o f b e f o r g o t t e n , s o n , e a c h b u t b y w r i t i n g s l eti b lht u e f t me. s b dEy oo a wf cw nhr , i t y i o n yu g r s u b c o n s c i o roy u cm o o na n sr ce t ihoeums, maan d wp sr oe ue rc ba ki o n t h e m , a n d d t s o f t r a n s f o r m t h e m t h e m i n t o s ls i ee nv as lo lm e t h i n g o l a te fll . v e r y c r e a t i v e i ut cA ti rt e e s a t i v e . r y o o u q vc uae b o a l s o e n c o u r a g Y o u c a n a l s o ea nu ccs aore nue rat tath egie levy l i gt ry e a t e rc r e a t i v i t y i n i n b y p u t t i n g si e eu d pn r u md e te e ya traom isnus ntir ga n gs l r f e a b t y i v e i d e a s i n t o p r i d e a sn cd i n t o y o uy o u p a i n t o r I f a p plr a a i rc n et t ai sc o oe r n. e x a m p l e , t r y sf o rr u te sx .a m Ap l w e r , i t t e r , y w .

E v e n j u s t a no yu tjt hu iso n n ie vw i. nn g e f g Ei vn d i f f e r e n t r o u g ee n y io fu t at u d fr e d r r e n t t o s e e i f i t w o r k n vt o ir o r so etn ee m e it n fo t s .c a n h e l p .

T h e h a c n a g n e i th e i q uA in cy k ec r l p o g e t y o u m i b y Tp ha gt er eh k te p oa yd in ou nd uc t k m i i s n d t o t u t s i d e o f i t w e o b r o k o i k n g t oo u t s i d e o on t e s ir, t yst o a u rk r e g o fs u l a r p a t t e r n s . s f o r n s . e . Cr F p ao o a nf r tg tit n e y o u r s u r r o u n h ne a o o n gw d i y n o g u s r e n c o u r a g e c r s u r r o u y r s i t t i n g a ai ntd ie eva nis ct? oy u. r aW ga en t W a n t m o r e c r cnm yrc e t e r .

N e e d i n y o u r l o v e r e a t i v i t y i m t o hou i rn ny et o a yu c r i o n uu H rp i k l e o v u e p u p a m o u n t a i n f e ? e y ? ao lu H i i k e p a r t n e r .

N e mr u o r ul no p tv a ae r i t n n e w i t h y o i d e a s ?

T r y s i r yyr . i cev rni ectNiaoyedtu.eeirdavaW sigas?tent y to r o o f t o w r i t e T r s d e a s f o r y o u r tr g i oo ii tu dn t wn eg i rd a n ii sy g tn o eg fu o .s or n r F a oyroruo n r io e f wt n a k e a n o t e b o a t b t u e s r i n n s e .s s , p a r k a n d s i t s a r n e o g t u e lb ao o r k t at ko e i b tn yy hg o e tu o h pu em at i rs dn ki ud d c ae k n d p o s n i d t . d u c k p o n d .

A i h n tA ln i o f e n v i r o n m e n h o e o f piyq s .r u oci t Tn h amke nee gn e i ne s v t c a n y c r o u r b r a i n o u ge k en tt t o yr oo s uu e rt e e b r a i n e oo r ur t s .

A v i t a l r u t s r. u d . tr i E ov v fi e n n ig t 'a s e wa u n d e r s t a n d t h A n yv ti h t i a n l g r e a s o n o f d r e a m s i s t o u n d e r s t a n d e x a m p l e , e m w s mr ei i at s n ib ne gc a u o s f et t di t r a. eo, h e y a l s o c a n rc o t eh e I f y u a b o u t y o u r q u h e y a l s o c a n e a s i n t o ty eo c lu r lr e a yq t ou i ua v l e a i bt o u st nrg s e l f .

A t o n e i e u s e l f b y A t o n e t o i f v its tee yrl f i . n a s p e c t s o f a ga am s pa er ce t s q u a l i t i e s o f nl rcec oeova fa u en r l aa a g al de ls r l e a o E a c h p e r s o n , e s o f co r qu e ur a a st l e i i vlt efi . e .

E a c h o f t h e d r e a m a c h o se op me er ts ho in n, go e W e a r e m e e t i n l e m e n t f t h e s f o r m t h e m d r e a m i s y o u .

W e y o u r s e l f i n e h e m , a n d y ac ro ow en fo s r mc yk ei o eo uo tu rn is s n e g l f p a i r a n tn s d o b j e c t i n y o b e t t e r u n d e d e oo a bw c jn h e, c p ty e o r iu s nr o n y o a u n r dT me r e a n i n g o f d r e d yru en wa m .

T o b e t t b r i t i n g f m o en r ao g nr do im et na rt gl se l tn oy a, f n d d r t e h a e l e a r n s y m b o l l mi ud s e t a s l e a r n m s or ce wr ew e r d e r t o u n d e s dy em ab rso i l tw ihl nia gln .eg u a g e , o i m e s s a g e y o u n e ih na v oi rn dg e r t o r t y o u o f t e n u n d e r s t a n d t h e t h e l a n g u a g e . ' ml el s sn ao gt ei c ye o u n e e d a t t e m p t t o b e l a r tl oy , r ea an dd t h e a w a r e o f t h e l a n g u a g e .

W h i l e D o w te h ia st t e m p t t o r e a m s t h a t w a b e oj c fo o u m tr e hn ea m l o m. r e" e a n a i w n a g r e d m u s t s t a y c o n c a n k e e p a n o f d r e a m s t h a t e a wi t en i c v hr i ae t va y es . e w e h e p o i n t t h a m u s t t c o yo o u d cr oa w ng a s ey c i o u s o l o r s , d i r e c t ga o fc aes yn h a v e m e a n i n g to h u e r p io di e n a t s t h a t s .

W r i t i n g i n t h e d r e a N u m b e r s , c o l o r s , c rn reg ea cty tio ivu oe n s d i a l l ee d i h a v e a d o u b l e h a v e m e a n i n g s . w i l l s t a r t W o r d s i n t h e a s h o m o p h o n e c d odr n e sya com iu oro u f s t e n h a v e n p r o v e y o u r a d s o u ah b o l m e o em e a n i n gi , m e o r dc t a or u .e n i Tt t oi i v e is p m, h p o r n o e v s e u n d e r s t a n d t h e oo ku r f o a er br is lt i t y l yto o d r e a m s a n d h a u r p o s e f u l , p o t ah tu e in vd m ee ,a n i a n n g dp c r e e m p o w e r i n g e w h e n y o u o f d r e a m s a n d n ms p c o hi r ao t v ua e sn l m u s t d e v e l o p t s .yte e r f o u n l g , , p ao d c o tp n hops esuc yiri t t o t r a n s f o r m iuwr sv a ng d o s e m p o e e er , i m n t h i n k i n g a n d l i n g y o u r d r e a m s w u s t d y d o e u v ' e r le o v e r y c o n s c i o p t h e f

u

o

o

g

o

n

t

i

n

n

w i o h a m s n i w r o a i . d

e

n

m d

i

e

m

e e h

f s

t

u

e

o

f

w

u s m i n d o u m o r e a t t e n t i o n e c r e a t i v e o u r l i f e , t e l l i n g i o u s m i n d m p o r t a n t . n o t e w h e n t i v e , a n d r t u n i t i e s i v e , a n d i o u s m i n d e d i n g y o u e i d e a s . w n y o u r o d w a y t o d i n c r e a s e u c a n k e e p r n a l . " D o a n d y o u ' l l y o u o f t e n m o r e i d e a s w r i t i n g . d e a s m a y o r g o t t e n , t h e m d o w n , u s m a y w o r k t r a n s f o r m o m e t h i n g .

Y o u c a n e g r e a t e r y o u r s e l f c r e a t i v e a c t i c e .

I f w r i t e , f o r a n y t h i n g d r i v i n g a t e t o w o r k i s q u i c k e r p o i n t i s n d w o r k i n g s r e g u l a r C h a n g i n g d i n g s c a n e a t i v i t y . r e a t i v i t y l i f e ?

H i k e w i t h y o u r e d s t o r y t t i n g o n a .

F o r n e w b u s i n e s s , o o k t o t h e t b y t h e n y c h a n g e n t c a n g e t t o f i t ' s r e a s o n t o e m e a n i n g b e c a u s e t e l l y o u a l i t i e s o f l e v e l a l l d r e a m a r e o u r s e l f . a c h e l e m e n t i s y o u . g p a r t s o f a c h p e r s o n y o u r d r e a m . r s t a n d t h e a m s w e m u s t a n g u a g e , i n r s t a n d t h e e d t o r e a d W h i l e w e e c o m e m o r e m e a n i n g o f w e h a v e w e s c i o u s o f t N u m b e r s , t i o n s a l l s .

W o r d s m o f t e n m e a n i n g , s d o .

T o a b i l i t y t o m e a n i n g o f v e s t r o n g , s i t i v e , a n d d r e a m s w e t h e a b i l i t y o u r w a y o f t o b e c o m e u s o f t h e y

,

o

s d n e t d n u o y t a h w e h t e r o n r u o y f o r u o y g n i l e r a y e h e t o n y l s u k o o l d n a , e v i t a e r c e l l i w d n i m e v i t a e r c e s a e d i r u o d n a e g a r u n a c u o Y

s

i y

i

e

h

c

t

i

t

o

o

D

n

"

l

. l

i m s u o i f o e r o g I . o t s t c e p l e t e r ' t d n i m o i c s n o e v i t a e r b o t s e s u o i c s n r o m u o y y n w o d o c n e o t . y t i v i t

l

'

a

u

n

o

r

y

u o

d

j

a

c s n m u n o s a u o y s u o C . c e i t i o c b g n g n i y a e r a

n

a e d

o o i e i t r n u i t w c

,

c b u s e h T y e v i g o t t n e t t a y a p v i t a e r c d n a , e f i l c s n o c b u s n a t r o p m i n u a u o y n e h w u t r o p p o r o s r u o y d n a d e e f t r a t s i W . s a e d i o o g a s i s a e r c n i e k

y

i "

r d e

l

r

a

n

l

a

u

g

p

e

e

r

f

According to the theory of emotional selection

by Richard Coutts, dreaming is a way to modify one’s mental schema. emotional of theory The selection is about a process of executing a set of dreams during the non-REM sleep.

A second set of dreams is executed during the following REM sleep in the form of test scenarios.

It defines an accommodation as the process of reframing one’s mental representation of the external world to fit new If the experiences. performed accommodations during the preceding According

to the theory of emotional selection by Richard Coutts, dreaming is a way to modify one’s mental schema.

The theory of emotional selection is about a process of executing a set of dreams during the A second set non-REM sleep. of dreams is executed during in the following REM sleep the form of test scenarios.

It defines an accommodation as the process of reframing one’s mental representation to world external the of If fit new experiences. the accommodations performed during the preceding According to the theory of emotional selection by Richard Coutts, dreaming is a way to modify The one’s mental schema. theory of emotional selection is about a process of executing a set of dreams during the nonA second set of REM sleep. dreams is executed during the following REM sleep in the form of test scenarios. It defines an accommodation as the process of reframing one’s mental representation of the external world to fit new experiences. If the accommodations performed during the preceding According to the theory of emotional selection by Richard Coutts, dreaming is a way to modify one’s mental schema. The theory of emotional selection is about a process of executing a set of dreams during the non-REM sleep. A second set of dreams is executed during the following REM sleep in the form of test scenarios. It defines an accommodation as the process of reframing one’s mental representation of the external world to fit new experiences. If the accommodations performed during the preceding According to the theory of emotional selection by Richard Coutts, dreaming is a way to modify one’s mental schema. The theory of emotional selection is about a process of executing a set of dreams during the nonREM sleep. A second set of dreams is executed during the following REM sleep in the form of test scenarios. It defines an accommodation as the process of reframing one’s mental representation of the external world to fit new experiences. If the accommodations performed during the preceding According to the theory of emotional selection

by Richard Coutts, dreaming is a way to modify one’s mental schema. The theory of emotional selection is about a process of executing a set of dreams during the non-REM sleep. Second set of dreams is executed during the following REM sleep in the form of test scenarios. It defines

muinnidm ptohretya natr.e a s p e c r y t olsui 'f C o o t ne s cw h i eo nu s y l o yu ay lnol dui n n t e g y o o a r e c r e a t i v e , u b c o n s c i m s i n d t h e y a u n i m p o r t a n a n d l o o k f o r C ot ne s w c i eo n u sy o ep p co rr et au tn ii vt ei ,e s a t odn a o r e c r h e a t i v b n y m o i u n r d s u b c o n s c i o u sa n d l o o k f w i l l s t a r t i rn eg a ty io vu e m dfo e er a ee s d . c o p p o r t u n i t i i W r i t i n g t o d oi ws n y go ou o r d iw d a e y a s c a r ne da t i v a y o ta on d e ni cn o u er aa sg ee s u b c o n s c i o c r m i n d w i c r e a t i v i t y .

Y o us t a r t f e e d i yc or ue a m o c a n k e e p a n " i d e a t i Wn r i yt oi j o u r n a l . " D o t h i i ds e a ds . o w i d e a s i s r e g u l a r l y , a n d g oe o n d c ow ua ry a oaut' lylo un ootfitceen a n d e i n c r e a tyh a te a ri td e ha as v iw nh gi l e Y c o r u c t a i n v i k t e my oo s r u a r e w r i t i n g . a n " i d M em da iy o cn r e i d e a s romtatlelny, j o u r n a l fboyrogw bbuet r i t i n g D o t h t h e m d o w n , y o u r a urbkc oonns ctihoeums, maar yed g u l a r l y , wsot n o t u ' y l o l u n o o f t t i r a n s f o r m t h e mt y h a i n t o s o m e t h i n g s t ma or rt e h a v i i d e v e r y c r e a t i v e . i l e y o t e ra r e w h w r i t i n e n cc Y or o ue u ra at c gi a ev n i gt a ry l e s a M e d i o c i n i dm ea al sl y m oiunrgs eclrfe abtyi v e n o p u tyt f r o r g o t e b t u t t h ppraaii cnd tte i a cos er. iwn Irt fiotyeo,u w r i t i n g f oa rn y et xh ai mn p g l e n, e wt .r y d o w , y o o n n s c i E v e n j u s d i v i n gs u m b a c y w o r k o a d i f t f e r r e n t t h e m , a r o u t e t o w o r k o r m t h s ee er i f i t ii tp sn r ta on s f s o m e t h i q t uT oi hgc eektp o y i o nc u ta n m i i sh n e d tl v o e .r y r a e a t a i v Y o u c w o r k i n g o u t s i d e e c n gc rn o eu ar tl a o f i t s r e g u l a r r e a t i v i a n tg ti n e gr n ys o . u r i c n y o u r s e Cshp a b i y v e p u i t d t e i u n r r eo nu cn od ui rn ag gs e c r e a t c a o p r a c t i c c m r o e r a e t i c v r i e t a y t . i v W i a t n iy tn t I f y o u p a i o r x a w r i l t iinf ey? o uH ri k le o vuep tf ro yr n ae nw y. tm hp iv a l m u o r u n p t a a r i t n n e w i t h e E y o r . j u s t d r i v i Ni ed ee da s s? t o T rr yyr o o rf o a u t d e i ef t f o ie fr w e o s t i oitdt wei ran isg t efo .onrF a o y r o u n r e wt o i ss e q u i c kl c a n h e b au s ni o n t e e s b s o ,o k t at ko e T h e t o p o g i e n t t y b t y h e t h p e a r d k u c a k n d p o s n i d t . m i on ud t sw io dr ek i A n y c h a n g e o f e n v i r o n m e n t c a ni t sp a rt et ge ur ln g e t y o u r b r a i n C h a n g n o r i o c u g n u d y i a n o u t o f i t ' s r u t c s a . s nu r e A v i t a l r e a s o n c r We an a nt to i v mr i ot t o u n d e r s t a n d r o e u a r t i v o f i n c y l i o d t r t eh ae m sm e a i a s n ib ne gc a i k e a uu n ts le i f ea ? m H o u n t a t y e o hl u el r y y q o u lu a s l oa i bt c o w i t h y o i e s N a e o f s e l f .

A t o n e p a r t n e r . d e l e ov fe l a a d l r l e a a m s p a e r c e t s s t To r ry y s i i t t i o n a r o o f ur a s l e i lt fi e. s E oa fc h w r i t e .

F o r y n o q u i d e a s f o r o b u s i e p l e e r m s e o n n t , o e f a c t h h e t n a e k s e ad rro eef a mmy e o eiu tsr i s nye g ol fu p .a i r nWt es t nh oe t ep ba or ok k a s i t b y e ab cj he c pt e ri sn o ny o a u n rd d u c k p o t n Ar n y c h a n g e d rou e a m .

T o b e t t e n d e r s t a n d t h e e n v i r o n m e m e a g e t y o w n e i n m g u s o t f l d e r a e r a n m sc a n o u t s y m b o l l a n g u a g e , b r a i n i t ' s r u t s . i n o r d e r t o v i t a l r e a s u n d e r s t a n d t h e m e s s a g e y o u n e e dt to h ue n dm ee r a s nt ia t o r e a d t h e o l a n g u a g e . i l e b f e c d a r u e s a e m s t h m ep Wt h b e wc eo m ae t tm e o r a wt ao r ae l s oy o cu a na b t o e q u a l i t i o f t h e m e a n i n gy o u r o f d r e a m s t h a t o n eo f l es ve el lf . a w e h a v e w e m u s t a s p e c t s a m s t a y c o n s c i o u s o fq a us ae d l lr i fe t a i e s t h e p o i n t t h a to u r .

E a a s o n , e N u m b e r , c s o l a o l r l s , p e r m e n t d r e c s t i o n t y h oe e ul e d r e a m h i a v e m e a n i n g s .

W e a W o r d s i n t h e t i . n g p a r e o a u m b l o e f t m e e n a n h i a n v g em, e e o f y o u r s e ad rd i n e a c h p e r s a s h o m o p h o n e s a n d o b j e c t d o .

T o i m p r o v e y o u Tr o d b r e et at yt o o u u r n d a e br is lt i t y u n d e r s t a n d t t h e m e a n i a n n g d d r e a m m e s a n w i e n g m u o hf a vd e r e s a t m r so n ag n, d l e a r n s y m b l a n g u a g r p u la ,n d p eop msu i to oi w sv e ee rf, i i n o r d e r p n g u n d e r s t a n d t d d r ee av m e s l m ow pe t u h s e t m e s s a g e y a b i l i t y t o n e e d t o r e o r m o u r t h e l a n g u a g w at a nr y da n o ts f f t h i n k i n g W h i l e o b e c o m e v etrhye cmoenasnciinogu so f ba et ct o e m me p tm o o f n n d t o w h o a u t ra w a r e o f t w d e sr ue f abe mce so d n a s i m e a n i n g c i o u s

oe ru u r lt o e o e b e u u nl r v un t g s y e e . i n c e n a o g r a b n b e u u o n e n e s g e t l n a e n e e n e n n r i e p i o n o a su g g y r t v u i u e s n t e u s t n h d o n u o o n ni e ul e A l o r o c c o i r t l o mi e h o s o e t h o a e w t r h o

are fy o u , eo p p o r t u n i r s your subc e .f e e d i n g y y u ,W r i t i n g d rw a y to s creativit e , rj o u r n a l . " s you'll no l g e having m e g writing. M r a o eb e f o r g o t e down, you . po n t h e m , a "s o m e t h i n g sa l s o e n c o di n yours ei d e a s i n g paint or s u . ea n y t h i n g y different e , yi t i s q u i m is to get r s n do f i t s r e m sur gy o u r . c r e a t i vit o e in your r y mountain f g s story ide . t to write. , , g nb u s i n e s s , g park and t k change of t r . brain out s ur e a s o n to g fo f d r e a m s r .t e l l y o u r s self. At e . a dream a e y e Each pers p n dream is r d ? of yours g oo b j e c t i w r understan , a o we must l d e .o r d e r t o fn e e d t o r t ra t t e m p t t fm e a n i n g o A nm u s t s t a y d gt h a t Num s y all have l td r e a m o f t s t l as homoph f e ability t f hd r e a m s a n h f s positive, e s we must f n transform n . rt o becom e f tm e a n i n g o li n t o our , os u b c o n s c i ey o u m o r e u dt o .

Igno . e o f y o ur o e sub ey o u r fu n i m p o r t a

ideas is a good way to encourage creative, and look for i t i e s t o b e c r e a t i v e , a n dyour subconscious mind they areand increase creativity. You can keep an "idea journal." Do this c o n s c i o u s m i n d w i l l s t a r tunimportant. Consciously note whenregularly, and you'll notice that you are creative, and look for you more creative ideas. you often start having more ideas d o w n y o u r i d e a s i s a g o o dopportunities to be creative, andwhile you are writing. Mediocre encourage and i n c r e a s eyour subconscious mind will startideas may normally be forgotten, but by writing them down, your t y . Y o u c a n k e e p a n " i d e afeeding you more creative ideas.subconscious may work on them, and " Do this regularly, a n dWriting down your ideas is a good waytransform them into something very o t i c e t h a t y o u o f t e n s t a r tto encourage and increase creativity.creative. You can also encourage ore ideas while you a r eYou can keep an "idea journal." Dogreater creativity in yourself by putting creative ideas into M e d i o c r e i d e a s m a y n o r m a l l ythis regularly, and you'll noticepractice. If you paint or write, that you often start having more ideas tten, but by writing them for example, try anything new. ur subconscious may w o r kwhile you are writing. Mediocre ideasEven just driving a different a n d t r a n s f o r m t h e m i n t omay normally be forgotten, but byroute to work to see if it is quicker can help. The point is g very creative.

You c a nwriting them down, your subconsciousto get you mind working outside may work on them, and transform them ourage greater creativity of its regular patterns. Changing elf by putting c r e a t i v einto something very creative. You canyour surroundings can encourage Want more creativity nto practice.

If y o ualso encourage greater creativitycreativity. in your love life? Hike up a in yourself by putting creative write, for example, try mountain with your partner. Need n e w . E v e n j u s t d r i v i n g aideas into practice. If you paintstory ideas? Try sitting on a roof t r o u t e t o w o r k t o s e e i for write, for example, try anythingto write. For new ideas for your business, take a notebook to the i c k e r c a n h e l p . T h e p o i n tnew. Even just driving a differentpark and sit by the duck pond. Any t y o u m i n d w o r k i n g o u t s i d eroute to work to see if it is quickerchange of environment can get your e g u l a r p a t t e r n s . C h a n g i n gcan help. The point is to get youbrain out of it's ruts. A vital rroundings can e n c o u r a g emind working outside of its regularreason to understand the meaning of dreams is because they also can ty.

Want more c r e a t i v i t ypatterns. Changing your surroundingstell you about your qualities of can encourage creativity.

Want more love life?

Hike up a self. At one level all aspects of with your partner.

N e e dcreativity in your love life? Hikea dream are qualities of ourself. e a s ? T r y s i t t i n g o n a r o o fup a mountain with your partner.Each person, each element of the dream is you. We are meeting parts . F o r n e w i d e a s f o r y o u rNeed story ideas? Try sitting on aof yourself in each person and roof to write.

For new ideas for your , take a notebook to the object in your dream. To better s i t b y t h e d u c k p o n d . A n ybusiness, take a notebook to the parkunderstand the meaning of dreams f e n v i r o n m e n t c a n g e t y o u rand sit by the duck pond. Any changewe must learn symbol language, in order to understand the message t of it's ruts.

A v i t a lof environment can get your brainyou need to read the language. o understand the m e a n i n gout of it's ruts. A vital reason toWhile we attempt to become more s i s b e c a u s e t h e y a l s o c a nunderstand the meaning of dreams isaware of the meaning of dreams that have we must stay conscious of a b o u t y o u r q u a l i t i e s o fbecause they also can tell you aboutwe the point that Numbers, colors, o n e l e v e l a l l a s p e c t s o fyour qualities of self. At one leveldirections all have meanings. a r e q u a l i t i e s o f o u r s e l f .all aspects of a dream are qualitiesWords in the dream often have a meaning, as homophones s o n , e a c h e l e m e n t o f t h eof ourself. Each person, each elementdouble do. To improve your ability to y o u . W e a r e m e e t i n g p a r t sof the dream is you. We are meetingunderstand the meaning of dreams elf in each person a n dparts of yourself in each personand have strong, purposeful, n your dream.

To b e t t e rand object in your dream. To betterpositive, and empowering dreams nd the meaning of d r e a m sunderstand the meaning of dreams wewe must develop the ability to transform our way of thinking l e a r n s y m b o l l a n g u a g e , i nmust learn symbol language, in orderand to become very conscious of to understand the message you need to understand the message you the meaning of dreams and what we e a d t h e l a n g u a g e . W h i l e w eread the language. While we attemptfeed into our subconscious mind. o b e c o m e m o r e a w a r e o f t h eto become more aware of the meaningThe subconscious mind tends to give you more of what you pay o f d r e a m s t h a t w e h a v e w eof dreams that we have we must stayattention to. Ignore the creative y c o n s c i o u s o f t h e p o i n tconscious of the point that Numbers,aspects of your life, and you’re bers, colors, d i r e c t i o n scolors, directions all have meanings.telling your subconscious mind meanings.

Words in t h eWords in the dream often have athey are unimportant. Consciously note when you are creative, and t e n h a v e a d o u b l e m e a n i n g ,double meaning, as homophones do. Tolook for opportunities to be improve your ability to understand hones do. To improve your creative, and your subconscious o u n d e r s t a n d t h e m e a n i n g o fthe meaning of dreams and have strong,mind will start feeding you more ideas. Writing down your d h a v e s t r o n g , p u r p o s e f u l ,purposeful, positive, and empoweringcreative ideas is a good way to encourage , and empowering d r e a m sdreams we must develop the ability toand increase creativity. You can develop the ability t otransform our way of thinking and tokeep an “idea journal.” Do this m o u r w a y o f t h i n k i n g a n dbecome very conscious of the meaningregularly, and you’ll notice that you often start having more ideas e very conscious of t h eof dreams and what we feed into ourwhile you are writing. Mediocre subconscious mind.

The subconscious of dreams and what we feed ideas may normally be forgotten, subconscious mind.

T h emind tends to give you more of whatbut by writing them down, your ious mind tends to g i v eyou pay attention to. Ignore thesubconscious may work on them, and transform them into something very o f w h a t y o u p a y a t t e n t i o ncreative aspects of your life, andcreative. You can also encourage re the creative a s p e c t syou’re telling your subconscious mindgreater creativity in yourself l i f e , a n d y o u ’ r e t e l l i n gthey are unimportant. Consciouslyby putting creative ideas into conscious mind they a r enote when you are creative, and lookpractice. If you paint or write, for example, try anything new. a n t . C o n s c i o u s l y n o t e w h e nfor opportunities to be creative,Even just driving a different

The subconscious is confusing because it is used inconsistently.

In someinterchangeably discussions this word the is used with unconscious.

The unconscious is that part of the psyche that is normally beyond the reach of consciousness—although psychoanalysis and certain other formsaccess of psychotherapy can reputedly certain of the unconscious through parts such techniques as dream interpretation.

In other discussions, the term is used totermed represent what Sigmund Freud the preconscious, namely, those contents of the the mind which, while not within immediate spotlight of awareness, can be quickly accessed simply by turning one’s attention to We are normally unawarenoises of,them. for example, such background as the sound of the wind in the trees or the soft hum However, of a heating and cooling system. it would not be difficult to bring these sounds to our consciousness if we so wished.

The subconscious is confusing because it is used inconsistently.

In some discussions this word is used interchangeably with the unconscious.

The unconscious is that part of the psyche that is normally beyond the reach of consciousness—although psychoanalysis and certain other forms of psychotherapy can reputedly access certain parts of the unconscious through such techniques as dream interpretation.

In other discussions, the term is used to represent what Sigmund Freud termed the preconscious, namely, those contents of the mind which, while not within the immediate spotlight of awareness, can be quickly accessed simply by turning one’s attention to them.

We are normally unaware of, for example, such background noises as the sound of the wind in the trees or the soft hum of a heating and cooling system. However, it would not be difficult to bring these

the nineteenth-century chemist

for instance, the experience

last

the structure of

6/11

6/9 With respect to the last question, consider, for instance, the experience of the nineteenth-century chemist F.A. Kekule, who was attempting to determine the structure of the benzene molecule.

Dozing off in front of his fireplace one evening, he dreamed of snakelike benzene molecules dancing in the fire. At one point one of the snakes latched onto its own tail

dreamlike experience embodied creative problem solving.

this scientist’s

a ring pattern. Here it seems that

the benzene molecule was arranged in

problem—that

experience

the key to his

hypnagogic

began spinning. surreal

Kekule discovered

this

onto its

ATIVITY

In

and

own tail

one of the snakes latched

dancing in the fire. At one point

dreamed of snakelike benzene molecules

his fireplace one evening, he

Dozing off in front of

molecule.

the benzene

F.A. Kekule, who was attempting to determine

of

AND DREAMING

consider,

question,

C r eA T I-V I T Y

With respect to the

IOUS II N V N EI R AND DREAMING

Extra Space

6/1

began spinning.

a

who a

tune

in

that

the

so

the him

devil

enchanted

which

Tartini,

eighteenth-

Giuseppi

of

The

resulting

piece,

the

creative

Finally, from

traditional

inspiration

in

a

study

spirit of

the

guidance Mistassini

through Cree,

dreams.

or

shamanistic

techniques,

or

together in an indistinguishable whole.

revelation and artistic inspiration blend

for other traditional peoples, religious

other objects.” Thus, for the Cree, as

ideas for the decoration of clothing or

songs,

in dreams, in the form of formulae for

“Power...is sometimes thought to arrive

for example, Adrian Taner remarks that

In

from

dreams cannot be meaningfully separated

societies

composition.

Devil’s Trill, because his most famous

remember.

to capture as much of it as he could

that he immediately awoke and attempted

played

dream

violinist

century had

experience

the

in

dreams. One of the better-known examples

of all types receive nninspiration in

In the more purely artistic realm, artists

In this surreal hypnagogic experience Kekule discovered the key to his problem—that the benzene molecule was arranged in a ring pattern. Here it seems that this scientist’s dreamlike experience embodied creative problem solving.

and

the French neurologist J. Martin Charoct.

Freud witnessed numerous demonstrations of what today we would call posthypnotic suggestion.

Charcot hypnotized subjects and requested that they perform certain tasks following their emergence from hypnotic trance.

The subjects carried out the tasks, but were unable to recall why they did so.

These demonstrations in combination with clinical experiences suggested to Freud that a large part of what we do is based on unconscious motivations.

Freud’s view of human nature is that we are fundamentally selfish animals driven by aggressive urges and the desire for pleasure.

People learn, however, how to repress their cruder impulses into the unconscious region of the mind as they grow up.

At the core of conflicts that lead to mental illness is often a denial of urges that people regard as unacceptable and do not with to admit are a part of themselves.

Mental illness occurs when such urges become too strong to deal with through the normal coping process.

Freudian therapy involves discovery of the repressed urges causing the dysfunction.

Freud analyzed dreams to gain insights into his patients’ repressed desires, and referred to dreams as “the royal road” to the unconscious.

In Freud’s view, the purpose of dreams is to allow us to satisfy in fantasies the instinctual urges that we have repressed into the unconscious.

So that we do not awaken as a result of the strong emotions that would be evoked if we were to dream about the literal fulfillment of such desires, the part of the mind that Freud called the censor transforms the dream content so as to disguise its true meaning.

The process of psychoanalytic dream interpretation involves a “decoding” of the censored surface dream in order to discover its real meaning.

Carl Jung divided the unconscious mind into two subdivisions, the personal unconscious and the collective unconscious. While the personal unconscious is shaped by our personal experiences, the collective unconscious represents our inheritance of the collective experience of humankind.

This storehouse of humanity’s experiences exists in the form of archetypes, which sometimes determine specific dream images.

Both Freudian and Jungian psychology are sometimes referred to as depth psychologies, meaning that they focus on the processes of

the unconscious mind. he unconscious is that part f the psyche that s normally beyond the reach of consciousness. he basic notion of an unconscious, s well as the idea that our behavior n influenced by unconscious motivations, s very old. However, it was Sigmund Freud who rst put forward general theory of the unconscious and ts interaction with he conscious mind. Freud’s concept f the relationship between the conscious nd the unconscious has been compared o that of an “iceberg” meaning that only relatively tiny part (the conscious) s usually visible, while ninety percent the unconscious) is below the surface. reud formulated his view partially s a result of his training in hypnosis under he French neurologist J. artin Charoct. reud witnessed numerous demonstrations f what today we would call posthypnotic uggestion. harcot ypnotized subjects nd requested that they perform certain tasks ollowing their emergence from hypnotic trance. he subjects carried out the tasks, ut were unable to ecall why they did so. hese demonstrations in combination ith clinical experiences suggested to Freud hat a large part of hat we do s based on unconscious motivations. reud’s view of human nature is that e are fundamentally selfish animals driven by ggressive urges and he desire for pleasure. eople learn, owever, how to repress their cruder impulses nto the unconscious region of he mind as they grow up. t the core of conflicts that lead to mental llness is often a denial of urges that people egard as unacceptable and do not with o admit are a part of themselves. ental illness occurs when such urges become too trong to deal with through he normal coping process. reudian therapy involves discovery of the epressed urges causing the dysfunction. reud analyzed dreams o gain insights nto his patients’ repressed desires, and eferred to dreams as “the royal road” o the unconscious. n Freud’s view, the purpose of dreams s to allow us to satisfy in fantasies the nstinctual urges that e have repressed into the unconscious. o that we do not awaken as a result of the trong emotions that would be evoked f we were to dream about the literal fulfillment f such desires, the part of the mind hat Freud called the censor transforms he dream content so as to disguise ts true meaning. he process of psychoanalytic dream

acknowledg ment owledgement acknowledgement

Align Centered

acknowledgement

Sub-conscious mind and creativity

Table of Contnent

Align right

acknowledgement

acknowledgement

Table of Contnent

Align Left

Justified text & Paragraph styles

The only time you can safely get away with justifying text is if your type is small enough and your line is long enough. If your line is shorter or if you don’t have many worlds on the line, then as the type aligns to the margins the words space themselves to accommodate it.

It usually looks awkward. You’ve seen newspaper columns where all text is justified, often with a word stretching all the way across the column, or a little word on either side of the column with a big gap in the middle. But that’s what can happen with justified type. When you do it, the effect might not be as radical as the newspaper column, but if your lines are relatively short, you will inevitably end up with uncomfortable gaps in some lines, while other lines will be all squashed together.

acknowledgemen

acknowledgement

Table of Contnent

acknowledgement

The only time you can safely get away with justifying text is if your type is small enough and your line is long enough. If your line is shorter or if you don’t have many worlds on the line, then as the type aligns to the margins the words space themselves to accommodate it. It usually looks awkward. You’ve seen newspaper columns where all text is justified, often with a word stretching all the way across the column, or a little word on either side of the column with a big gap in the middle. But that’s what can happen with justified type. When you do it, the effect might not be as radical as the newspaper column, but if your lines are relatively short, you will inevitably end up with uncomfortable gaps in some lines, while other lines will be all squashed together

TIFIED

The only time you can safely get away with justifying text is if your type is small enough and your line is long enough. If your line is shorter or if you don’t have many worlds on the line, then as the type aligns to the margins the words space themselves to accommodate it. It usually looks awkward. You’ve seen newspaper columns where all text is justified, often with a word stretching all the way across the column, or a little word on either side of the column with a big gap in the middle. But that’s what can happen with justified type. When you do it, the effect might not be as

knowledgent

of Contnent

owledgement

nowledgement

Jus-

The only time you can safely get away with justifying text is if your type is small enough and your line is long enough. If your line is shorter or if you don’t have many worlds on the line, then as the type aligns to the margins the words space themselves to accommodate it. It usually looks awkward. You’ve seen newspaper columns where all text is justified, often with a word stretching all the way across the column, or a little word on either side of the column with a big gap in the middle. But that’s what can happen with justified type. When you do it, the effect might not be as radical as the newspaper column, but if your lines are relatively short, you will inevitably end up with uncomfortable gaps in some lines, while other lines will be all squashed together

The only you can text safely get away withtime justifying if your type is small enough andisyour line is long enough.

Ifdon’t your line is shorter or if you have many worlds on the line, then as the type tothemselves the margins the words aligns space to accommodate it. Itseen usually looks awkward.

You’ve newspaper columns where all text is justified, often with a word stretching the way across column, orall a little word on the side of the column with aeither big gap in the middle.

But that’s what can happen with justified type.

When you do it, the as effect might not column, be as radical the newspaper but if you yourwill lines are relatively short, inevitably end up with uncomfortable gaps in lines, while together other lines willsome be all squashed

Justify text only if the line is long enough to prevent awkward and inconsistent word spacing The only you can text safely get away withtime justifying if your type is small enough andisyour line is long enough.

If your line is shorter or if you don’t have many type worlds on thetoline, as the the then margins the words aligns space themselves to accommodate it. Itseen usually looks awkward.

You’ve newspaper columns where all text is justified, often with a word stretching the way across column, orall a little word on the either side of the column with a big gap in the middle.

But that’s what can you happen with justified type.

When do it, the as effect might not column, be as radical the newspaper

AND DREAMING

ATIVITY

There are many ways to reach this inner creative potential.

First we need to put the ego to rest temporarily.

The chattering personality needs to be set aside for a time so that the fullness of the entire psyche can see the light of mind.

Creative insight always feels like a momentary gap has been opened and a burst of light has surfaced. Intuitive thought is a sudden complete understanding that issues forth, as if out of the blue.

The veil of presumption and doubt is lifted.

Creative psyche opens up and releases the gem of wisdom we were waiting for. To understand and develop inner creativity we first need to understand the psyche. We are more than meets the eye.

The depth of our full psychological potential is beyond the reach of the personality ego. Beneath the conscious ego’s veneer is the essential Self which guides and directs the body through the subconscious mind. We all know that something keeps our heart pumping, blood flowing, lungs breathing, etc. all without conscious intent. This has been dubbed the subconscious. This mysterious, yet ever reliable, subconscious also houses the fullest potential of the psyche. When we can tap this inner realm, raise the subconscious intent to conscious awareness, we get in touch with and utilize our inner creativity.

Inner

CREATIVITY

CS u Rb - E C OA N ST C II O V U SI MT I YN D A N D I N N E R ATIVITY

ATIVITY

A

t

g

the portion of a lowercase letterform that descends below the baseline in

the horizontal part of a letterform that intersects the vertical part

descender

the horizontal part of a letterform that connects, for example, a stem to a hairline

the small decorative projection from the upper right side a lowercase g

the peak of an uppercase A

ear

cross stroke

g y p q

crossbar

apex

g k Av e H

T

v

a horizontal portion of a letterform, one or both ends of which are unattached to the erical portions

the thinnest line of a typeface made of varying line weights

the lower, angled stroke of a k

the part of a lowercase g that connects loop to the bowl

leg

link

hairline

k

g

arm

v AHgTq

acknowledg ment

owledgement

acknowledgement

Table of Contnent

Sub-conscious mind and creativity

acknowledgement

Table of Contnent

acknowledgement

acknowledgement

Sub-

CONSCIOUS The grid system in graphic design is a way of organizing content on a page, using any combination of margins, guides, rows and columns.

It is commonly seen in newspaper and magazine layout with columns of text and images. One grid, or a collection of grids, may be used across an entire project to achieve a consistent look and feel. In a finished product, the grid is invisible, but following it helps in creating successful print and web layouts.

creative grid system & Breaking Out of the Grid

Once the grid is established, it is up to the designer when and how to break out of it. This doesn’t mean the grid system in graphic design will be completely ignored.

Instead, elements may cross over from column to column, extend to the end of the page, or extend onto adjacent pages. Breaking out of the grid can lead to the most interesting page designs.

acknowledgemen

acknowledgement

Table of Contnent

acknowledgement

knowledgent

of Contnent

owledgement

nowledgement

8/7

The mission of the unconscious mind that produces your dreams is exactly to protect you from your wild side and help you overcome the absurdity you are born with. However, since you have precious information about all the crucial points of your life, this protection gives you a secret power.

Only by translating the meaning of your own dreams, you have objective information about other people and especially about yourself, and your life, being able to prepare the future results you desire. I simplified Jung’s method of dream interpretation, transforming it into a practical method of dream translation that everyone easily learns, and starts immediately seeing positive results with all the notions they have.

Justified

8/23 You’ll invest a small amount and a short period of time in order to study the dream language, and then have access to the wisdom and

Extra inside margin 1 inch

the guidance of the

Align Left

unconscious mind in your dreams for the rest of your life.

1 1/4 inches

1 3/8 inches