Winter 2015/2016
IN THIS ISSUE • Miami Local’s New Home – Page 1 • Miami Local Grand Opening – Pages 2 - 3 • Congratulations to the 2015-2017 Miami Local Board – Page 4 • From the Miami Local President – Pages 5 - 6 • From the Miami Local Executive Director – Pages 7 - 8 • Miami Local Celebrates Presidents Day Picnic in Miami and Orlando – Page 9 • 2015 SAG Awards Viewing Party – Page 10 • Miami Local Member Dave Corey Honored – Pages 11 - 12 • Miami Local Education and Outreach – Pages 13 - 14 • Member Information – Pages 15 - 17 • Updates – Pages 18 - 19 1
Welcome to our new home! The SAG-AFTRA Miami Local has moved from its Dadeland location to a “Class A” office building at One Park Square in Doral, located at 3740 N.W. 82nd Avenue, Suite 780, Doral, FL 33122. The new office is conveniently accessible to transportation from the Palmetto Expressway. The location of the office places it in the median point of the membership density map, revealing a high concentration of members in Fort Lauderdale, Miami Beach and Central Miami. SAG-AFTRA’s new location is in a developing entertainment complex in the epicenter of Spanish-language media. The unique high-end office is located in a newer building built in 2010. The 4,000-square-foot raw space was completely transformed at no cost to SAG-AFTRA. Providing architectural and technological advancements, this office was designed to replicate the modern, open floor plan workstations in SAG-AFTRA’s New York office. The new SAG-AFTRA Miami office has three closed-door offices with the majority of staff sharing open areas divided by glass. The design concept is to reflect the values of the organization, promoting collaboration and communication among staff and members, while incorporating functional elements for optimum productivity and comfort. The Doral office is designed with unobstructed views and is surrounded with large windows. Glass is used throughout the space, providing natural light throughout as many areas as possible. Designed by AREA Architecture, the same architect firm that designed the New York office, the design includes the following features: •
A 16-seat glass boardroom with upgraded audiovisual equipment and extensive views of the area.
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Members’ Studio Lab for demo and on-camera auditions with sound reduction features.
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NEW OFFICE GRAND OPENING The Sept. 9 grand opening of the Miami Local office at our new location in Doral, Florida, was a well-attended and successful event. SAG-AFTRA National Executive Director David White was our special guest. Members, friends, guests and colleagues from the media and entertainment industry, together with local and national staff, were part of the animated celebration. The event included office tours, followed by a ribboncutting ceremony and champagne toast. A lively reception followed at the restaurant, located on the first floor of the building, where attendees were treated to great food and drinks. White gave an inspiring speech, sharing his excitement and enthusiasm about our new location. He addressed the accessibility of this location for our members, the focus on future strategic goals and the quality service our members receive.
Ribbon-cutting ceremony and toast at the new office.
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Photos by Yoshmar Manrique
Members, friends, guests and staff enjoyed the grand opening and celebration.
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CONGRATULATIONS TO THE NEW BOARD SAG-AFTRA 2015-2017 Miami Local Board
Nancy Duerr National Board Member
Carmen Lopez Local Board Member SF
Frank Eramo Local Board Member CF
Steve Gladstone President
Joseph Giambrone Local Board Member SF
Lisa Marie Wilkinson Local Board Member AL
Ellen Wacher Vice President
Laurel Levey Local Board Member SF
Brian Tester Local Board Member PR
Patrick Mickler Secretary
Rod Ball Local Board Member SF
Chris Beekie Member-at-Large
Adam Alexander Vernier Local Board Member CF
Jay Amor Member-at-Large
Alternate Members-at-Large John Archie John McCarthy
Kevin Dean Hackett Member-at-Large
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Santara “Phyllis” Sidersky Member-at-Large
JoMarie Payton Memo Sauceda
From the Miami Local President
STEVE GLADSTONE Finessing the Future A couple of presentations at the recent SAG-AFTRA convention prompted me to think how fortunate it is that SAG and AFTRA merged 3½ years ago. If we hadn’t, it would be less a slippery slope, but an all-out mudslide by now. A keynote given by feature film and TV producer Lynda Obst (Flashdance, The Fisher King, Sleepless in Seattle, Hot in Cleveland, Helix) illustrated how characterdriven storytelling has migrated from the big screen to TV. Studios went into a deep freeze as DVD sales took a nosedive (a massive revenue loss for Big Studio) and employers are now looking to streaming as their next big revenue “stream.” Obst believes that movies are no longer made because they are good but produced if they have eye-popping special effects, explosions and recognizable brands. The exception is indie films — good for middle-class actors to get plum roles, but the lower budgets don’t attract the high-powered producers. Original character-driven programming moved from the big screen to HBO, and now with over 500 cable stations, conversation around the water cooler is about TV, not film. This is certainly consistent with more than 40 percent of all union member earnings coming from our TV contracts. There is big opportunity for producers and actors on the small (and not so small) TV screens. Another “ah-ha” came from National Executive Director David White, whose vision is certainly big picture. He spoke of developing “new muscles,” most notably for our successor contracts and organizing efforts for the coming world. Studios and advertisers have always looked for mass audiences to pitch their products to and herd into movie theaters. By and large, mass audiences (like for the Super Bowl) are gone. They have become fragmented due to so many content delivery systems. With 500 TV channels, YouTube, Facebook, and original content from Amazon and Netflix, consumers are bouncing around like jackrabbits on steroids; audiences have become vast and compressed.
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Productions are looking for niche audiences; it’s about big data finding where viewers watch and listen, and how to reach them in the aggregate. Notwithstanding original content, commercials are splashing onto every screen and device, and Facebook, Apple and Google are now delivering the news on their platforms. This all means more jobs for actors, broadcasters and recording artists everywhere, but fewer consumers per delivery system. Paying all of our talent properly becomes a monumental challenge. The future is upon us. We must debate the future, and cannot be shackled by our employers during this process. Our future contracts must address this new environment for our members. It will require short term and long term planning with the new abnormal shaping our plans. We are indeed middle-class actors and media artists in a digital coming of age.
Actors & Artists Unite Team Join 2015 Walk to End Alzheimer’s in Florida Actors and Artists Unite Team walked in Orlando on Saturday, Oct. 17, and Saturday, Oct. 24, in Hollywood, Florida, with fellow SAG-AFTRA members, colleagues, friends and family. This was the first year for Actors & Artists Unite to walk in Orlando, Florida, and the fifth for the Hollywood walk. These teams raised $1,900 this year. Actors & Artists Unite Team was founded in 2011 by member Nancy Daly in honor of her mom, who died from Alzheimer’s. It is the only non-corporate National Friends and Family team for the Walk to End Alzheimer’s. This team had a presence in 34 cities around the country this fall and more join us every week. Anyone can join or start an AA Unite team in any city that has a Walk to End Alzheimer’s. We have teams in South Dakota, Rhode Island, Missouri, Arizona, Ohio, Texas, Massachusetts, Illinois, New York, Florida, all over California and Washington, D.C.
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From the Miami Local Executive Director
HERTA SUAREZ
Hello Miami Members, First I want to invite each of you to stop by our brand-new office and enjoy a private tour if you have not been here yet. I think you will agree that the new office elevates the quality of work and services provided. Hope to see you here soon. Now, did you know that your union, SAG-AFTRA, is part of several important national initiatives, such as: • • • •
A Call to Arts, a mentoring partnership with President Obama’s Administration; SAG-AFTRA President’s Task Force for Education, Outreach and Engagement, to increase the involvement of members and others in the industry; Commercials Organizing and Recapture Initiative to protect and expand union commercials; The Fair Play Fair Pay Act, to support fair pay for music creators.
I encourage you to go SAGAFTRA.org and learn more details about these ongoing efforts and take action online, if applicable (details follow on the next page). You can also contact me at herta.suarez@sagaftra.org to discuss how to get active in these efforts locally. The more you know about your union and what it’s doing to move forward with industry changes and challenges, the more you will want to be part of these efforts to spread the word to others about your union’s proactive approach on behalf of its members. In the local legislative front, we will again be involved in efforts to keep a Florida production program by working closely with the entertainment industry through Film Florida. These are highlights of campaigns SAG-AFTRA is engaged in on behalf of its members, but they require you to be an active participant to maximize the effect and success of what we have set out to accomplish. Whether you work full time, occasionally, seldom or hold a union card because you are proud to be a SAG-AFTRA member, all of you count and are an integral and important part of this merged union — just 3½ years old now. You are part of SAGAFTRA, the most powerful media and entertainment union in the world — that’s a lot to be proud of. 7
Each of you can enhance the power and the successes of SAG-AFTRA. You are important to SAG-AFTRA — but is SAG-AFTRA important to you?
GET INVOLVED!
Education, outreach and engagement are key to making your union stronger. Here are some initiatives you can support:
1. Fight for more union commercials work. Sign the statement of support at sagaftra.org/bestinthebiz and tweet: I am a proud #sagaftramember. I only work union. #bestinthebiz #empower 2. Support members working the Interactive Media Agreement. Post your support on social media with the hashtags: #performancematters #iAmOnBoard2015. Sign up for updates at sagaftra.org/interactive. 3. Pledge 10 hours of mentoring in the arts over the next month. Start an A Call to Arts account online at sagaftra.org/acalltoarts. 4. Support the Fair Play Fair Pay Act of 2015. Make sure SAG-AFTRA recording artists get fair pay on all platforms. Join the action at musicfirstcoalition.org to send a message to your representatives.
sagaftra.org/pteoe
2015 National Convention The SAG-AFTRA 2015 National Convention was held Oct. 1-4 at the Sheraton Universal Hotel in Los Angeles under the theme “Educate, Engage, Empower.” During the three days of convention, Miami Local convention delegates participated in the events to review and act on resolutions, elect leadership and discuss and debate important issues. Other convention highlights included keynote speeches, presentations, the opportunity to network with fellow members from around the country and our very own Dave Corey winning the George Heller Memorial Award gold card. That was a proud moment for the Miami delegation.
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MIAMI LOCAL CELEBRATES THE 7TH ANNUAL PRESIDENTS DAY PICNIC IN MIAMI
In February, the Miami Local held its 7th Annual Presidents Day Picnic under a beautiful warm sunny day at Graynolds Park in Miami. Members enjoyed the lunch in the company of their colleges and friends and engaged in improvised live entertainment at the well-attended event.
PICNIC IN ORLANDO
On May 2, Miami Local members and their families enjoyed a picnic at Bill Frederick Park in Orlando. Pizza, beverages and snacks were provided, and many attendees participated in activities such as badminton, bean bag toss and card games, while most simply took it easy and enjoyed each other’s company and the beautiful weather. It’s rumored that South Region Manager, Contracts David Fazekas dominated in the bean bag toss. 9
SAG Awards Viewing Party
Views of the 2015 SAG Awards viewing party in Miami SAG Awards is just around the corner. The 22nd SAG Awards show is coming up on Saturday, Jan. 30, 2016. The Miami Local will be holding viewing parties in Hollywood and Orlando, Florida. Enjoy the company of fellow members, guests and friends as we get together to watch the broadcast of the show on TNT. More details to follow.
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A private membership room where members and potential members can review information and join SAG-AFTRA in a confidential space.
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Complimentary valet parking and free parking for members, staff and guests.
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Additional meeting space in the building, if needed.
The overall color scheme and finish features inset carpeting in tones of navy blue, dark olive and grey. This new location complements the image of SAG-AFTRA to our partners in the industry and reflects on our relationship with our members. Hope you can come and visit if you have not seen it yet!
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Facebook: facebook.com/sagaftrafoundation Twitter: twitter.com/sagaftrafound Instagram: instagram.com/sagaftrafound YouTube: youtube.com/sagaftrafoundation
Miami Local’s Dave Corey Awarded George Heller Memorial Gold Card
Dave Corey By Nancy Duerr
You could hear a pin drop as SAG-AFTRA leadership and staff awaited the announcement of the first of four recipients of this year’s George Heller Memorial Award gold cards at the Oct. 2 Gala Under the Stars event honoring outstanding service to members and the industry. When Dave Corey’s name was announced, it was met with shock from Dave, who had no idea he was to be lauded, and thunderous applause from an appreciative audience gathered on a Warner Bros. studio lot in Burbank.
A member of SAG since 1980, AFTRA since 1981 and SAG-AFTRA since merger, Dave has served his union brothers and sisters for over three decades. He was recognized for that service at the gala along with fellow recipients SAG-AFTRA President Ken Howard, National Executive Director David White and Associate National Executive Director Mathis Dunn. Dave was elected to the Miami AFTRA Local Board in 1983, served as president for two terms and was a delegate to every AFTRA national convention from 1993 on. He served on the AFTRA National Board as an AFTRA national vice president from 1993 to 2003 and on SAG’s local and national boards from 2003 to 2013.
Having worked and organized under both AFTRA and SAG contracts, Dave traveled Florida and the Southeast during consolidation attempts in 1999 and 2003 and was a driving local force during the 2000 commercials strike. He was a staunch advocate for the successful 2012 merger of SAG and AFTRA and worked tirelessly to ensure overwhelming support in the SAG Florida Branch and Miami AFTRA Local. As a member of the Actors’ Equity Liaison Committee since 2009, Dave continues to encourage members of all unions to respect each other’s contracts.
In addition to his years organizing union work on and off sets in SAG and AFTRA jobs, Dave organized conservatories and workshops to help keep performers in shape for their next union job. He served as president of the Professional Actors Association of Florida in 199111
92, started an acting conservatory in 1992 and has volunteered with BookPALS and Insight for the Blind since 2008. He also promotes union membership at local colleges and universities in his spare time. Dave has achieved all of this while amassing an impressive resume of work that has earned him vested pensions in SAG, AFTRA and AEA. After 30 years in the trenches, Dave stepped down from union board service in 2013 to concentrate on his successful acting career, which includes film, television, radio, commercials, industrials and audiobooks. He continues to be a mentor to actors across the state as well as a role model for those interested in union service. He hopes to continue contributing as a delegate to SAG-AFTRA national conventions for years to come. Dave’s work ethic and contribution to bettering the life of performers in the unions he has served made him an obvious choice for this prestigious award and I, for one, couldn’t be prouder. Congratulations Dave!
Miami Local Staff Celebrates Anniversaries of Service to SAG-AFTRA
SAG-AFTRA Miami Local staff Leslie Krensky, Eileen Neel, Carlina Rodriguez and Herta Suarez celebrated four major anniversaries of employment. Leslie, Carlina and Eileen received official recognition from SAG-AFTRA early this year. Herta’s celebration was a local, unofficial one since she will be officially recognized in 2016. The four anniversaries carried 90 combined years of service working on behalf of SAG-AFTRA members. Their experience enhances the capabilities of the Miami Local. Congratulations to all!
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Miami Local Education and Outreach SAG-AFTRA Miami Local Conservatory: Actors Branching Out
View of one of the breakout sessions of the conservatory
The Miami Local and G-Star School of the Arts of West Palm Beach presented an all-day conservatory on Saturday, March 14, with free admission to members, GStar students and college students. The focus of the well-attended conservatory was Actors Branching Out. The conservatory consisted of a variety of sessions and topics throughout the day with an amazing group of presenters, covering employment options to expand performers’ job opportunities. Sessions and presenters included: • • • • • • • • •
I Have Branches … Do You? / Matt Florio How Do I Market Myself? / Memo Sauceda Getting into the World of Voiceovers / CC Limardo Voice Acting for Commercials / Darryl Gilley Set Etiquette and Terminology / Ruth Paul The Best-Kept Acting Secret / Diana Loy Audiobooks / Dave and Matt Corey Towards Mastering Your Acting Craft / Bob Carter What You Forgot to Remember at the Audition / Ed Arenas
Dave Corey during the audiobooks workshop he presented with his son, Matt Corey.
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Miami International Film Festival
On March 10, SAG-AFTRA was invited to attend as a guest at A Conversation with Cheryl Boone Isaacs, part of the Miami International Film Festival. This was a special engagement, where Isaacs, president of the Academy of Motion Picture Arts and Sciences, engaged in an up-close-and-personal conversation regarding her life and career experiences. She discussed the process of the Academy Awards selection and also its new library and mentoring opportunities. Left, Cheryl Boone Isaacs and Ruth Paul, SAG-AFTRA Miami senior business representative.
Caribe Film Festival
The Caribe Film Festival debuted at the Little Haiti Cultural Center in Miami with an overwhelming response from the Caribbean filmmakers and talent. The two-day event on Feb. 27 and 28 was well attended and films were shown from all over the Caribbean islands. Festival co-founder Michelle McKoy praised SAG-AFTRA’s participation: “The SAG AFTRA workshop was a definite hit with our attendees. The response was both positive and encouraging. Attendees spoke highly of the content shared and requested that we continue to spread its relevance throughout the community.” 14
Boca Black Film Festival
Senior Business Representative Ruth Paul presented a workshop focused on low budget contracts at the Boca Black Film Festival held at the Embassy Suites at Boca Raton, Florida, on July 16 – 18. Ruth is featured here with some of the attendees present at the workshop titled An Introduction to SAG-AFTRA Low Budget Contracts. This is a growing festival that has doubled its attendance in its second year. SAG-AFTRA is proud to be part of it.
Member Information
2015 Commercials Organizing and Recapture
Miami Local members with Executive VP Gabrielle Carteris (front center) and VP, Broadcasters Catherine Brown (second from right) at the Miami town hall meeting.
The Miami Local hosted one of the kickoff events for the Commercials Organizing and Recapture Initiative earlier this year. A town hall meeting was held April 29 to provide members an overview of the initiative and discuss their participation in it. The town hall was followed by an open house on June 25 with local industry personnel. Printed commercials contracts books were distributed and questions answered.
Industry personnel attend the open house with Miami Business Rep. Jessica Vazquez, fifth from left.
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Contract Q&A: Upgrades on Theatrical By Leslie Krensky Q: What is generally required to be upgraded on a theatrical film or dramatic television program? A: There are two ways to obtain an upgrade: (1) Being directed to speak and (2) being directed to perform stunt work. You must be given specific, individual direction to speak a specific line by the director or an AD and the dialogue must be recorded. If you are directed to perform a stunt, you are entitled to an upgrade. A performer can be directed to be involved in something hazardous that does not constitute stunt work and will not necessitate an upgrade. Q: What if I am asked to speak in unison with other performers or while other performers are speaking? A: A background actor can be directed to speak at the same time as other performers or in unison with other performers. An upgrade is not required for these types of performances. Examples are the buzz of conversations you hear in a scene set in a restaurant, members of the press corps shouting out questions, or a group reciting the Pledge of Allegiance. Not every direction to a background actor to speak or sing necessitates an upgrade under the terms of the contracts. Q: What if I volunteer a line which ends up being recorded? A: A background actor must be directed to speak in order to be entitled to a possible upgrade. A background actor should not speak on camera unless directed to speak by the director or an AD. A volunteered line will not qualify you for an upgrade even if it is recorded and is heard in the production as exhibited. Q: If I believe I have met the criteria for an upgrade and I am not offered a contract, what should I do? A: Submit a claim to the union immediately as listed below. There is a strict 90-day time limit to file the claim, so it is imperative that you contact the union as soon as possible. Q: How do I file a claim for an upgrade on a theatrical film or dramatic television program? A: Use this link to access the applicable Claim Inquiry Form for theatrical films and dramatic television programs. Please submit your claim and documentation to Business Representative Doriza “Dori� Rivera by email at doriza.rivera@sagaftra.org. Please confirm that Dori has received the claim inquiry form. Dori can also be reached at (305) 663-7081. Keep in mind that there is a strict 90-day time limit to file a theatrical or television upgrade claim, so it is imperative that you notify the union as soon as possible. Q: Should I wait to file a claim until the film or television production is released? A: No! Do not listen to anyone who advises you to wait until the film is released, as you will miss the 90-day deadline to file the claim. Submit the claim immediately 16
after the date the possible upgrade occurred. Q: How am I paid if I am upgraded on a theatrical film or dramatic television program? A: You will be due the difference between the amount paid for your work as a background actor and the minimum day performer rate applicable to the production on which you worked. If your performance remains in the production as exhibited, you will be entitled to future residuals and possibly screen credit. Q: What is generally required to be upgraded on a commercial? A: An on-set upgrade is required if a performer is directed to speak individual dialogue that is recorded or if the performer is required to perform a stunt. Most upgrades on commercials, however, are the result of performances where no dialogue or stunt action is involved. These upgrades cannot be determined until the commercial is edited and ready for exhibition. In order to be upgraded based on a silent performance, an extra performer must (1) be identifiable, (2) appear in the foreground of the commercial and (3) demonstrate or illustrate the product or service or react to the on- or off-camera message. The performer must meet all three criteria to be eligible for an upgrade. For example, an extra performer who is identifiable but does not meet the other criteria will not be eligible for an upgrade. Q: How do I file a claim for an upgrade on a commercial? A: Use this link to access the Claim Inquiry Form for commercials. Please submit your claim and documentation to Business Representative Jessica Vazquez by email at jessica.vazquez@sagaftra.org. Please confirm that Jessica has received the claim inquiry form. Jessica can also be reached at (305) 663-7083. Keep in mind that there is a limit to file the commercials upgrade claim, so it is imperative that you contact the union as soon as possible. Q: How am I paid if I am upgraded on a commercial? A: You will be due the difference between the base session fee you received for your work as an extra performer and the minimum applicable principal performer rate. When the commercial in which you were upgraded is exhibited, you will receive holding and reuse fees. Q: What if I have additional questions? A: For questions relating to theatrical and television production, contact Dori Rivera at (305) 663-7081 or by email at doriza.rivera@sagaftra.org. For questions relating to commercial production, contact Jessica Vazquez at (305) 663-7083 or by email at jessica.vazquez@sagaftra.org
Members’ Studio Lab Training Sessions at Our New Office! The SAG-AFTRA Miami Local will be resuming the training sessions for SAG-AFTRA members who wish to learn how to operate the camera, edit auditions, and send them to agents and casting directors. We are scheduling these training sessions every month. For details click here or go to sagaftra.org/locals/miami/events 17
UPDATES
Get Ready for the 22nd Annual SAG Awards SAVE THE DATE When: 7 – 10 p.m., Saturday, Jan. 30, 2016 7 p.m. – Mixer, dinner buffet and cash bar 8 – 10 p.m. – Award show viewing (broadcast live on TNT and TBS) Where: Dave & Buster’s 3000 Oakwood Blvd. Hollywood, FL 33020 Free Parking Attire: Casual chic Cost: $15 for members, $25 for non-member guests RSVP: To Eileen Neel at eileen.neel@sagaftra.org or at (305) 663-7079, no later than Wednesday, Jan. 27, 2015, by 5 p.m.
Important Websites: SAG-AFTRA SAG-AFTRA Federal Credit Union AFTRA Health & Retirement Funds SAG-Producers Pension & Health Union Privilege/Union Plus Benefits SAG-AFTRA Foundation
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From Miami Local Board Members and Staff
SAG-AFTRA Miami Local
REMINDERS! Visit SAG-AFTRA’s website at
SAGAFTRA.org or
MAIN
Click here to…
Telephone ……… (305) 670-7677 Toll Free …………(800) 724-0767 Option # 3
STAFF Herta Suarez………….…….….Ext. 7089 Miami Local Executive Director/ New Orleans Local Broadcast Director
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Pay your dues
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Update your contact information
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Get the latest union news
Leslie Krensky…………….……Ext. 7077 South Region Director/ Contracts and Operations David Fazekas……..….. (407) 788-3020 South Region Manager/Contracts
Contributors Susana Carrillo Nancy Duerr David Fazekas Steve Gladstone Leslie Krensky Ruth Paul Herta Suarez
Carlina Rodriguez……......…..Ext. 7076 Director, Spanish Language Industry Relations Eileen Neel……………….…….Ext. 7079 Supervisor Membership Karen Weiss……………….…...Ext. 7082 Office Manager Ruth Paul…………………..…...Ext. 7087 Senior Business Representative Email: ruth.paul@sagaftra.org Production in South Florida
ARE YOU GETTING SAG-AFTRA FOUNDATION NOTICES?
Doriza Rivera…………….…….Ext. 7081 Business Representative Email: doriza.rivera@sagaftra.org Production in Alabama & Puerto Rico
It is necessary that you register
Jessica Vazquez………….…..Ext. 7083 Business Representative Email: jessica.vazquez@sagaftra.org Radio & television commercials, corporateeducational (industrial), infomercials
receive event notices.
Linda Isrel…………………..…..Ext. 7088 Business Representative Email: linda.isrel@sagaftra.org Student & short film productions Susana Carrillo……………….Ext. 7092 Executive Administrative Assistant Litana Somoano………………Ext. 7086 Administrative Assistant
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with the SAG-AFTRA Foundation at sagaftra.foundation in order to
SAG-AFTRA 3470 N.W. 82nd Ave. Suite 780 Doral, FL 33122 Phone: (305) 670-7677 Fax: (305) 670-1813
Website: SAGAFTRA.org