Refl ectors

Fill light can occur naturally by light bouncing off reflective surfaces within the scene. It can also be introduced by reflectors strategically placed by the photographer. This technique is often used to soften the harsh shadows cast on models in harsh sunlight. The primary considerations for selecting a reflector are surface quality and size.

Surface quality

Natural fill - Mark Galer

Reflectors can be matt white, silver or gold depending on the characteristics and color of light required. A matt white surface provides diffused fill light whilst shiny surfaces, such as silver or gold, provide harsher and brighter fill light. Choosing a gold reflector will increase the warmth of the fill light and remove the blue cast present in shadows created by sunlight.

Size

Large areas to be filled require large reflectors. The popular range of reflectors available for photographers are collapsible and can be transported to the location in a carrying bag. A reflector requires a photographer’s assistant to position the reflector for maximum effect. Beyond a certain size (the assistant’s ability to hold onto the reflector on a windy day) reflectors are often not practical on location.

Activity 2

1.Select two examples where fill light has been used to soften the shadows created by a harsh direct light source. Comment on the likely source of the fill light used in each image. 2.Create an image by experimenting with different reflectors to obtain different qualities of fill light. Keep a record of the type of reflector used with each image and the distance of the reflector from the subject.