WA/SA
Working 9-5, at...
[waldrip architects/ s.a.] [architecture- los angeles]
Alberti, Sandro Go Figure; Alternatives in LA!; 25 June, 2004 [text41]
‘WA/SA’, ‘Aloha8’, and ‘Working 9 to 5, at...’
are fictions of fen-om: [www.fen-om.com]
The IFF is the Institute for Figuring. Have you heard of it? It comes bundled as a sort of bonus complement to the Museum of Jurassic Technology and the Center for Land Use Interpretation (CLUI), all at the corner of Bagley and Venice Boulevard (Culver City). In a sense, to be fair, these are each its own entity, although (as postulated by the complex ideology of this same triad) nothing is really ever independent. For some time now, many of us have known about the 2 ‘others’ (the museum and the center). And some of us know that they connect through doorways on a common roof. To the west, the Museum of Jurassic Technology has transformed a local building into a dark, mysterious, multiplicitous display environment.
Arithmologia: angels in 3 triangular divisions.
CLUI seeks to be the opposite of the museum; bright and modern. Yet it is also historical, in its classic modernism, and equally focused on mental stimulation. Where the the museum focuses of the oddities of mechanisms, origins, and tales, however, the ‘center’ brings forth data, and forms, and measurements, allowing one to delight in the ‘social-diagrammatic’. The IFF, the new ‘third’, does not really have a physical presence. It exists, according to its founder Margaret Wertheim, in a particular ‘corner’ of a fractal mathematical formula (at position -0.7473198, i0.1084649). But although the IFF may be difficult to find, fans do delight in coming together at the Foshay Masonic Lodge on Venice Boulevard, where numerical topics (numbering 3 to date) include/ shape mosaics, snowflakes, cabbages, and crochet. More info at the Web site: www.theiff.org Amongst the many arcane books to be found at the library of the Museum of Jurassic Technology, lurk some pertaining Athanasius Kircher. Quite appropriate, also for the IFF, considering that one of Kircher’s texts is ‘Arithmologia’, a reminder that “the world is organized through measure, number, and weight.” Of course, there is much more to Kircher (and his association to this topic), as can be seen here:
The IFF is here!
Godwin, Joscelyn; Athanasius Kircher: A Renaissance Man; 1979 The Last of the Polymaths Scientific research in Kircher’s day still had something half-magical about it… But the 17th century also witnessed the opening of 2 fissures in human consciousness… (between an objective, material world in which certainty and law prevailed, and a subjective world of mind;… between the sciences… and the arts)… These distinctions did not exist for Kircher… He spread the net of his interest and learning over a stupendous range of subjects… It is hard to think of a more universal man since Leonardo da Vinci. But while Leonardo’s time was the high noon of the Renaissance, Kircher lived to see Renaissance encyclopaedism ceding to modern specialization… It almost seems as if Kircher was born too late- or too early… Modern scholars… often express admiration for his learning, but regretfully dismiss him as a kind of baroque dinosaur… Yet there are those who regard the last 3 centuries of ‘practical results’ as an utter aberration, and modern man as guilty of far worse errors than Kircher ever made… Kircher resembles Charles Fort, who spent a lifetime collecting reports of unusual and inexplicable phenomena (the Forteans maintain that extraordinary things are happening around us all the time, but that we censor out those that do not accord with our fixed beliefs)… Kircher… lived in a world whose wonders were daily being uncovered… If science had continued to progress in [this] spirit of reverence and wonder, the course of history would surely have been a happier one. Instead, the physical sciences that had begun in purity and objective research were soon pressed into service for the exploitation of man and nature alike… Thus [our current age,] for all its advanced knowledge, can learn much from a Renaissance polymath like Athanasius Kircher… His many writings… include books on sundials and the plague, a book in praise of Catholic royalty, a polyglot system of symbolic writing, mathematical tables, an account of miraculous crosses, and so on… The Greek inscription [of his ‘Ars Magna Sciendi’] might well serve as his own motto: “Nothing is more beautiful than to know the All.” From Ancient Theology to Comparative Religion The one unifying principle that runs through all of Kircher’s works is an obsession with finding origins. He was fascinated alike by the Greek roots of Western music and by the subterranean sources of water and fire… He wrote on the causes of the plague and the fundamental properties of number. Most of all, he wanted to understand the beginnings of language and religion. So, basing himself on the evidence of the Old Testament and the Greek historiographers,… he reconstructed the early history of the world and mankind… His ‘Oedipus Aegyptiacus’… led its believers beyond a narrow, sectarian view, into a universal vision of Christianity… Unfortunately, this approach was premature for most people. Two more centuries of religious warfare and internecine hatred lay ahead, followed by 2 centuries of indifference, before the idea of the commonality of all religions could be given another impulse… Kircher follows the traditional division of the intellectual world, where the archetypes are contained in the mind of God, sometimes considered separately from the angelic world, sometimes used as a synonym for it (the ‘sidereal world’, embracing the spheres of the 7 Chaldaean planets and the fixed stars, and the elemental worlds of fire, air, water, and earth)… The archetypes or gods have their representatives on every level of existence, suspended from and resembling themselves… This is the basis of the theory of correspondences, and indeed all traditional symbolism… (contrary to the anthropological view of the origin of symbols in mere similarities, this doctrine regards them
The Flood rose above the highest mountains.
Pre-Diluvian world, including Atlantis.
as primary realities)… It also leads to the possibility of magic. If all levels are joined by a chain of similarity, “he who knows the chain,… becomes a worker of miracles.” [Although] Kircher’s attitude to magic was decidedly negative,… one wonders whether his protestations are just a blind, enabling him to expound ‘dangerous doctrines’ with impunity)… Noah’s Ark [In] ‘Arca Noë’,… Kircher simply takes from Genesis the account of the Flood and Noah’s Ark, and embellishes it with a wealth of circumstantial and speculative detail… The Deluge took place, we are told, in anno mundi 1657 (2396 BC), according to Kircher’s reckoning, and it lasted exactly 365 days from the first drop of rain to the moment Noah and his family stepped out onto the dry land of Ararat. Before the Deluge, men were exceedingly wicked; and not men alone, for “there were giants in the earth in those days.” [Genesis 6.4] It occurred to Kircher to wonder whether Noah was himself a giant, but he found the given dimensions of the ark insufficient to accommodate a family of 8 giants… He did find, however, that the ark’s dimensions… echoed the proportions of the human body… Kircher divides [the Earth’s creatures] into 3 species: insects, quadrupeds (including amphibians), and birds. But the only ‘insects’ admitted were the serpents (for the others, along with scorpions, frogs, and even mice, do not copulate and reproduce in the normal way; they may seem to do so, says Kircher, but “this is just their way of relieving an itch in their posterior parts”)… Also excluded from the ark were hybrid beasts,… [such as] the familiar mule (horse and ass), the leopard (lion and panther; the panther apparently will mate with anything: it produces the cameleopard and the hippardium from camel and horse respectively),… the armadillo (hedgehog and tortoise), and the allopecopithicum (fox and monkey)… [He includes] some mythical creatures, such as the unicorn, mermaid, and gryphon (there must be mermaids, says Kircher, for he has the tail-end and bones of one of them in his own museum)… When the waters had evaporated, a rather different world was found. Paradise, for instance, closed to mortals since the Fall of Adam and Eve, had disappeared without a trace, and in place of the 4 rivers of Eden there arose the Tigris and Euphrates… The Tower of Babel ‘Turris Babel’… forms a pair with ‘Arca Noë’, the 2 volumes representing an attempt at a complete prehistory of mankind… Kircher recounts how after the Flood Noah taught all his wisdom to his sons before they even descended from the mountains. The sons then went their way to repopulate the world (and Kircher demonstrates how in only a century the population could have reached 2 millions)… Men learned from Noah all the political, economic, and mechanical arts; they were endowed with an abundance of gold, and lived for a time almost in a second paradise. But even before the patriarch was dead, Nimrod arose, a grandson of the infamous Ham, Noah’s bad son… He refused Noah’s bidding to go out with his hosts and colonize the uninhabited regions, preferring to remain in the pleasant land of Sennar, by the mouths of the Tigris/ Euphrates. Fearing a repetition of the Deluge, he conceived the idea of building a tower to which he and his people could retreat in that event. The act of hubris prompted God to intervene once again,… ensuring that such a coordination of misplaced efforts should never occur again… Always heeding seriously every word of the Bible, Kircher felt obliged to test Nimrod’s ambition. He calculated that the tyrant’s plans to storm the heavens could never have worked. In order to reach even the lowest heaven, that of the moon, the tower would have had to be 178,682 miles high, necessitating some 3 million tons of substance. Besides its economic impossibility, it would have had the effect of pulling the very earth from its place in the center of the universe. The latter part of ‘Turris Babel’ is entirely linguistic, and of interest mainly to specialists in
Why the Tower could not have reached the moon.
The Egyptian Labyrinth.
On China: pineapple + tea + clematis + rhubarb +.
the history of language… Some digressions [also deal with]… polytheism… and the subject of racial color… Following the Greek historians,… Kircher also tells of the other wonders of the ancient Middle East. A century after Babel, Ninus, first King of the Assyrians, founded Nineveh, a city so vast that the circuit of its walls was a 3-day journey… Also, surpassing in grandeur even the pyramids, were the labyrinths reported near Lake Mareotis. Above the ground there was the mausoleum of Ismendi, on a zodiacal ground-plan, and beneath was a complex the size of a city, divided according to the 12 nomes (districts) of Egypt and their tutelary deities. This labyrinth was inhabited only by priests, and used for theurgic and magical ceremonies to attract the influences of these divinities… China ‘China Monumentis’,… was… his most significant work, historically (the first publication of important documents on oriental geography, geology, botany, zoology, religion, and language)… So long as the biblical chronology was adhered to, no one in Europe was going to recognize the true antiquity of Chinese culture… Kircher thus assumed that they had derived, since the Flood, from the West… As a confirmed Egyptophile,… [he decided that] Chinese script was originally designed on pictorial principles, and hence must be a descendant of the Egyptian hieroglyphs… Idolatry and polytheism, universal in the East,… also suggested the practices of Egypt… [note that, in the end of the 19th century, revelations of theosophy explained that both the Far Eastern peoples and the early Egyptians were descended from sub-races of the Atlantean root-race)…
Spiral tubes conduct outdoor sounds into statues.
Oedipus Aegyptiacus Of all of Kircher’s interests, Egyptology remained the most constant, and produced his greatest work, ‘Oedipus Aegyptiacus’… Kircher had no Rosetta Stone, no large body of hieroglyphic inscriptions to study, and of the sources available to him many were late, corrupt, or virtually meaningless… No wonder, then, that Kircher concluded that they enshrined “not histories or eulogies of kings, but the highest mysteries of Divinity”… Regarding Egypt as the post-diluvian cradle of all arts and sciences, he naturally saw these later systems as stemming directly from that source. His interpretation of the hieroglyphs was therefore strictly inductive: he took what he had learnt from later philosophy and read it into them… Music ‘Musurgia Universalis’ is Kircher’s longest work, and one of the most important treatises of the century. Its place and date of publication (Rome, 1650) mark a crucial juncture of musical development: the old style of Renaissance polyphony was still very much alive in the service of the Church, while the new baroque style had become firmly established in secular life… Kircher… recognizes the technical perfection of the one and the emotional power of the other. His is the first account of the baroque ‘doctrine of the affections’ (the purpose of music is to illustrate or imitate the various emotional states)… In ‘Musurgia Universalis’, Kircher discusses most types of pieces current in his day and in the preceding century… (classified by national styles, social function, and technique)… Apart from historical and analytical portions, which reproduce many entire compositions,… there are long sections on more recondite areas of knowledge… He demonstrates that music is basically a branch of mathematics… “Music is nothing else but knowing the ordering of all things”… He applies sound to the laws of reflection derived from optics,… and a magical aspect is never far away (the discussion leads to megaphones, eavesdropping devices, talking statues, and Aeolian harps)… He descries automata with which he entertained his patrons and visitors,… and an artificial method of
Sunflower clock on floating cork.
composition, based on the combination of pre-arranged melodic and rhythmic patterns (for which he invented an elementary computer: a ‘musarithmetic ark’ or box of sliders on which patterns were written)… The book ends on a lofty plane, with discussions of the unheard music of the 9 angelic choirs and the Holy Trinity…
The Tarantella: antidote to tarantula poison.
The Universal Magician Practical Science… was still regarded with ambivalence in the early 17th century. To the untrained man, however intelligent, there was little to distinguish it from magic… The subject of magnetism appealed to Kircher especially… His first treatise, ‘Ars Magnesia’, was his prentice work… Kircher was interested above all in the practical use of magnetism for navigation and surveying, and for making scientific instruments and toys… The ‘Ars Magna Lucis et Umbrae’… is a very similar work… It treats the eclipses, comets, and astrological influences, also of phosphorescence, color, optics, sundials, and magic lanterns… A major concern is with the heavenly bodies… He gives the first printed picture of Saturn,… and deduces that the planets are not perfectly spherical, nor self-luminous… The net result of his observations was that he could no longer espouse the Aristotelian-Scholastic dogma of the planets as unchanging entities… The Subterranean World While Kircher’s theory of volcanism is the heart of ‘Mundus Subterraneus’, numerous other topics branch off from it in a freely associative manner, as a tabulation of its major topics will show: Kircher’s trip to Sicily Gravity The Moon The Sun Eclipses Ocean currents Subterranean waters Subterranean fire The weather Rivers and lakes Hydraulics Saline analysis Salts and minerals Fossils Types of rocks Petrefaction Remains of giants Subterranean beasts and demons Poisons Metallurgy Mining Alchemy The Universal Seed Generation of insects Herbs and their properties
Four sources of knowledge, optically depicted.
Phases of the moon, visualized.
Kircher tests Archimedes’ Burning Mirror.
Map of the Sun.
Barroque depictions of Egypt and America.
The sea currents and the deadly polar vortexes.
