Salsabila G. B. Tambunan | An Architecture Portfolio

SALSABILA G. B. an architectural portfolio

RESUME

Salsabila Ghaisani Boru Tambunan D.O.B September 1, 1998 Contact +62 899 878 3437 E-mail salsaghsn@gmail.com

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Experiences

Achievements • Blue Ribbon Candidate Architectural Design Studio 4 (2017/2018) Architectural Design Studio 5 (2018/2019) • 2nd Winner of Dulux and HDII’s Universal Design Living ­Competition As a team of 5 - Student Category January 2019 Workshop & Competition • Sekolah Tata Ruang by Pemuda Tata Ruang & PWK UGM Yogyakarta, March 2016 • Workshop Sketsa “Architecture Behind the Facade” by ITB Bandung, February 2017 • Live Sketch Competition IMDI Exhibition #4 Yogyakarta, May 2017 • Lomba Sketsa Penggalan Facade Pertokoan Malioboro by IAI DIY Yogyakarta, October 2017 Seminar • Symposium WEX 2017 ‘Redefining Local Architecture’ by Arsitektur UGM As Participant Yogyakarta, April 2017 • Seminar Pre-Event WEX 2018 ‘Writing and Framing Architecture’ by Arsitektur UGM As Participant Yogyakarta, November 2017 • Seminar Karya & Pameran Arsitektur Indonesia (Sakapari) 2019 by UII As Presenter Karya Tulis Ilmiah Yogyakarta, August 2019 Volunteering • EduArchSia + Senvar International Conference 2019 by UII Volunteer Yogyakarta, September 2019 • Seminar Karya & Pameran Arsitektur Indonesia (Sakapari) 2020 by UII Volunteer Yogyakarta, January 2020

Education Skills Interests

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Universitas Islam Indonesia, Yogyakarta Faculty of Civil Engineering and Planning Department of Architecture (2016-now)

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ARCHICAD Adobe Illustrator Adobe InDesign Adobe Photoshop

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Psychological Architecture Watercolor Illustration Sketching Book Layouting and Editing

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SketchUp Watercolor Sketch Calligraphy

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TABLE

OF

CONTENTS

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• Bale Alit • Museum Friedrich Silaban

• Masjid Al-Jihad Nyutran

Competition Project

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Real Project

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• Tactile Art Gallery Patangpuluhan • Terminal Bandara J.B. Soedirman • Gajah Wong Enhanced Urban Green Neighborhood

• Watercolor Illustration

Academical Project

Other Project

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COMPETITION

PROJECT

Bale Alit

Subscribed for Dulux Universal Design Competition 2019 Team: M. Ihsan Hernanta Junian Achmad Mahendra Fadhil M. Ramadhan Nurlita V. P. Nugrahanti Salsabila G. B. Tambunan Bale Alit is a disability-friendly universal home that can be inhabited by 2 people. This house applies the concept of an indoor garden where the g ­ arden is ­ inserted into the house to make residents feel happy that is different from densely populated ­settlements in general. Residents will be more calm and ­comfortable in this house because the house is equipped with an indoor garden and cross ventilation on the grid on the roof as an air conditioner.

In this project my role is mainly on creating ­architectural layout, visual enhancements, and some captioning.

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COMPETITION

PROJECT

Museum Friedrich Silaban Subscribed for Sayembara Kawasan Tugu Friedrich Silaban Team: M. Ihsan Hernanta Junian Achmad Mahendra Fadhil M. Ramadhan Nurlita V. P. Nugrahanti Salsabila G. B. Tambunan The design of the Friedrich Silaban monument and museum area using architecture itself is the source of the ‘interest point’. To achieve this, the use of ­Friedrich Silaban’s distinctive style was applied to the design of the building so that it could bring visitors to the memory of his masterpiece. In addition to being a forum to commemorate his work, the design of this area also supports tourism and local cultural imagery by applying the ulos fabric motif from North S ­ umatra to the masses of the buildings.

In this project my role is planning the 3D design for commercial zone and mainly on creating ­architectural layout, visual enhancements, and some captioning.

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Masterplan

Konsep Sirkulasi

Lokasi

Kawasan Perbukitan Jalan Dolok Sanggul, Siborong – Borong Kecamatan Lintongnihuta Kabupaten Humbang Hasundutan, Provinsi Sumatera Utara

Office

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O p e n G a ll e r y

Mu

s e u m F. Sila b a

n

14 Mo

n u m e n F. Sila b

an

Koneksi Antar Area Koneksi antar lokasi obyek merupakan penggabungan antara unsur alam berupa kontur bukit dengan beberapa jalur akses yang berupa ramp utama, tangga keluar utama dan tangga penghubung. Ramp merupakan akses masuk utama yang menghubungkan jalur masuk dengan monumen, sementara tangga utama merupakan jalur keluar dari monumen serta memperkuat monumentalitas dari tugu itu sendiri.

o

p

A m pit h

eater Re

stau

ra n t & S o u v

en

h ir S

Legenda: 1 - Monumen Silaban 2 - Museum Silaban 3 - Masjid 4 - Toilet Umum 5 - Ampitheatre 6 - Loading Dock & Gudang 7 - Restaurant & Souvenir 8 - Kantor Pengelola 9 - Servis Area 10 - Taman Museum 11 - Open Gallery 12 & 13 - Open Plaza 14 - Parkir Kendaraan

PEMERINTAH DAERAH KABUPATEN HUMBANG HASUNDUTAN

Indonesian Institute of Achitects

Jalur Sirkulasi Internal Jalur sirkulasi Internal dihubungkan oleh ramp parkir utama, sirkulasi internal terpusat pada kantor dan loading dock yang terletak di barat site. Sirkulasi publik terdiri dari ramp, tangga dan pathway yang mengelilingi kawasan dan terkoneksi antara objek bangunan dalam kawasan. Jalur Darurat merupakan jalur evakuasi utama yang berupa tangga utama kawasan yang mengarah ke titik kumpul utama pada bagian selatan kawasan.

Elemen lanskap berupa ramp, tangga, pathway dan retaining wall untuk penataan kontur menggunakan material beton sedangkan penggunaan vegetasi yang kebanyakan terdiri dari rumput gajah dan pohon jati menyesuaikan karakteristik perbukitan dan sebagai upaya perkuatan tanah perbukitan untuk mencegah erosi.

SAYEMBARA GAGASAN DESAIN MONUMEN FRIEDRICH SILABAN

PEMERINTAH DAERAH PROVINSI SUMATERA UTARA

IKATAN ARSITEK INDONESIA

Akses jalan yang terbentuk dari rekonsiliasi antar kontur kawasan dengan efektivitas sirkulasi menjadikan dua jenis akses, akses masuk utama terdiri dari ramp yang membawa pengunjung untuk berkeliling kawasan dengan berkeliling dari satu spot ke spot lainnya yang berujung pada monumen utama, sedangkan jalur keluar dapat diakses dengan tangga yang mengarah langsung keluar kawasan.

Tata Lansekap Kawasan

O p e n Plaza

KEMENTERIAN PEKERJAAN UMUM DAN PERUMAHAN RAKYAT

Jaringan Jalan

Tampak

MASTERPLAN Museum F. SilabanKAWASAN

IKATAN ARSITEK INDONESIA

2 64

SUMATERA UTARA

Potongan Museum F. Silaban

Tampak

Monumen F. Silaban

Potongan Monumen F. Silaban

Potongan KEMENTERIAN PEKERJAAN UMUM DAN PERUMAHAN RAKYAT

PEMERINTAH DAERAH KABUPATEN HUMBANG HASUNDUTAN

SAYEMBARA GAGASAN DESAIN MONUMEN FRIEDRICH SILABAN

PEMERINTAH DAERAH PROVINSI SUMATERA UTARA

IKATAN ARSITEK INDONESIA

Indonesian Institute of Achitects

IKATAN ARSITEK INDONESIA

SUMATERA UTARA

TAMPAK & POTONGAN MUSEUM & MONUMEN

4 64

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REAL

PROJECT

Masjid Al-Jihad Nyutran Client: Pengurus Masjid Al-Jihad Nyutran Team: Junian Achmad Mahendra Fadhil M. Ramadhan Salsabila G. B. Tambunan The Al-Jihad Mosque in Nyutran, Tamansiswa is a ­social project done collaboratively with a lecturer from UII. This design is one of the alternatives ­presented to the mosque caretaker. The users demand a mosque that is accessible and has better circulation for the elderly. They also demand a distinct zone between men and women in the wudhu and prayer room.

Our design was an alternative of Modern Javanese style mosque, contrary to the second alternative from the other team that uses Contemporary style. It has three stories from the ground with no basement.

This design came with an idea of using ramp for easy transportation for the elderly to the upper floors.

The ground floor are designed for parking, utilities, and women wudhu & prayer room. The second and the third floor are used for the male pilgrims to pray. ­Unfortunately, this design is not chosen to be built.

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Ground Floor Plan 5.700 3.800 4.000 4.000

2.788

3.800 3.300

6.000

2.800

1.800

2.800

2.300

Entranc e

Wudhu Wanita

Parkiran Mobil Shaf Jamaah Wanita

Parkiran Motor

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6.000 11

18

17

16

19

9

10

8

7

6

5

4

3

2.800

DOWN

2.643

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19R x 0.158 18G x 0.306 2

1

Ramp Ke Lantai 2

Gudang Bawah Tangga

UP

Tangga Ke Lant ai 2

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2.800

WC Wanita

2.300

5.500 3.800

12.200 1.500

0.

U

Lantai Dasar

1:100

1st Floor Plan GSEducationalVersion

E-05

4.000 4.000

4.000

3.000

4.000

Teras

6.000

3.000

E-04

Gudang

E-03

Shaf Jamaah Pria

UP

15

14

13

12

19R x 0.158 19G x 0.306

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10

8

7

6

5

4

3

2

1

3.000

Teras

11

19

18

17

DOWN

16

3.000

6.000

R. Wudhu & Toilet Pria

4.000 4.000 4.000

E-02

4.000

U

1.

Lantai 2

1:100

GSEducationalVersion GSPublisherVersion 0.83.100.100

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ACADEMICAL

PROJECT

Tactile Art Gallery Patangpuluhan Architectural Design Studio 4 2017/2018 Tactile Art Gallery in Patangpuluhan Street is an art gallery especially designed for the unsighted or having visual impairment. The gallery’s goal is to ­ ­provide a refreshing space for everyone, ­including them. The building concept is making the new ­building to adapt the existing building that owns ­indische style. The key features of this design are the form of the ­building contemporary yet harmonious to the existing.

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Site Dimension Area = 1770 m2 Dimension = 30 x 59 m Built Dimension Area = 1080 m2 Dimension = 30 x 36 m

Site Site Dimension Dimension 10 m2 Area = Area = 1770 1770 m m2 Dimension Dimension = = 30 30 xx 59 59 m m Built Dimension Dimension Built 2 Area = Area = 1080 1080 m m2 Dimension Dimension = = 30 30 xx 36 36 m m

10 m

10 m 10 m

10 m

10 m 10 m

10 m 10 m 10 m

10 m

10 m

Tampak S amping/Timur

Demolished Demolished Building Building

Because 10 m Building Because itit isn’t isn’t suitable suitable to to proproDemolished vide for vide space space for new new activities activities in in Because it isn’t suitable to prothe new building and has lower the new building and has lower 10 mfor new activities in vide space value.

10 m value. the new building and has lower value.

Preserved Building

Preserved Building Because Because itit has has high high historical value. m Preserved16 Building historical value.

16 m

Tampak S amping/Timur

Tampak S amping/Timur

Because it has high historical value.

16 m

1,5 m 1,5 m

Tampak

Existing Site Analysis This part is to identify the existing site, e ­specially the built indische styled house. It was owned by Mrs. Surachmad with total site area 1.770 square ­meter. The house was built on 1930, 15 years b ­ efore the ­ independence day of Indonesia. The analysis includes the existing plan, structure, and building ­ setback.

Tampak

pan/ ara

Tampak

pan/ ara

1,5 m

pan/ ara

23 m

Building Building Setback Setback to to respond respond the the old old building building charcharacter and and can can be be used used for for open open acter space 23 m Building Setback space and and parking parking lot. lot.

23 m

to respond the old building character and can be used for open space and parking lot.

Pedestrian Way Pedestrian Way

4m 4m

Jl. Jl. Patangpuluhan Patangpuluhan Pedestrian Way

Jl. Patangpuluhan

8m 8m

4m 8m

Final Siteplan & Floor Plan This is the final design shown by the siteplan and floor plans. The new building consist of three s­ tories and will be placed on the back of the existing ­building.

The new building is programmed for the main activity which is the gallery showcase itself and some public amenities such as cafe. While the existing building will be used for administration with no significant change on the building structure and plan.

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ACADEMICAL

PROJECT

Terminal Bandara J.B. Soedirman Purbalingga Architectural Design Studio 5 2017/2018

Terminal Bandara J.B. Soedirman is a proposed design for the new planned domestic airport in ­ ­Purbalingga. The demand is to design a p ­ assenger terminal with a touch of regionalism. The ­approach for the design of this terminal is the value of ­Banyumasan culture. The terminal also applies the wide span structure using glue laminated timber to bring vernacular atmosphere in the place where ­people come and go.

Design Concept Orientasi Nilai Budaya Banyumasan

Manusia-Waktu

Manusia-Alam

Manusia-Kerja

Tetap mengacu pada kejayaan masa lalu namun berpemikiran maju

Menyelaraskan diri dengan alam namun juga mencoba menjajaki alam

Bekerja sebagai mencari nafkah namun menghasilkan karya-karya yang agung

Atap yang naik turun sebagai representasi alam pegunungan dan pandangan dari dalam bangunan yang bebas melihat alam sekitar

Merepresentasikan industri rambut palsu Purbalingga pada ekspresi garis-garis secondary skin dan plafon

Menerapkan arsitektur vernakular Purbalingga namun dengan teknologi bentang lebar yang lebih maju

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7 5

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3 2

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4

10

17

11 18 1

8 11 10

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Design Transformation The design transformation begins from a single, linear mass which can easily be extended in the ­ future. The next step is to add divider which is a public garden in between departure and arrival curb.

This garden also adds visual aesthetic for the users.

The use of limasan roof is a way to add vernacular scheme to the building, and by modificating it into rhytmic roof makes it look contemporary and unique.

Plan 1 - Curb 2 - Departure Hall 3 - X-Ray Check Area 4 - Check-in Area 5 - Departure Lounge 6 - Executive Lounge 7 - Gate 8 - Arrival Hall 9 - Baggage Claim Area

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10 - Toilet 11 - Retail Kiosks 12 - Smoking Room 13 - Nursery & Children Play Room 14 - Security 15 - ATM Centers 16 - Travel Agents 17 - Staff Area 18 - Public Park

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Departure Lounge

Area Check-In

Departure Lounge

Area Baggage Claim

Passenger Experience Passenger experience shows in the form of space experience that takes passengers from ‘home’ to their respective destinations, while for the arrival passengers they will feel the sensation of arriving at home. To achieve such a spatial experience, the height of the ceiling between the arranged spaces.

Departure passengers will be taken through the traditional atmosphere of the room, with a low altitude, then transitioning on the ‘say goodbye’ bridge where they can wave goodbye to their introduction before entering the departure lounge. This departure lounge has a monumental, modern scale, but still homey.

In contrast to the experience of departing passengers, passengers who arrive will pass through the monumental space first, then are greeted by a park that can be seen from the void on the 2nd floor, then only ‘arrives at home’ in the baggage claim area which has a low ceiling height.

Passengers are also presented with the tectonic expression of the wide-span glulam structure in the interior of the Departure Lounge as a manifestation of the spirit of the use of advanced technology in the concept of human-time relations.

The existence of natural elements in the building can provide psychological effects to users to remain relaxed and add value to the interior aesthetic. The natural element is applied to the concept of human-natural relations into the interior of the building by incorporating the inner park and vertical garden. In addition, to appreciate the landscape, passengers’ departure lounges are given unlimited views towards the mountains to the south of the site.

The application of the concept of human-work relations is manifested in secondary skin and ceiling space. The elements in the form of a wooden structure that are lined and dense represent the hair, because Purbalingga is quite well known for its fake hair industry. Secondary skins were installed to limit the view from the public to sterile areas while still entering the wind into the building.

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Penutup Atap Zincalume Granulated Reng Frame Glulam Lapisan I nsulasi & Waterproof Usuk

Kolom Glulam

Kerb Keberangkatan

Building Structure The main airport structure is a 30 m wide span structure with laminated wood (glulam) material. Glulam material has many advantages including being able to create unique, flexible shapes, and giving the impression of being homey, warm, and classic, yet modern in terms of its construction. The drawback is that glulam is less effective for outdoor use in tropical climates.

Check-in Area

Lapisan Insulasi

Batu Bata Batu Alam

Baggage Claim

Building Envelope Building envelopes respond to tropical climates by providing cross ventilation with skylights on the roof to enter indirect sunlight. On the roof is given a layer of insulation from heat and waterproof. The wall facing east and west is given insulation in the form of natural stone layers on the outside and vertical garden on the indoor part. This serves to reduce heat passing through the wall.

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ACADEMICAL

PROJECT

Gajah Wong Enhanced Green Neighborhood Architectural Design Studio 7 2019/2020

Meeting the need for clean water, the absence of ­river water pollution, providing universal access in cities are some of the goals written in the 2030 S ­ ustainable Development Goals (SDGs). However, this has not been achieved in Yogyakarta especially in areas crossed by large rivers in the city of Yogyakarta.

The planning location is in the Gajah Wong watershed which is bounded by the North Ringroad and Jalan Adisutjipto in the south.

This flow passes through 2 villages namely Condongcatur Village and Caturtunggal Village.

The approach taken to create a cleaner and more organized Gajah Wong area is to use the Transit Oriented Development and Green Neighborhood approach. Both of these approaches are applied in designing the Design Guideline.

Design Concept

Urban River Restoration

Riverfront Economic Impact

Bioswale Sustbl. Drainage System

Public Amenities

Connectivity & Walkability

Green Neighborhood

Green Infrastructure Safety Zone

TransitOriented Development

Urban Neighborhood

Goals Improving of the quality of life of the people in the green ­environment of the Gajah Wong River as an environment that has a healthy, sustainable, safe and prosperous lifestyle.

Missions • Reducing pollution and improving river ecosystems • Promote sustainable tourism which creates jobs • Creating access to adequate housing and basic services • Creating universal access for all users • Creating safe and universal public spaces

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Segmentation 1 Hartono Shopping Center

2

1 - Riverside Retail Park

1

3

Keyplan

Map

1 - Riverside Retail Park 2 - Public Parking 3 - Residential Public Park

Segmentasi 1 ini akan dikembangkan menjadi area yang didominasi oleh kegiatan perdagangan dan jasa, karena potensinya yang dekat dengan pusat perbelanjaan Hartono Mall dan Ring Road Utara. Pada segmen ini terdapat satu ruang publik berskala sedang yang aktivitasnya mendukung kegiatan komersial di sekitarnya. Riverside Retail Park menciptakan ruang terbuka yang mendekatkan masyarakat kepada sungai dan menyediakan amenitas publik seperti Food and Beverages retail.

2 - Parking

Potongan Kawasan

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Segmentation 2 Mataram Mix-Residential Center

1

1 - Mataram Sports Park 2

Keyplan

3

Map Segmentasi Mataram Mix-Residential Center ini banyak digunakan sebagai fungsi residensial dan retail. Pada area ini mengembangkan potensi ekowisata yang telah dibangun pada lahan eksisting sebagai peningkatan ekonomi masyarakat setempat. Selain itu, penyediaan RTH Publik berupa Mataram Sports Park bertujuan untuk meningkatkan kesejahteraan jasmani penduduk maupun pengunjung segmen ini.

Potongan Kawasan

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2 - Public Parking

Segmentation 3 Affandi Cultural and Event Center

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2

1 - Affandi Cultural Event Park

Keyplan

Map

Segmentasi 3 ini dekat dengan Museum Affandi, Jl. Laksda Adisucipto, dan Mall Plaza Ambarrukmo, serta dekat dengan beberapa institusi dan sekolah.

Banyaknya aktivitas yang didominasi oleh anak-anak muda memberikan potensi baik untuk kawasan ini sebagai pusat kebudayaan dan event. Ruang terbuka publik pada sempadan sungai dapat difungsikan sebagai tempat penyelenggaraan event-event yang digemari anak-anak muda seperti konser musik, pameran outdoor, dan lain sebagainya.

2 - Public Parking

Potongan Kawasan

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OTHER

PROJECT

Watercolor Illustration

Done for fun and because I like it!

Let’s Plant

Done on a free-time watercolor session at home. For private collection only and not done for any commission.

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Titik Temu

A commissioned project from Illona and the Soul Project, a l­ocal band from Yogyakarta. This is one of 8 illustrations done for their songs.

Food Illustration

A piece from chilling in a cafe by myself. A chocolate noir lava cake to lift my mood on a cloudy day on 2018.

Architectural Illustration

A ‘souvenir’ piece while I had my one-day trip to Kota Tua Semarang. This was the most iconic building there and a ­ ­challenging one to practice my sketching skill.

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A Quote from Stranger

This hand-lettering piece was generated from my lack of motivation. I was out there tweeting on twitter about my ­ thoughts, and then a stranger replied to me with this quote.

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A Sweet Greeting

This commisioned project is a gift from my cousin for her ­parents’ sweet wedding anniversary. It was a repainted picture of their marriage on 1995.

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