Ja-guaar - for BassClarinet solo

Page 1

Ja-guaar

for bassclarinet

by

Salvador Torre (2003)


Ja-guaar for bass clarinet

  

q = 96 calm, mysteriously, swinging

 



 

 



sfz p

3

      

 

3

 

Salvador Torre

    

pp

 



ppp

 

sound+breht

 

 

Slow, calm, sleepy q = 56

breathe in through the instrument

7

 

    

20

 

in

out

  

 

 



 

f



   

  

   slap

p

3

 

in

   

 

rall.



q = 100 calm, mysteriously, swinging

      

out

    

 

q = 56 in

  



  

calm, myst. swing.

  p

sfz

ppp

 

breahty



  

 



  

 

  

 

  3            q = 96

myst. swing

 

 

ff



q = 120

 

voice

pp

in  out in out in  out           

(f)

ff

breahty

violent

ftz.    shouting slap                  ( )                vib.     ff     sfz sffz ff fff

q = 80

q = 96

3

q = 96

sffz

    (  )  46     3  3                      q = 56

(hig pitch)

3

wild ! (agresivo)

fltz.

3

 

sound+breht

fltz.

(pitch ad lib.)

multiphonic

42

 

      

voice

            f  slap

 

3

q = 56

scherzando, swing.

shout ! gritar !



scherzando

         

 

 breahty                                       fp     mf 

                                                3         mf

34

pp

out

  



  

 

rall. 3

3

              

out

q = 96 calm, myst. swing

scherzando

 

in

3

q = 96

pp

27

   

q = 56

13

 

breath out

3

(f)

f

3



  

3

wild !

q = 80



 

3

                             3 3  ff mf 

( )

 

    

3

    

      

voice

fltz.

 

3

    ff

 


2

      ord.   (   )  ( )                                              (ppp)  p mp  f  ppp         fp ff 

q = 92 scherzando

 

51

 

   60            mf

  

  

 



rfz ppp

 

 

rall.

 

rfz ppp

fp

rall.

swing q = 96

(noisy)

3

3

3

3

3

 

pp

q = 96

fpp

3

            3 

3

3

3

3

3

3

 

3

ord.                 ff 

100

108

  mp

3



3

      



f



pp

  



 

ppp

3



3

3

3

 

 wild  ( )    ( ) agresivo

 

             f

             gliss.      fff

ff

                                       3

ff



 



  

gliss.

pppp

voice through the instrument

glis

s.

harmonic sweep

f

3  3                  ( )                    sim.   slap  pp mp f 3

3

                

f

              

3

3

3 3 3  3 3 3 3                                            f 3 3 3

94

voice

ff

calm, myst, swing

3

mp

   )        (  )        ff (

q = 120

3

q = 96

f

 

3

                              

mp

   



f

ff

ff

89

3       

q = 100 menacent

                               f pp

83

f

ff

                           f

72

Tpo. libero vivo, scherzando

 

 

pppp

slap

3     3 3                                                             mp   3 3

 

slow, noisy

   

wild !

67

q = 70 sotto voce, noisy

  

poss.

3

 

  

           ( )        (f) ( )


                                           f    ff ff mf

115

3



3

3

3

121

 

127

  

 

harmonic sweep

3

3

3

     ppp 

 

mf

f

mf

mp

p

3

   

p pos.

3

3

3

3

5



3

3

                 

 

3

f

p

  

 

3

3

3

ff

3



pp

 3            

ppp

pppp

rit.

3

ff

q = 56

3

   

q = 96 calm, myst, swing

   

 

scherzando

pppp

ppp

ff

 

 

poco

3

sub.

 

3

3

 

 

               

   3   3 3 3 3 3 3                                            pp     3

3

130



pp

 

5 3                                                            pp

135

        

140



3

3

3

         

3

3

3

3

3

3

3

q = 56

 

                       pp  3

3

3

ff

3

 

ff

  

 

   

 

3

3

3

3

3

                

 

f

sub.

q = 96

145

5

5

3

3

3

3

         



pp noisy

   p

  

 

q = 72 151

 

 

ppp

157

 

in



in

noisy

      fltz. . . .

  

"sleep"

 

out

            out

fltz. . . .

3

soffio

suono+soffio

 

in

   

in

f

 

sim.

out

 

3

 

 

5

            suono+soffio---> slap sfz

 

     


4

q = 96 162

 

scherzando

                                            mf sffz

slaps

wild

key claps

3

slap

keys

        ( )                        shout through instr.

166

shout

5

slaps

   

 

                      sim.

3

          

slp.

slp.

3 3                          3

3

3

                                                                 

171

3

3

3

3

3

sffz

177

 

harmonic sweep

. gliss

pp

s. glis

gliss.

sub.

glis

s.

  f

f

3

 

3





3

3

3

   



                     

3

3

3  3 3 3 3                                             (f)      

180

3

184

 

3

3



3

3

3

3

voice

3

 3 188  3                        ( )           ( )   f p fp  f ff q = 56

191

 

197



meno forte

  pp

possibile

 

 

3



     

3

3

3

3

 3



rit.

 3

 





3

  

3

                              fff q = 96

wild !

3 3 3 3  3 3                                     f ff

q = 96

  



rall.

3

3

3

3

 



3

 

  3                                                3       3

Tpo.

q = 96)

3

3

3

   

 

 3 3 3                    

3

3

3

3 3  3  3   3 3  3 3 3                                                              3 3   

200


204

      

210

3

 

3

     3

 

3

        

215

218

           

 



 

223

  

228



3

  

  

  

3



3

       3

 

 

3

f

3

   

 

 

 



3





3

3

 



 

3

  



  

3

 



 

 

  



 

   

  

ff

  

235

 



p poss.

mf

241

 

  p

248

 

  

3

  





 

harmonic sweep

s.

pppp

glis

sffz

3

 

3

  

   3

     

3

 

3

  

3

3   3       

                     

3

3

      3

3



pp poss.

  

3

mp

 

ppp poss.

 

 

ad lib. slow

in



out

 

 

ppp poss.

(end)

gliss .

3

3

  

              sffz sffz

ppp poss.

very slow

 

    

       3 

5

 

3

 

 

3



3

 





3

    3                                             3

3

5

3

3                    

myst, swing

 

 

3

3

231

3

3

f

3

              

ppp

3

3



3

3

          pp

               3 3 3

3

3

  

(f)

     

3



 

scherzando

3   

  



 

3

3

3



mf



3

3

myst, swing

                                                    3 3 3



  

 

end

 


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