Luxe Magazine September 2016 National by SANDOW®

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CONTENTS

Left: Flint table by Michael Berman / theodorealexander.com. Page 56 Right: Discus fixture by Volker Haug / volkerhaug.com. Page 154 Below, left: Cody Hoyt’s Oblique vessel (left) and Pamela Sunday’s Sprocket sculpture / codyhoyt.com and pamelasunday.com. Page 44

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EDITOR’S LETTER CONTRIBUTORS INSPIRATION FOUND In honor of Paris’ Biennale des Antiquaires, we celebrate classic, iconic style and its eternal impact on design.

RADAR

COMMENTARY Craftsmen and artists from across the country share their thoughts on what makes handmade items today’s most precious luxuries.

BEHIND THE BRAND Bronze, glass and 1950s inspiration inform the cunning and unexpected lighting designs coming out of Jonathan Browning’s San Francisco studio.

54 56 58

014 / LUXESOURCE.COM

BESPOKE From its Portland hub, Ann Sacks relies on old-school artisanal techniques to construct a range of handcrafted tiles perfect for the modern world. DEBUT Designer Michael Berman dishes on his latest furniture collection, which marries elegant silhouettes with laid-back California style. ROUNDUP Evoke your inner academic and spark productivity with these sophisticated autumnal

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CONTENTS

Right: An elegant, nautical-inspired bathroom by Bellevue, Washington, interior designer Marianne Simon. Page 134 Center: Cascita Bowl / $225 / annanewyork.com. Page 98 Below: Taking our cues from fashion, we put the latest fabrics on display. Page 88

MARKET

MATERIAL From lavish linens to sumptuous satins, we draw inspiration from haute couture and explore the vast spectrum of our favorite interior fabrics of the moment.

TREND Hot off the press: Four fall reads, filled with high style, influence the season’s latest designs and décor.

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SPOTLIGHT Six fashion luminaries weigh in on the newest coveted gems that exemplify and elevate the luxurious life.

THE LOOK

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KITCHEN + BATH Two of the home’s most oft-renovated spaces show off their inherent value with bold layouts, vibrant colors and thrilling material palettes.

154

THE REPORT Our special section on all things affecting the luxury real estate market covers where to move, what to look for, and how to start—or avoid—a bidding war.

CONTENTS

172

A WINNING TRADITION No detail is overlooked in an elegant Colorado house marked by classical elements, sophisticated interiors and a fresh point of view. Written by Jennifer Sergent / Photography by Peter Vitale

188

GOOD EYE Timeless furnishings, one-of-a-kind fabrics and bold art yields a dynamic mix inside a Shingle-style Los Angeles residence. Written by Jennifer Sergent / Photography by Dominique Vorillon

204

WILD HEARTS Two partners in love and life raise the bar for floral design, creating lavish dreamscapes of natural beauty. Written by Mimi Faucett / Photography by Evan Sung

212

OPEN HOUSE A New York couple asks a talented team to create a home that is geared for both entertaining and raising children. Written by Shannon Sharpe / Photography by Francesco Lagnese ON THE COVER: Atlanta interior designer Suzanne Kasler hung artwork by Dusty Griffith above a sofa from her collection for Hickory Chair in the living room of a Colorado house with architecture by Don Ruggles and Melissa Mabe-Sabanosh. Page 172 018 / LUXESOURCE.COM

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ONLINE

LUXESOURCE.COM CHECK US OUT ONLINE TO DISCOVER MORE ABOUT THE HOMES, TRENDS AND PRODUCTS FEATURED IN LUXE INTERIORS + DESIGN.

PERFECT UNION Nothing says luxury quite like the union of marble and brass, as seen in Apparatus’ finely crafted Neo vessel shown here. Marrying beauty with function, it’s the perfect finishing touch to elevate your next dinner party. Get your fix of all things luxury through our online image gallery. luxesource.com/market ▲ 56 ROOMS WITH SHIMMERING CHANDELIERS Even the most sophisticated rooms need a little glam factor, and whether you opt for a modern Lindsey Adelman beauty (above) or an ornate crystal creation, any of the incredible light fixtures on this list are sure to make an impact. luxesource.com/shimmering-chandeliers

design of this warm and inviting abode, complete with an eclectic mix of antique and custom elements. Discover all the lavish details at luxesource.com/hancock-park-home.

▲ 44 UNFORGETTABLE BATHROOMS SEEN IN LUXE It’s no secret that Luxe has featured some amazing spaces over the years—including some spectacular bathrooms. So, we’ve scoured its pages to unearth our faves. From geometric tiles and modern finishes (above) to a calming retreat with a clawfoot tub, whatever your style, find inspiration at luxesource.com/unforgettable-bathrooms.

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FINE LINES Did this stunning sofa catch your eye? With its asymmetrical shape and unique pop of color, Flexform’s Zeus chaise lounge by Antonio Citterio is poised to be the ultimate statement piece for your home For more striking furnishings, visit luxesource.com/market. luxesource.com/market

DINING ROOM PHOTO: MARK ROSKAMS. EXTERIOR PHOTO: LAURA HULL. SOFA PHOTO: COURTESY FLEXFORM. BATHROOM PHOTO: AARON LEITZ. VESSEL PHOTO: COURTESY APPARATUS.

▼ A MEDITERRANEAN HANCOCK PARK HOME INSPIRED BY THE FRENCH COUNTRYSIDE The idyllic setting of the South of France influenced the

PAMELA LERNER JACCARINO EDITOR IN CHIEF

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Better Living, by Design.

Visit: www.mieleusa.com/events for a Miele Experience Center closest to you!

The Miele Experience Center Look, marvel, and explore. Be inspired by your local Miele Experience Center. Whether you are looking to upgrade your kitchen, learn about Mieleâ&#x20AC;&#x2122;s latest innovations, attend a cooking or product demonstration, or shop our full line of appliances and accessories, the Miele Team will be there every step of the way. Discover more about our events and offerings: www.mieleusa.com/Events We look forward to your visit!

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Luxe Interiors + Design , (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 2163-9949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Texas (ISSN 2163-9922), Vol. 14, No. 5, September/October, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design , SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, PO Box 16329, North Hollywood, CA 91615. Email: subscriptions@luxemagazine.com or telephone toll-free 800.723.6052 (continental US only, all others 818.487.2005). ®

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ART FOR THE WALLS

Featuring Candice Olson Wallcoverings www.yorkwall.com

EDITOR’S LETTER

Clockwise from top left: M64 Pendant by Miguel Milá for Santa & Cole; a vignette from The Coveteur: Private Spaces, Personal Style by Stephanie Mark and Jake Rosenberg; vintage Cartier necklace; Navata fabric by Fortuny; and Petri vase by Elyse Graham.

What should your home give to you? In its purest form, it should impart beauty, honesty, delight, imperfection, and, perhaps, even a little wit or amusement. The environment that you create is essentially an extension of what you value and love, a reflection of your aesthetic sensibility. It’s something that ebbs and evolves over time yet (hopefully!) always feels authentic and true. It seems reasonable then that the space in which you live should be treated as a little haven in this world—a dwelling that makes the everyday seem that much more beautiful. This issue is largely dedicated to examining the concept of luxury, and our team connected with many artisans and designers who weighed in on the subject. It’s telling that a common thread runs through that collective dialogue: “Each piece has a story to tell.” “Collect things you love and want to have forever.” “The most luxurious of materials are also often the simplest.” “Home is sacred, and the items around us often have an emotional effect, so it is important to put a great deal of care into deciding what you allow into your space.” Wherever you reside, make home your greatest luxury.

Pamela Jaccarino

pam@sandow.com Instagram: @pamelajaccarino

PORTRAIT: JIM NEWBERRY. VIGNETTE PHOTO: JAKE ROSENBERG.

TRUE LUXURY

TILE: Eastern Promise by Martyn Lawrence Bullard

SHOULDNâ&#x20AC;&#x2122;T ALL ROOMS BE LIVING?

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CONTRIBUTORS

BEHIND THE SCENES GET TO KNOW A FEW OF OUR CONTRIBUTORS FROM ACROSS THE COUNTRY AS THEY TALK ALL THINGS DESIGN. PRODUCED BY SARAH RAMIREZ

ALANNA HALE

Photographer / San Francisco

TATE GUNNERSON Writer / Chicago

Memorable Luxe interview: While every single interview is fascinating in its own way, my conversation with the multifaceted Eric J. Nordstrom of Urban Remains in Chicago stands out. He left behind a career in scientific research to pursue his passion for history, architecture and salvage and has since amassed a significant collection of pieces. Is there a particular writer whose work has had an influence on you? Although I have an enduring appreciation for urban life and design of all kinds, Henry David Thoreau’s emphasis on nature and simplicity resonates with me more and more as the years go by. Who is the most interesting person you’ve ever met? Artist and potter Alessio Tasca. For decades, he created incredible pieces out of his rustic studio in the countryside just outside of Vicenza, Italy. What a life he’s lived! If I weren’t a writer, I would… Run a small bed-and-breakfast that would consist of stylish tiny homes, yurts and tree houses on a peaceful lake in the country. I’d also love to make a documentary at some point.

KARYN MILLET Photographer / Los Angeles My biggest creative influences come from… My travels. From Cuba to the Cotswolds in England, this year has been full of visual inspiration for design, color, light, composition and mood. I’m forever planning my next trip. Whose work has impacted you the most? My great-great-uncle, Francis Davis Millet. He was a famous artist who made me realize that art can be a career if you set your mind to it. He was last seen helping women and children into lifeboats off the Titanic, where he perished. What type of design inspires you? I love traditional with a twist. With architecture, I’m a big fan of the classics—Federal, Cape Cod and Spanish. I’m also intrigued by unexpected colors and fresh designs in interiors.

MINDY PANTIEL Writer / Colorado What do you find most enjoyable about the design industry? I like the ongoing integration of the art world into interior design. And I don’t mean finding art to match a sofa, but rather designers recognizing that allowing art to make its own statement only enhances and elevates a home’s interiors. Favorite element of design: Architecture. I am forever in awe of a great architect’s ability to shape a building and create spaces that are not only livable but also have a context. As a consequence, I like furnishings and accessories that make strong architectural statements. Most memorable Luxe interview: I spoke with a homeowner who shared that her husband had fallen in love with an enormous boulder weighing several tons on their property. So, as a birthday present, the wife arranged for a crane to move it near the front door so he could see it every day. The architecture and design of the house were already wonderful, but this was a reminder that the best stories (and homes) involve this kind of personal touch.

HALE HEADSHOT: DANIEL DENT. DINING ROOM PHOTO: KARYN MILLET; ARCHITECTURE BY ERIC OLSEN DESIGN. MILLET HEADSHOT: SABRINA HILL. PANTIEL HEADSHOT: ROBERT KITTILA. GUNNERSON HEADSHOT: SALLY BLOOD HEADSHOTS.

What is the best career advice you’ve received? “You don’t have to like it, but you should be proud of it.” It’s a way of saying that the path or experience isn’t always easy or fun, but it’s worth the fight to create great work in the end. And, while that uncomfortable place may sometimes be unpleasant, it’s also necessary. Role models: Stephen Shipps and Maria Koundoura, professors at Emerson College in Boston. They are both passionate, brilliant, patient and kind. Favorite Luxe shoot: Blacksmith Daniel Hopper was so much fun to work with, but with their humor and charm, Neil and Alix Curry of The Willow Farm are pretty hard to beat. Top three things on your design wish list: I would love to purchase a Hans Wegner Peacock chair, install flamingo wallpaper in my bathroom, and own a vintage caramel-colored Chesterfield sofa.

BRING YOUR ROOM TO LIFE INTRODUCING THE SAPPHIRE COLLECTION TO THE TRADE 844.40.STARK WWW.STARKCARPET.COM RUG: NOT 118016A Halogen Collection #STARKTOUCH Shot on Location: Olde Towne Southampton by Kean Development - Room Design by Ingrao Inc.

Transition Seamlessly Nearing its sixth decade as a leading glass door and window designer and manufacturer, Western Window Systems produced its first glass product in Phoenix in 1959. Since then—and hundreds of noteworthy residential

“Western Window Systems is passionate about indoor-outdoor living.”

projects later—the company has become a recognized innovator in high-quality sliding and folding glass doors

Guiding Principles

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and windows. The inspiration behind the firm’s sleek and

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Innovation

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functional products is the lifestyle shift toward merging the indoors and the outdoors. “Our sliding and folding glass doors are more than just entryways,” says Scott Gates, president and CEO of Western Window Systems, “they are architectural elements that change the space around you.” Outdoor living areas—thanks to options like Western Window Systems’ folding and sliding doors, among others—have evolved from traditional patios to bold, reimagined spaces that attach to the home and blend the indoors with the outside. “By expanding living areas, maximizing views and letting in natural light and fresh air, our doors help create a new kind of gathering space that lets you entertain, relax and live better than ever.”

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HORIZONTAL MEETS VERTICAL

PÂ´7350 Discover the fascination of a kitchen which stands for what has characterised Poggenpohl and Studio F. A. Porsche over many years: concentration on the overall line.

www.poggenpohl.com

Hickory Chair is a registered trademark of the Heritage Home Group, LLC family of brands. ÂŠ2016

T H E

A R T

O F

INSPIRATION

Eldorado Stone has been at the forefront of its industry for the past 45 years. From its humble beginnings to the international presence it boasts today, Eldoradoâ&#x20AC;&#x2122;s core philosophy has remained the sameâ&#x20AC;&#x201D;believability. Each of the companyâ&#x20AC;&#x2122;s natural Ă&#x192;Ă&#x152; iĂ&#x192; Ă&#x192; Ă&#x20AC;iÂŤ V>Ă&#x152;i` Ă&#x152; Ă&#x152; i w iĂ&#x192;Ă&#x152; `iĂ&#x152;> Ă&#x192; v Ă&#x152;iĂ?Ă&#x152;Ă&#x2022;Ă&#x20AC;i > ` V Ă&#x20AC;] Ă&#x17E;iĂ&#x152; offers a lightweight, concrete stone veneer solution. VARIABLE OFFERINGS Inspiration is key to Eldorado Stoneâ&#x20AC;&#x2122;s culture. Every product is designed to evoke a unique sense of space, whether modern, traditional or highly rustic. With 150-plus colors and numerous textures and shapes from which to choose, architects and designers are able to inspire their customers with limitless applications.

MODERN DESIGN The newest of Eldoradoâ&#x20AC;&#x2122;s extensive options, the Modern Collection features 34 new colors and 6 new profiles. Developed to accentuate contemporary `iĂ&#x192; } Ă&#x192;] Ă&#x152; iĂ&#x192;i Ă&#x192;Ă&#x152; iĂ&#x192; ÂŤ> Ă&#x20AC; Ă&#x20AC;iw i` V Ă&#x20AC; Ă&#x153; Ă&#x152; V i> iĂ&#x192; Ă&#x152; L i ` Ă&#x20AC; V Ă&#x152;Ă&#x20AC;>Ă&#x192;Ă&#x152; with neighboring elements. The results are spaces that come alive, speak for themselves and take center stage. Proof that less truly can be more.

Eldorado Stoneâ&#x20AC;&#x2122;s philosophy creates authentic architectural products that transform spaces through color and texture.

ARTISANAL CRAFTSMANSHIP Eldorado Stone products are handcrafted through a detail-oriented, laborintensive process. Each stone is hand-painted by master artisans, infusing multiple layers of color to the stoneâ&#x20AC;&#x2122;s unique textured surface to create a highly authentic appearance.

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RADAR A look at how the artisan movement has reawakened the desire for one-of-a-kind, personalized design that highlights the hand of the maker. DESIGN FORECAST / SEPTEMBER | OCTOBER 2016

RADAR / COMMENTARY

LUXURY in the DETAILS A LOOK AT LUXURY WITH HANDS-ON CREATIVES WHO ARE POWERING THE GROWING MAKERS-MATTER REVOLUTION. WRITTEN BY BRIELLE M. FERREIRA

Luxury has a million different meanings and permutations, a concept as unique as a fingerprint to each individual person: a warm cup of coffee on a chilly, overcast morning; the cool thrill of slipping into a freshly made bed with silk sheets; a day off with no obligations or competition for the television remote. One thing these definitions, and the countless others weâ&#x20AC;&#x2122;ve heard while working on this issue, have in common, though, is that they all actively engage the senses. The greatest luxuries then are the things that inspire joy by the way they look, feel, smell, sound or tasteâ&#x20AC;&#x201D;many of which exist inside the home and have transcended their supporting roles in everyday life (think a bench, a sconce, a pillow) to take center stage due to the attention their makers have given to their creations. On the following pages, we talk to the artists, designers and craftspeople responsible for both breaking and making the mold and for ensuring even the smallest details feel like priceless treasures.

PHOTO: COURTESY ANN SACKS.

RADAR / COMMENTARY

“I don’t like trendy design; although, it’s essential to keep up with changing styles. When I design textiles, I like to create things that are timeless and can work in various styles of homes—things that can be appreciated decade after decade.” –MILI SULEMAN, KUFRILIFEFABRICS.COM

“Don’t bring it home unless you plan on living with it indefinitely. There’s so much disposability in consumer culture. Instead, collect things you love and want to have forever. Search for things that retain their value even when they’re well-used, worn or patinated.” –CODY HOYT, CODYHOYT.COM

I LOVE WORKING WITH WOOD. IT HAS SO MUCH CHARACTER ; EACH PIECE HAS A STORY TO TELL AND FEELS ALIVE TO ME. A LOT OF TIMES I EVEN SPECIFICALLY LOOK FOR SLABS WITH IMPERFECTIONS, WHICH WE THEN PATCH UP IN UNIQUE WAYS.” –FLORIAN ROEPER, STUDIOROEPER.COM

Clockwise from top right: Elyse Graham’s Petri vase; Pamela Sunday’s Sprocket sculpture; and Cody Hoyt’s Oblique vessel.

“The value in a handcrafted piece is the human connection. The digital age has made our world smaller and brought us together but left us longing for direct personal contact. I think there is an inherent comfort in owning a piece, which is made by hand, that addresses that void.” –ELYSE GRAHAM, ELYSEGRAHAM.COM

“Luxury is beauty and comfort combined. I have come to love a Martin Margiela smock that is threadbare from years of wear. My husband purchased it more than 20 years ago. When I put it on, I feel more like myself.” –PAMELA SUNDAY, PAMELASUNDAY.COM

“I am blown away by the work of artist Daniel Brush. His level of commitment, his total focus, his rabid attention to detail and his blend of the intellectual and the physical are just so impressive. I find myself on the verge of almost giving up when I see his work.” –VICTORIA REYNOLDS, TUELLREYNOLDS.COM

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RADAR / COMMENTARY

“I’m continually impressed by how much a beautiful cup, the right bowl, a wellmade rug, a crafted table or an inspiring piece of art can move me. I never imagined the profound pleasure that someone else’s creativity could bring me each day.”

THE MOST LUXURIOUS OF MATERIALS ARE ALSO OFTEN THE SIMPLEST, WHETHER IT’S CLAY, WOOD, STONE OR NATURAL FIBERS. WOOD, IN PARTICULAR, IS SACRED TO OUR SURVIVAL, WITH TREES THEMSELVES OFTEN SERVING AS MARKERS OF THE PASSING OF TIME.”

–RUTH FRANCES GREENBERG, RUTHFRANCESGREENBERG.COM

“We’re compelled to create by nature; it’s a Zen state that’s hard to match and innate in all of us. I aim to make modern heirlooms and do work that is meant to be handled and not put on a pedestal. I often wonder where my pieces end up living and hope that they’re being passed down generationally as cherished objects.”

“We love the thought that our pieces could be passed down through generations. We put a lot of effort into creating solid, wellconstructed objects. We also use the best materials that we feel are correct for each individual design and are compelled to make each piece as good as it can be.” –JAMEY GARZA, GARZAMARFA.COM

–TUCKER ROBBINS, TUCKERROBBINS.COM

“The ethos of handcrafted work is incomparable to that of mass-market products. Our work comes from a place of deliberation over design, aesthetic, structure, form and function. Each piece is handmade to order, so we know for whom and for what space we’re making it.” –DAVID WEEKS, DAVIDWEEKSSTUDIO.COM

–ANDI KOVEL, ESQUE-STUDIO.COM

An assortment of handblown glass vases from the artists of Esque Studio.

FURNITURE

LIGHTING

www.powellandbonnell.com

TEXTILES

RADAR / COMMENTARY

“Every painting is a struggle between what you want it to be and what the painting wants to be. Most of the time, painting is wrestling, but every once in a while, something unexpected happens— something beyond what I’ve planned or intended.” –STELLA MARIA BAER, STELLAMARIABAER.COM

“Luxuries, to me, are things that create ‘wow’ moments in our days—like when you sink into a down sofa and have no desire to be anywhere else or when you experience the pleasure of running your hands across the top of a table made from an exquisite, oneof-a-kind piece of wood that’s been skillfully finished to perfection.” –CATALINA ECHAVARRIA, CEUSTUDIO.COM

From top: The Pivot chandelier by Brendan Ravenhill; CEU Studio’s handwoven Reed bed.

MY PROCESS IS NOT LUXURIOUS AT ALL. THERE HAS BEEN BLOOD, SWEAT AND TEARS THAT HAVE GONE INTO MANY OF THE THINGS THAT I HAVE CREATED—A LOT OF BAD BEFORE YOU GET TO THE GOOD—BUT I CAN’T IMAGINE NOT DOING IT. THE PROCESS BRINGS ME SO MUCH JOY.” –MEGAN ADAMS BROOKS, MEGANADAMSBROOKS.COM

“If you’re going to splurge on anything, let it be lighting— it has the greatest ability to transform a space. No matter how nice the objects in a particular room are, if the lighting’s not right, you’re not going to spend as much time there. Beyond how it looks, too, be sure to examine what kind of light it casts.” –BRENDAN RAVENHILL, BRENDANRAVENHILL.COM

“When creating something that people will one day bring into their homes, I always try to subscribe to Shaker design philosophy: Don’t make something unless it is necessary and useful. But if it is both necessary and useful, don’t forget to make it beautiful.” –SEEMA KRISH, SEEMAKRISH.COM

“We absolutely keep the idea of collecting in mind when making things. We want to create pieces that can be preserved and last for multiple generations. We try to make art that is immersive and made by multiple artists, and we like the fact that furniture and usable art can be hard to swallow as an art form.” –NANA SPEARS, FORTMAKERS.COM

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RADAR / BEHIND THE BRAND

Everything Is Illuminated DESIGNER JONATHAN BROWNING USES HIS PASSION FOR HISTORY AND AGELESS STYLE TO CREATE LIGHTING THAT WILL STAND THE TEST OF TIME. WRITTEN BY SHANNON SHARPE PORTRAIT BY ALANNA HALE

Change in approach: When I first started, I was doing everything by hand, but I quickly discovered that my designs would have to be made in a foundry because they were too complex. I only work with the best of the best: Cirecast. Material matters: For the first seven years, we used cast bronze almost exclusively, but as our

SCONCE PHOTO: GRANT PETERSON.

When Jonathan Browning founded his eponymous company in 2003, he was positive of one thing: He was going to make the best lighting in the industry. “I wanted to create pieces that would outlast the people that bought them,” he says. Through designing each item by hand, using the best quality materials and producers, and taking a new approach to old ideas, Browning has proven that being the best isn’t about labels, but about commitment. In his latest offering, the Montalembert sconce, the designer shows us thoughtfulness once again with a machined-byhand lamp with a hand-polished solid-brass base and a hand-carved and polished lead-crystal shade. “Luxury is about authenticity,” says Browning. “It is about respecting your materials and deferring to what your design is trying to say and do. It’s about doing the right thing over the easy thing.”

Jonathan Browning in his San Francisco headquarters next to the Dornstab floor lamp, originally designed by J.T. Kalmar and re-edited by Browning. His Montalembert sconce is shown below, left.

repertoire expanded, we introduced brass and then lead crystal. I’d always wanted to use lead crystal because it’s such a beautiful alternative to glass. Crème de la crème: My passion has always been industrial design, but I’m also a big fan of French Beaux Arts. The French essentially studied every element of classical design, learning the rules so that they could break them and introduce something the world had never seen. Luxury suite: To me, Los Angeles’ Chateau Marmont is the height of luxury. It’s incredible to go into a room that was so beautifully designed in the 1920s and that has been restored but not fussed over. It is like stepping into an old photograph.

Hero worship: Otto Wagner gave voice to industrial design as a decorative language. I also admire Stanford White, who was really the first decorator; he would bring architectural elements from Italy and France and build whole rooms for them. Finally, I consider Louis Comfort Tiffany a genius of massively misunderstood proportion. He is often dismissed as being a little known stained-glassed window and lamp designer, which is insane. Beauty statement: The construction of the Montalembert sconce is what gives it its beauty. The electrical work flows through the brass tube, curving downward and back up, never touching the crystal shade; the armature is just there to cradle the crystal. The result is like sculpture.

RADAR / BESPOKE

Clay Maker

AT ANN SACKS, ART, CRAFT AND A DOSE OF SCIENCE MEET TO CREATE THE COMPANY’S SIGNATURE LINE OF TILES. WRITTEN BY LISA BINGHAM DEWART

These days, the transformation of an Ann Sacks tile from rough sketch to finished tile takes place in a sprawling Portland, Oregon, factory. However, the company’s dedication to craft, along with some of the same kilns, remains the same as it did nearly a quarter century ago when the founder of the eponymous company decided to add to her line of tile imported from Mexico with her own signature collection. The story continues in a quiet corner of the factory. There, a skilled craftsman—who goes by Gerbert—translates ideas conceived by Ann Sacks’ in-house design team and by notable collaborating designers, such as Robert

Kuo, Kelly Wearstler and Laura Kirar, into the first stages of a new tile addition to the core Made by Ann Sacks collection. “He’s a true artist,” says DeeDee Gundberg, director of product development. “He takes the design from concept to drawing to understand the repeat before transitioning it to a wax model.” From there, Gundberg and her colleagues tweak the design and make changes. “Maybe it’s just softening a corner,” says Justin Burgin, team leader of finished goods, or, “refining a line to make it slightly thinner.” Then, a wax model gets made to create a rubber positive, which in turn is used to create the mold. Finally,

PHOTO:

©MICHAEL JONES.

Ann Sacks’ signature line of earthenware and stoneware tiles, the Made by Ann Sacks collection, offers a rainbow of colors and a mind-boggling assortment of textures, shapes and sizes.

the prototype is fired and ready for glazing. It’s a critical step, since glazes can behave differently. And, notes Burgin, “Things stand out more when glazed, so it’s critical to see if any flaws appear.” Once the design is complete, the tile is ready to be put into production, joining a dizzying array of colors (over 150!) and shapes from hexagons, arabesques and scallops to the ever-popular subway tile, not to mention textures, including the Ann Sacks Modern Ribbed tiles, a recent introduction. “It’s extremely important we stay relevant,” says Gundberg. The company produces both earthenware and stoneware designs from locally sourced clay. Earthenware, the first type of

tile the company produced, allows for solid glossy or matte glazes, while the stoneware body lends itself to more decorative shapes. For basic shapes, production starts when the wet clay goes through an extruder, where it’s flattened and then cut into slugs before being loaded into presses to make specific shapes. For some tiles, including all the stoneware offerings, the designs are stamped by hand. Afterward, the tiles spend 12 to 15 hours drying before they’re ready to be biscuit-fired in the continuous kiln—a hulking piece of machinery that takes the tile up to 1,976 degrees Fahrenheit and back to room temperature in as little as 80 minutes. Then, it’s

onto the glazing area, where the pieces are either glazed on the line or hand-sprayed. Each tile in the Made by Ann Sacks collection is touched by at least seven people during its transformation. Burgin is quick to point out that a little piece of everyone involved in the production goes into the finished product. “They’re incredibly passionate about it,” he says. During factory tours, design lovers see that firsthand. “They’re blown away by the handmade process, the artisanal quality and the craftsmanship they see,” says Gundberg. “The story is extremely important to tell, so they understand what went into the making of that tile.”

RADAR / DEBUT

Best part about working with Theodore Alexander on your new collection, Califolio? The first thing the team at Theodore Alexander told me when we began to work together was “design like you have no constraints,” and I immediately understood why. Their capabilities are endless; they have their own foundry and handle their own finishing and leather fabrication. It allowed me to create exactly what I wanted: a large, ambitious collection (of over 75 pieces!) with a real wabi-sabi flavor and plenty of interesting textures and finishes. Share your inspiration for the collection. The size of the collection enabled me to combine a lot of the different things I’m influenced by: organic design and materials, as well as American Art Deco modernism.

WRITTEN BY BRIELLE M. FERREIRA

I also wanted to create a dialogue here that speaks to Los Angeles’ eclecticism, to the way we celebrate the melting pot of cultures that make up our community and how we’ve learned to mix both high and low, elegance and simplicity in our homes. Do you have a favorite piece? They’re all special to me, but I’m especially proud of the work we did on the Flint table (shown). To bring that piece to life, we had to work with Theodore Alexander to add new finishes and techniques to its repertoire. For example, for the handsome oak tabletop, we designed a finish called Sandalwood for a rich, honey color; then, to take it even further, we put it through a wire-brushing process before hitting it with white cerused wax and a very, very fine steel wood for a satin finish.

It also has a beautiful base. Yes! The Flint table also features another new finish called Foundry, a lovely metallic that gives the base the illusion of being cast in bronze. In reality, the base is fabricated resin, which makes it easier to render its river rock-shaped cutouts. I’ve always been attracted to anything curvilinear or kidney-shaped. These silhouettes, popular in the 1940s through ’60s, are some of my favorite things from that period of modernism. Dream meal to serve on this table? A fantastic L.A.-inspired lunch with fresh, homemade heirloom tomato salsa with chipotle peppers, vegetarian tacos with avocado and peppers, and delicious BBQ shrimp skewers. It’s a great example of what entertaining in California is all about: flavor and quality and health. Just don’t forget the gluten-free corn tortillas!

PHOTO: COURTESY THEODORE ALEXANDER.

ROCK STEADY

DESIGNER MICHAEL BERMAN’S NEW FURNITURE COLLECTION FOR THEODORE ALEXANDER BORROWS INSPIRATION FROM ORGANIC SHAPES, MIDCENTURY SILHOUETTES AND CASUAL CALIFORNIA STYLE.

ÂŠ2016 Swarovski Lighting, Ltd

E C LY P T I X B RI L L I A N C E BY H A N D Each Schonbek chandelier carries a legacy of unparalleled craftsmanship and artistry. Since 1870, Schonbek has been synonymous with timeless beauty and attention to detail. This tradition of excellence is continued with the glistening aura of &DMZQUJY, shown above.

SWAROVSKI-LIGHTING.COM

RADAR / ROUNDUP

DESKSIDE MANNER AS FALL ARRIVES, SO DOES THE INSTINCT TO CHANGE UP OUR WORK SPACES, AND THESE SEASONAL DEBUTS ARE SURE TO MAKE A STUDIOUS STATEMENT. PRODUCED BY KATE BERGERON PHOTOGRAPHY BY JOANNA MCCLURE

Clockwise from top right: Spirituelle Candle by Mad et Len / Bougie Apothicaire Collection / $110 / abchome.com. Brass Contour Key Ring in Bend by Karl Zahn for Areaware / $18 / areaware.com. Large Suede Penbox in Pink Geranium by Michael Verheyden / $450 / flairhomecollection.com. MinÃ©raux Change Tray in Limoges Porcelain / $750 / hermes.com. Plasir de la Chine Correspondence Cards by Schumacher for Dempsey & Carroll / $1,175 for 100 Cards and Envelopes / dempseyandcarroll.com. Nero Marquina Marble Notebook / $85 / mikolmarmi.com. Archer Magnifying Glass and Letter Opener Set / Fall 2016 Collection / $290 / aerin.com. Recamier Eyeglasses in Handcrafted Acetate by Lafont / Lafont Reedition Collection / $415 / viziooptic.com. Tool The Golden Rule and Cog Pen Block / $22 and $75 / tomdixon.net. Small Solid Brass Offering Bowl / $75 / rhmodern.com. Vintage Leather in Oak / garrettleather.com.

058 / LUXESOURCE.COM

Michael Aram for ARTISTIC TILE ARTISTICTILE .COM/ARAM | 855-214-0493

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INTRODUCING

DIVINITY from the antrim

collection

NATURAL WOOL & VISCOSE HAND-LOOMED COLORS LISTED FROM TOP TO BOTTOM: GRAIN, PLATINUM, FOSSIL, HEATHER, MOONLIGHT

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TEAK, CRAFTS & INNOVATION

Gloster Furniture Â· 1075 Fulp Industrial Road Â· South Boston, VA 24592 Â· Tel. 434 575 1003 Â· inquire@gloster.com Â· www.gloster.com

OUR MODERN EVOLUTION FA L L 2 016 CO L L E C T I O N

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DESIGN + PERFORMANCE

S U N B R E L L A .C O M / M E T R O

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PROMOTION

TOMMY BAHAMA HOME The lower section of the Cable Beach bar cart pivots 360 degrees for effortless serving. The top surface is white Cordova stone, with a tempered glass top below and storage beneath. Twin Palms, by Tommy Bahama Home. tbfurniture.com

SPARK MODERN FIRES For a perfect gathering under the stars: Spark’s Fire Ribbon Outdoor sets the scene with every flicker of its signature flame. The sophisticated design makes it the focal point of any outdoor space. sparkfires.com

CAMBRIA A cornerstone of the Cambria® Coastal Collection™, Summerhill™ leads with beauty and strength. Calm and serene with dramatic accents, Summerhill is named for the Welsh coastal village where stately clouds drift gently out to sea across a silver-dappled sky. cambriausa.com

MUST

HAVES VERSATILITY AND ELEGANT DESIGN DISTINGUISH THIS COLLECTION OF FURNISHINGS AND FIXTURES.

MGS MGS stainless steel fixtures merge Italian style and sophisticated design with the accuracy and attention to detail of Swiss engineering. To add even more variety to their already outstanding options, MGS recently introduced three new finishes in antique brass, copper and gold. mgstaps.com

BRIGHT CHAIR Bright’s Laxamana quilted sofa by Douglas Levine is available in additional sizes and finishes. brightchair.com

PROMOTION

TEAK WAREHOUSE For 25 years, Teak Warehouse has been selling high-end outdoor furniture at wholesale prices to the public and trade. Everything is available for immediate nationwide delivery and arrives fully assembled. Shown is the Ventura Club chair. teakwarehouse.com

BALDWIN HARDWARE HUBBARDTON FORGE Dynamic curves. Flowing light. Forged steel. American-made. The Encounter table lampâ&#x20AC;&#x2122;s hand-shaped LED light guide features an etched pattern that evenly diffuses the light. This sculptural piece is as functional as it is fabulous. hubbardtonforge.com

MUST

Inspired by the clean lines, contemporary patterns and uncomplicated aesthetic of the midcentury modern era, Baldwin Hardware introduces its new Palm Springs collection; made of solid brass and available in 20 finishes. baldwinhardware.com

HAVES

TIME-HONORED MATERIALS ARE REIMAGINED FOR CONTEMPORARY SPACES IN THIS ASSEMBLAGE OF DESIGNS.

RONBOW NOURISON Prismatic collection. PRS09 silver/ blue. Tranquil hues of green, blue, lilac, turquoise and maize, woven with softly shining threads and hand tufted from a luxurious wool blend.

Ronbow, the name synonymous with innovation and elegance in bathroom design, introduces the Amora vanity as part of its core collection. Shown in navy with gold metal inlay accenting piping, Amora is also available in white and oak Toscana.

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PROMOTION

ANTOLINI ITALY The intricate and exceptional design of Antolini Invisible Blue, with its unique bluishgray undertones and contrasting white coloring, creates a fascinating and unparalleled natural composition. antoliniprecioustone.com

PRIDE FAMILY BRANDS With the Castelle Solaris collection, outdoor living is handcrafted with an ultra-modern appeal. Incorporating slender yet solid supports, the Solaris is designed for visual impact in dining and deep seating. castelleluxury.com

MUST

HAVES

DECIDEDLY MODERN, DISCOVER INSPIRING ARCHITECTURE, FURNISHINGS AND NATURAL STONE.

CHARLES R. STINSON ARCHITECTURE + DESIGN Realizing beautiful, timeless architecture that is in harmony with nature through an intimate collaboration with clients and skilled partners, Charles R. Stinson Architecture + Design creates warm, modern indoor and outdoor living environments. Builder: Stinson Builders. Interior design: CRS Interiors. charlesrstinson.com

POWELL & BONNELL The distinctive silhouette of the Gramercy stool is highlighted by a sleek wood frame and shaped upholstered back, punctuated by a metal lumbar stem and foot support detail. The wraparound of the backrest, paired with a generously proportioned seat, results in a comfortable perch. Available in bar and counter heights. Price available upon request. powellandbonnell.com

Photography by Paul Crosby

BDSM Pendant

BE BOLD. Leather-bound luxury and control. Designed with clean styling in handsome vintage black or white leather, this unique linear LED pendant enables cutting edge full-range dimming control.

I a m L E DÂŽ

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PROMOTION

FLEETWOOD WINDOWS & DOORS Fleetwood Windows & Doors manufactures an extensive line of modern luxury home windows and doors. Simple, clean designs accentuate the beauty of the surrounding architecture and showcase spectacular views. fleetwoodusa.com

ASHLEY NORTON ARCHITECTURAL HARDWARE

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MUST

HAVES

DISCERNING TASTES WILL APPRECIATE THE QUALITY OF MATERIALS, DESIGN AND CRAFTSMANSHIP IN THESE STATEMENT PIECES.

These elegant brass cabinet knobs and pulls are available in multiple sizes and a choice of finishes. Allow the timeless beauty of brass to accentuate your home. Priced from $14 for knobs, $20 for pulls. manzoni.us

BERNHARDT Classic structure. Softness and strength in harmony. A shimmer of reflected light. Start with the Criteria dresser and Romney chair, then express your home as you wish. Explore the potential of modern living with Bernhardt furniture. bernhardt.com

Beautifully considered aesthetics and state-of-the-art technology. Designed with your individual comfort in mind, the SpaLet AT200 provides not only an enhanced hygienic experience but also an ardent sense of self-indulgence. dxv.com

WISH

DIGITAL WALLCOVERING PHILLIPJEFFRIES.COM

L E F T T O R I G H T : C O R B E L R E C TA N G U L A R C O L L E C T I O N , 4 ” H O U S E N U M B E R , A N D M A D D OX G R I P

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HANDCAST BRONZE |

HANDCRAFTED LUXURY FURNISHINGS

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Made in the Americas

FT. LAUDERDALE CHICAGO HIGH POINT ATLANTA COSTA RICA

SOLARIS COLLECTION

855.612.9800 CASTELLELUXURY.COM

Experience the before and after

See more stories #CCBeforeAfter

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T H E

A R T

O F

innovation

We create innovative products that allow us to take advantage of new technologies rather than changing our practices to chase them. Photo courtesy of Build, LLC

A PHILOSOPHICAL APPROACH The companyâ&#x20AC;&#x2122;s philosophy is simple: design innovative products that enhance lifestyle. This is accomplished by creating products that open spaces, allowing for more natural light and fresh air to promote healthier more comfortable environments.

BEST IN GLASS LaCantinaâ&#x20AC;&#x2122;s folding and multi slide systems come standard with low-e (low emissivity) dual-paned tempered glass v Ă&#x20AC; ÂŤĂ&#x20AC; Ă&#x203A;i` i iĂ&#x20AC;}Ă&#x17E; ivwV i VĂ&#x17E;Â° Ć&#x201A;`Ă&#x203A;> Vi` low-e glass options are also available for iĂ&#x203A;i }Ă&#x20AC;i>Ă&#x152;iĂ&#x20AC; i iĂ&#x20AC;}Ă&#x17E; ivwV i VĂ&#x17E;Â°

LaCantina Doors has been a prime mover in the shift toward expanding open spaces, transforming how users engage their homes and how their homes are designed to engage the outdoors. The innovative Southern California door and window brand is a leader in designing and manufacturing folding and multi slide systems, which seamlessly connect the inside to the outside using vast glass panels that perform effortlessly with state-of-the-art rolling hardware. With custom-designed products made to complement numerous architectural styles, the company looks to global architecture as well as innovative product designs for inspiration as it conceives some of the worldâ&#x20AC;&#x2122;s most aesthetically striking and environmentally sound door and window systems. LaCantina products are meticulously made to measure in their new 140,000-square-foot manufacturing v>V Ă&#x152;Ă&#x17E;] i Ă&#x192;Ă&#x2022;Ă&#x20AC; } } iĂ&#x203A;i vĂ&#x2022; VĂ&#x152; > Ă&#x152;Ă&#x17E; >Ă&#x192; Ă&#x153;i >Ă&#x192; > y>Ă&#x153; iĂ&#x192;Ă&#x192; wĂ&#x152; > ` w Ă&#x192; Â° Âş7i Ă&#x152; Ă&#x20AC; Ă&#x2022;} Ă&#x17E; Ă&#x152;iĂ&#x192;Ă&#x152; > v our products for air/water/structure and thermal performance to ensure they meet and exceed our customersâ&#x20AC;&#x2122; needs,â&#x20AC;? says Lee Maughan, General Manager and V.P. at LaCantina Doors.

lacantinadoors.com

BREAKTHROUGH DESIGN The new Contemporary Clad offers styling without compromising performance. Featuring a low-maintenance aluminum iĂ?Ă&#x152;iĂ&#x20AC; Ă&#x20AC; Ă&#x153; Ă&#x152; Ă&#x2022; Ă&#x152; ÂŤ i ÂŤĂ&#x20AC; w i ÂŤĂ&#x152; Ă&#x192; and the warmth of a wood interior, the Contemporary Clad complements any architectural style and window package. Perfectly proportioned, the Contemporary Clad provides a beautiful aesthetic, improves structural integrity and increases thermal performance to meet higher energy code demands.

LIVE THE LaCANTINA LIFE

L ACANTINADOORS.COM

O P E N S PAC E S Â®

Be Unique, Buy Local. Century believes that style and service are personal and best provided by passionate local businesses. We are proud to be family owned and operated in Hickory, North Carolina since 1947.

centuryfurniture.com

MARKET Fall’s trends call for a style-savvy approach to textiles, an inspired look at the season’s latest reads, and an exploration of covetable goods at the pinnacle of luxury. PRODUCED BY KATE BERGERON + BRITTANY S. CHEVALIER

MARKET / MATERIAL

STYLED BY KATE BERGERON WITH BRITTANY S. CHEVALIER PHOTOGRAPHY BY JOANNA MCCLURE

FORM: COURTESY THE SHOP COMPANY.

A LA MODE

THIS SEASON’S TEXTILE OFFERINGS INSPIRIT A SARTORIAL POINT OF VIEW—WITH STYLE BEYOND MEASURE.

ÂŠ2016 Snaidero USA

since 1979

SKIRT DESIGN AND CONSTRUCTION: JOSH MOSS.

MARKET / MATERIAL

This spread, from left: Kismet in Mineral / Highlight Court Intermix Collection / duralee.com. Snake Skin in Begonia / Kendall Wilkinson Indoor / Outdoor Collection / fabricut.com. Citrus Garden in Primary / Josef Frank Archive, Good Vibrations Collection / fschumacher.com. Contour in Graphite / The Tour Collection / evitavonni.com. Gleam Dream in Blush / Enchanted Color Collection / robertallendesign.com. Lustre in Rose Quartz / Winterbourne Collection by Zoffany / stylelibrary.com. Aubriet in Amethyst / Jardin Des Plantes Collection / designersguild.com. Previous page, from left: Wat in Jade / anthonygeorgehome.com. Silk Wool in Alaska / foxlinton.com. Ruskin in Giallo / Venezia Collection by Rubelli / donghia.com. Topi in Sienna / Tribal Chic Collection / fschumacher.com. Frogâ&#x20AC;&#x2122;s Feet in Garuda / Overland Collection / zakandfox.com. Brunswick in Avalon / Melange Wool Boucle Collection / hollandandsherry.com.

MARKET / MATERIAL

Form fabric pattern: Coco & Duck Egg Blue / Coloured Linen Collection / anniesloan.com. Accent fabrics from top: Escapade in Fusion / Shift Collection / sunbrella.com. Linen Velvet in Ocean / The Tour Collection / evitavonni.com. Band in Indigo / claymclaurin.com. Kumano Weave in Ivory and Onyx / Kelly Wearstler III for Groundworks / leejofa.com. Connect in Twilight / Shift Collection / sunbrella.com. Trim: La Terre Cut Fringe in Pebble / La Terre Collection / samuelandsons.com.

MARKET / MATERIAL

Stack on stool, from top: Zanskar in Colorway 02 / Durbar Collection by Matthew Williamson for Osborne & Little / osborneandlittle.com. Ikat Meteor in Ink / Strata Collection / chellatextiles.com. Panthera in Beige / Bridgehampton Collection / thibautdesign.com. Coquette in Heather and Gold / Kelly Wearstler III Collection for Groundworks / leejofa.com. Broglie in Leaf / Aerin Collection 2 / leejofa.com. On mannequin: V.S. in Jin / Overland Collection / zakandfox.com.

BRING LUXURY HOME

Monark is your premium appliance destination. And the destination is just the beginning. With well-appointed showrooms offering distinctive shopping experiences, Monark has the ultimate selection of Bosch appliances. From sourcing and specification through installation and support, Monarkâ&#x20AC;&#x2122;s knowledgeable team delivers a level of sophistication and service that meets the most exacting standards. Begin your extraordinary journey and bring luxury home. For personal inquiries, call 855-916-6627. monarkhome.com S H O W R O O M

L O C A T I O N S

Arizona / California / Nevada / Florida

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MARKET / TREND

HITTING the BOOKS THE VISIONARY AUTHORS BEHIND THIS SEASON'S FRESHEST READS TAKE US BETWEEN THE COVERS WHILE WE TAP THEIR TOMES FOR DESIGN INSPIRATION. WRITTEN BY BRITTANY S. CHEVALIER

HOUSE OF STYLE

ANDREW GINGER ON CECIL BEATON AT HOME: AN INTERIOR LIFE

Preface: A biography of celebrated photographer, set designer and artist Sir Cecil Beaton that explores his dynamic personality through his interiors and private life. Inspirational contributors: Iâ&#x20AC;&#x2122;m drawn to historical detail in both interiors and costume, which makes Beaton fit perfectly into my pantheon, along with Oliver Messel, George Barbier and Alexandre Benois. Trademark style: I tend to gravitate toward the eccentric, the grand and the theatrical. Afterword: Have patience and keep shuffling the cards.

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1. Cecil Beaton at Home: An Interior Life by Andrew Ginger / $85 / rizzolibookstore.com 2. Bishop Floor Lamp / $1,150 / coilanddrift.com 3. Stones Eau de Parfum / $125 / atelierdegeste.com 4. Ainsley Mirror / $4,200 / arteriorshome.com 5. Kasba Wing Chair with Espresso Finish / $7,070 / jiunho.com 6. Emme Zip Pump in Caramel Suede / $650 / aquatalia.com 7. Marbled Stripe Fabric in Charcoal Black / $158 per yard / rebeccaatwood.caom 8. Polytope Ashtray by Andrew O. Hughes / $800 / shop-tetra.com 9. Annata Velvet in Rust / Price upon request / michaelsmithinc.com

VIGNETTE PHOTO: DAVID MASSEY.

SURPRISINGLY STICKLEY If you think you know Stickley, the High Line Sectional with Curved Gathering Islands™ Islands will surprise you. Visit our showrooms to find something beautiful for every room in your home.

High Line Sectional, Curved Gathering Islands™, Jamestown Swivel Counter Stools

Family owned and finely handcrafted in the USA for over 100 years. For the dealer nearest you or a catalog, visit stickley.com | L. & J.G. Stickley, Inc. | Manlius, NY 13104 | 315.682.5500

MARKET / TREND 3

FUNKY FEMME

STEPHANIE MARK AND JAKE ROSENBERG ON THE COVETEUR: PRIVATE SPACES, PERSONAL STYLE

1. The Coveteur: Private Spaces, Personal Style by Stephanie Mark and Jake Rosenberg / $35 / abramsbooks.com 2. Belvedere Chandelier in Silver-Leaf Finish / $10,910 / niermannweeks.com 3. Erehwon Collar by Judy Geib / $12,960 / barneys.com 4. Wild Thing Wallpaper by Ghislaine Vinas (left) and Élan Vital Wallpaper by Ovando / $9 per square foot and $200 per roll / flavorpaper.com 5. St. Louis | Camellia Lenses with Handcrafted Acetate Frames / $235 / krewe.com 6. Zeynab Bone-Inlay Tray / $185 / aelfie.com 7. Beverly Bar Cart / $1,940 / mgbwhome.com 8. Almandine Sofa / The Jean-Louis Deniot Collection / $9,297 / bakerfurniture.com 9. Dover Alpaca Throw / $395 / serenaandlily.com

VIGNETTE PHOTO: JAKE ROSENBERG.

Preface: It’s an opportunity to let our readers experience our content in a new and more intimate way. Inspirational contributors: People who are driven and that have made it to the top of their field. We always get an extra jolt of motivation after working with someone we admire. Brainstorming session: Our creative process is most fluid when we are traveling; our conversation and ideas flow a lot easier. Trademark style: Casual-chic meets modern with a sense of humor. Afterword… Just do it.

MARKET / TREND 1

COOL & COLLECTED CHARA SCHREYER & GARY HUTTON ON ART HOUSE Preface: This book is an exploration of our 40-year collaboration that covers both living with and designing homes that honor art. While various elements of the homes in our book have been published, this was an opportunity to share the visions behind them in a comprehensive way. Inspirational contributors: Each other. Trademark style: Like a symphony, we play different instruments at different times. We actually finish each other’s sentences—it can be kind of frightening. Afterword: There are only two kinds of people in the world: the ones that love sparkly things and the ones that won’t admit it.

1. Cubist Rug by Miles Redd for Patterson Flynn Martin / Price upon request / pattersonflynnmartin.com 2. Krane Lamp in Black with Gray Glass / Price upon request / ladiesandgentlemenstudio.com; vera-kyte.com 3. Art House: The Collaboration of Chara Schreyer & Gary Hutton, Text by Alisa Carroll / $85 / assouline.com 4. Arc 16-Ounce Bowl (left) and 10-Ounce Cup in Gray/White / $44 and $38 / yielddesign.co 5. Arctic Smoke Chair / Price upon request / farrahsit.com 6. Circles Side Table / Price upon request / atelierareti.com 7. Hemmerle Bangle in Jade, Olive, Wood, Gold and Copper / Price upon request / hemmerle.com 8. Basil & Neroli Cologne / $130 / jomalone.com 9. Huerfano Pillow in Sol / $139 / eskayel.com

VIGNETTE PHOTO: MATTHEW MILLMAN.

www.HENREDON.com

MARKET / TREND

WELL TRAVELED 8

MICHELLE NUSSBAUMER ON WANDERLUST: INTERIORS THAT BRING THE WORLD HOME

Preface: Wanting to create a different type of shelter narrative, I added an element of lifestyle by sharing the various journeys I have made over the years collecting eclectic and one-of-a-kind finds for my projects. Selected content: One of my clients, a young jewelry designer, has a spiritual aspect to her work, so we incorporated jewel tones and gemstones to her library (pictured). Inspirational contributors: Travel, nature, old Hollywood films, large English country homes, Cecil Beaton, Tony Duquette and Hutton Wilkinson. Trademark style: Adventurous, familyoriented, personal and refined. Afterwordâ&#x20AC;Ś Think globally, love madly and decorate worldly.

1. M64 Pendant by Miguel MilĂĄ for Santa & Cole / Price upon request / santacole.com 2. Cartridges Loden / $495 / stubbsandwootton.com 3. Timber Placemat / $428 for set of four / kimseybert.com 4. Cheetah Bookends in Porcelain and Brass / $395 / houseofhackney.com 5. Cascita Bowl / $225 / annanewyork.com 6. Piero Console with Antiqued Gold-Leaf Base and HighGloss Vellum Top / $16,500 / natashabaradaran.com 7. Berence Chair in Pistacchio by Fendi Casa / $3,790 / luxurylivinggroup.com 8. Wanderlust: Interiors That Bring the World Home by Michelle Nussbaumer / $50 / rizzolibookstore.com 9. Mirage Wallcovering in Triangle / Price upon request / arte.com 10. Jute Woven Cocoa Rug / $1,488 / dashandalbert.com VIGNETTE PHOTO: NATHAN SCHRODER.

Scala Luxury FURNITURE COUTURE PARCHMENT GOATSKIN - SHAGREEN - BRASS

w w w. s c a l a l u x u r y. c o m

MARKET / SPOTLIGHT

OBJECTS AFFECTION of our

THESE FALL FINDS RADIATE LUXURY, INCITING INTEREST FROM OUR LATEST ROUND OF STYLISH DESIGN DIGNITARIES. WRITTEN BY KATE BERGERON PHOTOGRAPHY BY JOANNA MCCLURE

NIMA TAHERZADEH

FASHION DESIGNER & FOUNDER HEROINESPORT.COM

Signature: Kate Spade has really revolutionized the accessory business, and the brand continues to do so with other categories that help shape the well-lived lifestyle. Material: Velvet and leather have a tendency to be soft and sexy; in this case, they cause an understated juxtaposition with the structural and industrial brass legs. Fashion x Interiors: I believe that the definition of luxury changes from time to time. For now, the focus is more about comfort, ease and access in both fashion and interiors—a quiet luxury à la well-crafted and beautifully designed pieces. Necessary Extravagance: However you define luxury, bring it about as often as you can.

LAP OF LUXURY

THE PIECE: Syrie Stools THE DESIGNER: Kate Spade New York FIND IT: katespade.com THE INSPIRATION: From the clean piping of the cushions to the fearlessly feminine brass legs, the Syrie stools epitomize exactly what Kate Spade New York has always been about: classic design with a twist. Here, buttery leather and blush cut velvet keep the seats au courant, while the cut of the legs adds an unexpected edge, proving that the companyâ&#x20AC;&#x2122;s signature ethos is sure to always keep us on our toes.

PRIMITIVE LINEN BACKGROUND IN JUNIPER BY DE LE CUONA

MARKET / SPOTLIGHT

GOLD MINE THE PIECE: Iolite Table Lamp THE DESIGNER: Jean-Louis Deniot FIND IT: bakerfurniture.com THE INSPIRATION: The Iolite table lamp is one clever chameleon, sparking a curious source of inspiration. And that is exactly what Jean-Louis Deniot intended to do with this striking design made of brass and alabaster. Fashioning an organic, naturalistic shape, the French design luminary left the product open to interpretation: Is it a shell encasing a pearl or a peacock feather? Either way, this sculptural piece provokes conversation and brightens any space it inhabits.

JONATHAN MEIZLER

FASHION DESIGNER & FOUNDER TITLEOFWORK.COM

Heritage: Baker’s craftsmanship has been highly regarded from its inception, and to this day, the quality stands up to its name. Material: I am intrigued by the artful contrasts in Deniot’s design—the hard and soft, the smooth and the liquid, the metallic and the organic; together, they strike a beautiful balance and create harmony. Recall: A striking piece like Deniot’s anchors a room or creates a conversation. It evokes a memory, dream or inspiration. To me, it feels a little Deco. Necessary Extravagance: Luxury is all about dreaming. It’s being able to afford to have the time to grasp the unnecessary. Time is our biggest luxury. Fashion x Interiors: If you don’t need it, it’s luxury, and that applies across any category.

HAYDEN LASHER HANDBAG DESIGNER HAYDENLASHER.COM

Signature: Celerie Kemble’s designs are fresh yet traditional, and many of her pieces feel as if they could have been handed down through generations— the perfect combination of contemporary and nostalgia. Details: These boxes epitomize luxury because they don’t just serve a purpose; they are also special and artistic. The devil is in the details, and there is no better way to tie a space together than with the accessories. Recall: They remind me of a box my grandmother used to keep in her library that was full of matchbooks she collected from her travels around the world. Composition: The way the boxes are enveloped by de Le Cuona’s lush linen makes it feel like you have just unwrapped a gift. Fashion x Interiors: Kemble’s mixture of rattan and brass reads as smart, distinctive and tailored—a winning combination in all facets of design.

TREASURE TROVE THE PIECE: Rattan & Brass Boxes THE DESIGNER: Celerie Kemble FIND IT: maitland-smith.com THE INSPIRATION: It’s no question that Celerie Kemble is a fan-favorite, and her chic and livable interiors have effortlessly translated into an accessories line with Maitland-Smith. Case in point: these rattan and brass boxes, envisaged with a modern blend of natural materials and a glimmer of glamour—an adored Kemble trademark.

MARKET / SPOTLIGHT

GREAT HEIGHTS THE PIECE: Fulcrum Candlesticks THE DESIGNER: Lee Broom FIND IT: leebroom.com THE INSPIRATION: Once again, Lee Broom takes us to another level with his just-the-right-amount-of-edge Fulcrum candlesticks. Exploring the capabilities of pivots and supports, Broom employed solid Carrara marble to put his ideas into practice. Considering the products’ colossal and sculptural presence, one is easily reminded that these are indeed not your grandmother’s candlesticks.

KARLA GALLARDO, COFOUNDER & CEO SHILPA SHAH, COFOUNDER & CXO CUYANA.COM

Detail: Luxury is in the details, and Lee Broom’s candlesticks have been carefully conceptualized; his vision and modernity are very in-line with the Cuyana aesthetic. Material: Marble is so rich and transcendent yet its natural texture commands attention in a subtly powerful way. Fashion x Interiors: The two run parallel in that rich materials and beautiful craftsmanship are of equal importance. Incorporating these precious finds into your home— and closet—can make the everyday feel elevated. Timelessness: It’s important to bring the customer back to the essence of a product through its materials and design. To invest in luxury is to invest in something that will bring you comfort and gratification for years to come.

CUTTING EDGE THE PIECE: Alchemy Table THE DESIGNERS: Lauren Larson and Christian Swafford FIND IT: material-lust.com THE INSPIRATION: The self-described “dark horses of design” enamor us with the latest addition to their Geometry is God collection: the Alchemy table. In maintaining a keen focus on their Solitarian design philosophy and distinct aesthetic, this piece—driven by the alchemical symbolism for air, earth, fire and water—personifies the duo’s fascination and commitment to ancient symbols and a proclivity to reinterpret these markings in contemporary and striking ways.

LELA ROSE

FASHION DESIGNER LELAROSE.COM

Continuity: Lauren and Christian have such a strong aesthetic that is present in really every piece they design—I always respect a dedication to an artistic ideal. Material: Brass, both polished and brushed (as in this case), always screams luxury to me. Recall: The calculated proportions and mixed-metal finishes are reminiscent of the Cubism period. Composition: I love the rough yet lavish vibe of the background textile, which especially complements the brilliant polish and high design of the Alchemy table. Evolution: I don’t think that luxury and formality are mutually exclusive. I want to feel luxurious in what I wear, the quality of it, how it fits the body; similarly, I want to cultivate pieces for my home that evoke that same feeling. Big or small, whether you wear it or just admire it, luxury goods bring you joy.

T EA K

WA R EHO USE wholesalers of

Ventura Reclaimed Teak & Rope Sectional

Alex Table & Edge Chairs

Kingston Cantilever Umbrella

Gi Gi Ottomans

Raw Concrete Table & Sydney Dining Chairs

Sahara Relaxing Chair & East Table

Ying A-Grade Teak Accent Tables

Rope Deep Seating Collection

Be inspired like many others at the designs, variety and quality of thousands of outdoor furniture pieces for your outdoor space. Go shopping for classic, eclectic, modern, or organic styles, all of which we have brought to you from our many designers and artisans around the world. Visit our website or come see the largest showroom of in-stock, fully assembled outdoor furniture in the U.S.A. which is available for immediate delivery. We have been an established manufacturer of the outdoor trade for 25 years, manufacturing in Italy, France, Belgium, Indonesia, Philippines, Northern Europe and Indonesia.

WHOLESALE OUTDOOR FURNITURE go shopping

Ibiza A-Grade Teak Sectional

Millar Reclaimed Teak Bench

Nairobi Woven Dining Chairs

Bay Sectional

Toni Table & Edge Chairs

Copenhague Reclaimed Teak Sectional

Waterfall Concrete Coffee Table

Mouth-Blown Outdoor Glassware By Gommaire

Teak Warehouse is a wholesaler and distributer open to the public, architects and the design industry. All pieces are delivered fully assembled. Outdoor cushions as shown on deep seating are included in the pricing, so no hidden costs. 130,000 sq. ft. of assembled in-stock outdoor furniture including dining, casual tables, chairs, sun beds, deep seating, umbrellas, benches, housewares, accessories and more. Only using a-grade teak, 316 stainless steel, Batyline速 mesh, Sunbrella速, concrete, aluminum, European fabrics, Viro速, Ecolene速, outdoor wicker and reclaimed teak.

Bezel Ring Chandelier From $2495

Tweed Drum $1195

Urban Loft Dining $1495

Coppa Waterfall $1395

EXTRAORDINARY DESIGN. SURPRISING VALUE. Beautiful American artisan-crafted lighting that ships in four weeks or less. Available through fine lighting showrooms nationwide. hammertonstudio.com

125

YEARS

italian-woven luxury, dreamt for america.

visit sferra online to find your local retailer ABC CArpet & Home

new york, ny | delray beach, fl

C E L E B R AT I N G

SPECIAL ADVERTISING SECTION

THE MARK OF THE MAKER

CRAFTSMANSHIP

IN THE 21 CENTURY ST

Technology has influenced and affected every industry in design—its ubiquity has forced even the most ardent of purists to adapt in one way or another. But simply adapting is not enough: The survival of today’s leading manufacturers of luxury, bespoke goods has been contingent upon their ability to find an equilibrium between handmade and high-tech. “The Mark of the Maker” takes a look inside some of the most respected companies in their fields, recognized for their painstakingly intricate building processes and commitment to pre-modern artisanal forms of production.

SPECIAL ADVERTISING SECTION

THE MARK OF THE MAKER

SUN VALLEY BRONZE When Bob and Debbie Commons started Sun Valley Bronze over 20 years ago near the resort town of Sun Valley, Idaho, the goal was to create something better, more durable and with greater integrity than what was already on the market. Bob was in the high-end residential building industry, and Debbie was drafting architectural plans; they observed a void in the market when it came to the finish details for high-end residences. Sun Valley Bronze succeeded in fulfilling its objectives and has grown into a leading manufacturer of fine architectural hardware. A factor that has propelled the company to the upper echelon of decorative hardware is its ability to adapt to change in the marketplace, from design preferences to technological advances in conceptualization and building. “When Sun Valley Bronze first started, all patterns were made in a wood shop by hand. Today, we are using state-of-the-art 3-D modeling software and CNC milling machines that are all manufactured in California at the Haas CNC factory. We collaborate with Boise State University to realize some of our more complicated designs with 3-D printing technology,” Bob explains. Sun Valley Bronze’s work, known for its simple, clean and timeless qualities, is driven by ergonomics and process. “Service and quality are the most important parts of our company,” he says. “We are focused on making products we are proud of, crafted of the highest quality materials and made in the U.S., and we back it up with friendly, prompt and honest service.”

“

Our clients are looking for one-ofa-kind products designed to last.

INSIDE SUN VALLEY BRONZE Fresh + favorite collections. Sun Valley Bronze is excited to introduce its new lighting collection, including the freestanding Otto lamp. A favorite of Bob’s is the patented adjustable ball-bearing hinge, which is a resounding success because it works so flawlessly. Provenance. Sun Valley Bronze designs and manufactures all of its products proudly in the U.S. Newly acquired. Sun Valley Bronze purchased Reveal Designs, which manufactures exceptional modern hardware, all designed by its worldrenowned design partners. Artistic update. Sun Valley Bronze is now casting brass in addition to its white and silicon bronze. Fun family fact. The lock key cover was designed by the Commons’ son Josh. He designed it to fit his thumbprints so the cover could easily be pushed from side to side. That small interaction with the hardware guided his process and is why the key cover has the unique ridge in the face of the design.

1. Assembly. Sun Valley Bronze hardware assembly includes stainless steel components and Teflon-coated springs for flawless function and to ensure longevity in humid or coastal climates. 2. Casting. The furnace heats the bronze to a pouring temperature of 2250° Fahrenheit.

”

SPECIAL ADVERTISING SECTION

THE MARK OF THE MAKER

LEE INDUSTRIES

DESIGN DIALOGUE LEE INDUSTRIES GIVES READERS INSIGHT INTO THE COMPANY’S SUSTAINABLE AND ARTISTIC INFLUENCES Do you have a design process? If so, what is it? When LEE envisions new designs for upholstery, it is the refinement of the design that makes our product unique. The details make the difference in our products—the contour of a leg, the seaming of a cushion, the grain of the wood, the curvature of the silhouette, the geometric precision of a frame, the hand tufting of the back—these become the stars of the show. Have your practices changed to keep up with new technologies? Absolutely! In manufacturing, all of our products are drawn in CAD, and our vendors must be able to receive all files in CAD, as well. Our cutting is done on automated cutters with talented operators making sure to achieve the highest yield of any fabric or leather used.

LEE Industries began in 1969 in a small workshop in North Carolina. From the beginning, the ambition of founders Bill and Dottie Coley was to manufacture quality, Americanmade furniture that they would use in their own home. Good fortune came in finding skilled craftspeople to create beautiful and enduring pieces. LEE has always been focused on providing custom designs and maintaining a high-quality standard in its products. For 47 years, creating quality home furnishings, building with pride and using sustainable practices has resulted in LEE earning Gold Exemplary Recognition from the Sustainable Furnishings Council. LEE is the only upholstery manufacturer to earn this recognition. It has successfully completed a two-year process of evaluation and auditing in operations, production and outreach in its community. LEE has maintained its reputation in the furniture industry by creating quality furniture, caring for the communities that build and sell its product and caring for the environment. Everyone can sit back and relax knowing LEE is good as gold!

What types of craftspeople/artisans comprise your firm? The average tenure of an associate at LEE Industries is 15 years. This is a highly skilled workforce, and it shows through their dedication and commitment to our company.

“

It has been our goal and mission to be a leader in manufacturing environmentally friendly products for the past 47 years.

”

SPECIAL ADVERTISING SECTION

“

THE MARK OF THE MAKER

The hallmark of Hubbardton Forge lighting is design that is graceful and unembellished, allowing the materials and forms to speak for themselves.

HUBBARDTON FORGE

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A dynamic and diverse mélange of creative talent converges at the Hubbardton Forge headquarters in Castleton, Vermont, where one-of-a-kind, sculptural lighting is brought to life through deft craftsmanship and ingenuity. A team of more than 225 designers, artisans, metal crafters, welders, production staff members and customer service professionals contributes to Hubbardton Forge’s long-standing success and designation as one of the U.S.’s most esteemed lighting manufacturers. In addition to its exclusively made-in-America practices, Hubbardton Forge is unwavering in its use of quality materials and artful, handcreated building methodologies. “At Hubbardton Forge, we are designers and makers; each piece is made to order, whether a single piece or every corridor of a hotel,” explains David Kitts, Design Director of the company. “Each fixture will have its own personality brought forth from the fires of the forge.” Blending the time-honored with the avant-garde, Hubbardton Forge continues to find equilibrium in a technologically driven marketplace. “We still use the hammer and anvil on some designs, but technology, especially LEDs, has had a major impact on our practices. The light source is no longer secondary in the design development process but is now often the driver in the design,” Kitts says. “Working with a local LED manufacturer, we’re able to do things we never thought possible. We can bend the lighting element to become an integral part of a fixture’s sculpture, or we can suspend the metal sculpture and envelop it with a wash of up/down light from an LED light guide platform that is part of its forged steel frame.” 1

THE DESIGN PROCESS Who: The designers at Hubbardton Forge come from backgrounds in architecture, engineering and even jewelry design. They possess a wealth of knowledge and a deep respect for all art forms. What: Designers work individually and as a team, brainstorming, sketching, meeting and critiquing, often pushing themselves and each other to create designs that celebrate form, materials and artistry that can only be achieved through handcrafted design. Where: American-made, in Castleton, Vermont. Why: To merge “art and illumination.” “Given the choice, don’t we want our lives to be illuminated artfully throughout the day?” asks Hubbardton Forge’s V.P. of Marketing, Jeanne-Marie Gand.

1. Spring LED Pendant, part of the Four Seasons Collection, features handblown artisanal glass droplets on a steel trellis. 2. Vermont artisan from AO Glass creating the Spring pendant’s raindrops. 3. Preparing steel in nearly 2000ºF flames at Hubbardton Forge to be shaped into handcrafted sculptural lighting fixtures.

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ETHICS AND INNOVATION: THE LIFEBLOOD OF DACOR Principles first. DACOR’s company values are to respect others, do good work, give thanks and celebrate life. Made in America. Consumers who want to build their dream kitchen put an emphasis on handcraftsmanship. There are only three high-end brands that are true to the handcrafted tradition of being built in the U.S., with DACOR as one of them. Breakthrough design. A great accomplishment was creating the 30-inchwide wall oven category in 1987. Every other ultrapremium brand offers one now, and it has become an industry standard. Fan favorite. The DACOR WineStation. It is a four-bottle pour and preservation system that can stand alone on a counter or be built into a cabinet.

1. New Discovery fully integrated refrigeration with deeper interior depth and all-metal interior body construction. 2. The four-bottle WineStation dispenser with patented preservation system, ensuring that each glass is like the first. 3. Founder, Stan Joseph.

THE MARK OF THE MAKER

DACOR

Innovation and heritage are both honored in the creation and execution of DACOR-made appliances. DACOR (Distinctive Appliance CORporation) was incorporated in 1965 in Los Angeles; however, its origins date back to the Stananthony Corp., established in 1948 by Stan and Anthony Joseph. The company was founded on the credo of “innovations that matter,” which was reflected in its first product: a complete self-contained kitchen ventilation hood system for the high-end residential market. This credo is still woven into DACOR’s corporate ethos and can be seen in the many industry firsts credited to the brand. “We don’t innovate to be fashionable,” says Michael West, director of marketing at DACOR. “We only pursue innovations that will matter and make a tangible difference to the home chef. A great example is the DACOR iQ product that integrates a computer tablet into the oven operation.” Founded and based in California, DACOR finds inspiration in the design, technological, educational and entrepreneurial subcultures that distinguish the state and seeks influence and insight from other industries and leading professionals in their field. “DACOR’s design team pays attention to technology changes, such as induction cooking and control methods like integrating Android tablets for better performance and usability. DACOR taps outside talent such as BMW Designworks USA and the chefs at Le Cordon Bleu (who have tested and recommended our cooking products) to improve its offerings to keep them cutting-edge,” West explains.

IF YOU KNOW A TRUFFLE GUY IN FRANCE, YOU’RE A DACOR CHEF. Dacor is built for the world’s most demanding chefs. And you, mon petit chou, are exactly the breed of culinary enthusiast Dacor appliances are designed to please. For three generations, we’ve worked tirelessly to equip the passionate chef with precise, undeniably gorgeous cooking appliances. Complete your dream kitchen with a free Dacor Dishwasher, Ventilation System or Instant Savings with our It’s Your Choice offer, for a limited time. Learn more at www.dacor.com/Promotions/Its-Your-Choice Tested and recommended by the Master Chefs of Le Cordon Bleu.®

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THE MARK OF THE MAKER

BERNHARDT Bernhardt-built: It’s a legacy that honors hundreds of beautifully made furnishings crafted over a century. One of the largest family-owned companies in the country, Bernhardt is led today by the fourth generation of Bernhardts, enabling the firm’s rich history to live on through a deeply committed familial leadership. From its earliest days, furniture making has been an artisanal skill, passed down from generation to generation. Bernhardt honors the origins of the craft—as do its employees. “Over the 127 years we’ve been in business, generations of artisans have passed their expertise on to the next, while incorporating new technologies and innovative ways of making furniture,” shares Alex Bernhardt Jr., Bernhardt’s CEO and president. “The creativity, ingenuity and dedication of countless fathers and mothers, sons and daughters and husbands and wives form the bedrock of our company.” Founded in 1889 by John Mathias Bernhardt, Alex Bernhardt Jr.’s great-grandfather, Bernhardt was born upon the tenets of high-caliber materials, craftsmanship and people. “Leveraging the region’s natural resources and local woodworking skills to strengthen the local economy, he [John] opened his factory with vast ambitions and 25 employees. Our original guiding principle was quality craftsmanship in all our products and a responsibility and partnership with the people of our community,” Alex explains. Bernhardt’s case goods and upholstery are cherished and coveted globally, showcasing thoughtful originality and meticulous execution: they can be found adorning the interiors of posh five-star hotels, private residences and revered public institutions. “Our hope is that when someone looks at a piece of furniture, they will know it is Bernhardt by its style,” he says.

INSIDE BERNHARDT: HERITAGE AND DESIGN

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We are dedicated to the idea of affordable luxury.

What is the philosophy behind your firm? The company’s history is one of creativity and passion for the artistry of furniture making, united with a deep commitment to people and relationships. Is your work easily recognizable? Do you have signature design elements? Particularly in our home collections, our brand is known for creating jewelry for the home, creating luxury moments where we live. This is usually accomplished by mixing different finishes and materials, with an emphasis on a variety of metals. Do you have a design process? If so, what is it? We create a palette of colors and materials and then create forms to clothe in these various textures. We rarely create a single piece in a vacuum. It’s always about the mix within a room.

1. One-of-a-kind pieces: a credenza hand-carved and wrapped in German silver paired with modern horn chairs. 2. Elevating furniture to art form with handwork processes and organic-applied materials. 3. Originality and artisanal workmanship in the parchmentcovered credenza and textured iron and hide chair.

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THE LOOK Whether youâ&#x20AC;&#x2122;re buying or selling, embarking on a new remodeling adventure or just learning to love the house you have, a comprehensive guide on how to be happy at home. PRODUCED BY BRIELLE M. FERREIRA

THE LOOK / KITCHEN + BATH

KITCHEN + BATH

PERSONAL TOUCH IN THE HOME’S BUSIEST SPACES, LUXURY MEANS DITCHING COOKIE-CUTTER STYLE FOR HIGHLY CUSTOM LOOKS THAT ARE BRIMMING WITH ONE-OF-A-KIND PANACHE. WRITTEN BY BRIELLE M. FERREIRA

There is no staple recipe for the perfect kitchen or bath. And while a few tried-and-true formulas can get you pretty close (think one-part design inspiration from your favorite shelter magazine, one-part your preferred color and material palettes and two-parts whatever works for your family and lifestyle), the time it takes to cook up all the elements varies widely from person to person and project to project. Only one thing remains consistent: The most successful rooms in the home are those you fill with the things you love. The secret to design bliss is knowing when to break the rules in favor of additions—like an elegant chandelier over a freestanding tub or a bold rug in the kitchen—that make you uniquely happy. On the following pages, we convince some of Luxe’s favorite designers to spill the secrets behind their most-coveted—and therefore inherently covetable—spaces.

134 / LUXESOURCE.COM

PHOTO: JAMES MERRELL.

Interior designer Laura Burlesonâ&#x20AC;&#x2122;s own Tallahassee, Florida, kitchen is as unique as she is, with an unconventional floor plan, furniture-inspired cabinetry and a handsome La Cornue range. The host chairs are from Lee Industries.

THE LOOK / KITCHEN + BATH

PHOTO: JAMES MERRELL.

The reclaimed table looks fresh thanks to a coat of a custom Annie Sloane Chalk Paint mix. The chandelier overhead is from Arteriors.

HIDDEN AGENDA

LAURA BURLESON

136 / LUXESOURCE.COM

Interior designer Laura Burleson didn’t overlook a single detail in designing her casual yet sophisticated workhorse space but still managed to have plenty of fun, playing with texture and color and introducing unexpected elements throughout. lauraburleson.com

Favorite element in the space? The campaignstyle sink base. I fell in love with a giant vintage chest in London during the remodel, but its dimensions were off; instead, I had a cabinetmaker build a replica out of walnut and brass hardware.

Share the vision for your kitchen. I wanted the space to feel like a dining room that happens to have a kitchen on the periphery, rather than a kitchen with a table in the middle; so, I eliminated traditional upper cabinets and designed the cabinetry to look more like furniture.

How did you master the mix? In this space, the walnut sink base and cypress ceilings dictated the palette, so I used Farrow & Ball’s Elephant’s Breath on the cabinetry, hood and walls to unite the wooden undertones—thereby drawing the eye to the more dominant elements.

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THE LOOK / KITCHEN + BATH

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UP THE SPOUT

MIDAS TOUCH Everything but the kitchen sink: It’s hard to believe the idiom would have gained any traction if its author had gotten a look at this Summit, New Jersey, kitchen by designer Heidi Piron. After all, there’s no way this brass beauty would ever get left behind. When paired with warm wooden countertops and a subtle marble herringbone backsplash, it’s a total scene-stealer. heidipiron.com

138 / LUXESOURCE.COM

A universal fi xture base like Axor’s U-Base is more than just an easy solution for renovations and remodeling; it’s an invitation to unchartered creative expression in two of the home’s most oft-predictable spaces. This year, Axor invited top design talents, like David Adjaye, Werner Aisslinger, GamFratesi and Jean-Marie Massaud, to create one-of-a-kind spouts using the U-Base system, and the result is a series of five fine-crafted and sculptural masterpieces, like the Water Steps faucet by Front shown here, that are sure to add individualized, artistic fl air to any space they inhabit. axor-design.com

SAME VEIN PHOTO: CAMBRIA/BRANDON BARRE. UP THE SPOUT PHOTO: COURTESY AXOR. MIDAS TOUCH PHOTO: CHRISTIAN GARIBALDI.

While marble has long been considered a luxury staple in the kitchen, technology is quickly upping the ante with new engineered materials with all of the original’s good looks, plus enhanced performance and durability. One of Cambria’s newer entries, a quartz named Brittanicca, is a current favorite with striking gray and silver veining on a brilliant white backdrop. cambriausa.com

THE LOOK / KITCHEN + BATH

A study in contrasts, this bathroom’s warm brass faucets from Waterworks pop against a palette of whites and grays established by floor tiles from New Ravenna. The washstand is from Palmer, and the sconces are from Schoolhouse Electric & Supply Co.

When interior designer Marianne Simon decided she wanted to capture a bit of coastal elegance in a Seattle bathroom, she could think of only one material that would bring her vision to life: brass. Used sparingly throughout— on the cool nautical-style mirrored medicine cabinets from RH, the seafaring sconces overhead, and the pretty-as-a-picture washstand and matching faucets—the brass both pops against the clean subway tiles and reins in the dizzying intrigue of the abstract tiles underfoot. “Brass, especially the unlacquered brass I used here, is really hot right now,” Simon says. “It patinas beautifully and adds warmth. It’s a great alternative to other finishes, especially in spaces you don’t want to feel too sweet. It truly just gets better and better with time.” mariannesimondesign.com 140 / LUXESOURCE.COM

PHOTO: JOHN GRANEN.

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THE LOOK / KITCHEN + BATH

“I’ve grown to appreciate scale, but half the fun of design is the unexpected. I played with scale in an unconventional way here with the mirror, and it just works.”

“I LOVE MIXING THINGS UP. CONTRASTING TEXTURES AND TONES OR OLD AND NEW PIECES GLAMS UP AN ORDINARY SPACE. -TALIAH LOWRY, byronbeachabodes.com.au

HAMMONS PHOTO: COURTESY KRISTINE HAMMONS. WOLLACK PHOTO: DIANA RELTH. LOWRY PHOTO: COURTESY BYRON BEACH ABODES.

-KRISTINE HAMMONS

“THE BATHROOM SHOULD BE SERENE YET POWERFUL AT THE SAME TIME; IT’S IMPORTANT TO TRY AND CREATE BALANCE IN DESIGN.” -SHANNON WOLLACK, lifestyle-la.com

Clockwise from top left: In this bathroom by Kristine Hammons, a bold Stone Textile wallpaper and Kohler faucet set the tone. A chandelier from RH hangs over a tub from Signature Hardware, a tub filler from Newport Brass and tile flooring from Cement Tile Shop in this bathroom from Shannon Wollack. A Triple Seven Home sconce presides over a Taliah Lowry-designed bathroom with a sink and faucet from Reece. 142 / LUXESOURCE.COM

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TH E

ART

O F

Ingenuity “Much like a fitted suit, we design and build a personal space that will define and reflect the collector and their collection,” shares India Hynes of Vinotemp, a company dedicated to bespoke and luxurious wine storage. From cooling systems to wine cellars to wine furniture, Vinotemp has mastered the craft of storing, preserving and showcasing fine wines. “Modern wine design must move away from a one-dimensional approach and think of the wine room as a multidimensional canvas,” Hynes says. “The static, cluttered, restricted and unchanging wine room of the past must now evolve into a living stage, a place where it is possible to create an environment that alters old beliefs about space and structure and infuse new concepts that reflect the needs of today’s modern wine collector.” Vinotemp, based in Southern California, comprises a dynamic workforce, including woodworkers, cabinetmakers, artisans and designers. All of its work is handcrafted in the U.S. “At Vinotemp, it is not unusual to find a father and son working side by side, ensuring the safe passage of skill, knowledge and craftsmanship to the next generation,” she says.

WHAT DOES THE ART OF INSPIRATION MEAN TO YOUR BRAND?

Inspiration lies at the very core of Vinotemp’s culture. India Hynes, like her father before her, has traveled the world in search of new ideas and inspiration, as well as new technologies and industry trends.

WHAT ARE THE ORIGINS OF YOUR FIRM?

Vinotemp is a 30-year-old family business. Founder Francis Ravel was born in Casablanca, French Morocco, fought with the French Foreign Legion and landed in Hollywood as a leading man. After a lengthy movie career, Ravel found his passion of making and selling his own wine. This simple turn of fate led to the need to store his collection.

DESCRIBE THE CRAFTSMANSHIP BEHIND YOUR BRAND.

Vinotemp’s loyal workforce is bound together by a single thought: to create a product that will last for generations.

vinotemp.com

NANCY CORZINE

FURNITURE • TEXTILES • LIGHTING • ACCESSORIES • INTERIORS

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A peek inside the dining room of one of interior designer Jim Howardâ&#x20AC;&#x2122;s inherently fabulous spec homes.

PHOTO: LUCAS ALLEN.

THE LOOK / THE REPORT

Report THE

REAL ESTATE INSIDERS DISH ON THE STATE OF THE LUXURY HOME MARKET: WHAT’S SELLING, WHO’S BUYING, AND WHAT’S HOT NOW. WRITTEN BY MIMI FAUCETT

ON THE MARKET When we asked Jacksonville interior designer Jim Howard to share his design philosophy, he quoted Winston Churchill, saying, “My tastes are simple. I am easily satisfied by the best.” These words seem to ring even truer today, especially when we look at the current state of luxury real estate. To the high-end homebuyer (or seller), today’s unlimited options and unprecedented modern amenities have created a whole new world of knowledge and access, but one thing has remained constant: When it comes to home, we want the best—the best home or condo, in the best neighborhood, on the best block, with all the bells and whistles. And what does that mean in today’s market? Here, we speak with some of the industry’s biggest power players—from a renowned home stager with an eye for what sells to the nation’s top real estate agents—to find out what’s prompting bidding wars all over the country.

THE LOOK / THE REPORT

WE ASKED FIVE TOP REAL ESTATE AGENTS ABOUT THE TRENDS THEY’RE SEEING IN THEIR OWN BACKYARDS.

GREENWICH, CONNECTICUT

THE RIGHT LIGHT

The right lighting can make—or break—the sale of your home. A successful lighting scheme comprises a harmonious mixture of ambient, task and accent lighting, so a homeowner can easily choose the mood of the room and increase its functionality. The rule of thumb in interior lighting is to layer all three. Volker Haug’s Discus fixture (shown here) covers all the bases. It is simple and efficient with one exposed bulb, but its decorative marble disks, paired with a brushed-brass finish, create interest and add a pop of color. volkerhaug.com

Which neighborhood is the safest bet for a return on investment? In Greenwich, I don’t think of a specific area as having a better return on investment, but rather a home itself. I also believe that we have gone back to buying a home to live in and for family, not just for investment. Unless, of course, you are an investor looking to invest. Where do new buyers want to be? I have been fortunate enough to have young buyers looking to stay in the urban core and others opting for the suburbs. Barbara Zaccagnini, Coldwell Banker, coldwellbanker.com

SCOTTSDALE, ARIZONA Most outrageous home you’ve ever sold? An 11,000-square-foot concretesteel-and-glass contemporary estate, all on one level, in Paradise Valley on one of the best streets in town. Which neighborhood is having a moment? Rio Verde Foothills is making national news thanks to its dedication to sustainability practices. What do buyers want? Contemporary architecture has become very popular

since we over-delivered Tuscan and Mediterranean design for the past 15 years. Most buyers are favoring open-floor plans, clean lines and an efficient use of space. Where do buyers want to be? Arizona buyers should be zeroing in on the 85253, 85255 and 85018 area codes. Frank Aazami, Sotheby’s, sothebysrealty.com

have, offices in the central business district and that is where their employees want to live. Traffic is a problem in Austin; so, proximity to where you work and spend your free time is essential. Which neighborhoods should we be keeping our eyes on? I would watch the areas close to the new Dell Medical School and the redevelopment of Waller Creek. These two pillars in Austin will be changing our city. Laura Gottesman, Gottesman Residential Real Estate, gottesmanresidential.com

CHICAGO, ILLINOIS Which neighborhood is having a moment? The North Shore is well-established, but there is also a ton of new construction in reinvigorated areas, some of which are being built up by prominent developers. Where does everyone want to be? Millennials are staying in the urban core for an easy commute; they often do not have cars. Families and other age groups are still opting for the suburbs due to lower taxes, schools and the desire for a quieter lifestyle. Linda Martin, Coldwell Banker, coldwellbanker.com

AUSTIN, TEXAS Where does everyone want to be this season? Our urban core is booming in both commercial and residential development. Many of the big tech companies have, or will

SEATTLE, WASHINGTON Most outrageous home you’ve ever sold? The highest priced home we have sold to date was over $20 million, and it still holds the record for the highest sale in Washington. It was an unbelievable custom home on the water with beachfront, looking directly at the Seattle skyline. Neighborhoods we should keep an eye on? Areas east and north of the city are seeing a lot of growth and redevelopment. We are excited about The Spring District in Bellevue and what that will bring to those areas. What locale is having a moment? The West Bellevue community on the east side of Seattle has seen the greatest appreciation year over year. Tere Foster and Moya Skillman, Team Foster at Avenue Properties, fosterrealty.com

THIS PAGE: THE RIGHT LIGHT PHOTO: COURTESY VOLKER HAUG. AREA CODE PHOTOS: COURTESY REAL ESTATE AGENTS. OPPOSITE: CENTER STAGE PHOTO: COURTESY MERIDITH BAER. OPEN HOUSE PHOTOS, FROM LEFT: COURTESY CORE, ELLIMAN AND COMPASS.

AREA CODE

center STAGE

Meridith Baer knows what sells. Her namesake home staging firm, which was started by accident in 1995 when she fixed up a home she was leasing and the landlord took notice, has grown from a one-woman show in Los Angeles to a team of 250 operating offices in L.A., Manhattan, the Hamptons, Connecticut, Florida and San Francisco. Just last year, her busy roster of designers completed nearly 1,500 installs. “Really what staging is, is a marketing tool,” says Baer. “We want someone to walk into a home and fall in love.” meridithbaer.com Why does someone need a stager? When you want to sell a house quickly and for the best possible price, a stager is a near necessity. You’re designing a blank room. First item you introduce to the space? Your large pieces of furniture are where you must start. You want to find the focus of the room—it might be a view or a fireplace—and plan your seating arrangement around it. Homebuyers are looking for... Comfort and ease. Buyers should think: It’s going to be easy to live here. It’s going to be easier than where I am now. Share what always helps a sale. A beautifully made, comfortable sofa that you just want to dive into really makes a space. Having quality primary pieces makes a big difference in a room.

4 OPEN HOUSE NEW YORK

A DRAMATIC LOFT IN TRIBECA Tucked inside an industrial-style loft in downtown New York City is a grand home currently owned by J.Crew CEO Mickey Drexler. As stylish and colorful as expected, the Thierry Despontdesigned home features an entry inspired by the Maison de Verre in Paris, a rooftop terrace and lofty ceilings. Why we love it: The five-bedroom stunner was once an old coffee roasting plant whose signage still remains, adding to its charm. $27.5 million, 464 Greenwich St.; corenyc.com

MIAMI

HIGH STYLE—AND HIGH FASHION—REIGN SUPREME WHEN LUXE OPENS THE DOORS TO THREE OVER-THETOP HOMES IN THE COUNTRY’S HOTTEST ’HOODS.

A WATERFRONT SANCTUARY ON THE BEACH If you were to imagine what Calvin Klein’s home might look like, there’s no doubt his now for-sale Miami Beach retreat would fit the bill. The open and airy interiors by Axel Vervoordt are minimally decorated with crisp neutral tones, unfinished materials, sturdy antiques and handmade furniture. Why we love it: The 5,800-square-foot home boasts copious outdoor space complete with an infinity pool and sweeping bay views. $16 million, 4452 N. Bay Rd.; elliman.com

LOS ANGELES

A COUNTRY HOUSE GOES CALIFORNIA-COOL Fashion and furniture designer James Perse reimagined his barn-like property with an effortlessly cool aesthetic perfect for the home’s beachside locale. Located in Point Dume in Malibu, with keyed access to Little Dume beach, the sixbedroom abode is situated on nearly 2 acres. Why we love it: Hints of its seaside environs are seen throughout the home, most notably in the custom surfboards that act as spontaneous décor. $12.9 million, 28929 Bison Ct.; compass.com

THE LOOK / THE REPORT

Florida designer Jim Howard, of James Michael Howard, has earned quite the reputation for his prolific work in designing spec homes. Unlike the cookie-cutter residences of yesteryear that gave spec homes their colorless reputation, in Howard’s turnkey homes, no detail or expense is spared. Each home comes fully appointed with innovative materials and custom furniture pieces (Exhibit A: the Sagaponack, New York, residence below). Here, Howard shares his tried-and-true tips for creating a stylish house sure to please almost any design sensibility. jamesmichaelhoward.com

Look around: Designing for a client is designing for a specific intent or a particular need. In a spec house,

you’re constantly trying to figure out who your buyer is. Pay attention to what I call the vernacular style, or what is happening in the surrounding area. It’s all in the details: Our firm has a strong architectural focus. A typical house for us starts with countless drawings of interior details. Those small things, when done well, are the soul of the house. It takes time, experience and passion. I always say, “There’s doing it right and there’s all the rest of the ways.” Tone it down: I tend to stay more neutral in palette and introduce color in art. In the house shown here, we have plenty of color, but it’s watered down, with varied textures and metals acting as moments of “color.”

THIS PAGE: READY TO WEAR PHOTO: LUCAS ALLEN. OPPOSITE: STATE OF THE ARCHITECTURE PHOTO: PAUL BARDAGJY.

READY TO WEAR

STATE OF THE

ARCHITECTURE Since opening his eponymous architecture firm in Austin, Texas, in 2005, Michael Hsu has had a front-row seat to the capital city’s rapidly shifting design scene. His work includes such local gems as the buzzy South Congress Hotel, the much-acclaimed Japanese eatery Uchi, and other area restaurants, office spaces and luxury residences. “There’s a pursuit to be fresh in design, entrepreneurship and culture,” say Hsu of his design-forward locale. “Austin still has a local vibe, but things that we look toward are no longer regional; they are international.” We sat down with the busy architect to discuss the state of architecture today—and where it’s headed. hsuoffice.com

How have homeowners’ tastes changed since you founded your firm 11 years ago? Homeowners are less tied to specific design style or aesthetic. The influence of social media has changed our clients’ perspective on design. They are more educated about hospitality and style and have really amped up their participation in the creative discovery process. What do your clients look for when they’re building a new home? For the most part, they’re looking to construct an open dialogue between their indoor and outdoor spaces to create an extension of the home’s living area. Even when not in use, the views need to be carefully designed so that the inside and outside amplify each other. Where is architecture going? The way people live and work has drastically changed as of late. The usual hierarchy of home, office and hospitality is blurred; we want design in all facets of our lives. In the future, these spaces will continue to be a part of our lives in similar ways as opposed to different.

THE LOOK / THE REPORT

7FEATURE FIXTURE

8 ART OF THE DEAL

FIVE IN-THE-KNOW REAL ESTATE PROS DISH ON WHAT’S HOT AND WHAT TOP BUYERS HAVE ON THEIR WISH LISTS.

DEAN JONES

NANCY TASSONE

NANCY WOLFE

STEPHEN KOTLER

WALT DANLEY

Realogics Sotheby’s International Realty, Seattle

Jameson Sotheby’s International Realty, Chicago

The Wolfe Group, Denver

Douglas Elliman, Los Angeles

Walt Danley Realty, Scottsdale

Most impactful spaces to remodel? It always comes down to kitchens and bathrooms, which are typically the first places a buyer assesses the date and quality of the home. Downsize or upsize? Buy a presale to downsize but don’t sell your current home until it’s required when the new home is delivered. This allows equity to grow on both transactions in a market that’s rising. realogics.com

What do you keep in mind when helping clients find a home? I look at their personality, lifestyle, price point and needs. Young families who stay in the city are often searching for highly rated public schools. In the downtown market, buyers want convenience, walkability and views. True or false: location, location, location? Absolutely true— especially in the high-end market. jamesonsir.com

Curb appeal or big-name architect? Both. Curb appeal is always sought after and brings an exceptionally high premium to a home, but architects that bring life to older historic properties also bring value. Market trend you’re noticing: Buyers choosing quality over size is a welcome trend. Also, I’m happy to see dark, heavy finishes being replaced with spacious, light-filled design. wolfegroupdenver.com

Any exceptional amenities you’re seeing? I’ve started to see talking toilets recently, if you can believe it! Upsize or downsize? Downsize. Get out of your living room and enjoy your neighborhood and the city you live in—or at least have a reason for your kids not to move back home! Stager or no stager? Stager. Making a property look its best needs no explanation; we do dress ourselves up, don’t we? elliman.com

Top things buyers are looking for today? Quality construction and finishes are first; next, is a livable floor plan. Whether it is family game night or an elegant dinner party, people want an open and flowing living space. Where do new buyers want to be? The “live, work, play” lifestyle is here to stay. People don’t want to burn a half-tank of gas to get to the office and back. waltdanley.com

THIS PAGE: FEATURE FIXTURE PHOTOS: COURTESY DORNBRACHT. ART OF THE DEAL PHOTOS: COURTESY REAL ESTATE AGENTS. OPPOSITE: MOVING ON UP PHOTO: ANNIE SCHLECHTER.

If the kitchen is the heart of the home; then, the sink is its heartbeat. These days, it seems that high-end faucets and five-star hotel quality fixtures are ubiquitous with luxury residences. Manhattan’s 432 Park Avenue, for example, offers both spectacular views and modern furnishings complemented by polished-chrome fittings from Dornbracht. “Our quality and innovative design was a perfect fit for the project,” says President and CEO of Dornbracht Americas Ingolf Matthée. “As a luxury brand, Dornbracht represents high-quality materials and craftsmanship, and this exclusive building, which we are privileged to be a part of, follows these same principles.” The Deborah Berke Partners-designed model apartment (shown) features Dornbracht’s Tara collection— a staple in the German company’s repertoire—in both the kitchen and bathroom. dornbracht.com

MOVING ON UP

With increasing frequency, today’s luxury homebuyers are eschewing sprawling square footage and green space and choosing instead to stay in the city center and invest in luxury condos. In the case of The Sutton condominium, it’s easy to see the appeal. The 90 residences, designed by New York-based Incorporated Architecture & Design, feature lofty ceiling heights, stunning white oak flooring and sweeping views of Manhattan. The gracious units contain state-of-the-art appliances, such as Gaggenau cooktops and custom Watermark fixtures in the bathroom. The exterior, too, is clad in classic brick, which serves as a sort of ode to the area’s traditional building materials. Its design strikes the perfect balance between New York’s industrial past and modern architectural innovations. When can we move in? incorporatedny.com

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CREATIVITY FOUND Inspiration is the driving force behind Baldwin Hardware. Inspiration is drawn from history, fashion ÌÀi `Ã > ` Ì iÀ `ÕÃÌÀ iÃ° > `Ü V> w Ì > Þ `iÃ } aesthetic and draws ideas from contemporary and traditional designs and everything else in between.

TIMELESS TENETS Baldwin believes in delighting the end user. From the heavy and sturdy feel of the solid brass used for its hardware to the experience of enjoying it in one’s home for a lifetime, Baldwin wants its customers to >Ûi > y >Ü iÃÃ iÝ«iÀ i Vi°

MATERIAL HIERARCHY Baldwin always starts with brass, and then designers choose the style depending on what they know to either be a classic aesthetic or an unmet need in } µÕ> ÌÞ >À`Ü>Ài° / i w Ã `i«i `Ã Ü iÀi Ì i >À`Ü>Ài Ü Li ÃÌ> i` > ` Ü >Ì w Ã iÃ >Ài popular; Baldwin has 23 to meet all desires.

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A WINNING TRADITION CLASSICAL ARCHITECTURE AND FRESH INTERIORS FORM A SUCCESSFUL PARTNERSHIP IN A COLORADO HOME WITH AN EXQUISITE ATTENTION TO DETAIL. WRITTEN BY JENNIFER SERGENT / PHOTOGRAPHY BY PETER VITALE

INTERIOR DESIGN / SUZANNE KASLER, SUZANNE KASLER INTERIORS ARCHITECTURE / DON RUGGLES AND MELISSA MABE-SABANOSH, RUGGLES MABE STUDIO HOME BUILDER / JEREMY LARSON, MONTARE BUILDERS LANDSCAPE ARCHITECTURE / ALEC MICHAELIDES, LAND PLUS ASSOCIATES LTD.

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For the Cherry Hills Village house of Jennifer and Mark Hopkins, Atlanta interior designer Suzanne Kasler created elegant interiors that complement the classical architecture of Don Ruggles and Melissa Mabe-Sabanosh. A set of walnut doors opens into the entry, where a center table by Jasper anchors the space. The lantern is by Formations.

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ennifer and Mark Hopkins were no strangers to building custom homes—having commissioned two of their previous houses—when they made the move from Colorado’s North Boulder to Cherry Hills Village. But this time felt different. This time, the couple wanted a place where they could settle down for good. To help them realize that goal, they put together a masterful team that included architect Don Ruggles and his partner in the firm and director of design, Melissa MabeSabanosh; interior designer Suzanne Kasler; builder Jeremy Larson; and landscape architect Alec Michaelides. The Hopkinses asked for “a magical piece of architecture,” says Mabe-Sabanosh. “They wanted it to stand the test of time.” Ruggles and Mabe-Sabanosh spoke with the couple extensively about how to capture the enchanting quality they were looking for. “We knew the style we wanted, and we worked jointly with them to create it,” says Jennifer. “Don and Melissa are experts at the subtle elements of traditional design that we believe made the house great.” What evolved from those discussions was a symmetrical Georgian-style design. “Our brains are hardwired through evolution to respect symmetry,” says Ruggles. “That is why

so many of our historic, iconic buildings are symmetrical. We transfer the notion of health, safety and solidity to the form when we first view it.” Building upon that notion, the duo designed the exterior with a classic stone façade and entrance portico; an equestrian-inspired porte cochere stands perpendicular to the house. Inside, Ruggles and Mabe-Sabanosh turned to Palladio’s classic nine-square room grid to achieve the right scale and layout, and then they worked with the homeowners to develop architectural elements, such as an interior colonnade, detailed ceiling plasterwork and dentil crown moldings. “They were patrons who were willing to spend the time to work out the detailing,” says Mabe-Sabanosh. The owners also wanted interiors that would honor the architecture, and so the couple brought in Kasler—an Atlantabased designer known for her sophisticated and artful interiors—to make that happen. “I was looking for a designer who could help capture the style I was looking for,” Jennifer says. “And I kept finding projects of Suzanne’s that I really liked.” Influenced by the elegant aesthetic of the architecture, Kasler took an equally classic approach to the interiors. “They wanted a foundation of tradition but not traditional,” she says

Ruggles and Mabe-Sabanosh designed a Georgian-style façade, which builder Jeremy Larson constructed with three colors of granite. Craftsmen with R & J Masonry hand-pillowed each stone on-site before installing it, while Distinctive Custom Roofing installed the slate roof.

“EVERYTHING FLOWS VISUALLY FROM THE LIVING ROOM, SO WE WANTED TO USE PIECES THAT HAVE A LOT OF STYLE.” -SUZANNE KASLER

Opposite: Kasler kept the palette to a soft white to highlight the extensive architectural elements, which were fabricated by SJS Construction. She then appointed the central living room with armchairs by Mattaliano and a commanding chandelier by Dessin Fournir. Custom Nancy Corzine sofas flank a lacquered coffee table by Dennis & Leen. The rug is by Stark. Below: The double-height library, modeled after the Library of Trinity College Dublin, features intricate white-oak paneling and a metal upper balcony. The sofa is from Kaslerâ&#x20AC;&#x2122;s collection for Hickory Chair. Kary Cabinets executed the bookshelves and paneling, and Taylored Iron built the balcony.

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Kasler wrapped the dining room with a shimmery custom wallpaper by Arena Design purchased through Ainsworth-Noah in Atlanta. The silk drapery fabric is by Nancy Corzine, as are the dining chairs. A rock-crystal chandelier by Therien & Co. hangs from the ornate painted ceiling.

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David Iatestaâ&#x20AC;&#x2122;s Leiden chandelier hovers over a Lorraine Refectory table by Gregorius Pineo in the breakfast area. Kaslerâ&#x20AC;&#x2122;s Amsterdam side chairs for Hickory Chair pull up to the table, and the console is from Holland & Company in Atlanta.

of her clients. “They wanted it to feel fresh and young and have a little bit of an East Coast sensibility.” Kasler first went to work establishing “an architectural envelope,” as she calls the palette of soft whites she chose to highlight rather than overwhelm the structural elements. “I like to keep the focus on the architecture of the space,” she says. “Then, you can do less decorating.” Executing that architecture posed an exciting challenge for Larson, who worked on the project with his father and partner in the firm, Rick Larson. “The entire house is one large architectural element, and hundreds of hours were spent analyzing each detail,” says the builder, noting standout features such as the porte cochere’s handmade copper cupola, the intricate exterior crown molding and extensive interior paneling. “There was not one thing that wasn’t discussed, drawn, redlined, mocked up and tweaked before installation.” The efforts didn’t stop there. In assembling the master bathroom floor, for example, Larson and the tile setters measured and cut the marble, onyx and glass tiles on-site by hand in order to set them into the correct pattern. “The house is not only a piece of art,” he says, “it’s a testament to classical architecture very rarely seen in Denver.”

The architectural team was equally rigorous when it came to initially siting the home on its property, which was punctuated with mature trees. “We placed the mass of the building to work with those existing tall trees,” Ruggles says. That thoughtful step allowed the sun’s path to dictate where certain rooms would go: The kitchen and family room face east to catch the morning and midday sun, while the dining and living rooms capture the soft afternoon light. In appointing those spaces, Kasler kept to understated hues. “Suzanne works with a beautiful color palette of neutrals with accents of color,” says Jennifer. The designer used this strategic approach in the main level’s central living room, which forms an intersection with nearly every other space on the floor. “You walk through the living room to get everywhere,” Kasler says. “Everything flows visually from that room, so we wanted to use pieces that have a lot of style.” In the expansive room, Kasler positioned matching sofas near the fireplace along with eye-catching gilded armchairs. An armless sofa from the designer’s own Hickory Chair collection stands against the opposite wall beneath an abstract work by Dusty Griffith. Topping it off are “little splashes of peony pink,” says Kasler about two accent pillows and two side chairs. “In a neutral room, if you use

Jennifer, an avid cook, chose a La Cornue range to go with the kitchen's Christopher Peacock cabinetry. Pendants by Gregorius Pineo hang above the island, and the counter chairs are from Kasler’s collection for Hickory Chair. Seveninch walnut planks from Olde Savannah in Atlanta cover the floor.

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Opposite: Landscape architect Alec Michaelides designed the driveway to lead into a courtyard centered with a circular garden, which is framed perfectly within the arched entry of the porte cochere designed by Ruggles and Mabe-Sabanosh. Lifescape Colorado installed the landscape. Below: A pavilion, set into the landscape just off the family room and kitchen area, is surrounded with vegetable, herb and cutting gardens. Kasler chose pieces from Janus et Cieâ&#x20AC;&#x2122;s Vitali collection for the alfresco space.

“WE PLACED THE MASS OF THE BUILDING TO WORK WITH THE EXISTING TALL TREES ON THE PROPERTY.” -DON RUGGLES

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The walnut-paneled walls of the study play off modern furnishings, such as the geometric pattern of the Stark rug and the sleek leather chairs by Nancy Corzine. Framed intaglios over the desk provide visual interest.

In the master bathroom, the Thassos marble floor is highlighted with glass squares by Ann Sacks and bordered with onyx. Larson worked with Castle Tile & Hardwood to fit and install the pattern on-site. The tub and fittings are by Waterworks, and the chandelier is by Ironware International.

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limited color, you almost notice the color more than if you do a whole room full of it.” Ruggles and Mabe-Sabanosh opened the anchoring space through French doors to a columned terrace on one side and used more columns to define the entry, dining room and study on the other. Kasler hung a hefty lantern above a walnut center table in the entry and wrapped the adjoining dining room with a wallcovering that she custom-designed through Arena Design; a rock-crystal chandelier and silk draperies lend glamorous touches to the space. Flanking the living room’s opposite axis are the kitchen—for which Kasler worked with Christopher Peacock in New York on the cabinetry—and a two-story library. The architectural duo modeled the library, which opens into the master suite, after the Library of Trinity College Dublin. The narrow yet intimate space has an arched ceiling that’s as tall as the room is long. A month went into its planning before master cabinetmaker Anton Kary of Kary Cabinets built the shelving and millwork. Kasler then brought in James Kirkpatrick of Fauxscape in Atlanta to give the wood a custom finish. “The paneling was beautifully detailed

in white oak,” says Kasler. “We wanted an unusual lime wash finish that we could only achieve with an artisan.” Outside, Michaelides, also based in Atlanta, used the house as his guide. “We almost always get our cues from the architecture first and then work outward,” says the landscape architect, who worked with project manager Catherine Everett. The portico’s columns are referenced in an allée of six Autumn Purple ash trees that frame the formal entertaining garden off the rear terrace, for example, while the vegetable and cutting gardens extend conveniently from the kitchen area. His plan, which was executed by Lifescape Colorado, was also sensitive to the dry climate: Gravel replaces water-loving ground cover, while meadow grass grows on the perimeter of the property. “We were trying to be conservative with the areas that require a lot of irrigation,” says Michaelides. Sustainable beauty could serve as the theme for all of what the Hopkinses were trying to accomplish with their new home. As Mabe-Sabanosh says, “They wanted people in 100 years to drive by and see that the house is as fresh and new as the day they built it.”

Kasler gave the master bedroom a more contemporary feel with a leather-upholstered headboard and bench, both by Nancy Corzine. The drapery fabric is by Travers, and the silk-velvet on the bench and accent pillow is by Zoffany.

INTERIOR DESIGN / SCHUYLER SAMPERTON, SCHUYLER SAMPERTON INTERIOR DESIGN HOME BUILDER / BOB SKIBINSKI, BOOKIE DEVELOPMENT, INC. LANDSCAPE ARCHITECTURE / JOSH REZAC, DESIGN STUDIO MA, INC.

GOOD EYE FOR A LOS ANGELES HOUSE, AN EXACTING BLEND OF CLASSIC FURNISHINGS, RARE FABRICS AND BOLD ART CREATES A DYNAMIC MIX.

WRITTEN BY JENNIFER SERGENT PHOTOGRAPHY BY DOMINIQUE VORILLON

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t was now or never: Beth Kleid and Rob Graham were ready to move on from their 1940s-era home. And if they were going to find a new place so that their twin son and daughter could enjoy it before leaving for college, they had to act quickly. So when Beth spotted a house in the next neighborhood over, and their real estate agent ultimately showed them inside, they fell in love with the traditional styling that nonetheless carried a “California-beachy” vibe. Beth and Rob then called on their designer and longtime friend Schuyler Samperton to put a stylish stamp on this Shingle-style house, which needed nothing beyond cosmetic treatment. “It was a blank slate,” Samperton says of the house, where, as luck would have it, the walls were already painted in pleasing shades that she chose to leave. “It was a palette of great neutrals, so I could go in any direction I wanted.” From there, working from Beth’s love of antique rugs and modern art, the designer wove a creative tension between old and new throughout each space. The home’s size gave Samperton the chance to help her clients expand their small but significant art collection—a priority that helped drive the rest of the design. “Because the scale was a bit larger, we were able to get some amazing pieces of art,” the designer says, much of which was sourced through the Sears-Peyton Gallery in Brentwood. “Schuyler introduced me to gallery owner Macie Sears, and I felt a kindred spirit,” Beth says. That spirit reveals itself immediately in the foyer. There, an abstract by Shawn Dulaney plays off an antique Khotan rug and 19th-century French console. Samperton also placed a grouping of ceramics that echo the colors in the painting. “I love all the tones,” she notes. “The bronzes and the blues and the beiges. I also love the play of all those textures together.” Samperton created more dynamic juxtapositions in the living room with Michael Abrams’ sleek blue oil anchoring a space filled with crimson tones and traditional patterns. The contrast is even more dramatic in the dining room,

“IT WAS A PALETTE OF GREAT NEUTRALS SO I COULD GO IN ANY DIRECTION I WANTED.” SCHUYLER SAMPERTON 190 / LUXESOURCE.COM

where an arresting Isabel Bigelow oil and a starkly sculptural light fixture serve as a modern counterpoint to the Baker dining table’s more traditional lines. “The owners really like the combination of classic shapes and fabric with more contemporary art,” Samperton says. The works are intentionally unframed, just as they found them at the gallery. “It seemed more young and fresh—a bit less formal,” the designer adds. Thanks to a layout by builder Bob Skibinski, the home’s flow lent itself well to Samperton’s gestures. “Ultimately, the way I designed the home is how I would have wanted it for myself,” says Skibinski, who happens to live right next door. The Massachusetts native had Cape Cod and the Hamptons on his mind when he chose the weathered shingles and crisp white trim outside, but the interior speaks to the California climate with an easy flow that connects the family room, guest suite and home office to the pool outside. Like Samperton’s work inside, Josh Rezac’s modern, minimal landscape contrasts with the home’s traditional architecture. Rather than profusions of colorful flowers that one might see in New England, white predominates: Masses of jasmine and oakleaf hydrangea along with potted gardenias stand out against the lawn, hedges and trees. “They wanted it to be clean and to incorporate the lawn,” Rezac says. Adds Beth, “When I go into my backyard, I have a little break from the city. The gardens are more tailored and pared down, while the inside is more exciting—they have different vibes.” Much of that vibe comes from the vivid patterns of old, one-of-a-kind fabrics Samperton used on pillows and cushions. A riot of blue-patterned pillows, for example, covers the family room sectional. “I’m all about antique textiles—I love trying to incorporate them whenever I can,” Samperton says. Her client feels the same. “I’m a total pillow maniac, and she’s worse than I am,” Beth says. “The textiles are like pieces of art.” The designer complemented those fabrics with a lively Peter Dunham pattern on the armchairs and draperies. “I love that exoticism that has one foot in historical documents,” Samperton says of the updated take on a timeless design. An industrial cobalt pendant over the coffee table adds an informal edge. “It just makes the room more fun and interesting,” says Beth. Just as she did across the main level, Samperton started with a rug design in the master suite and used its muted sepia and cream tones as a backdrop for arresting fine art photography by Jack Spencer over the fireplace and watercolors by Lourdes Sanchez flanking the bed. That approach served her well as she customized the home without ever lifting a paintbrush or moving a wall. “I start with rugs and fabrics,” she explains. “Then it really becomes about stumbling on these pieces that are incredibly compatible.”

Designer Schuyler Samperton found a spot for a table and two chairs from homeowners Beth Kleid and Rob Grahamâ&#x20AC;&#x2122;s collection of existing pieces in the living room bay of their new Los Angeles abode. Samperton recovered the chairs in a Rogers & Goffigon stripe, which stands out against the Rose Tarlow Melrose House drapery fabric.

An antique Oushak from Samuelâ&#x20AC;&#x2122;s Rug Gallery kick-started the design scheme in the living room, along with throw pillows made from antique textiles gracing a custom sofa in a Jasper fabric. The custom armchairs are covered in a Robert Kime floral, and the vintage brass mirror, flanked by Circa Lighting sconces, is from Nathan Turner. At the center of the space is a vintage coffee table from JF Chen.

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Samperton warmed the kitchen with wood barstools by Ann-Morris, woven Hartmann & Forbes shades purchased through Alexander Navas & Associates, antique spindleback chairs and a salvaged-wood table from RH. Leslie Sokolow’s photographs overlook the breakfast vignette. The range is Wolf; the dishwasher is Miele.

“THE OWNERS REALLY LIKE THE COMBINATION OF CLASSIC SHAPES WITH MORE CONTEMPORARY ART. IT SEEMS YOUNGER AND FRESHER.” SCHUYLER SAMPERTON

Builder Bob Skibinski clad the house in natural shingles that were stained to resemble decades of weathering, while landscape architect Josh Rezac complemented the Cape Cod-inspired architecture with a manicured landscape.

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Sampertonâ&#x20AC;&#x2122;s dog, Tricky, takes a rest under the Baker dining room table. An oil-on-panel by Isabel Bigelow, from the Sears-Peyton Gallery, forms a focal point, along with the light fixture from Grey in Atlanta. The antique Tabriz rug is from J. Iloulian Rugs, and the chairs are Rose Tarlow Melrose House.

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In the family room, a photograph by Jack Spencer accents a wall behind a custom sectional covered in Perennials fabric from David Sutherland. The Tibetan rug from J. Iloulian Rugs picks up the roomâ&#x20AC;&#x2122;s blue tones, while an antique coffee table from Jefferson West adds a casual touch. The draperies and a lounge chair are in a Peter Dunham Textiles fabric from Hollywood at Home.

Stone pavers echo the gray tones of the shingles and provide a chic foundation for a Janus et Cie umbrella and an RH dining table and chairs. Rezacâ&#x20AC;&#x2122;s landscape design includes a California sycamore near the dining area, along with sedums and salvia.

Chaise lounges by RH and garden stools by Crate & Barrel rest on their own stone pads near the pool. Beyond is a stone banquette, with cushions covered in Perennials fabric, and a fire pit. A generous hedge shelters the expansive garden from neighbors.

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Above: An antique carpet from J. Iloulian Rugs and woven Roman shades by Hartmann & Forbes add texture to the master bath. Newport Brass plumbing fixtures dress the Kohler sinks; the tub is by Hydro Systems. Left: In the master bedroom, beneath a chandelier from Mecox, is a bed in Rose Tarlow Melrose House fabric. The settee and brass tables are from the Pat McGann Gallery. Art by Lourdes Sanchez hangs over chests from Lee Stanton; a Jack Spencer photo is over the fireplace. The drapery fabric is from Rogers & Goffigon.

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WILD HEARTS FLORAL DESIGN DUO PUTNAM & PUTNAM THINK OUTSIDE THE VASE TO CREATE ROMANTICALLY UNREFINED ARRANGEMENTS FOR NEW YORKâ&#x20AC;&#x2122;S STYLISH SET. WRITTEN BY MIMI FAUCET / PHOTOGRAPHY BY EVAN SUNG

Putnam & Putnam sprung from Darroch Putnam (shown, right) posting images of his husband Michael’s personal creations on social media. Here, Michael uses sweet pea, lilac, plum foliage, ranunculus, Queen Anne’s lace and coneflower to create one of his highdemand floral designs.

ichael and Darroch Putnam are partners in every sense of the word, and a quick conversation with the duo behind their namesake floral design brand reveals all the charming nuances that come with a long-term relationship—they actually finish each other’s sentences. “We truly influence one another,” says Darroch. “We push each other creatively, and more importantly, we ensure each other’s sanity.” Entering the world of ranunculus and roses, especially professionally, was not part of the Putnams’ plan—well not at first anyway. After meeting—and falling in love—at a Trader Joe’s in Los Angeles, the pair moved to New York City, got married and Putnam & Putnam soon began to blossom. “I wanted to try something different and more tactile,” shares Michael, who at the time was on staff at Kravitz Design but spent his weekends at the flower market on 28th Street. He began to artfully arrange his findings in their admittedly tiny one-bedroom apartment on Manhattan’s Lower East Side. Darroch photographed the unexpectedly poetic compositions and shared them on Michael’s personal Instagram feed. Word got around. Darroch explains, “It was apparent very quickly that Michael had a natural talent and magnetism over the craft.” They soon started receiving inquiries to embellish intimate dinners and small fashion presentations with their characteristic vine-filled arrangements. Within a year, the couple quit their respective jobs and launched their firm full-time in April of 2014. Today, the twosome is known for their largescale lyrical installations, dreamy wedding displays and avant-garde editorial spreads (see: Luxe’s recent May/June issue). While Michael creates and composes all of their intricate designs, Darroch, the more outgoing of the two, focuses on the 206 / LUXESOURCE.COM

“I WANTED TO TRY SOMETHING DIFFERENT AND MORE TACTILE.” -MICHAEL PUTNAM

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While Putnam & Putnamâ&#x20AC;&#x2122;s Brooklyn studio serves as a functional design space, it is also a visual showcase for flora and fauna unto itself.

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Opposite, clockwise from top left: Roses, daisies, peonies and Queen’s Anne’s lace form a striking bouquet; Michael’s use of other natural materials often play an important role in his designs; a peony blooms in the sunlight; the studio is also well-stocked with candlesticks and vases for weddings, galas and other high-end events.

“IT WAS APPARENT VERY QUICKLY THAT MICHAEL HAD A NATURAL TALENT AND MAGNETISM OVER THE CRAFT.” -DARROCH PUTNAM

photography and business end of things. Their enviable client list includes the likes of Vogue (a frequent collaborator), Cartier, Bergdorf Goodman and Dior, and they also created a custom floral print for fashion designer Adam Lippes’ Fall 2015 Ready-To-Wear collection. Of their rapid rise, Darroch muses, “It’s pretty wild.” Where the conception of their business was a bit happenstance, the success of it is a more practiced endeavor. “It’s really important to us that we are constantly pushing ourselves creatively and trying new things,” says Darroch. “We are never stale.” About once a month the Putnam & Putnam team—presently five full-time employees—clears everything off the calendar for what they call a Portfolio Day. “It’s a creative refresh,” Darroch explains. “We take the day off and get our whole staff in the studio to

work on a photo shoot.” The first incarnation of this design charrette resulted in an almost otherworldly monochromatic pink story, where rose-colored foliage was expertly styled amongst a myriad of other objects and materials, all dusted in moody blush tones. The Putnams, who are launching a line of “earthy” candles in September, have since moved operations from their living room to a quintessential warehouse space in Bushwick, and all their deliveries now come from a permanent pop-up shop inside Club Monaco’s flagship store on 5th Avenue. Through it all, though, Putnam & Putnam’s unique aesthetic— romantic but untamed—has remained a reflection of its creators: a pair of tattooed Lower East Siders that mastered the delicate art of floral design.

OPEN HOUSE

ONE MANHATTAN COUPLE KNOW THAT STARTING A FAMILY DOESNâ&#x20AC;&#x2122;T HAVE TO MEAN GIVING UP A SOCIAL LIFE, SO THEY TURNED TO A DESIGN TEAM WHO COULD MAKE THAT HAPPEN. WRITTEN BY SHANNON SHARPE PHOTOGRAPHY BY FRANCESCO LAGNESE

INTERIOR DESIGN / NICOLE FULLER, NICOLE FULLER INTERIORS ARCHITECTURE / ALMA HADROVIC, SHADOW ARCHITECTS HOME BUILDER / MARTIN MORA, M. MARTIN & SONS INC.

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here are some people in the world who would never be able to envision turning a loft designed for the ultimate bachelor, complete with an Ikea-style kitchen, into an ultraglam yet family-friendly oasis. That was not the case, however, with a young New York couple who purchased a penthouse near Manhattan’s Union Square. “We believed that the benefits of being the only unit on the floor and the multitude of windows could allow the space to be transformed into a family home with a loft-like feel,” says the wife. “With that said, finding a great designer and architect that shared our vision was critical in realizing the transformation.” So, the couple turned to interior designer Nicole Fuller and architectural designer Alma Hadrovic, along with builder Martin Mora. “They just thought it was something they could grow into essentially,” says Fuller of the owners. “We started from the ground up, completely ripping out everything including the windows. It was brought down to studs.” The couple gave Fuller and Hadrovic the most basic guidance: “They said, ‘We love color and we trust you,’ ” explains Fuller. “So, Alma and I just went with it. I don’t think there’s one idea that they rejected.” Not that there wasn’t an occasional hesitancy on the homeowners’ end. Vintage blue chairs, chartreuse silk wallpaper in the entry and a purple couch against a purple rug— all grounded with black accents—create a dramatic impression, with the black giving the colorful apartment a sense of focus. “The black was a little tough to convince them of in the beginning,” says Fuller. “But I’m such a huge fan of the color. I think it brings a European elegance to the space.” The wife concedes that they were slightly wary of the idea initially. “We were a little hesitant in using black as a focal point,” she admits.

“THE OWNERS SAID, ‘WE LOVE COLOR AND WE TRUST YOU.’ SO WE JUST WENT WITH IT.” -NICOLE FULLER 214 / LUXESOURCE.COM

“However, Nicole walked us through her vision, and we took a leap of faith.” Now, she and her husband are, as Fuller describes their feelings, “madly in love with it.” Fuller also went for full-on drama in the master bathroom with a veiny marble throughout—and the homeowners jumped on board. “I had a lot of fun,” Fuller says. “To try and tell a client that not only do I want to put a marble like that all over, but also cut the slab that they just paid a fortune for and chevron the stone into a book-match pattern can be difficult. To have them say ‘okay’ was heaven.” But it wasn’t creating a dynamic main living space or glamorous master bathroom that was Fuller’s jumpingoff point. It was the baby’s room—more specifically, a swatch of fabric with a vintage African Congo print that she purchased. “I showed them the fabric and told them, ‘This is how we’re going to start the house, with the baby’s room,’ ” says Fuller. “They fell in love and said, ‘We have no idea what you’re talking about, but go for it.’ ” So the designer did exactly that, creating a sophisticated room with deep cobalt walls and neutral furniture that any New York City child could easily grow into. “I don’t do kiddie rooms,” says Fuller, “but we are in New York. These are sophisticated kids. You can still get all the elements of a baby in the right toys but still make the room elegant. New York City kids are educated. They’re going to The Met. They’re learning languages. They are taking karate.” The nursery wasn’t the only room designed to fit a city lifestyle. Fuller carefully planned the kitchen and dining areas around the homeowners’ personalities and passions. “They are very cool,” she says. “They love to entertain, and she is an amazing cook. They throw dinner parties all the time.” To suit this type of atmosphere, Fuller placed a vintage table alongside the dining area so that the wife can use it as a buffet for cocktails and food. She also incorporated a wine “wall” that wraps around the doorway of the great room. “The husband wanted to figure out how we could do a unique wine cellar,” says Fuller. “But instead of making it a closet, we designed it around the space.” She then brought in Joseph & Curtis Custom Wine Cellars to realize her vision—something simultaneously beautiful but also functional, serving as the crowning touch to a great room geared toward easy entertaining. “Our favorite aspect is the use of space,” says the wife. “Through Nicole and Alma’s careful planning, we were able to maintain a very spacious great room perfect for entertaining, while at the same time creating spaces that function well as a family home. The results exceeded our expectations.”

To create an immediate visual impact, interior designer Nicole Fuller used Koroseal watered-silk chartreuse wallpaper by Arte in the foyer. A vintage dyed Persian rug from ABC Carpet & Home, an Arredoluce 12-light chandelier and a bronze mirror from Flair Home Collection complement the dramatic shade.

Borehendi reprovit fugitat vellori tenisci occae. Tio maio. Et laborem ulpa verro venit, quaspero tem hic tem num exceped quis ex everspel illandanita que consecumquam ellab imus elique nonecte mpossunt experferum ere vent faciis si vit amenimus as etur recullandam eaqui beatur, comnim voluptatur accus et, to mossum

A purple sofa from Piero Lissoni, purchased at BY New York, sits in the living area of the great room on a vintage dyed Persian rug from ABC Carpet & Home. To offset the strong use of purple, Fuller incorporated a custom white marble table from Silestone and a green lamp from Nest Interiors.

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Left: A custom infinity cluster chandelier from Comerford Collection hangs above the dining roomâ&#x20AC;&#x2122;s custom live-edge table from JM Lifestyles. Fuller turned to Jayson Home in Chicago for the Tyler armchairs. Opposite: Fuller worked with Joseph & Curtis Custom Wine Cellars to do a new spin on a wine cellar, creating a wall of wine that serves as much as dĂŠcor as it does storage. The ladder Joseph & Curtis also designed provides easy access.

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Above: The Alhambra Antiques side table purchased through 1stdibs serves a dual purposeâ&#x20AC;&#x201D;to divide the dining area from the sitting area as well as to function as a buffet when the couple entertains. An ostrich from Flair Home Collection adds a touch of humor. Opposite: Because the wife is a passionate home cook, the kitchen played an important role in the homeâ&#x20AC;&#x2122;s design; the SubZero stove caters to her skills. Vintage gray barn pendants, purchased at RH, hang above the counter topped with honed Kenya black marble from New York Stone. The cabinetry was custom-designed by Nicole Fuller Interiors, as was the custom rug.

“THE OWNERS ARE VERY COOL. THEY LOVE TO ENTERTAIN AND THROW DINNER PARTIES ALL THE TIME.” -NICOLE FULLER

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A cozy Zen atmosphere was incorporated into the guest room so visitors would feel immediately welcome. The Maison daybed was purchased at RH, the Phillip Jeffries wallpaper is from Holly Hunt, and the tree trunk tables are from 1stdibs. The room can also function as an office with a custommade Alexander desk, purchased at Plantation in Los Angeles, and a cantilevered armchair, also from RH.

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Fuller upped the ante of the man cave with a cozy yet sophisticated space; a custom-color Eames lounge chair with ottoman from WB Wood is the perfect chair for relaxing while watching television or reading a book. A Celeste accent table from Arteriors, an antique horsehair rug, Siris shades from Romoâ&#x20AC;&#x2122;s Sarasi collection, and a Drayton floor lamp in vintage brass from Metropolitan Lighting Fixture Co. fashion a masculine elegance.

For the master bedroom, the owners wanted a calming room that still had a touch of glamour. Antique white-oak nightstands, purchased at Century, straddle a custom Nicole Fuller Interiors bed topped with bed linens from E. Braun & Co. The pair of vintage Empire brass light fixtures creates the subtle glitz that the couple hoped for.

Below, left: A vintage fixture from Design Within Reach hangs above a custom marble-top desk, also from Design Within Reach, and a Pace Collection chair. Below, right: The Kallista sink and faucets in the powder room are by Ann Sacks and add to the dramatic touches that can found throughout the home.

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NASHVILLE

WHERE MUSIC MEETS FOOD, FASHION, CULTURE AND THE ARTS V I S I T M U S I C C I T Y. C O M

Worth has selected Nashville as one of 15 WORTH DESTINATIONS

PROMOTION

Luxe Interiors + Design @ ICFF Miami

OCTOBER 5 - 6, 2016 MIAMI CONVENTION CENTER, MIAMI, FL The inaugural ICFF Miami will showcase hundreds of leading brands addressing every facet of interior design for residential, hospitality, commercial and high-end retail. The Luxe Interiors + Design pavilion at ICFF Miami will be dedicated to exhibitors that showcase the finest luxury brands offering classic contemporary home designs.

TO REGISTER, PLEASE VISIT WWW.ICFFMIAMI.COM

For more information, please visit www.luxesource.com/icffmiami.

gatherings

PROMOTION

PHOTOGRAPHY BY LAURA SAN FILLIPO PHOTOGRAPHY

CHRISTOPHER PEACOCK SHOWROOM OPENING

This past June, Luxe Interiors + Design partnered with Christopher Peacock for the opening of its new Short Hills showroom, which showcases the company’s iconic design style with custom cabinetry. Sub-Zero and Wolf’s corporate chef, Ann Marie Soohoo, provided the catering.

PHOTOGRAPHY BY MATTHEW CARASELLA PHOTOGRAPHY

ONE WEST END PENTHOUSES

Luxe Interiors + Design joined Scavolini in its SoHo showroom to celebrate the unveiling of the One West End penthouses, which were developed by Elad Group and Silverstein Properties with interiors designed by Jeffrey Beers International, featuring exclusive kitchen cabinetry by Scavolini.

PROMOTION

LUXE INTERIORS + DESIGN AT ICFF

PHOTOGRAPHY BY MATTHEW CARASELLA

This spring, Luxe Interiors + Design brought its upscale style to the 28th annual ICFF, North America’s platform for global design. Held at New York City’s Javits Center, the four-day show attracted over 33,000 design enthusiasts from around the world seeking what’s new and what’s next in contemporary design, luxury interiors and high-end home furnishings. As an exclusive sponsor for the second consecutive year, Luxe Interiors + Design presented the Luxe Pavilion, a carefully curated showcase of exhibitors that included Alno, Inc., Americh, Anacara Company, Archetypal, Artistic Frame, Ashley Norton, Baldwin Hardware, Barber Wilsons/Sterlingham, Bedrosians Tile & Stone, Bokara Rug Company, Bold, Cambria, Castelluxe Inc., Cerasa, Christopher Guy, Cityside Furniture, Colonial Bronze, Decotec, Doris Leslie Blau, Estudiobola, Forsyth, Furniture Designhouse, Geometria/Juneja Associates, Gloster, Guto Indio da Costa, Hamilton Sinkler, Hastings Tile & Bath, House of Hackney, Hubbardton Forge, Jader Almeida, Jallu Ebenistes, Jandelle Paris & Horus, Jaune de Chrome, John Rais Studios, Juliska, KLASP, LATTOOG, Lissoy, Lyon Beton, Maillard & Maillard, MarGian Studio, Marta Manente, Material ConneXion, MGS, NDT BRAZIL, Neelnox, Objet Insolite, Ooumm Design, Orley Shabahang, Paris Ceramics, Pasargad, Paule Marrot Editions, Paulo Alves, Piet Boon Collection, Porcelanosa, Richard W. Townsend Inc., Riobel, Rocky Mountain Hardware, Zoya B., S&H Rugs, Safavieh, Samad, Serge LESAGE, sohoConcept, Stickley, SUITE NY, Sun Valley Bronze, Toobré Lifestyle, Trolle-lacobucci, Veronese, Vinotemp, Vissoni, Vosay Collection, Yana Svetlova Wallcoverings and Tapologie. The Luxe Lounge, centrally located within the pavilion, served as a comfortable and relaxing destination for show-goers. Exclusively furnished by Mitchell Gold + Bob Williams and Farrow & Ball, the lounge featured complimentary refreshments and snacks, engaging design-themed programming and a jam-packed closing night party, hosted by Luxe Editor in Chief Pamela Jaccarino and Mitchell Gold, Co-Founder of Mitchell Gold + Bob Williams. Experience the Luxe Pavilion at ICFF Miami October 5-6. Visit icffmiami.com for more information.

TRANSCENDING

TIME

“ANY GREAT WORK OF ART REVIVES AND READAPTS TIME AND SPACE.” THIS STATEMENT MADE BY COMPOSER LEONARD BERNSTEIN REMINDS US THAT INNOVATION IS NOT ALWAYS ABOUT REINVENTING THE WHEEL, BUT, AT TIMES, REFASHIONING CLASSICS TO FIT OUR MODERN LIVES. THIS SENTIMENT CERTAINLY RINGS TRUE TODAY—PARTICULARLY EVERY TIME THE BIENNALE DES ANTIQUAIRES ROLLS INTO PARIS. THIS SEPTEMBER, THE CELEBRATED ANTIQUES FAIR OBSERVES ITS 28TH ITERATION, PROVING THAT WHILE WE EMBRACE THE MODERN WORLD, OUR FASCINATION WITH CLASSIC STYLE AND DESIGN, AS EXEMPLIFIED IN THE ELEGANT PIECES SHOWN HERE, CONTINUES TO STAND THE TEST OF TIME. Clockwise from top left: Narissa by Matthew Williamson for Durbar Wallpapers / osborneandlittle.com osborneandlittle.com.. GG-2113 from the Gigou Collection / bagues-usa.com.. Grand Palais (Home of La Biennale des Antiquaires) / biennale-paris.com.. Navata in Verde Antico & Pale Grey / Sectile 1729 / fortuny.com. Vintage Cartier Necklace / 1stdibs.com. Arturo Bench by Barry Dixon / avrett.com avrett.com. 19th-Century Grand Tour Bronze Bust of Apollo Belvedere / 1stdibs.com 1stdibs.com.. La Menagerie in Dore / Braquenié Collection / pierrefrey.com pierrefrey.com. Cadence Mirror / arteriorshome.com.

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THE GRAND PALAIS PHOTO: AURELIEN CILLER.

INSPIRATION FOUND

The Lobby Swivel Bar Stool

Also available in counter height.

lisataylordesigns.com

NEW YORK 212.752.4275 | LOS ANGELES 310.652.9222 | WWW.MARCPHILLIPSRUGS.COM

KRAVET Â® 2016

Room design by Les Ensembliers

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