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PREVIEW
2017
HOT LIST
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MUST-HAVES
December/January
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W H AT WE LOVE Dazzle the night away in emeralds and diamonds
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Piaget watch. piaget.com.
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Balenciaga shoes, $2,050. 212-206-0872. 2
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Chantecaille Mermaid Eye Color in Lagoon, $34. chantecaille.com.
Louis Vuitton earrings. 866-VUITTON.
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DON PENNY AND JON PATERSON/STUDIO D. WATCH AND EARRINGS: COURTESY. STYLING: SABRINA GRANDE AND MIAKO KATOH. SEE WHERE TO BUY FOR SHOPPING DETAILS
David Yurman ring. davidyurman .com.
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DECEMBER 2016 / JANUARY 2017
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"Embrace the feminine side of things in spring’s hottest hue" Photographs by Daniel Riera
"Edge of glory. Dress and shoes, Bottega Veneta. Earring, Eddie Borgo. FASHION EDITOR: Joanna Hillman"
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LIST
Wish
An editor’s style picks
Bazaar fashion market and accessories director Nicole Fritton reveals her latest must-haves
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1. Blazé Milano coat. blaze-milano.com. 2. Rebecca de Ravenel Les Bonbons earrings, $425. Similar styles available at shopBAZAAR.com. SB 3. Valentino Garavani cuff, $725. 212-355-5811. 4. Altuzarra sandal, $1,295. saksfifthavenue.com. 5. 3.1 Phillip Lim dress, $895. shopBAZAAR.com. SB 6. Rimowa luggage, $1,530–$1,560 .rimowa.com. 7. Pamela Love ring, $270. Barneys New York; 888-8-BARNEYS. 8. Valentino skirt, $5,900. 9. Christopher Robin Regenerating Shampoo with Prickly Pear Oil, $40. sephora.com. 10. Miu Miu sandal, $550. miumiu.com. 11. Apple iPhone 7, from $649. apple.com. 12. Estée Lauder Pure Color Envy Sculpting Gloss in Red Extrovert, $26. esteelauder.com. 13. My destination: The Faena Hotel Miami Beach. 14. Miu Miu bag. 15. J Brand jeans, $218. jbrandjeans.com. 16. Apple Watch Hermès case, $549, and band, $489. 17. Gucci blouse, $1,400. shopBAZAAR.com. SB
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FRITTON: JOE SCHILDHORN/BFA/REX/SHUTTERSTOCK. FAENA HOTEL MIAMI BEACH: CHRIS FANNING PHOTO. STILL LIFE: DON PENNY, KEVIN SWEENEY, AND JEFFREY WESTBROOK. DRESS, LUGGAGE, RING, JEANS, AND BLOUSE: COURTESY. STYLING: MIAKO KATOH, JESSIE LIEBMAN, ANNE WLAYSEWSKI, AND SABRINA GRANDE
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LIFE
The Fashionable
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othing quite beats New York at Christmastime. That is, until you step onto the sprawling, 130-acre Pennsylvania property that Kirna Zabête owner and cofounder Beth Buccini calls home. Located just two hours outside Manhattan, in Chadds Fords, the former dairy farm is the type of winter wonderland that wouldn’t look out of place on a Hallmark card. Buccini has been making her mark in New York since 1999, when she opened the upscale SoHo boutique with her best friend from college, Sarah Easley. Which is why, Buccini says, she was initially apprehensive about relocating to the Philadelphia suburbs with her husband and four children, now ages seven to 13. “I was the one who left New York City kicking and screaming,” she says, laughing. The charms of the country, however, quickly changed her tune.“We built our house from scratchand really worked on building our dream house,” says Buccini, whomade the move five years ago. Indoing so, she and her husband made a deal: He could design the exterior, but inside was her domain. Those familiar with the vibrant decor at Kirna Zabête would recognize Buccini’s upbeat aesthetic in her house as well. Both properties are the work of interior designer Steven Gambrel, who Buccini enlisted first for the house, then for the store redesign when the shop relocated in 2013. “It was a meeting of the minds,” she says. “I showed him some ideas of what I liked, and then he took it up, like, 10 notches from there. I have 86 paint colors in our house.” When it comes to the holidays, the festivities kick into overdrive around Clockwise from top: Thanksgiving, though occasionally even sooner. “I absolutely Buccini in the kitchen with her children love Christmas,” Buccini says. “I try to get to Halloween before I (from left), Shepherd, start listening to Christmas music, but sometimes if I’m feeling Josephine, Balthazar, and Virginia. On kind of sad, I admit that I’ll put on some classical Christmas Buccini: Gucci top music.” It makes sense, then, that when the season arrives she and pants. shop BAZAAR.com. SB truly pulls out all the stops. Larkspur & Hawk “I do a whole series of white lights on huge boxwood trees in earrings. On Shepherd and Balthazar: front of our courtyard and put wreaths on the doors,” she says. Bonpoint pajama sets. At the center of it all are not one but two full-blown Christmas On Josephine: Bonpoint nightdress. trees—a fancy one for her, and a free-for-all for the kids. On Virginia: J. Crew As for that all-important act of holiday dressing, Buccini has onesie. The dining room set for the suburb set covered, with a Kirna Zabête shop that opened Christmas Eve. in nearby Bryn Mawr in November (just in time for holiday feStockings are hung by the fireplace. tes). Consider it one more reason not to miss Manhattan.
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DISCOVER THE INSPIRATION SHOP MORE OF THESE LOOKS ON SHOPBAZAAR.COM SB
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BAZAAR
Beauty
THE ALCOHOL SCIENTIST JOHN BRICK, YARDLEY, PENNSYLVANIA “Have dinner as clo-
HOW DO I PREVENT & SURVIVE A
HANG OVER Experts share
se as possible to when you start drinking, and make it a real meal (no endless chips at the bar) with protein and fiber, which are digested slowly and can help slow down alcohol absorption. The more alcohol you drink, the more you urinate and lose water, and dehydration can make you feel sluggish and headachy. You also lose minerals and electrolytes, so capping the evening with a glass of Gatorade can really help you catch up before going to sleep. The next morning, drink tons of water and eat antioxidant-rich fruits such as blueberries, or a honey sandwich—honey is easy to digest and high in fructose, which can speed up the elimination of alcohol.”
THE DIET GURU STEPHEN GULLO, NEW YORK “Never drink on an empty stomach. You want to eat proteins and good fats. A great choice: salmon or chicken. Start off with a salad dressed in vinaigrette; vinegar has been shown to help delay stomach-emptying, and olive oil is a good fat. Because hangovers are largely due to dehydration, always drink at least one glass of water before you even touch alcohol. You could try taking charcoal capsules before drinking; it may help absorb some of the alcohol, but be sure you don’t use them within four to six hours of taking any medications. The best things to drink are those you can see through: white wine, vodka, and gin. Red wine is not bad (it has antioxidants), but a lot of people get headaches from the sulfites. And be wary of champagne; the bubbles have a tendency to lead to hangovers—and bloating. If your stomach is Experts share upset the day after, ginger ale or Pepto-Bismol can help.” the most effective strategies. As told to Liz Krieger.
the most effective strategies. As told to Liz Krieger
THE HANGOVER SPECIALIST “It’s easier to prevent hangovers than it is to treat them. An hour before you start drinking, pop an antioxidant supplement—I like resveratrol and alpha-lipoic acid—and an anti-inflammatory like Advil, both of which will help your body metabolize alcohol by-products. At the bar, always opt for the more expensive alcohol. The cheaper stuff has more impurities (a.k.a. congeners), which make you feel sicker.Stick to clear booze; darker spirits like whisky have more congeners in them. Our morning-after IVs have two antioxidants—glutathione and taurine—plus electrolytes and vitamins B and C. You can also get electrolytes by drinking Gatorade. Taking an N-acetyl cysteine supplement, which your body converts to glutathione, will help process the alcohol faster. Coffee is good too—caffeine reduces headaches. And scramble up a few eggs: They contain cysteine, which converts to glutathione.”
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PORTRAIT OF A L ADY
For 150 years, Bazaar has explored what it means to be a woman in the modern world. Here, Lady Gaga offers her take on what it means to be one right now. Photographs by Inez & Vinoodh A 21st-century girl. Gown, Carolina Herrera. Hat, Gladys Tamez Millinery. FASHION EDITOR: Mel Ottenberg
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MICK
TALKS Mick Jagger opens up about journeying through the past for the career-spanning Rolling Stones exhibition, “Exhibitionism.” By Stephen Mooallem
“WELCOME TO THE PALM SPRINGS retirement home So it’s all the more curious that they have decided to dip for genteel musicians,” quipped Mick Jagger from the sta- into the past for a pair of recent projects. In December, ge during the first of two headlining gigs with the Rolling they’re releasing Blue & Lonesome, an album of vintage Stones at the Desert Trip musical festival in Indio, Cali- blues songs that recalls their nascent period in the early fornia. This past year was the premier one for Desert Trip, ’60s as a cover band. And then there’s “Exhibitionism,” the engineered by the organizers of Coachella as a pair of expansive multimedia Stones retrospective inaugurated at blockbuster boomer-rock weekends in October; the event London’s Saatchi Gallery last April; the show landed on was immediately rechristened “Oldchella” for a lineup that November 12 at New York’s Industria studios, where it will also featured Bob Dylan, Neil Young, Paul McCartney, the reside until March, and is set to travel to 10 more cities over Who, and Roger Waters of Pink Floyd, with nary a perfor- the next four years. mer under the age of 60 (most, in fact, were in their 70s). Organized across nine different thematically arranged The crowd, though, was varied—a mix of age-appropriate rooms, “Exhibitionism” explores the oeuvre of the Stodiehards and younger fans—and the festival, by most ac- nes from a variety of perspectives, with the music as its counts, was a success, drawing more than 75,000 people locus. “It was really important to cement the Stones in over six evenings and grossing an estimated $160 million popular culture and capture what a huge impact they’ve (or almost twice as much as Coachella had on music but also fashion, film, and itself in 2015). “I still want a challenge, photography,” says the show’s curator, and doing things like Desert Trip is a Ileen Gallagher. “They’ve really had this “I thought we’d made it challenge,” Jagger, 73, tells me on the kind of broad view of the world, which when we put our first record phone from Los Angeles, where he has I think has made their music so much out. Just to put a record retreated between shows. “There are more meaningful.” great people on the bill, and it’s a speIn many ways, nostalgia is the lifeout was ‘making it’ for me.” cial weekend. So that sets up a challenblood of rock music, but revisiting your ge for you, and you just want to give it own history for a show like “Exhibiyour best shot and try to please everytionism” is another endeavor. “I’ve got body and make everybody have a great time,” he explains. different feelings about it on different days,” Jagger says. “You know,” he adds, “that’s really one of my roles in life.” “Yes, it’s all about the Stones and my life and the band, but At this point, Jagger and his bandmates Keith Richards it’s still a creative piece of work. So you put yourself in the and Charlie Watts have spent considerably more time on mind of the person who’s going to visit this show and you this earth as Rolling Stones than not. Even Ronnie Wood, go, ‘Well, I think that’s good, but this could be better, and who replaced Mick Taylor, who replaced original guitarist let’s change this,’ so you’re not just wallowing in nostalgia. Brian Jones, has been a Stone for more than four deca- You’re being a critic of a creative enterprise.” des. As a measure of longevity for a rock band, the Stones’ When Jagger was first presented with the plans for “Exongoing 54-year run is virtually unprecedented— even hibitionism,” he was concerned that the show might be among Desert Trip performers. too slick. “What they put together was great, but a lot of it But while the Stones will happily rummage through seemed to me a bit impersonal—there were too many big their back catalogue in concert—four songs into the set at screens,” he says. their first Desert Trip show, they unveiled a cover of Eddie That’s when the idea emerged to include a full-scale Taylor’s “Ride ’Em On Down,” a song they hadn’t played re-creation of a dingy apartment Jagger and Richards shalive since 1962—they’ve never been much for reminiscing. red back in 1962.
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Mick Jagger performing onstage in Manchester, England, in a sequined jumpsuit designed by Ossie Clark, 1973
THE J.LO DOWN
CONTINUED FROM PAGE 312
best time,” she says with a laugh. The 16 styles in the Giuseppe for Jennifer Lopez collection, available in January, range from Swarovski-encrusted booties to embellished wedge sneakers. “I have a certain sensibility about the way I dress and design, and I just kind of handed that to him,” she says of their process. “People really associate me with sparkle and a little bit of street edge and things like that. I wanted to make sure the collection had that, but then some [styles] feel very glam and high-end fashion.” An important part of Lopez’s sensibility is the color palette, including a pale blush tone that she refers to as “Jennifer pink.” “I’ve always called it that—it’s something I’ve always had with my own clothing lines,” she explains. As a corollary, there is “Jennifer blue,” “which came from a gift I got years ago,” she says. The gift: a 14.5-carat blue-gray diamond given to her by Anthony for their first wedding anniversary. No paint-swatch inspiration here. According to Zanotti, Lopez was exacting when it came to every detail of their collaboration. “This woman is so sweet but so sure of what she wants,” he says. “She’s an artist, but my God, she’s so concrete.” Lopez’s daughter, Emme, seems to have inherited her mother’s eye. “She loves fashion,” Lopez says. “She was wearing my shoes as soon as she started walking. She’s actually learning to sew already. Who knows? We may have a little designer on our hands.” But Emme may have some stiff competition over who gets first dibs on a pair of Giuseppe for Jennifer Lopez shoes. Rihanna had sent Lopez one of
the first pairs of thigh-high boots from her collaboration with Manolo Blahnik, which Lopez wore in her “Ain’t Your Mama” music video. Is Lopez planning to return the favor? “Oh, my gosh, [Rihanna] is first on my list,” she gasps. “It’s funny because I actually had that in my mind. I was like, ‘She sent me those boots, and the minute my Giuseppes come out, I’m sending her a pair.’” Which leads to perhaps the most important question of all: Can people dance in them? Lopez doesn’t miss a beat: “I can.”
COACH’S DINO-MITE YEAR CONTINUED FROM PAGE 324
punk-cowgirl-inspired Spring 2017 show, where models stomped the runway in hybrid creeper-moccasin boots, Elvis’s visage appeared on sweatshirts, and belt buckles reached comically oversize proportions, evidence that Vevers’s demanding position at a publicly traded company hasn’t diminished his sense of fun. In fact, it’s thanks to the designer’s whimsical disposition that we find ourselves at Field Station, a dinosaur-themed park in New Jersey, in early September, the day after his well-received runway show. Whereas a horse and carriage has been Coach’s emblem since the 1950s (it paid tribute to the craftsmanship involved in creating reins and harnesses), Vevers has become quite taken lately with Rexy the dinosaur, a new mascot that was hatched in his design studio. “It wasn’t strategic,” he says of Rexy, which has appeared on bags, key fobs, and cozy sweaters worn by Winona Ryder and James Franco. “It was purely something random that I liked.” Along for this Land of the Lost adventure is one of Coach’s current faces, as well as the star of its new namesake fragrance campaign, actress Chloë Grace Moretz. Though she is more than 20 years Vevers’s junior, the pair have become close during the past two years of working together. (While en route to Santa Fe this past summer, the designer even made a pit stop at the Moretz household in L.A. for a good old-fashioned Fourth of July barbecue.) “He’s really made Coach
embody what the youth of America is,” says Moretz. “I think this season is the closest to who I am. It feels a little bit like the bad kid, which is cool.” There has been no shortage of cool on Vevers’s watch. While Coach previously attracted a more traditional clientele with a full suite of accessories including boxy carryalls, logoed handbags, and tried-andtrue footwear, Vevers has enjoyed subverting the classics. In September 2015, he established the brand’s first ready-to-wear line, Coach 1941, which encompasses four women’s and two men’s collections a year. It has been a boon for both the millennial set and the women who are ready to embrace shearling biker jackets, microfloral- print sundresses, funky Western-style shirts, and oversize varsity bombers. He also took note of American pop iconography, partnering with Peanuts and Disney on two separate capsule collections, the latter of which landed Coach in the high-concept Parisian boutique Colette. And, of course, there are the iconic leather accessories, like the Saddle Bag (Moretz still rocks her mom’s vintage version from the ’70s) and the 1960s Dinky that Vevers has brought back to life, alongside newer pieces for Moretz and friends that feature studs and fringe accents.
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t all appears to be working. In 2016, Coach Inc. reported its first quarterly profit growth in three years. In November, new flagships (relabeled the Coach Houses), which hold the full collections, opened in New York and London. There’s even a Rizzoli book to underscore this hip new era, Coach: A Story of New YorkMCool, with a foreword by Blondie’s Debbie Harry. Vevers, for his part, is doing what comes naturally. “The change has been bold, but I’ve always felt that there’s an appetite for it,” he says. “And it seems to be the case. “People have responded really well to fashion from Coach,” he continues. “Logo bags are a big part of Coach’s history. But things have to evolve; they have to change.” If Moretz’s enthusiasm is any indication, the future is bright. “I can’t draw or sketch, but I can do this,” she says, grabbing his hand while pretending to run from a looming Tyrannosaurus rex.
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ancient Asian philosophies for a debut line of ten