2023–24 Season Calendar NOVEMBER & DECEMBER 2023 S U N D AY
M O N D AY
T U E S D AY
W E D N E S D AY 1
T H U R S D AY
F R I D AY
S AT U R D AY
2
3
4
9
10
11
LOHENGRIN 7PM (R, T)
5
6
7
OMAR 2PM (M, N)
12
8 OMAR 7:30PM (A, C)
13
OMAR 7:30PM (J, L)
14
15
16
17
18
OMAR 7:30PM (D, E)
19
20
21
THE ELIXIR OF LOVE 2PM (M, O) 26
22
23
OMAR 7:30PM (R, S)
27
24
THANKSGIVING
28
29
THE ELIXIR OF LOVE 2PM (W) 3
OMAR 7:30PM (G, I)
30
5
6
THE ELIXIR OF LOVE 7:30PM (G, H)
DEC 1
2
THE ELIXIR OF LOVE: SAVE THE DATE ENCOUNTER THE FUTURE IS NOW 7:30PM ADLER FELLOWS (X) IN CONCERT
THE ELIXIR OF LOVE 7:30PM (D, F) 4
25
7
8
THE ELIXIR OF LOVE 7:30PM (A, B)
9 THE ELIXIR OF LOVE 7:30PM (J, K)
SAVE THE DATE CHORUS CONCERT
M AY & J U N E 2 0 2 4 MAY 30
31
JUNE 1
THE MAGIC FLUTE 7:30PM (R, T) 2
3
4
THE MAGIC FLUTE 2PM (M, O) 9
5
6
INNOCENCE 7:30PM (J, L)
7
THE MAGIC FLUTE 7:30PM (A, C) 10
11
12
13
14
17
18
INNOCENCE 2PM (M, N)
23
24 PARTENOPE 2PM (M, O)
30
19
25
20 PARTENOPE 7:30PM (D, E)
INNOCENCE 7:30PM (A, B)
FATHER'S DAY
27 THE MAGIC FLUTE 7:30PM (D, E)
THE MAGIC FLUTE 2PM (W) PRIDE
15
21 THE MAGIC FLUTE 7:30PM (S)
JUNETEENTH 26
PARTENOPE 7:30PM (A, C)
THE MAGIC FLUTE 7:30PM (J, L)
THE MAGIC FLUTE 7:30PM (G, I)
INNOCENCE 7:30PM (D, F)
16
8 INNOCENCE 7:30PM (G, H)
PARTENOPE 7:30PM (J, K)
22 THE MAGIC FLUTE 7:30PM (X)
INNOCENCE 7:30PM (R, T)
28
29 PARTENOPE 7:30PM (G, I)
PRIDE
THE FUTURE OF OPERA
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Highlighted boxes denote opening performances. Letters in parentheses denote Full and Half Series.
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The Future of Opera | 2023–24 Season
The Future of Opera As a subscriber, you not only secure the best seats at the lowest prices, you are a valued partner in supporting our creative work onstage and in the community. Your commitment to multiple operas allows us to program thrilling seasons of diverse repertoire and inspire future audiences through ticket initiatives, education programs, community engagement, and so much more. S P E C TAC U L A R A R T I S T I C E X P E R I E N C E S San Francisco Opera performances bring together all art forms at the highest levels of excellence. Whether classic operas told in sumptuously beautiful stagings, or new stories that reflect contemporary themes, our stage brings together the finest artists in the world to create deeply emotive art. G R E AT E R AC C E S S FO R O U R C O M M U N I T Y Through the Dolby Family Opera for the Bay ticket initiative, we are bringing thousands of Bay Area residents to the War Memorial Opera House for the first time, while new programs are taking opera around the Bay Area, engaging new opera lovers in their own communities. I N S P I R I N G T H E N E X T G E N E R AT I O N Our education programs bring opera to Bay Area students of all ages, connecting them with the extraordinary power of the opera stage. We cannot do this work without the support of donors and subscribers like you. Thank you for being an integral part of our San Francisco Opera family. You are making the future of opera possible!
PHOTO: CODY PICKENS
Welcome to the 2023–24 Season!
The (R)evolution of Steve Jobs Bates & Campbell 6–7
Lohengrin Wagner 8–9
Omar Giddens & Abels 10–11
The Elixir of Love Donizetti 12–13
The Magic Flute Mozart 14–15
Partenope Handel 18–19
The opera stage is a constantly morphing canvas of lyrical story telling. From night to night, we move through time and place, exploring different aspects of what it means to be human.
Special Events 20
As we fully enter our second century, our 101st season is one of great exploration and discovery with stories both timeless and timely. Eun Sun Kim continues to take us through the works of Verdi with Il Trovatore, and she begins a parallel journey into Wagner’s music with a new-to-San Francisco production of Lohengrin. She will also conduct Mozart’s The Magic Flute in an acclaimed production inspired by 1920s cinema.
Support Us 22-23
The 2023-24 season includes three co-commissions by San Francisco Opera, the highest ratio of bold, new stories that we have ever seen. We will explore powerful subjects including the multifaceted impact of technology on life, finding a voice when society has denied your freedom, and the resilience of families in the face of massive tragedy.
Personalize Your Subscription 23–28 PHOTO: KRISTEN LOKEN
Cover and 2023–24 Season illustrations by Brian Stauffer.
Il Trovatore Verdi 4–5
Innocence Saariaho & Oksanen 16–17
Matthew Shilvock and Eun Sun Kim
Whatever the time and place on stage, great opera invites us into reflections of who we are in the here and now. It is an art-form of the heart, and we welcome you to a journey of profound emotion as we enter our second century. Thank you for joining us.
Opera Ball 2–3
Seating Zones 29
SFOPERA.COM | 1
Don’t miss Opera Ball, San Francisco Opera’s biggest fundraiser of the year! Your evening begins at City Hall on the red carpet, followed by an exquisite cocktail reception. After your time in the spotlight, savor the glamour of City Hall while you enjoy a lavish culinary experience created by local chefs. And that is only the beginning. After dinner, our beloved War Memorial Opera House beckons you as the curtain rises on the 2023–24 season, beginning with a 90-minute concert starring superstar tenor Roberto Alagna and soprano Aleksandra Kurzak with the San Francisco Opera Chorus and Orchestra, conducted by Music Director Eun Sun Kim. Following the cries of “brava!” and “bravo!” you’ll head to the after-party that is the toast of the town! Dance away the evening to live music, or spend time in the lounge with libations, bites, and excellent company. Proceeds support the future of opera and opera education in the Bay Area. Buy your tickets today!
San Francisco Opera and the San Francisco Opera Guild Opera Ball is made possible, in part, by Opening Week Grand Sponsor Diane B. Wilsey.
CO-CHAIRS Sue Graham Johnston and Francesca Amann
G R E AT B E N E FA C T O R TICKETS $10,000
G R A N D B E N E FA C T O R TICKETS $5,000
B E N E FA C T O R T I C K E T S $3,500
SEPTEMBER 8, 2023
OPERA BALL
5PM 6PM 8PM 9:30PM
A D V O C AT E T I C K E T S $2,000
Red Carpet and Cocktail Reception Dinner at City Hall Performance at the War Memorial Opera House After-Party at City Hall
PAT R O N T I C K E T S $1,500
T I C K E T S O N S A L E N O W AT S F O P E R A . C O M / O P E R A B A L L C O C K TA I L D I N N E R C E L E B R AT I O N T I C K E T S
P H OTO S : LU K A S Z R A J C H E R T A N D C O DY P I C K E N S . I L LU S T R AT I O N B Y B R I A N S TAU F F E R .
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PRESENTED BY
A festive cocktail dinner option hosted in partnership with BRAVO! Club, with tickets beginning at $325. Each ticket includes dinner and performance seating plus a tax-deductible donation to San Francisco Opera, along with the cocktail reception and after-party. Proceeds from the evening will benefit a wide range of artistic initiatives at San Francisco Opera as well as the San Francisco Opera Guild’s education programs. Tickets for the concert are not sold separately at this time. Additional concert support provided by Jan Shrem and Maria Manetti Shrem.
Roberto Alagna and Aleksandra Kurzak
Eun Sun Kim
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amilial revenge runs deep in Giuseppe Verdi’s towering opera of grand passions stymied at every turn. Music Director Eun Sun Kim continues her Verdi cycle with Il Trovatore, a work of sublime arias, passionate ensembles, and the rousing Anvil Chorus. In her quest for vengeance, Azucena has accidentally killed her own child, kidnapped the son of her enemy, and raised him as her own. Now a troubadour, Manrico’s passion for Leonora plunges him into a love triangle that reignites a family feud and, only too late, reveals a tragic secret. Sir David McVicar’s incisive, visceral production, rooted in the haunting imagery of Spanish painter Francisco Goya and the power struggles of the Spanish War of Independence, returns to San Francisco. The 2017 winner of the Manetti Shrem Emerging Star competition, Arturo Chacón-Cruz vies with George Petean for the hand of Angel Blue. And holding close the dark secret is Anita Rachvelishvili as Azucena, a woman consumed by the need to right a long-ago wrong.
CAST Leonora Angel Blue Azucena Anita Rachvelishvili Manrico Arturo Chacón-Cruz Count di Luna George Petean* Ferrando Robert Pomakov C R E AT I V E T E A M Conductor Eun Sun Kim Production Sir David McVicar Revival Director Roy Rallo Set Designer Charles Edwards Costume Designer Brigitte Reiffenstuel Lighting Designer Jennifer Tipton Chorus Director John Keene PRODUCTION SPONSORS
United by Blood. Divided by Hate.
Co-production with San Francisco Opera, Lyric Opera of Chicago and the Metropolitan Opera, New York. Running time approximately 2 hours and 40 minutes with one intermission P H OTO : C O RY W E AV E R
BY GIUSEPPE VERDI
S E P T E M B E R 1 2 , 1 7, 2 0 , 2 3 , 2 9 ; O C T O B E R 1 , 2 0 2 3 | S U B S C R I B E F O R P R I O R I T Y S E AT I N G
Additional support provided by Jerome L. and Thao N. Dodson; John A. and Cynthia Fry Gunn; Burgess and Elizabeth Jamieson; Jan Shrem and Maria Manetti Shrem; and The Thomas Tilton Production Fund. Sung in Italian with English supertitles
Il Trovatore 4
Il Trovatore is made possible, in part, by Opening Week Grand Sponsor Diane B. Wilsey.
*San Francisco Opera debut
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The (R)evolution of Steve Jobs
CAST Steve Jobs John Moore*
device that brought the world to our fingertips, connected us in unparalleled ways, and streamlined communication. But for the man behind the machine, life was far from streamlined.
The (R)evolution of Steve Jobs, by acclaimed San Francisco composer Mason Bates and Pulitzer-winning librettist Mark Campbell, brings home to the Bay Area this Grammyaward winning opera, a parable on the contradictions of technology. Through a prism of constantly shifting scenes in high-tech staging by Kevin Newbury and 59 Productions, we grapple with the question of what it means to hold onto humanity in a world of unceasing access to information.
BY M A S O N B AT E S A N D M A R K C A M P B E L L
John Moore is Steve Jobs, a man torn between the fervor to create the perfect product and the beautiful simplicity of the world around him. Sasha Cooke is Laurene Powell Jobs, in whose unfailing compassion, these dualities find resolution. Tenor Bille Bruley, and bass Wei Wu are Steve Wozniak, and Jobs’ mentor, Zen master Kōbun Otogawa. Under the baton of Michael Christie, Mason Bates’ score takes us on an operatic journey through the fragmented memory of love, betrayal, obsession and death, weaving together classical lyricism and a techno soundscape formed from the sounds of early computing. A cutting-edge vision of opera and a meditation on the impact of technology in our lives.
One Device. A World Forever Changed.
Laurene Powell Jobs Sasha Cooke Steve Wozniak Bille Bruley* Kōbun Chino Otogawa Wei Wu* C R E AT I V E T E A M Conductor Michael Christie Director Kevin Newbury Set Designer Victoria (Vita) Tzykun* Costume Designer Paul Carey* Lighting Designer Japhy Weideman* Projection Design 59 Productions* Sound Designer Rick Jacobsohn* Chorus Director John Keene PRODUCTION SPONSORS The (R)evolution of Steve Jobs is made possible, in part, by Dr. and Mrs. William M. Coughran; Keith and Priscilla Geeslin; John A. and Cynthia Fry Gunn; Jan Shrem and Maria Manetti Shrem; Barbara A. Wolfe; and the National Endowment for the Arts. Sung in English with English supertitles Commissioned by San Francisco Opera, The Santa Fe Opera and Seattle Opera with support from Cal Performances and co-produced with Indiana University Jacobs School of Music. Running time approximately 1 hour and 30 minutes with no intermission.
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S E P T E M B E R 2 2 , 2 4 , 2 7, 3 0 ; O C T O B E R 3 , 7, 2 0 2 3
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P H OTO : K E N H OWA R D
*San Francisco Opera debut
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e arrived from her dreams to save her from a nightmare. Trapped in a scheme to frame her for her brother’s disappearance, Elsa von Brabant prays for a savior to rescue her. And one appears: a knight conveyed by a beautiful swan. He has only one request: that Elsa must never ask his name. Can Elsa trust her life and love to a stranger whose mysterious identity is eating away at her? Lohengrin marks the beginning of Music Director Eun Sun Kim’s journey through the works of Richard Wagner, creating a new generation of Wagnerian experiences that will speak to the soul of our collective humanity. David Alden’s celebrated production from the Royal Opera, Covent Garden, seen for the first time in America, plunges the action into a war-ravaged country in the grips of totalitarianism. Friedrich of Telramund and his wife Ortrud—played by Brian Mulligan and Judit Kutasi—conspire to gain power by whatever means necessary. They prey on the growing anxiety of Elsa, sung by former Adler Fellow Julie Adams, leading her closer and closer to the forbidden question. Legendary heldentenor Simon O’Neill is Lohengrin, the knight whose anonymity is ultimately as unattainable as his love.
Lohengrin
CAST Lohengrin Simon O’Neill Elsa Brabant Julie Adams Ortrud Judit Kutasi* Friedrich of Telramund Brian Mulligan King Heinrich Kristinn Sigmundsson The King’s Herald Thomas Lehman* C R E AT I V E T E A M Conductor Eun Sun Kim Director David Alden Associate Director Peter Relton* Set Designer Paul Steinberg Costume Designer Gideon Davey* Lighting Designer Adam Silverman Projection Designer Tal Rosner* Chorus Director John Keene
His Secret is Her Obsession.
BY R I C H A R D WAG N E R
PRODUCTION SPONSORS Lohengrin is made possible, in part, by Barbara A. Wolfe; Dr. and Mrs. William M. Coughran; Jerome L. and Thao N. Dodson; John A. and Cynthia Fry Gunn; Burgess and Elizabeth Jamieson; Bernard and Barbro Osher; and Jan Shrem and Maria Manetti Shrem. Sung in German with English supertitles Royal Opera House Covent Garden and Opera Vlaanderen Co-Production.
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OCTOBER 15, 18, 21, 24, 27; NOVEMBER 1, 2023
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PHOTO: CLIVE BARDA
Running time approximately 4 hours and 20 minutes with two intermissions *San Francisco Opera debut
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CAST
In the early 1800s, Islamic scholar Omar Ibn Said is forcibly taken from his village in West Africa and sold into slavery in Charleston, South Carolina. Attempting to flee, he is imprisoned in Fayetteville and taken to the plantation of another slaveholder, eager to convert him to Christianity. There Omar records his story in Arabic, transforming his world into an expansive canvas of text and faith, profoundly realized in Kaneza Schaal’s transcendent production.
Auctioneer/Taylor Barry Banks
riting is the preservation of identity in the new opera Omar from Grammywinning artist Rhiannon Giddens and composer Michael Abels. A true story of an indomitable faith enshrined in a two-hundred-year-old autobiography in an opera acclaimed by The New York Times as a “sweeping achievement.”
Omar
Tenor Jamez McCorkle reprises his role as Omar, “a role he brings to life in all its spiritual magnificence” (LA Times). Also returning from the world premiere is conductor John Kennedy, under whose baton strains of bluegrass, spirituals, the West African kora, folk and jazz combine to create an expansive musical reflection of the interconnecting truths of Omar’s world.
BY RHIANNON GIDDENS AND MICHAEL ABELS
Omar Jamez McCorkle* Julie Brittany Renee* Fatima, Omar’s Mother Taylor Raven Johnson/Owen Daniel Okulitch Abdul, Omar’s Brother/Abe Norman Garrett*
C R E AT I V E T E A M Conductor John Kennedy* Director Kaneza Schaal* Production Designer Christopher Myers* Set Designer Amy Rubin* Costume Designer April M. Hickman* Costume Designer Micheline Russell-Brown* Lighting Designer Pablo Santiago* Projection Designer Joshua Higgason*
Remember His Name.
Chorus Director John Keene PRODUCTION SPONSORS Omar is made possible, in part, by Marcia Barinaga & Corey Goodman; Bob Ellis; and Jan Shrem and Maria Manetti Shrem Sung in English with English supertitles
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N O V E M B E R 5 , 7, 1 1 , 1 5 , 1 7, 2 1 , 2 0 2 3
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P H OTO : C O RY W E AV E R
Co-commission and co-production by Spoleto Festival USA, Carolina Performing Arts at UNC Chapel Hill, LA Opera, San Francisco Opera, Boston Lyric Opera, and Lyric Opera of Chicago Running time approximately 2 hours and 45 minutes including one intermission *San Francisco Opera debut
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CAST
ith no money, no confidence, and no hope of winning the hand of the alluring hotel owner Adina, the young waiter Nemorino entrusts his chance of romance to a quack salesman and a dubious bottle of. . . magic elixir.
The potion, boasting mythic capabilities, tastes suspiciously like cheap table wine. But with tenor Pene Pati in the starring role, this promises to be grand cru magic! Passions bubble to the surface in Gaetano Donizetti’s effervescent comedy The Elixir of Love, a quest for passion and romance on the sunny Mediterranean Riviera. Hop on your Vespa and travel to a glamorous 1950s seaside hotel, frequented by the suave naval officer Belcore who is also adamant in his pursuit of Adina, played by lyric soprano Slávka Zámečníková. Will the aviator-wearing, self-assured officer prevail, or will our young waiter find enough liquid courage to be noticed?
The Elixir of Love
Director Daniel Slater and designer Robert Innes Hopkins create a sun-soaked world of pleasure where cocktails flow freely and hot-air balloons glide across the sky—a harkening back to Federico Fellini’s La Dolce Vita, brought to musical life under the baton of conductor Ramón Tebar in his company debut.
BY G A E TA N O D O N I Z E T T I
In Vino Veritas. Riviera Style.
Nemorino Pene Pati/ Jonah Hoskins* (11/29) Adina Slávka Zámečníková* Dulcamara Renato Girolami* Sergeant Belcore David Bižić* C R E AT I V E T E A M Conductor Ramón Tebar* Director Daniel Slater Associate Director/ Choregrapher Tim Claydon* Production Designer Robert Innes Hopkins Original Lighting Designer Simon Mills Chorus Director John Keene PRODUCTION SPONSORS The Elixir of Love is made possible, in part, by Jerome L. and Thao N. Dodson; the San Francisco Opera Guild; and Jan Shrem and Maria Manetti Shrem Sung in Italian with English supertitles A co-production of San Francisco Opera and Lyric Opera of Chicago, originally created by Opera North, UK Running time approximately 2 hours and 40 minutes with one intermission
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NOVEMBER 19, 24, 26, 29; DEC 5, 9, 2023
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P H OTO : C O RY W E AV E R
*San Francisco Opera debut
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nfiltrate the castle. Rescue the princess. Bring her home. That’s the mission that unites two unlikely allies: a dashing young prince and a bumbling bird-catcher, armed only with a set of magical musical instruments. Their journey into a world of sorcerers and serpents, spirits and secrets, takes an unexpected turn in The Magic Flute, a fairy-tale quest for love and wisdom. Mozart’s final opera comes alive in an acclaimed, inventive production from Barrie Kosky and Suzanne Andrade, conjured from the topsy-turvy delights of silent cinema, 1920s cabaret, early Hollywood animation, and the illustrator Edward Gorey. Enter a kaleidoscopic dream where pink elephants fly, demon dogs dance, and bells transform into a chorus line, as tenor Amitai Pati teams up with a Buster Keaton-esque Lauri Vasar to save Christina Gansch.
The Magic Flute
Little do they know that they might be stumbling into a trap spun by an arachnid Queen of the Night, played by Anna Simińska, as she wages war on Kwangchul Youn’s benevolent sun priest. Music Director Eun Sun Kim takes us on a humanistic journey of awakening with some of the most sublime music ever written by Mozart.
BY WOLFGANG AMADEUS MOZART
Journey into Love. Adventure into Fantasy.
CAST Tamino Amitai Pati Pamina Christina Gansch Papageno Lauri Vasar* Sarastro Kwangchul Youn* The Queen of the Night Anna Simińska* Monostatos Zhengyi Bai C R E AT I V E T E A M Conductor Eun Sun Kim Production Barrie Kosky* and Suzanne Andrade* Production Designer Esther Bialas* Animation Designer Paul Barritt* Chorus Director John Keene PRODUCTION SPONSORS The Magic Flute is made possible, in part, by John A. and Cynthia Fry Gunn; Edmund W. and Jeannik Méquet Littlefield Fund; and Jan Shrem and Maria Manetti Shrem Sung in German with English supertitles A Production of the Komische Oper Berlin. Co-Produced by Los Angeles Opera and Minnesota Opera. Running time approximately 2 hours and 40 minutes with one intermission
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M AY 3 0 ; J U N E 2 , 4 , 8 , 1 4 , 2 0 , 2 2 , 2 6 , 3 0 , 2 0 2 4
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P H OTO : C O RY W E AV E R
*San Francisco Opera debut
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CAST Waitress Ruxandra Donose
joyous wedding celebration takes a shocking turn when the darkest of family secrets is revealed and a young bride has an impossible decision to make.
Acclaimed by the The New York Times as a “masterpiece,” Innocence takes us to the limits of a family’s ability to deal with tragedy. In a gripping one-act drama, Kaija Saariaho and Sofi Oksanen unfold a harrowing story of emotional shock and surprise in which our understanding of innocence and guilt is continually upended.
Mother in Law Claire de Sévigné* Father in Law Rod Gilfry Groom Miles Mykkanen* Priest Kristinn Sigmundsson Teacher Lucy Shelton* Markéta Vilma Jää* C R E AT I V E T E A M
Saariaho’s score takes us from the visceral emotion of trauma to music of another world, ethereally portrayed by Finnish folk singer Vilma Jää. In his cinematic production, Simon Stone propels us through tragedy and our response to trauma, leaving us with hope for the resilience of the human spirit.
Innocence
Premiered in Aix-en-Provence in 2021 and making its American premiere in San Francisco, Innocence makes clear the power of the opera stage to tell emotive stories impossible in any other art form. Saariaho specialist Clément Mao-Takacs leads an international cast of singers and actors in this towering work performed in multiple languages.
BY KAIJA SAARIAHO AND SOFI OKSANEN
Conductor Clément Mao-Takacs* Production Simon Stone* Set Designer Chloe Lamford* Costume Designer Mel Page* Lighting Designer James Farncombe* Projection Designer Timo Kurkikangas* Choreographer Arco Renz* Chorus Director John Keene PRODUCTION SPONSORS
Resilience at the Edge of Tragedy.
Innocence is made possible, in part, by the Phyllis C. Wattis Fund for New Productions; Keith and Priscilla Geeslin; Jan Shrem and Maria Manetti Shrem; and the National Endowment for the Arts
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J U N E 1 , 7, 1 2 , 1 6 , 1 8 , 2 1 , 2 0 2 4
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PHOTO: JEAN-LOUIS FERNANDEZ.
Sung in English, Finnish, Czech, Romanian, French, Swedish, German, Spanish and Greek with English supertitles World premiere in July 2020 at the Grand Théâtre de Provence, in Aix-en-Provence. Co-Commission and Co-Production of Festival d'Aix-en-Provence, San Francisco Opera, Dutch National Opera, Amsterdam, Royal Opera House — Covent Garden, London, and Finnish National Opera and Ballet, Helsinki. Running time approximately 1 hour and 45 minutes with no intermission *San Francisco Opera debut
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S Partenope BY GEORGE FRIDERIC HANDEL
CAST Partenope Julie Fuchs*
he’s the most eligible bachelorette in 1920s Paris. And she’s besieged by suitors.
Rosmira Daniela Mack Arsace Carlo Vistoli* Armindo Nicholas Tamagna*
Love is a battlefield in Christopher Alden’s Olivier Awardwinning production of Partenope, a laugh-out-loud comedy of romance and rejection, set to some of George Frideric Handel’s most masterful music.
Emilio Alek Shrader
Partenope is the queen of the Paris social scene, her salon a magnet for the era’s surrealist artists. But they’re not just interested in cocktails and conversation. They’re interested in winning her hand in marriage. One suitor is a wide-eyed romantic. Another, a debonair playboy. A third, a trigger-happy photographer. And then there’s the mustachioed mystery suitor, who may be more than he—or she—appears. Love takes unexpected twists in this Dadaist romp.
C R E AT I V E T E A M
Countertenors Carlo Vistoli and Nicholas Tamagna, mezzosoprano Daniela Mack, and tenor Alek Shrader compete to earn the affections of Julie Fuchs in her Company debut as the queen bee, Partenope. A master of the Baroque repertoire, Christopher Moulds returns to the podium to lead Handel’s virtuosic score, a brisk confection full of high-flying virtuosity and emotionally stirring arias.
Costume Designer Jon Morrell
Ormonte Hadleigh Adams
Conductor Christopher Moulds Director Christopher Alden Associate Director Roy Rallo Set Designer Andrew Lieberman
Original Lighting Designer Adam SIlverman Lighting Designer Gary Marder Chorus Director John Keene PRODUCTION SPONSORS
Roaring Twenties. Raging Love.
Partenope is made possible, in part, by Bernard and Barbro Osher; and Jan Shrem and Maria Manetti Shrem Sung in Italian with English supertitles English National Opera and Opera Australia Co-Production Running time approximately 3 hours and 30 minutes with 2 intermissions
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JUNE 15, 19, 23, 25, 28, 2024
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P H OTO : C O RY W E AV E R
*San Francisco Opera debut
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Personalize Your Opera Experience!
SAN FRANCISCO CHRONICLE PRESENTS
Opera in the Park
S U B S C R I B E TO S E C U R E T H E B E S T S E AT S AT T H E B E S T P R I C E S A N D E X P E R I E N C E O P E R A YO U R WAY.
S U N D AY, S E P T E M B E R 1 0 , 2 0 2 3 AT 1 : 3 0 P M ROBIN WILLIAMS MEADOW G O L D E N G AT E P A R K
Music Director Eun Sun Kim leads the San Francisco Opera Orchestra in an afternoon of duets, arias, and more, performed by stars from San Francisco Opera’s 2023–24 Season. Opera in the Park is made possible, in part, by Opening Week Grand Sponsor Diane B. Wilsey.
Additional support provided by William and Gretchen Kimball Fund.
F R I D AY, D E C E M B E R 1 , 2 0 2 3 AT 7 : 3 0 P M
Experience the first act of Donizetti’s The Elixir of Love on stage, and then immerse yourself in the raucous world of the opera in a transformed opera house. Part opera, part party, you won’t want to miss this one-night-only event! 20
Recommended for audiences ages 21 and over.
P H OTO : C O R Y W E AV E R . I L LU S T R AT I O N S B Y B R I A N S TA U F F E R .
The Elixir of Love
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Choose Your Series
Full Series include all 8 operas* so you won’t miss a moment of the season. Full Series Subscribers have priority seating, and premier benefits. (*Except R Series, which has six operas.)
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Pick and choose dates for Design Your Own Series on page 28.
Choose the seating section and price point that is best for you!
Schedule Your Season
Browse Full and Half Series schedules on pages 25–27.
Select Your Zone
Peruse all the seating options on page 29.
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Half Series include 2–4 operas, and you are able to keep your seats year to year. Design Your Own Series (4 or more operas) are the most flexible subscriptions to fit your opera tastes on your schedule.
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COMPANY SPONSORS Norby Anderson Jerome L. and Thao N. Dodson The Dolby Family Carol and Dixon Doll Bertie Bialek Elliott Peter Fenton and Kate Greer Keith and Priscilla Geeslin Ann and Gordon Getty Foundation for the Arts John A. and Cynthia Fry Gunn Burgess and Elizabeth Jamieson Franklin and Catherine Johnson Edmund W. and Jeannik Méquet Littlefield Fund Bernard and Barbro Osher Jan Shrem and Maria Manetti Shrem Dianne and Tad Taube Phyllis C. Wattis Endowment Funds
Our donor family gives gifts of all sizes and collectively provides the income to cover 75% of our annual operating costs.
Diane B. Wilsey Barbara A. Wolfe
San Francisco Opera is supported, in part, by a grant from Grants for the Arts.
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P H O T O S : D R E W A LT I Z E R , J O R D A N A M A N N , S C O T T W A L L , A N D K R I S T E N L O K E N
Donor gifts create opera productions, enable learning programs for people of all ages throughout the Bay Area and online, and help to keep our ticket prices as low as possible.
W E I N V I T E YO U R P E R S O N A L G I F T I N T H E A M O U N T T H AT ’ S R I G H T F O R YO U . Listed below are the possible donor levels: Friends Circle Medallion Society Leadership Circle Producers Circle Company Sponsor
Donor tour of the scene shop
$75–$2,999 $3,000–$24,999 $25,000–$99,999 $100,000–$999,999 $1,000,000 and more
Please join us in celebrating our Second Century by making a new or increased gift today. To learn more, go to sfopera.com/give or call (415) 551-6416. Please scan this QR code to make your gift now.
SFOPERA.COM | 23
SCAN TO GIVE
Subscription Benefits
P E R S O N A L I Z E YO U R 2 0 2 3 – 24 S E AS O N
Discover the advantages only subscribers enjoy. Join a passionate community of opera lovers and receive extra perks for the ultimate opera-going experience.
S E E 6 – 8 O P E R A S A N D R E C E I V E F I R S T S E AT I N G P R I O R I T Y !
Full Series Guide W E E K D AY S A
B E S T VA LU E !
SUBSCRIBER BENEFITS
Savings compared to single tickets
FULL SERIES 6–8 Performances
HALF SERIES 2–4 Performances
DESIGN YOUR OWN SERIES Minimum of 4 Performances
Up to 27%
Up to 27%
Up to 23%
NEW! Free access to all livestreams during the season†
✪
Same seats for each performance in your series
✪
Opportunity to keep seats from year to year
Complimentary seat upgrades Personalized service with a subscriber representative Request early exchanges at time of order*
Priority seating††
Unlimited exchanges during the season Option to purchase pre-paid parking vouchers for subscription performances Discounts on additional tickets up to 23%
Subscriber ID card and benefits package
Discount at the Opera Shop
✪ ✪
G
J
M
8 TUE
8 WED
6 MIXED DAYS
8 FRI
8 SAT
8 SUN MATINEE
Il Trovatore T Sep 12 7:30pm
Il Trovatore W Sep 20 7:30pm
Il Trovatore Su Oct 1 2pm
Steve Jobs F Sep 22 7:30pm
Il Trovatore S Sep 23 7:30pm
Il Trovatore Su Sep 17 2pm
EXCHANGES There may be price differences when requesting exchanges. For more information, visit sfopera.com/subexchanges.
Steve Jobs T Oct 3 7:30pm
Steve Jobs W Sep 27 7:30pm
Steve Jobs S Oct 7 7:30pm
Il Trovatore F Sep 29 7:30pm
Steve Jobs S Sep 30 7:30pm
Steve Jobs Su Sep 24 2pm
Lohengrin T Oct 24 7pm
Lohengrin W Oct 18 7pm
Lohengrin W Nov 1 7pm
Lohengrin F Oct 27 7pm
Lohengrin S Oct 21 7pm
Lohengrin Su Oct 15 2pm
Omar T Nov 7 7:30pm
Omar W Nov 15 7:30pm
Omar Tu Nov 21 7:30pm
Omar F Nov 17 7:30pm
Omar S Nov 11 7:30pm
Omar Su Nov 5 2pm
Elixir of Love T Dec 5 7:30pm
Elixir of Love W Nov 29 7:30pm
Magic Flute Th May 30 7:30pm
Elixir of Love F Nov 24 7:30pm
Elixir of Love S Dec 9 7:30pm
Elixir of Love Su Nov 19 2pm
Innocence F Jun 21 7:30pm
Innocence F Jun 7 7:30pm
Innocence S Jun 1 7:30pm
Magic Flute Su Jun 2 2pm
TIP Reference the seating map on page 29.
3 Performances
1 Performance
✪
Magic Flute T Jun 4 7:30pm
Innocence W Jun 12 7:30pm
✪
✪
✪
✪
Innocence T Jun 18 7:30pm
Partenope W Jun 19 7:30pm
Magic Flute F Jun 14 7:30pm
Magic Flute S Jun 8 7:30pm
Innocence Su Jun 16 2pm
Partenope T Jun 25 7:30pm
Magic Flute W Jun 26 7:30pm
Partenope F Jun 28 7:30pm
Partenope S Jun 15 7:30pm
Partenope Su Jun 23 2pm
Orchestra Premium
$2,312
$1,976
$1,722
$2,208
$2,440
$2,488†
Orchestra Premium 2
$2,172
$1,416
$1,582
$1,928
$2,440
$2,488 $1,304
Up to 3 Performances Up to 2 Performances**
✪
✪
✪
First Priority
Second Priority
Third Priority
✪
✪
✪
✪
Performing Arts Garage ($23/perf)
✪ ✪
✪
UC Hastings Garage ($16/perf)
✪ ✪
✪
UC Hastings Garage ($16/perf)
Orchestra 3
$1,204
$1,024
$898
$1,149
$1,274
Orchestra 4
$836
$704
$622
$795
$886
Center Box (E-V)
$3,120
†
$2,928
$2,348
Box
$2,938†
$2,680
✪
Grand Tier Premium
$2,342
$2,096
Grand Tier Premium 2
$2,118
Grand Tier
$1,476
Dress Circle Premium
$1,242
✪
✪
✪
✪
20% off
10% off
10% off
*Only available at the time of order by phone or in person. Seats assigned for early exchanges may be different from subscription seating and seating zone is not guaranteed. Exchanges cannot be made into Opera Ball. **Half Series S subscribers may arrange for one early exchange; Half Series X & W subscribers cannot place early exchanges. † Includes 48 hour on demand viewing when available. †† Seating priority is based upon subscription and donor contribution history, with greater consideration given to contribution history.
TEACHER AND STUDENT SERIES Teachers and students can save 50% on select series and sections. Learn more at sfopera.com/edu.
24
R
SERIES PRICING Individual performance prices vary within each series. Therefore, prices may differ between similar series.
✪ ✪
WEEKENDS
D
Pay for your subscription in installments with our easy payment plans!
†
$904
$3,068
†
$3,208
$3,280†
$2,204
$2,863
$3,046†
$3,112†
$1,752
$2,268
$2,440
$2,488
$1,200
$1,528
$1,820
$2,440
$2,488
$1,200
$1,094
$1,389
$1,578
$1,608
$1,128
$930
$1,208
†
$1,288
$1,312†
†
Dress Circle
$950
$800
$706
$903
$1,006
$1,024
Dress Circle 2
$904
$616
$660
$811
$1,006
$1,024
Balcony Circle 1
$812
$704
$606
$779
$854
$872
Balcony Circle 2
$524
$416
$388
$490
$564
$576
Balcony 1
$516
$408
$382
$482
$556
$568
Balcony 2
$370
$208
$268
$318
$428
$440
Balcony 3
$198
$168
$146
$188
$208
$208
†
Limited availability. Please select second choice when ordering. A $2 per-ticket facility fee is included in Balcony 1, 2, and 3 zone prices; all other zones include a $3 per-ticket facility fee. Subscription discounts do not apply to facility fees. Exchanges are subject to availability; any additional ticket price differential will apply. Exchanges cannot be made into Opera Ball. All tickets are subject to availability. All dates, prices, programs, artists, and productions are subject to change.
O R D E R N O W Call (415) 864-3330 or visit sfopera.com/subscribe.
SFOPERA.COM | 25
P E R S O N A L I Z E YO U R 2 0 2 3 – 24 S E AS O N
P E R S O N A L I Z E YO U R 2 0 2 3 – 24 S E AS O N
Weekday Half Series
Weekend Half Series
M A K E YO U R W E E K N I G H T S S P E C TA C U L A R
B R I N G M U S I C TO YO U R W E E K E N D
W E E K D AY H A L F S E R I E S
SERIES PRICING Individual performance prices vary within each series. Therefore, prices may differ between similar series.
B
C
E
WEEKEND HALF SERIES
F
S
T
I
4 MIXED NIGHT
4 FRI
4 FRI
K
L
N
O
W
X
4 SAT
4 SAT
4 SUN MATINEE
4 SUN MATINEE
2 SUN MATINEE
2 MIXED NIGHT
Elixir of Love Su Nov 26 2pm
The Elixir of Love: Encounter F Dec 1 7:30pm
4 TUE
4 WED
4 WED
3 MIXED DAYS
Il Trovatore T Sep 12 7:30pm
Lohengrin T Oct 24 7pm
Il Trovatore W Sep 20 7:30pm
Steve Jobs W Sep 27 7:30pm
Il Trovatore Su Oct 1 2pm
Steve Jobs S Oct 7 7:30pm
Steve Jobs F Sep 22 7:30pm
Il Trovatore F Sep 29 7:30pm
Il Trovatore S Sep 23 7:30pm
Lohengrin S Oct 21 7pm
Il Trovatore Su Sep 17 2pm
Steve Jobs Su Sep 24 2pm
Steve Jobs T Oct 3 7:30pm
Omar T Nov 7 7:30pm
Omar W Nov 15 7:30pm
Lohengrin W Oct 18 7pm
Omar T Nov 21 7:30pm
Lohengrin W Nov 1 7pm
Lohengrin F Oct 27 7pm
Omar F Nov 17 7:30pm
Steve Jobs S Sep 30 7:30pm
Omar S Nov 11 7:30pm
Lohengrin Su Oct 15 2pm
Elixir of Love T Dec 5 7:30pm
Magic Flute T Jun 4 7:30pm
Partenope W Jun 19 7:30pm
Elixir of Love W Nov 29 7:30pm
Magic Flute Th Jun 20 7:30pm
Magic Flute Th May 30 7:30pm
Magic Flute W Jun 26 7:30pm
Innocence W Jun 12 7:30pm
Elixir of Love S Dec 9 7:30pm
Omar Su Nov 5 2pm
Partenope T Jun 25 7:30pm
Magic Flute F Jun 14 7:30pm
Innocence S Jun 1 7:30pm
Innocence T Jun 18 7:30pm
Elixir of Love F Nov 24 7:30pm
Elixir of Love Su Nov 19 2pm
Innocence F Jun 7 7:30pm
Partenope F Jun 28 7:30pm
Partenope S Jun 15 7:30pm
Magic Flute S Jun 8 7:30pm
Innocence Su Jun 16 2pm
Orchestra Premium
$1,156
$1,156
$988
$988
$861
$1,108
Orchestra Premium
$1,044
$1,164
$1,220
$1,220
$1,244
$1,244
$606
$405
Orchestra Premium 2
$1,086
$1,086
$708
$708
$791
$968
Orchestra Premium 2
$834
$1,094
$1,220
$1,220
$1,244
$1,244
$606
$405
Orchestra 3
$602
$602
$512
$512
$449
$577
Orchestra 3
$542
$607
$637
$637
$652
$652
$316
$227
Orchestra 4
$418
$418
$352
$352
$311
$399
Orchestra 4
$374
$421
$443
$443
$452
$452
$220
$177
Center Box (E-V)
$1,560†
$1,560†
$1,464
$1,464
$1,174
$1,540
Center Box (E-V)
$1,496
$1,572
$1,604†
$1,604†
$1,640†
$1,640†
$796
$594
Box
$1,469
$1,469
$1,340
$1,340
$1,102
$1,437
Box
$1,383
$1,480
$1,523
†
$1,523
†
†
$1,556
$1,556
†
$756
$573
Grand Tier Premium
$1,171
$1,171
$1,048
$1,048
$876
$1,138
Grand Tier Premium
$1,089
$1,179
$1,220
$1,220
$1,244
$1,244
$606
$405
Grand Tier Premium 2
$1,059
$1,059
$600
$600
$764
$914
Grand Tier Premium 2
$753
$1,067
$1,220
$1,220
$1,244
$1,244
$606
$405
Grand Tier
$738
$738
$600
$600
$547
$697
Grand Tier
$646
$743
$789
$789
$804
$804
$392
$295
Dress Circle Premium
$621
†
$621
†
$564
†
$564
†
$465
$606
Dress Circle Premium
$583
$625
$644
†
$644
†
$656
†
$656
†
$320
$228
Dress Circle
$475
$475
$400
$400
$353
$453
Dress Circle
$425
$478
$503
$503
$512
$512
$250
$192
Dress Circle 2
$452
$452
$308
$308
$330
$407
Dress Circle 2
$356
$455
$503
$503
$512
$512
$250
$172
Balcony Circle 1
$406
$406
$352
$352
$303
$391
Balcony Circle 1
$370
$409
$427
$427
$436
$436
$212
$153
Balcony Circle 2
$262
$262
$208
$208
$194
$246
Balcony Circle 2
$226
$264
$282
$282
$288
$288
$140
$116
Balcony 1
$258
$258
$204
$204
$191
$242
Balcony 1
$222
$260
$278
$278
$284
$284
$138
$105
Balcony 2
$185
$185
$104
$104
$134
$160
Balcony 2
$131
$187
$214
$214
$220
$220
$106
$89
Balcony 3
$99
$99
$84
$84
$73
$94
Balcony 3
$89
$99
$104
$104
$104
$104
$52
$60
EXCHANGES You may notice price differences when requesting exchanges. For more information, visit sfopera.com/subexchanges. TIP Reference the seating map on page 29.
4 TUE
†
†
Innocence F June 21 7:30pm
† Limited availability. Please select second choice when ordering. A $2 per-ticket facility fee is included in Balcony 1, 2, and 3 zone prices; all other zones include a $3 per-ticket facility fee. Subscription discounts do not apply to facility fees. Exchanges are subject to availability; any additional ticket price differential will apply. Exchanges cannot be made into Opera Ball. All tickets are subject to availability. All dates, prices, programs, artists, and productions are subject to change.
26
H
O R D E R N O W Call (415) 864-3330 or visit sfopera.com/subscribe.
Magic Flute Su Jun 2 2pm
Magic Flute Su Jun 30 2pm
Magic Flute S Jun 22 7:30pm
Partenope Su Jun 23 2pm
Please select second choice when ordering. A $2 per-ticket facility fee is included in Balcony 1, 2, and 3 zone prices; all other zones include a $3 per-ticket facility fee. Subscription discounts do not apply to facility fees. Exchanges are subject to availability; any additional ticket price differential will apply. Exchanges cannot be made into Opera Ball. All tickets are subject to availability. All dates, prices, programs, artists, and productions are subject to change.
O R D E R N O W Call (415) 864-3330 or visit sfopera.com/subscribe.
SFOPERA.COM | 27
Design Your Own Series Or Add More Tickets
Select Your Seating Zone
1. Choose four or more performances 2. Choose Your Seating Section 3. Enjoy a Season of Great Opera! Please note that Tiers (A,B,C) indicate pricing differences between performances, with C being the lowest price and A being the hightest. If you’d like to add on tickets to your Full or Half subscription, choose your performance date and seating section when you place your order. D AT E
TIME
TIER
I L T R OVATO R E TUE SEP 12 7:30PM B SUN SEP 17 2PM A WED SEP 20 7:30PM C SAT SEP 23 7:30PM B FRI SEP 29 7:30PM C SUN OCT 1 2PM A T H E ( R ) E VO LU T I O N O F S T E V E J O B S FRI SEP 22 7:30PM C SUN SEP 24 2PM A WED SEP 27 7:30PM C SAT SEP 30 7:30PM B TUE OCT 3 7:30PM C SAT OCT 7 7:30PM A LO H E N G R I N SUN OCT 15 2PM A WED OCT 18 7PM C SAT OCT 21 7PM B TUE OCT 24 7PM B FRI OCT 27 7PM B WED NOV 1 7PM C OMAR SUN NOV 5 2PM A TUE NOV 7 7:30PM C SAT NOV 11 7:30PM A WED NOV 15 7:30PM C FRI NOV 17 7:30PM B TUE NOV 21 7:30PM B T H E E L I X I R O F LOV E : E N C O U N T E R FRI DEC 1 7:30 ENCOUNTER
O R C H E S T R A , B OX , O R B A LC O N Y ? LO C K I N S AV I N G S O N T H E S E AT S YO U LO V E !
SEPTEMBER 2023 S U N D AY
TIER
TIME
T H E E L I X I R O F LOV E 2PM 7:30PM 2PM 7:30PM 7:30PM 7:30PM T H E M AG I C F LU T E THU MAY 30 7:30PM SUN JUN 2 2PM TUE JUN 4 7:30PM SAT JUN 8 7:30PM FRI JUN 14 7:30PM THU JUN 20 7:30PM SAT JUN 22 7:30PM WED JUN 26 7:30PM SUN JUN 30 2PM INNOCENCE SAT JUN 1 7:30PM FRI JUN 7 7:30PM WED JUN 12 7:30PM SUN JUN 16 2PM TUE JUN 18 7:30PM FRI JUN 21 7:30PM PA RT E N O P E SAT JUN 15 7:30PM WED JUN 19 7:30PM SUN JUN 23 2PM TUE JUN 25 7:30PM FRI JUN 28 7:30PM
SUN NOV 19 FRI NOV 24 SUN NOV 26 WED NOV 29 TUE DEC 5 SAT DEC 9
SUPERTITLES Don’t worry if you don’t understand German or Italian. All of our operas are performed with English supertitles projected above the stage—even the operas in English!
A C B C B A
C I N E M AT I C S I G H T L I N E S Choose Dress Circle zones for cinematic sightlines and excellent acoustics, plus great savings!
C A B B A C A C B B C C A B B B C A B B
EXTRA LEG ROOM Looking for a little more space? Select Orchestra or Box zones to enjoy extra leg room and added comfort.
4
T U E S D AY 5
W E D N E S D AY 6
T H U R S D AY 7
F R I D AY 8
S AT U R D AY 9
OPERA BALL 8PM
10
11
12
OPERA IN THE PARK 1:30PM
17
13
15
16
19
EREV ROSH HASHANAH
20
21
22
IL TROVATORE 7:30PM (D, E)
25 STEVE JOBS 2PM (M, O)
Orchestra Premium
14
IL TROVATORE 7:30PM (A, B)
18
24
26
27
ROSH HASHANAH
23 STEVE JOBS 7:30PM (G, H)
28
29
STEVE JOBS 7:30PM (D, F)
YOM KIPPUR
EREV YOM KIPPUR
IL TROVATORE 7:30PM (J, K)
30
IL TROVATORE 7:30PM (G, I)
STEVE JOBS 7:30PM (J, K)
Orchestra Premium 2
OCTOBER 2023
Orchestra 3 Orchestra 4
1
Center Box (E-V)
2
3
IL TROVATORE 2PM (R, S)
Box
4
5
6
7
STEVE JOBS 7:30PM (A, B)
STEVE JOBS 7:30PM (R, T)
Grand Tier Premium Grand Tier Premium 2 Grand Tier Dress Circle Premium
ST
AG
TIER C
ENCOUNTER
Orchestra Premium
$316
$308
$252
$94
Orchestra Premium 2
$316
$308
$182
$94
Orchestra 3
$168
$163
$133
$64
Orchestra 4
$118
$115
$93
$64
Center Box (E-V)
$415
$403
$371
$184
Box
$394
$383
$340
$184
Grand Tier Premium
$316
$308
$267
$94
Grand Tier Premium 2
$316
$308
$155
$94
Grand Tier
$206
$201
$155
$94
Dress Circle Premium
$169
$165
$146
$64
Dress Circle
$133
$130
$105
$64
Dress Circle 2
$133
$130
$82
$44
Balcony Circle 1
$114
$111
$93
$44
Balcony Circle 2
$77
$75
$57
$44
Balcony 1
$76
$74
$56
$34
Balcony 2
$66
$64
$35
$34
H E L P F U L H I N T S Select a second choice for your seating zone in case your first choice is not available. New subscriptions, early exchanges, and additional tickets
Balcony 3
$33
$32
$26
$34
are sold unseated. Additional tickets are not likely to be the same as your subscription seats. Performances exchanged at the time of order will be released from your series. An $18 subscription handling fee is charged per order. Discounts do not apply to fees. All tickets are subject to availability. All dates, prices, programs, artists, and productions are subject to change. All orders are final. No refunds or returns.
Dress Circle
8
9
10
11
12
13
14
15
16
17
18
19
20
21
E
TIER B
A $2 per-ticket facility fee is included in Balcony 1, 2, and 3 zone prices; all other zones include a $3 per-ticket facility fee. Subscription discounts do not apply to facility fees. Please select second choice when ordering.
3
M O N D AY
IL TROVATORE 2PM (M, N)
TIER A
ZONE
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D AT E
2023–24 Season Calendar
Dress Circle 2 Balcony Circle 1 Balcony Circle 2 Balcony 1 Balcony 2 Balcony 3
LOHENGRIN 2PM (M, N)
ACCESSIBILITY Contact the Box Office for seating requests and accessibility needs.
22
LOHENGRIN 7PM (D, F)
23
24
25 LOHENGRIN 7PM (A, C)
Place Your Order Today! O N L I N E P AY M E N T P L A N S AVA I L A B L E
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30
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SFOPERA.COM/SUBSCRIBE C A L L T H E B OX O F F I C E AT ( 4 1 5 ) 8 6 4 - 3 3 3 0 MON 10AM–5PM; TUE–SAT 10AM–6PM. Sat phones only, except during performance season.
SFOPERA.COM | 29
Highlighted boxes denote opening performances. Letters in parentheses denote Full and Half Series.
LOHENGRIN 7PM (J, L)
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28 LOHENGRIN 7PM (G, H)