Santa Clara Review Vol. 96, Issue 2 by Santa Clara Review

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4 | santa clara review

6<&*' 9*5' 6<&,&I' U' 0%910*&5' 06' E"$#5' :&&/' %&' 9E9:&I' 76' #&9.6' 0*' 6<&'%"!0&.'06'9#E9;.'G""%&5'/&"/#&'0*6"'."%&':0*5'"A'<;/&,8"*M .80"$.*&..I ' 7//9,&*6#;'0*'<0.'$.0*1'59;.N'6<&'h"#5i'+"..'E9.'.E0110*1' ȱ ȱ Ğȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ A""6M#"*1'>"0*6.'96'#$*8<I'7*5'hE<96&!&,'&#.&'U'8"$#5'1&6'%;'<9*5.' "*kIi'U',"##&5'%;'&;&.'E<&*'<&'.905'6<96N'<9!0*1'<&9,5'06'"*&'6""' %9*;'60%&.I'K&,690*#;'9',&8"!&,;'8#08<o'0A'6<&,&'E9.'"*&I'U'/08:&5'96' %;'K"++'.9#95N'&960*1'6<&'/0&8&.'"A'<9%'9*5'&11'"*#;'E<&*'<&'.&6' <0.'*9/:0*'"*'6<&'69+#&'9*5'.905N'hc&##I'U':*"E'>$.6'6<&'/#98&Ii ȱ ȃ ǵȄ ' hD"##0*1'D0!&,.Ii ' hc<96e.'6<96li ' h7',&<9+0#06960"*'8&*6&,Ii ȱ ȃ ǵȄ ȱ ȃ ¢ȱ ȱ ȱ ǯȱ Ȃ ȱ ȱ¢ ǯȱ Ȃ ȱ ȱ¢ ȱ Ĵ ǯȱ ǰȱ ȱ ȱ ȱǞŗŖŖȱ Ğȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ǯȄȱ ȱ ȱ ȱ ¢ȱȃ ǵȄȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ ǯȱ ȱ ȱ ȱ Ğȱ ȱ ǯ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ Ĝ ȱ ȱ ȱ ǰȱȃ Ȃ ȱ .&,0"$.li ' hU'9%Ii ' hF$6'5"*e6'U'*&&5'8#"6<&.l'J""6<+,$.<l'J<0*1.'#0:&'6<96li ȱ ȃ ¡ ȱ ȱ Ĵ ȱ ȱ ȱ ȱ ǯȱ ǰȱ 6<&;e##'<9!&'9'6""6<+,$.<';"$'89*'$.&Ii ' U' :*&E' <&' E9.' *"6' 1"0*1' 6"' ,&#&*6N' 9*5' U' <95' 6"' :&&/' %;' >"+I'c<0#&'E&'E&,&'5,0!0*1'9E9;'A,"%'6<&'806;N'&*',"$6&'A",'D"##0*1' D0!&,.N'U'89##&5'%;'E0A&I'U'6"#5'<&,'U'E9.'1"0*1'6"',&<9+I'H<&'1011#&5' 9*5'.905N'hL<M<$<I'H"';"$'E9*6'6"'%&&6'96'[$9*069e.'A",'50**&,'6"M *01<6li ' h@"N' .E&&60&I' H&,0"$.#;N' Ue%' 1"0*1' 6"' 9' ,&<9+0#06960"*' 8&*M 6&,Ii ȱ ȃ ȱ ǵȄȱ ȱ ȱ ȱ ȱ ¢ǲȱ ¢ȱ .&&/&5'0*6"'<&,'!"08&I ' hc<96'<9//&*&5li'U'.905'"$6'#"$5'0*6"'6<&'/<"*&N'6<0*:0*1' 6"'%;.&#AI ' hb&.N'E<96'<9//&*&5I'7,&';"$'":9;li ' B;'+"..'#"":&5'"!&,'96'%&N'.<"6'%&'9*'&*8"$,910*1'#"":I' ȱ ȃ ¢ǰȱ ȱ ȱ ȱ Ȃ ȱ ȱ ȱ ǯȄ

matt baker | 5

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6 | santa clara review

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matt baker | 7

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8 | santa clara review

ȱ ȃ ǰȄȱ ȱ ǯȱȃ ǰȱ ȱ ȱ ȱ ǵȱ ȱ ȱ ȱ Ĵ¢ȱ >"+'"A';"$,.li ' hU'6<0*:'06'0.',01<6'*"EIi ȱ ȃ ȱ ȱ ¢ǵȄȱ ȱ Ě ȱ ȱ ¢ȱ ȱ ȱ ę ȱ ȱ ¢ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ .&8,&6'0*.$,9*8&'8"%/9*;'8"5&'0%+&55&5'5&&/'0*.05&'9*5'E"$#5' ȱ ȱ ȱ ȱ ȱĚ ȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ ǰȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ ę ȱ ȱ ȱ ǯ ' U'#"":&5'5"E*'96'%;'E,0.6I'h7'."$!&*0,I']0:&'06li ' h[&.$.'K<,0.6Ni'.<&'E<0./&,&5I'hU'1$&..'Ue##'1"'!0.06'%;'%"%' ¡ ȱ ǯȱ ȱ¢ Ȃ ȱ ȱ ȱ ȱ ȱę ȱ ȱ Ĵ ȱ ǯȄ ' hb&.N'+;'9##'%&9*.Ii ' hc<96'5"'U'.9;'E<&*'.<&'9.:.'E<;';"$e,&'*"6'E06<'%&li ' hJ&##'<&,'Ue%'0*',&<9+Ii ' hUe%'*"6'1"0*1'6"'6&##'<&,'6<96Ii ȱ ȃ ¢ȱ ǵȱ ¢ ȱ Ȃ ȱ ȱ ěȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ȱ 9*'9550860"*I'U6'E",:&5'E06<'%;'>"+'.06$960"*Ii ' hUe%'*"6'6&##0*1'%;'%"%';"$e,&'9*'9#8"<"#08Ii ' hUe%'9'8"890*&'955086Ii ' hc<96&!&,Ii ' h786$9##;N'U'<9!&*e6'5&805&5Ii ' hC&805&5'E<96li ' hc<96'%;'5,$1'"A'8<"08&'0.I'H"%&'59;.'U'05&*60A;'E06<'6<&' 5,$*:.I'H"%&'59;.'6<&'8":&'955086.':0*5'"A'.0*1'%;'6$*&I'J<&'%&6<' ȱ ȱ ¢ȱ £¢ǰȱ ȱ Ȭ ȱ ¢ ǯȱ ȱ ȱ ȱ ȱ ȱ Ĵ ȱ *$6.N'6""N'E<&*'U'E9.';"$*1&,Ii ' h@"N' ;"$' E&,&*e6I' b"$' 596&5' %&' .0*8&' E&' E&,&' >$*0",.' 0*' <01<'.8<""#I'c&'E&,&'A9,'A,"%'6<,0##M.&&:&,.I'c&'E&,&'69%&I'B9;+&' ȱ ȱ Ĵ ȱ ǯȄ ȱ ȃ ǰȱ ǰȄȱ ȱ ǰȱ ȱ ¢ȱ ǰȱę ȱ ȱ ȱ M 69#096&'E06<I'hU'6<0*:'!0.060*1'<"$,.'9,&'9+"$6'$/I'U'*&&5'6"'1&6'+98:' 6"'%&'*"EIi ' hc&'<9!&'6<,&&'%",&'<"$,.Ii ' hHE&&6<&9,6Ii'U'6"":'<&,'<9*5I'hC9!&'B$.690*&N';"$':*"EN' 6<&'#&95'.0*1&,'"A'B&195&6<N'E&##N'<&'.9*1'9'."*1'9+"$6'<0.'<"$,'"A' 59,:*&..N'9*5'A",'6<&'#"*1&.6'60%&'U'<95'*"'05&9'E<96'<&'E9.'69#:M 0*1'9+"$6Ii ' hc<96N'*"E';"$'5"li ȱ ȃ ȱ ȱę ǰȱ ǵȄ

matt baker | 9

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10 | santa clara review

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matt baker | 11

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12 | santa clara review

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matt baker | 13

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14 | santa clara review

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matt baker | 15

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16 | santa clara review

bridget gage-dixon |

Calling John Murphy After Twenty Years F&89$.&'6"59;'U'/9..&5'9'n)R'K9%9," ȱ ȱ ȱę ȱ ȱ ȱ ǰ ȱ ȱ ¢ ȱ ȱ ȱ ȱ Ȭ ě .6,":&'6<&'6<01<.'"A'10,#.'E<"'.9$*6&,&5 9*5'U'6<"$1<6'"*#;'"A'6<&0,'%"6<&,.N F&89$.&'*"E'E&&5'0.'9'%&*98&'/$##&5'A,"%'+&6E&&*'6$#0/.N 8,"8$.&.N'9*5'590.0&.'9*5';&.6&,59; U'./&*6'%",&'%"*&;'"*'8<&%089#.'6"'&Y/&#'6<&% 6<9*'U'&!&,'505'"*'*08:&#'+91. /$##&5'A,"%'/"8:&6.'+&*&96<'+#&98<&,.N U'6,&95'8,&9:0*1'+9.&%&*6'.690,.N'8,95#0*1'6<&',&8&0!&,I F&89$.&'&!&,;'*01<6'U'8<&8:'6<&'%0,,",N .&9,8<'A",'.01*.'"A'E"%9*e.'E",: 5$1'0*6"'#0*&.'+&.05&'%;'%"$6<'9*5'&;&.N F&89$.&'%;'%"6<&,e.'A98&'&%&,1&. ȱ Ĵ ȱ ȱ ȱ ¢ǰȱ ȱ ȱ ȱ ȱ ȱ 0*'6<&'5,""/0*1'"A'%;'&;&#05.N *"'"0#'",'8,&9%'.6,"*1'&*"$1<'6"'E9.<'<&,'9E9;N Ȃ ȱ ȱ ȱę ȱ ȱ ȱ Ĵ ǯ F&89$.&'%;'+,&9.6.'<9!&'+&1$*'6<&'#"*1'.#05&'6"E9,5'%;'+&##; 9*5'#9.6'E&&:'E9#:0*1'+;'9'8"*.6,$860"*'.06& 6<&'"*#;'<"##&,'*"68<0*1'6<&'90,'89%&'A,"%'9'>98:<9%%&,N F&89$.&'*"'"*&'<9.'.#05'9'<9*5'0*.05&'%;'+#"$.& 0*'9'59,:'8",*&,'"A'9'8,"E5&5',""%'0*';&9,. 9*5'6$8:&5'0*6"'%;'<$.+9*5e.'698:#&'+"Y ȱ £ ȱę ȱ ȱ¢ ȱ ǰȱ ȱ ȱ U'.69,6'/,&..0*1'*$%+&,.I

bridget gage-dixon | 17

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18 | santa clara review

j. richard mclaughlin |

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j. richard mclaughlin | 19

guiseppe getto |

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20 | santa clara review

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guiseppe getto | 21

cara matsukane |

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24 | santa clara review

daniel pinkerton |

Whaling Museum ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ Ĵ ȱ ȱ ȱ ȱ Ȃ Ȭ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱę ¢ȱ ȱ .89%%&5' &*"$1<' 89.<' 6"' &*6&,' 6<&' E<9#0*1' %$.&$%N' 9' 5&80.0"*' ȱ ¢ȱ Ĵ ǯȱȱ ȱ ȱ ȱ ȱ ȱ ǰȱ 6<&'.&8$,06;'1$9,5'.6""5'E06<'<9*5'"*'<"#.6&,N'109*6'E<9#&'/&*0.&.' Ě ȱ ȱ ǯȱȱ ȱ ¢ ȱ ¢ȱ ȱ ȱ ¢ȱ ȱ ǯȱȱ ȱ £ ȱ ȱ ȱ¢ ȱ ȱ ȱ ȱ ȱ Ĝ ¢ȱ ǯȱȱ Ȃ ȱ ȱ 60%&' 6"1&6<&,I' ' b"$' E",&' 6<&' .9%&' =0*:' ?#";5' 6M.<0,6' &!&,;' 59;N' ¢ ȱ ȱ ȱ ę Ȭ ȱ ȱ ȱ¢ ȱ Ğȱ ¢ ǰȱ ȱ ȱ Ȃ ȱ ȱ ;"$,'*9%&I''c&'89##&5'&98<'"6<&,'d869!0$.'9*5'B,.I'B91&*69N'5"*e6' ȱ ȱ ¢ǯȱȱȃ ȱ ȱ ǰȄȱ ȱ ȱ ȱ ȱĚ ȱ ȱ ȱ ȱ %95&'"$,'E9;'5"E*'6"'6<&'+&98<I''h]&6e.'.69,6'9'%$.&$%'"A'5&A",M &.6960"*Ni';"$'.905N'9'6;/089#'B,.I'B91&*69':0*5'"A'8"%%&*6I''b"$' /08:&5'$/'9'50.89,5&5'+&&,'89*'9*5'+,"E*'%$8:'./0##&5'"$6I''b"$' <95' 6<96' #"":' 0*' ;"$,' &;&' #0:&' ;"$' E9*6&5' 6"' E95&' "$6' 0*6"' 6<&' ȱ ȱ ȱ ȱ¢ ȱ ǯȱȱ ¢ ȱ ȱ ȱ ȱ ȱ ȱ ȱę ȱ ;"$'9'*&E'6M.<0,6I''C05'6<&;',&9##;'*&&5'6"':&&/'6<".&'E<9#&'/&*0.&.' "*'50./#9;l''4!&*6$9##;'U'E&*6'6"'.8<""#'9*5'+&89%&'9*'986$9,;I''U' 9#E9;.'E"*5&,&5'E<96'+&89%&'"A';"$I

daniel pinkerton | 25

natalie giarratano |

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26 | santa clara review

9'1""5'10,#'E<"'5"&.*e6':*"E'V$&.60"*.'9*5'5"&.*e6' ./&9:'4*1#0.<I'J<&,&'0.'*"'E9;' .<&'8"$#5N'9*5'$*5&,.69*5';"$I'b"$'%$.6':0..'<&,'#98V$&,&5' A98&'1""5*01<6'9*5'6<0*:'"A'."%&"*&' &#.&e.'8<0#5,&*'",'*"'"*&e.I'J<&*';"$'8,9E#'6<,"$1<'6<&'E,"*1' J&Y9.'E&6#9*5.'6"'.&9,8<'A",' E<96';"$'5"*e6',&%&%+&,'#".0*1'"*'"*&'"A'6<&'*01<6.' ;"$'E&,&'9#%".6'9'8,0%0*9#I'

natalie giarratano | 27

stacy m. tintocalis |

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28 | santa clara review

&!&*'6<&'6,98:.'"A'9'+0:&',$**0*1'6"E9,5'06N'>$.6'#&11;'1,9..'9*5',91M E&&5'9*5'1"#5&*,"5'8,"E50*1'06'0*I'J<&'%9*'E<"'#0!&5'6<&,&'505' *"6'E9*6'6"'+&'.&&*N'505'*"6'/08:'$/'6<&'%90#'5&#0!&,&5'6"'6<&',$.6;' +"Y'96'6<&'&51&'"A'<0.'#9*5N'9*5'505'*"6'E9*6'6"'+&'+"6<&,&5g",'."' 06'.&&%&5I'J<96'%9*'E9.'?06G/96,08:N'9*5'6<96'E9.'9##'6<&'E"%&*'"A' ȱ Ȃȱ ȱ ȱ ȱ ǯȱ ' 7'A9%0#;'/",6,906'"A'5&95'E"%&*'1,&&6&5'9*;"*&'E<"'&*M ȱ ȱ ȱ ǯȱ ȱ ȱ ȱ ȱ ȱę ȱ ¢ǰȱ ȱ ȱ +$0#5&,.N'.0Y'E"%&*'0*'59,:N'PR)3.'8#"6<&.'E06<'.<9,/'E<06&'.89#/.' .<"E0*1'6<,"$1<'6<&'/9,6.'0*'6<&0,'59,:'<90,I'J<&'%96,09,8<'.6""5' ȱ ȱ ȱ ȱ ȱ ǰȱ ȱ ę ȱ ȱ ȱ ȱ ǰȱ 9##' "A' 6<&%' .$,!0!",.' "A' 6<&' 8,9G&5' 1$&,,0##9' E9,A9,&' 6<96' &*.$&5' ¢ ȱ Ğ ȱ ȱ ȱ ȱ ǰȱ ȱ¢ ȱ ȱę ȱ ȱ ȱ ȱ B0.."$,0I'7*;'%&*'E<"'"*8&'#0!&5'6<&,&'E&,&'#"*1'5&95N':0##&5'+;' L*0"*0.6.N'#&9!0*1'+&<0*5'E"%&*'E06<'A98&.'E&9,;'A,"%'5&96<'9*5' A",&9,%.'%$.8#&5'A,"%'A9,%'#9+",I'U*'6<".&'59;.N'06'A&##'6"'6<&'E"%M &*'6"'8#&9*'6<&'8",/.&.N'9*5'F0##'H$11.'0%910*&5'6<0.'/<"6"'E9.'69:M ȱ ȱ ȱ Ğ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ +"50&.'"A'6<&0,'%&*N'6<&0,'*9:&5'%",69#06;'10!&*'"*&'#9.6'&%+,98&' +;'6&*5&,'A&%9#&'<9*5.I'b"$'8"$#5'.&&'06'0*'&98<'E"%9*e.'&;&.`'6<96' &98<' "*&' <95' 8#9./&5' <9*5.' E<06&' E06<' 5&96<N' 6<96' 6<&' E0A&' <95' ȱ ȱ Ȃ ȱ ȱę ȱ ȱ ȱ ȱ ȱ ȱ A,"%'<0.'+,"EI' ' c<&*' F0##' H$11.' +"$1<6' 6<0.' <"$.&' 0*' P(a-N' .<&' +"$1<6' 06' A,"%'4#&9*",'H$11.N'9*'R3';&9,M"#5'E"%9*'+",*'0##&1060%96&#;'"*' 6<&'.9%&'"9:'69+#&'E<&,&'6<&'%&*'<95'+&&*'8#&9*&5'+&A",&'+$,09#I' ȱ ȱ ȱ ȱ ȱ ǰȱ ȱ ȱ ȱ ǰȱ ȱ Ğȱ 6<&'"#5'/",6,906'"A'E"%&*'9*5'6<&'6,&95#&'.&E0*1'%98<0*&'0*'6<&' A,"*6',""%'9*5'6<&'#"*1'"9:'69+#&'A",'F0##'H$11.I ' F0##'H$11.'E9.'"*#;'QP'E<&*'.<&'6"":'"*'6<&'H$11.'A9%0#;' *9%&N'6<&'*9%&'"A'6<&'A96<&,'+&96&*'6"'5&96<'+;'1$&,,0##9.'0*'PR))I'

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stacy m. tintocalis | 29

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30 | santa clara review

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stacy m. tintocalis | 31

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32 | santa clara review

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stacy m. tintocalis | 33

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34 | santa clara review

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stacy m. tintocalis | 35

andrea j. cleary |

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36 | santa clara review

erin bealmear |

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erin bealmear | 37

andrew perez |

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andrew perez | 39

kevin schmitt |

November, 2008 U*'c9.<0*16"*N'6<&'60%&',$*.'*"6'V$06&'6<,&&'<"$,.'9<&95'"A'K9#0M ȱ ȱ ȱ ȱ ȱ ȱ ȱęĞ¢Ȭę ȱ ǰȱ ȱ Ȃ ȱ ȱ *"6'V$06&'.$,&'E<96'6<96'%&9*.'+$6'U':*"E'6<96'06'%01<6'<9!&'."%&M 6<0*1' 6"' 5"' E06<' 6<&' ,&9#' &*&,1;' 6<96' E,9/.' 9,"$*5' 6<&' <9#AM69##' n.8,9/&,.'S6<96'89**"6'#&19##;'&Y8&&5'6<&'LIHI'K9/06"#'0*'<&01<6T'9*5' ;"$'89*e6'A&&#'06'9*;E<&,&'&#.&'+$6'0*'6<&.&'8",,05",.'"A'1"!&,*%&*6' 9*5'+$.0*&..N'"*'6<&'B&6,"'E<&,&'6""'%9*;'.$06.'8,9%'A",'6<&'8"%M %$6&N' "*' 6<&' .6,&&6' E<&,&' 6<&' /&55#&,.' <9E:' %&%",9+0#09' S6<&,&' 9,&' <$*5,&5.N' #0:&' 9%$.&%&*6' /9,:' .69*5.' .&##0*1' /"/8",*' 9*5' ¢ǰȱ ȱ ȱ ǰȱ ¢ ȱ ȱ ȱ ȱ Ĵ ȱ ȱ ȱ ȱ Ǽǰȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ 6<&;'196<&,&5'0*'>$+0#960"*'9*5'6,0$%/<N'9*5'0*'6<&'6<$%/'"A'6<&' ȱ ȱ ȱęĞ ǰȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ¢ ȱ ǰȱ ȱ M 0*1'#0:&'6<&'.*9:&'/&"/#&'0%910*&'+$6'+&960*1'#0:&'9'<&9,6'E<&,&'E&' 6<&'/&"/#&'9*5'6<&'89.<'9,&'6<&'+#""5'6"':&&/'6<0.'8"$*6,; 9#0!&I

40 | santa clara review

andrei guruianu |

The Election Party H"%&"*&'<95'&!&*'+,"$1<6 6<&'.:0**;'10,#.'0*'6<&0,'.$%%&,'5,&..&. 6"'<"!&,'"!&,'/#96&.' "A'A,&.<#;M/08:&5'&Y"608'A,$06I' J<&'%9;",'E9.'6<&,&N'6""N A9.<0"*9+#;'#96&'9*5'E&9,0*1'#&96<&,N 9*5'E<"N'E<&*'*"'"*&'E9.'#"":0*1 ȱ ȱ ǰȱ ȱ ȱę 0*'6<&'./0*98<'50/I' ¢ ȱ ȱę ¢ȱ 5"E*'6"'6<&'.%9##&.6'5&690#I J<&'9,%8<90,'/,&98<&,.'E<"'89%& "$6'6<96'*01<6'0*'*$%+&,.N .$8:0*1'"*'A96'8019,.I ȱ ȱ ȱ ȱ ȱ Ğ ǯ 7'8<0#5'0*'6<&'59,:'E9.'.8"#5&5 A",'."%&6<0*1'6<96'<&'505*e6'5"N ȱ ȱ ȱ ȱ ȱ ȱ ę ȱ ȱ ȱ ȱ Ĵ ȱ ȱ ǰ 9*'9$50+#&'19./'A,"%'6<&'8,"E5N ȱ ȱ Ĵ ȱ ȱ ȱ E<"'8#9//&5'9*5'<"E#&5'#0:&'%95'+&9.6.N 8,&960*1'%$8<'<;.6&,09'9*5'/9*5&%"*0$%I 7'196<&,0*1'6"'>$.60A;'6<&'%&9*.I c<96'&!&,;"*&'6<"$1<6'."$*5&5 #0:&'9']960*'#"!&'."*1'6$,*&5'"$6'6"'+& ȱ ȱ ȱ ě ǯ

andrei guruianu | 41

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42 | santa clara review

krystal languell |

From Fifty-Six Etymologies, No. Five U' %&6' 9*'7%&,089*' %9*' 0*' .8<""#' 96' 6<&' "#5' p9,#' B9,Y' L*0!&,.0M 6;' E<&,&' "*&' "A' 6E"' ,&%90*0*1' .696$&.' "A' B9,Y' .60##' .69*5.N' 9*5' E&'E"$#5'%&&6'96'p9,#'E<&*'E&'%&6'9'#9,1&'1,"$/I'B;'7%&,089*' ȱ ȱ ȱ ȱ ȱ Ĵ ȱ ȱ ȱĚ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ Ĵ ȱ ȱ ȱ ȱ ȱ ȯ ȱ ȱ "*N'8"8:&5'5,$*:&*#;g."'<&'#"":&5'#0:&'"$,'!&,.0"*'"A'*960!&I'

krystal languell | 43

Crayon

kate bradley | digital photography 8” by 10”

Untitled

| heather lynch oil on canvas

Western Stream

susan felter | pigment prints of digital montage images 5.25â&#x20AC;? by 6.5â&#x20AC;?

Despite Uncertainty

| annamarie leon metal sculpture

Untitled

irene kearney | monotype

A Womanâ&#x20AC;&#x2122;s Vision

| animile quispe clay

A Womanâ&#x20AC;&#x2122;s Vision (back)

animile quispe | clay

Victoria Lucas

| courtney haney oil on canvas 20” by 60”

Tilt

sarah beth goncarova | oil on canvas 28” by 40”

Self-Portrait Bust

| daniel choe water clay 24” by 15” by 10”

River Boat Captain, Central Vietnam

gary iribarren | digital photography 8” by 10”

Untitled

| veronica eng watercolor on paper

Bees

kirsten rieke | oil on canvas 40” by 30”

Untitled

| kirsten muckler oil on canvas 30” by 40”

Untitled

emily fong | digital photography 8.5â&#x20AC;? by 6â&#x20AC;?

Untitled

| kristin olson digital photography 10â&#x20AC;? by 8â&#x20AC;?

rebecca foust |

Ethan Frome

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rebecca foust | 61

nancy alvarado |

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62 | santa clara review

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nancy alvarado | 63

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64 | santa clara review

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nancy alvarado | 65

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66 | santa clara review

isaac melum |

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kristina chiapella |

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68 | santa clara review

maria terrone |

The Gargoyles Rebel ȱ ȱ Ğ¢ȱ ȱ ǰ 9860!0.6.'./,&95'6<&'E",5X' ȱ ȱ ȱ ȱ ȱ Ĵ ȱ ǰ "%&2#1B+$%32(%7)1+)*"'%+1)"!= J<&;'91,&&'6"'&*5'6<&'+",&5"% "A'&*A",8&5'$60#06;N'.&,!08&'E06<'9'.*9,# $**"608&5'A",'8&*6$,0&.'+;'6<&'<$%9*'8,9E# +&#"EI'J<,"$1<'6<&'*&Y6',90*N 6<&'19,1";#&.'.E9##"E'<9,5 9*5'6<&*'.&9#'601<6'6<&0,'%"$6<.N +&8"%0*1'%",&'#0:&'$.g /,&..$,&5'6"'+$,.60*1N'8,98:0*1N' 6&&6&,0*1'"*'6<&'&51&I

maria terrone | 69

johanna mitchell |

Lost And Found: Searching For Identity On The Streets Of San Jose ' 76'6&*'"e8#"8:'H96$,59;'%",*0*1'9'.69,'E9.'+",*`'6<&'%"M %&*6'U9*'hK<0#0i'4!9*.'E9#:&5'0*'6<&'5"",N'<&'E9.'9*'0*.69*6'8&#&+M ,06;I'' ȱ

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70 | santa clara review

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72 | santa clara review

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74 | santa clara review

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76 | santa clara review

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johanna mitchell | 77

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78 | santa clara review

doug ramspeck |

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doug ramspeck | 79

natalie haney tilghman |

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80 | santa clara review

jamie mccauley |

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jamie mccauley | 81

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kristina chiapella |

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kristina chiapella | 87

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88 | santa clara review

connor coyne |

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connor coyne | 89

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90 | santa clara review

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98 | santa clara review

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100 | santa clara review

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connor coyne | 101

yim tan wong |

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102 | santa clara review

eric tseng |

Untitled

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eric tseng | 103

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A Cluster of Stars Fiction

Myfanwy Collins Stuart Friebert Sara Hov Carol K. Howell Michael Leone Solon Timothy Woodward Nonfiction Karin Anderson Greg Bottoms Aaron Gailbreath Peter Thomashow Martha Witt Poetry Priscilla Atkins Rane Arroyo Cynthia Chin Barry Dempster Darrell Epp

Howard Finster, The Corner of a Holy White City

Maureen Tolman Flannery Andrei Guruianu Katia Grubisic Melody Lacina Rustin Larson Alexis Lathem Luke Ottem

Finally. A literary journal that bridges the gap between regional and national and crosses borders: The Saranac Review. Featuring quality poetry and prose from Canada and the United States. An eclectic, diverse array of emerging and established writers that reflects the expansive, bright spirit of the etymology of its name, Saranac, meaning â&#x20AC;&#x153;cluster of stars.â&#x20AC;?

Oveous Maximus Salcedo Diane Swan

research.plattsburgh.edu/saranacreview

Cimarron Review since 1967

http://cimarronreview.okstate.edu Photo by Shane Brown

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Please make checks payable to Folio: AU Department of Literature.

Questions? Contact us at folio.editors@gmail.com. Please visit our website: www.foliojournal.org

Promoting the diverse literary voices of new and established writers since 1990

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Published by the MFA Program at the University of Idaho 200 Brink Hall • University of Idaho • P.O. Box 441102, Moscow, Idaho 83844

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INDIANA REVIEW

Publishing innovative work by established and emerging

writers since 1976

FICTION * NONFICTION * ART Poetry * Translation

www.indianareview.org inreview@indiana.edu

is an independent magazine of contemporary American and international fiction, poetry, and criticism. Each issue features a wide variety of authors, from Nobel laureates Seamus Heaney and Czeslaw Milosz to new voices. With over a decade of L_WLYPLUJL ^L HYL KLKPJH[LK [V [OL Ă&#x201E;UL HY[ VM Z`TIPVZPZ between writers and their publishers.

Creative Writing at Notre Dame Our graduate Creative Writing Program is a two-year, literary immersion program that leads to the M.F.A. Each accepted student receives a full-tuition scholarship; several assistantships are also available, including the Sparks Fellowship. All students are given opportunities to work as editorial assistants on our national literary magazine, The Notre Dame Review. For more information, visit our website www.nd.edu/~alcwp

Subscriptions (Two Issues/Year) $15 individuals $20 institutions $8 single issue

Send check or money order to: The Notre Dame Review 840 Flanner Hall University of Notre Dame Notre Dame, IN 46556

or visit us at www.nd.edu/~ndr/review.htm

A Journal of Literature and Art " Phoebe is a nonprofit literary journal edited and produced by students of the MFA program at George Mason University. We welcome submissions of fiction, poetry, and artwork between September 1 and April 15. Our subscription rate is $12 for one year or $20 for two years. Back issues are available for $4. Phoebe sponsors annual contests in poetry and fiction. For complete contest and submission guidelines, please visit our website: http://phoebejournal.com. " Phoebe, MSN 2C5 George Mason University 4400 University Drive Fairfax, VA 22030-4444 phoebe@gmu.edu http://phoebejournal.com

ÂŠ 2009