RETROFIT LAS CRUCES BOGOTÁ Urban Design Studio SoSe 2021
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CONTENT Preface 4 Introduction 6 Context Las Cruces Neighbourhood
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Emerging topics for Urban Design Task
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URBAN DESIGN PROJECTS
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Comunidad productiva
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Mano a mano
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Crecer juntos
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Patio de la unión
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Calle de la vida
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El tacto - impacto
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El patio grande
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Centr-all 70 La manzana productiva verde
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Primer paso 80 Didactic: Design process
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Design tools
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Sum up
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Participants 92 Housing projects List of figures
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Imprint 114
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PREFACE
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INTRODUCTION Text TISS Issue A growing urban population, a global housing crisis, an increasing gap between rich and poor and an urgent need to adapt and mitigate climate change are some of the most important contemporary challenges in urban design. Retrofitting is an effective strategy to meet these issues. It deals with the development of existing neighbourhoods through densification, re-greening, diversification of residents, uses and activities. By adapting the already build the cities save resources and benefit from existing infrastructure. Retrofitting tends to improve the urban environment for the local population and creates potentials for the future development. In huge metropolises like Bogotá, Retrofitting is especially needed in deteriorated low-income neighbourhoods. Location Las Cruces is a neighbourhood in the historic city center of Bogotá, the capital of Colombia. The Latin American metropolis with 8.2 million has experienced rapid population growth in the last century, which urban design has not been able to keep up with. As a result, the city has a dispersed structure with strong socio-economic polarization and micro segregation. Informal settlements developed on the outskirts and marginalized inner-city neighbourhoods in the city center. Las Cruces is part of the “Arrival City Bogotá” located within 10 minutes walking from the commercial and political city center it is separated by an invisible border of stigmatization due to poverty and insecurity. While the colonial architecture is still present the neighbourhood shows a high evidence of physical deterioration and there is a great number of tenements. Las Cruces has around 11.000 residents and a surface of 48 hectares. It is a predominantly residential neighbourhood with low story buildings, many of them “productive dwellings” with local commerce, crafts and micro industry. The living conditions of Las Cruces are very precarious, and the neighbourhood ur-
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gently needs Retrofitting strategies to be able to tackle actual and future challenges. Project The urban design project focuses on the global emerging topics of affordable housing for the local, socioeconomically disadvantaged population and of productive neighbourhoods. In our case this means respecting the local identity and retaining as well as increasing local workplaces and job opportunities in Las Cruces. Within the neighbourhood several locations characterized through vacant and underused plots, buildings or blocks are identified as potential locations and up for Retrofitinterventions.
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CONTEXT LAS CRUCES NEIGHBOURHOOD
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BOGOTÁ Las Cruces is a neighbourhood in the historic city centre of Bogotá, the capital of Colombia. The Latin American metropolis with 7.8 million (2021) inhabitants is situated on a high plateau in the Andes at 2625 meters above sea level. The cities landscape is dominated by a mountain range running north-south and limiting the city to the east. (Due to this fact most of the city maps are orientated with the east to the top). At the foot of this mountain range, Bogotá was founded as a compact city. Nevertheless, in the last century, it has experienced rapid population growth which led to an enormous expansion; especially in the North-South direction. Formal urban development has not been able to keep up with this evolution while various inner-city neighbourhoods have fallen into decay and became marginalized areas with tenements, informal settlements developed on the outskirts. Nowadays Bogotá has a dispersed structure with strong socioeconomic polarization and microsegregation. While the north is known to be the socioeconomic rich part of the city, the south and south-west are identified as the socioeconomic poor part of the city. This socioeconomic classification is institutionalized by the so-called Estratos – six defined socio-economic levels which should enable socioeconomic balance but rather led to more segregation. Administratively, the city is structured into 20 districts, which are further divided into neighbourhoods called barrios. The rectangular grid of streets is structured into Carreras running North-South and Calles running East-West. The cities transport is organized by buses, primarily by a BRT system called Transmilenio.
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HISTORIC CITY CENTER The historic city center is composed by the districts La Candelaria, Santa Fé and Los Mártires. Until the 50s these districts formed a continuous urban fabric, with mixed uses, a socioeconomic diverse population and transport based on a tram system. After massive riots in 1948, the city centre was heavily destroyed. In consequence, many institutions, businesses and people who could afford it moved away to the north and the tram was shut down. The centre was falling into decay. Furthermore, due to the rise of car mobility large road corridors were implemented separating the centre into different parts and defining the district borders. From the 80s onward the most central part La Candelaria was renovated. Nowadays La Candelaria is the political, administrative, cultural and touristic centre. Santa Fé, the district surrounding La Candelaria, and Los Martires, to the west, have a significantly lower socioeconomic level, they show high evidence of physical deterioration and there is a great number of tenements. Residential areas predominate but there are also popular commercial zones. Particular significance has to be given to Carrera Septima – the city’s most symbolic street – formerly known as Camino Real. Since pre-colonial times this street connected indigenous set-
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tlements it led to the salt mines of Zapaquira in the north and further on to the city Tunja. Later on, it was the main axes of urban development as well as the main tramway line. Along the street many important places are located: the main square Plaza Bolívar with the cathedral, the parliament, the municipality and the courthouse, the presidential palace but also the main square of Las Cruces and its cathedral. It is a highly frequented commercial street and on Sundays, it’s part of Cyclovia – a citywide network of streets opened up for cyclists and pedestrians. But there is an important observation to be made. While the street is a well-maintained pedestrian zone from the presidential palace to the north, to the south, crossing Calle 7 it changes into a normal street with narrow walkways and continuing just 500 meters by crossing the large road corridor of Calle 6 also called Avenida Comuneros the situation abruptly changes. The street is poorly maintained and the urban context is very deteriorated. This is the neighbourhood of Las Cruces. Located within 15 minutes walking from Plaza Bolívar it is separated by the mentioned fiscal borders but moreover by an invisible border of stigmatization due to poverty and insecurity. But there is much to be discovered
LAS CRUCES NEIGHBOURHOOD The neighbourhood is situated between the oriental mountain range and Carrera 10 and between Calle 6 and Calle 1.
History The area is urbanized in the 19th century and becomes a vital working-class and artisan neighbourhood. Until the 50s the neighbourhood is well integrated into the city centre and connected to the tramway. After the riots of 1948 a mental border arises and the construction of Carrera 10 (1947) create a fiscal border. Anyway, the neighbourhoods keep densifying. On the one hand, more and more tenements are emerging and on the other hand, new buildings arise through auto-construction. For decades the socioeconomic level of the area is declining and there are no public investments. This affects public space and housing conditions, economy, safety and in general living quality. With the construction of Calle 6 (2004), the barrio gets more isolated and internal displacement of marginalized populations arriving at Las Cruces increases insecurity. Although Las Cruces always has been a neighbourhood with a strong identification of its inhabitants this feeling is getting lost. Finally, during the administration of Petro from 2012 – 2015, some urban revitalization projects are realized. Especially public spaces are recovered. Furthermore, private initiatives lead to
innovative housing projects on Carrera Septima. Recently the neighbourhood is receiving many Venezuelan migrants for whom Las Cruces serves as Arrival city. For the future diverse revitalization, interventions are projected. It remains to be seen which ones will be realized.
Population Las Cruces has around 11.000 inhabitants and a density of 230 hab/ hectare which is slightly higher than the cities average. Most of the inhabitants are working in the informal sector, this means they gain their income on a daily basis and mostly work on the street as a street vendor, shoe shiner, waste picker, as well as construction workers, cleaning ladies or in workshops. The average income is significantly below the average level of Bogotá and below the legal minimum wage. Therefore, poverty and even extreme poverty are present issues. Furthermore, it has to be noted that the population is living in conditions of Vulnerability and Marginalization. These conditions have an impact on the urban structure, the housing situation as well as on culture. This is especially evident in the strong and internationally recognized Rap and Hip-Hop culture that has developed since the 80ties.
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Urban structure Las Cruces has a surface of around 48 hectares and consist of 48 building blocks. Its street network follows the colonial grid and is partly adapted to the topography and the previously existing rivers. The mountains are located to the east and the terrain slopes down to the west. The main street and economic axe in the north-south direction is Carrera Septima, which connects Plaza Bolívar with the central square Parque de Las Cruces. In the west-east direction, it’s Calle 2/ Calle 1f. It connects the Transmilenio Bus Station with the marketplace Plaza de Las Cruces. These streets as well as Calle 1, also connected to a Transmilenio Station, form the main accesses to the neighbourhood. Calle 1 – the first street – holds also a symbolic value. It´s the tipping point between the south and north. The line very street numbers change into 2 south, 3 souths. Furthermore, a road section on Calle 1C was formerly known as Callejon de la Muerte – Street of death – which relates to a historic legend as well as to its more recent past as a hotspot for criminality.
live in apartments, 34% just habitat a single room in a tenement locally recognized as Inquilinatos. Las Cruces is one of the neighbourhoods with the highest number of tenements. This form of housing is one of the most precarious and characterized by poor housing conditions as well as overcrowding. It emerges as a consequence of poverty, informality and migration. Just 36% of people are homeowners. Nevertheless, many of them also face poor socioeconomic conditions and convert their houses into tenements to earn an income. The total deficit of housing in Las Cruces counts 860 units (2017). There is also a significant number of houses in ruins, mostly uninhabited and abandoned. Furthermore, considering the predominantly residential use of the area, there are quite a lot of plots with inappropriate uses as parking lots, material deposits and storage halls which have a negative effect on public space and security. Especially a storage hall near Plaza de Mercado and various huge halls on Carrera septimal with Calle 1, which serve as a bus depot, are considered inappropriate.
Public space
Security and criminality
Las Cruces has three important public spaces. Parque de Las Cruces, Plaza de Mercado and Parque Tisquesusa. Parque de Las Cruces is the central green space and contains the historic fountain, La Garza. The park is surrounded by the cathedral “Parroquia Nuestra Señora del Carmen”, an additional church “Iglesia de la Santísima Trinidad”, and the adjoint former monastery” NOMBRE” both closed, as well as a traditional residential passage “Edificio Alonso”. All of the buildings form part of the collective identity and cultural heritage. The same applies to Plaza de Mercado, the market square with an emblematic market hall from 1928. The market is still functioning and an important place of everyday life. Parque Tisquesusa is a green space and public park with various football fields and an indoor sports area. In general, it can be noticed that due to a very compact and consolidated urban fabric there are very few public and green spaces.
Las Cruces has a very bad reputation and is commonly branded as dangerous and insecure. To a certain degree, this image reflects a reality that has to be dealt with. The neighbourhood is divided into various micro territories which are ruled by different gangs, some of them more, some of them less dangerous. Additionally, there are drug selling spots, which are generally related to criminality. In everyday life, security depends on how well you are related to your neighbours and how well you know the neighbourhood to avoid unsafe spots. It can be stated that for non-locals it’s more insecure. During the daytime, the neighbourhood is mostly safe, especially while walking on frequented streets but after 4 pm it’s not recommended for non-locals to be there.
Housing The residential architecture of Las Cruces is characterized by traditional one- or two-story patio houses as well as autoconstruction. The former are typically designed for long and narrow plots while the latter is designed for quite small plots, resulting from an ongoing subdivision of blocks and plots. Although many buildings are defined as a cultural heritage the neighbourhood shows high evidence of physical deterioration. The majority of families in the neighbourhood live in rent. 30%
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Economy and productivity Las Cruces economy is moving between formal - informal and illegal activities. The informal sector is the biggest and makes up more than 50%. Most of the productive activities are realized on the ground floor of residential buildings so-called “productive dwellings”. There you can find local commerce, crafts and micro industry. The neighbourhood is especially known for craftmanship as carpenters, tinsmiths and shoemakers. Anyway, there is not enough local economy to provide a sufficient labour market for the neighbourhood. Therefore, many inhabitants work informally in the nearby city centre.
parque las cruces
parque Tisquesusa
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But numbers
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IMPRESIONS OF LAS CRUCES
Carrera Decima (1) Important street running North-South and transport corridor of the Transmilenio Bus System. Parroquia Nuestra Señora del Carmen (2) Main church of the neighbourhood Las Cruces. Parque Distrital Las Cruces (3) Central Park and most important public space of the neighbourhood, surrounded by (2), (3), (4) Iglesia de la Santissima Trinidad (4) Unusually, there are two churches on the square Parque Las Cruces (3). This church is secondary and is less big than (2). It is connected to (5) and today it’s closed. Claustro de las Hermanas del Rosario (5) Monastery founded in 1651 and remodelled at the beginning of the 20 century. Later on, it served as a school. Today it’s closed for almost 20 years. Avenida Comuneros I Calle 6 (6) Important street running West-East and connecting to a highway along the mountains rang to the North. The street was extended in 2004 created thereby a rupture in the urban fabric Carrera 6: Apropriation of public space (7) Improvised flower pots on a secondary street indicate neighbourhood engagement in public space. Conjunto residencial Mirador de Santa Fe (8) Social housing complex as a gated community Unidad de servicios de Salud (9) Public health institution Plaza de Mercado Las Cruces (10) Market hall in Las Cruces. Build up in 1928 it is one of the oldest Market halls in the City and a national monument. It’s still functioning.
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STREETS OF LAS CRUCES
Carrera 6
Carrera 5
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Collage of streets in Las Cruces
Carrera 5A
Carrera 5 Calle 1F (view to the norh)
Carrera 6 Calle 1F (view to the south)
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STRENGHES AND WEAKNESSES
Location of Las Cruces within Bogotá + proximitiy to the historic center of the city and its facilities − physical and psychological isolation form the neighbouring quaters
Informality and low income work + "versatile" forms of work − lack of rights and security
Inquilinatos + potential for collective living forms − expensive low quality small rooms
colonial architecture + high architectural and cultural value − many empty or deteriorated buildings
Buildings in decay and poor fisical condition + high potential for retrofitting − underuse of exisiting housing facilities
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POTENTIALS OF LAS CRUCES
Engaged community in the emprovement of the neighbourhood
Traditional crafts
Youth engaged in Hiphop and Rap Processes of public space activiation taking place
Interest in the rehabilitation of architectural heritage
Festivals attended by the community
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EMERGING TOPICS FOR URBAN DESIGN TASK Housing • • • • •
Qualitative and quantitative housing deficit Tenements Affordable Housing Collective Housing Productive Housing
Productiviy • • • • •
Informal economy Unemployment Small scale economy Lack of local job opportunities Craft(wo)menship
Heritage Conservation • • • •
Parque Las Cruces, Cathedral, Fountain Monastry and church Plaza Las Cruces Specific residential houses
Marginalization & (invisible) border • Fisical borders • Mental borders: Stigmatisation • Negative Image and reputation
Security and Criminality • • • •
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High crime rate Gang activities Illegal activites Feeling of insecurity
Public space • • • •
Lack of public space Lack of green space Poor conditions and low design quality of public space Poor walking quality for pedestians
Culture • Craft(wo)menship • Hiphop, Rap
Unadequate uses and abandond places • • • • •
Parking lots and material storage Warehouse at Plaza Las Cruces Bus depots and strorage halls on Carrera Septima Closed former monasty Houses in ruins
Arrival city • • • •
Attractive location for migrants Lack of affordable housing for migrants Lack of job opportunities for migrants Low education level of migrants
Environment and nature • Lack of green space • Mountain range ecosystem • Closed rivers
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“YOU DON´T HAVE TO SOLVE A YOU JUST HAVE TO PLA
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ALL THE PROBLEMS AT ONCE, ANT A SEED...” Santiago Pradilla
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URBAN DESIGN PROJECTS
COMUNIDAD PRODUCTIVA Laura Sanchez, Behnam Akbarzadehghorbaniv
MANO A MANO Melissa Stöhr, Elena Guguila, Denisa-Iuliana Calomfirescu
CRECER JUNTOS Elsayed Abdelkerem, Moses Effnert, Sebastian Wack
PATIO DE LA UNIÓN Jumi Juliette Radde, Theresa Sophie Steiner
CALLE DE LA VIDA Batu Dündar, Sofie Türkiz Gürsu, Anna Till
EL TACTO - IMPACTO Mohamed El Badrawy, Eunice Gomes Alexandre
EL PATIO GRANDE Anna-Marie Krauss, Leroy Sayek, Kaan Töre
CENTER FOR ALL Isidora Stevanovic, Petra Ristic Abdou, Ivan Tomic
LA MANZANA PRODUCTIVA VERDE Carlotta Siciliani, Lukas Bast
PRIMER PASO Corina Muck, Thomas Ludwig Hutter
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Classic map: Las Cruces orientated to the north
Bogotá style map: Las Cruces orientated to the east
The following chapter presents the urban design projects. To facilitate the understanding of each project within the urban contect of Las Cruces. The introduction page always shows the map of the neighbourhood marking the intervented areas in colour . The map also indicates the plan aligment used in the project which could rather be orientated to the north (classic) or to the east (Bogotá style). Although the aligment of plans
and city maps is usally donewith the north facing to the top, in Bogotá there is another common consence. The city of Bogotá is pre dominantly shown with the east side up. This specific representation mode is due to the very present montain range at the east. The montains are the main orientation guide and build the cities green background.
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COMUNIDAD PRODUCTIVA Reactivating public main squares and their surroundings
Laura Sanchez Behnam Akbarzadehghorbani
The project aims to strengthen the community through interventions on the main squares: Plaza de Mercado and Plaza de Las Cruces. It addresses informal, low-income workers. The proposed projects focus on the improvement of public spaces by the extension of pedestrian areas, the implementation of green spaces, and the design of places for gathering, sports and culture. Furthermore, they are complemented by the construction of new housing projects replacing buildings in decay which directly adjoin public space. The buildings are designed to enable vivid exchange between indoor and outdoor and create synergies. Especially the appropriation and care of public space are fostered. The ground floors are dedicated to productive, educational or community functions. The upper floors offer different housing typologies as micro apartments, temporary and social housing.
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Concept
Comunidad productiva I Laura Sanchez, Behnam Akbarzadehghorbani
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Goals
Vision
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empowerment of the community
high quality public spaces
spaces for local culture and activities
ingreased human interaction and cooperation
improved pedestrian mobility and conection to the city
improved green infrastructure and bio diverstiy
strong local economy and new job oportunities
inclusion and rehabilitation of heritage
strong and visible intangible patrimony
Project
Comunidad productiva I Laura Sanchez, Behnam Akbarzadehghorbani
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Comunidad productiva I Laura Sanchez, Behnam Akbarzadehghorbani
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MANO A MANO Revitalisation of local craftmanship through retrofitting cultural heritage
Melissa Stöhr Elena Guguila Denisa-Iuliana Calomfirescu
Mano a mano seeks to strengthen the local economy and the heritage of craft(wo)menship focusing on the needs of informal workers. The projects centers around the campus which offers training and workshop facilities, coworking spaces and dormitories. It is divided into two buildings: the main campus which is created through retrofitting the monastery and a new auxiliary building. Each of them is located adjointly to an important square creating synergies which the public space. The street connecting both is included and upgraded. Additionally, small scale public design interventions are implemented at the borders of the neighbourhood. Aiming to break up mental borders, include the community, expose goods and attract visitors. Moreover, the interventions are set in scene during cyclovia and the specially established festival of Las Cruces.
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Concept
Mano a mano I Melissa Stöhr, Elena Guguila, Denisa-Iuliana Calomfirescu
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Goals
Project
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productive local economy
vital and safe urban environment
strengthend sense of commuity and cohabitation
increase of job opportunities
usage of neglected urban spaces
interaction/communication of residents
stimulate local production
improved environmental aspects
loosened invisible borders
Vision
Mano a mano I Melissa Stöhr, Elena Guguila, Denisa-Iuliana Calomfirescu
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painting room
pottery room
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weaving room
carpintery room
Hotspots I Students names, Student names
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CRECER JUNTOS (Re-)activation of a colonial block center and the community
El Sayed Abdelkerem Moses Effnert Sebastian Wack
Crecer juntos is an attempt to empower the local community and reactivated a neglected block center through a participatory project. The guided process starts with the opening and marking of space. Interim uses and a dialog of needs and visions lead to an architectonical project. The form and spatial distribution are defined due to various rules following the aim to create a democratic, non-hierarchical and human scale neighbourhood with a great diversity of small-scale community functions and semipublic spaces. The projects volumetric is characterized by up to four-story cubes. On ground floor level cubes connect to form bigger spaces which primarily serve public functions. The upper floors provide housing. Semipublic space forms a continuous outdoor area around the buildings and create unique special constellations with a variety of uses
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Concept
Crecer juntos I El Sayed Abdelkerem, Moses Effnert, Sebastian Wack
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Goals
Project
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improved selfesteem of inhabitants
empowerment of the community
affordable housing
ingreased human interaction and cooperation
access to education and culture
safe public space
Crecer juntos I El Sayed Abdelkerem, Moses Effnert, Sebastian Wack
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Crecer juntos I El Sayed Abdelkerem, Moses Effnert, Sebastian Wack
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PATIO DE LA UNIÓN Retrofitting a colonial block
Jumi Juliette Radde Theresa Sophie Steiner
The project develops a collective, multifunctional block center on a neglected area formed by three lots which access from different streets and interlace in the middle. It improves the permeability of the block, offers affordable housing and creates safe public and semipublic space. The focus group are low-income families and young adults. Thus, the program of space also includes culture, sports and gastronomy. The buildings, some new some reused, are designed to foster synergies of indoor and outdoor spaces. The heart of the project is the central plaza – plaza de la unión - with can be easily adapted for community events. To generate additional benefit for neighbourhood adjoining buildings and courtyards can open up to the patio. A save environment is assured through various security measures.
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Concept
Patio de la unión I Jumi Juliette Radde, Theresa Sophie Steiner
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Goals affordable housing
semi-public spaces
mixed use environment
integration of neighbourhood
synergies of indoor and outdoor spaces
mixed distribution of functions
uniting plaza
adaption and reuse of functions
security
Target group low - income families
Project
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young adults
Patio de la unión I Jumi Juliette Radde, Theresa Sophie Steiner
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Patio de la unión I Jumi Juliette Radde, Theresa Sophie Steiner
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CALLE DE LA VIDA Revitalisation of a symbolic street
Batu Dündar Sofie Türkiz Gürsu Anna Till
An ius Maeque cri et; incessigna in suliam audemus ad pulostes fuid caet, utendiu internimus sedet grae que tandemus, crei supereh ebemur, C. Pic viliquam deri publibulto convocules erori convocum diu ce clego vic mod publis hem tam fatu mihilic aequam si teatintem auces! Scit gra, num opublicae publibe facibuntis, senihilium re di, cotium iae audam derfiterum quid imus. Gratiqu amdio, citus et L. Untrum, coti, quem nonsteris men te ignos Mae acchuis. Opio nos iniae condea ne prid converc enterisqua omnontis. Unc reo, et; ne et viusque ficatid endiem nessilis. Teliae num publis. Dacem ego con andam iu quium rebatabem hortas erdit; interestrio, publiam senihina, estium arimum publi pulicidem aperficae efacchi cupicaedo, quam mene fachuid issula vicideessed consult ifena, Ti. Omnist L. Deciena, cultodisus et
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Concept
Calle de la vida I Batu Dündar, Sofie Türkiz Gürsu, Anna Till
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Goals
Project
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safe, green streets
safe access and connection to neighbourhood
activated ground floors
pedestrian zones
diverse high quality public and green spaces
all day activation
educational and cultural facilities
tourist attraction
co-housing
diversity of funcitions
affordable hybrid living
productive ground floors
Calle de la vida I Batu Dündar, Sofie Türkiz Gürsu, Anna Till
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Calle de la vida I Batu Dündar, Sofie Türkiz Gürsu, Anna Till
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Calle de la vida I Batu Dündar, Sofie Türkiz Gürsu, Anna Till
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EL TACTO - IMPACTO Retrofitting public space and equipments for the youth
Mohamed El Badrawy Eunice Gomes Alexandre
The project addresses the target group of teenagers and young adults. They are considered a group with great potential to generate positive chances. But also, in great vulnerability to get involved in gangs and criminality, due to the lack of opportunities and education. El tacto impacto aims to offer alternatives through urban acupuncture projects combining housing, culture, education, sports and public space. The projects are connected to teenager’s hangout hotspots as Parque Tisquesusa, Plaza Las Cruces and Parque Las Cruces. The buildings organization considers public functions - primarily culture- on the ground floors to generate synergies with outdoor space and assure a visual connection to foster security. The upper floors contain studios, shelter and shared apartments for the teenagers.
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Concept
El tacto - impacto I Mohamed El Badrawy, Eunice Gomes Alexandre
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Goals inclusion and better living quality for teens access to culture and education for teens
Project
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social housing for teens
sport facilities for teens
secure public spaces for teens
reduce gang activity
El tacto - impacto I Mohamed El Badrawy, Eunice Gomes Alexandre
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EL PATIO GRANDE Retrofitting a colonial block stucture
Anna-Marie Krauss Leroy Sayek Kaan Töre
The project deals with the colonial block next to Parque Las Cruces including the vacant heritage-protected monastery and passage Edificio Alfonso. It focuses on low-income families which currently dwell in overcrowded tenements. The blocks retrofitting consists of three complementary projects. The first is the implementation of a green semipublic block center – el patio grande - unifying the open spaces and connecting them to the opened-up monastery. Existing buildings are able to connect to the patio and some ground floors are adapted into community spaces. Moreover, the monastery is transformed into social housing assigning the ground floor to education and commerce. Furthermore, rooftop plugins are implemented on renovated roofs. The micro apartments are light bamboo constructions accessible through a central staircase in the patio.
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Concept
El patio grande I Anna-Marie Krauss, Leroy Sayek, Kaan Töre
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Goals better life for inquilinos
increased public and green spaces
strong local economy and job opportunities
affordable social housing
better accesabillity and permeability of block stucture
education and improvement of personal skills
Project Anna-Marie Krauss 01525356, Kaan Töre 01329388, Leroy Sayek 01328874 Anna-Marie Krauss 01525356, Kaan Töre 01329388, Leroy Sayek 01328874 E260 Institut für Städtebau, Landschaftsarchitektur und Entwerfen Retrofit Las Cruces, Bogotá. Affordable productive neighborhood. und Entwerfen Retrofit Las Cruces, Bogotá. Affordable productive neighborhood. E260 Institut für Städtebau, Landschaftsarchitektur
Anna-Marie Krauss 01525356, Kaan Töre 01329388, Leroy Sayek 01328874 E260 Institut für Städtebau, Landschaftsarchitektur und Entwerfen Retrofit Las Cruces, Bogotá. Affordable productive neighborhood.
Anna-Marie Krauss 01525356, Kaan Töre 01329388, Leroy Sayek 01328874 E260 Institut für Städtebau, Landschaftsarchitektur und Entwerfen Retrofit Las Cruces, Bogotá. Affordable productive neighborhood.
Anna-Marie Krauss 01525356, Kaan Töre 01329388, Leroy Sayek 01328874 Anna-Marie Krauss 01525356, Kaan Töre 01329388, Leroy Sayek 01328874 E260 Institut für Städtebau, Landschaftsarchitektur und Entwerfen Retrofit Las Cruces, Bogotá. Affordable productive neighborhood. E260 Institut für Städtebau, Landschaftsarchitektur und Entwerfen Retrofit Las Cruces, Bogotá. Affordable productive neighborhood.
dable productive neighborhood. Anna-Marie Krauss 01525356, Kaan Töre 01329388, Leroy Sayek 01328874 E260 Institut für Städtebau, Landschaftsarchitektur und Entwerfen Retrofit Las Cruces, Bogotá. Affordable productive neighborhood.
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Hybrid Monastry
El patio grande
Rooftop Plugins
El patio grande I Anna-Marie Krauss, Leroy Sayek, Kaan Töre
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El patio grande I Anna-Marie Krauss, Leroy Sayek, Kaan Töre
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CENTR-ALL Restoring a sense of community through revitalization of carrera septima
Isidora Stevanovic Petra Ristic Abdou Ivan Tomic
CenterAll works on two scales. The large-scale project La Buena vida is an educational campus with extensive public spaces and connected affordable housing projects. It´s focus group are young families and students. Nevertheless, the new center offers multifunctional spaces for all age groups and incorporates community facilities like a shelter for women. It aims to become a point of interest and therefore reactivating the area and Carrera Septima through an incremented pedestrian frequency. This also allows to reestablish a secure continuation of Carrera Septima to the south. To further strengthen the street the second project are small-scale interventions – pequeños cambios - which include pocket parks and the reactivation of ground floor shops.
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Concept
Centr-all I Isidora Stevanovic, Petra Ristic Abdou, Ivan Tomic
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Goals
Project
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affordable housing
more green and public spaces
access to education and culture
student housing
sport and play facilities
community facilies
Centr-all I Isidora Stevanovic, Petra Ristic Abdou, Ivan Tomic
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LA MANZANA PRODUCTIVA VERDE Redefinition and retrofitting of a colonial block structure
Carlotta Siciliani Lukas Bast
Manzana Productiva Verde – The green productive block – is a project that aims to break the fiscal border of Avenida Comuneros and the mental borders of poverty and criminality between Las Cruces and the Candelaria District by retrofitting the first block and entrance situation of Carrera Septima. By opening up the block through a transversal pedestrian pathway and various patios the opportunity of a permeable multifunctional structure is created. While public spaces foster public live, biodiversity and productive green spaces. The buildings combine key functions as affordable housing and productivity focused on craft(wo)menship. The project addresses the local population as well as visitors and tourists. It furthermore connects to ciclovia as the open spaces and ground floors are activated on Sundays.
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Concept
La manzana verde I Carlotta Siciliani, Lukas Bast
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Goals
Project
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no more physical borders
no more mental borders
strenghen local economy and new job opportunities
better connnections between the districts
affordable housing
active public space with creative athmosphere
Urban strategies
a new entrance situation
gentle densification
active groundlevel and diverse public space
La manzana verde I Carlotta Siciliani, Lukas Bast
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La manzana verde I Carlotta Siciliani, Lukas Bast
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PRIMER PASO Reactivation of the neighbourhood as resilient arrival city
Corina Muck Thomas Ludwig Hutter
An ius Maeque cri et; incessigna in suliam audemus ad pulostes fuid caet, utendiu internimus sedet grae que tandemus, crei supereh ebemur, C. Pic viliquam deri publibulto convocules erori convocum diu ce clego vic mod publis hem tam fatu mihilic aequam si teatintem auces! Scit gra, num opublicae publibe facibuntis, senihilium re di, cotium iae audam derfiterum quid imus. Gratiqu amdio, citus et L. Untrum, coti, quem nonsteris men te ignos Mae acchuis. Opio nos iniae condea ne prid converc enterisqua omnontis. Unc reo, et; ne et viusque ficatid endiem nessilis.Teliae num publis. Dacem ego con andam iu quium rebatabem hortas erdit; interestrio, publiam senihina, estium arimum publi pulicidem aperficae efacchi cupicaedo, quam mene fachuid issula vicideessed consult ife-
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Concept
Primer paso I Corina Muck, Thomas Ludwig Hutter
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Goals transform Las Cruces to a successfull arrival city
improved public spaces
improved green spaces
affordable housing with focus on rental
learning opportunities and education facilities
increased biodiverstity and ecological awareness
Research - Arrival City “ An arrival city means a place of transition and a good arrival city helps migrants to integrate well and fast” Literature: Arrival City, Dough Saunders Good practice examples: Parla, Madrid
Project
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Primer paso I Corina Muck, Thomas Ludwig Hutter
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Primer paso I Corina Muck, Thomas Ludwig Hutter
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DIDACTIC: DESIGN PROCESS Summer term 2021
• Guest critics: Santiago Pradilla, Santiago Sanchez
• Input “Informality/ Povery/ Insecurity“ [M.Kühler ]
• Guest lecture Santiago Pradilla
• Movie “Moving Bogota”
• Input “Affordable housing/ Inquilinatos“ [M.Kühler ]
April
• Input “Urban development Bogotá“ [A. Hofer ]
• Movie “Homo Urbanus Bogotanus”
March
Concept
WS 1
ANALYSIS
CONCEPT
Design tools
• City portrait • Mapping • Studio Logo • Vision
Heterogeneous group
Classes
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Team formation
Internal pre-presentation
DESIGN
• Emerging topics • Vision • Target group • Goals • Location = Concept
Team building
Workshops
• • • • •
Working model Plans Sections Sketches Axonometry
Group building
Presentation with guest critics
July
Final
WS 2
ELABORATION • Slideshow • Posters • Working model
Colaboration
Feed back
PRESENTATION • • • •
Solidarity
Personal meeting
Publication
Midterm
• Guest critics: Santiago Pradilla, Santiago Sanchez, Catalina Mahé, David Delgado, Alicia Bello
June • Guest critics: Santiago Pradilla, Santiago Sanchez, Catalina Mahé, David Delgado, Alicia Bello
May
Slideshow Posters Model Booklet (Bachlor)
Friendship
Community
All formats were organised digitaly as distance learning via ZOOM
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DESIGN TOOLS LOGO CONTEST
Winner: Carlotta Siciliani
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ONLINE ACTIVITIES
JAMBOARD
PADLET
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MAPPINGS
Project team: Patio de la unión
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Project team: Primer paso
Project team: El patio grande
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ANALYSES
Project team: Crecer juntos
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Project team: Comunidad productiva
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VISIONS
Project team: Patio de la unión
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VIDEOS
Project team: Crecer juntos
Project team: La manzana productiva verde Project team: Center for all
Project team: Calle de la vida
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WORKING MODELS
Project team: Mano a mano
Project team: Mano a mano
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Project team: Patio de la unión
Project team: Patio de la unión
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FINAL MODELS
Project team: Mano a mano
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Project team: La manzana productiva verde
Project team: Patio de la unión
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SUM UP What would you like to remember from this course for your next design studios and your profesional carrer?
URBAN SENSITIVITY
THE PEOPLE
always keep in mind existing and people
How wonderful it is to have a friendly studio dynamic
empathic approach to the community relationship public space + interviened buildings
to think about the surroundings
the good working process structure: Vision, Goal, Concept,....
always fight for your ideas! but keeping in mind valuable feedback
listening to advices
to
The way of working with goals, target group, and a conceptual idea
how easy it is to make friends :)
thorough analysis is crucial for the project
the sense of community
nice people work with
connection to existing buildings is very important
the importance of a good team work
do not show our building or area as an island
divide group tasks according peoples strenghtes
design an illumination concept is possible and it can hav aa great impact
pavement design is also part of a street design think of the surrounding
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DIDACTICS
you need a very strong and clear concept
the importance of a concept
think of goals
sensitive multi-scala approach Simplyfying the idea process
going into theoretical detail
GRAPHIC EXPRESION importance of graphic expresion text layout, presentiation “faking” sections for good cost * *show your intention and e.g. windows even if your are not directly cutting through them) colours are darker & stronger when printed improve style
graphic
Titles of graphics are very! important
MODEL
DIGTIAL / PRESENTATION
physical models: help to determin a good design work
different ways of working for a online presentation or for posters
take more time for the model / start working earlier on it physical models take longer than expected more time for model
working earlier on the model
to take your time to lear new digital skills (video cut, sketchUP) Figuring out Presentation
the
FEEDBACK TEACHING TEAM Amazing tion
organisa-
good process structure
feedback were very good and helped us a lot
the whole procedure of the Entwerfen was clear and good structured
good organisation
making a better material selection before starting the model
the graphic skills
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PARTICIPANTS STUDENTS Elsayed Abdelkerem, Behnam Akbarzadehghorbani, Lukas Bast, Denisa-Iuliana Calomfirescu, Batu Dündar, Mohamed El Badrawy, Moses Effnert, Eunice Gomes Alexandre, Elena Guguila, Thomas Ludwig Hutter, Anna-Marie Krauss, Corina Muck, Jumi Juliette Radde, Petra Ristic Abdou, Laura Sanchez, Leroy Sayek, Carlotta Siciliani, Theresa Sophie Steiner, Isidora Stevanovic, Melissa Stöhr, Ivan Tomic, Kaan Töre, Sofie Türkiz Gürsu, Anna Till, Sebastian Wack
TEACHING TEAM Miriam Kühler Architectural studies in Vienna and Bogotá, university assistant at the Institute of Urban Design and Landscape Architecture of TU Vienna. International work experience in Austria, Colombia and Peru. Projects, research, publications and lectures on informal urban development, housing and public space.
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Andreas Hofer Architectural studies in Vienna and Bogotá, associate professor at the Institute of Urban Design and Landscape Architecture of the TU Vienna since 1996. Projects, research, publications and lectures on international and informal urban development, coordination and supervision of international urban design projects and academic cooperation programmes.
GUEST CRITICS Santiago Pradilla Architect, master in housing, cofounder of El taller de S and Palafito Arquitectura. Realised the housing projects Pasajes Residenciales and the urban revitalisation project La
Santiago Sanchez Architect, Master in infrastructure planning, Doctor in community and reional planning.
Garza in Las Cruces.
Catalina Mahé Architect - Universidad Nacional de Colombia. Master in Project Management - EAN-ENAP. Master in Social and Collaborative Housing Politecnico Di Milano (Italy). Lecturer at Universidad Nacional.
David Delgado Architect, Master in architecture and renewable energy. Director of David Delgado Arquitectos and director of the urban revitalisation plan for the historic center Bogotá. Lecturer at Universidad Los Andes.
Alicia Bello Architect, Master in urban and regional planning. Working experience at Bogotas cultural heritage insitut (IDPC). Architect at the urban revitalisation plan for the historic center Bogotá (PEMP).
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HOUSING PROJECTS
PATIO DE INTERCAMBIO CULTURAL Irina Köhrer, Julia Holl, Moses Effnert
RINCÓN COMUNAL Julius Bartz, Theresa Steiner, Jumi Radde
PUENTES DE MI BARRIO Chelariu Florin, Guguila Elena, Harnisch Bianca Alexandra Marginean Cristina
EL LADRILLO DEL FUTURO Denisa-Iuliana Calomfirescu, Eunice Gomes, Melissa Stöhr Cleo Traub
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quaecture volore qui consequi de mintotatur aut eliquat quiamet, quid quae. Nequo corum dolum expellit ea venieni maxime pel ium nestis volupti bearchil modiorunto ipis et venisto ribust alitinv elluptatquas as eum soluptaspe est rem doluptur? Num aut atin conesequi blab ipsandam quaecae porio verum aut doles nienis volupta conseribus abo. Solesti orectis re sequas ad moluptatem illaut audit dis utemporepel et abor am Pensar el nombre. Como la “l” tambien se denominó al Bronx
Plot 2
Area: aprox. 360 m2 Dimensions: aprox. 18 x 20 m Contemporary use: c ar service Property: private
Area: Dimensions: Contemporary use: Property:
aprox. 1880 m2 aprox. 72 x 23 m (facade) / 40 m (patio) vacant, ruins public
Calle 2b
Plot 1
Avenida Comuneros - Carrera 6 : Esquina sur-oeste
Carrera 8
Calle 3
Avenida Comuneros
Carrera 6
Carrera 8 - Calle 2 - No.67
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PATIO DE INTERCAMBIO CULTURAL Cultural exchange courtyard I Plot 1
Irina Köhrer Julia Holl Moses Effnert
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Patio de intercambio cultural I Irina Köhrer, Julia Holl, Moses Effnert
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RINCÓN COMUNAL Community corner I Plot 1
Julius Bartz Theresa Steiner Jumi Radde
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Rincón comunal I Julius Bartz, Theresa Steiner, Jumi Radde
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PUENTES DE MI BARRIO Neighbourhood bridges I Plot 2
Chelariu Florin Guguila Elena Harnisch Bianca Alexandra Marginean Cristina
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Puentes de mi barrio I Chelariu Florin, Guguila Elena, Harnisch Bianca Alexandra, Marginean Cristina
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EL LADRILLO DEL FUTURO Bricks for future I Plot 2
Denisa-Iuliana Calomfirescu Eunice Gomes Melissa Stöhr Cleo Traub
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El ladrillo del futuro I Denisa-Iuliana Calomfirescu, Eunice Gomes, Melissa Stöhr, Cleo Traub
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LIST OF FIGURES Context: Las Cruces neighbourhood p. 8 Las Cruces: A piece of Bogotá // Melissa Stöhr, Elena Guguila, Denisa-Iuliana Calomfirescu p.9 City map of Bogotá // Laura Sanchez, Behnam Akbarzadehghorbani p.10 Analyses: Important Aspects of the city centre // Carlotta Siciliani, Lukas Bast p.11 Satellite image of the city centre // Google Maps p.12 top: Carrera Septima // Google Street View bottom: Plaza de Mercado // http://reddelopatrimoniable.net/index.php/lugares/las-cruces p.13 top: Calle in Las Cruces view to the mountains // by Felipe Restrepo Acosta // https://commons.wikimedia.org/wiki/File:Bogot%C3%A1,_casa_en_Las_Cruces,_carrerra_3_calle_2B.JPG bottom: Calle in Las Cruces view to the west// by Andrés Lozano // https://www.kienyke.com/kamara/fotos-bogota-colombia-familias-vulnerables-cuarentena-2020 p.14 Analyses: Places of relevance in Las Cruces and the surrounding // Laura Sanchez, Behnam Akbarzadehghorbani p.15 Analyses: Architecture and public spaces in Las Cruces // Melissa Stöhr, Elena Guguila, Denisa-Iuliana Calomfirescu p.19 top: Collage of facades in Las Cruces // Laura Sanchez, Behnam Akbarzadehghorbani centre: Street view Calle 1F to the north // Melissa Stöhr, Elena Guguila, Denisa-Iuliana Calomfirescu bottom: Street view Calle 1F to the south // Melissa Stöhr, Elena Guguila, Denisa-Iuliana Calomfirescu p.20 Strengths and weaknesses // Laura Sanchez, Behnam Akbarzadehghorbani p.21 Collage potentials// Laura Sanchez, Behnam Akbarzadehghorbani
Emerging topics for urban design p.23 top: Graffiti Las Cruces // by Peter Beste // https://daily.redbullmusicacademy.com/2016/02/la-etnnia-feature bottom: Cathedral Las Cruces and fountain La Garza // by SCRD // https://www.culturarecreacionydeporte.gov.co/es/se-entrego-la-fuente-de-la-garza-la-comunidad-de-las-cruces p.24 & 25 Bird eye view of the neighbourhood with the projects pasajes residenciales by Taller S // by Taller S // http://www.redfundamentos.com/blog/es/obras/detalle-371/
URBAN DESIGN PROJECTS p. – p. Graphics and images by the authors of each project
Design process p. XX process graphic // by Miriam Kühler Design tools p. – p. Graphics and images by the authors of each project
Sum up p.XX
Collage of facades in Las Cruces // Laura Sanchez, Behnam Akbarzadehghorbani
Participants p. XX Photo zoom session // by Miriam Kühler
Housing projects p. -p . Graphics and images by the authors of each project
Imprint p. -p . Group picture student group Retrofit Las Cruces after the final presentation // by Miriam Kühler
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IMPRINT Publisher Vienna Universtiy of Technology, Institute of Urban Design and Landscape Architecture, DEPARTEMENT OF URBAN DESIGN Karlsplatz 13/ E260-01, A-1040 Vienna, Phone: +43 (0)1 58801 26001, Fax: +43 (0)1 58801 26099 stb@tuwien.ac.at, www. städtebau.at
Concept & Publication Andreas Hofer, Miriam Kühler
Editorial Andreas Hofer, Miriam Kühler
Coordination Andreas Hofer, Miriam Kühler
Layout Miriam Kühler
Cover image //
Lectorate XXX
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