Sara Contreras | Architecture Portfolio + CV (EN) | 2018 | ETSAM

Sara Contreras Escribano

Portfolio architecture selected works 2009|2018

CV name

CONTRERAS ESCRIBANO, Sara

address

6 O’Donnell st.

28009, Madrid, SPAIN

date of birth

15 December 1991

nationality

Spanish

telephone

+34 682 658 075

e-mail

sarapsara15@gmail.com

: A highly motivated, creative and resourceful architect able to work well in a team or independently.

Besides being committed and responsible, I am used to adapting to high-pressure situations and tight deadlines whilst remaining both accurate and enthusiastic. I want to make a difference with my work. professional experience / publications Oct. 2017- June 2018

Ecosistema Urbano |Architect|Madrid

May 2016- June 2017

STL Architects |Architectural intern|Chicago, USA

March 2016

DTF Magazine

Oct. 2015- Mar. 2016

SUMA Arquitectura |Architect|Madrid

June 2014

115 días |Best works selection (spring 2014)|Academic publication ETSAM

Summer 2013

Atelier [BP] Architectures, Paris |Architecture Intern|Paris, France

June 2013

Exhibition A new footbridge for the ZAC Clichy-Batignolles|École des Beaux-arts de Paris

2015-2009

Escuela Técnica Superior de Arquitectura de Madrid (E.T.S.A.M)| PFC with Honors (10)

2013-2012

École Nationale Supérieure d’Architecture Paris-Malaquais 4th year| ERASMUS International exchange program

2009-1994

Montealto School, Madrid| with Honors (10) June 2009| Access mark to University: 9.36/10

Jan 2018-Oct. 2017

LEED v4 Core Concepts and Green Associate Exam Preparation Course

education

further education

May 2016-Nov. 2015

er in Modeling and Architectural Projects Design. MAI

2015-2013

Web design - WordPress|E.T.S.A.M (30 h) Adobe Illustrator CS6|E.T.S.A.M (30 h) Advanced Adobe Photoshop CS6 |E.T.S.A.M (30 h) ArchiCAD|E.T.S.A.M (30 h)

May 2013

Workshop BELLASTOCK in experimental architecture «Greenwashing»|la ville éphémere|architecture & nature|Paris, France

Nov. 2012

Workshop at Chandigarh’s School of Architecture |Clément Blanchet|India (2 weeks)

May 2011

Workshop at the Bartlett School of Architecture | Izaskun Chinchilla|London, UK

2002-1997

Ballet at the Victor Ullate Dance Center

2000-1997

Art studies at the Decorative Arts School of Madrid

2011-2009

Pablo Horstmann Foundation| hospitalized children entertainment, La Paz Hospital

volunteering 2|

achievements Feb. 2018

LEED Green Associate

March 2016

Graff· city BUR Archmedium Competition |3rd prize

Oct. 2015

COAM PFCs 2015 Competition |Finalist

May 2015

Final Project |with Honors (10) |PFestC Multipurpose structure| Battersea Power Station, London

April 2015

25th Iberian Competition for PLADUR building solutions |Áccesit

2013-2012

ERASMUS International exchange program Scholarship

2009

Madrid’s Excellence Scholarship for academic performance

2008

University of Navarra VII International Forum to promote investment in Africa |Mention

2005

Madrid City Council Christmas Card Art Contest |1st prize

2005

45th National essay writing competition by Coca-Cola |5th prize

1997/2000/ 2004/2005/2007

School’s Christmas Card Art Contest |1st prize

skills Computer skills Fluent PC and Macintosh

Design 2D Design 2D+3D BIM Rendering engine Image/ Layout Mapping Video Web design

AutoCAD 2018 Rhinoceros|3dS MAX|Sketch Up Revit|ArchiCAD 17 V-Ray|Lumion Adobe Photoshop CC|Adobe Illustrator CC|Adobe InDesign CC ArcGIS Adobe Premiere Pro CC WordPress 4.3

Design skills

Freehand drawing, 2D and 3D design, rendering, surveying, model making

Social skills

Organiser, strong communicator, negotiator, leader, collaborator, team-work, motivated.

languages Understanding Listening

Reading

Speaking Spoken interaction

Writing

Spoken production

English French German

B2 Upper inter. user A1 Basic user

A2 Basic user

B2 Upper inter. user A2 Basic user

A2 Basic user

A2 Basic user

(*) Common European Framework of Reference (CEF) level

2015-2012

Institut Français Madrid (B2 level)

2009-2005

Madrid’s British Council (C2 level)

2008

CAE

2006

FCE

July 2008/2006

Intensive English Summer Program|FLS International, Boston, EEUU|EF, Long Beach, EEUU

July 2004/2005

Summer English Language and Activity Program|Anglo-Continental, Bournemouth, UK

hobbies / general interests storytelling|theatre|cinema|art| writting|travelling

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Contents

Ruins interpretation Center|Guardamar

Battersea Power Station|London

public |research |landscape |ephemeral

| public|scenario with honors (10MH)| issuu video: PFC

6

mark: 7/10

40

Graff· city|Berlin

Urban agriculture in rooftops|Madrid

residence|canvas|gadget

miscellaneous |sustainability|density

ARCHmedium competition: 2nd place

14

mark: 7,5/10 video: P3 | P3.1

42

Cortijo del fraile|Almeria

Our-shelves-houses|Madrid

agriculture|landscape|restoration

skin|custom|duplex

PLADUR competition: Áccesit

16

professional work at SUMA Arquitectura

44 Øya Music Festival |Oslo

A library for the XXIst century|Barcelona

public|ephemeral

technology|research|laminate wood professional work at SUMA Arquitectura

120 HOURS competition

46

20 Ahijones Urban planning|Madrid

museum|competition|public space

residential|landscape|public space

22

mark: 9/10

professional work at STL Architects

48

Footbridge SCALELAB|Paris

Drawing|Sketch

public|landscape |construction

nude|paysage|Paris

mark: 17.5/20

28

52 Urban planning |Chandigarh 2035

Photography

residential |landscape |density

amateur

mark: 20/20

34

---

Videos |2010-2015 PFC | P3 | P3.1 | P2 | P1 Adobe PremierePro|iMovie

Public|Urban|Residential|Miscellaneous|Analysis|Construction|Photography|Design

* interactive menu: icons give you direct access to each project/ video link

|5

Pu DEUS EX MACHINA

Battersea Power Station

semester

fall 2014 - spring 2015

course

Final Project (PFC)

duration

9 months

professor

Luis Pancorbo |Aula PFC Mª José Aranguren

location

Battersea Power Station|London, England

Looking

ahead,

more

and

more,

buildings

must

be

01

capable

of

adapting to any situation, to any scene. This is the case of the Battersea, survivor throughout the years, as a landmark for London and that seeks to reinvent now with a new use, a dream’s factory.

6|

ground level | technical floor

|7

longitudinal section|possible scenarios

8|

possible scenarios 01_ Exposición de aviación 02_ Instalación “The Weather Project”- Olafur Eliasson 03_ Simultaneidad de espectáculos/ Festival 04_ Instalación “In Orbit”- Tomás Saraceno 05_ Plató de rodaje/ Museo del cine

01

02

03

04

05

|9

perception.

empty, overwhelming by its size, and then observe the white traces marked on the ground, which, as in a great theatre, speak of what can actually happen there. Then, looking up, he would perceive everything diffuse and complex, two opposite worlds, that of the spectator and 50 meters above, that of stage manufacturers capable of imagining, surprising, and transforming into a unique place the Battersea Power Station.

10|

|11

axonometric view| main elements scheme | construction

12|

|13

Mi

02

Graff¡ city semester

spring 2016

competition

BUR- Archmedium Competition

award

Second place

team

+626 collective

location

Berlin

Berlin

as

colour.

Berlin

as

integration

of

diverse

conditions,

aims

and needs. Berlin as a destroyed, divided and rebuilt city. Berlin

The intervention reduces to a minimum three meter wide living space support, slightly separated from the plot’s party wall. Additional space could be rent towards the plaza, where you could decide the way of enhancing your appartment. Taking up the role of the missing painting, where anyone chooses to display, advertise, reveal or hide, letting the city participate from an always changing- living-canvas.

14|

site plan | site history

|15

Mi Unruinit Center for agricultural and landscape development

03

semester

spring 2015

competition

25th Iberian Competition for PLADUR building solutions

award

Áccesit local

team

Elisa Rodríguez - Reyes Sánchez

location

Ruins of the Cortijo del fraile, Almeria, Spain

Placed in the middle of the Nature reserve of Cabo de Gata, this country as “The good, the bad and the ugly“. The intervention for the center of agricultural and landscape development tries to take advantage of the ruins of the cortijo, respecting its current condition. A platform goes through the new uses generating squares between them. The etfe parasols, emulating the plastic sea of Almeria protect the areas that have lost the original cover. Finally, the boxes modular and easily detachable, designed incorporating pladur system.

16|

intervention plan|sections|ambiance

|17

construction|inside ambiance

18|

|19

Pu Øya Music Festival

Meeting point and beacon

semester

spring 2014

competition

120 HOURS

team

Ángel Maestro - Elisa Marcos - Reyes Sánchez

location

Tøyenparken, Oslo, Norway

The

box

festival

has

view

been points,

opened. and

as

Its

light

smaller

04

glimpses

from

all

the

elements

the

released

It is a dynamic experience, which proposes, not one, but several meeting points, and also to cover the festival’s different stage areas. A solution of easy assembly and dismantling, using local materials and with a view to re-use, ultimately, an enriching complement for the Tøyenparken.

20|

festival plan |elevations

|21

Ur Smart Fields Forever

PAU, a city from nowhere

semester

fall 2013

course

design VIII

duration

16 weeks

professor

JM. Lapuerta- AR. Barbarín- M. Ocaña- V. Acebo

location

Ahijones|Madrid, Spain

05

The south-east’s strategy sought to broaden Madrid’s extension by promoting repetitive dwelings without any character as part of an Urban Development Activity Programme (PAU). With the economic crisis these areas were abandoned, remaining useless even for their prior agrarian use. What if there was a better future? How should it be a city in the middle of nowhere?

The city arises as an island, away from Madrid, disconnected and bounded by major infrastructures. The solution is to reinforce the isolation, thinking PAU’s connecting axis, which is buried to generate a great linear square, urban heart for the city. Nevertheless, the city is not exclusively urban but an alive conviviality between rural and urban landscape. Once raised the scheme of the city in bands, focus lays on the transition from rural areas to

22|

general scheme |ambiance

|23

sections|eclecticism|ambiance Eclecticism, a city without age The buildings come down differently, have different materiality according to use and participation from outer space. Public space gives coherence to this entropy.

Longitudinally, a plinth sews buildings in the urban core and comes gradually unstitched towards the exterior landscape, its materiality, height and surface vary depending on the public space that buildings themselves provide to the street: entrances, squares, stores, street’s connections... Controlling sound, visual and touch.

On a larger scale, the city is crossed by interstitial paths through which rural landscape spreads across the city and ‘contaminates’ it with other uses: parks, rooftop greenhouses, vegetable façades...

24|

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city plan|street view

26|

|27

Pu Footbridge SCALELAB semester

spring 2013

course

design VII

duration

16 weeks

professor

M. Malinowsky - S. MĂŠmet - R. Leroy - L. Couton

location

Paris, France

06

Located on the northwest of Paris, close to the Gare de Saint Lazare, and on the occasion of the development of a new urban area, arises the need to project a footbridge that would reconnect two neighbourhoods isolated until then by the train tracks space. The new footbridge attempts to revitalize this union to the residential and business complex, but also a promenade that leads to the new planned park, which will become a new green lung for the city. This way, the project stretches up to the park to offer a direct link between park and city that takes advantage of this new privileged equipment for the area.

new park projected together with the residential set. These, they are translated into three different perceptive sequences in the project’s conception, from more protected, over de rail tracks, to free and open, on its arrival to the park.

28|

sequences

acces disociation

perceptions

strong urban landmark

park’s extension

50m

175m

125m

Rayon de courbure : 210m

|29

construction details

1

railways|open module

2

3

railways|covered module

1

2

park| open module

A

A’

3.00 0.00

30|

global structure | construction The construction is based on suspension bridge system on two of three parts of the deck. Along with the belvedere, on the park’s side, the bridge’s mast reveals the desire to create a strong urban landmark.

The bridge is regulated by a system of identical structural brackets/consoles, oriented according to the bending radius of the bridge. The whole structure is tensioned by three foot-articulated masts.

SECTION AA’

structural performance sketches|sustenance and torsion effort

3

8.95

0.30 -1.30

|31

sequences|perception|ambiance The footbridge is divided following two different typologies over the railways. One, at a lower level, is conceived as a link sheltered from inclement weather and pollution and nuisances related with trains, offering a landscape perception punctuated by steel strips that obstruct or reveal environmental views. On the other hand, higher above the rails, the user takes the park’s leading path with the desire of enjoying directly a clear opened view.

32|

global model 1:200|detail 1:50

|33

Ur Chandigarh 2035 Projects for the growth of the city

07

semester

fall 2012

course

design VI

duration

16 weeks

professor

Clément Blanchet [Director OMA France] - Thierry Mandoul

location

Chandigarh, India

Chandigarh, the “City Beautiful” of Le Corbusier, was initially planned for

150.000

inhabitants,

the

director

scheme

was

conceived

to

confront an expansion and to come up to 400.000 inhabitants. Today, is in a more or less irregular situation in the vis-à-vis of the urban plan.

The sector 19 is an exceptional opportunity to combine patrimony preservation “heritage zones“ there are 736 houses and equipments designed by P. Jeanneret, J. Drew and E.M. Fry. The different housing sets appear like allotements of different

to re-qualify the lots, intervening only in those which show a problem or interest, to densify them, nurturing the heterogeneity of the sector.

34|

city analysis|location

conceptual model

routes |sectorization

intensity of green areas

the 19th sector

the 19th sector|site

density

heights|sector’s profile

patrimony|heritage zones

public green areas

private green|vacant plots

green areas

allotments|patrimony

new residential areas|relation with patrimony

insertion in the sector

process diagrams

paths|roads

green network

|35

housing scheme The considered ingredients are therefore: - the sector’s heritage/patrimony - the heterogeneity of building typologies - the quantity and quality of green spaces - the located densities

allotment 1: miroir|mirror

allotment 2: encadrement|frame

Refers to a “patrimonial lot”: - Less dense typology, housing plots of 550m2 and 90m2 houses, in wich the garden surrounds the house.

- The new scheme is opposite, the mass surrounds space. In addition, it includes several heights housind.

- A green axis divides the site to connect the “green corridor” with the most remote areas.

- Around a heritage building: the engineers building who designed the city, conceived as a temporary work, it has been preserved due to its historical value but now it lacks function.

- Surrounding the building, there are lots that area.

- Assigning a new function to this unique building, it is revitalized to the whole contiguous zone, a new cultural equipment for all the inhabitants, a medialibrary or a library.

allotment 3: liaison|link - A linear strip - Connects large green spaces to the rest of the subsector, devoid of them. (cheap village) “opposites”, when there is mass on one side on the other there is a building less height or empty space.

- Also new parkings will be created, enabling spaces used as such, to liberate green spaces.

allotment 4: emboîtement| - Within the heritage/patrimony - Block pill around courtyards that can be traversed by pedestrians to facilitate the access, not only to this new wealth, but also to green areas.

miroir

land occupation scheme: before-empty-after

A

patrimonial reference|house type 9-D

A’

air sight|insertion

36|

section AA’

Land use miroir|mirror

liaison|link

encadrement|frame

emboîtement|

surface: 2,03 ha usages du sol avant: _habitations: 0,529 ha _jardins privés: 0,706 ha _j. publics occupés: 0,14 ha _espace pubic: 0,65 ha _vert: 0,387 ha _rues: 0,263 ha usages du sol après: _habitations: 0,894 ha _cours semi-privés: 0,58 ha _espace pubic: 0,554 ha _vert: 0,366 ha _rues: 0,414 ha cient d’occupation du sol: _avant: 0,24 _aprés: 0,44 nombre d’habitations: _avant: 22 _après: 203 surface du logement: _avant: 12,5*15,5= 193,75 m2 15*15= 225 m2 17*18= 306 m2 _après: 10*8= 80 m2 8*14= 112 m2

surface: 5,41 ha usages du sol avant: _habitations: 2,19 ha _jardins privés: 1,50 ha _espace pubic: 1,723 ha _vert: 0,68 ha _rues: 1,043 ha usages du sol après: _habitations: 1,622 ha _jardins privés: 0,80 ha _espace pubic: 2,79 ha _vert: 1,426 ha _rues: 1,365 ha _parking: 0,2 ha coef du sol: _avant: 0,40 _après: 0,30 nombre d’habitations: _avant: 84 _après: 375 surface du logement: _avant: 15*17= 255 m2 _après: 12*8= 96 m2

surface: 4,27 ha usages du sol avant: _habitations: 0,636 ha _jardins privés: 0,47 ha _equipements: 0,45 ha _espace non batî: 0,99 ha _espace pubic: 1,727 ha _vert: 0,762 ha _rues: 0,965 ha usages du sol après: _habitations: 0,867 ha _cours semi-privés: 0,59 ha _equipements: 0,45 ha _espace pubic: 2,252 ha _vert: 1,51 ha _rues: 0,742 ha cient d’occupation du sol: _avant: 0,25 _après: 0,31 nombre d’habitations: _avant: 30 _après: 300 surface du logement: _avant: 15*16= 240 m2 15*20= 300 m2 10*12= 120 m2 _après:(1 module) _110 m2(*2) _84 m2 _70 m2 (*2) _126 m2

surface: 1,70 ha usages du sol avant: _habitations: 0,533 ha _jardins privés: 0,597 ha _espace pubic: 0,57 ha _vert: 0,27 ha _rues: 0,3 ha usages du sol après: _habitations: 1,017 ha _cours semi-privés: 0,355 ha _espace pubic: 0,33 ha _rues: 0,33 ha cient d’occupation du sol: _avant: 0,313 _après: 0,597 nombre d’habitations: _avant: 62 _après: 316 surface du logement: _avant: 9*9,5= 86 m2 _après: 9,5*8= 76 m2 10,5*8= 84 m2 11,5*8= 92 m2

encadrement

land occupation scheme: before-empty-after

air sight|insertion

|37

liaison

land occupation scheme: before-empty-after

air sight|insertion

38|

emboîtement

land occupation scheme: before-empty-after

B’

B housing type

section BB’

|39

Pu Ruins Interpretation Center

Guardamar

semester

spring 2012

course

design V

duration

16 weeks

professor

V. Berriochoa - V. Olmos - F. Ruiz Bernal

location

Guardamar del Segura, Alicante, Spain

08

On the occasion of the recent discovery of ruins that belong the Rabita Caliphate (Xth century) and the Phoenician city of Fonteta (VIII century BC to VI) in Guardamar del Segura, Alicante, the project proposes a center for visitors’ reception and interpretation of the ruins.

These archaeological remains are located in an area of great landscape value, and currently belong to a natural protected environment, bounded by the mouth of the Segura river on the north, by the town of Guardamar itself west, and the Mediterranean sea on the east. The project is located on both sides of the path as an ephemeral structure that hosts museological, storage, research and management functions. The scaffolding structure reinforces

the

temporary

character

and

respects

the

immediate

environment, as it merges with the surrounding pine forest landscape.

40|

schemas|volumetry

construction system Aluminium module of 3x3m.

Pieces are articulated by a ball-and-socket joint, which allows to connect infinite modules, achieving this way a silhouette adapted to site and functions.

Volumetric scheme of uses

site implementation

|41

Mi

09

Urban agriculture in rooftops semester

spring 2011

course

design III

duration

9 weeks

professor

Izaskun Chinchilla|Group of design experimentation

location

Madrid

the pattern activity chosen for the project’s development is urban agriculture. In cities determined by an excessive population concentration and urban growth, projects like the green roofs and urban gardens are

being

consolidated

as

leisure

and

ecological

alternatives.

The solution is approached as an adaptable structure that groups the roofs of several buildings and can easily be widen. Under this organic shell, it gathers functions of horticulture, market, catering, workshops and even housing. The accesses might, well to take advantage of the own system of communication of the buildings, or adhere to the concerned façades.

42|

mm un ity 1|living ZOOM |co

g in

2|mark et a ZOOM nd

ca te r

community plan|uses

diagrammatic section representation

irrigation sytem

horticulture

global structure system

3|perfu me ZOOM

f ac to ry

PARFUM

PARFUM

HYDROPONIC CITY

crane collecting system SARA CONTRERAS ESCRIBANO

functional diagram|market

market stand type HYDROPONIC CITY

|43

Re Our-shelves-houses year

10

fall 2015 SUMA Arquitectura

status

under construction

client

cooperative|private comission

location

Madrid

My house is like a custom-made suit. This project sets the stage for a very special architecture challenge requested by a cooperative business. The goal is to come up with a generic residential proposal for a typical plot in Madrid’s Linear City that could also be implanted in other city locations. The result is a new duplex typology, opposed to the traditional four story block, that allows all the dwellings to enjoy a garden or terrace. In the interior, the distribution of the different spaces at various heights generates very interesting visual connections. Towards the exterior, the wood slabs are extended and by well-disposed gaps and bay windows. The skin is an essential part of the project, it is a user-customizable matrix composed by look-outs, shelves, integrated furniture and vegetation that improves the hygrothermal qualities and allows to control views. All in all, this house is a completely customizable approach, depending on the users’ needs, criteria and decisions.

44|

/// “...definitely, my house is unique.” /// mi terraza será un jardín para disfrutar de los días soleados

tengo un vestidor junto al dormitorio principal

puedo comer fuera gran parte del año

desde la ducha puedo disfrutar de la vegetación y las vistas sin ser visto la encimera del baño es prolongación de la envolvente

la estructura, con vigas de madera queda visible y da un carácter especial al salón en este salón amplio y con doble altura puedo organizar con amigos

nunca me falta espacio para guardar mi colección de libros históricos el gran ventanal en esquina del salón es el lugar ideal para leer un buen libro algunos cerramientos pueden ser opacos los estores blackout permiten controlar el oscurecimiento

algunas ventanas son practicables

aprovecho este hueco para poner algún armario mi cama tendrá una gran ventana para mirar las estrellas

01. traditional 4 story block

tengo un gran escritorio en mi dormitorio

02. dúplex 2.0|outdoor spaces

mobiliario y ventanas se integran en el espesor de la envolvente para ampliar el espacio

gran armario para poder ordenar ropa y objetos personales puertas correderas para aprovechar todo el espacio

el somier de la cama está integrado en la envolvente incluyendo una mesilla de noche

03. new visual connections

la vegetación está siempre presente a través de maceteros integrados en la envolvente

falso suelo con suelo radiante estructura de madera contralaminada tipo KLH

04.

05. a new customizable matrix

|45

Pu A library for the XXIst century year

spring 2016 SUMA Arquitectura

type

Research for the Gabriel G-Márquez library

client

Barcelona City Council|BIM/SA

location

Barcelona

The new library appears as a sculptural solid that generates a big chamfer that replicates those found in the urban surroundings of Barcelona. An elevated plaza leads visitors to the public access.

This operation provides access from the street to the three different programs: the nursery school, the historic archive and the library.

The building resembles a stack of open books with perforated sheets. Each “book” is created by a dense structure of cross-laminated timber screens that not only respond to structural requirements, but also lighting conditions, space character and urban connections. Towards the inside, a wide patio connects all the program through the main staircase and a vegetation mesh.

The library, as the ultimate public space, is rendered as

46|

11

|47

Pu MALI museum extension year

12

fall 2016 STL Architects

status

competition

client

MALI , Lima’s Art Museum

location

Lima, Peru

Today, the Parque de la Exposición is once again a keystone in the building promotes the development of pedestrian routes and bike trails that connect the isolated remaining pieces of what used to be a consolidated park, healing the urban tears, and returning the city to its citizens.

It is in the context of this unifying piece of public policy, that Lima´s museum plays a strategic role of connector between the Parque de la Exposición and today’s Parque de Juana Alarco Dammert.

Today’s park is populated by multiple buildings and monumental pavilions of similar isolation, and personality of their own. The new MALI rises above this civic disengagement and aims to become a part of the city and

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[*] During this competition, as part of a team, I was in charge of the plans and sections layout, production of historic analysis diagrams, project diagrams and panels layout and design narrative.

plan|longitudinal section

|49

historic analysis We embarked on the study the history of the “Parque de la Exposición”, we wanted to investigate the urban context of this park to understand better its role within the city. Our findings informed our approach to the design of the new MALI, an instrument of urban connectivity between old and new Lima

50|

Today’s park is populated by multiple buildings and monumental pavilions of similar isolation, and personality of their own. The new MALI rises above this civic disengagement and aims to become a part of the city and part of the park, it is a reflection of the past that propels Lima forward.

bioclimatic strategies The project is design in order to provide an efficient climate control according to the extreme climate conditions.

|51

De Graphic work year theme techniques

52|

2013/2018 Paris/ Chicago/Toledo charcoal| pencil|comptuter graphics

|53

54|

|55

Contact 6 O’Donnell st.

28009 Madrid, SPAIN t: (+34) 682 658 075 sarapsara15@gmail.com