Sara Contreras Escribano
Portfolio architecture selected works 2009|2018
CV name
CONTRERAS ESCRIBANO, Sara
address
6 O’Donnell st. 28009, Madrid, SPAIN
date of birth
15 December 1991
nationality
Spanish
telephone
+34 682 658 075
sarapsara15@gmail.com
: A highly motivated, creative and resourceful architect able to work well in a team or independently. Besides being committed and responsible, I am used to adapting to high-pressure situations and tight deadlines whilst remaining both accurate and enthusiastic. I want to make a difference with my work. professional experience / publications Oct. 2017- June 2018
Ecosistema Urbano |Architect|Madrid
May 2016- June 2017
STL Architects |Architectural intern|Chicago, USA
March 2016
DTF Magazine
Oct. 2015- Mar. 2016
SUMA Arquitectura |Architect|Madrid
June 2014
115 días |Best works selection (spring 2014)|Academic publication ETSAM
Summer 2013
Atelier [BP] Architectures, Paris |Architecture Intern|Paris, France
June 2013
Exhibition A new footbridge for the ZAC Clichy-Batignolles|École des Beaux-arts de Paris
2015-2009
Escuela Técnica Superior de Arquitectura de Madrid (E.T.S.A.M)| PFC with Honors (10)
2013-2012
École Nationale Supérieure d’Architecture Paris-Malaquais 4th year| ERASMUS International exchange program
2009-1994
Montealto School, Madrid| with Honors (10) June 2009| Access mark to University: 9.36/10
Jan 2018-Oct. 2017
LEED v4 Core Concepts and Green Associate Exam Preparation Course
education
further education
May 2016-Nov. 2015
er in Modeling and Architectural Projects Design. MAI
2015-2013
Web design - WordPress|E.T.S.A.M (30 h) Adobe Illustrator CS6|E.T.S.A.M (30 h) Advanced Adobe Photoshop CS6 |E.T.S.A.M (30 h) ArchiCAD|E.T.S.A.M (30 h)
May 2013
Workshop BELLASTOCK in experimental architecture «Greenwashing»|la ville éphémere|architecture & nature|Paris, France
Nov. 2012
Workshop at Chandigarh’s School of Architecture |Clément Blanchet|India (2 weeks)
May 2011
Workshop at the Bartlett School of Architecture | Izaskun Chinchilla|London, UK
2002-1997
Ballet at the Victor Ullate Dance Center
2000-1997
Art studies at the Decorative Arts School of Madrid
2011-2009
Pablo Horstmann Foundation| hospitalized children entertainment, La Paz Hospital
volunteering 2|
achievements Feb. 2018
LEED Green Associate
March 2016
Graff· city BUR Archmedium Competition |3rd prize
Oct. 2015
COAM PFCs 2015 Competition |Finalist
May 2015
Final Project |with Honors (10) |PFestC Multipurpose structure| Battersea Power Station, London
April 2015
25th Iberian Competition for PLADUR building solutions |Áccesit
2013-2012
ERASMUS International exchange program Scholarship
2009
Madrid’s Excellence Scholarship for academic performance
2008
University of Navarra VII International Forum to promote investment in Africa |Mention
2005
Madrid City Council Christmas Card Art Contest |1st prize
2005
45th National essay writing competition by Coca-Cola |5th prize
1997/2000/ 2004/2005/2007
School’s Christmas Card Art Contest |1st prize
skills Computer skills Fluent PC and Macintosh
Design 2D Design 2D+3D BIM Rendering engine Image/ Layout Mapping Video Web design
AutoCAD 2018 Rhinoceros|3dS MAX|Sketch Up Revit|ArchiCAD 17 V-Ray|Lumion Adobe Photoshop CC|Adobe Illustrator CC|Adobe InDesign CC ArcGIS Adobe Premiere Pro CC WordPress 4.3
Design skills
Freehand drawing, 2D and 3D design, rendering, surveying, model making
Social skills
Organiser, strong communicator, negotiator, leader, collaborator, team-work, motivated.
languages Understanding Listening
Reading
Speaking Spoken interaction
Writing
Spoken production
English French German
B2 Upper inter. user A1 Basic user
A2 Basic user
B2 Upper inter. user A2 Basic user
A2 Basic user
A2 Basic user
(*) Common European Framework of Reference (CEF) level
2015-2012
Institut Français Madrid (B2 level)
2009-2005
Madrid’s British Council (C2 level)
2008
CAE
2006
FCE
July 2008/2006
Intensive English Summer Program|FLS International, Boston, EEUU|EF, Long Beach, EEUU
July 2004/2005
Summer English Language and Activity Program|Anglo-Continental, Bournemouth, UK
hobbies / general interests storytelling|theatre|cinema|art| writting|travelling
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Contents
Ruins interpretation Center|Guardamar
Battersea Power Station|London
public |research |landscape |ephemeral
| public|scenario with honors (10MH)| issuu video: PFC
6
mark: 7/10
40
Graff· city|Berlin
Urban agriculture in rooftops|Madrid
residence|canvas|gadget
miscellaneous |sustainability|density
ARCHmedium competition: 2nd place
14
mark: 7,5/10 video: P3 | P3.1
42
Cortijo del fraile|Almeria
Our-shelves-houses|Madrid
agriculture|landscape|restoration
skin|custom|duplex
PLADUR competition: Áccesit
16
professional work at SUMA Arquitectura
44 Øya Music Festival |Oslo
A library for the XXIst century|Barcelona
public|ephemeral
technology|research|laminate wood professional work at SUMA Arquitectura
120 HOURS competition
46
20 Ahijones Urban planning|Madrid
museum|competition|public space
residential|landscape|public space
22
mark: 9/10
professional work at STL Architects
48
Footbridge SCALELAB|Paris
Drawing|Sketch
public|landscape |construction
nude|paysage|Paris
mark: 17.5/20
28
52 Urban planning |Chandigarh 2035
Photography
residential |landscape |density
amateur
mark: 20/20
34
---
Videos |2010-2015 PFC | P3 | P3.1 | P2 | P1 Adobe PremierePro|iMovie
Public|Urban|Residential|Miscellaneous|Analysis|Construction|Photography|Design
* interactive menu: icons give you direct access to each project/ video link
|5
Pu DEUS EX MACHINA
Battersea Power Station
semester
fall 2014 - spring 2015
course
Final Project (PFC)
duration
9 months
professor
Luis Pancorbo |Aula PFC Mª José Aranguren
location
Battersea Power Station|London, England
Looking
ahead,
more
and
more,
buildings
must
be
01
capable
of
adapting to any situation, to any scene. This is the case of the Battersea, survivor throughout the years, as a landmark for London and that seeks to reinvent now with a new use, a dream’s factory.
6|
ground level | technical floor
|7
longitudinal section|possible scenarios
8|
possible scenarios 01_ Exposición de aviación 02_ Instalación “The Weather Project”- Olafur Eliasson 03_ Simultaneidad de espectáculos/ Festival 04_ Instalación “In Orbit”- Tomás Saraceno 05_ Plató de rodaje/ Museo del cine
01
02
03
04
05
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perception.
empty, overwhelming by its size, and then observe the white traces marked on the ground, which, as in a great theatre, speak of what can actually happen there. Then, looking up, he would perceive everything diffuse and complex, two opposite worlds, that of the spectator and 50 meters above, that of stage manufacturers capable of imagining, surprising, and transforming into a unique place the Battersea Power Station.
10|
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axonometric view| main elements scheme | construction
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Mi
02
Graff¡ city semester
spring 2016
competition
BUR- Archmedium Competition
award
Second place
team
+626 collective
location
Berlin
Berlin
as
colour.
Berlin
as
integration
of
diverse
conditions,
aims
and needs. Berlin as a destroyed, divided and rebuilt city. Berlin
The intervention reduces to a minimum three meter wide living space support, slightly separated from the plot’s party wall. Additional space could be rent towards the plaza, where you could decide the way of enhancing your appartment. Taking up the role of the missing painting, where anyone chooses to display, advertise, reveal or hide, letting the city participate from an always changing- living-canvas.
14|
site plan | site history
|15
Mi Unruinit Center for agricultural and landscape development
03
semester
spring 2015
competition
25th Iberian Competition for PLADUR building solutions
award
Áccesit local
team
Elisa Rodríguez - Reyes Sánchez
location
Ruins of the Cortijo del fraile, Almeria, Spain
Placed in the middle of the Nature reserve of Cabo de Gata, this country as “The good, the bad and the ugly“. The intervention for the center of agricultural and landscape development tries to take advantage of the ruins of the cortijo, respecting its current condition. A platform goes through the new uses generating squares between them. The etfe parasols, emulating the plastic sea of Almeria protect the areas that have lost the original cover. Finally, the boxes modular and easily detachable, designed incorporating pladur system.
16|
intervention plan|sections|ambiance
|17
construction|inside ambiance
18|
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Pu Øya Music Festival
Meeting point and beacon
semester
spring 2014
competition
120 HOURS
team
Ángel Maestro - Elisa Marcos - Reyes Sánchez
location
Tøyenparken, Oslo, Norway
The
box
festival
has
view
been points,
opened. and
as
Its
light
smaller
04
glimpses
from
all
the
elements
the
released
It is a dynamic experience, which proposes, not one, but several meeting points, and also to cover the festival’s different stage areas. A solution of easy assembly and dismantling, using local materials and with a view to re-use, ultimately, an enriching complement for the Tøyenparken.
20|
festival plan |elevations
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Ur Smart Fields Forever
PAU, a city from nowhere
semester
fall 2013
course
design VIII
duration
16 weeks
professor
JM. Lapuerta- AR. Barbarín- M. Ocaña- V. Acebo
location
Ahijones|Madrid, Spain
05
The south-east’s strategy sought to broaden Madrid’s extension by promoting repetitive dwelings without any character as part of an Urban Development Activity Programme (PAU). With the economic crisis these areas were abandoned, remaining useless even for their prior agrarian use. What if there was a better future? How should it be a city in the middle of nowhere? The city arises as an island, away from Madrid, disconnected and bounded by major infrastructures. The solution is to reinforce the isolation, thinking PAU’s connecting axis, which is buried to generate a great linear square, urban heart for the city. Nevertheless, the city is not exclusively urban but an alive conviviality between rural and urban landscape. Once raised the scheme of the city in bands, focus lays on the transition from rural areas to
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general scheme |ambiance
|23
sections|eclecticism|ambiance Eclecticism, a city without age The buildings come down differently, have different materiality according to use and participation from outer space. Public space gives coherence to this entropy. Longitudinally, a plinth sews buildings in the urban core and comes gradually unstitched towards the exterior landscape, its materiality, height and surface vary depending on the public space that buildings themselves provide to the street: entrances, squares, stores, street’s connections... Controlling sound, visual and touch. On a larger scale, the city is crossed by interstitial paths through which rural landscape spreads across the city and ‘contaminates’ it with other uses: parks, rooftop greenhouses, vegetable façades...
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city plan|street view
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Pu Footbridge SCALELAB semester
spring 2013
course
design VII
duration
16 weeks
professor
M. Malinowsky - S. MĂŠmet - R. Leroy - L. Couton
location
Paris, France
06
Located on the northwest of Paris, close to the Gare de Saint Lazare, and on the occasion of the development of a new urban area, arises the need to project a footbridge that would reconnect two neighbourhoods isolated until then by the train tracks space. The new footbridge attempts to revitalize this union to the residential and business complex, but also a promenade that leads to the new planned park, which will become a new green lung for the city. This way, the project stretches up to the park to offer a direct link between park and city that takes advantage of this new privileged equipment for the area.
new park projected together with the residential set. These, they are translated into three different perceptive sequences in the project’s conception, from more protected, over de rail tracks, to free and open, on its arrival to the park.
28|
sequences
acces disociation
perceptions
strong urban landmark
park’s extension
50m
175m
125m
Rayon de courbure : 210m
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construction details
1
railways|open module
2
3
railways|covered module
1
2
park| open module
A
A’
3.00 0.00
30|
global structure | construction The construction is based on suspension bridge system on two of three parts of the deck. Along with the belvedere, on the park’s side, the bridge’s mast reveals the desire to create a strong urban landmark. The bridge is regulated by a system of identical structural brackets/consoles, oriented according to the bending radius of the bridge. The whole structure is tensioned by three foot-articulated masts.
SECTION AA’
structural performance sketches|sustenance and torsion effort
3
8.95
0.30 -1.30
|31
sequences|perception|ambiance The footbridge is divided following two different typologies over the railways. One, at a lower level, is conceived as a link sheltered from inclement weather and pollution and nuisances related with trains, offering a landscape perception punctuated by steel strips that obstruct or reveal environmental views. On the other hand, higher above the rails, the user takes the park’s leading path with the desire of enjoying directly a clear opened view.
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global model 1:200|detail 1:50
|33
Ur Chandigarh 2035 Projects for the growth of the city
07
semester
fall 2012
course
design VI
duration
16 weeks
professor
Clément Blanchet [Director OMA France] - Thierry Mandoul
location
Chandigarh, India
Chandigarh, the “City Beautiful” of Le Corbusier, was initially planned for
150.000
inhabitants,
the
director
scheme
was
conceived
to
confront an expansion and to come up to 400.000 inhabitants. Today, is in a more or less irregular situation in the vis-à-vis of the urban plan. The sector 19 is an exceptional opportunity to combine patrimony preservation “heritage zones“ there are 736 houses and equipments designed by P. Jeanneret, J. Drew and E.M. Fry. The different housing sets appear like allotements of different
to re-qualify the lots, intervening only in those which show a problem or interest, to densify them, nurturing the heterogeneity of the sector.
34|
city analysis|location
conceptual model
routes |sectorization
intensity of green areas
the 19th sector
the 19th sector|site
density
heights|sector’s profile
patrimony|heritage zones
public green areas
private green|vacant plots
green areas
allotments|patrimony
new residential areas|relation with patrimony
insertion in the sector
process diagrams
paths|roads
green network
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housing scheme The considered ingredients are therefore: - the sector’s heritage/patrimony - the heterogeneity of building typologies - the quantity and quality of green spaces - the located densities
allotment 1: miroir|mirror
allotment 2: encadrement|frame
Refers to a “patrimonial lot”: - Less dense typology, housing plots of 550m2 and 90m2 houses, in wich the garden surrounds the house. - The new scheme is opposite, the mass surrounds space. In addition, it includes several heights housind. - A green axis divides the site to connect the “green corridor” with the most remote areas.
- Around a heritage building: the engineers building who designed the city, conceived as a temporary work, it has been preserved due to its historical value but now it lacks function. - Surrounding the building, there are lots that area. - Assigning a new function to this unique building, it is revitalized to the whole contiguous zone, a new cultural equipment for all the inhabitants, a medialibrary or a library.
allotment 3: liaison|link - A linear strip - Connects large green spaces to the rest of the subsector, devoid of them. (cheap village) “opposites”, when there is mass on one side on the other there is a building less height or empty space. - Also new parkings will be created, enabling spaces used as such, to liberate green spaces.
allotment 4: emboîtement| - Within the heritage/patrimony - Block pill around courtyards that can be traversed by pedestrians to facilitate the access, not only to this new wealth, but also to green areas.
miroir
land occupation scheme: before-empty-after
A
patrimonial reference|house type 9-D
A’
air sight|insertion
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section AA’
Land use miroir|mirror
liaison|link
encadrement|frame
emboîtement|
surface: 2,03 ha usages du sol avant: _habitations: 0,529 ha _jardins privés: 0,706 ha _j. publics occupés: 0,14 ha _espace pubic: 0,65 ha _vert: 0,387 ha _rues: 0,263 ha usages du sol après: _habitations: 0,894 ha _cours semi-privés: 0,58 ha _espace pubic: 0,554 ha _vert: 0,366 ha _rues: 0,414 ha cient d’occupation du sol: _avant: 0,24 _aprés: 0,44 nombre d’habitations: _avant: 22 _après: 203 surface du logement: _avant: 12,5*15,5= 193,75 m2 15*15= 225 m2 17*18= 306 m2 _après: 10*8= 80 m2 8*14= 112 m2
surface: 5,41 ha usages du sol avant: _habitations: 2,19 ha _jardins privés: 1,50 ha _espace pubic: 1,723 ha _vert: 0,68 ha _rues: 1,043 ha usages du sol après: _habitations: 1,622 ha _jardins privés: 0,80 ha _espace pubic: 2,79 ha _vert: 1,426 ha _rues: 1,365 ha _parking: 0,2 ha coef du sol: _avant: 0,40 _après: 0,30 nombre d’habitations: _avant: 84 _après: 375 surface du logement: _avant: 15*17= 255 m2 _après: 12*8= 96 m2
surface: 4,27 ha usages du sol avant: _habitations: 0,636 ha _jardins privés: 0,47 ha _equipements: 0,45 ha _espace non batî: 0,99 ha _espace pubic: 1,727 ha _vert: 0,762 ha _rues: 0,965 ha usages du sol après: _habitations: 0,867 ha _cours semi-privés: 0,59 ha _equipements: 0,45 ha _espace pubic: 2,252 ha _vert: 1,51 ha _rues: 0,742 ha cient d’occupation du sol: _avant: 0,25 _après: 0,31 nombre d’habitations: _avant: 30 _après: 300 surface du logement: _avant: 15*16= 240 m2 15*20= 300 m2 10*12= 120 m2 _après:(1 module) _110 m2(*2) _84 m2 _70 m2 (*2) _126 m2
surface: 1,70 ha usages du sol avant: _habitations: 0,533 ha _jardins privés: 0,597 ha _espace pubic: 0,57 ha _vert: 0,27 ha _rues: 0,3 ha usages du sol après: _habitations: 1,017 ha _cours semi-privés: 0,355 ha _espace pubic: 0,33 ha _rues: 0,33 ha cient d’occupation du sol: _avant: 0,313 _après: 0,597 nombre d’habitations: _avant: 62 _après: 316 surface du logement: _avant: 9*9,5= 86 m2 _après: 9,5*8= 76 m2 10,5*8= 84 m2 11,5*8= 92 m2
encadrement
land occupation scheme: before-empty-after
air sight|insertion
|37
liaison
land occupation scheme: before-empty-after
air sight|insertion
38|
emboîtement
land occupation scheme: before-empty-after
B’
B housing type
section BB’
|39
Pu Ruins Interpretation Center
Guardamar
semester
spring 2012
course
design V
duration
16 weeks
professor
V. Berriochoa - V. Olmos - F. Ruiz Bernal
location
Guardamar del Segura, Alicante, Spain
08
On the occasion of the recent discovery of ruins that belong the Rabita Caliphate (Xth century) and the Phoenician city of Fonteta (VIII century BC to VI) in Guardamar del Segura, Alicante, the project proposes a center for visitors’ reception and interpretation of the ruins. These archaeological remains are located in an area of great landscape value, and currently belong to a natural protected environment, bounded by the mouth of the Segura river on the north, by the town of Guardamar itself west, and the Mediterranean sea on the east. The project is located on both sides of the path as an ephemeral structure that hosts museological, storage, research and management functions. The scaffolding structure reinforces
the
temporary
character
and
respects
the
immediate
environment, as it merges with the surrounding pine forest landscape.
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schemas|volumetry
construction system Aluminium module of 3x3m. Pieces are articulated by a ball-and-socket joint, which allows to connect infinite modules, achieving this way a silhouette adapted to site and functions.
Volumetric scheme of uses
site implementation
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Mi
09
Urban agriculture in rooftops semester
spring 2011
course
design III
duration
9 weeks
professor
Izaskun Chinchilla|Group of design experimentation
location
Madrid
the pattern activity chosen for the project’s development is urban agriculture. In cities determined by an excessive population concentration and urban growth, projects like the green roofs and urban gardens are
being
consolidated
as
leisure
and
ecological
alternatives.
The solution is approached as an adaptable structure that groups the roofs of several buildings and can easily be widen. Under this organic shell, it gathers functions of horticulture, market, catering, workshops and even housing. The accesses might, well to take advantage of the own system of communication of the buildings, or adhere to the concerned façades.
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mm un ity 1|living ZOOM |co
g in
2|mark et a ZOOM nd
ca te r
community plan|uses
diagrammatic section representation
irrigation sytem
horticulture
global structure system
3|perfu me ZOOM
f ac to ry
PARFUM
PARFUM
HYDROPONIC CITY
crane collecting system SARA CONTRERAS ESCRIBANO
functional diagram|market
market stand type HYDROPONIC CITY
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Re Our-shelves-houses year
10
fall 2015 SUMA Arquitectura
status
under construction
client
cooperative|private comission
location
Madrid
My house is like a custom-made suit. This project sets the stage for a very special architecture challenge requested by a cooperative business. The goal is to come up with a generic residential proposal for a typical plot in Madrid’s Linear City that could also be implanted in other city locations. The result is a new duplex typology, opposed to the traditional four story block, that allows all the dwellings to enjoy a garden or terrace. In the interior, the distribution of the different spaces at various heights generates very interesting visual connections. Towards the exterior, the wood slabs are extended and by well-disposed gaps and bay windows. The skin is an essential part of the project, it is a user-customizable matrix composed by look-outs, shelves, integrated furniture and vegetation that improves the hygrothermal qualities and allows to control views. All in all, this house is a completely customizable approach, depending on the users’ needs, criteria and decisions.
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/// “...definitely, my house is unique.” /// mi terraza será un jardín para disfrutar de los días soleados
tengo un vestidor junto al dormitorio principal
puedo comer fuera gran parte del año
desde la ducha puedo disfrutar de la vegetación y las vistas sin ser visto la encimera del baño es prolongación de la envolvente
la estructura, con vigas de madera queda visible y da un carácter especial al salón en este salón amplio y con doble altura puedo organizar con amigos
nunca me falta espacio para guardar mi colección de libros históricos el gran ventanal en esquina del salón es el lugar ideal para leer un buen libro algunos cerramientos pueden ser opacos los estores blackout permiten controlar el oscurecimiento
algunas ventanas son practicables
aprovecho este hueco para poner algún armario mi cama tendrá una gran ventana para mirar las estrellas
01. traditional 4 story block
tengo un gran escritorio en mi dormitorio
02. dúplex 2.0|outdoor spaces
mobiliario y ventanas se integran en el espesor de la envolvente para ampliar el espacio
gran armario para poder ordenar ropa y objetos personales puertas correderas para aprovechar todo el espacio
el somier de la cama está integrado en la envolvente incluyendo una mesilla de noche
03. new visual connections
la vegetación está siempre presente a través de maceteros integrados en la envolvente
falso suelo con suelo radiante estructura de madera contralaminada tipo KLH
04.
05. a new customizable matrix
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Pu A library for the XXIst century year
spring 2016 SUMA Arquitectura
type
Research for the Gabriel G-Márquez library
client
Barcelona City Council|BIM/SA
location
Barcelona
The new library appears as a sculptural solid that generates a big chamfer that replicates those found in the urban surroundings of Barcelona. An elevated plaza leads visitors to the public access. This operation provides access from the street to the three different programs: the nursery school, the historic archive and the library. The building resembles a stack of open books with perforated sheets. Each “book” is created by a dense structure of cross-laminated timber screens that not only respond to structural requirements, but also lighting conditions, space character and urban connections. Towards the inside, a wide patio connects all the program through the main staircase and a vegetation mesh. The library, as the ultimate public space, is rendered as
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11
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Pu MALI museum extension year
12
fall 2016 STL Architects
status
competition
client
MALI , Lima’s Art Museum
location
Lima, Peru
Today, the Parque de la Exposición is once again a keystone in the building promotes the development of pedestrian routes and bike trails that connect the isolated remaining pieces of what used to be a consolidated park, healing the urban tears, and returning the city to its citizens. It is in the context of this unifying piece of public policy, that Lima´s museum plays a strategic role of connector between the Parque de la Exposición and today’s Parque de Juana Alarco Dammert. Today’s park is populated by multiple buildings and monumental pavilions of similar isolation, and personality of their own. The new MALI rises above this civic disengagement and aims to become a part of the city and
48|
[*] During this competition, as part of a team, I was in charge of the plans and sections layout, production of historic analysis diagrams, project diagrams and panels layout and design narrative.
plan|longitudinal section
|49
historic analysis We embarked on the study the history of the “Parque de la Exposición”, we wanted to investigate the urban context of this park to understand better its role within the city. Our findings informed our approach to the design of the new MALI, an instrument of urban connectivity between old and new Lima
50|
Today’s park is populated by multiple buildings and monumental pavilions of similar isolation, and personality of their own. The new MALI rises above this civic disengagement and aims to become a part of the city and part of the park, it is a reflection of the past that propels Lima forward.
bioclimatic strategies The project is design in order to provide an efficient climate control according to the extreme climate conditions.
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De Graphic work year theme techniques
52|
2013/2018 Paris/ Chicago/Toledo charcoal| pencil|comptuter graphics
|53
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Contact 6 O’Donnell st. 28009 Madrid, SPAIN t: (+34) 682 658 075 sarapsara15@gmail.com