Amer Fort Palace

Amer Fort Palace

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Acknowledgements This project has been possible due to the guidance and support of many people.

Firstly I would like to thank Ms. Mona Prabhu, my course guide, for guiding me throughout the course. Her gentle voice and patient attitude gave me a lot of support and encouragement to undertake this project.

Right from the identification of problem areas to the stage of documenation and compilation, her constant help and support was there for me.

Next I would like to thank the local people who gave me their precious time when I interviewed them.

They were not hesitant at all to reveal their craft and tell the history of the place. I came a lot closer to the olden era because of the information that they provided. This valuable information forms a huge part of my project.

I would also thank my batchmates for encouraging me and helping me generate ideas. Their constant critisism and analysis was also a much needed thing for this course.

I would also take this opportunity to thank my parent for letting me go to the field with absolutly no hassles and providing me with all the things I needed whenever and wherever. This ensured that I worked smoothly without any worries.

Lastly I would like to thank God for making this whole thing possible and for also taking care of me throughout.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Preface Initially I started with the idea of documenting the visual culture of the Forts and Palaces of Jaipur. This would essentially involve understanding the lifestyle of people of that era through analysing the motifs on the surface of the palaces, interacting with the people associated with the families of the people who were involved in the construction of the site and becoming more aware of the heritage of my city.

But later of I realised that this topic is too vast as their palaces and forts far too big to be covered entirely in one project. So my guided asked my to choose one of the palaces or forts and focus on that. After a lot of analysis and study I narrowed down my project on the Amber Palace and Fort of Jaipur.

The following pages reveal Amber’s glory and heritage.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Introduction Amer Fort (also spelled and pronounced as Amber Fort and Amber Palace) is located in Amer, a town with an area of 4 square kilometres (1.5 sq mi) located 11 kilometres (6.8 mi) from Jaipur, Rajasthan state, India. Located high on a hill, it is the principal tourist attractions in the Jaipur area. The town of Amer Was originally built by Meenas, and later it was ruled by Raja Man Singh I (December 21, 1550 – July 6, 1614).

Amer Fort is known for its artistic Hindu style elements. With its large ramparts and series of gates and cobbled paths, the fort overlooks Maota Lake.

This project aims to explore the site in deapth so that its culture, rich past and history can be known.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Objectives of the Study Documenting the visual culture of the Amer Fort of Jaipur.

-Understanding the lifestyle of people of that era through analysing the motifs on the surface of the palace.

-Interacting with the people associated with the families of the people who were involved in the construction of the site.

-Becoming more aware of the heritage of my city.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Personal Thoughts about Area of Study Famous for its architecture, mainly the magnificent palaces, forts and gradens, Jaipur is a city of the royal. The city of Jaipur was founded in 1727 by Jai Singh II, the Raja of Amer who ruled from 1688 to 1743. He planned to shift his capital from Dausa, 51 km from Jaipur to accommodate the growing population and increasing scarcity of water. Jai Singh consulted several books on architecture and architects while planning the layout of Jaipur. Under the architectural guidance of Vidyadhar Bhattacharya, Jaipur was planned based on the principles of Vastu Shastra and Shilpa Shastra.

In this light, it becomes relevant to study Jaipur's rich architecture focussing mainly on the palaces and forts built by the royalty.

The other reasons to document this area is because I want to be aware of the rich past of my city and feel proud of the advanced architectural techniques, amazing sculpture art and brilliant sense of design even at that time. The documentation would also inspire youngsters to visit these sites of heritage and take initiative to study the history of the places. On a larger scale, this could also attract tourists as when they would know about these mesmerising palaces they would crave to visit them.

The last and a rather personal reason for choosing this area is my love for the royal family of Jaipur. I would hence like to study their palaces, architecture, motifs and in a way their way of living through this project.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Strategy of Fieldwork The strategy would involve extensive research on the subject chosen. Personal Interviews would be carried out to know more about the cultural heritage and lifestyle of the people. This would also include deep analysis of the details and drawing conclusion from them. Transcriptions of the conversations with people will be recorded and documented as it is. Photographs for the purpose of documentation will be taken. If required, sketches and paintings would also be made in order to record some aspects in a better way.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

The Amer Fort, situated in Amber, 11 kilometers from Jaipur, is one of the most famous forts of Rajasthan. Amer, originally, was the capital of the state before Jaipur. It is an old fort, built in 1592 by Raja Man Singh. This fort is also very popularly known as the Amer Palace. The Amer Fort was built in red sandstone and marble and the Maotha Lake adds a certain charm to the entire Fort. Though the fort is quite old and may even look so from the outside, it is beautiful on the inside and boasts of various buildings of prominence like the ‘Diwan-i-Aam’, the ‘Sheesh Mahal’ and even the ‘Sukh Mahal’. The Amer Fort has influences of both Hindu and Muslim architecture. This fort also has the ‘Shila Devi’ Temple and the ‘Ganesh Pol’ which is a gate that leads to the private palaces of the kings.

The Amer Fort has many pavilions and halls of great interest and other popular attractions.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

History Amer was once known as Dhundar and was ruled by the Kachhwahas from the 11th to the 16th century, until the capital was moved from here to Jaipur. Raja Man Singh built this fort in 1592 AD and Raja Jai Sigh I expanded and renovated it later. While many such old structures have been either destroyed or replaced by other things, this fort has stood against all the tests of time and invasions. According to Todthis region was known as Khogong. The Meena King Raja Ralun Singh also known as Alan Singh Chanda of Khogong kind-heartedly adopted a stranded Rajput mother and her child who sought refuge in his realm. Later, the Meena king sent the child, Dhola Rae, to Delhi to represent the Meena kingdom. The Rajput, in gratitude for these favours, returned with Rajput conspirers and massacred the weaponless Meenas on Diwali while performings rituals i.e. Pitra Trapan, it is customery in the Meenas to be weaponless at the time of PitraTrapan, “filling the reservoirs in which the Meenas bathed with their dead bodies” [Tod.II.281] and thus conquered Khogong.This act of Kachwaha Rajputs was termed as most coward and shameful in history of Rajasthan.

The first Rajput structure was started by Raja Kakil Dev when Amber became his capital in 1036 on the site of present day Jaigarh Fort of Rajasthan. Much of Amber’s current buildings were started or expanded during the reign of Raja Man Singh I in the 1600s. Among the chief building is the Diwan-i-Khas in Amber Palace of Rajasthan and the elaborately paited Ganesh Poll built by the Mirza Raja Jai Singh I. Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

The current Amer Palace, was created in the late 16th century, as a larger palace to the already existing home of the rulers. The older palace, known as Kadimi Mahal (Persian for ancient) is known to be the oldest surviving palace in India. This ancient palace sits in the valley behind the Amer Palace.

Amer was known in the medieval period as Dhundar (meaning attributed to a sacrificial mount in the western frontiers) and ruled by the Kachwahas from the 11th century onwards – between 1037 and 1727 AD, till the capital was moved from Amer to Jaipur. The history of Amer is indelibly linked to these rulers as they founded their empire at Amer.

Earlier to the Kachwahas, Amer was a small place built by [Meenas] in the town they consecrated to Amba, the Mother Goddess, whom they knew as `Gatta Rani’ or `Queen of the Pass’. The Amer Fort, as it stands now, was built over the remnants of this earlier structure during the reign of Raja Man Singh, the Kacchwaha King of Amber.

The structure was fully expanded by his descendant, Jai Singh I. Even later, Amer Fort underwent improvements and additions by successive rulers over the next 150 years, until the Kachwahas shifted their capital to Jaipur during the time of Sawai Jai Singh II, in 1727.

Many of the ancient structures of the medieval period of the Meenas have been either destroyed or replaced. However, the 16th century impressive edifice of the Amer Fort and the palace complex within it built by the Rajput Maharajas are very well preserved.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Architectural Layout The structure has four different parts, each with a separate entrance. The main entry to the fort is through the 'Suraj Pol' or Sun Gate which opens up into the main courtyard.

This east-facing gate is also the main entrance to the palace and its position with respect to the rising sun is the source of its name. The 'Jaleb Chowk' is one of the four courtyards of the Amer Palace. The 'Sila Devi' Temple is right at the entrance to the main palace grounds. The second courtyard is famous for its 'Diwan-i-Aam' (Public Audience Hall), the 'Sheesh Mahal' and the 'Sukh Mahal'. A very famous attraction here is the 'Magic Flower', a fresco carved out of marble.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Ganesh Pol An impressive stairway from Jaleb Chowk leads into the main palace grounds. Here, at the entrance to the right of the stairway steps is the Sila Devi temple where the Rajput Maharajas worshipped, starting with Maharaja Mansingh in the 16th century until the 1980s, when the animal sacrifice ritual (sacrifice of a buffalo) practiced by the royalty was stopped.

Ganesh Pol, or the Ganesh Gate, named after the Hindu god Lord Ganesh, who removes all obstacles in life, is the entry into the private palaces of the Maharajas. It is a three-level structure with many frescoes that was also built at the orders of the Mirza Raja Jai Singh (1621–1627). Above this gate is the Suhag Mandir where ladies of the royal family used to watch functions held in the Diwan-i-Am through latticed windows.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Sila Devi Temple On the right side of the Jaleb Chowk there is a small but an elegant temple called the Sila Devi temple (Sila Devi was an incarnation of Kali or Durga). The entrance to the temple is through a double door covered in silver with a raised relief. The main deity inside the sanctum is flanked by two lions made of silver. The legend attributed to the installation of this deity is that Maharaja Man Singh sought blessings from Kali for victory in the battle against the Raja of Jessore in Bengal. The goddess instructed the Raja, in a dream, to retrieve her image from the sea bed and install and worship it.

The Raja, after he won the battle of Bengal in 1604, retrieved the idol from the sea and installed it in the temple and called it Sila Devi as it was carved out of one single stone slab. At the entrance to the temple, there is also a carving of Lord Ganesha, which is made out of a single piece of coral.

Another version of the Sila Devi installation is that Raja Man Singh, after defeating the Raja of Jessore, received a gift of a black stone slab which was said to have a link to the Mahabharata epic story in which Kansa had killed older siblings of Lord Krishna on this stone. In exchange for this gift, Man Singh returned the kingdom he had won to the Raja of Bengal. This stone was then used to carve the image of Durga Mahishasuramardini, who had slain the demon king Mahishasura, and installed it in the fort's temple as Sila Devi. The Sila Devi was worshiped from then onwards as the lineage deity of the Rajput family of Jaipur. However, their family deity continued to be Jamva Mata of Ramgarh.

Diwan-i-Am The second courtyard, up the main stairway of the first level courtyard, houses the Diwan-i-Am or the Public Audience Hall. Built with a double row of columns, the Diwan-i-Am is a raised platform with 27 colonnades, each of which is mounted with an elephant-shaped capital, with galleries above it. As the name suggests, the Raja held audience here to hear and receive petitions from the public.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Sheesh Mahal The third courtyard is where the private quarters of the Maharaja, his family and attendants were located. This courtyard is entered through the Ganesh Pol or Ganesh Gate, which is embellished with mosaics and sculptures. The courtyard has two buildings, one opposite to the other, separated by a garden laid in the fashion of the Mughal Gardens. The building to the left of the entrance gate is called the Jai Mandir, which is exquisitely embellished with glass inlaid panels and multi-mirrored ceilings.

The mirrors are of convex shape and designed with coloured foil and paint which would glitter bright under candlelight at the time it was in use. Also known as Sheesh Mahal (mirror palace), the mirror mosaics and coloured glasses were a “glittering jewel box in flickering candle light�. However, most of this work was allowed to deteriorate during the period 1970–80 but has since then been in the process of restoration and renovation. The walls around the hall hold carved marble relief panels. The hall provides enchanting vistas of the Maota Lake.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Sukh Niwas The other building seen in the courtyard is opposite to the Jai Mandir and is known as the Sukh Niwas or Sukh Mahal (Hall of Pleasure). This hall is approached through a sandalwood door with marble inlay work with perforations. A piped water supply flows through an open channel that runs through this edifice keeping the environs cool, as in an air-conditioned environment. The water from this channel flows into the garden.

Magic Flower A particular attraction here is the “magic flower” fresco carved in marble at the base of one of the pillars around the mirror palace depicting two hovering butterflies; the flower has seven unique designs including a fish tail, lotus, hooded cobra, elephant trunk, lion’s tail, cob of corn, and scorpion, each one of which is visible by a special way of partially hiding the panel with the hands.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Palace of Man Singh I South of this courtyard lies the Palace of Man Singh I, which is the oldest part of the palace fort. The palace took 25 years to build and was completed in 1599 during the reign of Raja Man Singh I (1589–1614).

It is the main palace. In the central courtyard of the palace is the pillared baradari or pavilion; frescoes and coloured tiles decorate the rooms on the ground and upper floors. This pavilion (which used to be curtained for privacy) was used as the meeting venue by the maharanis (queens of the royal family). All sides of this pavilion are connected to several small rooms with open balconies. The exit from this palace leads to the town of Amer, a heritage town with many temples, palatial houses and mosques.

The Garden The garden, located between the Jai Mandir on the east and the Sukh Niwas on the west, both built on high platforms in the third courtyard, was built by Mirza Raja Jai Singh (1623–68). It is patterned on the lines of the Chahar Bagh or Mughal Garden. It is in sunken bed, shaped in a hexagonal design. It is laid out with narrow channels lined with marble around a star-shaped pool with a fountain at the centre. Water for the garden flows in cascades through channels from the Sukh Niwas and also from the cascade channels called the "chini khana niches" that originate on the terrace of the Jai Mandir.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Tripolia Gate Tripolia gate means three gates. It is an access to the palace from the west. It opens in three directions, one to the Jaleb Chowk, another to the Man Singh Palace and the third one to the Zenana Deorhi on the south.

Lion Gate The Lion gate, the premier gate, was once a guarded gate; it leads to the private quarters in the palace premises and is titled ‘Lion Gate’ to suggest strength. Built during the reign of Sawai Jai Singh (1699–1743 AD), it is covered with frescoes; its alignment is zigzag, probably made so from security considerations to attack intruders.

Zanani Deorhi The fourth courtyard is where the Zenana (Royal family women, including concubines or mistresses) lived. This courtyard has many living rooms where the queens resided and who were visited by the king at his choice without being found out as to which queen he was visiting, as all the rooms open into a common corridor.

The queen mothers and the Raja's consorts lived in this part of the palace in Zanani Deorhi, which also housed their female attendants. The queen mothers took a deep interest in building temples in Amer town.

Jas Mandir, a hall of private audience with floral glass inlays and alabaster relief work, is also located in this courtyard.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Interviews on the Field As a part of the fieldwork, interviews fom the local people were conducted. Questions regarding the history of the fort, how it was built what all materials were used, what all motifs are there in the palace and fort etc. were asked. People generously contributed to these interviews and shared their valuable knowledge with me. They were kind and patient enough to answer all my queries. Thus I took care that I do not make them conscious by entering into their private space. I also made sure that I do not click their pictures without their permission. Most people avoided getting their photographs taken. But I have included their words exaclty as they said in the following pages.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Thursday, 2 pm December 10, 2015 Ganesh Pol, Amer Fort Jaipur Mr. Suraj Maheshwari Q. Hello Sir! For how long have you been living in Jaipur ?

A. I have been staying here for the past 18 years with my family.

Q. What do you do?

A. I am a guide here at the Amer Fort. I also run a Saree Shop in Johri Bazar.

Q. Can you tell me something about the history of the place then?

A. Sure. The Amber Fort was built by Raja Shri Maan Singh JI Saheb in 16th century.

Man Singh, one of the first war chiefs or the trusted general of the Emperor Akbar.

Akbar included him among the ‘Navaratnas’, or the 9 (nava) gems (ratna) of the royal court. Man Singh began the construction of a fortress-palace of white and red sandstone i.e. Amber Fort in 1592. He was the Kacchwaha (Rajput) of King of Amber, a state later known as Jaipur. Nearby he ordered to set a small temple devoted to ‘Sheela Mata’, his patron goddess.

Q. What all are the places to see within the fort?

A. You can visit the Sheesh Mahal. You know a scene from Mughal-E-Azam was also shot here. Sheesh Mahal is basically a palace that has mirrors embedded in its walls.

So if a ray of light passes through the palace it gets reflected in many directions due to the presence of the many small mirrors. It so beautiful to see.

You can enjoy the view of the Maota Lake when there is water in it. You can take elephant rides. There is also a light and sound show that happens during the evening.

I recommend you to watch that too.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Friday, 3 pm December 11, 2015 Sheesh Mahal, Amer Fort Jaipur Mr. Bhawanilal Meena Q. Hello Sir! For how long have you been living in Jaipur ?

A. I have been staying here for the past 32 years in the old city.

Q. What do you do?

A. I am a construction worker. We are responsible for the repairs of the palace.

Q. Can you tell me about the material that has been used to make the fort?

A. It has been built using white and red sandstone. The Sheesh Mahal also uses mirrors and stained glass as you can see here (points at the mirrors).

Q. Can you tell me something about the architechture?

A. Yes. Fort is known for its Indian Artistic Style, blending Hindu and Rajputs elements. Amer Fort has the marvelous decoration influenced by both, the Hindu and Muslim manner of ornamentation. Its Indian architecture includes large ramparts, series of gates and temples.

Q. Can you tell me about the wall carvings?

A. Tourists simply astonish by intricate carving on the walls and ceilings. Exquisite paintings of hunting scenes on the walls depict the temperament of the Rajputs, who were extremely revolutionary, adventurous, and self-indulgent.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Friday, 4 pm December 11, 2015 Sheesh Mahal, Amer Fort Jaipur Ms. Vartika Sethi Q. Hello ! For how long have you been living in Jaipur ?

A. I have lived her for 6 years now.

Q. What do you do?

A. I am a student. I am researching on Rajasthani Architecture.

Q. What would you recommend about this place? Any favourites?

A. Light show is the most important thing which one should not miss while visiting this fort. This lightening takes place every evening between 6:30pm to 7:30 pm.

The photography charges are Rs 100 for Indian and Rs. 200 for foreigners. This symphony of lights illuminates the entire Amber Fort. This show highlights the historical background of Jaipur and it seems to be an educative dose. It shows its sovereigns, monuments and ancient anecdotes of Jaipur. The show is of 50 minutes and shows us the real royal journey. Many efforts are taken up to prepare this show. Architecture of the fort is also very impressive which is illuminated at night as we can also watch the show from the bottom of the hill.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Monday, 1.30 pm December 14, 2015 Jaleb Chowk, Amer Fort Jaipur Mr. Vijay Kumar Sigh Q. Hello Sir! For how long have you been living in Jaipur ?

A. I have been staying here for the past 16 years. I stay in Haldiyon Ka Rasta.

Q. What do you do?

A. I am a sculptor.

Q. Can you tell me about the various motifs in the fort?

A. Yes. Sheesh Mahal is one of the most exciting feature of this fort which is adorned with thousands of mirror tiles as well as colored glasses on its wall as well as on ceiling. This Mahal brings a source to life with thousands of flickering reflections.The pillars are also designed very well, out of which one has uniquely designed flower carved at its base,which shows different color of flowers when we see from different angles.

Irish Crochet motif is present in a fresco located in the third court yard of Amer Fort; a panel of flowers carved nearly 300 years ago. The flowers represent a species of rhododendron native to India.

The “magic flower” fresco is carved in marble at the base of one of the pillars around the mirror palace. It shows two hovering butterflies; the flower has seven unique designs including a fish tail, lotus, hooded cobra, elephant trunk, lion’s tail, cob of corn, and scorpion, each one of which is visible by a special way of partially hiding the panel with the hands.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Bilbliography https://en.wikipedia.org/wiki/Amer_Fort https://www.google.co.in/ http://www.amberfort.org/ http://www.jaipur.org.uk/forts-monuments/amber.html http://www.mapsofindia.com/my-india/travel/rich-and-aesthetic-amer-fort-jaipur http://www.virtualtourist.com/travel/Asia/India/State_of_Rajasthan/ Jaipur-1096978/Things_To_Do-Jaipur-Amber_Fort-BR-1.html

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu

Do visit sometime.

Documentaion of Visual Culture | by Saumya Goyal | Semester 5 | Graphic Design | Introduction to Field Work, 2015 | Guided by Ms. Mona Prabhu