JANUARY 20TH NEW RELEASES -------------------------------
• AVEC LE SOLEIL SORTANT DE SA BOUCHE - PAS PIRE POP, I LOVE YOU SO MUCH | CD (CST121cd) | Constellation PHYS UPC:666561012120 • AVEC LE SOLEIL SORTANT DE SA BOUCHE - PAS PIRE POP, I LOVE YOU SO MUCH | LP (180 gram) (CST121lp) | Constellation PHYS UPC:666561012113 • AWA POULO - POULO WARALI | CD (ATFA024cd) | Awesome Tapes From Africa PHYS UPC:616892451143 • AWA POULO - POULO WARALI | LP (ATFA024lp) | Awesome Tapes From Africa PHYS UPC:616892445340 • WILLIAM BASINSKI - A SHADOW IN TIME | CD (20621701cd) | 2062 PHYS UPC:616822131121 • WILLIAM BASINSKI - A SHADOW IN TIME | LP (TRR278lp) | Temporary Residence Ltd. PHYS UPC:656605327815 • BOTANY - DIMMING AWE, THE LIGHT IS RAW (PINK VINYL) | LP (WV140lp-C1) | Western Vinyl PHYS UPC:751937435211 • MICHAEL CHAPMAN - 50 | CD (POB029cd) | Paradise of Bachelors PHYS UPC:616892414544 • MICHAEL CHAPMAN - 50 | LP (POB029lp) | Paradise of Bachelors PHYS UPC:616892414445 • CHASTITY - PEROXIDE | 7" (CT256lp) | Captured Tracks PHYS UPC:817949012984 • CHERRY GLAZERR - APOCALIPSTICK | Cassette (SC345cass) | Secretly Canadian PHYS UPC:656605034508 • CHERRY GLAZERR - APOCALIPSTICK | CD (SC345cd) | Secretly Canadian PHYS UPC:656605034522 • CHERRY GLAZERR - APOCALIPSTICK | LP (SC345lp) | Secretly Canadian PHYS UPC:656605034515 • CHERRY GLAZERR - APOCALIPSTICK (PINK SPLATTER VINYL) | LP (SC345lp-C1) | Secretly Canadian PHYS UPC:656605034584 • TIM COHEN - LUCK MAN | CD (LYN024cd) | Sinderlyn PHYS UPC:858458005616 • TIM COHEN - LUCK MAN | LP (LYN024lp) | Sinderlyn PHYS UPC:858458005609 • FOXYGEN - HANG | Cassette (JAG301cass) | Jagjaguwar PHYS UPC:656605230184 • FOXYGEN - HANG | CD (JAG301cd) | Jagjaguwar PHYS UPC:656605230122 • FOXYGEN - HANG | LP (JAG301lp) | Jagjaguwar PHYS UPC:656605230115 • FOXYGEN - HANG (TRANSLUCENT GREEN VINYL) | LP (JAG301lp-C1) | Jagjaguwar PHYS UPC:656605230139 • JOAN OF ARC - HE'S GOT THE WHOLE THIS LAND IS YOUR LAND IN HIS HANDS | CD (JNR219cd) | Joyful Noise Recordings PHYS UPC:714270690150 • JOAN OF ARC - HE'S GOT THE WHOLE THIS LAND IS YOUR LAND IN HIS HANDS | LP (JNR219lp) | Joyful Noise Recordings PHYS UPC:714270690167 • JOAN OF ARC - HE'S GOT THE WHOLE THIS LAND IS YOUR LAND IN HIS HANDS (PINK VINYL) | LP (JNR219lp-C1) | Joyful Noise Recordings PHYS UPC:714270690174 • MONO - UNDER THE PIPAL TREE | 2xLP (TRR282lp) | Temporary Residence Ltd. PHYS UPC:656605328218 • THE STRAY TROLLEYS - BARRICADES AND ANGELS | CD (CT252cd) | Captured Tracks PHYS UPC:817949012861 • THE STRAY TROLLEYS - BARRICADES AND ANGELS | LP (CT252lp) | Captured Tracks PHYS UPC:817949012854 • TYCHO - EPOCH | CD (GI279cd) | Ghostly International PHYS UPC:804297827926 • TYCHO - EPOCH | LP (GI279lp) | Ghostly International PHYS UPC:804297827919 • TYCHO - EPOCH (RED VINYL) | LP (GI279lp-C1) | Ghostly International PHYS UPC:804297827902 • UNIFORM - WAKE IN FRIGHT | CD (SBR170cd) | Sacred Bones Records PHYS UPC:616892438540 • UNIFORM - WAKE IN FRIGHT | LP (SBR170lp) | Sacred Bones Records PHYS UPC:616892438342 • UNIFORM - WAKE IN FRIGHT (WHITE VINYL) | LP (SBR170lp-C1) | Sacred Bones Records PHYS UPC:616892438748 • VARIOUS ARTISTS - WAYFARING STRANGERS: LADIES FROM THE CANYON | LP (NUM008lp) | Numero Group PHYS UPC:825764100816
CONTACTS
------------------------------• RETAIL & DOMESTIC SALES - SHELLY WESTERHAUSEN - shelly@secretlydistribution.com - 812.822.3886 • DOMESTIC SALES & MARKETING - ANN JONKER - ann@secretlydistribution.com - 812.822.3884 • INTERNATIONAL SALES & MARKETING - WES COOK- wes@secretlydistribution.com - 812.822.3894 • DIGITAL DISTRIBUTION & PROMOTION - CHARLEY KIEFER - charley@secretlydistribution.com - 812.822.3885
LABEL GROUP
------------------------------2062 / Arbutus Records / Acéphale / Asthmatic Kitty / Awesome Tapes From Africa / Bloodmoss / Captured Tracks Cloud Recordings / Constellation / DFA Records / Dead Oceans / Family Vineyard / Felte / Flying Nun / Ghostly International Hometapes / Jagjaguwar / Joyful Noise Recordings / K Records / Lovepump United / Magnetic South / Merge Records No Quarter / Numero Group / Omnian Music Group / Overcoat Recordings / Paradise of Bachelors / PPM / Quarterstick Records Quite Scientific Records / RVNG Intl. / Sacred Bones Records / Secretly Canadian / The Social Registry / Sounds Familyre Suicide Squeeze / Temporary Residence Ltd. / Tomlab / Tri Angle Records / Trouble in Mind / Underwater Peoples We Are Free / Western Vinyl :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Secretly Distribution
1499 West 2nd Street Bloomington, IN 47403 USA
FOXYGEN HANG CATALOG #: JAG301 RELEASE DATE: JANUARY 20, 2017 FORMAT: CD/LP/CASSETTE/DIGITAL CD BOX LOT: 30 LP BOX LOT: 20 CASSETTE BOX LOT: 25 GENRE: ALTERNATIVE/INDIE ROCK KEY MARKETS: NEW YORK, LOS ANGELES, CHICAGO, SAN FRANCISCO, AUSTIN, SEATTLE, PORTLAND, BOSTON TERRITORY RESTRICTIONS: EXCLUSIVE TO HOSTESS IN JAPAN VINYL NOT RETURNABLE
ABOUT THE ALBUM Foxygen is the Big Bang of two combusting minds. It's the splayed Galaxy of polar geniuses Sam France and Jonathan Rado. It's a handshake with a knife behind your back. A sleepless night in a five star hotel. You listen to Hang properly. You take in each moment. Each new melody that threads forward from the fingertips of one of this generation's finest pianomen in Jonathan Rado. And you fall in line behind Sam France's sprawling and reckless lyric. Witness his mastery. Feel them struggle against the walls of their own creations. Follow them there. To the perimeter. To the exit sign. Notice that the two young guys aren't there anymore. They're outside looking for another joint to haunt. They're already out of sight.
PRAISE FOR “AMERICA,” THE LEAD SINGLE “It’s an epic, head-spinning collision of sounds worthy of multiple listens.” - NPR “‘America’ is a wild return.” - SPIN
CD UPC: 656605230122 TRACK LIST
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LP UPC: 656605230115
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SIDE A:
SIDE B:
1. Follow The Leader 2. Avalon 3. Mrs. Adams 4. America
5. On Lankershim 6. Upon A Hill 7. Trauma 8. Rise Up
COLORED LP UPC: 656605230139 SELLING POINTS
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CASSETTE UPC: 656605230184
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DIGITAL UPC: 656605230160
- Hang is Foxygen's third album for Jagjaguwar, and their first proper studio record, recorded in Los Angeles at Electro Vox Studios - Hang features Steven Drozd of the Flaming Lips, as well as Brian and Michael D'Addario of the Lemon Twigs as players on the album - Hang features a 40+ piece symphony orchestra on every track. Trey Pollard from Spacebomb arranged and conducted the orchestral parts, with additional arranging from Matthew E. White - Foxygen will tour the globe in support of Hang, with an 11-piece live show recreating the dense orchestration of the album. Expect to see this ambitious live show at clubs, theaters and festivals in 2017
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EXCLUSIVELY DISTRIBUTED BY SECRETLY DISTRIBUTION PHONE: (812) 335-1572 / FAX: (888) 678-0167 US DOMESTIC SALES CONTACT SHELLY WESTERHAUSEN <SHELLY@SECRETLYDISTRIBUTION.COM> INTERNATIONAL SALES CONTACT LAUREN BROWN <LAUREN.BROWN@SECRETLYDISTRIBUTION.COM>
CHERRY GLAZERR APOCALIPSTICK CATALOG #: SC345 RELEASE DATE: JANUARY 20, 2017 FORMAT: CD/LP/CASSETTE/DIGITAL
ABOUT THE ALBUM
CD BOX LOT: 30 LP BOX LOT: 50 CASSETTE BOX LOT: 25
Society would deem that a prodigious girl can't be in a progressive rock band while also being in complete control of its creative vision, business plan and social messaging. Society is wrong. Clem Creevy, a 19 year old teen Queen dreamed up Cherry Glazerr in her LA bedroom alone and is perhaps more capable of figuring a music career out than anyone who attempts this treacherous life path.
GENRE: ALTERNATIVE/INDIE ROCK KEY MARKETS: LOS ANGELES, NEW YORK, CHICAGO, SAN FRANCISCO
Back in 2014, much-loved Cali imprint Burger Records released their intoxicating debut Haxel Princess and Suicide Squeeze released the Had Ten Dollaz 7-inch.
TERRITORY RESTRICTIONS: EXCLUSIVE TO HOSTESS IN JAPAN VINYL NOT RETURNABLE
On Apocalipstick, the band worked with “rock'n'roll wizard” Joe Chicarelli [White Stripes, The Shins, The Strokes] and Carlos de la Garza [Bleached, M83, Tegan and Sara]. With their help and the band's newfound self-discipline and motivation, Cherry Glazerr has evolved into a wildly complex, hugely guitar heavy, and unapologetically loud machine.
CD UPC: 656605034522 TRACK LIST
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LP UPC: 656605034515
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SIDE A: 1. Told You I’d Be With The Guys 2. Trash People 3. Moon Dust 4. Humble Pro 5. Nuclear Bomb
SIDE B: 6. Only Kid On The Block 7. Lucid Dreams 8. Sip O’ Poison 9. Nurse Ratched 10. Instagratification 11. Apocalipstick
COLORED LP UPC: 656605034584
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CASSETTE UPC: 656605034508
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SELLING POINTS - Apocalipstick, Cherry Glazerr’s first album for Secretly Canadian, was produced by Joe Chicarelli + Carlos de la Garza - Cherry Glazerr’s debut album Haxel Princess received critical praise, including steadfast support from The New York Times.
DIGITAL UPC: 656605034560 - Clementine Creevy, vocalist and guitar player, has acted on Amazon’s critically acclaimed and award winning show “Transparent”.
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- Cherry Glazerr will be touring extensively worldwide in 2017 to support the record in all major territories.
EXCLUSIVELY DISTRIBUTED BY SECRETLY DISTRIBUTION PHONE: (812) 335-1572 / FAX: (888) 678-0167 US DOMESTIC SALES CONTACT SHELLY WESTERHAUSEN <SHELY@SECRETLYDISTRIBUTION.COM> INTERNATIONAL SALES CONTACT LAUREN BROWN <LAUREN.BROWN@SECRETLYDISTRIBUTION.COM>
joan of arc He’s Got The Whole This Land Is Your Land in His Hands
release date : Jan 20, 2017 catalog # : JNR219
L P U P C : 714270690167
available formats : LP / CD genre : Indie, Alternative box lot quantity : 10 LP / 25 CD
LP-C1 (PINK) UPC : 714270690174
packaging : gatefold jacket / wallet vinyl non-returnable.
C D U P C : 714270690150
track listing :
overview :
1. Smooshed That Cocoon
Twenty years now there’s been this thing, our band, Joan of Arc. Sometimes we forget about it and let it fizzle out for a year while we tend to our lives. Sometimes we cling to it for a year and wake up surprised and exhausted every day for months on end, given walking tours of old Italian towns, browsing dreary British pedestrian malls or barefooted organic grocers on the Pacific coast. We know how lucky we are.
2. This Must Be The Placenta 3. Stranged That Egg Yolk 4. Full Moon and Rainbo Repair 5. Cha Cha Cha Chakra 6. Grange Hex Stream 7. Two-Toothed Troll 8. New Wave Hippies 9. Never Wintersbone You 10. F is for Fake 11. Ta-ta Terrordome
PINK COLOR VINYL AVAILABLE (JNR219 LP-C1)
The less we feel like a band—the more we can continue to be a band, but escape that feeling of doing all those shitty, corny things expected of bands—the truer to ourselves we feel. And you all know it, everyone knows it even if everyone has to bury it to get on with their day-to-day: the truer to ourselves we feel, the better everything gets. We have shifted shapes and modified our approaches quite a number of times in the course of twenty years. And we’ve done so always aiming to stay true to ourselves at that moment, by instinct and with conscious intent. This time, it took us a long time to figure out how to start back up. We threw away a lot of songs and started over, over and over. But here’s the thing: We are getting better at being ourselves. So many of the postures of youth just fall away with time. Most bands break up by that point, or become caricatures of their younger selves. Because money is tricky, or I should say, it comes to be that energy is tricky to muster after all of it goes into the basics of sustaining yourself. Every day, at some point, it occurs to me that Richard Brautigan killed himself at the age that I am now. But I got this community of weirdo collaborators to lean on that he never had.
(VINYL INCLUDES DOWNLOAD)
We’ve never had an audience that gets any validation of its coolness through liking us. We’ve mangled, juxtaposed, and collaged too many elements for that social contract. But we trust each other. This time, finally, we trusted each other enough to throw all the songs away, to even throw away every preconceived idea about which one of us should take position at which instrument. We hit Record and played, and our collective tastes emerged. And they, our tastes in the moment, were the only standards in all the expanse of the stupefying and beautiful unknown universe, that we regarded as relevant in the least.
joyful noise recordings 1030 Orange St | Indianapolis, IN 46203
joyfulnoiserecordings.com info@joyfulnoiserecordings.com
Paradise of Bachelors P.O. Box 1402, Carrboro, NC 27510 www.paradiseofbachelors.com / info@paradiseofbachelors.com US/CA PR: Stephanie Bauman, stephanie.pitchperfectpr@gmail.com UK PR: Will Lawrence, will@inhousepress.com Everywhere else: press@paradiseofbachelors.com After five decades of recording and touring, veteran British songwriter and guitar sage Michael Chapman has finally made what he calls his “American record,” and the aptly titled 50 now stands as his late career masterwork, a moving legacy statement by a legend. Backed by a collaborative group of friends and acolytes—Steve Gunn (who also produced), Nathan Bowles (Pelt), James Elkington (Jeff Tweedy), Jason Meagher (No-Neck Blues Band), Jimy SeiTang (Rhyton), and fellow UK songwriting luminary Bridget St John—Chapman tears into both bold renderings of new songs and radical reinterpretations of material from his revered catalog, the crack band adeptly scaling the same rarefied sonic heights of classic Harvest albums like Fully Qualified Survivor, guided by a true survivor’s instinct, wit, and wisdom. The result is a sublime chiaroscuro self-portrait, more shadow than light, as an invigorated Chapman wrestles with weighty themes of travel, memory, mortality, and redemption, his world-weary whispers assuming the incandescent power of prophecy. I dreamed the blacksnake rode the guitar / Down the river – Frank Stanford, “The Singing Knives” (1971)
MICHAEL CHAPMAN 50
+ label: + catalog number: + formats: + release date: + UPC-LP / UPC-CD: + genre(s): + territory restrictions: + LP / CD box lots:
Paradise of Bachelors PoB-29 LP / CD / digital (vinyl not returnable) January 20, 2017 616892414445 / 616892414544 Alternative / folk-rock N/A 25 / 40
A1. "A Spanish Incident (Ramón & Durango)" 5:05 A2. "Sometimes You Just Drive" 4:41 A3. "The Mallard" 5:45 A4. "Memphis in Winter" 6:50 B1. "The Prospector" 6:39
B2. "Falling from Grace" 6:32 B3. "Money Trouble" 4:33 B4. "That Time of Night" 6:11 X1. "Rosh Pina" 5:07 (CD/digital bonus track) X2. "Navigation" 5:14 (CD/digital bonus track)
+ Michael Chapman's first "American record" was produced by Steve Gunn and features a band comprised of Gunn, Nathan Bowles, James Elkington, Jimy SeiTang, Jason Meagher, and the incomparable Bridget St John. It is his first album with a full band and to include new songs in years. + Available on 140g virgin vinyl as an LP, with heavy-duty tip-on jacket, printed inner sleeve, lyrics and download code for the entire album and bonus tracks "Rosh Pina" and "Navigation." + CD edition features heavy-duty gatefold jacket, lyrics, and bonus tracks "Rosh Pina" and "Navigation." + For more information and album trailer: http://www.paradiseofbachelors.com/pob-29 + PoB artist page and tour dates: http://www.paradiseofbachelors.com/michael-chapman + Mesmeric. Chapman's appealingly leathery, lived-in voice takes a backward glance at a long line of memories that are part of a "thread that can't be broken" running through all of our lives. After 75 years on the planet, Chapman may have developed a thick skin, but the soul inside of it can still speak to the uncertainty that lives in all of us. – NPR Music's Songs We Love + A master guitarist and songwriter … The godfather of experimental rock guitar. – MOJO + A world-class songwriter. Terrifically unpredictable … beyond any genre tag. – Pitchfork + Acute emotional reporting in a gruff seaman-poet’s voice, supported by the ingenious strength of his guitar. – Rolling Stone + A master … a distinctive talent who stands comparisons to John Fahey. – Uncut + The sound of a real songwriter who’s lived a real life and all that entails. – Q + He shreds on acoustic guitar the way Kandinsky wails with a paintbrush. – Thurston Moore + His endless drive and unique voice serve as a model of what it means to be an artist. – Steve Gunn + Michael Chapman is a titanic guitar picker and personality ... heroic and inspiring. – William Tyler + 48 years my brother through music ... He is always authentic in his writing, playing, and singing—what you get is who he is. Truly a fully qualified survivor. – Bridget St John
The poems of Frank Stanford manifest a febrile surrealist blues of the American South, especially when exploring his favorite themes of nature, music, and death, a symbolic trinity invoked succinctly by his couplet about a snake adrift on a river, coiled in the soundhole of a guitar-ark. Orphic guitarists (and snakes) recur in Stanford’s work, in which he consistently associates the twin mysteries of mortality and music: “The one in front had a guitar on his back/The other one had a chainsaw,” begins one harrowing passage from “The Snake Doctors.” The stowaway snake and the guitar-chainsaw duo offer apt metaphors for iconic British songwriter and guitarist Michael Chapman’s music, suffused (like Stanford’s work) with the crooked logic, unfulfilled longing, and existential danger of dreams, but shaded with his own wry sensibility of Northern darkness. He ranks among the innovative midcentury English guitarists—Davey Graham, Richard Thompson, and Michael’s old friend Mike Cooper are others—who transposed the atmosphere and syntax of the blues to a British context through reinvention and deconstruction rather than imitation. But Chapman uniquely deploys his liquid virtuosity and his resonant, slurred Yorkshire burr as vehicles for his mournful (and often barbed) musings on the pleasures and perils of hard living. Like a peaty whiskey (or Bob Dylan), the smoky gravitas of his playing and singing has grown more trenchant and entrenched with age; no one else sounds like him. It’s difficult not to describe Michael’s long career and his vast, masterful body of work obliquely, by reeling off his musical genealogy, the astounding roll call of collaborators, comrades, and disciples with whom he’s shared stages, studios, and his sturdy songs. His emergence in 1967, alongside Wizz Jones, as a self-taught jazz freak, recovering art-school student, and part-time photography teacher on the Cornish folk circuit preceded a series of classic late 1960s and ’70s albums for Harvest, Deram, and Decca. (But whatever you do, don’t call him a folkie; he feels more kinship with the improvisatory outer orbits of jazz, blues, and the avant-garde.) A peer of legends like Bert Jansch, John Renbourn, and Roy Harper—but arguably more mercurial and less classifiable over the long haul than any of them—Chapman is probably the only musician in history to have played and recorded with Mick Ronson, Elton John, and Thurston Moore. (True stories: David Bowie enlisted Ronson in the Spiders from Mars as a direct result of his superb playing on Chapman’s Fully Qualified Survivor, John Peel’s favorite album of 1970. Elton John tried to recruit Michael to his band thereafter, but producer Gus Dudgeon interfered.) Following a millennial resurgence and reissue campaigns by the Light in the Attic and Tompkins Square labels, Michael’s songs have recently been covered by Lucinda Williams, Kurt Vile, Hiss Golden Messenger, Meg Baird, and William Tyler, and he has performed and toured with younger devotees including Bill Callahan, Jack Rose, Daniel Bachman, and Ryley Walker. But this litany of comrades and admirers is only one vector by which to chart the undiluted potency of Chapman’s artistry and its deep currents of influence on three generations of musicians. His new record 50, titled to commemorate fifty years of touring—and released four days before Michael’s seventy-sixth birthday—stands as a formidable monument of retrospection and introspection in his adventurous catalog (last we counted, approaching fifty records.) A return to the gloriously ragged kineticism of Rainmaker (1969), Fully Qualified Survivor (1970), Wrecked Again (1971), and Savage Amusement (1976), Michael’s first “American record”—an elusive goal for decades—embodies his undeniable late career masterpiece. It is his first album in years with a full band, assembled around the versatile core group of friend and producer Steve Gunn (who also contributes guitar, drums, and vocals): Nathan Bowles (drums, banjo, keys, vocals; Pelt, Black Twig Pickers); James Elkington (guitar, piano; Jeff Tweedy, Richard Thompson), and Jimy SeiTang (bass, synthesizers, vocals; Rhyton, Stygian Stride). Michael’s dear friend and fellow UK songwriting luminary Bridget St John furnished her gorgeous, shivering vocals, a dramatic counterpoint to Chapman’s road-worn gruffness. Gunn’s touring bassist and longtime engineer Jason Meagher (No-Neck Blues Band) recorded and mixed at his Black Dirt Studio in Westtown, New York. The inherently collaborative nature of 50 shows in its ambition and execution; never has Michael ceded such generous control to other musicians, and he sounds both invigorated and liberated as a result. Gunn’s and Elkington’s guitars knit with Chapman’s in easy intergenerational dialogue; sparks fly. The album includes both radical reinterpretations of obscure material from Michael’s catalog as well as three new compositions: “Sometimes You Just Drive,” “Money Trouble,” and “Rosh Pina.” A longstanding but freshly urgent preoccupation with (as Michael sings in a beloved early tune) “time past and time passing” is evident straightaway, from the album title and the first line of the first song through the final lyric of the record. Never before in his storied career has Chapman gazed so steadily into the abyss of time lost and regained; never before has he engaged so intimately with his legacy and the changing meanings of his own music over time. That he manages to do so without succumbing to nostalgia or sentimentality bears testament to the steely fortitude of his ruminative, tough-minded songs, which survey both inscape and landscape with the same stoical detachment. Chapman’s spare writing on 50 displays a refined economy of gesture, often unfolding in episodic parables (see “The Prospector” and “A Spanish Incident”), wherein regret and redemption elide symbolically in a sublime chiaroscuro self-portrait, more shadow than light, his world-weary whispers assuming the incandescent power of prophecy. The boozy good humor and resignation of “Money Trouble” and “A Spanish Incident” find traces of comedy and camaraderie amid the absurdity of a world in which we lose our words, our way, our faith. The menace and anxiety of “Sometimes You Just Drive,” which poignantly conflates the End of Days with the end of one man’s days, and “Memphis in Winter,” a hellish Bluff City travelogue, contrast with the naked vulnerability and remorse of “Falling from Grace” and “Navigation.” In lead single “That Time of Night” Michael confesses, movingly, “you know I don’t scare easy, but I do get scared.” With 50, Chapman faces mortality with both guitar and chainsaw in hand, and endures. It’s the unguarded sound of Orpheus descending, the snake riding the guitar down the river Styx and returning upstream to tell his story. Listen.
UPC-LP
6
16892 41444 5
UPC-CD
6
16892 41454 4
Uniform Wake in Fright 1 2 3 4 5 6 7 8
track listing: Tabloid (3:15) Habit (4:31) The Lost (4:50) The Light at the End (Cause) (4:37) The Killing of America (4:04) Bootlicker (5:03) Night of Fear (5:02) The Light at the End (Effect) (5:53)
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Key Information / Selling Points: Hometown / Key Markets: New York, Philadelphia, Chicago, Los Angeles, Austin
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Selling Points / Key Press: Touring North America and Europe beginning in February Members of The Men, Drunkdriver, Pygymy Shrews, York Factory Complaint, and more Ghosthouse received excellent coverage on Pitchfork, Thump, CLRVYNT, Stereogum, and more Full press campaigns by Grandstand and Rarely Unable White color vinyl limited to 750 units worldwide
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Related Catalog: SBR-166 Uniform: Ghosthouse 12"
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Wake in Fright, the second full-length by the New York City duo Uniform, is a harrowing exploration of self-medication, painted in the colors of war. Following the Ghosthouse 12", whose A-side Pitchfork called “their most relentless track yet,” vocalist Michael Berdan and guitarist/producer Ben Greenberg return with a new batch of even more punishing songs that incorporate elements of industrial music, thrash metal, harsh noise, and power electronics. “This record is primarily about psychic transition,” Berdan explained. “The distress that these songs attempt to illustrate comes from a place of stagnation and monotony. This is what happens when old ways of thinking become exhausted and old ways of coping prove ineffective. Something must change or it will break.” The characters Berdan brings to life in his lyrics quit using but have ruinous relapses (“Habit”) or struggle as their resolve crumbles (“Bootlicker”); they use alcohol to ease their insomnia but and are helpless when they get sober and stop sleeping again (“Night of Fear”); they’re existential misanthropes trapped in dead-end lives (“The Lost”). Greenberg sets these stories to menacing guitar and samples of literal sounds of war — the kick drums are bombs going off, the snares are gunshots. He drew the record’s immense sample library from action movies, Foley sound packs, field recordings, and more, and the result is devastating. The guitar is also as crucial as ever, and now as indebted Slayer as it is to Big Black. Greenberg conjures up massive riffs and shredding solos, pushing the band deeper into the metal world whose borderlands they’ve long stalked. “We are surrounded by war and the whole world is burning and it doesn’t seem like there are any appropriate reactions or responses left anymore,” Greenberg elaborated. “This music is our response to and our reflection of the overwhelming violence, chaos, hate, and destruction that confronts us and everyone else in the world every day of our lives. When we play, I don’t feel powerless anymore. I hope this record can help others transcend their anger and frustration.”
RiYL: Suicide, Godflesh, Slayer, Big Black, Ministry catalog #: SBR-170 genre: Industrial/Metal Release Date: 1-20-2017 available formats: CD, lp, lp-c1 UPC-CD: 616892438540 UPC-LP: 616892438342 UPC-LP-c1: 616892438748 Vinyl is not returnable export restrictions: None Box Lot: CD 30 / lP 40 label contact: Sacred Bones Records 67 West St., Suite 221 Brooklyn, NY 11222 info@sacredbonesrecords.com www.sacredbonesrecords.com
CD
lp
white color lp
THE STRAY TROLLEYS BARRICADES & ANGELS - LP/CD • Remastered and Released on Vinyl and CD for the First Time • Martin Newell before he began The Cleaners from Venus • CD and LP Download include bonus track, “Mrs. Killer”
In May of 1979, UK native Martin Newell was 26 years old and in transition. He’d just split up with his girlfriend and moved out of the Colchester house they’d shared for four years. A month later, Newell also stepped down as the singer for Gypp, a band he’d been in for three years. Though they had a great live reputation and a strong regional following, Newell, with some misgivings, felt their music was out-of-step with the times. That same year, he turned down the offer of a literature degree course at university as well. Why bother? He had a part-time washing-up job, a guitar and a room in a rambling, boho house. He could just tear the whole thing down and start again.
CT - 252 1. Se cret D ream s of a Kitch e n Porte r 2. A B lu e b e ak K it 3. G ove rn or ’s Onl y D aughte r 4. New Age D ream er 5. Stil et to Lov e 6. G u n s lin ger 7. Love In to Ac tio n 8. Te n M illio n Years 9. Fla min g o Ro ad 10 . Fin d in g Ou t 11 . B a rri cad es & A n gels 12 . N o Sta tic 13 . D a ys of Firebird s 14. M rs . K ill er (Bo n u s Tra ck ) *
And so he did. That summer, friend and recording engineer Dave Hoser heard some of Newell’s demos and offered to help record them on his 4-track equipment, dubbed “The Octopus Mobile.” With some of Newell’s former optimism and energy restored, he put together a new band: the then 23-year-old drummer Michael ‘Stix’ Natkanski, former Gypp bass player Tony Phillips and Braintree guitarist Malcolm Burch (a/k/a Max Volume). Calling themselves The Stray Trolleys, the music here predates Newell’s work as The Cleaners from Venus and the bulk of the sessions on their sole album, Barricades and Angels, were recorded at Octopus Studios during spring and summer of 1980. Amazingly, although they had little to no rehearsals, all backing tracks were recorded fairly quickly and everyone got on well, especially in the pub afterwards.
*CD , Di g i ta l , LP D ownl oad Only
So, what’s the story here? A few youngish unknowns got together in a little home-built country studio and recorded a handful of songs for an album that eventually emerged on a DIY cassette? They weren’t perfect, but there is something very special about this collection. The music captures a time. Just listen.
LP UPC: 817949012854
LP FORMAT: 12” LP + MP3s LP BOXLOT: 45 EXPORT: WORLD VINYL NON-RETURNABLE
CD UPC: 817949012861
CD FORMAT: JEWEL CASE CD BOXLOT: 30 EXPORT: WORLD
RELEASE DATE: JANUARY 20, 2017 GENRE: ALTERNATIVE / NEW WAVE / PSYCH
Press: Bailey Sattlerbaileys@grandstandhq.com Sales : Dave Martin dave.martin@omnianmusicgroup.com
Avec le soleil sortant de sa bouche
Pas pire pop, I Love You So Much 180gLP • CD • DL Release Date: 20 January 2017
“Perfect for rooftop parties and desert caravans...catchy riffs and trancelike repetitions that build and burst in equal measure.” A CLOSER LISTEN “Transporting us into a world of their own...a delirious amalgam of a weird range of noises that still grooves.” IMPOSE RIYL: Can • Talking Heads (‘80-’83) • This Heat • Neu! • Do Make Say Think Stereolab • Animal Collective • Tinariwen • Black Dice • Battles • Fly Pan Am Psychedelic rock, krautrock, desert rock, punk rock, noise rock, afrobeat, experimental pop, post-rock, electronic; all are touchstones for Avec le soleil sortant de sa bouche. Their multi-movement durational music arguably combines trance rock and audio collage above all — a diced and spliced approach to longform multi-movement groove music played by a stripped down quartet of two guitars, bass and drums, synched to pre-recorded electronics and musique concrète. The band’s unique restlessness and inventiveness seduces with shifts, turns and dovetails, bubbling forth with ideas and consistently destabilizing its own inexorable musical logic in highly satisfying fashion. Above all, their sound always seems to be escaping overt homage or retro tendencies; neither freighted with reverence nor weightless with irreverence, the music of Avec le soleil routes and uproots itself along its own refreshingly untrodden path. Pas pire pop, I Love You So Much picks up where the band’s 2014 debut Zubberdust! left off. Quite literally: the needle drops on “Trans-pop express” with Avec le soleil in full swing, playing a musical theme that had been submerged at the end of Zubberdust’s closing track, now developed in the full kaleidoscopic light of day. Unfurling over 10 minutes of sinuous bass, chiming guitars and wordless vocals, “Trans-pop express” becomes increasingly interwoven with fizzing and squelching electronics, breaks into an extended and more insistent motorik/post-punk ‘chorus’ of sorts, then returns full-circle to a resplendently buzzing and whirring reprise of the initial groove. “Alizé et Margaret D…” opens with naive melody lines played on dry staccato guitars, peppered with ragged vocal calls, before transitioning through some unison riffing into one of the band’s signatures: clean, methodical, exuberantly layered grooves perhaps most reminiscent of Remain In Light (and The Name Of This Band Is)-era Talking Heads. Nothing the band has recorded to date quite drives home the fascinating sonic identity they’ve forged from their overflowing toolbox of techniques and influences more than “Tourner incessamment dans l’éclatement euphorique…”, the 20-minute tour de force that comprises Side Two of Pas pire pop. Avec le soleil sortant de sa bouche deploys a panoply of buoyant musical ideas, subtly sumptuous sonic treatments, and joyous stylistic nods — while remaining fundamentally devoted to working the groove, from however many angles. This is post-modern psychedelic trance-pop the likes of which we can honestly say we’ve not heard before. Thanks for listening.
CST121 CONSTELLATION TRACKLIST: Side One 01-02 Trans-pop express 03-05 Alizé et Margaret D. Midi moins le quart. Sur la plage, un palmier ensanglanté Side Two 06-10 Tourner incessamment dans l’éclatement euphorique de soi - Road Painting Ahead DURATION: 42:47 GENRE: Psychedelic Rock 180gram vinyl includes 12x24 art print poster + 320kbps MP3 download CD in 100% recycled paperboard gatefold jacket VINYL IS NON-RETURNABLE NO EXPORT TO ISRAEL
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BOX LOT: 30 UPC: 66656102120
LP (180g)
BOX LOT: 35 UPC: 66656102113 CONSTELLATION www.cstrecords.com Contact & Publicity: (514) 279-9705 patricia@cstrecords.com twitter.com/cstrecords
Tim Cohen Luck Man LP/CD • Hometown: San Francisco, CA Frontman for the Fresh & Only’s and Magic Trick • First Solo Album for Sinderlyn Tim Cohen wants make you aware of life’s imperfections; he likes to play devil’s advocate…or maybe he’s more like the devil’s buddy, offering up his own dark but playful asides. On Luck Man, the Fresh & Only’s and Magic Trick frontman’s first solo record for Sinderlyn, Cohen has created a lush, insular world that deals with the uneasiness of accepting life’s inherent flaws.
LYN-024 01. Wa ll A b o u t A Window 02 . Shine 03 . J o hn H u g h e s 04. Mea t I s M u rd e r 0 5 . B rea th e and Di e 0 6 . B edfe ll ow s 07. I Ne ed A Wi fe 0 8 . S un s hine 0 9 . Clo ud s 10 . Irony 11. Lu ck Man
LP UPC: 858458005609 LP FORMAT: 12”+ MP3s LP BOXLOT: 40 EXPORT: WORLD VINYL NON-RETURNABLE CD UPC: 858458005616 CD FORMAT: JEWEL CASE CD BOXLOT: 30 EXPORT: WORLD
Recorded in his attic and at El Studio in San Francisco after recently moving back to a city he longed called home, Luck Man is a personal statement distilled from Cohen’s own experiences. “I draw upon little moments and memories to make music,” he says. “I like to think I’m leaving bits of wisdom behind, but I don’t possess the wisdom for longer than it takes to make a song. I inherit it momentarily, write it down, attach a melody that fits the words in rhythm, and then record it.” Attempting to answer the unanswerable, Cohen aims to fill this existential void with his songwriting. The intricacies of tracks like “I Need A Wife” and “John Hughes” belie Cohen’s seemingly simple writing process where warmth and comfort meets a questioning anxiety. However, there’s always more to each song than meets the eye. Influenced by Van Morrison’s Veedon Fleece as well as his one-time day job as a delivery driver (see “Meat Is Murder”) and other daily travails, Cohen eschews focusing on overarching topics like love, hope or despair and, instead, creates his own stories with fleeting, yet quietly complex characters and thoughts. After over a decade of writing and releasing music under various monikers, it’s clear that Cohen is more than capable of producing a beautiful record, whether or not you want to dig deeper into life’s nagging paradoxes is solely up to you.
RELEASE DATE: JANUARY 20TH, 2017 GENRE: INDIE / FOLK
Press Lisa Gottheil lisag@grandstandhq.com Bailey Sattler baileys@grandstandhq.com Sales Dave Martin dave.martin@omnianmusic.comgroup.com
William Basinski
A SHADOW IN TIME
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ARTIST: William Basinski TITLE: A Shadow In Time CATALOG: TRR278 RELEASE DATE: January 20, 2017 FORMAT: LP UPC: 656605327815 BOX LOT: 40 TERRITORY RESTRICTIONS: NONE VINYL IS NON-RETURNABLE TRACK LISTING 1. A Shadow In Time (16:57) 2. For David Robert Jones (20:19) SALES POINTS Includes vinyl-only mix not available on any other format Pressed onto audiophile-quality 100% virgin vinyl
RIYL: BRIAN ENO, TIM HECKER, ELUVIUM, STARS OF THE LID
PRESS “Deeply melancholic and subdued, music to embrace in the deep of a sleepless night.” – The Quietus “Euphoric and transparent.” – The Wire
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BIO World-renowned as one of experimental music's most vital and impressionistic composers of the past few decades, William Basinski’s tape loop works have been especially influential, particularly on the historic series, The Disintegration Loops, where distorted, orchestral tape samples burrow deep into the listener's psyche through meditative repetition. On his new album, A Shadow In Time, Basinski plunges deeper than ever for the plaintive, solitary eulogy to David Bowie, aptly titled “For David Robert Jones.” Conversely, the title track, “A Shadow In Time,” is a subtle, celestial escalation of melody and drone. The result is one of the most truly transcendent pieces of music he has ever committed to – or wrung from – tape. William Basinski is a classically trained musician and composer who has been working in experimental media for over 30 years in NYC and most recently, California. Employing obsolete technology and analogue tape loops, his haunting and melancholy soundscapes explore the temporal nature of life and resound with the reverberations of memory and the mystery of time. His epic 4-disc masterwork, The Disintegration Loops received international critical acclaim and was one of Pitchfork’s Top Albums of the Decade. Installations and films made in collaboration with artist-filmmaker, James Elaine have been presented in festivals and museums internationally, and his concerts are presented to sold-out crowds around the world. Basinski was chosen by Music Director, Antony Hegarty to create music for the Robert Wilson opera, The Life and Death of Marina Abramovic which had its world premiere at the Manchester International Festival in July 2011 and toured Europe in 2012 and North America in 2013. Orchestral transcriptions of The Disintegration Loops by Maxim Moston have been performed at The Metropolitan Museum of Art, Queen Elizabeth Hall and La Batie Festival in Geneva, Switzerland. Basinski is currently touring the world in support of his new album, A Shadow In Time.
MONO
UNDER THE PIPAL TREE
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56605 32821 2xLP
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ARTIST: MONO TITLE: Under The Pipal Tree CATALOG: TRR282 RELEASE DATE: January 20, 2017 FORMAT: 2xLP UPC: 656605328218 BOX LOT: 28 TERRITORY RESTRICTIONS: NONE VINYL IS NON-RETURNABLE TRACK LISTING 1. Karelia (12:31) 2. The Kidnapper Bell (10:00) 3. Jackie Says (7:31) 4. OP Beach (5:49) 5. Holy (1:41) 6. Error #9 (12:34) 7. L’America (4:38) 8. Human Highway (9:06) SALES POINTS MONO’s beloved debut album finally available on vinyl for the first time ever Remastered for vinyl by Bob Weston at Chicago Mastering Service
Features all-new cover art
PRESS “One of the most distinctive bands of the 21st century.” – Pitchfork “Essential, really” – Exclaim!
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BIO Under The Pipal Tree is the debut album by now-legendary Japanese experimental rock band, MONO. Released in 2001 on avant-garde icon John Zorn's Tzadik label, Under The Pipal Tree showcased a young Japanese quartet whose wide range of influences – most notably Sonic Youth, Mogwai, The Velvet Underground, and Neil Young's Crazy Horse – were on ferocious and ambitious display. Though MONO would eventually become known for their expert marriage of metal and classical genres, Under The Pipal Tree highlights the band's psychedelic roots. Long stretches of hypnotic, melodic washes give way to scorching guitar freakouts that evaporate into haunting silence. It's remarkable not just for its earnest exploration, but for its startling execution. Fifteen years and eight albums later, Under The Pipal Tree stands as one of the great debut albums by a seminal underground band. Finally released on vinyl for the first time ever, Under The Pipal Tree has been remastered for vinyl by longtime friend and tour mate, Bob Weston at Chicago Mastering Service. The double album is packaged in all new artwork, and is pressed onto audiophile-quality 100% virgin vinyl. This stunning album has never looked, sounded, or felt better.
Numero Group
Wayfaring Strangers: Ladies From The Canyon Catalog Number: num008 Artist: Various Artists Title: Wayfaring Strangers: Ladies From The Canyon Release Date: 01/20/2017 UPC: LP 825764100816 Available format: LP Genre: Country, Folk Box Lot: 30 Territory Restrictions: None Vinyl is not returnable Track Listing
By 1970, the folk revival had all but ended. Gone were the heady days of “Will The Circle Be Unbroken” and “If I Had A Hammer.” Hootenanny had been cancelled. Broadside was out, Rolling Stone in. Richard Fariña was dead; Bob Dylan had plugged in. Paths paved by Joan Baez and Judy Collins had led a younger, more introspective generation of songwriters into the woods, while the ethos forged in weather-beaten hills and tempered on the lower east side of Manhattan was being reborn in the canyons of California, as songs for seagulls crafted in Joni Mitchell’s visage. Culled from beyond the crop of critrevisionist darlings Linda Perhacs, Judee Sill, or Vashti Bunyan, Ladies From The Canyon examines the world of private folk via the works of 13 unlikely heroines who sang beneath the infrastructure of the music business, playing to coffeehouse chatter and church picnic silence. Each of these Wayfaring Strangers walk in the handmade aesthetic of lyrics scribbled into faded denim, of delicate movements captured and released.
A Becky Severson “A Special Path” Collie Ryan “Cricket” Linda Rich “Sunlight Shadow” Caroline Peyton “Engram” Carla Sciaky “And I A Fairytale” Judy Kelly “Window” Ginny Reilly “Wildman” B Jennie Pearl “Maybe In Another Year” Mary Perrin “Dedication” Priscilla Quinby “Miss America” Marj Snyder “Rain” Barbara Sipple “Song For Life” Shira Small “Eternal Life”
LP
Dimming Awe, The Light is Raw ABOUT THIS RECORD Under the Botany moniker, Spencer Stephenson creates rich psychological and emotional experiences through audio. His music is a thoughtful attempt to convey the non-verbal through his particular mental prism, where sounds have potent symbolism in ways that are all but forgotten in the hermetic modern world. He explains, “Sounds have archetypal connections to things in nature the same way visual symbols do. Low-end might be associated with thunder, or the sound of a mother's heartbeat as heard from inside the womb, or an approaching stampede, or earthquake. Low-end generally indicates something bigger and more powerful than you. Treble sounds indicate something deadly rattling through foliage or something vital like water flowing close by. Reverberation has a connection to the holy and transcendent, it implies spatial largeness. It’s fun to hear these symbols coming out of ear-buds in a world where they aren’t useful on a daily basis, but are still so subconsciously powerful." Though Stephenson sees these constituent signifiers, he has a holistic vision of music "…functioning as a single pulsating thing, instead of a band with distinct parts," which parallels his idea of the universe as an ever emergent, single conscious entity-- a concept he finds spiritually gratifying, and one that’s pervasive in his music. On Dimming Awe, the Light is Raw, the 28-year-old producer and composer continues dissolving the borders between his disparate-yet-beloved psych, hip hop, and ambient influences. Album standout "Au Revoir,” is a shimmering piece of sampler-psychedelia that bolsters verses by rapper Milo, and gracefully leads into the drum-less hum and crackle of “Birthjays”. Matthewdavid—the high-priest of ambient bass himself—lends a rare vocal feature to the uplifting burner “Glow-up" while the electro-inspired “Bad CGI” stitches Bambaataa chants and sci-fi flutters to a shamanic pulse, then morphs into a late-night opiated channel-surfing montage, and the seams rarely appear. Unlike his previous album Lava Diviner (Truestory), which peaked and valley-ed through a narrative arc, Dimming Awe focuses on the artist's ever-unfolding, present state of mind. As a former jazz student, spiritual/free jazz philosophy regarding what he calls “emergent” music has increasingly become a guiding light when he creates. "The more emergent I let my music be when I'm making it, the more I like the result, it feels like a truer reflection. I feel like I am getting closer to doing that with computer-made music," he says. "This album is a document of what I do, not a statement in any explicit way. I feel like I'm moving closer to a jazz underpinning that I've always felt, philosophically more than aesthetically…making music feels more like exhaling as I grow older.”
ADDITIONAL INFO • Pressed on flamingo pink vinyl. Download includes bonus album Raw Light II • Botany has worked with Father John Misty, Mndsgn, Milo, Open Mike Eagle, Balmorhea, Benoit Pioulard, Heems, and many others.
TRACK LIST 1. Sungblood 2. Raw Light Overture 3. Au Revoir w/ Milo 4. Birthjays 5. Glow-Up w / Matthewdavid 6. Jotu 7. All is Rite 8. Bad CGI 9. No Translator w/ Milo 10. You Might Be an Eye 11. A-Word / Dim 12. Monthiversary w/ RYAT
PRESS QUOTES “…alternatingly danceable and meditative psychedelia…carefully constructed and satisfying…” – PITCHFORK “…ominous, warm and absolutely thunderous...glorious synthesis of dusty hip-hop vibes and cosmic free jazz spirit.” – GORILLA VS. BEAR “…badass…a around.” – FADER
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"A rich tapestry of hip-hop, pop and psychedelia... too much shit is labeled 'amazing' these days. That lord-on-high word you reserve for the very best of life, liberally sprinkle it all over Stephenson here... This is the real deal Holyfield." – TINY MIX TAPES LP UPC 751937435211
• Botany performed at Bonnaroo 2016 as part of the Red Bull Music Academy, has played Levitation, CMJ, and SXSW. Release Date JAN 20, 2017
Formats VINYL LP
Packaging LP JACKET
Catalog Number WV140
Genre ELECTRONIC / INSTRUMENTAL / HIP HOP
Export Restrictions NONE
WESTERN VINYL AUSTIN•TEXAS WESTERNVINYL.COM
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Return Policy VINYL IS NON-RETURNABLE
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• THE BATS - THE DEEP SET | CD (FN568cd) | Flying Nun PHYS UPC:942190360024 • THE BATS - THE DEEP SET | LP (FN568lp) | Flying Nun PHYS UPC:942190360017 • BEHIND CLOSED DOORS - EXIT LINES: THE BRIEF HISTORY OF BEHIND CLOSED DOORS (RED W/ BLACK SPLATTER VINYL) | LP (TRR220lp) | Temporary Residence Ltd. PHYS UPC:656605322018 • ELUVIUM - TALK AMONGST THE TREES | 2xLP (TRR078lp) | Temporary Residence Ltd. PHYS UPC:656605307817 • ELUVIUM - COPIA | 2xLP (TRR110lp) | Temporary Residence Ltd. PHYS UPC:656605311012 • HOMESHAKE - FRESH AIR | CD (LYN023cd) | Sinderlyn PHYS UPC:858458005586 • HOMESHAKE - FRESH AIR | LP (LYN023lp) | Sinderlyn PHYS UPC:858458005579 • TOMMY MCGEE - NOW THAT I HAVE YOU B/W STAY WITH ME | 7" (ES058lp) | Numero Group PHYS UPC:825764705875 • MICHELE MERCURE - EYE CHANT | LP (FTS001lp) | Freedom To Spend/RVNG INTL. PHYS UPC:603786278726 • MOON DUO - OCCULT ARCHITECTURE VOL. 1 | CD (SBR168cd) | Sacred Bones Records PHYS UPC:616892435747 • MOON DUO - OCCULT ARCHITECTURE VOL. 1 | LP (SBR168lp) | Sacred Bones Records PHYS UPC:616892435648 • MOON DUO - OCCULT ARCHITECTURE VOL. 1 (BLACK & RED MARBLE VINYL) | LP (SBR168lp-C1) | Sacred Bones Records PHYS UPC:616892435945 • SURFER BLOOD - SNOWDONIA | CD (JNR220cd) | Joyful Noise Recordings PHYS UPC:714270690686 • SURFER BLOOD - SNOWDONIA | LP (JNR220lp) | Joyful Noise Recordings PHYS UPC:714270690693 • SURFER BLOOD - SNOWDONIA (WHITE VINYL) | LP (JNR220lp-C1) | Joyful Noise Recordings PHYS UPC:714270690709 • SYL JOHNSON - MY FUNKY FUNKY BAND | LP (NUM032.4) | Numero Group PHYS UPC:825764503242 • SYL JOHNSON - WE DO IT TOGETHER | LP (NUM032.6) | Numero Group PHYS UPC:825764503266 • UNWOUND - FAKE TRAIN | 12" (NUM1291lp) | Numero Group PHYS UPC:825764609111 • MATTEO VALLICELLI - PRIMO | LP (CTSP035lp) | Captured Tracks PHYS UPC:817949012991
*All releases are subject to change.
SOUNDCLOUD
------------------------------• 1/20 Mix - https://soundcloud.com/scdistribution/sets/1-20-17-release-preview