New Releases - October 4th & October 11th by Secretly Distribution

October4thandOctober11th NewRel eases

OCTOBER 4th NEW RELEASES -------------------------------

• ANGEL OLSEN - ALL MIRRORS | Cassette (JAG344cass) | Jagjaguwar PHYS UPC:656605234472 • ANGEL OLSEN - ALL MIRRORS | CD (JAG344cd) | Jagjaguwar PHYS UPC:656605234427 • ANGEL OLSEN - ALL MIRRORS (BLACK VINYL) | 2xLP (JAG344lp) | Jagjaguwar PHYS UPC:656605234410 • ANGEL OLSEN - ALL MIRRORS (CRYSTAL CLEAR VINYL) | 2xLP (JAG344lp-C1) | Jagjaguwar PHYS UPC:656605234434 • DIIV - DECEIVER | CD (CT300cd) | Captured Tracks PHYS UPC:817949016982 • DIIV - DECEIVER (BLACK VINYL) | LP (CT300lp) | Captured Tracks PHYS UPC:817949016975 • DIIV - DECEIVER (INDIE EXCLUSIVE) (GREY MARBLE VINYL) | LP (CT300lp-C1) | Captured Tracks PHYS UPC:817949019198 • JACKIE SHANE - ANY OTHER WAY (BLACK VINYL) | 2xLP (NUM067dlx) | Numero Group PHYS UPC:825764106764 • JACKIE SHANE - ANY OTHER WAY (GOLD VINYL) | 2xLP (NUM067dlx-C1) | Numero Group PHYS UPC:825764106771 • MAMMAN SANI - LA MUSIQUE ÉLECTRONIQUE DU NIGER | CD (SS011cd) | Sahel Sounds PHYS UPC:602318137050 • MAMMAN SANI - LA MUSIQUE ÉLECTRONIQUE DU NIGER | LP (SS011lp) | Sahel Sounds PHYS UPC:602318137005 • LIGHTNING DUST - SPECTRE | CD (WV197cd) | Western Vinyl PHYS UPC:843563115596 • LIGHTNING DUST - SPECTRE (BLACK VINYL) | LP (WV197lp) | Western Vinyl PHYS UPC:843563115602 • LIGHTNING DUST - SPECTRE (MARBLED ORANGE VINYL) | LP (WV197lp-C1) | Western Vinyl PHYS UPC:843563115619 • BRUNO BAVOTA - GET LOST | CD (TRR327cd) | Temporary Residence Ltd. PHYS UPC:656605332727 • BRUNO BAVOTA - GET LOST (BLACK VINYL) | LP (TRR327lp) | Temporary Residence Ltd. PHYS UPC:656605332710 • BRUNO BAVOTA - GET LOST (IRIDESCENT MOTHER OF PEARL W/ GREEN UNDERTONE VINYL) | LP (TRR327lp-C1) | Temporary Residence Ltd. PHYS UPC:656605332741 • GONG GONG GONG 工工工 - PHANTOM RHYTHM 幽靈節奏 | CD (WCR095cd) | Wharf Cat Records PHYS UPC:843563119396 • GONG GONG GONG 工工工 - PHANTOM RHYTHM 幽靈節奏 (BLACK VINYL) | LP (WCR095lp) | Wharf Cat Records PHYS UPC:843563119402 • MICHAEL VINCENT WALLER - MOMENTS | CD (UW027cd) | Unseen Worlds PHYS UPC:744790142501 • MICHAEL VINCENT WALLER - MOMENTS (BLACK VINYL) | 2xLP (UW027lp) | Unseen Worlds PHYS UPC:744790142518 • MINOR PIECES - THE HEAVY STEPS OF DREAMING | CD (FAT0155cd) | FatCat Records PHYS UPC:600116515520 • MINOR PIECES - THE HEAVY STEPS OF DREAMING (BLACK VINYL) | LP (FAT0155lp) | FatCat Records PHYS UPC:600116515599 • VR SEX - HORSEPLAY (BLACK VINYL) | 12" EP (DAIS133lp) | DAIS Records PHYS UPC:758475506632 • VR SEX - HORSEPLAY (BLACK/CLEAR SPLATTER VINYL) | 12" EP (DAIS133lp-C1) | DAIS Records PHYS UPC:758475506656 • SQÜRL - THE DEAD DON’T DIE (BLACK VINYL) | LP (SBR227lp) | Sacred Bones Records PHYS UPC:843563119112 • SQÜRL - THE DEAD DON'T DIE (BLOODY LEMANS VINYL) | LP (SBR227lp-C1) | Sacred Bones Records PHYS UPC:843563119129 • KATH BLOOM & LOREN CONNORS - SAND IN MY SHOE (BLACK VINYL) | LP (CH154lp) | Chapter Music PHYS UPC:747742112430 • KATH BLOOM & LOREN CONNORS - SAND IN MY SHOE (BLUE VINYL) | LP (CH154lp-C1) | Chapter Music PHYS UPC:747742112669 • KATH BLOOM & LOREN CONNORS - MOONLIGHT (BLACK VINYL) | LP (CH156lp) | Chapter Music PHYS UPC:747742112645 • KATH BLOOM & LOREN CONNORS - MOONLIGHT (BLUE VINYL) | LP (CH156lp-C1) | Chapter Music PHYS UPC:747742112652 • JACKIE SHANE - "ANY OTHER WAY" B/W "STICKS AND STONES" (BLACK VINYL) | 7" (ES070lp) | Numero Group PHYS UPC:825764707077 • CHRISTOPHER KIRKLEY - ZERZURA | DVD (SS046dvd) | Sahel Sounds PHYS UPC:602318136879

OCTOBER 11th NEW RELEASES -------------------------------

• THE HARLEM GOSPEL TRAVELERS - HE'S ON TIME | Cassette (CLMN12033cass) | Colemine Records PHYS UPC:674862654383 • THE HARLEM GOSPEL TRAVELERS - HE'S ON TIME | CD (CLMN12033cd) | Colemine Records PHYS UPC:674862654376 • THE HARLEM GOSPEL TRAVELERS - HE'S ON TIME (BLACK VINYL) | LP (CLMN12033lp) | Colemine Records PHYS UPC:674862654352 • THE HARLEM GOSPEL TRAVELERS - HE'S ON TIME (CLEAR VINYL) | LP (CLMN12033lp-C1) | Colemine Records PHYS UPC:674862654369 • ERNEST HOOD - NEIGHBORHOODS | CD (FTS014cd) | Freedom To Spend / RVNG INTL. PHYS UPC:603786279037 • ERNEST HOOD - NEIGHBORHOODS (BLACK VINYL) | LP (FTS014lp) | Freedom To Spend / RVNG INTL. PHYS UPC:603786279044 • STEPHEN MALLINDER - UM DADA | CD (DAIS141cd) | DAIS Records PHYS UPC:758475506670 • STEPHEN MALLINDER - UM DADA (BLACK VINYL) | LP (DAIS141lp) | DAIS Records PHYS UPC:758475506694 • STEPHEN MALLINDER - UM DADA (CLEAR BLUE VINYL) | LP (DAIS141lp-C1) | DAIS Records PHYS UPC:758475506717 • LINDSTRØM - ON A CLEAR DAY I CAN SEE YOU FOREVER… | CD (STS346cd) | Smalltown Supersound PHYS UPC:7072822346201 • LINDSTRØM - ON A CLEAR DAY I CAN SEE YOU FOREVER… (BLACK VINYL) | LP (STS346lp) | Smalltown Supersound PHYS UPC:7072822346102 • LINDSTRØM - ON A CLEAR DAY I CAN SEE YOU FOREVER… (CLEAR VINYL) | LP (STS346lp-C1) | Smalltown Supersound PHYS UPC:7072822346300 • THE HECKS - MY STAR | CD (TIM150cd) | Trouble In Mind Records PHYS UPC:630125982549 • THE HECKS - MY STAR (BLACK VINYL) | LP (TIM150lp) | Trouble In Mind Records PHYS UPC:630125982563 • THE HECKS - MY STAR (LIGHT BLUE VINYL) | LP (TIM150lp-C1) | Trouble In Mind Records PHYS UPC:630125982570 • MNNQNS - BODY NEGATIVE | CD (FAT0154cd) | FatCat Records PHYS UPC:600116515421 • MNNQNS - BODY NEGATIVE (BLACK VINYL) | LP (FAT0154lp) | FatCat Records PHYS UPC:600116515414 • CHRISTOPHER TIGNOR - A LIGHT BELOW | CD (WV200cd) | Western Vinyl PHYS UPC:843563118580 • CHRISTOPHER TIGNOR - A LIGHT BELOW (BLACK VINYL) | LP (WV200lp) | Western Vinyl PHYS UPC:843563118573 • RF SHANNON - RAIN ON DUST | CD (KS040cd) | Keeled Scales PHYS UPC:682604702698 • RF SHANNON - RAIN ON DUST (COKE BOTTLE GREEN W/ AGAVE GREEN & LAVENDER MARBLE VINYL) | LP (KS040lp-C1) | Keeled Scales PHYS UPC:682604702728 • HAMLET MINASSIAN - ARMENIAN POP MUSIC (BLACK VINYL) | LP (NUM804lp) | Numero Group PHYS UPC:825764180412 • ESSAIE PAS - EARTH (BLACK VINYL) | 12" EP (DFA2637lp) | DFA Records PHYS UPC:829732263718

CONTACTS

------------------------------• RETAIL & DOMESTIC SALES - SHELLY WESTERHAUSEN - shelly@secretlydistribution.com - 812.822.3886 • DOMESTIC SALES & MARKETING - ABBY GOLDSMITH - abby@secretlydistribution.com - 812.961.7098 • INTERNATIONAL SALES & MARKETING - international@secretlydistribution.com - 812.882.3894 • DIGITAL DISTRIBUTION & PROMOTION - CHARLEY KIEFER - charley@secretlydistribution.com - 812.822.3885

LABEL ROSTER

-------------------------------

Click the link below to view Secretly Distribution’s current Label Roster:

http://www.secretlydistribution.com/labels.html Secretly Distribution • 1499 W. Bloomfield Rd. Bloomington, IN 47403 USA

ANGEL OLSEN ALL MIRRORS ABOUT THE ALBUM

DETAILS

The descent into darkness is a trope we find time again across history, literature and film. But there’s also an abyss above. There’s a winding white staircase that goes ever upward into the great unknown — each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen.

CATALOG NUMBER: JAG344 RELEASE DATE: OCT. 4, 2019 FORMAT: CD / LP / LP-C1 / Cassette / Digital CD BOX LOT: 30 LP BOX LOT: 20 GENRE: Alternative

Olsen’s artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance. “In every way —from the making of it, to the words, to how I feel moving forward— this record is about owning up to your darkest side,” Olsen said. “Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more.”

KEY MARKETS: New York, Los Angeles, Chicago, Asheville TERRITORY RESTRICTIONS: None VINYL NOT RETURNABLE

LP-C1 UPC: 656605234434

CD UPC: 656605234427

LP UPC: 656605234410

CASS UPC: 656605234472

DIGITAL UPC: 656605234465

SELLING POINTS

·· ··

Her previous full length album, My Woman, was one of 2016 most critically lauded albums of the year.

TRACKS

The new album was produced by John Congleton (St Vincent,

SIDE A:

SIDE B:

SIDE C:

SIDE D:

John Grant, Future islands, Goldfrapp, Spoon, Sleater Kinney)

1. Lark 2. All Mirrors

3. Too Easy 4. New Love Cassette 5. Spring

6. What It Is 7. Impasse 8. Tonight

9. Summer 10. Endgame 11. Chance

and has strings arranged by Jherek Bischoff. ··

A wildly ambitious record - by far Olsen’s boldest, expansive and immersive work to date. Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 US Domestic Sales Contact: domestic@secretlydistribution.com International Sales Contact: international@secretlydistribution.com

DIIV ‘DECEIVER’ • 250K+ Sales Worldwide, 100M+ Spotify Plays • Previous Critically Acclaimed Album, Is the Is Are, Charted #1 in Vinyl Albums, #3 in Current Alt., #5 in Independent • Available on CD, LP and Limited Colored Vinyl for Indie Retailers • Touring Through 2019 and 2020 Occupying the corners between fuzzed-out shoegaze bliss, troubadour poetry, and metallic catharsis, DIIV –– Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums] —— personally inhabit the recesses of their third fulllength album, Deceiver. A whirlwind brought DIIV here.

CT- 3 0 0 1. Ho rsehea d 2. Like Befo re You We re Born 3. S k i n Ga m e 4. Ho ney 5. Taker 6. Fo r t he Guil ty 7. Lorel a i 8. Th e S p a r k 9. B l a nkenshi p 10 . Achero n

Grey Marble Vinyl UPC: 817949019198

LP FORMAT: LP LP BOXLOT: 50 EXPORT: WORLD Vinyl Non-Returnable

LP UPC: 817949016975

LP FORMAT: LP LP BOXLOT: 50 EXPORT: WORLD Vinyl Non-Returnable

CD UPC: 817949016982

CD FORMAT: JEWEL CASE CD BOXLOT: 30 EXPORT: WORLD

On the heels of 2012’s Oshin, the group delivered the critical and fan favorite Is the Is Are in 2016. Praise came from The Guardian, Spin, Rolling Stone and more. Pitchfork’s audience voted Is the Is Are one of the Top 50 Albums of 2016, as the outlet dubbed it “gorgeous.” Simultaneously, frontman Zachary Cole Smith faced down seemingly dormant demons, and the momentum stalled. Two years after embarking on a program of recovery, Smith has emerged with a clear head and renewed focus. For the first time, DIIV lived with songs on the road. During a 2018 tour with Deafheaven, they performed eight new compositions as the bulk of the set. The tunes progressed as the players did. By the time DIIV entered 64 Sound to record with producer Sonny Diperri, the band felt a certain confidence. It’s evident on first single “Skin Game,” which gallops forth on a clean guitar riff before unfolding into a hypnotic hook offset by an off-kilter rhythm and hummable solo. “Being a recovering addict myself,” he says, “there are a lot of questions like, ‘Who are we? What is this disease?’ ‘Skin Game’ looks at where the pain comes from – the personal, physical, emotional, and broader political experiences feeding into the cycle of addiction for millions of us.” A trudging groove and wailing guitar punctuate a lulling apology on the magnetically melancholic “Taker.” For Smith, it’s “about taking responsibility for your lies, their consequences, and the entire experience.” Meanwhile, the ominous bass line and crawling beat of “Blankenship” devolve into schizophrenic string bends with the vitriolic lyrics. The seven-minute “Acheron” offers a dynamic denouement, flowing through a hulking beat guided under gusts of lyrical fretwork and a distorted heavy apotheosis. “We’re proud of this, because we earned it as a band,” Cole says. “I’m really happy and grateful just to do it in the first place. I can see the change. It’s not a record full of solutions, but I’m living my life. I’ve examined the consequences of my lies; I’ve got something to say now.”

Numero Group Jackie Shane: Any Other Way

Catalog Number: num067dlx Artist: Jacke Shane Title: Any Other Way Release Date: 10/04/2019 UPC: 2xLP 825764106764 2xLP-C1 825764106771 Available format: 2xLP, 2xLP-C1 Genre: Soul Box Lot: 20 Territory Restrictions: None Vinyl is not returnable Track Listing

2xLP A 1. Sticks And Stones 2. Any Other Way 3. In My Tenement 4. Comin’ Down 5. Money (That’s What I Want) 6. I’ve Really Got The Blues 7. Send Me Some Lovin’ 8. You Are My Sunshine 9. Stand Up Straight And Tall

Known by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, Jackie Shane has remained largely unknown outside Toronto, where her career briefly flowered in the 1960s. Beyond her unmistakable gift of the gab, Shane is a pioneer of transgender rights, born in a male body but unabashedly living her entire life as a woman at a time when to do so seemed unthinkable. Any Other Way is the first artist-approved collection of Ms. Shane’s work, collecting all six of her 45s and every highlight from the legendary 1967 live sessions at the Sapphire Tavern, including three mind blowing, previouslyunreleased tracks. Rob Bowman’s 20,000 word essay is Jackie’s first communication with the public in nearly half a century, telling for the first time ever Jackie Shane’s story in her own words.

B 1. Knock On Wood Live 2. Money (That’s What I Want) Live 3. Raindrops Live 4. You’re The One (That I Need) Live

GOLD FOIL EDITION Limited to 1000 Black LPs, and 1000 Gold LPs

D 1. I Don’t Want To Cry Live 2. Shotgun Live 3. New Way Of Lovin’ 4. Cruel Cruel World

C 1. Don’t Play That Song (You Lied) Live 2. Papa’s Got A Brand New Bag Live 3. Any Other Way Live 4. You Are My Sunshine Live

2x LP

2xLP-c1

Sahel Sounds

Mamman Sani La Musique Électronique Du Niger About the album Mamman Sani Abdoulaye, a legendary name amongst Niger’s avant garde, presents a singularly unique recording of minimalist organ music from the Sahara. Dreamy and hypnotic, the sound is unlike anything coming out of West Africa before or since, closer in effect to early electronic experiments of Kraftwerk. Mamman composes in technique that can only be called minimal, relying on the simplicity and space. It is a remarkable manipulation of sound that uses the silence to invoke the emptiness, a metaphoric desert soundscape. Unsurprisingly, his source material is folkloric Nigerien music, and many of the compositions on this record are reproductions of ancient songs brought into the modern age. Interpreting this rich and varied history of Niger’s dance and song for the first time in contemporary music, Mamman electrifies the nomadic drum of the Tuaerg, the polyphonic ballads of the Woddaabe, and the pastoral hymns of the Sahelian herders. Accompanying this repertoire are a few compositions, such as Salamatu, the deeply personal love letter to an unrequited romance. Recorded in 1981 at the National Radio in Niger, shortly after Mamman discovered an old Italian organ, the album was a spontaneous production, recorded in two takes. It was released on cassette but was a commercial failure, and only a handful were sold. The recordings, however, were a success, and became the themes to the National radio for the subsequent 30 years, securing Mamman’s place in the foundation of Nigerien music.

Details

CATALOG NUMBER: SS-011 RELEASE DATE: October 4, 2019 FORMAT: LP, CD, Digital LP LIST PRICE: $20.98 CD LIST PRICE: $14.98 DISCOUNT: 5% through 2 weeks after street LP BOX LOT: 40 CD BOX LOT: 30 GENRE: World NO EXPORTS VINYL NOT RETURNABLE

Rediscovered in a cassette archive in Niger and digitized on a portable recorder, La Musique Électronique du Niger was reissued in 2013 on limited vinyl. Now restored and remastered from the original tape material by Jessica Thompson, this new edition is available on vinyl, cd, and a color Newbury Comics edition.

602318137050

Digital UPC:

889326664864

Selling Points - Newly remastered from original tape - Long out of print

CD UPC:

LP UPC:

602318137005

1. Lamru 2. Salamatu 3. Kobon Lerai

label contact: music@sahelsounds.com booking contact: booking@sahelsounds.com www.sahelsounds.com

Tracks

4. Lidda 5. Bodo 6. Tunan

ABOUT THIS RECORD On Spectre, their 4th album as Lightning Dust, Amber Webber and Josh Wells embrace as their sole-focus what was once a side-project, thus crafting their most refined and powerful album to date. After co-founding and touring with Black Mountain for over a decade, the duo departed from the band to further their own longterm creative partnership. Lightning Dust has evolved noticeably with each release, from the spare, dark folk of their self-titled debut, to the synth and drum machine-heavy 2013 album Fantasy. However, the through-line of their discography has been Wells’ deft production tailored perfectly around Webber’s modestly iconic voice which stirred Pitchfork write of their 2009 LP Infinite Light that Webber’s was “one of the fiercest, most stirring vocal performances of any release this year.” In this sense the tracks on Spectre echo the spirits of quintessential rock vocalists like Grace Slick and Beth Gibbons, throughout a collection of songs that range from expertly sculpted folk-rock ear candy, to sparse Judee Sill-esque ballads consisting of little more than piano and voice. Written during the devastating forest fires that filled her hometown of Vancouver with smoke and a sense of apocalyptic doom, album opener "Devoted To" captures Webber's resilience and determination to reestablish her creative independence as she sings "I will find my way back in even if I never sleep...Gotta find my way back in, it’s all that I believe." Propulsive rocker "Run Away" is an observation of the human need for change. Amber explains, "It was written in response to friends leaving their soul crushing jobs. I wanted to write a song that flip-flopped between the glorious freedom they felt upon leaving, and moments of despair that came afterward." Shining an optimistic light on her departure from Black Mountain on the anthemic "When It Rains" Webber sings "Let’s celebrate what we’ve done so far instead of what comes next always ripping at our hearts – it ruins." The assuring shuffle of "Pretty Picture", on which Stephen Malkmus shreds, is followed by the booming slacker anthem "Competitive Depression" which features vocals by Destroyer's Dan Bejar. Spectre’s dramatic two-part closer "3AM/100 Degrees" brings the album full-circle with a final statement about delusions that manifest in strife, exemplified by the song's final lines “replaying what’s behind, made us all scared when nothing was there." 2018 was a whirlwind of new beginning for Webber – going back to school and even trying out a new career. In the end these detours gave her the chance to step back and explore what parts of music were important to protect. “It made me realize that art and music are still my light." She goes on to explain, "Spectre is my journey. It’s for all the women warriors that have been battling throughout life looking for a place to express themselves that feels inclusive and inspiring. It’s about finding yourself when no one is paying attention and inventing a new way of creating that feels honest and sincere. I truly feel that women, especially as we get older are underrepresented. That was truly the driving force to creating this album."

PRESS QUOTES “…one of the ﬁercest, most stirring vocal performances of any release this year.” – PITCHFORK “…one of my favorite bands…she has an awesome voice.” – CARRIE BROWNSTEIN “…a stark, mesmerizing mix of haunting folk and arty pop.” – NPR CD 843563115596

LP 843563115602

LP-C1 843563115619

8 4 3 5 6 3 11 5 5 9 6

8 4 3 5 6 3 11 5 6 0 2

8 4 3 5 6 3 11 5 6 1 9

TRACK LIST 01 Devoted To 02 Run Away

03 Led Astray

04 Inglorius Flu

05 When It Rains 06 Joanna 07 More

08 A Pretty Picture

09 Competitive Depresison 10 3AM/100 Degrees

SELLING POINTS • Amber Webber and Josh Wells are founding members of Black Mountain • Spectre features contributions from Stephen Malkmus, and Destroyer’s Dan Bejar. • The band is playing 5 shows with David Berman’s new project Purple Mountains. • Limited Edition orange marbled vinyl • KEY MARKETS: Vancouver, Brooklyn, NYC, Chicago, Austin, LA, Boston, Seattle, Portland, Nashville, Philadelphia, San Francisco, Madison, Athens • RIYL: Zola Jesus, Black Mountain, Marissa Nadler, Julie Byrne, Bat for Lashes

Release Date OCTOBER 4,2019

Formats CD / LP / LP-C1

Packaging CD WALLET / LP JACKET

Box Lots CD 40 / LP 20 / LP-C1 20

Catalog Number WV197

Genre SINGER-SONGWRITER / ROCK / INDIE

Export Restrictions NONE

Return Policy VINYL IS NON-RETURNABLE

WESTERN VINYL AUSTIN•TEXAS WESTERNVINYL.COM

EXCLUSIVELY DISTRIBUTED BY SECRETLY DISTRIBUTION P:812.335.1572 US DOMESTIC SALES CONTACT: DOMESTIC@SECRETLYDISTRIBUTION.COM INTERNATIONAL SALES CONTACT: INTERNATIONAL@SECRETLYDISTRIBUTION.COM

Bruno Bavota

GET LOST

TRR327 CD

ARTIST: Bruno Bavota TITLE: Get Lost CATALOG: TRR327 RELEASE DATE: October 4, 2019 FORMAT: CD / LP / LP-C1 UPC CD: 656605332722 UPC LP: 656605332710 UPC LP-C1: 656605332741 BOX LOT: CD: 35 / LP: 50 / LP-C1: 50 TERRITORY RESTRICTIONS: WORLDWIDE VINYL IS NON-RETURNABLE

TRACK LISTING 1. Shelter (2:52) 2. Attesa (3:08) 3. Darkest light (3:25) 4. The one I know (3:39) 5. Sneaking behind the falling sky (3:49) 6. The day that you forgot (3:20) 7. San Junipero (4:51) 8. Get lost (4:11) 9. Movement (3:21) 10. Your eyes (4:11) 11. (dis)connected (4:26) 12. Timeless (2:09) SALES POINTS • The first new studio album released and made available worldwide from the acclaimed Italian composer and multi-instrumentalist

• Songs have appeared in worldwide Apple ads, The Young Pope, and more

56605 33272

TRR327 LP

56605 33271

TRR327 LP-C1

56605 33274

BIO Bruno Bavota – the young, prolific Italian composer whose music has often been labeled with earnest, adjective-laden descriptors such as “disarmingly sincere” and “extraordinarily emotional” – has experienced a self-imposed creative transformation over the past few years. Where his early records were pristine, piano-driven expressions of universal themes, his more recent works have found him in a place of thorough meditation and self-examination. As Bavota explains, “While at the beginning of my music and career, I focused on crystal clear piano sounds, eventually all the time spent at the piano day after day changed my sense of the piano itself. I started to see the piano like a living instrument.” Get Lost is Bruno Bavota’s first studio album since the 2016 release of Out of the Blue helped thrust him into that peculiar world of anonymous but significant success via high-volume streaming playlists and high-profile TV commercials. Out of the Blue marked the beginning of Bavota’s drift from immaculate, traditional piano music. If Get Lost isn’t a complete reinvention, it is at the very least a radical new direction. Rather than obsess over the sound of the piano itself, Bavota now explores the sounds around the piano – the resonance, the silence, and the acoustic ambience of the living, breathing space in which the piano resides. He employs an array of outboard effects pedals and processors to not just capture those sounds that are often overlooked, but to sample, loop, and reposition them as central figures in a story. Bruno Bavota gave Get Lost its name when he found himself drifting deeper into the darker side of his music. Inspired by a familiar observation of modern life, Bavota confessed, “I think people are becoming more selfish and don't seem to have time to listen to other people who need to be heard. We don't show much empathy.” Much like Bavota’s evolving approach to the piano, he has discovered profound purpose and influence in the people and places least visible but most meaningful. Limited edition Iridescent Mother of Pearl w/ Green Undertone colored vinyl (TRR327LP-C1; edition of 500) available while supplies last.

WHARF CAT RECORDS

WCR 095

Gong Gong Gong Phantom Rhythm 1. 2. 3. 4. 5.

TRACKLIST The Last Note 6. Gong Gong Gong Blues Notes Underground 7. Wei Wei Wei Ride Your Horse 8. Some Kind of Demon Moonshadows 9. Night’s Colour (Chongqing) Inner Reaches 10. Sound of Love

RELEASE BIO Guitar-and-bass duo Gong Gong Gong charges out from Beijing’s underground scene with a distinct vision and uncompromising sense of purpose. The group unites musical cultures, drawing on inspirations as wide-ranging as Bo Diddley, Cantonese opera, West African desert blues, drone, and electronic music.

ALBUM ARTWORK

RELEASE INFO Catalog Number: WCR 095 Release Date: October 4, 2019 (WW) Genre: Alternative, World, Blues, Psych Format: LP, CD, Digital; vinyl non-returnable Territory Restrictions: None Key Territories: NYC, London, Beijing RIYL: Bodega, Khruangbin, CAN LP Box Lot: 40 CD Box Lot: 30 5% discount through 2 weeks past street date

On their debut LP, Phantom Rhythm, the locomotive chug of Tom Ng’s guitar combines with Joshua Frank’s thumping, harmonics-laden bass lines to conjure an aura of ghostly snare hits and timpani overtones. Over Frank’s enigmatic melodies, Ng sings in Cantonese, piecing together abstract tales of absurdity, doubt, desire, and lust. Synchronized to the point of near-telepathy, the band use their minimalistic tools and idiosyncratic playing style to POINTS OF INTEREST challenge the notions of rock ‘n’ roll and strip the form “Their work is spare and savage, with Ng’s Cantonese down to its bare essentials: rhythm, melody, and grit. singing uncannily evoking a heavily accented British punk.” — The New Yorker GONG GONG GONG BIO “Transnational blues with swarming psychedelic borders” Formed in 2015, the band’s earliest shows were in Bei— Stereogum jing underpass tunnels and DIY spaces - Ng and Frank “A totalizing soundscape that brings to mind a pure immerboth being outsiders who call the city their home. Born in sion in a foreign land... an exceedingly rare experience in Hong Kong, Ng defiantly sings in his native tongue, while any genre or medium” — Interview Magazine Frank, originally from Montreal, has lived in Beijing on and off since childhood. Phantom Rythm follows the release VINYL UPC of Gong Gong Gong’s Siren 7” and the band’s subsequent tour of the UK and Europe with Brooklyn’s Bodega. LABEL CONTACT Wharf Cat Records 810 Humboldt St Brooklyn, NY 11222 info@wharfcatrecords.com www.wharfcatrecords.com Exclusively distribued by SECRETLY DISTRIBUTION PHONE: 812.335.1572 US Domestic Sales contact: domestic@secretlydistribution.com International Sales contact: international@secretlydistribution.com

CD UPC

ARTIST

Michael Vincent Waller TITLE

Moments LABEL / CATALOG #

Unseen Worlds / UW027 RELEASE INFO Genres: Classical, Minimalism, Piano, Ambient, Avant Garde RIYL: Harold Budd, Wandelweiser, Cold Blue, Satie, La Monte Young Release date: October 4, 2019 Formats: LP, CD, Digital / Box Lot: LP - 25, CD - 40 Returns: CD=Yes, LP=No UPC: LP: 744790142518 CD: 744790142501

RELEASE DESCRIPTION

SELLING POINTS: • Gatefold 2LP with photograph by Phill Niblock and design by Robert Beatty, edition of 600, mastered and cut by Rashad Becker at Dubplates and Mastering, Berlin • Student of La Monte Young and Bunita Marcus • Download code included with both CD and 2LP

TRACK LIST

SIDE A

1. For Papa 2. Return from LA - I 3. Return from LA - II 4. Return from LA - IIII 5. Return from LA - IV 6. Divertimento

2:26 1:59 1:32 1:22 1:58 3:43 SIDE B

7. For Pauline 8. Jennifer 9. Nocturnes - No. 1 10. Nocturnes - No. 4

3:16 3:29 5:58 4:55 SIDE C

11. Love - I. Valentine 12. Love - II. Baby’ Return 13. Love - III. Images 14. Love - IV. Sizing 15. Roman

1:58 2:46 1:42 1:02 5:21 SIDE D

16. Stolen Moments 17. Vibrîono Studio 18. Bounding

3:08 4:52 5:12

In essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York-based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments − his third album, following Trajectories (Recital, 2017) and The South Shore (XI, 2015) − draws on Western classical music tradition in its most archetypal forms through its use of modal melodies, triadic harmonies and metered rhythms. Yet the emotional heart of the music is not in attack, but resonance. The afterlife of sounds. Those elements that can’t be grasped and placed into easy historical categories. Behind his surface attacks Waller finds hazy, edgeless zones that draw us downwards, into introspection – an “inward gaze.” Waller’s music is often compared to that of Erik Satie, and there is certainly something Satie-like in its concision, its subtle asymmetries and its lack of ornament. But where Satie’s Gnossiennes, Nocturnes and Gymnopédies were blank canvases, deliberately signifying nothing, Waller’s pieces are vessels to be filled. That is partly an effect of titles: Waller’s pieces on this disc are all ‘moments’ of autobiographical poignancy – memorials, birthdays, homecomings; friends, teachers, family members. We are clearly invited to invest certain emotional expectations into these sounds. Liner notes by Tim Rutherford-Johnson and “Blue” Gene Tyranny. Mastered by Denis Blackham for digital and compact disc. Mastered and cut for vinyl by Rashad Becker. LABEL CONTACT:

Tommy McCutchon Unseen Worlds, PO BOX 250558 New York, NY 10025 (917) 420-0788 email: tommy@unseenworlds.com twitter + instagram: @unseen_worlds

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Cat al og:FAT0155 Rel easeDat e:10/ 04/ 2019 For mat :CD UPC:600116515520 :30 BoxLot

For mat :LP UPC:600116515513 BoxLot :30

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VR SEX Horseplay ABOUT THE EP

Technology was meant to be humanity’s tool to combat famine, disease, confusion, and to facilitate life, culture, and innovation. Instead, we’re mired in a digital labyrinth that few care to navigate or even solve. Perhaps it’s not a ruse and the matrices coded by keyboard maestros are a path to liberation, but without querying the constructs we cannot ruminate on their affectations on humanity. VR SEX are audio/visual provocateurs who transpose the identifiers of death rock, synth punk, post-punk, ambient, and ethereal soundscapes into an audit on technology and its imprint on our collective psyche. Their debut EP, recorded solely by visionary mercenary Noel Skum (Andrew Clinco of Drab Majesty/Marriages) and initially released as a limited edition cassette in April 2019. Through PSRS or Procreation Simulation Reproduction Stimulation, humans can act on their hedonistic desires and not face the responsibilities and consequences that come with being an ill-prepared guardian. The future of our offspring will exist in virtual realms and population growth in turn will be stabilized. VR SEX is the cure to most societal ills. Rather than being emblematic of influences, each song by VR SEX infuses a dire tension that cuts shimmer with fetid frequencies, never establishing an aural hierarchy or urgency. Instead, we’re led into punchy capsules of “dour pop”; the balance of saccharine and sour so emblematic of the VR SEX hive mind. DAIS Records releases VR SEX’s “Horseplay” EP on October 25, 2019 in new limited edition 12” vinyl formats. Horseplay offers an extension of VR SEX in decay. Noel Skum helms all instruments for this home-recorded release, which was mixed to tape by engineer Mike Kriebel.

DETAILS CATALOG NUMBER: DAIS133 RELEASE DATE: October 4, 2019 FORMAT: Vinyl 12” EP 12” EP BOX LOT: 25 x 2 inners = 50 box GENRE: Synth Punk, Death Rock, Goth KEY MARKETS: New York, Los Angeles, London, Berlin TERRITORY RESTRICTIONS: None VINYL NOT RETURNABLE 12” EP BLACK: 758475506632

12” EP CLEAR/BLACK SPLATTER C1: (NORTH AMERICA ONLY) 758475506656

12” EP CLEAR C2: (INTERNATIONAL ONLY) 758475506663

SELLING POINTS

• • •

Debut EP from new project of Andrew Clinco (Drab Majesty, Marriages) NA touring plan underway For fans of Christian Death, Phantom Limbs, Alien Sex Fiend, Screamers, Nervous Gender, Drab Majesty

TRACKS SIDE A: Landmine Everything’s Fine

SIDE B: A Shot Of Love The Watchers

PRESS - Chris Hansell | chris@leftfieldpr.com daisrecords.com | @VRSEX_WAV

SQÜRL The Dead Don’t Die: Original Score 1 Dialogue 1 (Adam Driver, Bill Murray, Chloë Sevigny) (0:17) 2 The Dead Just Don’t Wanna Die Today (5:01) 3 (0:32) 4 Replacement Sky (2:55) 5 (0:25) 6 This Is All Gonna End Badly (3:55) 7 Luka Sabbat) (0:30) 8 Malignant Wave of Doom (3:52) 9 (0:31) 10 Toxic Moon (4:33) 11 (0:13) 12 Pulsating Elevator of Light (6:36) 13 (0:27) 14 The Dead Don’t Die (4:20) 15 (0:36)

The Dead Don’t Die is writer/director Jim Jarmusch’s unique, semi-comic take and Paterson, the film’s score was composed and performed by SQÜRL , the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band’s in 2017, is releasing the edition of the score. The score to the The Dead Don’t Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural. From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic reso nator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new pedals, notably from Earthquaker Devices. The inspiration for SQÜRL ’s score for The Dead Don’t Die came from some of the most iconic soundtracks of the past half-century of genre cinema —Tan gerine Dream ’s Sorcerer, Bebe and Louis Barron ’s Forbidden Planet, Ennio Mor ricone ’s The Thing and Once Upon a Time in the West , Goblin ’s Dawn of the Dead, and all things John Carpenter . The singular Theremin work of man on films like Spellboundand The Day the Earth Stood Stillalso made its way into Jarmusch and Logan’s consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

Hometown / Key Markets : • New York, Los Angeles, Chicago, Portland, London, Paris, Berlin Selling Points / Key Press : • “Bloody LeMans” (red splatter on green) color vinyl limited to 2500 copies

•

Related Catalog: 179 SQÜRL RiYL: John Carpenter, Ennio Morricone, Goblin, Tangerine Dream : Soundtrack 10-04-2019 : 843563119112 843563119129

Sacred Bones Records 144 N. 7th Street #413 Brooklyn, NY 11211 info@sacredbonesrecords.com www.sacredbonesrecords.com

KATH BLOOM & LOREN CONNORS Sand In My Shoe About the album

The extraordinary creative partnership of New Haven, CT duo Kath Bloom and Loren Connors has haunted folk fans since the early 80s. Kath taught herself guitar during shifts as a janitor at a New Haven cemetery, while Loren’s free-form style had been developing since the late 60s. Between 1981 and 1984, the duo recorded six studio albums, mostly self-released in tiny quantities. Early on, their music mixed folk and blues traditionals with a handful of Kath’s vulnerable, moving originals. By the later albums the songs were all Kath’s - her fragile voice and subdued finger-picking set against Loren’s abstract but always supportive playing. Together the duo created a sound almost impossibly emotional and haunting. Sand In My Shoe emerged in 1983 as the first release on Loren’s new label St. Joan, in an edition of 200-300 copies with handmade sleeves. Two more albums followed before the prodigious duo parted ways in 1984. Kath did not release anything again until a 1993 solo cassette, but then developed a devoted cult following through the pivotal use of her song Come Here in Richard Linklater’s 1995 film Before Sunrise. Kath has since released three solo albums on Chapter Music, as well as the tribute album Loving Takes This Course, featuring the likes of Bill Callahan, Mark Kozelek, Devendra Banhart and Josephine Foster. Loren also retreated from music for a period until re-emerging in the late 1980s. He is now recognised as a pioneering guitar explorer, and has worked with Thurston Moore, Keiji Haino and Jim O’Rourke. After reissuing Kath & Loren’s four studio albums on CD in the late 2000s, Chapter has now embarked on the first ever vinyl reissues for these remarkable records. Restless Faithful Desperate (1984) was reissued in 2018, while Moonlight (1984) will be released alongside Sand In My Shoe in October 2019. Sand In My Shoe includes five digital-only bonus tracks from 1982 live EP Pushin’ Up Daisies, as well as comprehensive digital liner notes. “Kath Bloom...can snap a heart like a twig” – Pitchfork “Its beauty is almost baffling” – AV Club

Selling Points - Reissue of 1983 private folk album by revered Connecticut duo - Loved by the likes of Bill Callahan, Mark Kozelek and Devendra Banhart

Details CATALOGUE NUMBER: CH154 RELEASE DATE: 4 October 2019 FORMAT: LP (blue vinyl), LP (black vinyl) LP BOX LOT: 20 GENRE: Folk, Alternative KEY MARKETS: USA, UK, Europe TERRITORY RESTRICTIONS: none VINYL NOT RETURNABLE LP (blue) UPC: 747742112669

LP (black) UPC: 747742112430

Tracks Side A:

Side B:

1. We’re On Our Way 2. Window 3. Give It Slow 4. Baby Now 5. You Make My Dreams Come True 6. My Stupid Little Heart 7. I’m As Good As I Want To Be

1. Sand In My Shoe 2. When You Smile 3. This River 4. Same Streets 5. Seems Like I’m Alway Waiting For You 6. Since I Met You

Digital bonus tracks: 1. Little Tree (live) 2. Swing Low Sweet Chariot (live) 3. Loren’s Blue (live) 4. Lay My Burden Down (live) 5. Kath’s Blues (live)

KATH BLOOM & LOREN CONNORS Moonlight About the album

The extraordinary creative partnership of New Haven, CT duo Kath Bloom and Loren Connors has haunted folk fans since the early 80s. Kath taught herself guitar during shifts as a janitor at a New Haven cemetery, while Loren’s free-form style had been developing since the late 60s. Between 1981-84 the duo recorded six albums, most self-released in tiny quantities. Early on, their music mixed folk and blues traditionals with a handful of Kath’s vulnerable, moving originals. By the later albums the songs were all Kath’s - her fragile voice and subdued finger-picking set against Loren’s abstract but always supportive playing. Together the duo created a sound almost impossibly emotional and haunting. Moonlight emerged as the duo’s final album in 1984, in an edition of 2-300 copies. As her creativity accelerated, Kath’s songs became looser and more intuitive, but Moonlight contains an early version of one of Kath’s most beloved songs, Come Here. Loren’s longterm collaborator Robert Crotty contributes electric guitar to a couple of tracks. After Moonlight, Kath did not release anything again until a 1993 solo cassette, but then developed a devoted cult following through the pivotal use of a re-recorded Come Here in Richard Linklater’s 1995 film Before Sunrise. Kath has since released three solo albums on Chapter Music, as well as the tribute album Loving Takes This Course, featuring the likes of Bill Callahan, Mark Kozelek, Devendra Banhart and Josephine Foster. Loren also retreated from music for a period until re-emerging in the late 1980s. He is now recognised as a pioneering guitar explorer, and has worked with Thurston Moore, Keiji Haino and Jim O’Rourke. After reissuing Kath & Loren’s four studio albums on CD in the late 2000s, Chapter has now embarked on the first ever vinyl reissues for these remarkable records. Another 1984 album Restless Faithful Desperate was reissued in 2018, while 1983’s Sand In My Shoe will be released alongside Moonlight in Oct 2019. Moonlight includes five digital-only bonus tracks of rare 1984 live recordings, as well as comprehensive digital liner notes. “Kath Bloom...can snap a heart like a twig” – Pitchfork “Its beauty is almost baffling” – AV Club

Selling Points - First vinyl reissue of 1984 private folk album by revered Connecticut duo - Loved by the likes of Bill Callahan, Mark Kozelek and Devendra Banhart

Details CATALOGUE NUMBER: CH156 RELEASE DATE: 4 October 2019 FORMAT: LP (blue vinyl), LP (black vinyl) LP BOX LOT: 20 GENRE: Folk, Alternative KEY MARKETS: USA, UK, Europe TERRITORY RESTRICTIONS: none VINYL NOT RETURNABLE LP (blue) UPC: 747742112652

LP (black) UPC: 747742112645

Tracks Side A:

Side B:

1. To Love A Man 2. Come Here 3. Can You Find Me? 4. Puccini 5. Turn On Your Head Lights 6. End Of the Night 7. What If I Found Out (instrumental)

1. You Cleared Up the Sky 2. Breathe In My Ear 3. Bicycle 4. Blues Song 5. What If I Found Out 6. Love Makes It All Worthwhile

Digital bonus tracks: 1. The Breeze/My Baby Cries (live) 2. Light From the Lighthouse (live) 3. Fall Again (live) 4. Last Fair Deal (live) 5. What If I Found Out (live)

Numero Group

Jackie Shane: “Any Other Way” b/w “Sticks and Stones” Catalog Number: ES070 Artist: Jackie Shane Title: “Any Other Way” b/w “Sticks and Stones” Release Date: 10/4/2019 UPC: 825764707077 Available format: 7” Genre: Soul Box Lot: 25 Territory Restrictions: None Vinyl is not returnable

Track Listing

The definitive version of Stax legend William Bell’s 1962 single “Any Other Way” wasn’t cut inside the storied Memphis studio, but rather 1300 miles away in Boston by a transgender pioneer. Recasting the plaintive breakup lament into an anthem of defiance and gay liberation, Jackie Shane rewrote the song without changing a word. Astoundingly, the track wasn’t selected for the A side of the late ’62 release—that would be “Sticks and Stones,” a dynamite blast of a policy piece regarding gossips, scolds, and other little people. Following the Grammy-nominated success of our Jackie Shane anthology, Numero is glad to present this essential 45 for DJs and home listeners alike, packaged with a never before seen photo of Ms. Shane herself.

1. Any Other Way 2. Sticks and Stones

7”

Sahel Sounds Christopher Kirkley

Zerzura About the film Zerzura tells the story of a young Tuareg man living with his mother in the Niger countryside. Disillusioned with the pastoral life, he sets off for the city, where he learns of his brotherâ&#x20AC;&#x2122;s mysterious disappearance. His journey leads him on an unexpected quest, crossing the perilous desert towards an enchanted oasis of gold and riches, protected by magical djinn. Zerzura takes place in and around the city of Agadez, in the North of Niger. Agadez, a once important stop for trans-Saharan camel caravans, has today reestablished itself as a hub of movement, but for different reasons. Migrants from all over the continent pause here on their trek North, bound for mythic cities in Europe. Tales of riches in the desert abound, and men sell their houses for gold detectors. Young Tuareg leave home to seek their fortune in the fractured Libyan state. As people leave, their stories return, becoming wildly exaggerated versions of truth. Taking its cues from the ethnofiction proposed by Jean Rouch, Zerzura mixes folktales with documentary, to explore Saharan dreams and imagination. The film was developed and written collaboratively on site with a local team. The images were shot over the subsequent two weeks with a cast of non-actors with improvised performances. Stylistically, Zerzura exists between cultures, an attempt at transcultural cinema. Narrated throughout with improvised instrumental guitar from protagonist Ahmoudou Madassane, the score sets the tone for a fever dream of a journey.

Details

CATALOG NUMBER: SS-046DVD RELEASE DATE: October 4, 2019 FORMAT: DVD DVD BOX LOT: 30 GENRE: World KEY MARKETS: Portland, NYC, Paris, London

Comes with 12-page booklet. In Tamashek with English and French subtitles; 84 minutes, all region DVD, NTSC format. Limited edition of 1000 copies.

Selling Points - First ever ethnographic acid Western - All original score from Ahmoudou Madassane (Mdou Moctar / Les Filles de Illighadad)

label contact: music@sahelsounds.com booking contact: booking@sahelsounds.com www.sahelsounds.com

DVD UPC

602318136879

CLMN-12033

The Harlem Gospel Travelers He’s On Time

ABOUT THE LP

RELEASE DETAILS

The Harlem Gospel Travelers are not from Harlem. They came to Harlem, however, from far-flung corners of the five boroughs of New York City, and it was in Harlem, that legendary center of AfricanAmerican culture, that they found their voices. As members of the music education program Gospel For Teens, these young men spent many hours on the subway or the bus to ultimately end up at an unassuming brownstone on W. 126th Street. They walked through the red door at the parlor level, the one with the cross on it, and inside they found a world of music. Gospel music.

ARTIST: The Harlem Gospel Travelers TITLE: He’s On Time

With Eli “Paperboy” Reed as their teacher, his job wasn’t to teach them how to sing. They already knew how to sing. His job was to teach them the power of their voices by studying the masters of gospel. They quickly moved from imitation to creation. ‘He’s On Time’ is a distillation of their hard work in the form of their debut album. Each member gets a chance to lead (the youngest member being 18, the oldest just 21) each with their own style. The goal of their album is simple: to glorify the name of God and sing His praises. It is a record full of joy and sure to uplift!

FOR FANS OF… The Soul Stirrers, The Flying Stars Of Brooklyn NY, Pastor T.L. Barrett

FOR FANS OF… - Limited edition clear vinyl (1500 copies) - Produced by Eli Paperboy Reed - Features Aaron Frazer (Durand Jones, Flying Stars Of Brooklyn NY) on drums

LABEL: Colemine Records CATALOG NUMBER: CLMN-12033 RELEASE DATE: October 11, 2019 FORMAT: LP (clear), LP, CD, CS BOX LOT: LP (50), CD (165), CS (50) GENRE: Gospel KEY MARKETS: NYC, Bloomington, Chicago VINYL NOT RETURNTABLE

TRACKS 1. Oh Yes He Will 2. Am I Doing Enough? 3. Motherless Child 4. He’s On Time 5. If You Can’t Make It Through A Storm 6. On The Right Road 7. Wash Me, Lord 8. Do You Know Him? 9. Brighter Day 10. Shine On Me

PRESS CONTACT Stephanie Weiss: stephanie@sweisspr.com

LP (clear) 674862654369

LP 674862654352

CD 674862654376

E x c lus iv e ly d i s t rib u t e d b y Se c r et l y D is t ri b ut io n / P ho ne : ( 8 12 ) 3 3 5 - 1 5 72 / Fa x : ( 8 8 8) 6 7 8 -0 1 67 U S d o m e s t ic s a le s c on t a c t: d om e s t ic @ s ec r e t ly d is t ri b ut i on .c o m / Int e r na t io n a l s a le s c on t a c t : i nt e rn a t io na l @ s ec r e t ly d is t ri b ut i on .c o m

CS 674862654383

ERNEST HOOD Neighborhoods

Track Listing 01. Saturday Morning Doze 02. At The Store 03. August Haze 04. The Secret Place 05. After School 06. Gloaming 07. From The Bluff 08. Night Games Cat#: FTS014 Release date: October 11th, 2019 Formats: DBL LP / CD / Digital Genre: community sound / front porch ambient / happy daze Vinyl Not Returnable DBL LP Box Lot: 12 Inner / 24 Outer DBL LP UPC: 603786279044

CD Box Lot: 80 Inner / 320 Outer CD UPC: 603786279037

RVNG Intl. / Freedom To Spend PO Box 20752 Tompkins Sq. New York NY 10009 matt@igetrvng.com | 718 812 8443

Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood’s privatelypressed opus of 1975. Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score and documentary composed and directed by Hood to offer, in his words, joy in reminiscence. Hood’s nostalgic impulse ran parallel to the developments of other artists, writers, and filmmakers of the 1970s who were looking back to the 1950s to convey a collective memory of childhood. Unlike some of the widely embraced work of this nature, the music of Neighborhoods eschews irony or detachment for lucidity, striving above all for a dream-like return to the details of sensory memory. Born into a musical lineage, Hood’s early, promising career as a guitarist in a globetrotting jazz outfit was cut short when he contracted polio in his late twenties. Moving from guitar to less physically-demanding stringed instruments in the late 1940s, Hood first began implementing field recordings in his jazz ensemble collaborations as early as 1956. In 1961, Hood and trumpeter Jim Smith collaborated on a local Portland television program, with their large, tight ensemble providing breakneck contemporary jazz for an action painting by famed West Coast modernist painter Louis Bunce. Hood incorporated his own field-recorded sounds of birds in the performance – an element that would resurface in Neighborhoods with great abundance among other found sounds. Whether using environmental sounds or instruments, a sense of musical narration is the central component of Neighborhoods, a strategy Hood tellingly referred to as “musical cinematography” in his original liner notes. Instead of using the picture frame, Hood broadcasts melodies and sounds from his beloved Portland surroundings to transport listeners to the story’s scene. Remarkably, Neighborhoods never falls into the sentimentality trap. Hood’s music augments its indeterminate, “anecdotal” sounds with a blend of zither and synthesizer melodies reminiscent of golden age cinema soundtracks. Neighborhoods is an unusual hybrid––not quite an “ambient” record nor a collection of pure field recordings. The identifiable sounds (screen doors opening and closing, passing motorists, crickets chirping, children playing) feel both universal and highly specific, like a

bulletin of Hood’s private geography from the middle of the last century. There’s something instructive – if not reparative – about time traveling into the bucolic dimension of Neighborhoods in 2019. If Hood were presenting the album today, he might invite listeners to unplug while locating that joy in reminiscence. In the end, the concerns of Neighborhoods are poetic not formal, as Hood’s own summary of the album sounds a lot like Walt Whitman: “It hardly matters in which neighborhood you sprouted. The games we played, the mocks, the terminology and the feelings we experienced as youngsters are tantalizingly familiar.” And later, hitting a grand note, “How familiar, how indelible the pictures are: aromas of soft velvet days, strong friendships, fears, hates, loves... If the music seems a little bittersweet, well... isn’t that the taste of nostalgia?” Freedom to Spend has restored Ernest Hood’s nostalgic masterpiece with the same care with which he viewed his source material, offering a remastered version of Neighborhoods transferred from the original tapes, expanded across four vinyl sides (the original version was crammed on two). The new edition reproduces Hood’s celebratory liner notes in full, alongside new liner notes by Michael Klausman. A portion of proceeds from this release will be donated KBOO FM, a volunteer-powered, non-commercial, listener-sponsored, community radio station for Portland, Oregon, the Pacific Northwest, & the World, founded in part by Ernest Hood. Come! Mend! ARTIST HIGHLIGHTS • Official reissue of the long out of print 1975 private press classic from Portland, OR composer Ernest Hood • Fully restored from original tapes and expanded across four vinyl sides (the original was crammed on two) • Includes Ernest Hood’s original liner notes in full alongside new liner notes by Michael Klausman • Reinvented artwork features original illustrations by Hood, designed by Will Work For Good • A portion of proceeds from Neighborhoods will be donated to KBOO FM, a volunteerpowered, non-commercial, listenersponsored, community radio station for Portland, Oregon, the Pacific Northwest, & the World, founded in part by Ernest Hood. Come! Mend!

Stephen Mallinder Um Dada ABOUT THE ALBUM Stephen Mallinder, co-founder and frontman of the iconic Cabaret Voltaire, has returned with his first solo album in over 35 years: Um Dada. Laced with leftfield house and cut-up sound collages, Um Dada is a melding of energies that are an exercise in simplicity and motion. Sincere, playful realism that beckons your body to move, always reminding you to never take yourself too seriously without forfeiting your agency. While steering Cabaret Voltaire through the 1980’s, Mallinder was already busy piecing together his first solo album entitled “Pow Wow”, which would help define Mallinder’s interest in the more leftfield electro sounds shaping England at the time. It was this diverse and abstract hybrid that helped inspire generations of artists and musicians through steeping raw machine funk within the whimsical and absurdist ideology. Since the release of “Pow Wow” in 1982, Mallinder continued his pioneering work with Cabaret Voltaire, as well as recording and touring with his electro projects Wrangler, Creep Show, Hey Rube, Kula, and Cobby & Mallinder. In addition to his non-stop schedule in electronic music, his professional life as a journalist, broadcaster, producer and now a professor of Digital Music & Sound Art at the University of Brighton, has lead Mallinder to a unique point in his career. Most in his position would be caught up in rosy retrospection, but Mallinder himself says, “There’s too much digital finger-licking right now; every thought and desire at the turn of a dial… well a click of the mouse. And there’s a giddy, false nostalgia about the analogue past. Sorry to burst your bubble but the truth of history is more mundane: practical, pragmatic...Um Dada is about ‘play’ – cut and paste, lost words, twisted presets, voice collage, simple sounds – things that have been lost to technology’s current determinism. Let the machines talk to each other, let them dance .. they lead, we follow.” Um Dada opens up with the exact machine-led surrealism that Mallinder recommends in “Working (You Are)”. A thick, stripped back dance floor groove provides the ideal foundation for Mallinder’s eccentric vocal cuts. The frisky chops present an almost twisted irony, subtly bringing to mind the role we’re all forced to play as just another cog in the ever grinding capitalist machine of life. Yet, somehow, the listener is left feeling optimistic. A prime example of simplicity at work. Tracks such as “Satellite” give a skillful illustration of Mallinder’s adeptness with his musical expertise while preserving his core historical context as only simple reference. The underlying bassline and percussion, coupled with the floating melodies and airy vocal refrain disclose the vulnerabilities of love and loss without a hint of irony or nostalgia.

DETAILS CATALOG NUMBER: DAIS141, DAIS141CD RELEASE DATE: October 11, 2019 FORMAT: CD/LP/DIGITAL CD BOX LOT: 50x4 inners = 200 box LP BOX LOT: 25x2 inners = 50 box GENRE: Indie Dance, Leftfield House & Techno, Electronic, Pop, Minimal House KEY MARKETS: New York, London, Berlin, Paris, LA, Chicago TERRITORY RESTRICTIONS: NONE VINYL NOT RETURNABLE CD: 758475506670

LP BLACK: 758475506694

LP CLEAR C2 758475506724

DIGITAL 758475506687

LP CLEAR BLUE C1: 758475506717

Um Dada is mischievously idealist, however never loses touch with reality. Offering structure while simultaneously dismantling any and all preconceptions. The spirit of sincerity that sustained Cabaret Voltaire’s lengthy career is abundantly present TRACKS within founder Stephen Mallinder’s journey through his own whimsical utopian consciousness and staking claim to an identity that is solely his own.

SELLING POINTS

 

First solo album in 35 years from Cabaret Voltaire co-founder and frontman. For fans of Matthew Dear, Tiga, Daphni, Jimpster, Gabe Gurnsey, Green Velvet, Marc Houle, Cabaret Voltaire, ADULT.

LP SIDE A: Working (You Are) Prefix Repeat Rewind It’s Not Me Um Dada

LP SIDE B: Satellite Colour Flashback

CD: Working (You Are) Prefix Repeat Rewind It’s Not Me Um Dada Satellite

Colour Flashback Robber* Hollow* *CD Bonus

PRESS: Chris Hansell | chris.hansell@leftfieldpr.com UK/EU: Nicolina Claeson | nicolina.claeson@gmail.com daisrecords.com | https://www.facebook.com/stephenmallinderofficial/

LINDSTRØM On A Clear Day I Can See You Forever

ABOUT THE ALBUM “I felt totally unrestrained making this album” says Lindstrøm about his 6th solo album On A Clear Day I Can See You Forever (a title inspired by the 1970’s musical On A Clear Day You Can See Forever starring Barbra Streisand). “I’ve listened to Robert Wyatt’s solo albums and his Matching Mole’s debutalbum a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this” In the autumn of 2018, Lindstrøm composed a commissioned piece for Norway’s premiere art centre Henie Onstad Kunstsenter. Sketches from the three sold-out performances became the foundation for the new tracks. “I decided to keep some of the initial ideas and develop them further. All the songs are based on long one-take recordings”, says Lindstrøm “Also I’ve been very conscious about the music on the album not exceeding the length of the physical limitations of the vinyl-format, finding that 2 long tracks on each side were the perfect balance for this album” This is also the first time ever Lindstrøm has made an album entirely with hardware instead of computer-plugins. He utilised thirty plus synthesizers and drum-machines during his performance at Henie Onstad Kunstsenter. The experience inspired him to embrace a similar set-up when making the album. “The joy of making music on actual physical objects and devices makes a lot of sense to me now. After working on a computer for over 15 years, I don’t think I’ll ever look back” he says with an almost childlike excitement. It was the accessibility to his enviable collection of music gear – largely consisting of sought after synthesizers – that allowed Lindstrøm to experiment so freely with ideas and soundscapes. “The title track is a 10-minutes improvisation on the Moog Memorymoog. I liked the loose feel so I decided to keep everything unedited. The other tracks were written and arranged prior to the recordings. I then set up the instruments needed for my sessions, then recorded more or less everything in a single take. I’m really happy with the way this album came together.” Lindstrøm has cited classical music as an inspiration the last couple of years “I used to study classical music at school. Back then I was listening to a lot of Opera, orchestral music and solo music on the piano. Listening to classical music again has been a revisit to my childhood days, just like I did when I embraced the 80s in the early 2000s” Once embracing the freedom and the joy of making music without inhibitions, immersing himself in to the physical realm of making music with hardware, Lindstrøm learned something new not only about music – but about himself. “I guess I've been trying to re-educate myself”

DETAILS

CATALOG NUMBER: STS346 RELEASE DATE: October 11th, 2019 FORMAT: LP/LPC/CD/digital CD BOX LOT: 30 LP BOX LOT: 25 GENRE: Electronic, cosmic KEY MARKETS: London, New York TERRITORY RESTRICTIONS: None VINYL NOT RETURNABLE

LP UPC: CD UPC: 7072822346102 7072822346201

COLORED LP UPC: 7072822346300

TRACKS SIDE A: 1. 2. Side B: 1. 2.

Exclusively distributed by Secretly Canadian Phone: 812.335.1572 US Domestic Sales contact: domestic@secretlydistribution.com International Sales contact: international@secretlydistribution.com

Digital UPC: 7072822346003

On A Day Like This I Can See You Forever Really Deep Snow Swing Low Sweet LFO As If No One Is Here

TROUBLE IN MIND

TIM150

The Hecks My Star TRACKLIST

1. 2. 3. 4. 5. 6.

7. So 4 Real

Zipper Chopper Flash Heat Wave The Fool Chinatown

8. The King Is Close 9. Josef Josef 10. My Star

RELEASE BIO

Chicago trio The Hecks have been at it since 2012, starting out as the duo of guitarist Andy Mosiman & Zach Hebert. The band drafted guitarist Dave Vettraino into the fold, a recording engineer who was recording the band's s/t debut (Trouble In Mind, 2016) & ended up joining the band In 2017. The band's journey to the end result of "My Star" - their second album - has taken them three years. After recording an initial version of the album in 2017, The Hecks started gigging with new fourth member & keyboardist Jeff Graupner, whose synthesized squiggles added some welcome heft & swagger to the band's tunes. After reworking & rearranging much of the new material to accommodate Graupner, the band scrapped the recordings & rebuilt them from the ground up, incorporating Graupner's skills at the keys. The results speak for themselves, as "My Star" is a gigantic leap forward for the band, absorbing ever ything from "Manscape"-era Wire to Paisley Park nu-funk to abstract new wave & art rock plucked straight from the Cold Storage playbook. Much of "My Star"s ten tracks are designed to bewilder; the production is intentionally disorienting, with the mix tipped toward the treble, alternating from sparse to confoundingly dense at times, but never at a disservice to the songs themselves. Opener "Zipper"s intertwining guitar jabs & synth lines herk & jerk so rapidly it's liable to break your neck, while lead track "So 4 Real"s neon-laced dayglo soul ratchets up the mutant funk throb so tightly that the lilting, melodic guitar break at the chorus is a welcome dose of ear-candy. "Heat Wave" dials it back, reveling in romantic washes of synth and flange & its yearning refrain of "It's tearing me apart, ripping out my heart again"; a captivating, slow burning ballad unlike anything the band has done before. Meanwhile album closer (and title track) "My Star" is so cinematic, it feels like the lost end credits scene to a heartfelt teen drama, with its end coda taking up the bulk of the song's near-eight minute run time. "My Star" is designed to make you move, you just have to let it. "My Star" is released on CD, LP (unlimited black vinyl and a limited LIGHT BLUE vinyl version - available while supplies last) as well as made available via most digital retail outlets and streaming services.

CD- UPC

30125

98254

RELEASE INFO Catalogue Number: TIM150 Format: CD, LP, LP-C1 Release Date: October 11th, 2019 CD: 630125982549 UPC -LP: 630125982563 UPC -LP-C1: 630125982570 Territor y Restrictions: None Genre: In die / Electr o n i c / Alter n ative / D I Y RIYL: Omni, Wire, Deerhunter, Devo, Prince, DEHD, Black Midi, Hot Chip, TRS-80

Vinyl is not returnable Box Lot CD: 30 Box Lot LP: 20 POINTS OF INTEREST - Limited LIGHT BLUE vinyl version avaiable while supplies last - Chicago quartet â&#x20AC;&#x2122;s second album, first w/keyboardist Jeff Graupner - Recorded by guitarist Dave Vettraino at Jamdek & Public House - Mastered by Mikey Young (Total Control, Eddy Current)

LABEL CONTACT TROUBLE IN MIND RECORDS P.O. BOX 30079 Chicago, IL 60630-1340 troubleinmindrecs@gmail.com www.troubleinmindrecs.com

LP - UPC

30125

98256

LP-C1 - UPC

30125

98257

Fat CatRecor ds MNNQNS

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KeyPoi nt s > Impor tVi nyl

Cat al og:FAT0154 Rel easeDat e:10/ 11/ 2019 For mat :CD UPC:600116515421 BoxLot :30

For mat :LP UPC:600116515414 BoxLot :30

Ter r i t or yRest r i ct i ons: NO Expor t s

Tr ackl i st 1. BodyNegat i ve 2. Not What YouThought You Knew 3. She' sWai t i ngForTheDay 4. Doubl eVi si ons 5. Di f f er entSi desOfTr ut h 6. Li mi t sOfTown 7. Ur i nal s 8. Desper at i onMoon 9. Dr i nki ngFr om ThePond 10. Fal lDown 11. St agnantPool s 12. Wi r e( DownToThe) 13. Tel ephone

Christopher Tignor A Light Below ABOUT THIS RECORD “For my last record I built software and performance methods that let me wield modern electronic forces using acoustic instruments: my violin and percussion. Using custom violin processing, kick drum triggered synths, tuning forks, hi-hats, triangles, and bells, I created a space for truly contemporary and highly expressive instrumental narratives, often surrounded live with vivid video. Using no overdubs, pre-recorded tracks, clicks, or looping, this music dismissed electronic music’s grid, reclaiming time as a first order expressive element, flexing it, while doubling down on the performance aspect of this performance art. The music brought me around the world, from Tbilisi, Georgia to Havana, Cuba, and many points between, ever-refining my ideas for what might be next. ”A Light Below holds those truths as, now, self-evident. From this place I departed for territory even more emotionally ambitious, more dramatic. I’m also pushing my instrument’s technique further. Slow, heartrending lyricism remains on tracks like “Known By Heart” and “What You Must Make Of Me” but there is also the angular, high-energy bariolage of “Your Slow Moving Shadow, My Inevitable Night” and the beat-driven hocketing of ”I, Autocorrelations” where my violin processing creates “mirror selves” that ricochet around me in a propulsive, somatic trance. “Since the last LP, my technique for tuning forks also earned some attention (and an honest-to-God tuning fork sponsorship). Again, I wanted to push the musical possibilities here, dialing those gestures in to create locked, luminous polyrhythms alternating with left hand pizzicato. I combined these methods with cascades of triggered synths in “The Resonance Canons”, an 11 minute trip ending in complete vulnerability—as the tuning fork loses its resonance, I continue knocking it against my bridge, a final ostinato built from processed noise and resonant wood. “The goal of all this isn’t to be tricky or “smart”. I’d hope the music already clued you in, I’m most interested in what deeply moves the heart. This world is fucked; we need new methods we can believe in to trade stories, to share laughter and pain. This record is a conduit for a lot of personal darkness I only hope gives some voice to your own. Along with my daughter, it’s also the light that kept me living, down there in the studio after she’s asleep, looking for new ways to be.“ – Christopher Tignor

ADDITIONAL INFO • Album was co-produced by Maxim Moston, William Basinski's orchestral arranger, and Anohni's former musical director, in addition to working with David Bowie, Patti Smith, and others. • Tignor has collaborated with numerous artists including Jefre Cantu-Ledesma, John Congleton, Keith Kenniff (Helios), and post-rock titans This Will Destroy You. • While a young artist in NYC, Tignor mixed bands at CBGBs, was an assistant to La Monte Young and Marian Zazeela, and served as the technical director for 9 years for a New Music festival produced by Phillip Glass. • Tignor obtained his Masters in computer science from NYU, proceeded through Princeton's PhD program in music composition, and was later recruited for a software engineering position at Google, where he has worked since 2011. • KEY MARKETS: NY, LA, Chicago, Austin, Boston, Seattle, Portland, Philadelphia, San Francisco • RIYL: Kelly MoranJohn Luther Adams, Arvo Pärt, Ólafur Arnalds, Hauschka C D

8 4 3 5 6 3 1 0 8 1 1 6

8 4 3 5 6 3 1 1 8 5 8 0

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8 4 3 5 6 3 1 0 8 0 9 3

TRACK LIST 01 Flood Cycles 03 Known By Heart