SEPTEMBER 30TH NEW RELEASES • AUTOMATISME - MOMENTFORM ACCUMULATIONS | CD (CST118cd) | Constellation PHYS UPC:666561011826 • AUTOMATISME - MOMENTFORM ACCUMULATIONS | LP (180 gram) (CST118lp) | Constellation PHYS UPC:666561011819 • BLONDE REDHEAD - MASCULIN FÉMININ | 2xCD (NUM205cd) | Numero Group PHYS UPC:825764120524 • BLONDE REDHEAD - MASCULIN FÉMININ | 4xLP (NUM205lp) | Numero Group PHYS UPC:825764120517 • BON IVER - 22, A MILLION | Cassette (JAG300cass) | Jagjaguwar PHYS UPC:656605230047 • BON IVER - 22, A MILLION | CD (JAG300cd) | Jagjaguwar PHYS UPC:656605230023 • BON IVER - 22, A MILLION | LP (JAG300lp) | Jagjaguwar PHYS UPC:656605230016 • MOLLY BURCH - DOWNHEARTED | 7" (CT251lp) | Captured Tracks PHYS UPC:817949012809 • EXPLODED VIEW - EXPLODED VIEW | LP (SBR146lp) | Sacred Bones Records PHYS UPC:616892373049 • EZTV - HIGH IN PLACE | CD (CT250cd) | Captured Tracks PHYS UPC:817949012793 • EZTV - HIGH IN PLACE | LP (CT250lp) | Captured Tracks PHYS UPC:817949012786 • JENNY HVAL - BLOOD BITCH | CD (SBR161cd) | Sacred Bones Records PHYS UPC:616892388746 • JENNY HVAL - BLOOD BITCH | LP (SBR161lp) | Sacred Bones Records PHYS UPC:616892388647 • ITASCA - OPEN TO CHANCE | CD (POB030cd) | Paradise of Bachelors PHYS UPC:616892400547 • ITASCA - OPEN TO CHANCE | LP (POB030lp) | Paradise of Bachelors PHYS UPC:616892400448 • JENNY HVAL - BLOOD BITCH (BLOOD RED VINYL) | LP (SBR161lp-C1) | Sacred Bones Records PHYS UPC:616892388944 • LAWRENCE ARABIA - ABSOLUTE TRUTH | LP (FN569lp) | Flying Nun PHYS UPC:942190363292 • LOW - THE EXIT PAPERS | LP (TRR276lp) | Temporary Residence Ltd. PHYS UPC:656605327617 • NO AGE - SEPARATION | 7" (RRDS001lp) | RRDS/Post Present Medium PHYS UPC: • OFF WORLD - 1 | CD (CST117cd) | Constellation PHYS UPC:666561011727 • OFF WORLD - 1 | LP (180 gram) (CST117lp) | Constellation PHYS UPC:666561011710 • RESINA - RESINA | LP (FAT1323lp) | FatCat Records PHYS UPC:600116132314 • ATTICUS ROSS, LEOPOLD ROSS AND BOBBY KRLIC - ALMOST HOLY: ORIGINAL SOUNDTRACK | LP (SBR159lp) | Sacred Bones Records PHYS UPC:616892409441 • JASON SHARP - A BOAT UPON ITS BLOOD | CD (CST119cd) | Constellation PHYS UPC:666561011925 • JASON SHARP - A BOAT UPON ITS BLOOD | LP (180 gram) (CST119lp) | Constellation PHYS UPC:666561011918 • ULTIMATE PAINTING - DUSK | CD (TIM117cd) | Trouble In Mind PHYS UPC:630125983843 • ULTIMATE PAINTING - DUSK | LP (TIM117lp) | Trouble In Mind PHYS UPC:630125983867 • ULTIMATE PAINTING - DUSK (PURPLE VINYL) | LP (TIM117lp-C1) | Trouble In Mind PHYS UPC:630125983874 • WAREHOUSE - SUPER LOW | CD (BR012cd) | Bayonet PHYS UPC:859575005268 • WAREHOUSE - SUPER LOW (EMERALD GREEN VINYL) | LP (BR012lp-C1) | Bayonet PHYS UPC:859575005251
CONTACTS
------------------------------• RETAIL & DOMESTIC SALES - SHELLY WESTERHAUSEN - shelly@secretlydistribution.com - 812.822.3886 • DOMESTIC SALES & MARKETING - ANN JONKER - ann@secretlydistribution.com - 812.822.3884 • INTERNATIONAL SALES & MARKETING - WES COOK- wes@secretlydistribution.com - 812.822.3894 • DIGITAL DISTRIBUTION & PROMOTION - CHARLEY KIEFER - charley@secretlydistribution.com - 812.822.3885
LABEL GROUP
------------------------------2062 / Arbutus Records / Acéphale / Asthmatic Kitty / Awesome Tapes From Africa / Bloodmoss / Captured Tracks Cloud Recordings / Constellation / DFA Records / Dead Oceans / Family Vineyard / Felte / Flying Nun / Ghostly International Hometapes / Jagjaguwar / Joyful Noise Recordings / K Records / Lovepump United / Magnetic South / Merge Records No Quarter / Numero Group / Omnian Music Group / Overcoat Recordings / Paradise of Bachelors / PPM / Quarterstick Records Quite Scientific Records / RVNG Intl. / Sacred Bones Records / Secretly Canadian / The Social Registry / Sounds Familyre Suicide Squeeze / Temporary Residence Ltd. / Tomlab / Tri Angle Records / Trouble in Mind / Underwater Peoples We Are Free / Western Vinyl :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Secretly Distribution
1499 West 2nd Street Bloomington, IN 47403 USA
BON IVER 22, A MILLION CATALOG #: JAG300 RELEASE DATE: SEPTEMBER 30, 2016 FORMAT: CD/LP/CASSETTE/DIGITAL CD BOX LOT: 30 LP BOX LOT: 25 CASSETTE BOX LOT: 25 GENRE: ALTERNATIVE KEY MARKETS: MINNEAPOLIS, NEW YORK, LOS ANGELES, EAU CLAIRE, CHICAGO, PORTLAND, SEATTLE, NASHVILLE, SAN FRANCISCO, AUSTIN, LONDON, BERLIN, SYDNEY, TOKYO, AMSTERDAM, PARIS
ABOUT THE ALBUM 22, A Million is part love letter, part final resting place of two decades of searching for selfunderstanding like a religion. And the inner-resolution of maybe never finding that understanding. The album’s 10 poly-fi recordings are a collection of sacred moments, love’s torment and salvation, contexts of intense memories, signs that you can pin meaning onto or disregard as coincidence. If Bon Iver, Bon Iver built a habitat rooted in physical spaces, then 22, A Million is the letting go of that attachment to a place.
TRACK LIST
TERRITORY RESTRICTIONS: EXCLUSIVE TO HOSTESS IN JAPAN VINYL NOT RETURNABLE
SIDE A: 1. 22 (OVER S∞∞N) 2. 10 d E A T h b R E a s T ⚄ ⚄ 3. 715 - CR∑∑KS 4. 33 “GOD” 5. 29 #Strafford APTS
SIDE B: 6. 666 ʇ 7. 21 M◊◊N WATER 8. 8 (circle) 9. ____45_____ 10. 00000 Million
CD UPC: 656605230023
6
56605 23002 3
LP UPC: 656605230016
SELLING POINTS - Highly anticipated follow-up to 2011’s Grammy-winning Bon Iver, Bon Iver (Best Alternative Music Album, Best New Artist).
6
56605 23001 6
CASSETTE UPC: 656605230047
6
56605 23004 7
DIGITAL UPC: 656605230061
6
56605 23006 1
- Bon Iver’s catalogue has sold well over 2 million copies globally. Both previous albums are certified gold: For Emma, Forever Ago (2008) and Bon Iver, Bon Iver (2011). - Vinyl is a big part of the sales base, with 300k pieces of vinyl catalogue sold in the US alone. Both previous albums remain on Soundscan’s vinyl album charts, years after being released. - Entire west coast tour sold out prior to album announce, including Hollywood Bowl. Headlining major music festivals around the world in 2017. - September 14 performance confirmed for The Tonight Show Starring Jimmy Fallon. Other major TV performances will follow.
EXCLUSIVELY DISTRIBUTED BY SECRETLY DISTRIBUTION PHONE: (812) 335-1572 / FAX: (888) 678-0167 US DOMESTIC SALES CONTACT SHELLY WESTERHAUSEN <SHELLY@SECRETLYDISTRIBUTION.COM> INTERNATIONAL SALES CONTACT LAUREN BROWN <LAUREN.BROWN@SECRETLYDISTRIBUTION.COM>
Jenny Hval Blood Bitch 1 2 3 4 5 6 7 8 9 10
•
• • • Norwegian artist and writer Jenny Hval has developed her distinct take on intimate sound since the release of her debut album in 2006. For her last two solo albums, 2013’s Innocence Is Kinky and 2015’s Apocalypse, girl, Hval’s debut for Sacred Bones, she has received thoughtful and widespread international acclaim for her fascinating voice, singular delivery and markedly non-traditional arrangements which incorporate elements of poetry, prose writing, performance art, and film. The New York Times defines her writing as “taking a scalpel to the subjects of gender politics and sexuality.” Hval has eloquently brought to light issues of both male and female gaze, which for years had been swept under the rug and/or denied all together. Last year’s Apocalypse, girl landed on the year-end lists of Pitchfork, The Sunday Times, The Guardian, Stereogum, Impose, The Quietus, and dozens of others, compelling writers everywhere to grapple with the age-old, yet previously unspoken, question: What is Soft Dick Rock? After touring for a year and earning her second Nordic Prize nomination, as any perfectionist would, Hval immediately went back into the studio to continue her work with acumen noise producer Lasse Marhaug, with whom she co-produces here on Blood Bitch. Her new effort is in many respects a complete 180° from her last in subject matter, execution and production. It is her most focused, but the lens is filtered through a gaze which the viewer least expects. STATEMENT FROM THE ARTIST: Blood Bitch is an investigation of blood. Blood that is shed naturally. The purest and most powerful, yet most trivial, and most terrifying blood: Menstruation. The white and red toilet roll chain which ties together the virgins, the whores, the mothers, the witches, the dreamers, and the lovers. Blood Bitch is also a fictitious story, fed by characters and images from horror and exploitation films of the ’70s. With that language, rather than smart, modern social commentary, I found I could tell a different story about myself and my own time: a poetic diary of modern transience and transcendence.
• • • •
track listing: Ritual Awakening (1:42) Female Vampire (3:37) In the Red (2:21) Conceptual Romance (4:32) Untamed Region (4:52) The Great Undressing (4:00) Period Piece (2:42) The Plague (5:58) Secret Touch (4:39) Lorna (2:06) Key Information / Selling Points: Hometown / Key Markets: Oslo, London, New York, Chicago, San Francisco Selling Points / Key Press: Confirmed for Pitchfork, Primavera, End of the Road, Off, and Kilbi festivals this summer Major market album release tours confirmed for US, UK, and EU this fall First single “Female Vampire” was named Best New Track by Pitchfork “Female Vampire” appeared on New York Times playlist Adult Swim confirmed to premier third single Limited edition blood red colored vinyl available Two official music videos rolling pre-release RiYL: Julia Holter, Holly Herndon, Laurie Anderson, Darkthrone catalog #: SBR-161 genre: Alternative/Electronic Release Date: 9-30-2016 available formats: CD, lp, blood red colored lp UPC-CD: 616892388746 UPC-LP: 616892388647 UPC-LP-c1: 616892388944 Vinyl is not returnable territory restrictions: Not exportable to Norway Box Lot: CD 30 / lP 40 label contact: Sacred Bones Records 67 West St., Suite 221 Brooklyn, NY 11222 info@sacredbonesrecords.com www.sacredbonesrecords.com
CD
lp
blood red lp
TROUBLE IN MIND
TIM117
Ultimate Painting Dusk TRACKLIST
1. Bills
6. Who Is Your Next Target?
2. Song For Brian Jones
7. Skippool Creek
3. A Portrait of Jason
8. I’m Set Free
4. Lead The Way
9. Silhouetted Shimmering
5. Monday Morning, Somewhere Central
10. I Can’t Run Anymore
RELEASE BIO Dusk is the third album from London-based duo Ultimate Painting, a ten song set that expands the group’s sound from their self-titled debut and their critically acclaimed sophomore effort Green Lanes, about whose tunes Pitchfork raved their “deceptively simple interplay slowly worms into your synapses...” Dusk heads along the same path, albeit in a slightly different direction, forging to new territor y by heading inward. Most groups would kill to have one talented songwriter in their ranks, but Ultimate Painting are lucky enough to be comprised of two singular voices in Jack Cooper and James Hoare. The pair ’s distinctive songwriting styles began to blur a bit with Green Lanes, but on Dusk it ’s hard to tell where Cooper ends & Hoare begins. Their tunes weave in & out of each other like the duo’s respective six-strings, spiralling around each other in a laconic dance. Album opener ‘Bills’ dives head-first into a cr ystalline pool of jangle, furthering the duo’s rep as pur veyors of the Verlaine/Lloyd legacy, but despite the evident influence of American guitar pop both past & present, the group’s recorded an album that feels decidedly English. Cooper ’s abstract poeticism balanced per fectly alongside Hoare’s alluring & universal pop leanings. The group’s discovered a simple lushness in Dusk ’s arrangements, sometimes only with subtle additions like Hoare’s recently acquired Wurlitzer piano that drives tunes like ‘Lead The Way ’ or washes underneath others like ‘Monday Morning, Somewhere Central ’. They ’ve tapped into the subtle grace that infects the mood and emotions experienced at times like sunrise & dusk. Hopefullness. Resignation. Ennui. A breathing in. A breathing out. Dusk was once again recorded to tape by guitarist James Hoare in his London flat. The casual setting allowed the sessions & songs to unfold naturally, with the two of them accompanied by recent live drummer Melissa Rigby, who drums on the entirety of Dusk. Her skills lend a rhythmic elasticity to songs like ‘A Portrait of Jason’ and ‘I Can’t Run Anymore’, with jazzy undertones that break from the band ’s previously unadorned 4/4 leanings. Dusk feels different and cements the group’s presence in the modern world guitar pop, finding voice in the allure of quietude.
LP - UPC
6
30125
98386
RELEASE INFO Catalogue Number: TIM117 Format: LP, LP-C1, CD Release Date: September 30th, 2016 UPC-LP: 630125983867 UPC-LP-C1: 630125983874 UPC-CD: 630125983843 Territor y Restrictions: None Genre: Indie / Alternative / Pop RIYL: Nap Eyes, Luna, Yo La Tengo, Gene Clark, Grateful Dead, White Fence
Vinyl is not returnable Box Lot LP: 30 Box Lot CD: 100 POINTS OF INTEREST
- London group’s third album - Recorded by guitarist James Hoare in his London flat - US / UK / EU Tour in Nov following album release - Limited PURPLE vinyl available for direct retailers LABEL CONTACT TROUBLE IN MIND RECORDS P.O. BOX 30079 Chicago, IL 60630-1340 troubleinmindrecs@gmail.com www.troubleinmindrecs.com
LP-C1 - UPC
7
6
30125
98387
CD - UPC
4
6
30125
98384
3
Paradise of Bachelors P.O. Box 1402, Carrboro, NC 27510 www.paradiseofbachelors.com / info@paradiseofbachelors.com US/CA publicity: Jonathan Williger, jonathan@motormouthmedia.com UK publicity: Lucy Hurst, lucy@butilikeyou.co.uk Everywhere else: press@paradiseofbachelors.com The music of L.A.-based guitarist, singer, and songwriter Kayla Cohen is mutable and multivalent, richly allusive of the hermetic worlds of private-press canyon-cult mystics and East Coast noiseniks alike. Her adept fingerstyle guitar work—nimble but unshowy, always at the service of framing her plaintively unspooling modal progressions and gorgeous, moonlit voice—centers these melancholy pastorales in a hazy, heat-mirage space equally suggestive of familiarity and distance, community and anomie. Itasca’s enchanting, acid folk-inflected PoB debut is also the first to feature a full band. As I was walking I came upon chance walking the same road upon.
ITASCA OPEN TO CHANCE
+ label: + catalog number: + formats: + release date: + UPC-LP / UPC-CD: + genre(s): + territory restrictions: + LP / CD box lots:
A1. Buddy 2:54 A2. Henfight 3:35 A3. No Consequence 2:52 A4. G.B. 3:56 A5. Layman’s Banquet 3:57 A6. Carousel 4:22
Paradise of Bachelors PoB-30 LP/CD/digital (vinyl is not returnable) September 30, 2016 616892400448 / 616892400547 Alternative / folk-rock N/A 25 / 30 B1. Just for Tomorrow 3:43 B2. Angel 3:58 B3. Daylight Under My Wing 2:54 B4. Right This Time 3:30 B5. Bonafide 5:47
+ RIYL: Michael Chapman, Bridget St John, Mike Cooper, Steve Gunn, Kenny Knight, Ryley Walker, Meg Baird, Linda Perhacs, Sibylle Baier, Bert Jansch, Vashti Bunyan, Gram Parsons with Emmylou Harris, Mary Margaret O’Hara, Current 93 + Available on 140g virgin vinyl as an LP, with heavy-duty 24-point matte jacket, color labels, and download code; CD edition features heavy-duty gatefold jacket + For more information: http://www.paradiseofbachelors.com/pob-30 + PoB artist page: http://www.paradiseofbachelors.com/itasca + “This feeling that we, as listeners, have been granted access into Itasca’s private inner sanctum is what helps give [Cohen’s music] its quiet gravity, and her ample instrumental skills and deft songcraft make this invitation well worth your while.” – Pitchfork + “The image of the solitary songwriter strumming away and singing promises transparency, but a chief virtue of Itasca is that she doesn’t give up her secrets too easily.” – The Wire + “Gorgeous acid folk reverie … a heady slice of lysergic ladies of the canyon, with the feel of tropical microdots.” – David Keenan
— Robert Creeley, “Kore” (1959)
In his 1959 poem “Kore,” Robert Creeley conjures a roadside encounter with chance, personified as a woman with dark eyes and earth in her hair, “accompanied/by goat men” and stepping in time to a “double flute.” The poem’s title historicizes the incident, cloaking it in an obscure classical ambiguity: Kore, or “maiden,” can refer either to Persephone, the mythological Greek goddess of the underworld, or generically, to ancient Greek sculptures of young women, mortal or divine, characterized by a stylized, enigmatic grin known as the “archaic smile.” This uncertainty shades the poem’s spare beauty with a stippling of sun-dappled dread; does the appearance of the lady chance, with her Mona Lisa smile and her satyrs, prefigure an occasion for love or death? It’s fitting that Los Angeles-based guitarist, singer, and songwriter Kayla Cohen, who records and performs as Itasca, cites Creeley, and “Kore” in particular, as an influence on her enchanting, quietly assured new album Open to Chance. A hue of emergent classicism colors the stately pace and graceful carriage of these eleven understated, helical songs, suggesting both the dirt tangled in Persephone’s hair as well as the esoteric wordplay and sly musical tactics of a trickster. With Cohen’s gorgeous, moonlit voice, Open to Chance sings out an archaic smile; it poses that same inscrutable riddle of the maiden. The idea of chance made manifest in the guise of a traveler appeals to Cohen’s symbolist songwriterly tendencies, which embrace both the arcane (her recurring, veiled references to tarot and the occult) and the quotidian (the album jacket photos were shot at the Santa Anita racetrack in Pasadena, a crucible of bad luck for gamblers). Like Creeley’s poem, Itasca’s ostensibly concrete, rustic songs—populated by chickens, mice, roses, rain, and pigpens—often pivot on a detail that reveals the limpid observational imagery in fact to be in thrall to other, sometimes unsettling forces, natural or supernatural. However, far from sounding ponderous, these juxtapositions of the everyday and the extraordinary are always subtle, even droll—winking incursions of faint magic into otherwise grounded, guitar-driven songs about a young woman’s various relationships. They also happen to reside within airy, inviting ballads—country songs in the loose, sun-shot Southern Californian sense (lots of pedal steel and space)—with melodies like arid blooms effortlessly issued from a dusty abode of adobe and tile. And so the gentle riverine roll of opener “Buddy” punctures a dream of romantic Arcadian domesticity with the darker religious ramifications of holy debt: “I thought it would be nice/To live on the mountain by your side/Love you in the sun-warmed lake/Forget my dues to the saints.” “Angel” features both a “dancing Pan” and a “seedsman” with vines in his hair, a figure from the same street as Creeley’s kore. The icy solo piano number “Carousel” includes a chilling couplet that guts the modern, bourgeois notion of the five-day work week, and all that entails, with a pagan sacrificial scene: “And the weekends are filled with the act/Of dressing and toasting the death of the calf.” These are, perhaps, “the pleasures of the unknown” of which Cohen sings, but they are disconcertingly normalized in porch-friendly country-rock form, available at an altar near you come quittin’ time on Friday. The critic Harold Bloom praised John Crowley’s postmodern faerie novel Little, Big (1981) for the way it “renders domestic the marvelous”; something similar, it seems, is afoot throughout Open to Chance. Just as the word Itasca itself is equivocal—a 19th-century pseudo-Ojibwe place name and portmanteau of the Latin words for “truth” (veritas) and “head” (caput)—so too is Cohen’s musical project mutable and multivalent: fundamentally unconcerned with genre, but richly allusive of the hermetic worlds of private-press Californian canyon-cult mystics and East Coast noiseniks alike. Tellingly, her songwriting idiom emerged gradually from her longstanding noise and drone practice. Her evocative, out-of-time recordings as Itasca—refined over the course of several releases, including the acclaimed 2014 LP Unmoored by the Wind—reflect her Janus-faced gaze towards both baroque, acid folk-inflected songcraft and deconstructive, textural sonics. Though deeply informed by the mythology and iconography of the modern American desert West, Cohen likewise finds kinship with a lineage of English iconoclasts such as Michael Chapman and Bridget St John. Her adept, fingerstyle guitar work—nimble but unshowy, always at the service of framing her plaintively unspooling modal progressions and sonorous vocals—centers Itasca’s melancholy pastorales in a hazy, heat-mirage space equally suggestive of familiarity and distance, community and anomie. Open to Chance is her first album to feature the full band with whom she currently records and tours, including pedal steel player and frequent collaborator Dave McPeters, drummer Coleman Guyon (and occasionally Kacey Johansing), and bassist and vocalist Julia Nowak. The result is Cohen’s most accomplished, beguiling, and finely rendered record to date, the most complete invocation of the Itasca ethos. The poem “Kore” ends with an aptly anxious question: “O love/where are you/leading/me now?” Maybe the mysterious woman on the road brings the promise of both love and death. As Cohen asks of chance in “No Consequence,” “Who is this blind god who walks with no regrets?”
UPC-LP
6
16892 40044
UPC-CD
8
6
16892 40054
7
Numero Group Blonde Redhead: Masculin Féminin
Catalog Number: num205 Artist: Blonde Redhead Title: Masculin Féminin Release Date: 09/30/2016 UPC: 4xLP 825764120517 2xCD 825764120524 Available format: 4xLP, 2xCD Genre: Alternative Rock Box Lot: 4xLP: 12, 2xCD: 50 Territory Restrictions: None Vinyl is not returnable Track Listing CD tracklist the same, split in two (Masculin = Disc 1, Féminin = Disc 2)
Teeming with the energy and grit of pre-Giuliani Manhattan, Blonde Redhead’s long out-of-print early recordings have finally crawled their way out of the ‘90s basement thanks to Numero Group who will issue the set on Sept. 30. Weighing in at 37 tracks, Masculin Féminin compiles the band’s first two albums for Steve Shelley’s Smells Like Records (self-titled and La Mia Via Violenta), their period singles, extant demos, and radio performances across four LPs or two CDs. Dozens of previously unpublished photographs illustrate two lengthy essays on this essential New York band’s formative years. This is the latest installment in Numero Group’s 200 Line series which has also included releases from Unwound, Bedhead, Codeine, White Zombie and The Scientists. “These songs combine a raw need, a ready access to neediness, with seemingly incongruous cinematic changes reminiscent of ‘60s Italian pop music and movie scores. They switch between emotional grandeur and eye scratching immediacy.” -Arto Lindsay
Masculin
Féminin
LP 1 - S/T
LP 1 - La Mia Vita Violenta
1. I Don’t Want U 2. Sciuri Sciura 3. Astro Boy 4. Without Feathers 5. Snippet 6. Mama Cita 7. Swing Pool 8. Girl Boy
19. (I Am Taking Out My Eurotrash) I Still Get Rocks Off 20. Violent Life 21. U.F.O. 22. I Am There While You Choke On Me 23. Harmony 24. Down Under 25. Bean 26. Young Neil 27. 10 Feet High 28. Jewel
LP 2 - 7”s and Bonus Material 9. Amescream 10. Big Song 11. Inside You 12. Vague 13. Jet Star 14. This Is The Number Of Times I Said I Will But Didn’t (4 Track Demo) 15. Instrumental (Live at Snacktime) 16. Slogan Attempt 17. Swing Pool Instrumental (Live at Snacktime) 18. Woody (4 Track Demo)
2x CD
LP 2 - 7”s and Bonus Material 29. Flying Douglas 30. Harmony (7” Version) 31. 10 Feet High (7” Version) 32. Valentine 33. Not Too Late 34. (I Am Taking Out My Eurotrash) I Still Get Rocks Off (KCRW Session) 35. Pier Paolo (KCRW Session) 36. Country Song (La Mia Vita Violenta Outtake) 37. It Was All So Sudden (4 Track Demo)
4x LP
INQUIRIES:
WEBSITE: b ayonet r ec or d s.c om dustin @ bayon etrecords.com / kat ie@ b ayonet r ec or d s.c om LOCATION: 67 w est street ste #221 b r ooklyn, NY 11222 u sa
Warehouse SUPER LOW catalog number:
br-012
release date:
9/30/2016
format(s):
genre:
alternative/Indie HOMETOWN:
Digital, LP, CD
ATLANTA, GA
RELATED DISTRIBUTED BACK CATALOG TITLES:
WAREHOUSE “TESSERACT” PRESS QUOTES / SELLING POINTS:
• Touring With Frankie Cosmos • Stereogum’s “Band To Watch” • “They are a new cool young art-punk group from Atlanta.” - Bradford Cox of Deerhunter 01. oscillator 02. exit only 03. simultaneous contrasts 04. arbitrarium v 05. super low 06. reservoir 07. long exposure 08. modifier analog 09. audrey horne 10. garden walls
Warehouse is a five piece band from Atlanta, GA. The band formed while many of its members were attending school for various useless degrees. Taking inspiration from the 1980’s Athens, GA scene (Pylon, R.E.M., The B-52’s) and having a mutual taste for bands like Stereolab and Abstract Expressionist visual art, they quickly took on a post-punk style characterized by the spidery and interlocking guitar riffs of Alex Bailey and Ben Jackson, filled by the effortless drums of Doug Bleichner and the agile racing bass riffs of Josh Hughes. The full and textural sound provides a unique body for vocals, added by Elaine Edenfield, whose lyrics can be described as sidewinding and oblique, oscillating quickly between melodicism and contrary roughness, using vocals as more of a physical tool of expression than as a glossy harmony to the sound. Warehouse can be described as breathlessly fast-paced, conveying a deep sense of desired intensity and emotionality. Warehouse’s first album Tesseract was self-released in 2014 and later re-released under Bayonet Records. Their new album super low is more concise continuation of Tesseract, while still carrying the prior album’s organic and wildly sprawling nature. Largely written in a notorious punk house that was torn down to build a parking garage, the album was finished in a new environment: across from a food mart called super low. The title connotes stark change, but it also hints at the additional psychological undertones of the album’s meaning, to move down into more darkly subconscious and deeply endogenous areas of yourself in order to work through them and out. Also contrastingly literal, it denotes Warehouse’s self-evident, uncontrived and rough-around-the-edges nature.
• UNITS PER SET: 1X LP • RETURNABLE?: No • BOX LOT FOR LP: 25 • PRESSING QTY FOR LP: - 1000 1st pressing (all emerald green) • EXPORT RESTRICTIONS: NoNE • SCD Retail Discount: N/A
• UNITS PER SET: 1X CD • RETURNABLE?: yes • BOX LOT FOR CD: 30 • PRESSING QTY FOR CD: 2000 • EXPORT RESTRICTIONS: World • SCD Direct Retail Discount: Yes
em erald green LP UPC: 859575005251
CD UPC: 8 59575005268
OFF WORLD 1 C D / 18 0 g L P / D L
RELEASE DATE: 30 SEPTEMBER 2016
First of three projected volumes of collaborative experimental electronic works by Constellation stalwart Sandro Perri, joined on this album by Drew Brown (Lower Dens, Blonde Redhead), Susumu Mukai (Zongamin) and M J Silver (Mickey Moonlight). Sandro Perri is one of Constellation’s most long-standing and artistically diverse music-makers. This celebrated Toronto-based composer, producer and songwriter first released albums of hissing, pulsing, longform instrumental work under the Polmo Polpo moniker in the early 2000s, then moved into tropicalia-, jazz- and prog-influenced vocal music under his own name (with forays into dub and afro-beat tinged jams via Glissandro 70). Over the past couple of years, Perri has been letting us in on a fascinating treasure chest of strange and enchanting collaborative sound recordings – rich in deconstructed melody, interplay between acoustic and electronic instrumentation, and pointillist and aleatory composition techniques. A bounty of private and unreleased tracks has been accumulating for some time and we’re excited to reveal that many of these will now see the light of day, with three volumes of this material to be released over the next few seasons, rounded up under the project name Off World. Chiefly a studio-based endeavour, Perri will be the first to insist that Off World is not “his” project: tracing its origins as far back as 2008, with Perri and fellow Torontonian Lorenz Peter (Processor, Corpusse) working together on tracks and very occasionally performing live, the project has expanded to encompass collaborations between Perri and many others, including producers Drew Brown (Lower Dens, Blonde Redhead, Beck), Susumu Mukai (Zongamin), M J Silver (Mickey Moonlight) and Craig Dunsmuir (Glissandro 70, Kanada 70). Off World 1 is alien electronics played humanly, with real-world accents throughout, conceived almost entirely during a 2-day session in London: a meeting orchestrated by producer Drew Brown between himself, Perri, Susumu Mukai and M J Silver after learning that Perri was a huge fan of both Mukai and Silver’s work. A bounty of raw material featuring mostly vintage synthesizers – EMS Synthi, Syntorchestra, Prophet 5 – was later abetted by violin, banjo, harpsichord, guitar and piano. The result is genuinely exploratory and peculiar sui generis instrumental electronic music that sounds like it could have issued from any time in the past 40-50 years. Off World resists easy categorization: not ambient “easy listening”, not strictly “improvised”, not “retro” – but eccentrically absorbing and soothingly mischievous as it wends its own sonic trails.
C S T 117 ARTIST: TITLE:
CONSTELLATION
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OFF WORLD 1
TRACKS: 01. 02. 03. 04. 05. 06. 07.
Primitive Streak Old Brain No Host Extraction Choral Hatch New Brain Wonder Farm
GENRE: Electronic DURATION: 35:12 CD IN 100% RECYCLED GATEFOLD PAPERBOARD JACKET 180gLP AUDIOPHILE PRESSING INCLUDES PULL-OUT ART PRINT POSTER + 320KBPS MP3 DOWNLOAD COUPON VINYL IS NON-RETURNABLE NO EXPORT TO ISRAEL
CD BOX LOT: 30 UPC: 666561011727
LP (180g) BOX LOT: 40 UPC: 666561011710
Thanks for listening.
CONSTELLATION 110 VAN HORNE • MONTRÉAL QUÉBEC CANADA • H2T 2J3 www.cstrecords.com (514) 279-9705 info@cstrecords.com Publicity: patricia@cstrecords.com twitter.com/cstrecords
AUTOMATISME
Momentform Accumulations C D / 18 0 g L P / D L
RELEASE DATE: 30 SEPTEMBER 2016 Debut album of rhythmic electronic/glitch/drone music from this Québec-based producer following several selfreleased recordings and a live premiere at Mutek 2015. RIYL: Pan Sonic, Alva Noto/Carsten Nicolai, Pole.
C S T 118 Automatisme is the electronic music project of Saint-Hyacinthe, Quebecbased producer William Jourdain, who has been self-releasing a brilliant series of albums and tracks under this moniker since 2013, exploring various intersections of drone, dub techno, electronica, ambient, electro-acoustic, and noise. Always taking site-specific field recordings as its starting point, and with nominal reliance on synthesizers, Automatisme samples, signal bends, and transforms his source material into deliberate and elemental soundscapes of white and pink noise, spatial drone and methodically additive beats. Jourdain is among a cohort of young electronic music practitioners for whom the early works of progenitors from twenty years ago loom large – Pan Sonic/Mika Vainio, Stefan Betke (Pole, ~scape), Carsten Nicolai (Alva Noto, Raster-Noton). This period (1995-2002) was similarly formative for Constellation, and while at that time the label was preoccupied with the dirtier and messier sounds of local bands melding punk/rock instrumentation with various post-rock currents, we were concurrently huge fans of the aforementioned artists, their rigorous, methodical, highly-controlled strategies and arid, restrained sonic terrains. Automatisme has bubbled up and hit all our residual minimal-electronic pleasure centers all these many years later. Momentform Accumulations compiles much of Jourdain’s most recent and most rhythmically-driven work. We’re very excited to be issuing this as Automatisme’s first official full-length physical album release – and while Jourdain continues to pursue his studies in Art History, his practice as a painter and installation artist, and his work at Saint-Hyacinthe’s excellent Fréquences record store, we also anticipate diverse and fascinating future recordings from Automatisme that will stake out a multi-faceted identity for this viscerally engaged young producer. (We also urge interested ears to check out Automatisme on Bandcamp for previous recordings that similarly reveal the project’s multiplicity.) Thanks for listening.
ARTIST: TITLE:
CONSTELLATION
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AUTOMATISME Momentform Accumulations
TRACKS: 01. 02. 03. 04. 05. 06.
Transport 1 Simultanéité 3 Transport 2 Simultanéité 1 Transport 3 Simultanéité 4
GENRE: Electronic DURATION: 44:37 CD IN 100% RECYCLED GATEFOLD PAPERBOARD JACKET 180gLP AUDIOPHILE PRESSING INCLUDES PULL-OUT ART PRINT POSTER + 320KBPS MP3 DOWNLOAD COUPON VINYL IS NON-RETURNABLE NO EXPORT TO ISRAEL
CD BOX LOT: 30 UPC: 666561011826
LP (180g) BOX LOT: 40 UPC: 666561011819
CONSTELLATION 110 VAN HORNE • MONTRÉAL QUÉBEC CANADA • H2T 2J3 www.cstrecords.com (514) 279-9705 info@cstrecords.com Publicity: patricia@cstrecords.com twitter.com/cstrecords
JASON SHARP
A Boat Upon Its Blood C D / 18 0 g L P / D L
RELEASE DATE: 30 SEPTEMBER 2016 Debut album from this Montréal-based improviser, composer and reedist; alumnus of Matana Roberts Coin Coin ensemble and Land Of Kush Orchestra. A tour-de-force, genre-defying work of immersive, accessible and deeply satisfying modern composition, inspired by Robert Creeley’s poem “The Heart”. Jason Sharp has been a fixture of Montréal’s experimental/improv scene for years, chiefly as a saxophonist exploring drone and durational music, while also collaborating in a wide variety of jazz, avant and contemporary music ensembles. He has several prior links to Constellation, notably as a member of Sam Shalabi’s Land Of Kush orchestra, Matana Roberts’ Coin Coin Chapter One band, and as a guest player on Thee Silver Mt. Zion’s 2010 album Kollaps Tradixionales. Sharp’s work as a composer, conductor and band leader in his own right is now featured on A Boat Upon Its Blood, the first album-length recording to be released under his own name: a bracingly meditative multi-movement instrumental work that traverses a compelling arc of shifting energies and intensities, tracing a heterogeneous cycle of minimalisms and maximalisms. Using custom-built equipment to translate amplified breath and heart into variegated sonic triggers, along with other modes of signal processing and in tandem with traditional instrumentation, A Boat Upon Its Blood features Sharp’s own reed playing and contributions from a few guest musicians, particularly Josh Zubot on violin and Joe Grass on pedal steel guitar. Taking its title(s) from Robert Creeley’s poem “The Heart”, A Boat Upon Its Blood deploys the human metronome of amplified pulse as a recurring undercurrent, with compositions that incorporate electro-acoustic and musique concrète strategies, drone, noise, electronics, dissonance, tone poem, layered rhythmic and melodic figures, and improvisation. Recorded by Thierry Amar (Godspeed You! Black Emperor, Thee Silver Mt. Zion, Vic Chesnutt) at the Hotel2Tango in Montréal and mixed and mastered by Jesse Zubot (Tanya Tagaq, Drip Audio Records), A Boat Upon Its Blood is a genredefying tour-de-force of visceral, immersive, highly satisfying contemporary composition. Constellation is thrilled to introduce Jason Sharp as a unique and invigorating voice in new music. Thanks for listening.
C S T 119 ARTIST: TITLE:
CONSTELLATION
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JASON SHARP A Boat Upon Its Blood
TRACKS: 01 02 03 04 05 06 07
A Boat Upon Its Blood Pt. 1 A Boat Upon Its Blood Pt. 2 A Boat Upon Its Blood Pt. 3 In The Construction Of The Chest, There Is A Heart A Blast At Best Still I Sit, With You Inside Me Pt. 1 Still I Sit, With You Inside Me Pt. 2
GENRE: Modern Classical / Experimental DURATION: 38:02 CD IN 100% RECYCLED GATEFOLD PAPERBOARD JACKET 180gLP AUDIOPHILE PRESSING INCLUDES PULL-OUT ART PRINT POSTER + 320KBPS MP3 DOWNLOAD COUPON VINYL IS NON-RETURNABLE NO EXPORT TO ISRAEL
CD BOX LOT: 30 UPC: 666561011925
LP (180g) BOX LOT: 40 UPC: 666561011918
CONSTELLATION 110 VAN HORNE • MONTRÉAL QUÉBEC CANADA • H2T 2J3 www.cstrecords.com (514) 279-9705 info@cstrecords.com Publicity: patricia@cstrecords.com twitter.com/cstrecords
Low
THE EXIT PAPERS
6
56605 32761 LP
7
ARTIST: Low TITLE: The Exit Papers CATALOG: TRR276 RELEASE DATE: September 30, 2016 FORMAT: LP / Digital UPC: 656605327617 BOX LOT: 40 TERRITORY RESTRICTIONS: NONE VINYL IS NON-RETURNABLE TRACK LISTING 1. Untitled 1 (3:37) 2. Untitled 2 (2:27) 3. Untitled 3 (3:22) 4. Untitled 4 (14:44) 5. Untitled 5 (3:18) 6. Untitled 6 (1:18) SALES POINTS Rare LOW EP available on Vinyl and Digital formats for the first time ever. Limited edition of 2,000 copies made available to worldwide retail
PRESS “Few bands have attempted what [Low] have already perfected.” – Pitchfork “Low have always sought to make music that can both swell the heart like a gospel tune and capture the amplified absence of a funeral parlour.” – NME
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“Just plain beautiful.” – Entertainment Weekly
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BIO At the turn of the 21st Century, sandwiched between two of their most iconic albums – Secret Name and Things We Lost In The Fire – Low released The Exit Papers as part of Temporary Residence Ltd.'s long-running CD subscription series, Travels In Constants. A sparse suite of six mostly instrumental pieces composed for a film that never existed, The Exit Papers still stands as Low's most haunting and experimental work. Originally released exclusively on CD in a scarce edition of only 1,000 copies, Low helps celebrate the 20th anniversary of Temporary Residence by finally releasing The Exit Papers on vinyl and all digital formats for the first time ever. The vinyl format of The Exit Papers is a limited edition of 2,000 copies available to retail stores worldwide.
Resina Resina is the alias of Karolina Rec, a cellist/ composer based in Warsaw, who signed to 130701 having sent in this album as a hugely impressive demo late last year. A very accomplished performer with a background in Polish underground music, this eponymous album is her solo debut and sees a rich, atmospheric re-imagining of Polish music rooted in a feeling for indigenous nature / landscape and realized via an intuitive, experimental approach to playing.
Release date: 9/30/16 File Under: Avant/Classical Territory Restrictions: Only available to North America, South America
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00116
13231
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FAT1323 LP UPC: 600116132314 Box: 30 Vinyl is non-returnable
TRACKLISTING 1. Tatry I 2. Flock 3. Tatry II 4. Nightjar 5. Dark Sky White Water 6. Afterimage 7. Not Here
Her playing appears to mimic or suggest certain natural processes / locations / elements –the flocking of birds; the movement of water, clouds, light, wind; the gradual stirring of life in the forest. Track titles reiterate these themes, as does the very name ‘Resina’: the Latin form of resin, “the blood of the tree”. At times recalling the landscape-rooted drone of English composer Richard Skelton, Resina’s pieces feel similarly organic and evocative of nature. Their sprawling growth is awash with tonal / timbral intricacies. Her tracks shimmer and hang around the listener; slowly shift, unfurl and awaken; become increasingly active. Another reference point might be found in Werner Herzog’s musician of choice, Ernst Reijseger, whose powerful cello playing is grounded in a jazz-wise investigation of non-traditional/ non-academic techniques. The album was produced by Maciej Cieslak; a legendary, uncompromising Polish musician and producer. Rec cooperated on numerous projects with Cieslak, who composed the music on the Oscar-nominated Polish documentary ”Rabbit a la Berlin”, on which she played. Recorded in the last week of October 2014 at Cieslak’s Warsaw studio, the album was recorded almost entirely live, with only very minimal post-production (tape delay, reverb plate). Karolina had been working on the album irregularly for a couple of years, with no strong motivation and with many long breaks, until an accident helped force the issue. “I had been writing and playing live music for a theatre performance in Warsaw. During the premiere one of the actors who was carrying my cello onstage fell, breaking its bridge. It was Saturday night; so no luthier was available and next morning we were due to play another performance. Everyone tried to help me find a cello to borrow. We almost gave up, when somehow we found a woman who wanted to sell her instrument and let me borrow it. Eventually finding the money to buy this higher quality cello, it became a huge inspiration to finish the record. “Some things that I couldn't find playing my previous cello came very intuitively with this new one. The difference in the sound and possibilities was the biggest inspiration. Three months later the album was finished and recorded.” ‘Centres” is a stunning album that stands with a similarly unique sense of vision and integrity as the likes of William Basinski or Colin Stetson. Like Ian William Craig’s recent offering on 130701, Resina expands the scope of the label to spaces beyond the congested post-classical sweet spot. A fantastic debut release, ‘Resina’ is an immersive and deeply enchanting album, which unveils a unique and striking new talent.
Key Points *UK IMPORT VINYL* ”mesmerizing” - Boiler Room “transports you to an alternative universe” - Brighton’s Finest
fatcat-usa.com
COMING SOON FROM SECRETLY DISTRIBUTION... October 14TH
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• TERRY ALLEN - LUBBOCK (ON EVERYTHING) | 2xCD (POB027cd) | Paradise of Bachelors PHYS UPC:616892340249 • TERRY ALLEN - LUBBOCK (ON EVERYTHING) | 2xLP (POB027lp) | Paradise of Bachelors PHYS UPC:616892340140 • NILS BECH - ECHO | CD (DFA2504cd) | DFA Records PHYS UPC:829732250428 • NILS BECH - ECHO | LP (DFA2504lp) | DFA Records PHYS UPC:829732250411 • BLACK MARBLE - IT'S IMMATERIAL | Cassette (GI275cass) | Ghostly International PHYS UPC:804297827538 • BLACK MARBLE - IT'S IMMATERIAL | CD (GI275cd) | Ghostly International PHYS UPC:804297827520 • BLACK MARBLE - IT'S IMMATERIAL | LP (GI275lp) | Ghostly International PHYS UPC:804297827513 • BLACK MARBLE - IT'S IMMATERIAL (WHITE VINYL) | LP (GI275lp-C1) | Ghostly International PHYS UPC:804297827506 • BOTANY - DEEPAK VERBERA | CD (WV146cd) | Western Vinyl PHYS UPC:751937436829 • BOTANY - DEEPAK VERBERA | LP (WV146lp-C1) | Western Vinyl PHYS UPC:751937436812 • BUSMAN'S HOLIDAY - POPULAR CYCLES | CD (JNR201cd) | Joyful Noise Recordings PHYS UPC:714270690235 • BUSMAN'S HOLIDAY - POPULAR CYCLES | LP (JNR201lp) | Joyful Noise Recordings PHYS UPC:714270690242 • BUSMAN'S HOLIDAY - POPULAR CYCLES (COLOR VINYL) | LP (JNR201lp-C1) | Joyful Noise Recordings PHYS UPC:714270690259 • C DUNCAN - THE MIDNIGHT SUN | CD (FAT0144cd) | FatCat Records PHYS UPC:600116514424 • C DUNCAN - THE MIDNIGHT SUN | LP (FAT0144lp) | FatCat Records PHYS UPC:600116514417 • CALIFONE - ROOMSOUND (DELUXE REISSUE) | LP (DOC118lp) | Dead Oceans PHYS UPC:656605141817 • CHASMS - ON THE LEGS OF LOVE PURIFIED | CD (FLT036cd) | Felte PHYS UPC:616892389743 • LOREN CONNORS - THE DEPARTING OF A DREAM, VOL. VI | 10" (FV99lp) | Family Vineyard PHYS UPC:656605409917 • TASHI DORJI & TYLER DAMON - BOTH WILL ESCAPE | LP (FV97lp) | Family Vineyard PHYS UPC:656605409719 • DRY BREAD - YAMAR B/W WORDS TO MY SONG | 7" (ES056lp) | Numero Group PHYS UPC:825764705677 • KATIE GATELY - COLOR | CD (TRI038cd) | Tri Angle Records PHYS UPC:616892409847 • KATIE GATELY - COLOR | LP (TRI038lp) | Tri Angle Records PHYS UPC:616892409946 • GUERILLA TOSS - FLOOD DOSED | LP (DFA2498lp) | DFA Records PHYS UPC:829732249811 • GUERILLA TOSS - FLOOD DOSED EP / GIANT CLAW VS GUERILLA TOSS REMIX EP | CD (DFA2527cd) | DFA Records PHYS UPC:829732252729 • ALDOUS HARDING - ALDOUS HARDING | LP (FN566lp) | Flying Nun PHYS UPC:942190363285 • HELADO NEGRO - PRIVATE ENERGY | Cassette (AKR131cass) | Asthmatic Kitty PHYS UPC:656605613413 • KATIE GATELY - COLOR (TRANSPARENT PURPLE W/ OPAQUE MAROON VINYL) | LP (TRI038lp-C1) | Tri Angle Records PHYS UPC:616892425748 • MAGIK*MAGIK - MAGIK*MAGIK | CD (TRANS014cd) | Trans Records/Next Wave PHYS UPC:804879562870 • MAGIK*MAGIK - MAGIK*MAGIK | LP (TRANS014lp) | Trans Records/Next Wave PHYS UPC:616892433842 • MARGOT & THE NUCLEAR SO AND SO'S - THE BRIDE ON THE BOXCAR: A DECADE OF MARGOT RARITIES 2004-2014 | 5xCD (JNR177cd) | Joyful Noise Recordings PHYS UPC:714270690198 • MONO - REQUIEM FOR HELL | CD (TRR273cd) | Temporary Residence Ltd. PHYS UPC:656605327327 • MONO - REQUIEM FOR HELL | 2xLP (TRR273lp) | Temporary Residence Ltd. PHYS UPC:656605327310 • MONO - REQUIEM FOR HELL (GOLD & SILVER VINYL) | 2xLP (TRR273lp-C1) | Temporary Residence Ltd. PHYS UPC:656605327358 • SYBARITE - WAVER THE ABSOLUTE | CD (TRR274cd) | Temporary Residence Ltd. PHYS UPC:656605327426 • SYBARITE - WAVER THE ABSOLUTE | LP (TRR274lp) | Temporary Residence Ltd. PHYS UPC:656605327419 • SYRINX - TUMBLERS FROM THE VAULT | 2xCD (ReRVNG08cd) | RVNG INTL. PHYS UPC:798295512536 • SYRINX - TUMBLERS FROM THE VAULT | 3xLP (ReRVNG08lp) | RVNG INTL. PHYS UPC:798295512529 • THE TWO - AM I A GOOD MAN B/W LOVE HAS TAKEN WINGS | 7" (ES057lp) | Numero Group PHYS UPC:825764705776 • VARIOUS ARTISTS - ALL NIGHT LONG: NORTHERN SOUL FLOOR FILLERS | CD (JD001cd) | Numero Group PHYS UPC:825764001021 • VARIOUS ARTISTS - ALL NIGHT LONG: NORTHERN SOUL FLOOR FILLERS | 2xLP (JD001lp) | Numero Group PHYS UPC:825764001014 • VARIOUS ARTISTS - CAN YOU FEEL THAT BEAT: FUNK 45S AND OTHER RARE GROOVES | CD (JD002cd) | Numero Group PHYS UPC:825764002028 • VARIOUS ARTISTS - CAN YOU FEEL THAT BEAT: FUNK 45S AND OTHER RARE GROOVES | 2xLP (JD002lp) | Numero Group PHYS UPC:825764002011 • VARIOUS ARTISTS - EXTRA ADDED SOUL: CROSSOVER, MODERN, AND FUNKY SOUL | CD (JD003cd) | Numero Group PHYS UPC:825764003025 • VARIOUS ARTISTS - EXTRA ADDED SOUL: CROSSOVER, MODERN, AND FUNKY SOUL | 2xLP (JD003lp) | Numero Group PHYS UPC:825764003018
*All releases are subject to change.
SOUNDCLOUD
------------------------------• 9/30 Mix - https://soundcloud.com/scdistribution/sets/9-30-16-release-preview