New Releases - September 7th / September 14th by Secretly Distribution

NewRel ea s es : S ept ember7t h/S ept ember14t h

SEPTEMBER 7th NEW RELEASES -------------------------------

• STEVEN A. CLARK - WHERE NEON GOES TO DIE | CD (SC361cd) | Secretly Canadian PHYS UPC:656605036120 • STEVEN A. CLARK - WHERE NEON GOES TO DIE (BLACK VINYL) | LP (SC361lp) | Secretly Canadian PHYS UPC:656605036113 • STEVEN A. CLARK - WHERE NEON GOES TO DIE (OPAQUE YELLOW VINYL) | LP (SC361lp-C1) | Secretly Canadian PHYS UPC:656605036137 • SWAMP DOGG - LOVE, LOSS, AND AUTO-TUNE | CD (JNR269cd) | Joyful Noise Recordings PHYS UPC:714270692338 • SWAMP DOGG - LOVE, LOSS, AND AUTO-TUNE (BLACK VINYL) | LP (JNR269lp) | Joyful Noise Recordings PHYS UPC:714270692314 • SWAMP DOGG - LOVE, LOSS, AND AUTO-TUNE (GOLD VINYL) | LP (JNR269lp-C1) | Joyful Noise Recordings PHYS UPC:714270692321 • OLIVER COATES - SHELLEY'S ON ZENN-LA | CD (RVNGNL043cd) | RVNG INTL. PHYS UPC:747742382208 • OLIVER COATES - SHELLEY'S ON ZENN-LA (BLACK VINYL) | LP (RVNGNL043lp) | RVNG INTL. PHYS UPC:747742382192 • MIRAH - UNDERSTANDING | CD (KLP268cd) | K Records PHYS UPC:789856126828 • MIRAH - UNDERSTANDING (BLACK VINYL) | LP (KLP268lp) | K Records PHYS UPC:789856126811 • AVA LUNA - MOON 2 | CD (WV176cd) | Western Vinyl PHYS UPC:843563103395 • AVA LUNA - MOON 2 (BLACK VINYL) | LP (WV176lp) | Western Vinyl PHYS UPC:843563103371 • AVA LUNA - MOON 2 (BONE/MOON COLORED VINYL) | LP (WV176lp-C1) | Western Vinyl PHYS UPC:843563103388 • ONEIDA - EACH ONE TEACH ONE (REISSUE) (BLACK VINYL) | 2xLP (JAG048lp) | Jagjaguwar PHYS UPC:656605204819 • ONEIDA - EACH ONE TEACH ONE (REISSUE) (SILVER VINYL) | 2xLP (JAG048lp-C1) | Jagjaguwar PHYS UPC:656605204833 • AMERICAN NUDISM - NEGATIVE SPACE (BLACK VINYL) | 7" (IPU146lp) | Perennial / K Records PHYS UPC:789856214617

SEPTEMBER 14th NEW RELEASES -------------------------------

• CAPITAL PUNISHMENT - ROADKILL | CD (CT277cd) | Captured Tracks PHYS UPC:817949014452 • CAPITAL PUNISHMENT - ROADKILL (BLACK VINYL) | LP (CT277lp) | Captured Tracks PHYS UPC:817949014445 • CAPITAL PUNISHMENT - ROADKILL (RED VINYL) | LP (CT277lp-C1) | Captured Tracks PHYS UPC:817949015640 • THE HOLYDRUG COUPLE - HYPER SUPER MEGA | CD (SBR212cd) | Sacred Bones Records PHYS UPC:843563105382 • THE HOLYDRUG COUPLE - HYPER SUPER MEGA (BLACK VINYL) | LP (SBR212lp) | Sacred Bones Records PHYS UPC:843563105375 • THE HOLYDRUG COUPLE - HYPER SUPER MEGA (RED VINYL) | LP (SBR212lp-C1) | Sacred Bones Records PHYS UPC:843563105405 • VARIOUS ARTISTS - BASEMENT BEEHIVE: THE GIRL GROUP UNDERGROUND | 2xCD (NUM075cd) | Numero Group PHYS UPC:825764107525 • VARIOUS ARTISTS - BASEMENT BEEHIVE: THE GIRL GROUP UNDERGROUND (BLACK VINYL) | 2xLP (NUM075lp) | Numero Group PHYS UPC: 825764107518 • GUERILLA TOSS - TWISTED CRYSTAL | CD (DFA2607cd) | DFA Records PHYS UPC:829732260724 • GUERILLA TOSS - TWISTED CRYSTAL (BLACK VINYL) | LP (DFA2607lp) | DFA Records PHYS UPC:829732260717 • SANDRO PERRI - IN ANOTHER LIFE | CD (CST136cd) | Constellation PHYS UPC:666561013622 • SANDRO PERRI - IN ANOTHER LIFE (BLACK VINYL) | LP (180 gram) (CST136lp) | Constellation PHYS UPC:666561013615 • MARCUS MARR - FAMILIAR FIVE: REMIXED (BLACK VINYL) | LP (DFA2599lp) | DFA Records PHYS UPC:829732259919 • SPENCER ZAHN - PEOPLE OF THE DAWN (BLACK VINYL) | LP (DDR032lp) | Double Denim PHYS UPC:843563101353

CONTACTS

------------------------------• RETAIL & DOMESTIC SALES - SHELLY WESTERHAUSEN - shelly@secretlydistribution.com - 812.822.3886 • DOMESTIC SALES & MARKETING - ANN JONKER - ann@secretlydistribution.com - 812.822.3884 • INTERNATIONAL SALES & MARKETING - LAUREN BROWN- lauren.brown@secretlydistribution.com - 812.822.3894 • DIGITAL DISTRIBUTION & PROMOTION - CHARLEY KIEFER - charley@secretlydistribution.com - 812.822.3885

LABEL GROUP

------------------------------2062 / Arbutus Records / Acéphale / Asthmatic Kitty / Awesome Tapes From Africa / Bloodmoss / Captured Tracks Cloud Recordings / Constellation / DFA Records / Dead Oceans / Family Vineyard / Felte / Flying Nun / Ghostly International Hometapes / Jagjaguwar / Joyful Noise Recordings / K Records / Lovepump United / Magnetic South / Merge Records No Quarter / Numero Group / Omnian Music Group / Overcoat Recordings / Paradise of Bachelors / PPM / Quarterstick Records Quite Scientific Records / RVNG Intl. / Sacred Bones Records / Secretly Canadian / The Social Registry / Sounds Familyre Suicide Squeeze / Temporary Residence Ltd. / Tomlab / Tri Angle Records / Trouble in Mind / Underwater Peoples We Are Free / Western Vinyl :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Secretly Distribution

1499 West 2nd Street Bloomington, IN 47403 USA

Secretly Canadian

Steven A. Clark Where Neon Goes To Die About the album

Where Neon Goes to Die explores a complex relationship full of highs and lows. From sultry pop to heart aching ballads, the album retells Clark’s travels through the city’s nocturnal fantasyland through hooky, R&B-infused synth pop–file it alongside Prince and Frank Ocean–that (maybe ironically) could fill the floors at the same clubs he’s singing about. But of course when Clark writes about his city he’s really writing about himself. Where Neon Goes to Die retells Clark’s travels through the Miami’s nocturnal fantasyland. At its core, it is the story of a musician casting aside the distractions of his youth and discovering not only a new level of maturity, but a new level to his talents. After a string of mixtapes and EPs, and his 2015 debut LP The Lonely Roller, Clark’s making music more confidently than he ever has before, sliding effortlessly between effervescent future disco on “Feel This Way” to purple-tinged slow-burn soul on “Easy Fall,” a duet with Gavin Turek.

Details

CATALOG NUMBER: SC361 RELEASE DATE: September 7, 2018 FORMAT: CD/Colored LP/Digital CD BOX LOT: 30 COLORED LP BOX LOT: 50 GENRE: R&B KEY MARKETS: Miami, NY, LA, Chicago, Atlanta, Detroit, Seattle, San Francisco TERRITORY RESTRICTIONS: None VINYL NOT RETURNABLE

CD UPC: 656605036120

Selling Points

•P roduced by Boys Noize. •C ollaborations with Denzel Curry and Gavin Turek •F irst Pressing on Limited Edition Yellow Vinyl •T ouring through Fall of 2018

Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 US Domestic Sales Contact: domestic@secretlydistribution.com International Sales Contact: international@secretlydistribution.com

56605 03612 0

COLORED LP UPC: 656605036137

56605 03613 7

DIGITAL UPC: 656605036168

56605 03616 8

Tracks SIDE A:

SIDE B:

1. Maria, Under the Moon 2. Feel This Way 3. Easy Fall (feat. Gavin Turek) 4. On and On 5. Found

6. Did I Hurt U (feat. Denzel Curry) 7. Evil Woman 8. Days Like This 9. War 10. What Can I Do

SWAMP DOGG

Love, Loss, and Auto-Tune I N D I E E XC LU S I V E RELEASE DATE : CATALOG # : AVAILABLE FORMATS : GENRE : BOX LOT QUANTITY : PACKAGING :

September 7, 2018 JNR269

L P - C 1 U P C : 7 1 4 2 70 6 9 2 3 2 1

GOLD VINYL

LP-C1 / LP / CD Soul / R&B 10 LP / 30 CD JACKET / WALLET

L P U P C : 7 1 4 2 70 6 9 2 3 1 4

B L AC K V I N Y L

VINYL NON-RETURNABLE.

VINYL INCLUDES DOWNLOAD

C D U P C : 7 1 4 2 70 6 9 2 3 3 8

TRACK LISTING :

1 2 3 4 5 6 7 8 9

Answer Me, My Love Lonely I'll Pretend I'm Coming With Lovin' On My Mind $$$ Huntin' I Love Me More Sex With Your Ex She's All Mind All Mind Star Dust

RECOMMENDED IF YOU LIKE :

Swamp Dog g Frank Zappa Capt ain Beef hear t Gnarls Barkley Cur tis May field

QUOTES :

OVERVIEW :

2:53 2:39 4:25 4:05 5:31 3:36 4:32 4:32 3:48

In 1970 the Southern soul music maverick Jerry Williams, Jr. made the most radical move of his career. Frustrated with music business politics Williams reinvented himself as Swamp Dogg, an irreverent anti-hero smashing the conventions of commercial R&B music. Swamp Dogg’s debut release Total Destruction to Your Mind featured a post-apocalyptic take on the Muscle Shoals’ sound, with lyrics inspired by the revolutionary politics and psychedelic drugs of the late ‘60s. The music on Total Destruction to Your Mind stood worlds apart from the formulaic pop tunes Williams started cutting in 1954 under the name Little Jerry, and Swamp Dogg hasn’t looked back since. Now, nearly fifty years after his debut release, Swamp Dogg stands on the precipice of another radical reinvention. His latest creation is titled Love, Loss, and Auto-Tune a nine song collection featuring production by Poliça’s Ryan Olson. Love, Loss, and Auto-Tune finds Swamp Dogg’s bluesy southern soul colliding head-on with 21st Century electronic music production techniques. The reference to Auto-Tune in the title is not incidental, the album’s sound is built around Swamp Dogg’s experimentation with the ubiquitous vocal processor. While Auto-Tune has become a fixture of the modern pop music landscape, this is Swamp Dogg’s first major exploration of the device. “Every time I listen to some new music that everybody thinks is the greatest thing since hot biscuits, it's full of Auto-Tune,” Swamp Dogg says. His use of Auto-Tune technology is not gratuitous. Like Kanye West on 808s & Heartbreak, Swamp Dogg utilizes the cold digital tone of Auto-Tune to convey a sense of emotional detachment during the album’s most anguished moments. "The songs are about being lonely,” Swamp Dogg says of Love, Loss, and Auto-Tune. The feeling of loneliness is particularly palpable on the hauntingly beautiful “I’ll Pretend,” which features vocals from Justin Vernon. Swamp Dogg describes the song as a character study about “a guy sitting in a restaurant by himself losing his fucking mind because he’s hoping his woman is gonna walk by, but she's at a Ramada Inn somewhere fucking somebody else to death." Despite the record’s overriding theme of loss, Swamp Dogg’s warped sense of humor is still intact. Let’s remember that we’re talking about an artist who released a “greatest hits” album in 1976 filled entirely with new songs! Swamp’s comic side is evident on “$$$ Hunting,” which rolls out with a funky Zapp-like bounce. There’s also “Sex With Your Ex,” where Swamp Dogg extols the benefits of the song’s title theme over random bursts of feedback and noise. Love, Loss, and Auto-Tune is a gem, a unique and unpredictable moment in the life of a unique and unpredictable artist that some consider a national treasure. “I might be the only one,” Swamp Dogg says. “But I think Swamp Dogg is a national treasure.”

joyful noise recordings 1030 Orange St | Indianapolis, IN 46203

joyfulnoiserecordings.com info@joyfulnoiserecordings.com

Oliver Coates Shelley’s on Zenn-La For Shelley’s on Zenn-La, Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of Shelley’s, and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants. Shelley’s on Zenn-La was made between the Elephant and Castle neighborhood of London and a future dreamscape. In this realm out of time and space, Shelley’s (Laserdome) a once-legendary late 80s / early 90s nightclub in the industrial town of Stoke-on-Trent in the north of England - can simultaneously exist on the fictional planet of Zenn-La, and can house a devotional, alien ritual of early UK rave culture, pioneering IDM, and deep minimalism. Much of the album’s construction extends from specific, self-imposed ambitions; particular palettes applied to individual creative ideas. These limitations become limitless manifestations of theme: two bass lines running in parallel (one cello, one synth), synthesized waveforms phasing with bowed acoustic drones and chords, synth sequences in nonstandard tuning sitting against folk melody in standard tuning. Coates made a lot of the music for Shelley’s in Renoise, composing drum sequences in hexadecimal numbers and pencil drawn waveforms and cementing specificity in the intricate, intelligent dance machinations. Some of Shelley’s tracks veer into and across FM synthesis. “I like hearing how one tone is enriched by another tone modulating the first, resulting in gleaming sets of new harmonics,” says Coates, “I started thinking about placing live cello playing into a chain of antagonism resulting in sounds I found beautiful.” This instinct to poetically process sounds in real life (“sitting on the tube, thinking: I’d remove the low end on that, compress that, add reverb to that”) give Shelley’s an exploratory feel, both guided and unbound, autodidactic by undoing. Shelley’s opens with “Faraday Monument,” matching the enigmatic precedent of the Brutalist box in London the track is named after. chrysanthemum bear’s vocals oscillate over “A Church” singing lyrics to melt metal and minds. Large spaces adjacent to small enclosed ones house the voice of Malibu reading poetry within “Norrin Radd Dreaming.” “Cello Renoise” is built upon the image of two drummers playing to one click track as if in different booths. The great flautist, Kathryn Williams, recreated midi parts to end Shelley’s as a “Perfect Apple With Silver Mark.” Cellist, composer, and producer Oliver Coates has studied at the Royal Academy of Music, been an artist in residency at London’s Southbank Centre, and received the Royal Philharmonic Society Young Artist Award. Coates has contributed to the recordings of Radiohead, and collaborated with Laurie Spiegel and John Luther Adams. He has also been commissioned for string and electronic arrangements by visual artist Lawrence Lek, recorded with composer Jonny Greenwood on the scores for Paul Thomas Anderson’s The Master and Phantom Thread and collaborated with musician Mica Levi on the 2016 album Remain Calm. Oliver Coates’ Shelley’s on Zenn-La is available September 7, 2018 on LP, CD, and digital formats. ARTIST HIGHLIGHTS • Oliver Coates is a British cellist, composer and producer based in London. • Coates has performed solo shows around the world, including China, Russia, Brazil, Egypt, Australia, and New York. • Coates was the winner of the Royal Philharmonic Society Young Artist Award 2011 and is an Artist in Residence at the Southbank Centre. • Coates worked with Radiohead on their most recent album, A Moon Shaped Pool, in addition to opening for the band in Manchester. Coates will open for Thom Yorke on his solo UK / EU tour in May / June 2018. • Coates is a regular collaborator with multi-instrumentalist Jonny Greenwood, having played on his score for Paul Thomas Anderson’s The Master and live renditions of There Will Be Blood and Phantom Thread with the London Contemporary Orchestra; and with Mica Levi, performing on the score for Under The Skin and co-writing their 2016 album Remain Calm. • Coates follows 2016’s Remain Calm and his solo record, Upstepping, with a 16 cello arrangement of Pulitzer Prize-winning US composer John Luther Adams’ 2007 piece Canticles of the Sky, which will appear for the first time in recorded form via RVNG Intl. • Oliver Coates will release his new full-length album Shelley’s On Zenn-La on September 7, 2018. The album features vocal contributions from Malibu and chrysanthemum bear. • 2018 will find Coates performing at key programs across the world, including Le Guess Who (NL), The Jazz Café (LDN), National Sawdust (NYC) and more.

Track Listing 1. Faraday Monument 2. A Church 3. Lime 4. Charlev 5. Norrin Radd Dreaming 6. Cello Renoise 7. Prairie 8. Perfect Apple With Silver Mark 9. Swollen Spiraling Face feat. Malibu (CD Bonus Track) Cat# RVNGNL43

RVNG Intl. PO Box 20752 Tompkins Sq. New York NY 10009 matt@igetrvng.com 718 812 8443 UPC RSD LP — 716670165986

Artist Oliver Coates Title Shelley’s on Zenn-La Genre Electronic / IDM / Neo Release date September 7, 2018 Formats LP / CD / Digital Vinyl Is Not Returnable Non Exportable SRP LP — $18.98 CD — $14.98 Box Lot LP — 25 Inner / 50 Outer CD — 80 Inner, 320 Master Carton

RSD CD — 747742382208

Box 7154, Olympia Washington 98507 (360) 786-1594 k@krecs.com

Mirah Understanding song 1: Counting (2:52) song 2: Information (3:51) song 3: Lake Ocean (2:45) song 4: Lighthouse (5:10) song 5: Blinded by the Pretty Light (3:42) song 6: Ordinary Day (4:12) song 7: Hot Hot (4:12) song 8: Love Jetty (3:26) song 9: Sundial (2:37) song 10: Energy (5:48) catalogue number: KLP268 Release Date: September 7, 2018 Formats: LP, CD, digital album THIS ALBUM IS NON-RETURNABLE LP UPC: 789856126811 CD & Digital Album UPC: 789856126828 Territory Restrictions: NONE Box lot: LP 30, CD 40 List Price: LP $18.98 CD $14.98 Genre: contemporary singer songwriter

Understanding, Mirah’s sixth full length solo record, is a conscious return to her early unconventional recording process – an embrace of spirited imperfection and rawness inclusive of rough takes, natural room sounds and a fair amount of broken equipment. Bathed it he sparkles of disco ball light, Mirah recorded demos with vocals, guitar, organ and percussion in a former army barracks gymnasium at The Headlands Center for the Arts where she spent four weeks as an artist in residence. Once home in Brooklyn, Mirah teamed up with her frequent co-producer Eli Crews (tUnE-yArDs, The Julie Ruin, Son Lux) and invited Deerhoof’s Greg Saunier to join them in the studio. The collaboration sparked new textures and ideas. Building on top of Mirah’s vibrant original tracks they used MIDI to transform a marimba into a distorted farfisa melody, drastically lowered the pitch of vocals until they morphed into sub-bass lines and added layers of distinct timbres from Crews’ extensive vintage synth collection, a mellotron and an ‘80s era Soviet drum machine. Written and recorded in a time of political And personal upheaval – family illness and a death of a dear friend, all in the shadow of the 2016 presidential election and its aftermath – Understanding presents an even hand of political themes, love songs and introspective rallying cries. As Mirah explains, “We all have needs and we all have dreams. We want so much to feel love and to give to each other, to ourselves, to the world. But how does this fit in with the constant barrage of information and distraction, of truth and lies? How do we get through this rapidly fluctuating reality with a sense of resilience and empowerment?” One of the best lyricists of our generation, Mirah uses her sharp intellect, empathy and a measure of levity to shine a light on the world around us and the ways of our own hearts, showing us that understanding is what we all need a little more of. Understanding is the third release on Mirah’s own imprint, Absolute Magnitude Recordings. For promotional information contact terra@terrorbird.com; for booking inquire with nicole@groundcontrolbooking.com. LP and CD UPC below:

ABOUT THIS RECORD On Moon 2 Ava Luna’s de facto band leader Carlos Hernandez steps back, leaving space for the rest of the band members to step up and step into roles they hadn’t occupied on previous albums. Felicia Douglass (now a touring member of Dirty Projectors) worked with percussion and sampler, Julian Fader experimented with synths, nearly every band member ran the computer during recording sessions, and Becca Kauffman (aka performance artist Jennifer Vanilla) composed her first song for the group “On Its Side the Fallen Fire,” a deeply layered orchestral piece of Kate Bush grandeur meets Julia Holter reverie. Compared with previous Ava Luna albums, Moon 2 has fewer sharp turns into dissonance, fewer celebratory guitar parts, none of Hernandez’s signature screams. Nevertheless, the infectious buoyancy of “Deli Run” and “Walking With an Enemy,” are warm and bright, and songs like “Centerline” and “Phoebe (Set it Off)” venture confidently into pop territory. The title track, painting the elation and tumult of a crush, is set against a swaggering reggae bassline and warbling Kraftwerk synths. “It’s like, every sci-fi movie has a nightclub,” says Kauffman. “These are the songs in that nightclub.”

ADDITIONAL INFO

TRACK LIST 01 02 03 04 05 06 07 08 09 10 11 12

Accessible Centerline Childish Leaf Mine Moon 2 Deli Run Set It Off Walking With An Enemy Unless On Its Side The Fallen Moon

2:57 3:55 3:11 3:18 3:14 3:00 3:04 3:56 4:13 3:35 5:06 1:22

PRESS QUOTES

• Limited editon version pressed on moon-colored vinyl

“…pulsating from one energy to another,

• LP packaged in gatefold jacket, CD in gatefold wallet • Lead vocalist Felicia Douglass is now a touring member of Dirty Projectors • R.I.Y.L. Tom Tom Club, Dirty Projectors, Animal Collective, Tune-Yards, Sylvan Esso

suggesting art project and ritual.” – THE NEW YORK TIMES “…irresistibly fun…”

• Hometown: Brooklyn, NY • Key Markets: Brooklyn, NYC, Chicago, Austin, Los Angeles, Boston, Seattle, Portland, Philly, San Francisco, Athens, New Orleans, Raleigh/Durham, Bloomington

– PITCHFORK

“…Ava Luna has infectious, minimalist, ESG-style beats for days.” – SPIN

LP 843563103371

43563 10337 1

LP-C1 843563103388

43563 10338 8

CD 843563103395

43563 10339 5

“…perched

the

brilliance and the abyss."

line

between

- VILLAGE VOICE

Release Date SEPTEMBER 7, 2018

Formats LP / LP-C1 / CD

Packaging GATEFOLD LP JACKET / CD WALLET

Box Lots LP 50 / CD 40

Catalog Number WV176

Genre INDIE / POP

Export Restrictions NONE

Return Policy VINYL IS NON-RETURNABLE

WESTERN VINYL AUSTIN•TEXAS WESTERNVINYL.COM

EXCLUSIVELY DISTRIBUTED BY SECRETLY DISTRIBUTION P:812.335.1572 US DOMESTIC SALES CONTACT: DOMESTIC@SECRETLYDISTRIBUTION.COM INTERNATIONAL SALES CONTACT: INTERNATIONAL@SECRETLYDISTRIBUTION.COM

ONEIDA EACH ONE TEACH ONE (REISSUE) ABOUT THE ALBUM

DETAILS

In 2000-2001, when this album was written, recorded, and conceptualized, Oneida was a pretty hectic organization, committed to confrontation and tragipsych and Wu-Tang and electro relentlessness. The record was made by the original quartet lineup of the band, founded in 1997; and the tour that followed the completion of the album in late 2001 was the final 35-date hurrah of this lineup. When the record finally saw the light of day in early 2002, the band hadn’t broken up but was in a process of irrevocable transformation.

CATALOG NUMBER: JAG048 RELEASE DATE: September 7, 2018 FORMAT: 2XLP GENRE: Psych rock / Indie Rock KEY MARKETS: Brooklyn, New York City, Boston, Philadelphia, San Francisco, Baltimore, Richmond, Chicago, Memphis, Minneapolis, Detroit, Atlanta, Seattle, Portland, Los Angeles TERRITORY RESTRICTIONS: Exclusive to Hostess in Japan

Oneida began as a project, then became a gang. Come On Everybody Let’s Rock (2000) and Anthem of the Moon (2001) were absolutely gang work, and Each One Teach One was a logical final blow. We had been through some intimate dances on the road with the medical and legal professions by this point, and we’d left some blood in most US states – and not always on purpose. So in some respects this record is a baring of scars. Our original label, Turnbuckle Records, had closed its doors with no warning in 1999, giving rise to the oldest tune on the album, “No Label”; and both extended pieces on the record, “Sheets of Easter” and “Antibiotics”, conjoin pain and possibility in some more metaphysical or metaphorical ways that absolutely reflect our collective state of disorientation at the time. The music on Each One Teach One was recorded in several different locations, under different circumstances, and using different compositional techniques. Some of the songs were built piece by piece through the recording and editing process; some were conceptualized ahead of time and approached with some science; and some were pure instinct. All four members of the band worked on composing – like I said, this was a gang doing gang work – and the final result, this album, is an accurate document of Oneida following the turn of the century.

VINYL NOT RETURNABLE

2XLP UPC: 656605204819

56605 20481 9

··

First vinyl pressing of Oneida’s acclaimed ‘Each One Teach One’ for Jagjaguwar

··

Limited edition silver vinyl available Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 US Domestic Sales Contact: domestic@secretlydistribution.com International Sales Contact: international@secretlydistribution.com

56605 20483 3

TRACKS SIDE A:

SIDE B:

1. Sheets of Easter

2. Each One Teach One 3. People Of The North 4. Number Nine 5. Sneak To The Woods

SIDE C:

SIDE D:

6. Antibiotics

7. Rugaru 8. Black Chamber 9. No Label

- Bobby Matador SELLING POINTS

COLORED 2XLP UPC: 656605204833

AMERICAN NUDISM Negative Space E.p.

AMERICAN NUDISM is a co-release presented by K and Perennial. "American Nudism or Gabriel Gutierrez is the former front person of LYSOL. Done with starving on tour in the American underground he has settled in Olympia where he can bathe in synthesized chocolate syrup.” “too much change in too short a time. Can you tell what’s real or unreal? Science fiction becomes future truisms “Vroom- vroom” says the philosopher Change is a cop And he’s an action machine.” 3 tracks 45RPM

ADDITIONAL INFORMATION Tracklist

A1. Negative Space B1. Video Surveillance B2. Future 5-0

Catalog Number: IPU146 Format: 7” Release Date: 07/13/2018 Boxlot: 80 UPC: 789856214617 Genre: Electonic Alternative Packaging: 7”Jackets Vinyls is Non-Returnable. Territory Restrictions: none

7” Vinyl

BOX 2084 OLYMPIA, WASH. 98507, U.S.A. WWW.PERENNIALDEATH.COM

BOX 7154 OLYMPIA, WASH. 98507, U.S.A. 360.786.1594 / FAX 360.786.5024 WWW.KRECS.COM

This avant pop project features Olympia, WA performance artist and frontperson Gabriel Gutierrez (LYSOL). Recorded in a mix of self produced home sessions and continued teamwork of the seminal Olympia Engineer Captain Tripps Ballsington (Milk Music, CC Dust, Gun Outfit), this release continues the Olympia tradition of singular artist blazing trails for others to soon follow. Look for the videos for single “Future 5-0” Along with a West Coast tour to follow in support of this 7”. “Sick synth-pop from the genius mind of Gabriel Gutierrez (Lysol/VATS). Imagine The Normal's Warm Leatherette and a 1980's Sci-fi movie soundtrack.” (RICHTER SCALE RECORDS)

CAPITAL PUNISHMENT Roadkill - LP/CD

• Reissue of 1982 privately pressed NYC post punk LP • Actor Ben Stiller’s high school band • Other members include a future musician/ financial planner, professor of Slavic Studies, and a Arizona Supreme Court judge • The band has been rehearsing and hopes to play some special shows in 2018/ 2019

C T - 27 7 1. N ecronomicon 2. Road k i l l 3. C onf u s i on 4. Muz ak A nony m ou s 5. A ll Ju s t I n Pas s i ng 6. De lt a T i m e 7. C re at ures Of T he D a r k (N ig h t ) 8. C osm os 9. J ohn ’ s For go t t en L a n d (Pa r t s 1, 2 , & 3 ) 10 . N ecronomicon ( Re p r is e ) 11. Wa i t i n g To S e e Yo u 12 . Helen

LP UPC: 817949014445

COLORED VINYL UPC: 817949015640

Captured Tracks is thrilled to announce the reissue of Capital Punishment’s 1982 sole LP Roadkill. For a band of high school weirdos who actually got their shit together enough to make a completely uncommercial album with no means to sell it shows a lot of determination, persistence and perhaps insanity. But it’s always those kinds of weirdos who go on to do great things – just ask Judge Peter Swann, Professor Peter Zusi, Kriss Roebling and Ben Stiller.

RELEASE DATE: September 14, 2018 GENRE: POST PUNK / INDUSTRIAL / PUNK

CD UPC: 817949014452

CD FORMAT: JEWEL CASE CD BOXLOT: 30 EXPORT: WORLD

If I were to tell you that a band of NYC teenagers who met in 1979 decided to form a band influenced by Cabaret Voltaire, Throbbing Gristle, Eno, Chrome and released a privately pressed record, it would be enough to pique your interest. When you find out the band consisted of a future Supreme Court Justice for Arizona, a Professor of Slavic Studies, a Musician/Documentarian whose family built the Brooklyn Bridge, and an A-list world-famous actor the story goes from being about another rare, privately pressed recording that’s been re-discovered, into something that’s pretty incredible.

LP FORMAT: LP + MP3s LP BOXLOT: 45 EXPORT: WORLD NON-RETURNABLE

“I was in a band in high school -- it was called Capital Punishment, and it was sort of a post punk-neo-goth-urbanexperimental band... I was sort of the Ringo of the band.” - Ben Stiller on The Tonight Show with Jimmy Fallon

US Press: Lisa Gottheil - lisag@grandstandhq.com UK Press: Chris Cuff - chris.cuff@goodmachinepr.com

The Holydrug Couple Hyper Super Mega 1 2 3 4 5 6 7 8 9 10 11

track listing: Hyper Super Mega (3:58) Waterfalls (4:20) Forever End (4:00) Ikebana Telephone Line (4:14) Lucifer’s Coat (2:11) I’ll Only Say This (5:01) Easy (4:14) Chevalier (2:53) Hotel Cache (5:13) Western Shade (1:54) Mercury Lake (3:49)

Key Information / Selling Points: Hometown / Key Markets: • Santiago, Chile; New York, Los Angeles, San Francisco, Portland, Austin

It was 10 years ago, in a house on the outskirts of Santiago, Chile, that Ives Sepúlveda Minho and Manuel Parra started playing music together, and The Holydrug Couple was effectively born. A decade later, they’ve made Hyper Super Mega, an album that represents the culmination of everything they’ve learned in their years as a band. If Hyper Super Mega feels like a classic pop record, that’s because Sepúlveda and Parra spent much of the recording process thinking about the classic pop records of the ’60s and ’70s. Masterpieces by bands like The Beatles, The Beach Boys, and Fleetwood Mac were all reference points, not always explicitly in sound, but certainly in spirit. The duo approached the mythos of the “classic album” from their own inimitable psych-pop perspective, hoping to make a record that felt authentically like The Holydrug Couple that could fit into the same canon. By that criterion, Hyper Super Mega is a massive success. All the elements that made the band’s previous albums Noctuary and Moonlust great are distilled to their purest essence and rendered in obsessive detail. Not only is Hyper Super Mega the most fully realized Holydrug Couple album to date, it’s also the best-sounding. In the three years since the release of the relatively low-budget Moonlust, the band went out and got a bunch of new gear, including high-end mics and synths. For Sepúlveda, that was revelatory. “It gave me a wider palette of sounds that I wasn’t aware of,” he explains. “That helped me to center more on details and the different emotions that different sounds and ways of singing can give you.” That expanded palette led to songs like “Waterfalls” and “I’ll Only Say This,” which trade the bedroom vibes of the band’s earlier work for widescreen pop bliss. Even the experiments, like the electronic-meets-acoustic “Easy,” are as selfassured as anything the band has done. Hyper Super Mega is a capsule history of The Holydrug Couple, incorporating a decade of experience recording, touring the world, and absorbing the sights and sounds of their native Chile. It marks the 10th anniversary of a band whose next 10 years look even brighter.

Selling Points / Key Press: • Red vinyl limited to 1000 units • New album by the Chilean psych-pop band marks their 10th anniversary • Playing Desert Daze in California in October and touring U.S. and Europe throughout fall and winter • The most polished, hi-fi recording by the band to date • Previous album Moonlust was a streaming hit, garnering 2.7 million plays to date Related Catalog: • SBR-045 The Holydrug Couple Ancient Land 12" ep • SBR-086 The Holydrug Couple Noctuary CD/LP • SBr-129 The Holydrug Couple Moonlust cd/LP RiYL: Tame Impala, Beach Fossils, The Beach Boys catalog #: sbr-212 genre: Alternative/Psych/Pop Release Date: 9-14-2018 available formats: CD, LP, lp-c1 UPC-CD: 843563105382 UPC-lp: 843563105375 UPC-lp-c1: 843563105405 export restrictions: none Vinyl is not returnable Box Lot: cd 30 / lp 30 label contact: Sacred Bones Records 144 N. 7th Street #413 Brooklyn, NY 11211 info@sacredbonesrecords.com

red vinyl lp

Numero Group

Various Artists: Basement Beehive: The Girl Group Underground Catalog Number: NUM075 Artist: Various Artists Title: Basement Beehive: The Girl Group Underground Release Date: 9/14/2018 UPC: 2xLP: 825764107518 2xCD: 825764107525 Available format: 2xLP, 2xCD Genre: Pop, Oldies, Girl Groups Box Lot: 2xLP: 15, 2xCD: 40 Territory Restrictions: None Vinyl is not returnable Track Listing

A - These 4 sides are Disc 1 of CD format

Who do we become when we live our dreams? It’s all here— the high hairdos, the dreams and schemes, the tender camp, the wedding bell fantasias and chaste tragedies. Sister acts, studio receptionists, classmates, angelic voices of the 1960s; some legendary, many hidden in the basement of expired rainbows. Gathered on this deluxe double LP (or CD) are 28 (56 on the compact disc!) foiled escape attempts, now free to soar in girl group heaven. Disc 2 of CD format

1. Chapells - You’re Acting Kind of Strange 2. The Hill Sisters - Oh My Sweet Love 3. Toni & the Hearts - Never Change Our Love 4. The Devilettes - I’m Leaving You 5. The Chantells with the Aqua Lads - Don’t Look 6. Vickie & the Van Dykes - Baby I’m Crying 7. Paulette & the Cupids - He’ll Wait On Me 8. The Dreamliners - The Lonely Fool 9. The Petites - Lonely Girl 10. The Passionetts - My Plea 11. The Tonettes - My Heart Can Feel The Pain 12. The Para-Monts - I Don’t Wanna Lose You 13. Dotty McCullum - For As Long As You Want Me 14. The Shades - Tell Me Not To Hurt 15. The Monzas - Ain’t It The Truth 16. The Voices - Forever Is A Long, Long Time 17. The Rayons - You Confuse Me Baby 18. The Vandelettes - He’s All Mine 19. Devotions - Devil’s Gotten Into My Baby 20. The Belles - Come Back 21. The Mellow Dawns - I’m Sorry Baby 22. The Cineemas - A Crush On You 23. The Contessas - Gimme Gimme 24. Charles Pikes & the Scholars - What Do You Do 25. The Four J’s - The Nursery 26. The Soulettes - It’s Alright 27. Judi & the Affections - Ain’t Gonna Hurt My Pride 28. Bernadette Carroll - The Humpty-Dump

1. The Four J’s – Will You Be My Love 2. The Chantells with the Aqua Lads - I’ll Never Know 3. The Passionettes - My Fault 4. The Tonettes - I Gotta Know 5. Vickie & the Van Dykes - I Wanna Be A Winner 6. The Vandelettes - A Love Of Mine 7. The Devilettes - I’ll Say Yes B 1. Dot & the Velvelettes – Searching For My Man 2. Chapells - Help Me Somebody 3. Devotions - Same Old Sweet Lovin’ 4. The Hill Sisters – My Lover 5. The Soulettes - Find Somebody New 6. The Mellow Dawns – I Don’t Believe 7. The Cineemas - Never Gonna Cry C 1. Judi & the Affections – Dum, Dum, De Dip 2. The Para-Monts – Come Go With Me 3. The Belles - Melvin 4. The Petites - I Believe (The Man Loves Me) 5. The Voices - Fall In Love Again 6. Charles Pikes & the Scholars - Unlucky In Love 7. The Contessas – Broken Heart D 1. The Shades - I Won’t Cry 2. The Monzas - Where Is Love 3. Toni & the Hearts - Thank You Baby 4. The Dreamliners - From One Fool To Another 5. The Rayons - Baby Be Good (While I’m Gone) 6. Paulette & the Cupids - Teenage Dropout 7. Bernadette Carroll - Laughing On The Outside

2xLP

2xCD

Guerilla Toss Twisted Crystal

Analog synthesizers give tangible life to the works of Guerilla Toss. Whether it be the sound of a rocket ship, a kitten-with-a-wah, distorted dolphins, or a clavichord made out of honey-baked ham, the band consistently finds new ways to bring together the many ideas that combine to shape each new batch of art-rock puzzle pieces. Twisted Crystal, Guerilla Toss’ new LP, feels more personal than ever for the band. Angular yet irresistibly catchy, this collection of pop songs pulls influence from powerful groups like The Slits, ESG, Gina X, and early Madonna, with sing-speak vocals from Kassie Carlson nodding to legendary artists like Laurie Anderson, Grace Jones, and Lizzy Mercier Descloux – combining this all into a twisted, crystalline concoction. Oracles and enigmatic egos are common lyrical themes, but charismatic instrumentality springs the listener back to extraterrestrial comfort. Old favorite sounds ring true from the trusty Sequential Circuits Six Track Synthesizer and Clavia Drum Machine. New, more refined sounds are molded and polished by drummer/producer Peter Negroponte, whose passion for perfection and creation goes far beyond an all-consuming Tetris effect. Peter has truly excelled on this new recording, creating a complex networks of beats and sound that become easily intertwined with the rhythmic fabric of life. Raised in a devoutly religious family, vocalist Kassie Carlson started performing at the age of five. She often participated in large pastoral choral performances, as well as her family’s four-part harmony gospel quartet, making her no stranger to the stage. Growing up under the fear of God leaves a distinct footprint on your perception. An omnipresent male dictates not only your present waking life but also the rest of your eternity. Discovering a rock band was more than self-expression for Kassie, it was a manifestation of a self-healing temple, a personal pipeline for power. What better way to part the waters of toxic sludge than a matriarchal shout? Arian Shafiee, Guerilla Toss’ resident textural-guitar guru, is inspired by aspects of non-Western tuning and extended techniques. He designs moments of dense, glistening, pitch-shifted harmony and measured strumming that link classical impressionism to no-wave and early minimal music. His recent solo work truly comes through on this new record, as he tethers fantastical surreality to noise rock to deconstructed Middle Eastern pop music. Keyboardist Sam Lisabeth paws the keys with distinct virtuosity and expressive sass. A new member, Stephen Cooper (of the band Cloud Becomes Your Hand), binds the group with an urgent, disciplined, and melodic style. The hypnotic, ostinato-like basslines and up front rhythm tracks guide and grip each song like gravity, keeping the listener from swirling off into the cosmos. In albums past, Kassie’s performances resembled more of a manic, possessed high priestess; humming at the gates of hell, hacking telepathy and tugging the strings of every audience member. Twisted Crystal goes beyond this familiar darkness, leading us into a rhythmically calming charm with deep wisdom, serenity, and understanding. What is a twisted crystal? And who told you it would heal? At times the listener wanders through mazes of dizzying, alternately pulsing time signatures, but the roads always bounce, meet and magically snap back together. That meditative groove, both live and in the studio, has become signature for Guerilla Toss, drawing deep influence from 70s krautrock and experimental rock music like Tom Tom Club, Talking Heads, Brian Eno, Neu!, Cluster, Todd Rundgren, and La Dusseldorf. A constantly evolving, living breathing entity, the band now presents the album Twisted Crystal. Enjoy the same surrealistic, kinetic healing energy of live Guerilla Toss, today in your own home.

Catalog Number: Formats: Release Date: LP UPC: CD UPC:

DFA2607 LP, CD, Digital September 14, 2018 829732260717 829732260724 Vinyl is non-returnable. LP Box Lot: 30 CD Box Lot: 50 Territory Restrictions: World Genre: Electronic, Dance, Indie Rock RIYL: Talking Heads, Lizzy Mercier Descloux, Brian Eno, Todd Rundgren, Gang Gang Dance LP 01. Magic Is Easy 02. Jesus Rabbit 03. Meteorological 04. Hacking Machine 05. Retreat 06. Come Up With Me 07. Walls Of The Universe 08. Jackie’s Daughter 09. Green Apple

Tracklist

CD 01. Magic Is Easy 02. Jesus Rabbit 03. Meteorological 04. Hacking Machine 05. Retreat 06. Come Up With Me 07. Unicorn Cigarette 08. Walls Of The Universe 09. Jackie’s Daughter 10. Green Apple

LP UPC

CD UPC

“Magic is Easy. Hypnotize yourself well.”

SANDRO PERRI In Another Life CD • 180gLP • DL Release Date: 14 September 2018

The first solo album from Sandro Perri since 2011’s acclaimed Impossible Spaces (Best New Track, Top 50 Albums Of The Year – Pitchfork) Features Dan Bejar (Destroyer) and André Ethier (The Deadly Snakes) as guest lead vocalists on the three-part opus “Everybody’s Paris”

RIYL: Van Morrison, Morton Feldman, Destroyer, Bill Callahan, Yo La Tengo, Arthur Russell Sandro Perri returns with In Another Life, his first new solo album since the acclaimed Impossible Spaces from 2011 (which garnered a Best New Track and Top 50 Albums of 2011 from Pitchfork, among many other accolades). Perri has been called “one of the most singular producers in contemporary music” (Boomkat) and his long affiliation with Constellation through various electronic and singersongwriter guises (Polmo Polpo, Glissandro 70, Off World) has produced a uniquely adventurous and iconoclastic discography. In Another Life expands on this in peerless fashion. The new album is what Perri describes as “an experiment in ‘infinite’ songwriting.” The title track is a 24-minute pop mantra for sequenced synth, piano, guitar and voice, progressing sideways rather than forward. A relaxed three-chord vamp runs the length of the album’s Side One, peppered with Sandro’s languid, lilting vocal and adorned with continually developing musical details – massaging the listener with the joys of repetition while defying stasis and monotony. Like the longer-form work of fellow-travellers Bill Callahan, Destroyer or Arthur Russell, Perri extends the notion of the meditative minimalist pop song to its literal maximum, flouting ‘commercial’ concerns in our streamingly short-attention-span era – and perhaps implicitly calling for a politics of slow consumption? The lyric of “In Another Life” suggests as much, moving through bemused critiques and degrees of equivocation about unrealized utopias, culminating with the final stanza: “Beyond the choice of create or destroy / inherit, steal, gift or employ / Fair is far too small a word we’d enjoy / In another life / So hold a promise no bigger than two hands / Hope scaled and re-read in human / And not reduced to a list of demands / In another life.” Side Two of In Another Life features a similar approach, though in a distinct 3-part series: “Everybody’s Paris” begins with Perri on vocals, with the mic then handed over to André Ethier (The Deadly Snakes) and Dan Bejar (Destroyer) respectively, who each take a vocal turn singing lyrics of their own. Sandro calls this “a song-cycle designed to accept any lyrical variation fed into it: a fill-in-the-blanks questionnaire in the form of a song.” Of course “Everybody’s Paris” ends up being much more than this, with the evocative phrase of the song’s title serving as the lyrical tent pole and recurring refrain; an anchor point for signification and sentiment that intentionally belies the suggestion of anything prosaic or administrative about Perri’s formal conceit. In the hands of these three master lyricists and voices – and with Perri subtly reconfiguring the instrumentation and arrangements for each of the three parts – “Everybody’s Paris” emerges as a profound and fitting sibling (a set of triplet brothers?) to Side One’s ‘infinite’ title track. The result is a gently yet enormously affecting album that basks thoughtfully and discerningly in a slow, sweet melancholia. In Another Life is a supremely listenable return to form for Sandro Perri, the music like a temporal analogue to a tender nature tableau registering slight changes under shifting light and a meditative gaze: at once appearing to signify only itself, while auguring the promise of harmonious life. Thanks for listening.

CST136 CONSTELLATION TRACKLIST: 01 In Another Life 02 Everybody’s Paris Pt 1 03 Everybody’s Paris Pt 2 (feat. André Ethier) 04 Everybody’s Paris Pt 3 (feat. Dan Bejar) DURATION: 43:58 GENRE: Singer-Songwriter, Indie 180gram vinyl (pressed at Optimal, Germany) includes 12”x24” art print poster + 320kbps DL card VINYL IS NON-RETURNABLE NO EXPORT TO ISRAEL

BOX LOT: 30 UPC: 666561013622

LP (180gram)

BOX LOT: 35 UPC: 666561013615

CONSTELLATION www.cstrecords.com Contact & Publicity: (514) 279-9705 pr@cstrecords.com twitter.com/cstrecords

Marcus Marr

Familiar Five: Remixed Marcus Marr shares his Familiar Five: Remixed EP. The remixed tracks first appeared on the UK producer’s Familiar Five EP, released earlier this year. The new record will feature remixes from Justin Van Der Volgen, Prosumer, Gerd Janson and Ara Koufax. “It was fun to ask some of my favourite producers to remix these tracks,” notes Marr. “I love Gerd’s remixes and play them loads. Prosumer is a great producer and I’ve been a fan of his for ages. Justin Van Der Volgen I also love - his originals and his remixes are always interesting. And Ara Koufax I’ve been a fan of since their tune ‘Brenda.’” Marr is no stranger to collaboration, working with Australian musician Chet Faker on 2015’s Work EP. Work yielded two hit singles, “Birthday Card” (Annie Mac’s BBC Radio 1 first play, #1 Hype Machine) and “The Trouble with Us” (#1 Hype Machine). The Familiar Five EP, however, shows him in his individual element, an artist and performer who understands just how to make superb music for both man and machine. A regular at Berlin’s famed nightclub Berghain/Panorama Bar since 2014, Marcus Marr recently performed a string of single launch dates in North America with The Juan Maclean. He has previously toured with the likes of Hot Chip, Floating Points, Jacques Greene and Optimo, and has performed at the highly regarded MoMa PS1 Warm Up series, Day For Night Festival and Art Basel Miami. Marcus has also contributed mixes to Beats in Space and Boiler Room.

DFA2599 LP, Digital September 14, 2018 829732259919 Vinyl is non-returnable. 10 LP Box Lot: Territory Restrictions: World Electronic, Dance Genre: Todd Terje, John Talabot, Pional, Leon RIYL: Vynehall, Prins Thomas, Lauer Catalog Number: Formats: Release Date: LP UPC:

Tracklist

01. Love Release (Ara Koufax Remix) 02. High Times (Gerd Janson Discotheque Mix) 03. Familiar Five (Justin Van Der Volgen Remix) 04. Rocketship (Prosumer’s Retransmission)

LP UPC

SPENCER ZAHN PEOPLE OF THE DAWN!

Side A: 1. People of the Dawn 2. End of Empathy 3. Wayward 4. Cyanotype

Side B: 5. Avalanche 6. A Life Apart 7. Back Down the Light 8. Deep Breath 9. Solstice

!! !!

Catalog #: DD032 Release Date: September 14, 2018 Format: LP/Digital

! ! !! ! !

LP Box Lot: 20 Genre: Electronic/Jazz Key Markets: US/UK Vinyl Not Returnable LP UPC: 843563101353

People of the Dawn is the debut album from Spencer Zahn, bassist, multi- instrumentalist, and composer. He has spent the last several years as an in-demand sideman and collaborator, touring and recording with artists from across a wide musical spectrum. While traveling as a bassist and keyboard player, Zahn started recording synthesizer experiments in his off time. These experiments - musical snapshots of cities all over the world - became the foundation of People of the Dawn, an album that seeks to merge the chaotic wisdom of jazz improvisation with the warm pulse of electronica. People of the Dawn sees Zahn step away from the stage and into the studio with his own boundary pushing ideas. The record centers around the bass as a sound and instrument of melodic expression. Using the bass as an anchor for spectral synth textures, Zahn weaves the acoustic and electronic together. Throughout the record there's a dialogue between experimental electronics and contemporary jazz motifs that feels like uncharted territory. The result is a strange new map that casts Zahn as both cartographer and explorer of the sound. Dawn was recorded in Brooklyn in collaboration with producer Dave Harrington, virtuoso guitarist and member of electronic duo, Darkside. The album features Zahn in conversation with Harringtonâ&#x20AC;&#x2122;s electronic processing, manipulating acoustic instruments in real-time, the two longtime collaborators searching for, and creating, new forms for improvising. People of the Dawn was made in the spirit of a jazz album with the tools of contemporary electronic music.

COMING SOON FROM SECRETLY DISTRIBUTION... SEPTEMBER 21st

-------------------• BEAK> - >>> | CD (TRR309cd) | Temporary Residence Ltd. PHYS UPC:656605330921 • BEAK> - >>> (BLACK VINYL) | LP (TRR309lp) | Temporary Residence Ltd. PHYS UPC:656605330914 • BEN PIRANI - HOW DO I TALK TO MY BROTHER? | Cassette (CLMN12021cass) | Colemine Records PHYS UPC:659123101943 • BEN PIRANI - HOW DO I TALK TO MY BROTHER? | CD (CLMN12021cd) | Colemine Records PHYS UPC:659123101929 • BEN PIRANI - HOW DO I TALK TO MY BROTHER? (BLACK VINYL) | LP (CLMN12021lp) | Colemine Records PHYS UPC:659123101936 • BEN PIRANI - HOW DO I TALK TO MY BROTHER? (BLUE VINYL) | LP (CLMN12021lp-C1) | Colemine Records PHYS UPC:659123101912 • PHILIP CORNER - EXTREEMIZMS | CD (UW021cd) | Unseen Worlds PHYS UPC:766008587836 • AMY DOUGLAS - NEVER SAW IT COMING (BLACK VINYL) | 12" (DFA2600lp) | DFA Records PHYS UPC:829732260014 • FIELDWORKS - BOX SET (BLACK VINYL) | 7xLP (TRR304lp) | Temporary Residence Ltd. PHYS UPC:656605330419 • HEATHER BENJAMIN - CAVEGIRL MONOLOGUE//TOTALLY RUINED | Book (SBB007book) | Sacred Bones Records PHYS UPC:843563103036 • LONNIE HOLLEY - MITH | CD (JAG316cd) | Jagjaguwar PHYS UPC:656605231624 • LONNIE HOLLEY - MITH (BLACK VINYL) | LP (JAG316lp) | Jagjaguwar PHYS UPC:656605231617 • LONNIE HOLLEY - MITH (SMOKE VINYL) | LP (JAG316lp-C1) | Jagjaguwar PHYS UPC:656605231631 • LONNIE HOLLEY - MITH (SECRETLY SOCIETY EXCLUSIVE) (JUPITER PURPLE VINYL) | LP (JAG316lp-C2) | Jagjaguwar PHYS UPC:656605231648 • LONNIE HOLLEY - MITH | Cassette (JAG316cass) | Jagjaguwar PHYS UPC: • INDI - PRECIPICE (BLACK VINYL) | LP (FN582lp) | Flying Nun PHYS UPC:942190363629 • JR. THOMAS & THE VOLCANOS - CHIN UP / SPELLBOUND (BLACK VINYL) | 7" (CLMN165lp) | Colemine Records PHYS UPC:674862653645 • JR. THOMAS & THE VOLCANOS - CHIN UP / SPELLBOUND (OPAQUE YELLOW VINYL) | 7" (CLMN165lp-C1) | Colemine Records PHYS UPC: 674862653638 • RIMARIMBA - RIMARIMBA (BLACK VINYL) | 4xLP (FTS008box) | Freedom To Spend / RVNG INTL. PHYS UPC:603786278948 • THE SHIFTERS - HAVE A CUNNING PLAN | Cassette (TIM138cass) | Trouble In Mind PHYS UPC: • THE SHIFTERS - HAVE A CUNNING PLAN (BLACK VINYL) | LP (TIM138lp) | Trouble In Mind PHYS UPC:630125983089 • THE SHIFTERS - HAVE A CUNNING PLAN (ORANGE VINYL) | LP (TIM138lp-C1) | Trouble In Mind PHYS UPC:630125983096 • BROCKER WAY - WILD WILD COUNTRY (ORIGINAL MUSIC FROM THE NETFLIX DOCUMENTARY SERIES) | CD (WV179cd) | Western Vinyl PHYS UPC: 843563103500 • BROCKER WAY - WILD WILD COUNTRY (ORIGINAL MUSIC FROM THE NETFLIX DOCUMENTARY SERIES) (BLACK VINYL) | LP (WV179lp) | Western Vinyl PHYS UPC:843563103487 • BROCKER WAY - WILD WILD COUNTRY (ORIGINAL MUSIC FROM THE NETFLIX DOCUMENTARY SERIES) (TRI-COLORED VINYL (TWO OUTER STRIPES OF MAROON, AND AN INNER STRIPE OF ORANGE) VINYL) | LP (WV179lp-C1) | Western Vinyl PHYS UPC:843563103494

*All releases are subject to change.

SPOTIFY

------------------------------• 9/07 + 9/14 Mix - https://open.spotify.com/user/oq0bngi2l32cphjlf1pbyxpfv/playlist/09FeORwxqf8m1FsTRFYKGu