NewRel eas es : Apr i l6t h& Apr i l13t h
APRIL 6TH NEW RELEASES -------------------------------
• UNKNOWN MORTAL ORCHESTRA - SEX & FOOD | Cassette (JAG322cass) | Jagjaguwar PHYS UPC:656605232287 • UNKNOWN MORTAL ORCHESTRA - SEX & FOOD | CD (JAG322cd) | Jagjaguwar PHYS UPC:656605232225 • UNKNOWN MORTAL ORCHESTRA - SEX & FOOD (BLACK VINYL) | LP (JAG322lp) | Jagjaguwar PHYS UPC:656605232218 • UNKNOWN MORTAL ORCHESTRA - SEX & FOOD (OPAQUE PINK VINYL) | LP (JAG322lp-C1) | Jagjaguwar PHYS UPC:656605232232 • UNKNOWN MORTAL ORCHESTRA - SEX & FOOD (OPAQUE BLUE VINYL) | LP (JAG322lp-C2) | Jagjaguwar PHYS UPC: • MIND OVER MIRRORS - BELLOWING SUN | CD (POB040cd) | Paradise of Bachelors PHYS UPC:616892530442 • MIND OVER MIRRORS - BELLOWING SUN (BLACK VINYL) | 2xLP (POB040lp) | Paradise of Bachelors PHYS UPC:616892530343 • MAKENESS - LOUD PATTERNS | CD (SC353cd) | Secretly Canadian PHYS UPC:656605035321 • MAKENESS - LOUD PATTERNS (BLACK VINYL) | LP (SC353lp) | Secretly Canadian PHYS UPC:656605035314 • MAKENESS - LOUD PATTERNS (YELLOW VINYL) | LP (SC353lp-C1) | Secretly Canadian PHYS UPC:656605035338 • AIR WAVES - WARRIOR | CD (WV167cd) | Western Vinyl PHYS UPC:616892539544 • AIR WAVES - WARRIOR (BLACK VINYL) | LP (WV167lp) | Western Vinyl PHYS UPC:616892539445 • AIR WAVES - WARRIOR (CRYSTAL CLEAR VINYL) | LP (WV167lp-C1) | Western Vinyl PHYS UPC:616892567448 • PAUL DE JONG - YOU FUCKEN SUCKER | CD (TRR298cd) | Temporary Residence Ltd. PHYS UPC:656605329826 • PAUL DE JONG - YOU FUCKEN SUCKER (BLACK VINYL) | LP (TRR298lp) | Temporary Residence Ltd. PHYS UPC:656605329819 • ZOLA JESUS - OKOVI: ADDITIONS (BLACK VINYL) | LP (SBR197lp-C1) | Sacred Bones Records PHYS UPC:616892568247 • EN ATTENDANT ANA - LOST AND FOUND | CD (TIM133cd) | Trouble In Mind PHYS UPC:630125983263
APRIL 13TH NEW RELEASES -------------------------------
• A PLACE TO BURY STRANGERS - PINNED | CD (DOC138cd) | Dead Oceans PHYS UPC:656605143828 • A PLACE TO BURY STRANGERS - PINNED (BLACK VINYL) | LP (DOC138lp) | Dead Oceans PHYS UPC:656605143811 • A PLACE TO BURY STRANGERS - PINNED (DELUXE) | 2xCD (DOC168cd) | Dead Oceans PHYS UPC:656605146829 • A PLACE TO BURY STRANGERS - PINNED (BAD THINGS DELUXE LP EDITION) (BLACK VINYL) | 2xLP (DOC168lp) | Dead Oceans PHYS UPC:656605146812 • GOLDMUND - OCCASUS | CD (WV169cd) | Western Vinyl PHYS UPC:616892558743 • GOLDMUND - OCCASUS (BLACK VINYL) | LP (WV169lp) | Western Vinyl PHYS UPC:616892558545 • GOLDMUND - OCCASUS (WHITE W/ BLACK MARBLING VINYL) | LP (WV169lp-C1) | Western Vinyl PHYS UPC:616892558644 • CHRISTOPHER LARKIN - HOLLOW KNIGHT (BLACK VINYL) | 2xLP (GR036lp) | Ghost Ramp PHYS UPC:616892542544
CONTACTS
------------------------------• RETAIL & DOMESTIC SALES - SHELLY WESTERHAUSEN - shelly@secretlydistribution.com - 812.822.3886 • INTERNATIONAL SALES & MARKETING - LAUREN BROWN- lauren.brown@secretlydistribution.com - 812.822.3894 • DIGITAL DISTRIBUTION & PROMOTION - CHARLEY KIEFER - charley@secretlydistribution.com - 812.822.3885
LABEL GROUP
------------------------------2062 / Arbutus Records / Acéphale / Asthmatic Kitty / Awesome Tapes From Africa / Bloodmoss / Captured Tracks Cloud Recordings / Constellation / DFA Records / Dead Oceans / Family Vineyard / Felte / Flying Nun / Ghostly International Hometapes / Jagjaguwar / Joyful Noise Recordings / K Records / Lovepump United / Magnetic South / Merge Records No Quarter / Numero Group / Omnian Music Group / Overcoat Recordings / Paradise of Bachelors / PPM / Quarterstick Records Quite Scientific Records / RVNG Intl. / Sacred Bones Records / Secretly Canadian / The Social Registry / Sounds Familyre Suicide Squeeze / Temporary Residence Ltd. / Tomlab / Tri Angle Records / Trouble in Mind / Underwater Peoples We Are Free / Western Vinyl :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Secretly Distribution
1499 W. Bloomfield Road Bloomington, IN 47403 USA
UNKNOWN MORTAL ORCHESTRA SEX & FOOD ABOUT THE ALBUM
DETAILS
Where are we headed? What are we consuming, how is it affecting us, and why does everything feel so bad and weird sometimes? These are some of the questions posed on Ruban Nielson’s fourth album as Unknown Mortal Orchestra, ‘Sex & Food’. Recorded in a variety of locales from Seoul and Hanoi to Reykjavik, Mexico City, and Auckland, ‘Sex & Food’ is a practical musical travelogue, with local musicians from the countries that Neilson and his band visited pitching in throughout.
CATALOG NUMBER: JAG322
‘Sex & Food’ is the most eclectic and expansive Unknown Mortal Orchestra release yet, from the light-footed R&B of “Hunnybee” to the stomping flange of “Major League Chemicals.” “If You’re Going to Break Yourself ” and “Not in Love We’re Just High” chronicle the effects of drugs and addiction on personal relationships, while the lyrics “Ministry of Alienation” drip with modern-day paranoia like the silvery guitar tones that jewel the song’s structure.
KEY MARKETS: New York, Los Angeles, Portland, Austin,Boston, San Francisco, Seattle, San Diego, Washington D.C., Philadelphia, Atlanta, Chicago
The modern world, and all the thorny complications that come with living in it, loomed large on Ruban’s mind while making ‘Sex & Food’. Though he’s not afraid to get topical throughout, as evidenced on the surprisingly boisterous “American Guilt” or the roomy-disco medication-meditation “Everyone Acts Crazy Nowadays”. A statement of selflessness, to be sure—but make no mistake: ‘Sex & Food’ reaffirms the vitality of Ruban’s voice in today’s musical landscape. SELLING POINTS ·· Artist album sales over 100k US/200k WW, incl. over 50k LPs ·· Sellout headline tour Spring 2018 through 1000 - 3000 caps; London show at Royal Albert Hall; major WW festivals confirmed 2018-2019 ·· Consistently growing fanbase w/ over 1M monthly listeners ·· Limited edition pink colored vinyl exclusive to indie retail ·· Coverage history incl: Pitchfork, Guardian, FADER, CONAN, Late Night, Sirius, KCRW, NPR, NYT, BBC Radio 1, BBC 6music, Uncut + more.
RELEASE DATE: April 6, 2018 FORMAT: CD/LP/Cassette/Digital CD BOX LOT: 30 LP BOX LOT: 20 CASSETTE BOX LOT: 25 GENRE: Alternative
TERRITORY RESTRICTIONS: None VINYL NOT RETURNABLE
CD UPC: 656605232225
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CASSETTE UPC: 656605232287
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LP UPC: 656605232218
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COLORED LP UPC: 656605232232
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DIGITAL UPC: 656605232249
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TRACKS SIDE A:
SIDE B:
1. 2. 3. 4. 5. 6. 7.
8. Everyone Acts Crazy Nowadays 9. This Doomsday 10. How Many Zeros 11. Not in Love We’re Just High 12. If You’re Going to Break Yourself
A God Called Hubris Major League Chemicals Ministry of Alienation Hunnybee Chronos Feasts on His Children American Guilt The Internet of Love (That Way)
Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 / Fax: (888) 678-0167 Us Domestic Sales Contact: domestic@secretlydistribution.com International Sales Contact: international@secretlydistribution.com
Paradise of Bachelors P.O. Box 1402, Carrboro, NC 27510 www.paradiseofbachelors.com / info@paradiseofbachelors.com US PR: Jonathan Williger, jonathan@motormouthmedia.com UK PR: Lucy Hurst, lucy@butilikeyou.co.uk A twelve-faceted sonic inquiry into celestial cycles and the illuminating nature of darkness, Bellowing Sun is the majestic culmination of composer, harmoniumist, and synthesist Jaime Fennelly’s immersive explorations of the natural world’s sensory dimensions and the dialogues between musical traditions—acoustic and electronic, vernacular and avant-garde. Commissioned by the Museum of Contemporary Art Chicago for its world premiere performance, and recorded and mixed by Fennelly with John McEntire (Tortoise), it features Janet Beveridge Bean (Freakwater), Jim Becker (Iron and Wine), and Jon Mueller (Death Blues). “For a moment of night we have a glimpse of ourselves and of our world islanded in its stream of stars, pilgrims of mortality, voyaging between horizons, across eternal seas of space and time.” – Henry Beston, The Outermost House (1928)
MIND OVER MIRRORS BELLOWING SUN
+ label: + catalog number: + formats: + release date: + UPCs: 2xLP / CD: + genre(s): + territory restrictions: + 2xLP / CD box lots:
Paradise of Bachelors PoB-040 2xLP / CD / digital (2xLPs not returnable) April 6, 2018 616892530343 / 616892530442 Alternative / Electronic N/A 20 / 30
A1. “Feeding on the Flats” 4:24 A2. “Matchstick Grip” 9:27 A3. “A Palinopsic Wind” 3:40 B1. “Zeitgebers” 7:38 B2. “Lanterns on the Beach” 3:06 B3. “Vermillion Pink” 9:21
C1. “Halfway to the Zenith” 4:51 C2. “Oculate Beings” 6:35 C3. “Talking Knots” 5:32 D1. “Twenty-One Falls” 6:56 D2. “Acrophasing” 6:10 D3. “Pause to Wonder” 5:39
+ Deluxe 140g virgin vinyl 2xLP features heavy-duty gatefold matte board jacket with artwork by Grammy nominee Timothy Breen, color LP labels, and high-res Bandcamp download code. + CD edition features gatefold jacket with LP replica artwork. + World premiere performance commissioned by the Museum of Contemporary Art Chicago, April 6–7, 2018. + RIYL: Popul Vuh, Henry Flynt, Arthur Russell, Laurie Spiegel, CAN, Mother Mallard’s Portable Masterpiece Company, La Düsseldorf, Tony Conrad & Faust, Broadcast, Terry Riley, Alice Coltrane, Kaitlyn Aurelia Smith, Bitchin Bajas, Circuit des Yeux, Joshua Abrams & Natural Information Society. + For more information: http://www.paradiseofbachelors.com/pob-040 or https://mcachicago.org + Artist page/tour dates/back catalog: http://www.paradiseofbachelors.com/mind-over-mirrors + “Creates a sense of everlasting wonder … praise music for the American landscape.” – NPR Music + “Near-religious drone. The effect is kaleidoscopic.” – The Quietus + “Devotional ambient dreamscapes ... follows in the fertile footsteps of Terry Riley and Alice Coltrane.” – Uncut + “Recalls the time-lapse of an epic nature documentary ... Such intention, such mindfulness, such clarity of vision.” – The Observer + “Sounds like something plucked out of an Andrei Tarkovsky film, or produced by mapping the orbits of celestial bodies on an LP record.” – Blouin ArtInfo
In 1925, a thirty-seven year old American writer and WWI vet named Henry Beston bought fifty acres of desolate duneland on Coast Guard Beach on Cape Cod—the peninsula’s furthest fingers reaching into the gray Atlantic—and designed and built a small cottage overlooking the ocean. He named it the Fo’castle. For an entire year beginning in September 1926, he lived alone there in the hostile, briny wilderness and dedicated himself to closely observing the multifarious but unforgiving ecology of ever-changing sand and sea and to integrating his mind and body within its clamorous calm. He walked, he watched, he listened, and he wrote. The result was his masterpiece The Outermost House: A Year of Life on the Great Beach of Cape Cod (1928). A seminal work of naturalist literature that remains revered by environmentalists, animal rights activists, and poets alike, it elevates description of the natural world to an incandescent metaphysical pitch. In 2018, exactly ninety years after Beston’s book was published, composer, harmoniumist, and synthesist Jaime Fennelly completed an ambitious multimedia production he called Bellowing Sun. Commissioned for its world premiere performance by the Museum of Contemporary Art Chicago, the work developed over the course of nearly three years, gradually accreting into a rapturous, prismatic seventy-three minute composition for a group comprised of Fennelly (Oberheim SEMs, OB-6 synthesizer, and Indian harmonium) and fellow veteran Chicago musicians Janet Beveridge Bean (Freakwater, Eleventh Dream Day: lead vocals, zither, percussion); Jim Becker (Iron and Wine, Califone: fiddle, vocals); and Jon Mueller (Death Blues, Volcano Choir: drums, vocals). In its live iterations, the quartet performs Bellowing Sun in the round, with the audience encircling the musicians, each of whom plays multiple instruments. The visual centerpiece (reproduced on the album cover) is a large kinetic light sculpture hovering suspended above the players, a monumental zoetrope in the shape of a great, internally illuminated drum, conceived and hand fabricated in collaboration with artists Eliot Irwin and Timothy Breen (nominated for two 2017 Grammys for album design) and lighting designer Keith Parham. This arresting cylindrical form, adorned with patterns, abstract figures, and dyed gradients on its translucent textile skin, rotates to create an ever-changing architectural kaleidoscope of organic shapes and color, a delicate but imposing firmament-tent that simultaneously evokes astronomical objects and microscopic life forms. A twelve-faceted sonic inquiry into celestial cycles, the rhythms of the natural world, and the illuminating nature of darkness, the accompanying album Bellowing Sun is the majestic culmination of Fennelly’s immersive explorations of the natural world’s sensory dimensions and the dialogues between musical traditions—acoustic and electronic, vernacular and avant-garde. It deliberately situates its questing, edge-of-earth spirit within the context of Beston’s Fo’Castle. The link to Beston is not merely intellectual, but rather experiential and geological. The solitary compositional genesis of the piece, and a significant portion of its early recording (before tracking and mixing sessions with John McEntire of Tortoise), occurred at Bean’s home atop a dune of fine quartz “singing sands” on the shore of Lake Michigan, an environment akin to the Cape. Beston directly inspired certain moments: the gulls he describes frantically “Feeding on the Flats” are mirrored here by a percolating synthesizer that mimics their dance with surf and sand; “Lanterns on the Beach” is named for a chapter about night in The Outermost House; and “Pause to Wonder” draws directly from his gorgeous description of butterfly migrations. But his methodology of extended, observational contemplation of nature, of carefully transcribing a world of witness, pertains most prominently. Sonically, Bellowing Sun is both kaleidoscopic and telescopic in nature, offering a radiant palette of rhythmic, textural, and tonal complexity, as well as rapid shifts in scale, from the intimately corporeal to the dizzyingly cosmic. Though long associated with his meditative solo work for harmonium, tape delay, and other effects, with Bellowing Sun, Fennelly has ascended to a thrilling new communicatory stratum, departing the solo, interior monologues of his early work and the deeply focused dialogues of the album’s recent predecessor Undying Color (2017) for something broadly communal, massively polyphonic, and unabashedly spiritual in its scope and scale. All four J’s—Jaime, Janet, Jim, and Jon—appeared together on Undying Color, but have since solidified into a formidable, cohesive unit, a true band capable of increasingly expansive arrangements. Though divided into twelve movements, or aspects—zodiacal sectors, perhaps—the piece functions as a heroic, integral whole. Several instrumental components and vocal motifs function as modular and parallactic, originally recorded for different sections but interchangeably transposable elsewhere, much as certain constellations share stars in common. The album’s sequence reveals a dynamic push and pull between contemplative stasis and headlong momentum, imparting a palpably physical mass to the cataracts of sound. Throughout, Fennelly’s Oberheim synths and sequencers stitch together a colossal quartet counterpoint, driven by a new emphasis on interlocking full-band rhythmic grooves. He relies less than ever before on the harmonium, though it still features prominently, contributing an airy link to the rhythms of human breathing. Bean sings on half of the tracks, including early stunner “Matchstick Grip” and the spectacular closer “Pause to Wonder.” Whether articulating words or intoning phonemes, her powerful, lucent voice elevates the proceedings to a devotional plane whenever it emerges from the saturated field of sound. The mood is at once ecstatic and elegiac; death and decay are present here. The exuberant kosmische pulse of “Zeitgebers” (the title refers to environmental cues, such as light or dark, that synchronize an organism’s biorhythms) is tempered by the seething dirge of “Vermillion Pink.” Breen cites the elaborate funerary textiles of the Paracas culture of Peru as an inspiration for his paintings on the zoetrope. (“Oculate Beings” is not coincidentally also a reference to the Pre-Columbian coastal society who shared beliefs of regularly communing with the spirit world.) But the degradation of our planet, and particularly the impending end of deep night, provides a melancholy, reverent subtext to the otherwise celebratory tones. In most places on earth, careless and overzealous artificial lighting, coupled with overpopulation, mean that many of us will never see a truly dark night sky, with its vertiginous, multihued clots of seemingly infinite stars, planets, comets, and galaxies punctuating the black. As Beston wrote even back in 1928, “The world today is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot … Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night.” In 1978, a decade after Beston’s death, a violent winter storm spun the Fo’Castle out to sea, leaving nothing but the glint of a commemorative brass plaque in the lucent moonlight. Can you imagine the sound of that? Mind Over Mirrors can, and does, with Bellowing Sun. It’s an elemental thing.
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Secretly Canadian
Makeness Loud Patterns About the album
It’s the contrasts that stand out in Makeness’ (aka Kyle Molleson) music. Crafting tracks which make a virtue of disparate influences, Kyle manages to pull off something difficult: making tirelessly-crafted songs which sound loose-limbed and to-the-point. His debut album, Loud Patterns, is the fullest example of this yet. On the one hand, it’s noticeably indebted to house and techno; there are 4/4 rhythms, and a no-nonsense directness which nods to the likes of Omar-S and Theo Parrish. On the other hand, those dance floor structures are a vehicle for a wider spectrum of sounds. Channeling avant-garde experimentalism and an outsider’s interest in pop, he embraces the distance between those two poles. The music on the album manages to deftly flit between his different interests. Coarse, discordant squeels repeatedly pierce the opening title track, softened by the chorus’ sweetly-sung vocals. Elsewhere, ‘Who Am I To Follow Love’ sketches a goofy-pop aesthetic – with wobbly synth-notes and clattering percussion – as backdrop for endearing vocal harmonies. And in ‘Rough Moss’, there’s a proper, face-melting club banger. With driving, non-stop drums and a squirming bassline, it’s the bedrock for cacophonies of noise: distorted, strummed guitar chords, laser-beam synths and blasts of hiss. The album is set to come via Secretly Canadian, a longstanding giant of independent music. Their genre-spanning output is the perfect home for Kyle’s difficult-to-define approach.
Selling Points
• London-based producer Kyle Molleson’s debut LP on Secretly Canadian comes after several high profile self-releases and collaborations with groups like Adult Jazz • Extensive US touring planned, along with SXSW 2018, with previous direct support to acts like Jungle (December ‘17)
Details
CATALOG NUMBER: SC353 RELEASE DATE: April 6, 2018 FORMAT: CD/LP/Digital CD BOX LOT: 30 LP BOX LOT: 50 GENRE: Electronic KEY MARKETS: New York, Philadelphia, Washington D.C., Austin, Portland, Boston, Chicago, Los Angeles, San Francisco, San Diego, London, Dublin TERRITORY RESTRICTIONS: Exclusive To Hostess In Japan VINYL NOT RETURNABLE
CD UPC: 656605035321
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COLORED LP UPC: 656605035338
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LP UPC: 656605035314
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DIGITAL UPC: 656605035369
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Tracks SIDE A:
SIDE B:
1. Loud Patterns 2. Fire Behind The Two Louis 3. Who Am I To Follow Love 4. Stepping Out Of Sync 5. Gold Star 6. The Bass Rock
7. Day Old Death 8. Rough Moss 9. Our Embrace 10. 14 Drops 11. Motorcycle Idling
Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 / Fax: (888) 678-0167 US Domestic Sales Contact Shelly Westerhausen shelly@Secretlydistribution.com International Sales Contact Lauren Brown lauren.brown@Secretlydistribution.com
AIR WAVES WARRIOR ABOUT THIS RECORD The album cover for Warrior, the third full-length by Brooklyn-based band Air Waves, features a ominous, androgynous figure standing with a bicycle, wearing a gas mask adorned with a daisy. The remarkable image was taken on April 22nd, 1970 at the inaugural Earth Day celebration in New York City by Nicole Schneit’s dad, Martin Schneit. Forty-seven years later, artist Em Rooney hand-painted Schneit’s original black & white photo, resulting in an image that radiates with Warrior’s indefatigable spirit, strength, and love Like many queer women, Nicole Schneit is a warrior by necessity, fighting for basic rights, dignity, and acceptance. Such determination in the face of hardship and injustice runs in Schneit’s family; her new album was inspired in part by her mom who was diagnosed with fallopian cancer last year. As she explains, “The doctor told her she had a fifteen to twenty percent chance, and her response was ‘I’m going to get this mother fucker.’ So the title Warrior and the song are about her. After chemotherapy, surgery, and then more chemotherapy, all the cancer in her body has left and she's currently in remission. I feel like most of the people in my life, including myself, are warriors and have overcome obstacles that seemed impossible to defeat.” The dignified fighter archetype referenced in the album’s title is explored on each of Warrior’s eleven pieces of bittersweet, empowering indie pop. According to Schneit the song “Gay Bets”, written after the 2016 election is “about being gay and being proud and open. I was thinking about hate crimes spiking and the current state of the world. My friend Jennifer Moore, who sings on the track, was my partner a long time ago, so I felt like I was writing a fuck you to Trump, for trying to take away queer rights, women's rights, people's rights.” The song “Tangerine” was inspired by the film of the same name in which two trans women try to make ends meet as prostitutes. This movie, a dark docu-comedy shot in the contrastingly sunny setting of L.A., reflects Schneit’s battle between identity and society via Brooklyn pop rock that swings between the pastel-tinged and the downright melancholic.
TRACK LIST 01 Home 02 Morro Bay 03 Pieces 04 Gay Bets 05 Tangerine 06 Sky 07 Hold On Hope 08 Thanks 09 Warrior 10 Holiday 11 Blue Fire
3:28 3:22 3:49 3:36 3:07 2:26 2:54 3:28 4:09 1:56 3:30
MORE INFO “…glittery guitar work, sweet spot-hitting harmonies…” -PITCHFORK “…rollicking, down-home folk-rock…” - STEREOGUM “…big jangly, strummy, sunshiney, melancholic warm, swirling pretty much perfect pop music.” - AQUARIUS RECORDS
On the album’s gorgeous closer “Blue Fire,” (inspired by the Adrienne Rich poem "The Will to Change") Schneit equates her post-presidential-election anxiety to a flame that grows and recedes, as she pleads for herself and listeners to remain calm. Like its “…infectiously breezy and moving folk-pop namesake, the track burns slowly and brightly into one of the most glowing points on melodies…” the record, leaving the listener smiling with thoughtful hope. Warrior’s highlights, and - GORILLA VS. BEAR all of the unmissable, satisfying pieces that tie them together show Schneit’s perseverance and resilience through crumbling relationships, personal adversity, and the LP UPC 616892539445 CD UPC 616892539544 current political climate, all leading to her most powerful collection of songs to date. Understated, subtly sophisticated, and equally empowering and comforting, Warrior launches Air Waves above the apolitical complacency of too many of the group's 6 16892 53944 5 6 16892 53954 4 LP-C1 UPC 616892567448 contemporaries. Schneit proudly declares her mission statement: “I want these songs to be heard by people in my queer community, but also by anyone that wants to feels strong, powerful, and included.” Release Date APRIL 6, 2017
Formats VINYL / CD
6 Packaging LP JACKET / CARDBOARD WALLET
Catalog Number WV167
Genre INDIE / POP
Export Restrictions NONE
WESTERN VINYL AUSTIN•TEXAS WESTERNVINYL.COM
16892 56744 8 Box Lots LP 10 / CD 40
Return Policy VINYL IS NON-RETURNABLE
EXCLUSIVELY DISTRIBUTED BY SECRETLY DISTRIBUTION P:812.335.1572 F:888.678.0167 US DOMESTIC SALES CONTACT SHELLY WESTERHAUSEN E:SHELLY@SECRETLYDISTRIBUTION.COM INTERNATIONAL SALES CONTACT LAUREN BROWN E:LAUREN.BROWN@SECRETLYDISTRIBUTION.COM
Paul de Jong YOU FUCKEN SUCKER
TRR298 LP
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ARTIST: Paul de Jong TITLE: You Fucken Sucker CATALOG: TRR298 RELEASE DATE: April 6, 2018 FORMAT: CD / LP / Digital UPC CD: 656605329826 UPC LP: 656605329819 BOX LOT: CD: 35 / LP: 50 TERRITORY RESTRICTIONS: NONE VINYL IS NON-RETURNABLE TRACK LISTING 1. Embowelment (2:49) 2. It’s Only About Sex (3:50) 3. Doings (0:37) 4. Dimples (2:29) 5. The Wind (1:16) 6. Almost Doomed (0:27) 7. Doomed (2:57) 8. Pipe Dream (4:33) 9. You Fucken Sucker (2:48) 10. Wavehoven (8:15) 11. Goor (1:18) 12. The Jar Bell (5:14) 13. Johnny No Cash (1:46) 14. Breaking Up (7:22) SALES POINTS
• The new album from acclaimed composer and cofounder of beloved experimental collage-pop duo, THE BOOKS • RIYL: THE BOOKS, ENO + BYRNE
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BIO As a society, we know that we are overwhelmed – consumed by hyper-stimulation, and frustrated by what often feels like an exhaustive barrage of external forces. For Paul de Jong – cofounder of beloved collage-pop eccentrics, the Books – that societal frustration was compounded by a series of unexpected and frightening personal turns. In his new album, You Fucken Sucker, Paul returns to his musical teens in an uncompromising manner, and with an overwhelming statement for the present. De Jong serves us with an uncanny (and sometimes uncomfortable) reflection of our collective mental excess. Presented in the exact sequence in which it was conceived, You Fucken Sucker charts a grueling and complicated time span in de Jong's life. Over the course of its 14 tracks – which range in length from 15 seconds to nearly 10 minutes – we hear complex tapestries of acoustic and electronic instrumentation submit to waves of unhinged screaming; found-sound assemblage seamlessly incorporating subtle R&B rhythms; Freudian funk; lo-fi prog-metal; and vast synth patch orchestration adding unexpected textures and tension to the whole spectacular mess. Like much of Paul de Jong's work, You Fucken Sucker is a genre unto itself, overflowing with innovative exploration of sounds and senses. Unlike his previous work, it is an unvarnished exposition of anger, frustration, misery and confusion. Perhaps most vitally, it is an opportunity for the rest of us to experience the kind of communal emotional purge more typical of his roots; pre-Internet basement punk rock shows – unafraid of being afraid.
Zola Jesus
Okovi: Additions (Gray & Black Starburst Vinyl) track listing: Vacant (3:36) Bound (3:06) Pilot Light (2:28) Bitten Wool (3:15) Ash to Bone (Johnny Jewel Remix) (3:17) Siphon (Katie Gately Remix) (3:24) Exhumed (Randall Dunn and Aaron Weaver [Wolves in the Throne Room] Remix) (4:00) 8 Soak (Joanne Pollock Remix) (4:10)
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Key Information / Selling Points: Hometown / Key Markets: • Merrill, Wis., New York, Los Angeles, San Francisco, Austin, Portland
Zola Jesus’ Okovi: Additions LP offers a new angle on her 2017 album, Okovi. The collection pairs four previously unreleased songs from the Okovi sessions with four remixes by a diverse cast of artists. Johnny Jewel turns “Ash to Bone” into a late-night cinematic torch song, Tri Angle Records composer Katie Gately’s “Siphon” is a dark choir of warping angels, black metal band Wolves in the Throne Room’s take on “Exhumed” makes the pounding industrial anthem even denser and heavier, and Toronto producer Joanne Pollock (formerly one half of Poemss with Venetian Snares’ Aaron Funk) makes “Soak” feel like an aching classical standard— until it starts warping in on itself and goes somewhere else entirely. The songs on Additions traverse a vast amount of sonic ground, but taken together, they cohere remarkably well as an album, all while serving to enrich the experience of Okovi. “These four new songs were intended to be on Okovi,” Nika Roza Danilova explains. “Each of them represents a snapshot of my journey in making the record, and are just as precious to me as the songs that made it onto the final track listing. The remixes are beloved in their own way, as most were born from organic circumstances, and have drawn the original songs into completely new atmospheres.”
Selling Points / Key Press: • Limited edition, one-time pressing of 2500 units of gray and black starburst vinyl • Includes four songs from the Okovi sessions and four remixes by Johnny Jewel, Katie Gately, Wolves in the Throne Room, and Joanne Pollock • Okovi was one of the most acclaimed albums of 2017, with appearances on the year-end lists of Pitchfork, Stereogum, Bandcamp, and Cosmopolitan • First single from Additions confirmed for Adult Swim Singles Series premiere
• • • •
selected related catalog SBR-022 Zola Jesus The Spoils cd/lp SBR-062 Zola Jesus Conatus cd/lp SBR-184 Zola Jesus Okovi cd/lp SBR-185 Zola Jesus Stridulum cd/lp catalog #: SBR-197 genre: Alternative/Electronic Release Date: 4/6/2018 available formats: LP-c1 UPC-lp-c1: 616892568247 export restrictions: None Vinyl is not returnable Box Lot: lp 30 label contact: Sacred Bones Records 144 N. 7th Street #413 Brooklyn, NY 11211 info@sacredbonesrecords.com
gray and black starburst lp
TROUBLE IN MIND
TIM133
En Attendant Ana Lost and Found TRACKLIST 1. Intro
9. Why Is Your Body So Hard To Carr y?
2. (Not) So Hard
10. Violence Inside
3. Night
11. Tinkle Twinkle
4. Ré
12. Square One
5. This Could Be
13. I Don’t Even Know Your Name
RELEASE BIO Parisian quintet En Attendant Ana has been nonchalantly crafting perfect pop songs in their homeland since 2014. Their debut "Songs From The Cave" was released on cassette and LP by Buddy Records / Nominal Records in April of 2017, garnering rave reviews and making fans of discerning reviewers like Dusted and Social & Fuckin' Record Reviews for their refreshing blend of nouveau French pop, C86 indie and foggy Flying Nun influenced jangle. Their new album "Lost and Found" hones in on that EPs strengths & shines the hooks 'til they shimmer.
RELEASE INFO Catalogue Number: TIM133 Format: CD, LP, LP-C1 Release Date: April 6th, 2018 CD: 630125983263 UPC-LP: 630125983287 UPC-LP-C1: 630125983294
Recorded in the Paris suburb of Montreuil in October of 2017 by engineers Nicolas Pommé and Guillaume Siracusa, "Lost and Found" begins with the ominous clanging of guitars, before launching into a churning whirl of sound; guitars slash, keyboards drone, trumpets (yes trumpets) wail and drums crash. What follows are nine more songs of urgent and thrilling pop dazzle.; from the adrenaline-soaked anthem "This Could Be", to the driving "Ré" (re-recorded from the EP) with it's rapturous "oohs" & Camille Fréchou's uplifting trumpet fanfare, echoing Entwistle's French horn lines from "Sell Out"-era Who. The hooks on "Lost and Found" dig deep, as each song worms its way into the listener's subconscious via a memorable melody, a chiming guitar line, or a trumpet trill, alternating between hip-shaking swagger and head-bopping sway. Vocalist/multiinstrumentalist Margaux Bouchaudon's a yearning, tuneful register can't help but recall the indie cool of Laetitia Sadier or Nico, but still boasts a style of her own. Bouchaudon says her lyrics "talk about our everyday life, about the difficulty of being a young adult now and how we deal with this metamorphosis, trying to give sense to our future, considering our family, our friends and the society we live in. They talk about us, about the individual and the collective. They talk about our fears and our doubts. But most of the time they talk about hope." The clarity and timelessness of Bouchaudon and guitarist Romain Meaulard's songwriting, combined with a thrilling live show proves them to be a band filled with craft and promise.
Territor y Restrictions: None Genre: Indie / DIY / Alternative RIYL: La Luz, Stereolab, Electrelane, Dolly Mixture, Velvet Underground, The Limiñanas, Pram, Shop Assistants, Veronica Falls Vinyl is not returnable Box Lot CDs: 300 Box Lot LP: 20 POINTS OF INTEREST - Limited “ Sunset Orange” color vinyl available direct to shops - PLEA SE NOTE: Vinyl does NOT include a download code. - Debut full length following a limited 12-inch EP
LABEL CONTACT TROUBLE IN MIND RECORDS P.O. BOX 30079 Chicago, IL 60630-1340 troubleinmindrecs@gmail.com www.troubleinmindrecs.com
"Lost and Found" is released on CD, black vinyl LP (a limited "sunset orange" version is available for direct accounts while supplies last), and via all Digital retailers.
CD - UPC
6
30125
98326
LP - UPC
3
6
30125
98328
LP-C1 - UPC
7
6
30125
98329
4
Dead Oceans
A PLACE TO BURY STRANGERS Pinned About the album
Details
For well over a decade now, A Place to Bury Strangers—Lunadon, founding guitarist/singer Oliver Ackermann, and, officially, Lia Braswell—have become well known for their unwavering commitment to unpredictable, often bewildering live shows, and total, some might say dangerous volume.
VINYL NOT RETURNABLE
A couple of years ago, A Place to Bury Strangers were in search of a new drummer. Lia Simone Braswell, an L.A. native, had recently moved to New York, and was playing drums in shows around Brooklyn “just to keep her chops up.” As it turned out, APTBS bassist Dion Lunadon caught one of those shows and, after seeing her play, was moved to ask her if she’d want to come to a band practice sometime.
This April marks the release of Pinned, their fifth full-length and an album that finds them converting difficult moments into some of their most urgent work to date. It’s their first since the 2016 election, and their first since the 2014 closing of Death By Audio, the beloved Brooklyn DIY space where Ackermann lived, worked, and created with complete freedom. There are searing meditations on truth and government-led conspiracies (“Execution”), as well as haunting, harmonized responses to the tensions of our current political climate (“There’s Only One of Us”). It all opens with “Never Coming Back,” a frightening crescendo of group vocals, vertiginous guitar work, and Lunadon’s unrelenting bass. It’s a clear and honest statement of intent, not just for everything that follows, but for this band as a whole.
Selling Points
~ Legendary NYC act’s fifth album, featuring a new drummer and the same searing live show ~ Deluxe edition of the record available, a noisy, pummeling sound collage, on ltd. edition 2xLP (color) and 2xCD ~ Extensive touring in the US, EU and ROW planned for 2018
CATALOG NUMBER: DOC138 RELEASE DATE: April 13, 2018 FORMAT: CD/LP/Digital CD BOX LOT: 30 LP BOX LOT: 25 GENRE: Alternative KEY MARKETS: New York, Los Angeles, Austin, Boston, Chicago, Philadelphia, Washington D.C., Atlanta, San Francisco, Montreal, Toronto TERRITORY RESTRICTIONS: None
CD UPC: 656605143828
6
56605 14382 8
LP UPC: 656605143811
6
DIGITAL UPC: 656605143866
56605 14381 1 6
56605 14386 6
Tracks SIDE A:
SIDE B:
1. 2. 3. 4. 5.
6. Frustrated Operator 7. Look Me In The Eye 8. Was It Electric 9. I Know I’ve Done Bad Things 10. Act Your Age 11. Attitude 12. Keep Moving On
Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 / Fax: (888) 678-0167 US Domestic Sales Contact Shelly Westerhausen shelly@Secretlydistribution.com International Sales Contact Lauren Brown lauren.brown@Secretlydistribution.com
Never Coming Back Execution There’s Only One Of Us Situations Changes Too Tough To Kill
Dead Oceans
A PLACE TO BURY STRANGERS Pinned (Brainwashing Machine Edition) About the album
Details
For well over a decade now, A Place to Bury Strangers—Lunadon, founding guitarist/singer Oliver Ackermann, and, officially, Lia Braswell—have become well known for their unwavering commitment to unpredictable, often bewildering live shows, and total, some might say dangerous volume.
VINYL NOT RETURNABLE
A couple of years ago, A Place to Bury Strangers were in search of a new drummer. Lia Simone Braswell, an L.A. native, had recently moved to New York, and was playing drums in shows around Brooklyn “just to keep her chops up.” As it turned out, APTBS bassist Dion Lunadon caught one of those shows and, after seeing her play, was moved to ask her if she’d want to come to a band practice sometime.
This April marks the release of Pinned, their fifth full-length and an album that finds them converting difficult moments into some of their most urgent work to date. It’s their first since the 2016 election, and their first since the 2014 closing of Death By Audio, the beloved Brooklyn DIY space where Ackermann lived, worked, and created with complete freedom. There are searing meditations on truth and government-led conspiracies (“Execution”), as well as haunting, harmonized responses to the tensions of our current political climate (“There’s Only One of Us”). It all opens with “Never Coming Back,” a frightening crescendo of group vocals, vertiginous guitar work, and Lunadon’s unrelenting bass. It’s a clear and honest statement of intent, not just for everything that follows, but for this band as a whole.
CATALOG NUMBER: DOC168 RELEASE DATE: April 13, 2018 FORMAT: 2XCD/2XLP/Digital 2X CD BOX LOT: 30 2X LP BOX LOT: 13 GENRE: Alternative KEY MARKETS: New York, Los Angeles, Austin, Boston, Chicago, Philadelphia, Washington D.C., Atlanta, San Francisco, Montreal, Toronto TERRITORY RESTRICTIONS: None
CD UPC: 656605146829
56605 14682 9
6
LP UPC: 656605146812
6
6
56605 14686 7
Tracks SIDE A:
SIDE B:
1. 2. 3. 4. 5.
6. Frustrated Operator 7. Look Me In The Eye 8. Was It Electric 9. I Know I’ve Done Bad Things 10. Act Your Age 11. Attitude 12. Keep Moving On
Never Coming Back Execution There’s Only One Of Us Situations Changes Too Tough To Kill
Selling Points
~ Legendary NYC act’s fifth album, featuring a new drummer and the same searing live show ~ Deluxe edition of the record available, a noisy, pummeling sound collage, on ltd. edition 2xLP (color) and 2xCD ~ Extensive touring in the US, EU and ROW planned for 2018
56605 14681 2
DIGITAL UPC: 656605146867
SIDE C:
SIDE D:
13. 14. 15. 16. 17.
18. Delusion of Time 19. Now That You’ve Left It All 20. I Will Follow You
Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 / Fax: (888) 678-0167 US Domestic Sales Contact Shelly Westerhausen shelly@Secretlydistribution.com International Sales Contact Lauren Brown lauren.brown@Secretlydistribution.com
When You’re Alone The World Dies She Goes Out With the Devil Flickering Fly Punch Back
Goldmund Occasus
ABOUT THIS RECORD
Pennsylvania native Keith Kenniff’s output as Goldmund has established him as one of the preeminent composers of minimal piano-based ambient music alongside peers like Hauschka, Dustin O’Halloran, and even Ryuichi Sakamoto, who himself once described Kenniff’s work as “so, so, so beautiful”. Hyperbolic as it may sound, Goldmund’s newest collection Occasus may be his most exquisite yet. Where his previous recordings trod faithfully and sincerely on paths of dimly lit, polaroid-esque nostalgia, Occasus deepens the undeniable aesthetic that was hard-won over eight previous Goldmund albums, while expanding the palette to include desultory clouds of synthesizer and a tastefully distressed analog sheen.
TRACK LIST
The word Occasus means downfall, end, or the rising and falling of heavenly bodies. The title is apt in more ways than one: while the emotional tone of the album denotes bittersweet feelings of conclusiveness, it also perfectly soundtracks the quiet moments when we look up to the sky, and humbly relearn the smallness of our lives as cosmic objects churn slowly overhead with bewitching indifference. Occasus feels deeply personal, private, and hushed yet simultaneously grand, colossal, and profound. Remarkably Kenniff is able to capture micro and macro with equal fidelity. Tangential to prior Goldmund material, there are a few moments of Occasus that feel dark and menacing like “No Story” and “Thread”, both of which broach urgent paranoia, and provide a refreshing counterweight to the idyll typical of the project. Kenniff’s music has always been unquestionably gorgeous, but seeing it set against an occasionally manic backdrop makes the moments of light shine that much brighter. Even when elements of Occasus play by the rules harmonically, they tend to unfold with a satisfying level of rhythmical disregard. "I like mistakes, I like when things don't go perfectly,” says Kenniff of his wabi-sabi ethos, “I do have a tendency to want for things to be perfect and precise, but I have to also realize that a lot of things I like about music and art are very rough and impulsive, the slight imperfections that give something or someone a unique voice."
01 Before
3:25
02 Above
2:36
03 Bounded
3:10
04 Breaking
3:06
05 As You Know
3:02
06 Circle
2:56
07 History
1:33
08 Migration
3:38
09 Radiant
2:59
10 No Story
2:45
11 Thread
2:47
12 Terrarium
5:29
13 Turns
2:36
14 Moderate
3:58
15 What Lasts
4:42
PRESS QUOTES "Kenniff…is a skilled craftsman." – The New York Times "This music is so so so beautiful!!" – Ryuichi Sakamoto
To that end there are few artistic voices as distinct as Goldmund’s. Using only a few simple ingredients (piano, synthesizer, reverb, and a little more) Kenniff’s sound has become so universal that you'd be forgiven for not knowing who it belongs to. Knock offs be damned, every Goldmund recording is cut from an inimitable fabric woven out of emotional intelligence, honesty, vivid imagination, and skillful restraint. Occasus is another strong chapter in an ever more gratifying catalog.
"…minimalist piano pieces that delicately emphasize the physical expression of piano sounds. The overall effect is cinematic, like a film score composed by Erik Satie." – NPR
ADDITONAL INFO
LP 616892558545
• Limited edition white vinyl with black marbling.
6
• Full press servicing by Terrorbird Media.
16892 55854 5 6
• Goldmund’s music has been by Apple, Facebook, Google, and many others • R.I.Y.L Nils Frahm, Balmorhea, Ryuichi Sakamoto, Brian Eno, Eluvium, Erik Satie
CD 616892558743
16892 55874 3
L P- C 1 6 1 6 8 9 2 5 5 8 6 4 4
6
16892 55864 4
Release Date APRIL 13, 2018
Formats LP / LP-C1 / CD
Packaging LP JACKET / CD WALLET
Box Lots LP 10 / CD 40
Catalog Number WV169
Genre NEO-CLASSICAL / INSTRUMENTAL
Export Restrictions NONE
Return Policy VINYL IS NON-RETURNABLE
WESTERN VINYL AUSTIN•TEXAS WESTERNVINYL.COM
EXCLUSIVELY DISTRIBUTED BY SECRETLY DISTRIBUTION P:812.335.1572 F:888.678.0167 US DOMESTIC SALES CONTACT SHELLY WESTERHAUSEN E:SHELLY@SECRETLYDISTRIBUTION.COM INTERNATIONAL SALES CONTACT LAUREN BROWN E:LAUREN.BROWN@SECRETLYDISTRIBUTION.COM
GHOSTRAMP
GR036
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RELEASEI NFO
RELEASEBI O
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POI NTSOFI NTEREST -Twopi ct ur edi scsf eat ur i ngi ngamechar act erdesi gns -Gor geousgat ef ol dpackagi ngw/i nser t -" Thesounddesi gnandscor ear eexcept i onal . . . Icanconf i dent l ysayHol l owKni ghti soneof t hebestgamesI ' vepl ayed. "-PCGamer
" [ Hol l owKni ght ' s]soundt r acki soneoft hemostmemor abl e andwhi msi calscor esI ' vehear di nal ongt i me.Ther ear e t r acksher et hatI ' dr ankbesi det hemusi cofZel daandSt ar War s.I ti st hatdamnedgood. "-Dest r uct oi d LPUPC
LABELCONTACT GhostRamp 715NewHi ghSt .Uni tC. LosAngel es,CA90012 pat r i ck@ghost r amp. com www. ghost r amp. com
COMING SOON FROM SECRETLY DISTRIBUTION... April 20th • EXITMUSIC - THE RECOGNITIONS | CD (FLT049cd) | Felte PHYS UPC:616892556541 • EXITMUSIC - THE RECOGNITIONS (BLACK VINYL) | LP (FLT049lp) | Felte PHYS UPC:616892556640 • HEARTS HEARTS - GOODS/GODS | CD (TOM152cd) | Tomlab PHYS UPC:656605675220 • HEARTS HEARTS - GOODS/GODS (BLACK VINYL) | LP (TOM152lp) | Tomlab PHYS UPC:656605675213 • TIM HEIDECKER - TOO DUMB FOR SUICIDE: TIM HEIDECKER’S TRUMP SONGS (BLACK VINYL) | LP (JAG345lp) | Jagjaguwar PHYS UPC:656605234519 • MARIA MONTI - IL BESTIARIO | CD (UW008cd) | Unseen Worlds PHYS UPC:766008587713 • MARIA MONTI - IL BESTIARIO (BLACK VINYL) | LP (UW008lp) | Unseen Worlds PHYS UPC:766008587720 • PEREL - HERMETICA | CD (DFA2558cd) | DFA Records PHYS UPC:829732255829 • PEREL - HERMETICA (BLACK VINYL) | 2xLP (DFA2558lp) | DFA Records PHYS UPC:829732255812 • THE COKE DARES - FAKE LAKE (COKE CLEAR WITH OPAQUE BLUE SWIRL VINYL) | LP (JNRSPEC-ENO092lp-C1) | Third Uncle Records/Joyful Noise Recordings PHYS UPC:714270692369 • THE CREATION - WE ARE PAINTERMEN (PINK VINYL) | LP (NUM1272lp-C1) | Numero Group PHYS UPC:825764607247 • VARIOUS ARTISTS - W2NG (ORANGE VINYL) | LP (NBR009lp-C1) | Numero Group PHYS UPC:825764009843 • VARIOUS ARTISTS - W2NG: 89.9FM (BLUE VINYL) | LP (NBR009lp-C2) | Numero Group PHYS UPC:825764009850
*All releases are subject to change.
SPOTIFY
------------------------------• 4/06 Mix - https://open.spotify.com/user/oq0bngi2l32cphjlf1pbyxpfv/playlist/5ghVFBYBQjTc2TfjAs9TbS