New Releases - March 22nd & March 29th by Secretly Distribution

NewRel ea s es Ma r c h22nd&Ma r c h29t h

MARCH 22ND NEW RELEASES -------------------------------

• DUSTER - CAPSULE LOSING CONTACT | 3xCD (NUM210cd) | Numero Group PHYS UPC:825764121026 • DUSTER - CAPSULE LOSING CONTACT (BLACK VINYL) | 4xLP (NUM210lp) | Numero Group PHYS UPC:825764121019 • DUSTER - CAPSULE LOSING CONTACT (MARBLED SMOKE VINYL) | 4xLP (NUM210lp-C1) | Numero Group PHYS UPC:825764121071 • STRAND OF OAKS - ERASERLAND | CD (DOC171cd) | Dead Oceans PHYS UPC:656605147123 • STRAND OF OAKS - ERASERLAND (BLACK VINYL) | 2xLP (DOC171lp) | Dead Oceans PHYS UPC:656605147116 • STRAND OF OAKS - ERASERLAND (TRANSPARENT / CLOUDY CLEAR VINYL) | LP (DOC171lp-C1) | Dead Oceans PHYS UPC:656605147130 • TERRY ALLEN AND THE PANHANDLE MYSTERY BAND - PEDAL STEAL + FOUR CORNERS (BLACK OTHER) | LP+3xCD+Book (POB045dlx) | Paradise of Bachelors PHYS UPC:843563103678 • TERRY ALLEN AND THE PANHANDLE MYSTERY BAND - PEDAL STEAL + FOUR CORNERS (DESERT DUSK BLUE OTHER) | LP+3xCD+Book (POB045dlx-C1) | Paradise of Bachelors PHYS UPC:843563103661 • RITUAL HOWLS - RENDERED ARMOR | CD (FLT056cd) | Felte PHYS UPC:843563110287 • RITUAL HOWLS - RENDERED ARMOR (BLACK VINYL) | LP (FLT056lp) | Felte PHYS UPC:843563110294 • RITUAL HOWLS - RENDERED ARMOR (INDIE RETAIL EXCLUSIVE) (WHITE VINYL) | LP (FLT056lp-C1) | Felte PHYS UPC:843563114490 • HEADLESS CHICKENS - BODY BLOW (RE-ISSUE) | CD (FN347cd) | Flying Nun PHYS UPC:942190363674 • HEADLESS CHICKENS - BODY BLOW (RE-ISSUE) (BLACK VINYL) | 2xLP (FN347lp) | Flying Nun PHYS UPC:942190363667 • JUNE CHIKUMA - LES ARCHIVES (BLACK VINYL) | LP+7" (FTS010lp) | RVNG INTL. PHYS UPC:603786278962 • BRAINSTORY - DEAD END B/W MNEMOPHOBIA | 7" (BCR071lp) | Big Crown Records PHYS UPC:349223007114

MARCH 29TH NEW RELEASES --------------------

• CHRIS COHEN - CHRIS COHEN | CD (CT295cd) | Captured Tracks PHYS UPC:817949016685 • CHRIS COHEN - CHRIS COHEN (BLACK VINYL) | LP (CT295lp) | Captured Tracks PHYS UPC:817949016678 • CHRIS COHEN - CHRIS COHEN (INDIE EXCLUSIVE) (COKE BOTTLE CLEAR VINYL) | LP (CT295lp-C1) | Captured Tracks PHYS UPC: 817949016739 • NICK ZAMMUTO - WE THE ANIMALS: AN ORIGINAL MOTION PICTURE SOUNDTRACK | CD (TRR322cd) | Temporary Residence Ltd. PHYS UPC:656605332222 • NICK ZAMMUTO - WE THE ANIMALS: AN ORIGINAL MOTION PICTURE SOUNDTRACK (YELLOW-WHITE-CLEAR MASH-UP VINYL) | 2xLP (TRR322lp-C1) | Temporary Residence Ltd. PHYS UPC:656605332215 • JONI VOID - MISE EN ABYME | CD (CST140cd) | Constellation PHYS UPC:666561014025 • JONI VOID - MISE EN ABYME (BLACK VINYL) | LP (180 gram) (CST140lp) | Constellation PHYS UPC:666561014018 • ERIC COPELAND - TROGG MODAL VOL. 2 | CD (DFA2615cd) | DFA Records PHYS UPC:829732261523 • ERIC COPELAND - TROGG MODAL VOL. 2 (BLACK VINYL) | LP (DFA2615lp) | DFA Records PHYS UPC:829732261516 • MDOU MOCTAR - ILANA (THE CREATOR) | CD (SS051cd) | Sahel Sounds PHYS UPC:602318136886 • MDOU MOCTAR - ILANA (THE CREATOR) | LP (SS051lp) | Sahel Sounds PHYS UPC:602318136862 • C DUNCAN - HEALTH | CD (FAT0151cd) | FatCat Records PHYS UPC:600116515124 • C DUNCAN - HEALTH (BLACK VINYL) | LP (FAT0151lp) | FatCat Records PHYS UPC:600116515117 • FACS - LIFELIKE | CD (TIM146cd) | Trouble In Mind PHYS UPC:630125982754 • FACS - LIFELIKE (BLACK VINYL) | LP (TIM146lp) | Trouble In Mind PHYS UPC:630125982778 • FACS - LIFELIKE (LIGHT BLUE VINYL) | LP (TIM146lp-C1) | Trouble In Mind PHYS UPC:630125982785 • RUPA - DISCO JAZZ (BLACK VINYL) | LP (NUM805lp) | Numero Group PHYS UPC:825764180511 • ALEC HOLOWKA - NIGHT IN THE WOODS (BLACK VINYL) | 2xLP (180 gram) (GR047lp) | Ghost Ramp PHYS UPC:843563110447

CONTACTS

------------------------------• RETAIL & DOMESTIC SALES - domestic@secretlydistribution.com • DOMESTIC SALES & MARKETING - Abby Goldsmith - abby@secretlydistribution.com • INTERNATIONAL SALES & MARKETING - international@secretlydistribution.com • DIGITAL DISTRIBUTION & PROMOTION - CHARLEY KIEFER - charley@secretlydistribution.com

LABEL GROUP

------------------------------2062 / Arbutus Records / Acéphale / Asthmatic Kitty / Awesome Tapes From Africa / Bloodmoss / Captured Tracks Cloud Recordings / Constellation / DFA Records / Dead Oceans / Family Vineyard / Felte / Flying Nun / Ghostly International Hometapes / Jagjaguwar / Joyful Noise Recordings / K Records / Lovepump United / Magnetic South / Merge Records No Quarter / Numero Group / Omnian Music Group / Overcoat Recordings / Paradise of Bachelors / PPM / Quarterstick Records Quite Scientific Records / RVNG Intl. / Sacred Bones Records / Secretly Canadian / The Social Registry / Sounds Familyre Suicide Squeeze / Temporary Residence Ltd. / Tomlab / Tri Angle Records / Trouble in Mind / Underwater Peoples We Are Free / Western Vinyl :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Secretly Distribution

1499 West 2nd Street Bloomington, IN 47403 USA

Numero Group Duster: Capsule Losing Contact

Catalog Number: num210 Artist: Duster Title: Capsule Losing Contact Release Date: 3/22/2019 UPC: 4xLP 825764121019 3xCD 825764121026 Available format: 4xLP, 3xCD Genre: Indie Rock, Space Rock, Dream Pop Box Lot: 4xLP: 8, 3xCD: 40 Territory Restrictions: None Vinyl is not returnable Track Listing

San Jose’s sonic cure-all for the Y2K hangover that never materialized, Duster emerged from a cloud of lonely bong rips to take indie rock to the moon, and beyond. Scotch-taped guitars toggle between a chorus of brittle winter trees and a blanket of distorted fuzz. The low rumble of a cardboard box being kicked in a dead mall keeps pace in the background, as muffled, sung-spoken vocals ponder the great mysteries of modern mundanity. Three years of home recording accidents and blown-out 2AM studio experiments are spread across four LPs or three CDs, gathering the short-lived trio’s Stratosphere and Contemporary Movement albums, 1975 EP, singles, demos, and other miscellaneous debris into one escape pod, now free to drift in the endless void of space. Mastered from a mix of crusty cassettes, decaying DATs, and warbly analog tape, Capsule Losing Contact is housed in a moon dusted slipcase with all four albums secured in heavy weight tip-on jackets. An accompanying lyric book guides the listener through Duster’s lo-fi worldview, adorned with the last gasps of an expired golden age as captured on Polaroid and disposable Kodak cameras.

210.1 Stratosphere

210.3 7”s & Comp Tracks

Side A 1. Moon Age 1:06 2. Heading For The Door 3. Gold Dust 4. Topical Solution 5. Docking The Pod 6. The Landing 7. Constellations 8. The Queen Of Hearts

Side E - Transmission, Flux & Apex, Trance-Like 7”s 1. Orbitron 2. Fuzz And Timbre 3. My Friends Are Cosmonauts 4. Closer To The Speed Of Sound 5. Stars Will Fall 6. Four Hours 7. Light Years

Side B 1. Two Way Radio 2. Inside Out 3. Stratosphere 4. Reed To Hillsborough 5. Shadows Of Planes 6. Earth Moon Transit 7. The Twins/Romantica 8. Sideria 210.2 Contemporary Movement Side C 1. Get The Dutch 2. Operations 3. Diamond 4. Me And The Birds 5. Travelogue

Side D 1. The Phantom Facing Me 2. Cooking 3. Unrecovery 4. The Breakup Suite 5. Everything You See (Is Your Own) 6. Now It’s Coming Back 7. Auto-Mobile

4x LP

CD Tracklist is same order as LP, split as follows:

CD1 - Sides A, B CD2 - Sides C, D CD3 - Sides E, F, G, H

Side F - Compilation Tracks 1. Echo, Bravo 2. Capsule Losing Contact 3. East Reed 4. And Things Are Mostly Ghosts (Version Over Dose Mix) 210.4 1975 EP & Bonus Tracks

Side G - 1975 EP 1. Irato 2. Memphis Sophisticate 3. The Motion Picture 4. And Things (Are Mostly Ghosts) 5. August Relativity 6. Want No Light To Shine Side H - Bonus Tracks 1. Haunt My Sleep 2. Peyote 3. Something That I Need 4. What You’re Doing To Me 5. Faint 6. The Hours

3xCD

Dead Oceans

STRAND OF OAKS Eraserland About the album

“When I was writing these songs, every day I would walk on the beach and I was completely alone and overwhelmed by fear...but then I realized how there really aren’t any rules for who you are, who you’ll become, or who you think you need to be. Eraserland is just that. It’s death to ego, and rebirth to anything or anyone you want to be.” In December 2017, Tim Showalter was uncertain about his next record and the shape it would eventually take. With no new songs written, he was unprepared for the message he would receive from his friend Carl Broemel, the conversation that would follow, and the album that would become Eraserland. Leading off with standout track “Weird Ways” and his powerful declaration of “I don’t feel it anymore,” Eraserland traces Showalter’s evolution from apprehension to creative awakening, carving out a new and compelling future for Strand of Oaks. Revived by the support of Broemel and his bandmates, Showalter felt the pressure to deliver songs worthy of musicians he had admired long before and after a 2015 Oaks/MMJ tour. So in February 2018, he spent two weeks alone in Wildwood, New Jersey writing and demoing all of the songs that would eventually comprise Eraserland. And in April, he went into the studio to record with Kevin Ratterman at La La Land Studios in Louisville, Kentucky, and with Broemel, Hallahan, Koster, and Blankenship as his band. Jason Isbell also contributed his Hendrix-esque guitar work to Eraserland, while singer/ songwriter Emma Ruth Rundle provided gorgeous vocals. Every song was recorded live, with all musicians playing together in one room and working to bring Showalter’s ideas to fruition. “I remember sitting next to Tim and Kevin listening to the final mixes with tears rolling down my cheeks,” said Hallahan. “From start to finish, this one came from the heart.”

Details CATALOG NUMBER: DOC171 RELEASE DATE: March 22, 2019 FORMAT: CD/2xLP/Digital CD BOX LOT: 30 2XLP BOX LOT: 10 GENRE: Alternative KEY MARKETS: Philadelphia, Chicago, New York, London, Los Angeles, Brooklyn, Austin, Nashville TERRITORY RESTRICTIONS: Exclusive to Hostess in Japan VINYL NOT RETURNABLE

CD UPC: 656605147123

56605 14712 3

COLOR 2XLP UPC: 656605147130

56605 14713 0

Tracks

Selling Points

~ 2xLP package w/ switchable imagery ~ Limited-Edition first-run LP on cloudy white vinyl ~ Recorded with members of My Morning Jacket at La La Land Studio in Louisville ~ ‘Eraserland’ features Jason Isbell on guitar ~ Extensive history with AAA/noncomm radio; aggressive campaign slated for 2019 Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 US Domestic Sales Contact: domestic@secretlydistribution.com International Sales Contact: international@secretlydistribution.com

2XLP UPC: 656605147116

56605 14711 6

DIGITAL UPC: 656605147161

56605 14716 1

SIDE A:

SIDE B:

1. Weird Ways 2. Hyperspace Blues 3. Keys

4. Visions 5. Final Fires 6. Moon Landing 7. Ruby

SIDE C:

SIDE D:

8. Wild and Willing 9. Eraserland 10. Forever Chords

11. Cruel Fisherman

Secretly Canadian

John Lennon / Yoko Ono Wedding Album About the album

Originally released in 1969, John Lennon and Yoko Ono’s Wedding Album was the couple’s third experimental, album-length record, and one of the most remarkable of the duo’s testaments to an intense romantic and artistic partnership that would last fourteen years, until Lennon’s tragic passing in 1980. On March 20, 1969, John and Yoko were married in a civil service in Gibraltar. To celebrate the event, in lieu of a conventional honeymoon, the newlyweds spent a week in bed at the Hilton Hotel in Amsterdam, inviting members of the press into their room for interviews and photo sessions, and using their fame and the publicity generated by their “Bed-in” to call attention to their campaign for world peace. With Wedding Album, John and Yoko created an enduring snapshot of a vibrant pop-cultural moment, with the hostilities of the Vietnam War as its bracing backdrop. It captures the humor, earnestness, and spontaneity that marked the early years of the “Ballad of John and Yoko” era. Wedding Album’s innovative, original packaging, created by graphic designer John Kosh, included a box filled with souvenirs of John and Yoko’s nuptials: photographs, a copy of the couple’s marriage certificate, both Lennon’s and Ono’s drawings, a picture of a slice of wedding cake, and more. Now, with a faithful recreation of Wedding Album in limitededition, white-vinyl LP; compact disc; and digital-download formats, Secretly Canadian and Chimera Music are making one of the most unusual and emblematic recordings of the Sixties available again — fifty years after John and Yoko were married — to mark the golden wedding anniversary of two of the 20th century’s most emblematic cultural figures.

Details

CATALOG NUMBER: SC291 RELEASE DATE: March 22, 2019 FORMAT: CD/Color LP/Digital CD BOX LOT: 30 COLOR LP BOX LOT: 8 GENRE: Avant / Experimental / Indie KEY MARKETS: New York, Los Angeles, Chicago, Baltimore, Portland, Philadelphia, San Francisco-Oakland-San Jose, Boston, Austin, Washington D.C. TERRITORY RESTRICTIONS: Album licensed to Sony Music in Japan VINYL NOT RETURNABLE

CD UPC: 656605029122

56605 02912 2

COLOR LP UPC: 656605029139

56605 02913 9

Tracks

Selling Points

• ‘Wedding Album’ will be rereleased the week of what would be John and Yoko’s 50th anniversary •L imited edition reissue will be pressed on white vinyl • Packaging is a near precise replica of the 1969 pressing, down to the vendor who made the original boxes

Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 US Domestic Sales Contact: domestic@secretlydistribution.com International Sales Contact: international@secretlydistribution.com

SIDE A:

SIDE B:

1. John & Yoko

2. Amsterdam

DIGITAL UPC: 656605029160

56605 02916 0

Paradise of Bachelors P.O. Box 1402, Carrboro, NC 27510 www.paradiseofbachelors.com / info@paradiseofbachelors.com US/CA PR: Catherine Herrick, catherine@motormouthmedia.com UK PR: Will Lawrence, will@inhousepress.com Legendary Texan artist Terry Allen occupies a unique position straddling the frontiers of country music and conceptual art; he has worked with everyone from Guy Clark to David Byrne to Lucinda Williams, and his artwork resides in museums worldwide. Pedal Steal + Four Corners collects, for the first time, Allen’s radio plays and long-form narrative audio works—two and a half hours of cinematic songs, stories, and country-concrète sound collage—in a deluxe gatefold edition, including one LP, three CDs, a DL code, and an exhaustive 28pp. color booklet boasting the first in-depth essay to explore this singular body of work; dozens of images of Allen’s related visual art; and full scripts and credits for all five pieces (a total of 33k words). Pedal Steal (1985), originally composed as a soundtrack to a dance performance, appears on vinyl for the first time, as well as on CD. Torso Hell (1986), Bleeder (1990), Reunion (a return to Juarez) (1992), and Dugout (1993) comprise the Four Corners suite, radio plays broadcast on NPR and never before released, now spanning two CDs. All audio has been meticulously remastered from the original tapes. Fans of Allen’s violent masterpiece Juarez will find much to love in these haunting Southwestern desert dramas, which feature Jo Harvey Allen, Lloyd Maines, Butch Hancock, Stones saxophonist Bobby Keys, and many others. Roger Corman tried to option the film rights; Jesse Helms tried to ban them; now you can own them!

TERRY ALLEN + THE PANHANDLE MYSTERY BAND PEDAL STEAL + FOUR CORNERS

+ label: Paradise of Bachelors + catalog numbers: PoB-045-DLX / PoB-045-DLX-C1 / PoB-045-DIG + formats: LP+3CD+book / LP-C1+3CD+book (desert-dusk blue) / Digital + release date: March 22, 2019 + genre(s): Country / Soundtrack / Radio Plays / Experimental + restrictions: No territory restrictions; not returnable + box lot: 10/inner box; 20/outer box LP: A1. Pedal Steal (Part 1) 16:10 LP: B1. Pedal Steal (Part 2) 19:25 CD1: 1. Pedal Steal 35:32

CD2: 1. Torso Hell 25:26 CD2: 2. Bleeder 28:57 CD3: 1. Reunion (return to Juarez) 27:09 CD3: 2. Dugout 27:57

+ All audio has been meticulously remastered from the original master tapes for this first-ever vinyl edition of Pedal Steal (1985) and first-ever release of the Four Corners radio plays (1986–1993). + Deluxe LP+3CD+book set features 145g virgin vinyl LP; heavy-duty board gatefold jacket; printed inner LP sleeve; custom 3CD portfolio; high-res Bandcamp download code; and an exhaustive 28pp. color booklet boasting the first in-depth essay to explore this singular body of work, dozens of images of Allen’s related visual art, and full scripts and credits for all five pieces (a total of 33k words). + Available in a limited desert-dusk blue color vinyl edition, as well as on standard black vinyl. + For more information: http://www.paradiseofbachelors.com/pob-045 + Artist page/tour dates/back catalog: http://www.paradiseofbachelors.com/terry-allen Navajo chants blend into fuzzed-up steel guitar; dirty-realist narratives succumb to skeletal ballads; B-movie dialogue blossoms over a plaintive violin. Pedal Steal represents roots rock’s rarely encountered experimental fringe. – The Times Think Sam Shepard with steel guitar, and you'll get the idea. – The Independent Allen takes no prisoners, pulls no punches. – Rolling Stone Allen’s songs extract strangeness from the known world and use it as a means of acquiring greater knowledge. – The New Yorker | He’s pretty close to a master lyricist. – The NY Times Riveting. – NPR | Stunning poetry. The lines themselves quiver with a raw vision rarely heard. – Pitchfork I love Terry. He’s a funny son of a bitch. – Guy Clark People tell me it’s country music, and I ask, “Which country?” – Terry Allen

I think there are three great American inventions: one is duct tape, one is hot glue, and the other one is putting radios in cars. – Terry Allen, “A Self-Interview,” 1994 The five works on Terry Allen’s Pedal Steal + Four Corners were all created during a period of intense, condensed creativity spanning eight years, are all closely related to his interdisciplinary bodies of visual art and performance, and are all set in the American Southwest and West. Like Allen’s songwriting, which only nominally fits within the realm of country music (“Which country?” Terry quips), his work for radio, and his long-form narrative audio recordings more broadly, appropriate the general form and format of the genre, or medium, of popular radio dramas—monologue, dialogue, songs, interstitial instrumentals, and diegetic sound cues within a roughly thirty minute running time—but transform it into something much denser with meaning within a postmodern art context. They prefigure similar podcast experiments by decades. Pedal Steal (1985), originally composed as the Bessie Award-winning soundtrack to a dance performance by Margaret Jenkins Dance Co.—and the only one of these works that has been previously released—actually premiered not on air, but rather onstage at the Brooklyn Academy of Music. However, its Four Corners companion pieces would not have been possible without the earlier and more structurally complex, blueprint of Pedal Steal, the first long-form narrative recording Allen undertook with the support of the Panhandle Mystery Band, actor and writer (and Terry’s wife) Jo Harvey Allen, and other collaborators including fellow Lubbockites Butch Hancock and Rolling Stones saxophonist Bobby Keys. The story elides the New Mexican pedal steel guitarist Wayne Gailey and legendary outlaw Billy the Kid into a spectral composite character called Billy the Boy, resurrected by a postmortem chorus in English, Spanish, and Navajo. Torso Hell (1986), Bleeder (1990), Reunion (a return to Juarez) (1992), and Dugout (1993) together comprise the Four Corners suite, a reference both to a song from Allen’s first album Juarez (1975), and to the site where the state lines of Colorado, New Mexico, Arizona, and Utah crash in a cartographic crucifix. Allen designed these radio plays specifically for listening in a car, always a favorite space to audition his audio work. All Four Corners works were broadcast on NPR affiliates nationwide. The latter three were commissioned by New American Radio, an organization which, from 1987 to 1998, commissioned more than 300 experimental works for radio by artists such as Pura Fé, Pauline Oliveros, and Christian Marclay. Even moreso than Pedal Steal, with which it shares a creative genealogy, Torso Hell is a direct and visceral articulation of Allen’s YOUTH IN ASIA body of work (1982–92) and its examinations of the psychological residues and betrayals of the Vietnam War. This “radio movie” about a quadriplegic Vietnam veteran’s torments and revenge shares the extreme violence and sexuality of its pulp inspirations, but presses into the realm of absurdity and metafiction, serving simultaneously as a parody of trashy B horror flicks and ponderous Hollywood Vietnam movies and as a vicious commentary on war and its endless rhetorical wake, the ways we abuse, exploit, and ignore our veterans while spouting inane pieties about honor, service, and patriotism. Allen’s Anterabbit/Bleeder (a biography) cycle (1982–90) deploys fact and fiction, drawn partly from the life a hemophiliac childhood friend, to explore the very nature of biography and history, the ways our language and memories fail and fool us with their feeble reenactments and fractured transmissions of the past filtered through our myopic present. Memories are hemorrhages, Bleeder suggests, that stain our speech, our stories, and our mark-making with Rorschach bruises of untruths, exaggerations, and fantasies. Ostensibly the “simple story” of the fateful but arbitrary murder, in a “small, rundown mountain trailer” in Cortez, Colorado, of Navy boy Sailor and his new bride, the Tijuana prostitute Spanish Alice at the hands of Juarez-born pachuco Jabo and his LA girlfriend, the “rock writer” and bruja Chic Blundie, the narrative of Allen’s iterative JUAREZ cycle (1968–present) spirals outward, and inward, recursively through a palimpsest of possibilities, a constellation of connections. Reunion (a return to Juarez) offers a retelling of the tale, deployed both as a radio play and as the soundtrack for the sculptural installation a simple story (Juarez) (1992), exhibited at the Wexner Center but originally conceived as stage set studies for a Juarez musical, co-written with David Byrne but never produced. His most personal and autobiographical work, DUGOUT is based loosely on the lives on Allen’s father, a retired professional baseball player turned promoter of concerts and wrestling, and his mother, a barrelhouse-style piano player and “the first woman ever to be thrown out of SMU [Southern Methodist University], for playing jazz with black musicians in Deep Ellum in Dallas.” Allen himself describes the DUGOUT cycle, which includes Dugout the radio play, as “a love story, an investigation into how memory is invented, a kind of supernatural-jazz-sport-history-ghost-blood-fiction that rolls across the late nineteenth century into the mid-twentieth century.” Pedal Steal + Four Corners serves as a ligament between Terry’s music, writing, visual art, and theatrical work, and as a bridge to Jo Harvey’s writing, theatrical work, film work, and acting. And yet they function as standalone documents, stripped of the accretion of visual cues, the shell of objecthood, while retaining the density and transport of dreaming. In the absence of the visual, what is left resembles spells, rituals, enactments of story and spirits, air and angels—in other words, memories.

PoB-045-DLX (black vinyl): 843563103678

PoB-045-DLX-C1 (desert-dusk blue vinyl): 843563103661

43563 10367 8

43563 10366 1

PoB-045-DIG (digital): 843563103807

43563 10380 7

Ritual Howls Rendered Armor

01. Rendered Armor I (LP only) 02. Alone Together 03. Mother of The Dead 04. Love Cuts 05. The Offering

06. Rendered Armor II (LP only) 07. Devoured Decency 07. I Can Hear Your Tears 08. Thought Talk 09. All I’ve Known (CD only)

RELEASE BIO Ritual Howls create a cinematic blend of twangy industrial-rock that could fuel a post-apocalyptic dancefloor. A collaboration between Paul Bancell (vocals, guitar), Chris Samuels (synth, samples, drum machine), and Ben Saginaw (bass), the Detroit trio's fourth full-length Rendered Armor follows the Their Body EP of 2018 with expansive arrangements sculpted with masterful production. Throughout Rendered Armor familiar influences reveal themselves, but the band doesn’t rely on derivative imitation. Instead, Ritual Howls forge haunting atmospheres that are all their own, reaching into unexpected sonic domain. Each track unfolds with unnerving anticipation, as if sound tracking a chase scene in a surrealist western film. Bancell delivers his baritone above a jangling guitar like an incantation, evoking macabre, religious imagery laden with futuristic undertones. Propelled by Saginaw's often fuzzed-out bass and Samuels' dance club-friendly rhythms, it's no surprise that the band hails from the techno capital of the US.

RELEASE INFO Label: felte Catalogue Number: FLT056 Release Date(s): March 22, 2019 Format: LP/CD Genre: Alternative, Post-Punk, Deathrock, Industrial, EBM RIYL: Peter Murphy vocals, Nick Cave, Ennio Morricone, Bauhaus, a darker Calexico, Sisters of Mercy Territory Restrictions: None Box Lot: LP = 50 / CD = 30 Vinyl is Non-Returnable

Opening the album with a gloomy country-tinged guitar hook, "Alone Together" sets an ominous tone as Bancell narrates a love story in a doomed world, colored by a glassy synth that sounds as if it were summoned from a horror movie. A sense of longing pervades "Thought Talk" with its subdued, hi-hat accented tempo, spacious bass line and reverb soaked guitars that ring out with melancholy. Ritual Howls' most mature offering to date, Rendered Armo' finds the band further carving out their own eclectic mix of organic instrumentation and pulsing electronics, distinguishing them as a unique force in the current landscape of underground music.

POINTS OF INTEREST • Follow up to 2017’s EP, Their Body • Past media support from Stereogum, Noisey, Flood, Brooklyn Vegan, All Music Guide, Tiny Mix Tapes, Paste, KEXP, PosPunk Mag, Self-Titled, CLVT Nation + more • Tour dates coming soon

TOUR DATES Various US and EU Dates in the works

OTHER RELEASES Into The Water CD/LP (FLT032) Turkish Leather CD/LP (FLT017) Their Body LP (FLT046)

LABEL CONTACT Felte info@feltesounds.com http://felte.net

https://www.facebook.com/ritualhowls http://instagram.com/ritualhowls https://twitter.com/ritualhowls

LP UPC: 843563110294

43563 11029 4

LP-c1 UPC:

CD UPC:

843563114490

843563110287

43563 11449 0

43563 11028 7

JUNE CHIKUMA Les Archives

Track Listing 01. Broadcast Profanity Delay 02. Pataphysique 03. Mujo to Ifukoto 04. Divertimento 05. Climb-Down 06. Oddman Hypothesis 07. Dual Use Cat#: FTS010 Release date: March 22, 2019 Formats: LP + 7” / Digital Genre: electronic / video game / proto-techno LP Box Lot: 20 inner / 40 outer Vinyl Not Returnable LP UPC: 603786278962

RVNG Intl. / Freedom To Spend PO Box 20752 Tompkins Sq. New York NY 10009 matt@igetrvng.com | 718 812 8443

Les Archives is composed, arranged, and produced by the elusive Japanese artist June Chikuma. While Freedom To Spend’s reinvented edition bares little visual evidence of its origins in the composer’s name, title, or sleeve design, the album, a whooping gonzo of synthesizers, samplers, drum machines, and a mysterious string quartet, remains as vibrant now as it did when released on Toru Hatano’s Picture Label as Divertimento in 1986. In fact, the music of Les Archives now glows with a different purpose; one that revises the past while maintaining, and finally elevating, its hidden influence. A woman of multiple disciplines and identities, June Chikuma (竹間淳, Chikuma Jun) has composed for TV, film, and video games over the past thirty plus years. Her proto-techno and drum and bass soundtracks for Nintendo’s Bomberman franchise in the 80s and 90s is an oeuvre unto itself. In more recent years her musical focus has turned toward classic Arabic and Egyptian music. Chikuma studies Arabic nay, playing and performing with Le Club Bachraf ensemble. In a melding of June’s contrasting, colorful worlds, Le Club Bachraf composed part of the original score for the 2007 video game Sonic and The Secret Rings. For Les Archives, Chikuma constructed a sonic stage to animate her imaginings as a one-person show. The primary props, a KORG SDD-3000 digital delay, an audible, overt display of unclassified drum machines and samplers, and a litany of literary references. Following the original album’s sequence, “Broadcast Profanity Delay” bursts onto Les Archives’ first scene full of buoyant energy and fluttering atmospheric pressure. The composition was conceived by Chikuma for a make-believe marimba ensemble, and in this shapeshifting form, takes on its own mutant life. “Pataphysique” is a term for the study of an imaginary realm additional to metaphysics, and the track on Les Archives most conducive to dancing (even if those movements might conjure the herkiest, jerkiest imagery). “Divertimento,” the heretofore title track of the album, brandishes a tough electro exoskeleton with a molten 18th century orchestral interlude nine minutes into the nearly thirteen minute piece. Chikuma dedicates “Divertimento” to composers Wolfgang Amadeus Mozart and Paul Hindemith for his alignment with the New Objectivity movement. By the composition’s conclusion the object’s particles have been completely obliterated and assembled again. The cacophony of Les Archives parts to reveal a clearing with “Climb-Down,” Chikuma’s tribute to Erik Satie’s Furniture music (musique d’ameublement). The Michiyo Toda String Quartet’s somber string interpretation of June’s composition offers a grace unlike the

Rube Goldberg of punchy programming and found sound on the surrounding electronic machination. After this acoustic respite the electricity is switched on again. “Dual Use” repurposes the constitution of “Divertimento” as a slight samba, complete with Godzilla samples. Recorded during the original Divertimento sessions at Hugh Studio in Tokyo but excluded from the original album release, Les Archives presents two unheard pieces. “Mujo to Ifukoto” works as interspecies smalltalk between synthetic instruments and environmental samples. Lush strings interrupt synth sweeps, said sweeps giving way to a concrète concert of crickets and church bells. Countering the title’s claim of dispassionate decision-making in the midst of crisis, “Oddman Hypothesis” is deliberately restrained, aside from the shatter marking the start, and resembles the City Pop and fusion movements that defined Japan’s musical landscape in the 80s. Chiikuma’s neon-vibrant aesthetic would be at home soundtracking films like After Hours or Teknolust. However, Les Archives is the score for a movie of mistaken identity – clones redressed in a guise of the artist’s re-coding. The legitimate artifact deceives history. There is no original, but this copy is singular and complete. June Chikuma’s Les Archives will be released on March 22, 2019 as an LP with limited edition 7” and digital formats via Freedom To Spend. Artist Highlights • June Chikuma is a Japanese composer and Arabic Nay Player  • Chikuma composed scores for Nintendo’s Bomberman franchise, amongst many other video games that shaped chiptune music and the inside contours of your cranium.   • Chikuma’s early experiments with prototechno resulted her album Divertimento, originally released in 1986, privately pressed in a small edition on progressive electronic musician Toru Hatano’s Picture Label before vanishing.  • Chikuma did not want the album title, artwork, or artist name Divertimento was originally released under to appear on or influence the new edition. So while the music of Divertimento remains entirely intact (and actually improved with new mastering and additional music from the era), Les Archives is otherwise detached from a past.    • An additional 7” accompanies Les Archives and gathers two unreleased songs from the era of Divertimento. This 7” will not be sold separately.   • Les Archives LP + 7” release includes a multiformat digital download code and liner notes by Natalie Panzer.

BRAINSTORY DEAD END b/w MNEMOPHOBIA Big Crown is proud the present the debut single from the one of the newest acts on the roster; Brainstory. Brainstory is a tale of brothers bounded by blood, by fate, and a small town with nothing to do. Born and bred in Rialto, CA, the trio is made up of two brothers, Kevin & Tony Martin, and drummer Eric Hagstrom. Their music is a mix of jazz, funk, and psychedelia shrouded in a cloud of weed smoke and California soul. Their entire debut album is produced by Leon Michels, so you take the Cali sunshine and mix it with Michels NYC aesthetic and you get a killer record. Here’s the first two songs.

CATALOG NUMBER: BCR071lp RELEASE DATE: 3/22/19 FORMAT: 7” 7” BOX LOT: 25 GENRE: Soul / Funk / Rock KEY MARKETS: LA, SF TERRITORY RESTRICTION: NONE VINYL NOT RETURNABLE

49223 00711 4

7” UPC: 349223007114

49223 00713 8

DIGI UPC: 349223007138

The A side “Dead End” is a sublime slow burner about trying to let go of a person and trying to let go of parts of yourself that are dying with that relationship. In the words of Kevin, “ It’s kind of like confronting death, but through relationships and coming to terms with who you are in the mirror of another person.” With Kevin’s sublime falsetto floating atop Tony and Eric’s unflappable and unmistakable backbeat, this tune is sure to become a favorite with the ballad heads, the low-riders, the slowie collectors, and anyone who’s cord is not unplugged. The B side Mnemophobia is a fateful pairing with the plugside, as if written later on when the heart heals and you start to get out there again. Mnemophobia is the fear of memories. Brainstory weaves up a tale of hesitation, limbo, then bravery where the choice of love is made in the face of fear.

TRACK LISTING SIDE A:

SIDE B:

1. DEAD END

1. MNEMOPHOBIA

SELLING POINTS: - Produced by Leon Michels - Debut single from forthcoming full length due out in OCT 2019 - Touring California cities in support of single release, TBD

CHRIS COHEN

CHRIS COHEN - LP/CD Chris Cohen’s songs initially sound easy. They’re tiny jewels that unfurl at a leisurely pace, but dig a little deeper and you’ll reach a melancholy core. His previous two albums — 2012’s Overgrown Path, and 2016’s As If Apart — were built from lush, blurry tracks that embedded themselves in your subconscious, like they’d always been there. Chris Cohen, his third solo album, was written and recorded in his Lincoln Heights studio and at Tropico Beauties in Glendale, California over the course of the last two years. With the help of Katy Davidson (Dear Nora), Luke Csehak (Happy Jawbone Family Band), Zach Phillips, and saxophonist Kasey Knudsen, among others, it is his most straightforward album yet, but it is also the conclusion of an unofficial cycle that began with Overgrown Path.

CT-2 9 5 1. S o ng They Pl ay 2. Ed i t Out 3. Green Eyes 4. Swe et Wi l l i a m 5. House Ca r p ente r 6. Tw i ce i n a L i fetime 7. What Ca n I Do 8. The L ink 9. Heav y Weat her Sailing 10. No Ti m e To S ay Goodbye

Coke Bottle Vinyl UPC: 817949016739

LP FORMAT: LP+MP3s LP BOXLOT: 50 EXPORT: WORLD Vinyl Non-Returnable

LP UPC: 817949016678

LP FORMAT: LP+MP3s LP BOXLOT: 50 EXPORT: WORLD Vinyl Non-Returnable

CD UPC: 817949016685

CD FORMAT: JEWEL CASE CD BOXLOT: 30 EXPORT: WORLD excl. Japan

“My parents got divorced while I was making this record,” he says. “They were married for 53 years and my father spent most of his life in the closet, hiding both his sexual identity and various drug addictions. For me it was like being relieved of a great burden, like my life could finally begin.” It is this sense of truth and freedom that is woven into the very fabric of the record even as it grapples with complicated emotions. A core truth of the record is what at first seems like a simple idea: “I hoped that by writing about what was closest to me at the time, I might share something of myself and where I came from,” Cohen says. Though the album is undeniably part of the framework that made up his previous two records — Chris Cohen is also a thoughtful, accomplished meditation on life and family, backed by dusky instrumentation influenced by the late evening beauty of Pat Metheny’s Falcon and the Snowman soundtrack, and Thomas Dolby’s Golden Age of Wireless. It’s beautiful, but it’s also unflinching in its depiction of emotional turmoil.

RELEASE DATE: March 29th, 2019 GENRE: Indie / Alternative “[Chris Cohen’s] records are worlds; everything that happens in these worlds happens for a reason; if something doesn’t happen in these worlds, then it didn’t need to happen. Cohen is too smart, too cool, for empty promises, carnival barking, bellowing, bloated orchestrations, subwoofers, unearned drama.” - Robin Pecknold (Fleet Foxes) “Chris Cohen is a miller, an assayer, and a candlestick maker. He is my elder, and I am in debt to him for instructing me on countless musical ideas and for his contributions to my music over the years... Each of his incarnations have been an inspiration. He’s a cool headed master technician and composer.” - Cass McCombs

Nick Zammuto

WE THE ANIMALS: AN ORIGINAL MOTION PICTURE SOUNDTRACK TRR322 CD

ARTIST: Nick Zammuto TITLE: We The Animals: An Original Motion Picture Soundtrack CATALOG: TRR322 RELEASE DATE: March 29, 2019 FORMAT: CD / LP-C1 UPC CD: 656605332222 UPC LP-C1: 656605332215 BOX LOT: CD: 35 / LP-C1: 35 TERRITORY RESTRICTIONS: NONE (WORLDWIDE) VINYL IS NON-RETURNABLE TRACK LISTING 1. I’ll Fly Away (1:04) 2. We Wanted More (00:49) 3. We Wanted Less (01:11) 4. Just This (00:52) 5. Look At Me (01:17) 6. You Went So Far (00:26) 7. Under The Bed (01:48) 8. Paps Leaves (01:09) 9. The Kitchen (02:20) 10. Like A Bomb (00:31) 11. Stealing (02:01) 12. Dream Of Paps (01:44) 13. Haircut (02:04) 14. Tonight We’ll Go For A Ride (02:14) 15. You Were Supposed To Find Us (00:22) 16. Bad Bad Bad (00:56) 17. Wet Dream (00:45) 18. No More Crying (02:20) 19. Paps Dig A Grave (00:15) 20. It Was My Grave (03:36) 21. Bad Nightmare (00:48) 22. Winter (01:52) 23. Can I Come? (01:00) 24. Fly Away (05:29) 25. I’m Nobody’s Baby (01:15) 26. We The Animals (02:21) SALES POINTS • The soundtrack to the massively acclaimed, aware-winning motion picture, We The Animals • We The Animals has received near-unanimous acclaim (91% on Rotten Tomatoes), and the soundrack has been praised as an integral part of the film’s profound resonance

56605 33222

TRR322 LP-C1

56605 33221

BIO We The Animals is the award-winning new film from Jeremiah Zagar (In A Dream). Based on the best-selling novel by Justin Torres, We The Animals is Zagar’s first narrative feature. It reunites Zagar with Nick Zammuto, the renowned composer and co-founder of beloved collage-pop pioneers, the Books. Inspired by the film’s setting in rural upstate New York – and influenced by the early ambient electronic music that galvanized the Books two decades ago – Zammuto pairs that earthen, wooded isolation with dynamic pulses of customized electronics and sparse, crystalline layers of melodic soft synths. The juxtaposition is arresting, and gives the soundtrack a unique heft befitting of its subject matter – and betraying of its minimal instrumentation. Beautifully edited and sequenced to act as both a companion to the film and a standalone album, We The Animals: An Original Motion Picture Soundtrack is as subtle as it is startling, and succeeds in making even the heaviest emotions feel momentarily weightless. The limited edition super-deluxe vinyl format is pressed onto 100% virgin vinyl in a custom Yellow-White-Clear Mash-Up colored vinyl. The records is packaged in a full-color gatefold jacket, and includes a full-sized 28-page full-color diary, and an original hand-numbered animation print cell from the We The Animals film production.

Eric Copeland Trogg Modal Vol. 2

On March 29, Eric Copeland delivers Trogg Modal Vol. 2,

the counterpart to last October’s Vol. 1. The former Black Dice member’s ‘Freakbeat 4/4’ agenda gets further refined here –

Vol. 2 is more laid-back than the first, but still highly danceable.

Self-described as “late Night Flight proto tekno,” the tracks pulse with thick layers of percussion, melodic fever dreams, and riffs

wrung through a taffy puller. Eric’s textured, off-the-cuff approach to dance music adds a refreshing element of spontaneity and ‘jamming’ to a climate of uncanny smoothness and polish.

Where Vol. 1 was composed of “rippers,” Vol. 2 travels at its own pace, continuing to showcase Eric’s ability to recontextualize 4/4 tracks as psychedelic contortions, from the squelchy vibrations of “BS Dropout” to the blithe, video arcade soundtrack “High

Score Zed.” Taken together, the two volumes of Trogg Modal

showcase the versatility of one of the most continuously exciting experimental artists of the past twenty years – arriving in 2019 with his mischievous sense of adventure firmly intact.

Catalog Number: Formats: Release Date: LP UPC: CD UPC:

DFA2615 LP, CD, Digital March 29, 2019 829732261516 829732261523 Vinyl is non-returnable. LP Box Lot: 30 CD Box Lot: 40 Territory Restrictions: World Genre: Electronic, Dance RIYL: Wolf Eyes, Ministry, Delroy Edwards, Machine Woman

01. Beat It 02. High Score Zed 03. United Banana 04. Pay Off 05. BS Dropout 06. Light Fantastic 07. Blazin 08. Falo

Tracklist

LP UPC

CD UPC

Sahel Sounds

Mdou Moctar Ilana: The Creator About the album Born in a nomad camp in Niger and now a leading figure of desert rock, Mdou Moctar stands out as the most innovative artist in contemporary Saharan music. His unconventional interpretations of Tuareg guitar have pushed him to the forefront of a crowded scene. In contrast to polished “world music” fare, Mdou trades in unrelenting grit and has no qualms about going full shred. A long time coming, “Ilana” is Mdou’s first true studio album. Recorded in Detroit at the tail end of a US tour by engineer Chris Koltay (who met after bonding over ZZ Top’s “Tres Hombres”), Mdou lived in studio for a week, playing into the early hours and accompanied by an all-star band: Ahmoudou Madassane’s (Les Filles de Illighadad) lighting fast rhythm guitar, Aboubacar Mazawadje’s machine gun drums, and Michael Coltun’s structured low-end bass.

Details

CATALOG NUMBER: SS-051 RELEASE DATE: March 29, 2019 FORMAT: LP, CD, Digital LP BOX LOT: 40 CD BOX LOT: 30 GENRE: World KEY MARKETS: Portland, NYC, London VINYL NOT RETURNABLE

The result is Mdou’s most ambitious record to date, taking tradition into into an ever louder and blistering direction. From the rock anthem “Tarhatazed,” to the Van Halen tapping of “Kamane Tarhanin,” “Ilana” stands amongst the greats of classic rock, albeit accidentally. “I don’t know what rock is, I have no idea,” he says, “I only know how to play my style.”

CD UPC:

LP UPC:

602318136886

602318136862

Digital UPC:

602318136893

Selling Points - US tours in April, June 2019 - Europe tours July 2019

Tracks

01 - Kamane Tarhanin 02 - Asshet Akal 03 - Inizgam 04 - Anna 05 - Takamba

label contact: music@sahelsounds.com booking contact: booking@sahelsounds.com www.sahelsounds.com

06 - Tarhatazed 07 - Wiwasharnine 08 - Ilana 09 - Tumastin

Fat CatRecor ds C Duncan

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Cat al og:FAT0151 Rel easeDat e:03/ 29/ 2019 For mat :LP UPC:600116515117 BoxLot :30

mat :CD For UPC:600116515124 BoxLot :30

Ter r i t or yRest r i ct i ons: NO Expor t s

Tr ackl i st

1. T al kT al kT al k 2. Wr ongSi deOfTheDoor 3. I mpossi bl eor ds 4. HeCameFr om TheSun 5. Hol i dayHome 6. Heal t h 7. SomebodyEl se’ sHome 8. Bl asé 9. Rever i e 10.Pul sesandRai n 11.St uckHer eWi t hYou 12.Car e

TROUBLE IN MIND

TIM146

FACS Lifelike TRACKLIST

1. Another Countr y

5. Anti-Body

2. In Time

6. Loom State

3. XUXA

7. Total Histor y

RELEASE BIO Chicago trio FACS was founded in 2017 by former Disappears members Brian Case and Noah Leger, along with their bandmate Jonathan van Herik. After van Herik amicably parted ways with the group just before their debut album "Negative Houses"'s release, Case and Leger recruited longtime friend Alianna Kalaba (Cat Power, We Ragazzi) to play bass and FACS began methodically destroying live venues across the world. "Lifelike" is their sophomore release; six tracks clocking in at half an hour, carr ying for ward the musical trail blazed by the debut towards a new frontier.

RELEASE INFO Catalogue Number: TIM146 Format: CD, LP, LP-C1 Release Date: March 29th, 2019 UPC - CD: 630125982754 UPC -LP: 630125982778 UPC - LP-C1: 630125982785

"Lifelike" occupies a space in between the band's debut and Case and Leger's work with Disappears, applying minimalism and space in compositions that reside somewhere near the realms of post-punk, art-rock, shoegaze, industrial music and post-rock. "Lifelike" however adds a more melodic sensibility, without sacrificing any of the debut's punishing sonic muscle, with a discernible audial force perceivable thru the speakers (credit due to engineer Jeremy Lemos' recording via Electrical Audio as well as John Congleton's mixing, and Jason Ward of Chicago Mastering Ser vice for accurately capturing the punishing heft of the band's live sound)

Territor y Restrictions: None Genre: Post Rock / Shoegaze / Industrial / Post-Punk / Noise RIYL: This Heat, SUUNS, Preoccupations, Cabaret Voltaire, My Bloody Valentine, PIL Vinyl is not returnable Box Lot CDs: 300 Box Lot LP: 20

Kicking off with the lumbering "Another Countr y", whose opening drone lulls the listener into a trance before Leger's drums crack the earth below. The band veers close to This Heat territor y here, with Kalaba's minimal bass throb and Case's nearly unrecognizable guitar loops and multi-tracked voice punctuating the spaces between. Album standout "In Time" careens with purpose with cascading sheets of guitar noise over the rhythm sections ever-advancing march, while "XUXA"s melodic washes of monochrome eases the tension ever so slightly. Side two awaits, with the anxiety-ridden opener "Anti-Body" and the claustrophobic "Loom State"s clanging aura of menace. "Lifelike" closes with "Total Histor y", whose syrupy shuffle belies the blunt-force trauma of its closing minutes, with the sheer weight of sonic force seeming to blow out the speakers it emanates from. A phoenix returning to the ashes from whence it came.

POINTS OF INTEREST - Limited light blue vinyl available while supplies last - PLEA SE NOTE: Vinyl does NOT include a download code. - Chicago trioâ&#x20AC;&#x2122;s second album - former mbrs of Disappears LABEL CONTACT

"Lifelike" is released on CD, black vinyl, and available via most streaming outlets and digital retailers. A limited light-blue vinyl version is available while supplies last.

TROUBLE IN MIND RECORDS P.O. BOX 30079 Chicago, IL 60630-1340 troubleinmindrecs@gmail.com www.troubleinmindrecs.com

CD - UPC

LP-C1 - UPC

30125

98275

LP - UPC

30125

98277

30125

98278

Numero Group Rupa: Disco Jazz

Catalog Number: num805 Artist: Rupa Title: Disco Jazz Release Date: 3/29/2019 UPC: 825764180511 Available format: LP Genre: Disco, Balearic, Dance Box Lot: 40 Territory Restrictions: None Vinyl is not returnable Track Listing A 1 Moja Bhari Moja 2 East West Shuffle 3 Aaj Shanibar

Barely disco and hardly jazz, Rupa Biswas’ 1982 LP is the halfway point between B Bollywood and Balearic. Tracked in Calgary’s 1 Ayee Morshume Be-Reham Duniya Living Room Studios with a crack team of Indian and Canadian studio rats alike, Disco Jazz is a perfect fusion of East and West. Sarod and synthesizer intricately weave around one another for 37 transcendent minutes, culminating in the viral hit “Aaj Shanibar.” Remastered from original analogue source material and issued with permission and blessing of the producers and performers.

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GhostRampi spr oudt opr esentt hesoundt r ackt ot heuni ver sal l yaccl ai med,awar dwi nni ngvi deogame“ Ni ghti nt he Woods” .Feat ur i ng36t r acksacr osst wo180gr am r ecor dsi n del uxegat ef ol dpackagi ng,Al ecHol owka’ swhi msi cal ,nost al gi cscor ei sar ef r eshi ngbl endofeasyl i st eni ng,myst er i ous mel anchol yandcar ef r eer ockj ams.Theper f ectsoundt r ack f orar el axi ngaf t er nooni nonar ai nyday ,t hi sr ecor di sa must havef oral l“ Ni ghti nt heWoods”f ansoranyonel ooki ng t ogetl osti nachar mi ng,f unandpeacef ulmi xoft unes. Thi si st hef i r stphysi calr el easeoft he“ Ni ghti nt heWoods” soundt r ack,andi ncl udesaf ul lcol ori nser tanddi gi t aldownl oadcar d.

Cat al ogueNumber :GR047 For mat :LP Rel easeDat e:Mar ch29t h,2019 UPCLP:8435631 10447 Ter r i t or yRest r i ct i ons:None Genr e:Soundt r ack VI nyli snotr et ur nabl e BoxLot :25 -2xLP180gr am vi nylf eat ur i ng36t r acks! -Gor geousgat ef ol dj acketw/f ul lcol ori nser t , i ncl udesdi gi t aldownl oadcar d -SeamusMcNal l yGr andPr i zeWi nner

COMING SOON FROM SECRETLY DISTRIBUTION... APRIL 5th

-------------------• CHASMAN - SYNTH-E-FUGE (BLACK VINYL) | LP (NUM807lp) | Numero Group PHYS UPC:825764180719 • DAVID CHESWORTH - LAYER ON LAYER (NEON YELLOW VINYL) | LP (CH136lp-C1) | Chapter Music PHYS UPC:747742112379 • HONEY 2 HONEY - A TASTE OF (BLACK VINYL) | 12" EP (CH160lp) | Chapter Music PHYS UPC:747742112607 • KHOTIN - BEAUTIFUL YOU (BLACK VINYL) | LP (GI338lp) | Ghostly International PHYS UPC:804297833811 • KHOTIN - BEAUTIFUL YOU (WHITE SMOKE VINYL) | LP (GI338lp-C1) | Ghostly International PHYS UPC:804297833804 • LEE FIELDS & THE EXPRESSIONS - IT RAINS LOVE | CD (BCR067cd) | Big Crown Records PHYS UPC:349223006728 • LEE FIELDS & THE EXPRESSIONS - IT RAINS LOVE | 2xCD (BCR067cd-dlx) | Big Crown Records PHYS UPC:349223006759 • LEE FIELDS & THE EXPRESSIONS - IT RAINS LOVE | LP (BCR067lp) | Big Crown Records PHYS UPC:349223006711 • LEE FIELDS & THE EXPRESSIONS - IT RAINS LOVE (TRANSLUCENT RED VINYL) | LP (BCR067lp-C2) | Big Crown Records PHYS UPC:349223006742 • PRIESTS - THE SEDUCTION OF KANSAS | CD (SPR031cd) | Sister Polygon Records PHYS UPC:619960740767 • PRIESTS - THE SEDUCTION OF KANSAS (BLACK VINYL) | LP (SPR031lp) | Sister Polygon Records PHYS UPC:619960740774 • PRIESTS - THE SEDUCTION OF KANSAS (PINK VINYL) | LP (SPR031lp-C1) | Sister Polygon Records PHYS UPC:655160615474 • [Back in Stock!] RICHARD SWIFT - DRESSED UP FOR THE LETDOWN (BLACK VINYL) | LP (SC133lp) | Secretly Canadian PHYS UPC: 656605013312 • [Back in Stock!] RICHARD SWIFT - THE ATLANTIC OCEAN (BLACK VINYL) | LP (SC183lp) | Secretly Canadian PHYS UPC:656605018317 • RICHARD SWIFT - GROUND TROUBLE JAW / WALT WOLFMAN (BLACK VINYL) | LP (SC387lp) | Secretly Canadian PHYS UPC:656605038711 • SON LUX - AT WAR WITH WALLS & MAZES (REISSUE) | CD (JNR296cd) | Joyful Noise Recordings PHYS UPC:753936903746 • SON LUX - AT WAR WITH WALLS & MAZES (REISSUE) (GREY VINYL) | LP (JNR296lp-C1) | Joyful Noise Recordings PHYS UPC:714270693830 • SON LUX - WE ARE RISING (REISSUE) | CD (JNR297cd) | Joyful Noise Recordings PHYS UPC:753936903753 • SON LUX - WE ARE RISING (REISSUE) (COKE BOTTLE GREEN VINYL) | LP (JNR297lp-C1) | Joyful Noise Recordings PHYS UPC:714270693847 • SPARROW STEEPLE - TIN TOP SORCERER (BLACK VINYL) | LP (TIM144lp) | Trouble In Mind PHYS UPC:630125982730 • VISIBLE CLOAKS, YOSHIO OJIMA & SATSUKI SHIBANO - FRKWYS VOL. 15: SERENITATEM | CD (FRKWYS15cd) | RVNG INTL. PHYS UPC: 747742382352 • VISIBLE CLOAKS, YOSHIO OJIMA & SATSUKI SHIBANO - FRKWYS VOL. 15: SERENITATEM (BLACK VINYL) | LP (FRKWYS15lp) | RVNG INTL. PHYS UPC:747742382345

*All releases are subject to change

SPOTIFY

------------------------------• 3/22 + 3/29 Mix - https://open.spotify.com/playlist/22vSIdVh5JQT1XDWqDr6Hg