January 24th & January 31st New Releases by Secretly Distribution

J a nua r y24t h& J a nua r y31s tNewReel a s es

JANUARY 24TH NEW RELEASES -------------------------------

• TERRY ALLEN AND THE PANHANDLE MYSTERY BAND - JUST LIKE MOBY DICK | CD (POB055cd) | Paradise of Bachelors PHYS UPC:843563118900 • TERRY ALLEN AND THE PANHANDLE MYSTERY BAND - JUST LIKE MOBY DICK (BLACK VINYL) | 2xLP (POB055lp) | Paradise of Bachelors PHYS UPC:843563118894 • BONNY LIGHT HORSEMAN - BONNY LIGHT HORSEMAN | CD (37d008cd) | 37d03d PHYS UPC:656605350646 • BONNY LIGHT HORSEMAN - BONNY LIGHT HORSEMAN (BLACK VINYL) | LP (37d008lp) | 37d03d PHYS UPC:656605350653 • BONNY LIGHT HORSEMAN - BONNY LIGHT HORSEMAN (INDIE EXCLUSIVE) (BLUE SEAGLASS VINYL) | LP (37d008lp-C1) | 37d03d PHYS UPC:656605350677 • OKAY KAYA - WATCH THIS LIQUID POUR ITSELF | CD (JAG352cd) | Jagjaguwar PHYS UPC:656605235226 • OKAY KAYA - WATCH THIS LIQUID POUR ITSELF (COKE BOTTLE CLEAR VINYL) | LP (JAG352lp-C1) | Jagjaguwar PHYS UPC:656605235257 • ΣTELLA - THE BREAK | CD (ABT077cd) | Arbutus Records PHYS UPC:061297659388 • ΣTELLA - THE BREAK (BLACK VINYL) | LP (ABT077lp) | Arbutus Records PHYS UPC:844667043846 • GLASS BEACH - THE FIRST GLASS BEACH ALBUM | CD (RFC204cd) | Run For Cover Records PHYS UPC:811408033879 • GLASS BEACH - THE FIRST GLASS BEACH ALBUM (CLEAR W/ BLUE & RED SPLATTER VINYL) | 2xLP (RFC204lp-C3) | Run For Cover Records PHYS UPC:811408033923 • EN ATTENDANT ANA - JUILLET | CD (TIM151cd) | Trouble In Mind Records PHYS UPC:630125982471 • EN ATTENDANT ANA - JUILLET (BLACK VINYL) | LP (TIM151lp) | Trouble In Mind Records PHYS UPC:630125982457 • EN ATTENDANT ANA - JUILLET (OPAQUE METALLIC GOLD VINYL) | LP (TIM151lp-C1) | Trouble In Mind Records PHYS UPC:630125982440 • ROBERT HAIGH - BLACK SARABANDE | CD (UW029cd) | Unseen Worlds PHYS UPC:744790142648 • ROBERT HAIGH - BLACK SARABANDE (BLACK VINYL) | LP (UW029lp) | Unseen Worlds PHYS UPC:744790142655 • POD BLOTZ - TRANSDIMENSIONAL SYSTEM (BLACK VINYL) | LP (DAIS145lp) | DAIS Records PHYS UPC:758475507004 • POD BLOTZ - TRANSDIMENSIONAL SYSTEM (OPAQUE BLUE VINYL) | LP (DAIS145lp-C1) | DAIS Records PHYS UPC:758475506915 • RECONDITE - DWELL (BLACK VINYL) | 2xLP (GI344lp) | Ghostly International PHYS UPC:804297834412 • RECONDITE - DWELL (MOTTLED BLUE VINYL) | 2xLP (GI344lp-C1) | Ghostly International PHYS UPC:804297834436 • DHAIMA - LOVE LIVES FOREVER (BLACK VINYL) | LP (NUM809lp) | Numero Group PHYS UPC:825764180917 • DHAIMA - LOVE LIVES FOREVER (TRANSPARENT PURPLE VINYL) | LP (NUM809lp-C1) | Numero Group PHYS UPC:825764180924 • HELADO NEGRO - LIVE AT KCRW (BLACK VINYL) | LP (RVNGNL062lp) | RVNG INTL. PHYS UPC:747742382956 • CLARK ABOUD - SLAY THE SPIRE - ORIGINAL SOUNDTRACK (RED VINYL) | LP (GR060lp-C1) | Ghost Ramp PHYS UPC:843563122426 • SARAH MARY CHADWICK - PLEASE DADDY (WHITE VINYL) | LP (LYN051lp-C1) | Sinderlyn PHYS UPC:858458006965 • CHRIS LILLEY - THE FUCK SONG (RED VINYL) | 7" (GR057lp-C1) | Ghost Ramp PHYS UPC:843563120774

JANUARY 31ST NEW RELEASES -------------------------------

• WILD NOTHING - LAUGHING GAS (MILKY CLEAR VINYL) | 12" EP (CT311lp-C1) | Captured Tracks PHYS UPC:817949018047 • JUNG JAE IL - PARASITE (ORIGINAL MOTION PICTURE SOUNDTRACK) (GREEN GRASS VINYL) | 2xLP (SBR247lp-C1) | Sacred Bones Records PHYS UPC:843563123874 • SQÜRL - SOME MUSIC FOR ROBBY MÜLLER (BLACK VINYL) | LP (SBR236lp) | Sacred Bones Records PHYS UPC:843563122716 • SQÜRL - SOME MUSIC FOR ROBBY MÜLLER (GOLDEN HOUR VINYL) | LP (SBR236lp-C1) | Sacred Bones Records PHYS UPC:843563122730 • TALL TALL TREES - A WAVE OF GOLDEN THINGS | CD (JNR326cd) | Joyful Noise Recordings PHYS UPC:753936904927 • TALL TALL TREES - A WAVE OF GOLDEN THINGS (GOLD VINYL) | LP (JNR326lp-C1) | Joyful Noise Recordings PHYS UPC:753936904934 • MINT JULEP - STRAY FANTASIES | CD (WV194cd) | Western Vinyl PHYS UPC:843563120569 • MINT JULEP - STRAY FANTASIES (IVORY VINYL) | LP (WV194lp-C1) | Western Vinyl PHYS UPC:843563120552 • ANDRAS - JOYFUL (BLACK VINYL) | LP (BIS041lp) | Beats In Space / RVNG INTL. PHYS UPC:747742391316

CONTACTS

-------------------------------

• RETAIL & DOMESTIC SALES - SHELLY WESTERHAUSEN - shelly@secretlydistribution.com - 812.822.3886 • DOMESTIC SALES & MARKETING - ABBY GOLDSMITH - abby@secretlydistribution.com - 812.961.7098 • INTERNATIONAL SALES & MARKETING - international@secretlydistribution.com - 812.882.3894 • DIGITAL DISTRIBUTION & PROMOTION - CHARLEY KIEFER - charley@secretlydistribution.com - 812.822.3885

LABEL ROSTER

-------------------------------

Click the link below to view Secretly Distribution’s current Label Roster:

http://www.secretlydistribution.com/labels.html Secretly Distribution • 1499 W. Bloomfield Rd. Bloomington, IN 47403 USA

Paradise of Bachelors P.O. Box 1402, Carrboro, NC 27510 www.paradiseofbachelors.com / info@paradiseofbachelors.com US PR: Matt Hanks, mhanks@shorefire.com UK PR: Will Lawrence, will@inhousepress.com Elsewhere: Lara Greening, lara@secretlydistribution.com Iconic and iconoclastic Texan songwriter and visual artist Terry Allen’s heartbreaking, hilarious new album, his first set of new songs since 2013’s Bottom of the World, features the full Panhandle Mystery Band, including co-producer Charlie Sexton (Dylan, Bowie, Blaze), Shannon McNally, and Jo Harvey Allen; mainstays Bukka Allen, Richard Bowden, and Lloyd Maines; and co-writes with Joe Ely and Dave Alvin. The connections to Melville’s masterpiece are metaphorical and allusive, as elusive as the White Whale. The masterly spiritual successor to Lubbock (on everything), Just Like Moby Dick casts its net wide for wild stories, depicting, among other monstrous things, Houdini in existential crisis, the death of the last stripper in town, bloodthirsty pirates (in a pseudo-sequel to Brecht and Weill’s “Pirate Jenny”), the wars in Iraq and Afghanistan (in the “American Childhood” suite), a vampire-infested circus, mudslides and burning mobile homes, and all manner of tragicomic disasters, abandonments, betrayals, bad memories, failures, and fare-thee-wells. “Laughter is just a slowed down scream of terror.” – Thomas Disch Terry Allen’s 2019 retrospective exhibition, The Exact Moment It Happens in the West: Stories, Pictures, and Songs from the ’60s ‘til Now, at his longtime gallery L.A. Louver, surveyed the celebrated artist’s over fifty-year career bridging the disparate, and usually distant, worlds of conceptual art and country music. (Allen himself is suspicious of all such labels, famously asking, “People tell me it’s country music, and I ask, ‘Which country’”) The show concluded with a recent, and ongoing, body of work entitled MemWars—Terry likes puns—that deploys a three-channel video installation and drawings to examine nine indelible episodes from his life that have informed his influential songwriting. The real-life characters who inhabit the picaresque stories he tells (alongside his wife and collaborator of fifty-eight years, the actor and writer Jo Harvey Allen) may have monstrous names—The Wolfman of Del Rio, The Gorilla Girl, Monkey Man, Headlight Woman, the Burn Couple—but, like all of us, they have endured mundane and all-too-human pain. MemWars concerns the mirages and ravages of memory, the fragmented ways we remember, and are remembered. It is Allen’s essential subject matter, refracted kaleidoscopically through a multiplicity of media. Appropriately, then, his heartbreaking, hilarious new album Just Like Moby Dick, his first set of new songs since 2013’s Bottom of the World, takes its title from the archetypal monster of American literature and the American imaginary. (Coincidentally—or not—his label Paradise of Bachelors also takes its name from a Herman Melville story.) “Memory shot her crystals as the clear ice most forms of noiseless twilights,” Melville writes, and for most of the novel, Moby Dick himself remains hidden, haunting Ahab as a crystalline monster of fathomless memory, a terrible fever dream from the depths. The whale remains a specter on Allen’s record too, appearing explicitly only in the briny final line of the last song “Sailin’ On Through,” and on the artist’s Side D vinyl etching and CD insert drawings, where he lurks menacingly beneath the roiling seas of Thomas Chambers, the 19th-century maritime painter whose floridly freaky nautical scenes adorn the album jacket. The connections to Melville’s 1851 masterpiece are metaphorical and allusive, as elusive as the White Whale. The masterly spiritual successor to widely acknowledged art-country classic Lubbock (on everything) (1979), Just Like Moby Dick casts its net wide for wild stories, depicting, among other monstrous things, Houdini in existential crisis (“Houdini Didn’t Like the Spiritualists”), “The Death of the Last Stripper” in town, bloodthirsty pirates (in a pseudo-sequel to Brecht and Weill’s “Pirate Jenny”), the wars in Iraq and Afghanistan (in the “American Childhood” suite), a vampire-infested circus (in “City of the Vampires”), mudslides and burning mobile homes (“Harmony Two”), and all manner of tragicomic disasters, abandonments, betrayals, bad memories, failures, and fare-thee-wells. It begins graveside, with Houdini alone with his ectoplasmic doubts in “the silence of the night” (another “noiseless twilight”). It ends with death too, old friends fading into “ashes, dust, and songs.” Fortunately, Just Like Moby Dick features friends in spades, including the full Panhandle Mystery Band in its current, formidable iteration. It is the most collaborative album in Allen’s catalog and arguably his most sonically rich and varied as well. Terry shares keyboard duties with his son Bukka Allen, who also plays accordion and piano. Pedal steel master and de facto Panhandle bandleader Lloyd Maines contributes slide guitar and dobro, while Richard Bowden brings his characteristically kinetic and lyrical fiddle; both musicians have appeared on every Allen album since Lubbock (on everything). The brilliant Charlie Sexton, a veteran of Bob Dylan’s bands since 1999—he’s also played with David Bowie and Lucinda Williams and stars as Townes Van Zandt in Ethan Hawke’s 2018 Blaze Foley biopic—co-produced the record with Terry at Austin’s Arlyn Studios, plays guitar, and sings. Drummer Davis McLarty, a Mystery Band mainstay since Human Remains (1996) is joined by more recent rhythm section additions Glenn Fukunaga (bass) and Brian Standefer (cello). Terry’s other son Bale Allen sits in on djembe on “Abandonitis.” The most clearly transformative new presence here, however, is Shannon McNally, who sings sublimely throughout, taking lead on “All These Blues Go Walkin’ By” and Jo Harvey’s jazzy “Harmony Two” and duetting with Sexton on “All That’s Left Is Fare-Thee-Well,” making this the only Allen album to cede lead vocals to other performers. Just Like Moby Dick is also unusual in featuring five songs co-written, in various permutations, with fellow travelers Joe Ely and Dave Alvin, as well as Sexton, McNally, and three other talented Allens (Jo Harvey, Bukka, and Bukka’s son Kru), largely emerging from 2018 songwriting sessions hosted by the Crowley Theater and Hotel St. George in Marfa, Texas. The satirical triptych “American Childhood” includes two previously unrecorded 2003 songs, “Civil Defense” and “Little Puppet Thing,” related to Allen’s DUGOUT project, depicting a childhood in the shadow of Cold War atomic terror. They bookend “Bad Kiss,” in which a high school girl enlists, leaving home and an abbreviated romance for the war-torn Middle East. But history repeats itself in an endlessly stuttering cycle of brutality and death: “It’s just the war/Same fucking war/It’s always been/Never ends.” “It was the whiteness of the whale that above all things appalled me,” reveals Ishmael in Moby-Dick. He reels off a litany of possible reasons—scientific, symbolic, cultural—why that might be, but it all boils down to absence, to blankness and emptiness. Pirate Jenny’s ship and flag may be “as black as her past,” but white is the color of death and surrender, of ghosts and the void—a symptom of “Abandonitis,” that American disease. “All good luck has death in it” reads one of Allen’s blood-red drawings in The Exact Moment It Happened in the West, emblazoned beside a broken wishbone. So do most good jokes, most good songs, most wisdom. Memory shoots her crystals as clear, white ice.

TERRY ALLEN & THE PANHANDLE MYSTERY BAND JUST LIKE MOBY DICK + label: + catalog number: + formats: + release date: + genre(s): + restrictions: + box lots – LP / CD:

Paradise of Bachelors PoB-055 2×LP (w/4th-side etching art) / CD / Digital January 24, 2020 Country/Alternative/Singer-Songwriter No territory restrictions; LPs not returnable 10 inner box; 20 outer box / 50

A1. Houdini Didn't Like the Spiritualists 4:05 A2. Abandonitis 3:59 A3. Death of the Last Stripper 3:20 A4. All That's Left Is Fare-Thee-Well 3:07 B1. Pirate Jenny 5:20 B2. American Childhood I: Civil Defense 2:33

B3. American Childhood II: Bad Kiss 3:37 B4. American Childhood III: Little Puppet Thing 2:24 C1. All These Blues Go Walkin' By 3:22 C2. City of the Vampires 3:57 C3. Harmony Two 5:45 C4. Sailin' On Through 4:03

+ Terry Allen’s first album of new work since 2013’s Bottom of the World. + Featuring contributions from Charlie Sexton (Dylan, Bowie, Blaze), Shannon McNally, and Jo Harvey Allen; mainstays Bukka Allen, Richard Bowden, and Lloyd Maines; and co-writes with Joe Ely and Dave Alvin. + The deluxe tip-on gatefold 2×LP package features lyrics, color labels, high-res Bandcamp download code, three sides of music, and a fourth-side vinyl Moby Dick etching artwork by Allen. + The gatefold CD edition includes a six-panel lyrics insert with different Moby Dick artwork by Allen. + For more information: http://www.paradiseofbachelors.com/pob-055 + Artist page/tour dates/back catalog: http://www.paradiseofbachelors.com/terry-allen + RIYL: David Byrne, Guy Clark, Bob Dylan, John Prine, Silver Jews, Sturgill Simpson, Townes Van Zandt, Kurt Vile. Allen’s songs extract strangeness from the known world & use it as a means of acquiring greater knowledge ... which is as good definition of wisdom as any. – The New Yorker | He’s pretty close to a master lyricist. – The New York Times Riveting. – NPR | Stunning. – Pitchfork | Aural brilliance. – The Wire Uniformly eccentric & uncompromising, savage & beautiful, literate & guttural. – Rolling Stone Allen carries the dust of West Texas in his throat, with a voice like a coyote’s yip & a twang like wind-thrummed barbed wire. – Bandcamp Daily | There may be no greater maverick in all of country music. – AllMusic A true legend & a hero. I love Terry’s music so much. – Kurt Vile

PoB-055-CD: 843563118900

PoB-055-LP: 843563118894

43563 11889

43563 11890

PoB-055-DIG: 843563118917

43563 11891

Bonny Light Horseman Bonny Light Horseman 24 January 2020

Catalog #: 37d008 Label: 37d03d Genre: Folk, Alternative Formats: CD, LP, Ltd LP, Digital Vinyl Not Returnable, No Export Restrictions Key Markets: LA, NYC, Nashville, Austin, Portland, Seattle, San Francisco, Philadelphia, DC

LP-C1 (Blue Seaglass Vinyl)

Digital

Tracklisting: A 1/ Bonny Light Horseman 2/ Deep In Love 3/ The Roving 4/ Jane Jane 5/ Blackwaterside B 6/ Magpie’s Nest 7/ Lowlands 8/ Mountain Rain 9/ Bright Morning Stars 10/ 10,000 Miles

The timeless qualities of traditional tunes can carry us across oceans and eons, linking us not only to the past but to each other as well. It was under the banner of those eternal connections that the trio of Bonny Light Horsem an came together. From festival fields and a German art hub to a snowy upstate studio and everywhere in between, the astral folk outfit— comprised of Anaïs M itchell, Eric D. Johnson (Fruit Bats, The Shins), and Josh Kaufm an (The National, Bob W eir)—is mixing the ancient, mystical medium of transatlantic traditional folk music with a contemporary, collective brush. The resulting album, Bonny Light Horseman, is an elusive kind of sonic event: a bottled blend of lightning and synergy that will excite fans of multiple genres, eras, and ages. The album features fellow 37d03d artists-in-residence M ichael Lewis (bass, saxophone) and JT Bates (drums) as well as Justin Vernon, Aaron Dessner, Kate Stables, Lisa Hannigan, The Staves, Christian Lee Hutson, and more. Leaving the 2018 37d03d Berlin event with roughly 60-percent of a record, the band reconvened at Dreamland Studios in Woodstock, NY, in January 2019 to finish, bringing Lewis and Bates as well as engineer Bella Blasko along with them. Calendar: 16 Oct – Album + Tour Announce w/ “Deep In Love” single 20 Nov – “Jane Jane” single 8 Jan – “The Roving” single PR 24 Jan – Release date w/ “Bright Morning Stars (feat. Justin Vernon)” single focus Selling Points: • Anais Mitchell won 8 Tonys for her musical Hadestown • Promo CDs and Posters Available • Early affection from WNRN, KEXP, KCRW • Steady social support at each turn from the 37d03d community - Bon Iver, Hiss Golden Messenger, The Tallest Man On Earth, The National, Sylvan Esso, Wye Oak and many, many more. Press Kit: http://www.chromaticpr.com/2019/07/31/bonny-light-horseman/ Live Dates: Jan 2020 – West Coast // Feb 2020 – East Coast https://www.bonnylighthorseman.com/tour Band Socials: https://www.instagram.com/bonnylighthorseman/ https://www.facebook.com/bonnylighthorseman/ https://twitter.com/bonnylightband Label Socials: https://twitter.com/37d03d https://www.instagram.com/37d03d/ https://www.facebook.com/37d03d/

OKAY KAYA WATCH THIS LIQUID POUR ITSELF ABOUT THE ALBUM

DETAILS

In Okay Kaya songs, her world looks a lot like ours — Netflix, jetlag, vegan peanut butter and chocolate ice cream, lonely bowls of ramen, diet trends. But unlike ours, each of these vibrates and shimmers with deeper, darker meaning, with existential dread and desire for understanding. Through Norwegian-raised New Yorker Kaya’s dreamy soft-focus lens, the language of Twitter memes becomes modernist poetry as her breathy contralto voice sings lines like, “If you don’t love me at my guttural sound, you don’t deserve me at my guttural sound.” This is Sade for nihilists.

CATALOG NUMBER: JAG352

On the opening track of her new record, Watch This Liquid Pour Itself, out on January 24, 2020, from Jagjaguwar, she sings, “I used to fight the feeling, always let it win.” As she transforms these feelings, defeats, and victories into songs, the lyrics often involve pools of sweat, oceans, and other forms of wetness. But Okay Kaya’s world is not one of renewal and rebirth—it’s not water at all, actually. “It’s more like bile,” Kaya says, “It’s what comes out in the purge.” In these songs, Kaya swims through her melancholy and anxiety— not as a way of cleansing herself, but as an understanding of their depths. SELLING POINTS

··

First pressing on Coke Bottle Clear color vinyl

··

Multiple early songs over 1M streams, including pre-release single

RELEASE DATE: January 24, 2020 FORMAT: CD / LP / LP-C1 / Digital CD BOX LOT: 30 LP BOX LOT: 24 GENRE: Alternative KEY MARKETS: Oslo, New York City, Brooklyn, Los Angeles, Chicago, London, Berlin, San Francisco, Stockholm, Seattle, Toronto TERRITORY RESTRICTIONS: None VINYL NOT RETURNABLE CD UPC: 656605235226

LP UPC: 656605235219

LP-C1 UPC: 656605235257

DIGITAL UPC: 656605235264

“Ascend and Try Again” ··

Vinyl Me, Please ‘Rising’ confirmed for Winter 2020

TRACKS

··

Strong early playlisting including All New Indie, Late NIght Vibes, Chill

SIDE A:

SIDE B:

Vibes, Taylor Swift’s Spotify Playlist

1. Baby Little Tween 2. Ascend and Try Again 3. Insert Generic Name 4. Overstimulated 5. Psych Ward 6. Gutteral Sounds 7. Asexual Wellbeing 8. Popcorn Heart

9. Mother Nature’s Bitch 10. Hallelu Ya Hallelu Me 11. Symbiosis 12. Givenupitis 13. Helsevesen 14. Stonethrow 15. Zero Interaction Ramen Bar

··

Previous press includes: Pitchfork, FADER, Stereogum, NME, Paper, VICE, Complex, Dazed, Interview, V Magazine and more!

··

Previous touring includes: King Krule, Tobias Jesso Jr

··

Followers: 39,000+ Instagram, 14,000+ Spotify, 7,500 Youtube

Exclusively Distributed By Secretly Distribution Phone: (812) 335-1572 US Domestic Sales Contact: domestic@secretlydistribution.com International Sales Contact: international@secretlydistribution.com

Σtella The Break TRACKLISTING 01 02 03 04 05 06 07 08 09 10 11 12 13

Bellaria The Race Simon Says Samba Forest Monster The Break I'm Alone Numéro The River Cherry Sleeping Separate The World Is Big

- Based in Athens, Greece. The Break is Σtella'sdebut international release. - Includes previously released singles “Samba” and “The Race”. - 2015 single “The Owner” has 1m+ streams on Spotify. - US + Intl touring planned in support of release. - RIYL: Stereolab, Fiery Furnaces, Broadcast.

ΣTELLA #stellawithasigma Σtella was born beside the sea and raised by a Canadian nanny who waterskied topless. Following the release of two standout singles – “Samba” and “The Race”– the Athens-based artist is ready to share “The Break”, her international debut. Selfproduced, and recorded primarily at her home studio, “The Break” brings together all the playfulness and spontaneity that characterizes Σtella’s music: non-standard pop deviations whose shimmering feel-good surfaces are anchored by a powerful undertow of melancholy. Σtella explains, “The Break has a lot to do with an "inner break" I was experiencing at the time. I intensely felt that I was moving from one place to another, musically and personally. I mean, if we look at the cover, I've turned myself into a bird and the circle – for me – indicates two different dimensions. Making it made me feel that I really wanted this music to travel, to infnity and beyond.” Based in Greece, Σtella began writing music while still a student at the Athens School of Fine Art, and frst released songs into the wild of the Internet in 2012. Soon in demand as a guest writer and vocalist for an impressive cross section of the Greek underground scene, she also fexed her melodic muscle on more personal collaborative projects, such as Fever Kids and a series of acclaimed tracks with Nteibint.

CATALOGUE NUMBER: ABT077 ARTIST: Σtella TITLE: The Break GENRE: Alternative, Indie RELEASE DATE: January 24th, 2020 AVAILABLE FORMATS: CD, LP TERRITORY: Worldwide BOX LOT: CD – 50, LP – 25 VINYL IS NOT RETURNABLE CD UPC: 061297659388

LP UPC: 844667043846

But it was striking out on her own, writing and releasing two solo albums – her selftitled 2015 debut “Σtella” and 2017’s “Works For You” – that brought her critical momentum, buzz and airplay, making her one of Greece’s most popular indie stars. Now signed with Arbutus Records, she’s ready to break out – and ready to break you in. “exquisite new single, one of our favorite tracks of the year thus far” “a timeless disco-pop gem featuring shimmery synths, a buoyant bassline, and Σtella’s distinctive vocals” - Gorilla vs Bear

LABEL CONTACT: Arbutus Records 7119 Rue St-Hubert Montreal, QC H2S 2N1 CANADA info@arbutusrecords.com www.arbutusrecords.com

Exclusively distributed by Secretly Distribution / PHONE: (812) 355-1527 US DOMESTIC SALES CONTACT: domestic@secretlydistribution.com / INTERNATIONAL SALES CONTACT: international@secretlydistribution.com

Glass Beach the first glass beach album

January 24, 2020 ABOUT THE ALBUM

glass beach’s debut album the first glass beach album is the first album from glass beach. That’s a good place to start, but the album’s plain & descriptive title does little to explain exactly what goes on in the hour-long adventure contained therein. the first glass beach album was initially self-released by the band in Spring 2019, but it’s roots date back to as early as 2015 - songwriter & band leader j mclendon started demoing songs for the album when they first moved to Los Angeles & spent three years polishing those first demos into these songs with bassist Jonas Newhouse & drummer William White. On their Bandcamp page, the band describes their sound as the accumulation of jazz, new wave, synth music, and emo distorted through the lens of punk.

CATALOG NUMBER: RFC204 RELEASE DATE: January 24, 2020 FORMAT: LP / CD LP BOX LOT: 20 CD BOX LOT: 30 GENRE: Alternative / Indie / Pop KEY MARKETS: Los Angeles, Chicago, Boston, Philadelphia, San Francisco, Austin TERRITORY RESTRICTIONS: None

The songs that make up the first glass beach album are ambitious, theatrical and chaotic. Aban- VINYL NOT RETURNABLE doning genre limitations makes glass beach’s talent for songwriting all the more apparent - maCD 2xLP - Clear with Blue & Red Splatter UPC 811408033879 UPC 811408033923 thy guitar leads, catchy drum grooves and the constant interplay of horns, synths, and even the intermittent theremin set the perfect scene for j’s Digital stunning vocal performance, which can shift from a UPC 811408033824 charming falsetto to the lead of a sing-a-long in an instant. Run For Cover will release the first glass beach album on vinyl for the first time in early 2020. This 2xLP set features all fifteen songs pressed on color vinyl with expanded artwork.

TRACKLIST

Side C Side A 1. classic j dies and goes to hell part 1 1. dallas 2. (rat castle) 2. bedroom community 3. planetarium 3. (forever?????????) 4. soft!!!!!! 4. bone skull - First-ever vinyl release for glass beach’s debut album Side D Side B - Featured on Stereogum’s ‘Best New Bands of 2019’ list 1. yoshi’s island - Music Videos planned for “classic j dies...”, “bedroom community”, “calico”, 1. neon glow 2. orchids 2. cold weather “yoshi’s island” 3. calico - Planned in-depth feature with Stereogum to premiere around signing 4. glass beach announcement 5. (blood rivers) - Touring to follow physical release in Winter/Spring 2020

SELLING POINTS

TROUBLE IN MIND

TIM151

En Attendant Ana Juillet TRACKLIST

1. Down The Hill

6. Flesh Or Blood

2. Do You Understand?

7. Enter My Body (Lilith)

3. Somewhere and Somehow

8. Words

4. In / Out

9. When It Burns

5. From My Bruise To An Island

10. The Light That Slept Inside

RELEASE BIO

RELEASE INFO

With the release of 'Juillet', Parisian quintet En Attendant Ana make good on the promise of their album 'Lost & Found' (2018, Trouble In Mind), diligently crafting a set of ten songs that shimmer, glide and sway with a sophistication only hinted at by their debut. Trouble In Mind is honored to present 'Juillet' exclusively to the world. Recorded by Vincent Hivert and Alexis Fugain over the course of one week at Studio Claudio, an isolated studio in rural France, "Juillet" is the sound of a band reshaping itself, adapting to numerous transitions both within the band ('Juillet' is the first recording with current guitarist Maxence Tomasso) and in life. Primar y lyricist & front person Margaux Bouchaudon says "I tend to consider it as a journey towards acceptation of losses (would they be friends, lovers or dreams through death, departure or disillusion...) but also towards self respect and independence." Indeed many of the songs on "Juillet" feel hopeful, despite their melancholic tone, lacing a lilting melody or triumphant trumpet swell (courtesy of multi-instrumentalist Camille FrĂŠchou) or charging guitar riffs from Tomasso or Bouchaudon. Famed French engineer Dominique Blanc-Francard mastered the whole affair with a deft hand, coaxing the subtleties of the mix without sacrificing its sonic whallop. Whereas the tunes on 'Lost and Found' felt wild & reckless, the songs on 'Juillet' feel focused, composed by the band over six months, working a much as possible on arrangements, structure to create a set of songs that feel bonded together by the magnetic pull of each other; each shines on their own, but viewed as a whole, they dazzle. Songs like "Do You Understand?" and the first single "Words" point toward a new frontier for the group, effortlessly sharpening their razor-sharp hooks to such a fine point, you almost don't realize their complexity. Elsewhere, songs like "Flesh or Blood" and opener "Down The Hill" revel in the push/pull dynamics they teased at on "Lost and Found" while earworm tunes like "In / Out"s poetic lyrics bounce atop a toe -tapping pulse (courtesy of rhythm section of bassist Antoine Vaugelade & drummer Adrien Pollin). Finally, songs like "From My Bruise To An Island" and the sparse "When It Burns" bridge a confessional narrative atop an amorphous ambient float. They feel important, and hint at an exciting future for a band letting go of it's past and entrusting fate with its future. "Juillet" is the French word for July - a month representing the transition from spring to summer, & in the band's own words "Juillet" is "a symbol of the end of something and the beginning of an other one..." "Juillet" is released on CD, black vinyl LP (a limited "metallic gold" version is available while supplies last) and available to stream worldwide via most digital platforms.

CD- UPC

30125

98247

Catalogue Number: TIM151 Format: CD, LP, LP-C1 Release Date: Januar y 24th, 2019 CD: 630125982471 UPC -LP: 630125982457 UPC -LP-C1: 630125982440 Territor y Restrictions: None Genre: In die / Ro ck / Alter n ati ve / D IY RIYL: Stereolab, Shopping, Electrelane, La Luz, Look Blue Go Purple, Pastels, Talulah Gosh, Comet Gain

Vinyl is not returnable Box Lot CD: 50 Box Lot LP: 20 POINTS OF INTEREST - Limited METALLIC GOLD vinyl version avaiable while supplies last - Parisian quintet â&#x20AC;&#x2122;s second album - Mastered by Dominique Blanc-Francard (Serge Gainsbourg, Gong, Magma & more)

LABEL CONTACT TROUBLE IN MIND RECORDS P.O. BOX 30079 Chicago, IL 60630-1340 troubleinmindrecs@gmail.com www.troubleinmindrecs.com

LP - UPC

30125

98245

LP-C1 - UPC

30125

98244

TITLE

ROBERT HAIGH BLACK SARABANDE

LABEL

UNSEEN WORLDS

ARTIST

CAT # UW029 GENRE Electronic, Ambient, Experimental, Classical RIYL Harold Budd, Satie, Max Richter, Nihls Frahm DATE January 24, 2019 FORMAT LP, CD, Digital BOX LOT LP=30, CD=50 RETURN LP=NO, CD=YES RELEASE DESCRIPTION Black Sarabande expands upon pianist-composer Robert Haigh’s beguiling debut for Unseen Worlds with a collection of intimate and evocative piano-led compositions. Haigh was born and raised in the ‘pit village’ of Worsbrough in South Yorkshire, England. His father, as most of his friends’ fathers, was a miner, who worked at the local colliery. Etched into Haigh’s work are formative memories of the early morning sounds of coal wagons being shunted on the tracks, distant trains passing, and walking rural paths skirting the barren industrial landscape. The album opens with the title track — a spacious, plaintive piano motif develops through a series of discordant variations before resolving. On ‘Stranger On The Lake,’ sweeping textures and found sounds lay the foundation for a two chord piano phrase evoking a sense of elegy. ‘Wire Horses’ is an atmospheric audio painting of open spaces and distant lights. ’Air Madeleine’ uses variations in tempo and dynamics to craft the most seductively melodic track on the album. ‘Arc Of Crows’ improvises on a single major seventh chord, splintering droplets of notes as ghostly wisps of melodic sound slowly glide into view. ‘Ghosts Of Blacker Dyke’ is a melancholic evocation of Haigh’s roots in

England’s industrial north — intermingling dissonant sounds of industry within a set of languid piano variations. ‘Progressive Music’ is constructed around a series of lightly dissonant arpeggiated piano chords which modulate through major and

minor key changes before resolving at a wistful and

UW029CD - 744790142648

UW029LP - 744790142655

enigmatic refrain. In ‘The Secret Life of Air’, a nocturnal, low piano line slowly weaves its way through the close-miked ambience of the room, nearly halting as each note is allowed to form and reverberate into a blur with the next. The ambitious ‘Painted Serpent’ calmly begins with drone-like pads and builds with the introduction of counterpoint piano lines and an orchestral collage of sound underpinned by a deliberate bass motif. ’Broken Symmetry’ and ‘Lady Lazarus’ highlight Haigh’s gift for blurring the line between dissonance and harmony - opaque piano portraits of moonlight and shadows glancingly evoke the impressionistic palettes of Harold Budd, Debussy and Satie. TRACK LIST

SIDE A 1. Black Sarabande 02:43 2. Stranger on the Lake 05:58 3. Wire Horses 02:43 4. Air Madeleine 02:32 5. Ghosts of Blacker Dyke 05:31 SIDE B 6. Lady Lazarus 02:00 7. Arc of Crows 03:49 8. Progressive Music 02:41 9. The Secret Life of Air 03:06 10. Painted Serpent 05:07 11.Broken Symmetry 02:38 LABEL CONTACT:

Tommy McCutchon Unseen Worlds, PO BOX 250558 New York, NY 10025 (917) 420-0788 email: tommy@unseenworlds.com twitter + instagram: @unseen_worlds

GHostly international

GI-344 RECONDITE DWELL Tracklist 01. Dwell 02. Nobilia 03. Black Letter 04. Interlude 1 05. Mirror Games

06. Cure 07. Interlude 2 08. Surface 09. Moon Pearl 10. Wire Threat

Release Bio As electronic musician Lorenz Brunner sketched his vision for the first Recondite full-length on Ghostly in five years he took a step back to assess who and where he was as an artist. 2013’s Hinterland accelerated a progression — he’s since been touring around the world and releasing music with labels such as Hotflush and his own Plangent Records — yet, for him, the album cast a shadow of pressure that widened over time. As with most art forms, perhaps especially music, there is an expectation to change, to creatively pivot elsewhere with each project. After careful consideration, Brunner rejects this notion with his new work, opting alternately to use the icy Hinterland as an aesthetic and tonal template for a like-minded map of evocative compositions aptly titled after the German word “stillstand,” now presented as Dwell.

Release Info Catalog Number: GI-344 Format: 2xLP Release Date: January 24th, 2020 Genre: Electronic, dance Box Lot: LP-8 Vinyl is not returnable.

“I am coherent with what I do, even if I’m not reinventing myself,” Brunner says contentedly. In regards to the album title, he adds, “It’s like when you’re on a hike and you stop and look at the scenery; you may know which path you want to go next but right now you are dwelling.” The title also doubles as a reference to everyday domestic life, a restorative haven for Brunner between tours. Like Hinterland, he incorporates a subtle range of field recordings to intensify the textural atmosphere. While he worked at home on “Mirror Games,” Brunner noticed the buzz coming from across the room, where his wife was using an electric toothbrush, naturally harmonized with the track. He decided to push that frequency further and record the device directly, syncing vibrations for added urgency across the propulsive piece as well as parts of the ambient “Interlude 2.”

UPC-LP: 804297834412

Windswept, moody, and melodic, moments on Dwell linger with emotional resonance. The title track sends an eerie synth loop through a field of techno kicks. The beats recede for a breather four minutes in as if to survey the surroundings. If Brunner pivots anywhere — possibly just a new perspective afforded by being confidently stationary in his craft — it’s by leaning more into hip-hop structures. He’s an avid rap fan and his love for those production techniques is notably present on “Nobilia,” a queasy shuffler (titled in reference to the Super Nintendo game Secret of Evermore), “Interlude 1,” which skitters in lockstep with contemplative synth chords, and “Surface,” an isolatory, ruminative sequence. The closer “Moon Pearl” soothes and shimmers like its namesake, a cherished gem in The Legend of Zelda series that allows carriers of the gem to retain their shape and essence in the Dark World. In an era where constant reinvention and highly self-reflexive brand awareness reigns supreme in the music industry, Brunner as Recondite does something many artists try to avoid, he dwells in his own established identity, one that has garnered him a devoted fanbase. His murky electronic productions, built around mirage-like pads and clipped drum programming, have proven to be highly functional and spectrally enveloping; Dwell is not a return to form, it is a further study of the shapes, it is the modes, and the structures Brunner has trademarked.

Exclusively distributed by SECRETLY DISTRIBUTION PHONE: 812.335.1572

UPC-LPC1: 804297834436

Points of Interest • • • •

Follow up to 2013 full length Hinterland Praise from Resident Advisor, Pitchfork, XLR8R, Ltd edition mottled blue vinyl limited to 1200 copies worldwide RIYL: Efdemin, Roman Flügel, Marcel Dettmann

Label Contact Ghostly International 181 Chrystie St. #3 New York, NY 10002 dado@ghostly.com

US Domestic Sales contact: domestic@secretlydistribution.com International Sales contact: international@secretlydistribution.com

Numero Group Dhaima: Love Lives Forever

Catalog Number: num809 Artist: Dhaima Title: Love Lives Forever Release Date: 01/24/20 825764180917 UPC: LP LP-C1 825764180924 Available format: LP Genre: Reggae, Dub Box Lot: 50 Territory Restrictions: None Vinyl is not returnable Track Listing A 1. Reggae On Sunset A heady mix of digi killers, digital roots, 2. Don’t Feel No Way

dub, electro, and unlikely vocoder magic, Love Lives Forever is the first ever compilation of Miami reggae-notreggae diva Dhaima. The record gathers a collection of the original Natty Queen’s seminal ’80s and ’90s recordings, including her big 1982 chune “Reggae On Sunset,” the Ninakupenda-issued “Don’t Feel No Way,” the previously unreleased “Loving You Is My Thing,” and “Surrender”—the last song recorded before her untimely death in 2000. Pressed loud on black vinyl in a long-playing format to mash up your home speakerbox.

B 1. Surrender 2. Loving You Is My Thing 3. Sweat Til Your Body’s Wet

LP-C1

HELADO NEGRO AND THE SMILE BAND Live at KCRW As Helado Negro and the Smile Band, Roberto Carlos Lange and his faithful music-making companions rereate the sounds of This Is How You Smile for Live at KCRW, a recording of the ensemble’s inspired performance on Jason Bentley’s Morning Becomes Eclectic.

Track Listing A1. Running A2. Two Lucky A3. Pais Nublado A4. Language of Happening B1. Please Won’t Please B2. Imagining What To Do B3. Sabana de Luz / Los Angeles Early Morning Cat#: RVNGNL62LP Release: January 24, 2020 Formats: LP / Digital Vinyl Not Returnable Box Lot: 20 Inner / 40 Outer UPC: 747742382949

RVNG Intl. PO Box 20752 Tompkins Sq. New York NY 10009 matt@igetrvng.com | 718 812 8443

In this living offering, six songs from Helado Negro’s most recent and widely embraced album are encouraged to a global sound stage from the intimacy of Lange’s studio embrace, swaddled in the comfortable delight of accomplished musicianship and amiable collaboration. Live At KCRW serenades like a surreal sonnet in a morning dream, or an impromptu family singalong on a sunset road trip.

end with distinct but holistic departures from Smile, dissolving into washes of instrumental, ambient splendor. Helado Negro and the Smile Band is Adron (voice, acoustic guitar), Ana Barreiro (drums), Angela Morris (voice, violin, piano), Nathaniel Morgan (saxophone), and Oliver Hill (bass, viola), with Roberto Carlos Lange at the center of it all. Helado Negro and the Smile Band’s Live at KCRW will be available in a limited vinyl edition of 500 copies, containing a high quality digital download card.

Artist Highlights • As Helado Negro and the Smile Band, Roberto Carlos Lange and The beloved musical and lyrical themes his faithful music-making companions of This Is How You Smile are revisited, rereate the sounds of This Is How You if not revitalized, in the kindling of new Smile for Live at KCRW, a recording of arrangements, welcoming listeners the ensemble’s inspired performance across the hearth of the Helado Negro on Jason Bentley’s renown Morning home. Invocations of love, protection, Becomes Eclectic show. and healing, tributes to maternal and • Live at KCRW LP edition includes ancestral journeying, and the universal two bonus songs, “Language of appeal to “take care of one another” Happening” and “Los Angeles Early are flourished with the human quality Morning”, that will not be available of live vocal harmonization and a digitally. hybrid of acoustic and synthesized • This Is How You Smile, released March instrumentation. 2019, was heralded by press across the board, including strong praise from While some songs from Smile enjoy The Guardian, Pitchfork, NPR, The stylistic adaptation, as in the bossa nova Wire, Rolling Stone, BBC Radio DJ’s swing of “Pais Nublado,” others return Lauren Laverne, Tom Ravenscroft and with new clarity, like the tenderly touched Gilles Peterson, and many more. “Please Won’t Please.” “Running” • This Is How You Smile has garnered reappears with a spirited pace, while over 10 million streams across Spotify, “Two Lucky” stretches out through Apple Music, and Amazon Music. the expanded group’s rhythmic reach. “Imagining What You Do” and “Sabana de Luz” follow like seasonal transitions, moving from gentle consolation to sundrenched optimism. Both vinyl sides

GR060 SLAYTHESPI RE-OST 01Sl ayTheSpi r e 02Exor di um 03Bat t l eTr ance 04TheGuar di anEmer ges 05MeetTheMer chant 06TheCi t y 07Bat t l eWi t hTheChamp 08Faci ngTheEl i t e

09Dr amat i cEnt r ance 10TheBeyond 1 1TheAwakenedOne 12Mi ndBl oom 13TheEndi ng 14TheHear t 15TheCr edi t s

GhostRampi spr oudt opr esentt hesoundt r ackt ot hecr i t i cal l yaccl ai medvi deogame,Sl ayt heSpi r e.Cl ar kAboud’ s scor ef eat ur esanepi ccol l ect i onofor chest r alpi eces.Rangi ngf r om boomi ngbat t l ecr i est osomberi nt er l udes,Aboud t akesaneccl ect i cappr oacht ohi smusi candcont i nual l y keepst hi ngsf r esh. . Thi scol l ect or ’ sedi t i onvi nylmakest heper f ectkeepsakef or f ansoft hegame,whi l eal sopr ovi di ngexcel l entbackgr ound musi ct ospendyourdaywi t h.Pr essedonr edvi nyl ,t he soundt r ackf eat ur esbr andnewar t wor kandi ncl udesaf ul l col ori nser tanddi gi t aldownl oadcar d.

Cat al ogueNumber :GR060 For mat :LP Rel easeDat e:Januar y24t h,2020 UPCLP:843563122426 Ter r i t or yRest r i ct i ons:Wor l dWi de Genr e:Soundt r ack VI nyli snotr et ur nabl e BoxLot :25

-Redcol or edvi nyl -Br andnewar t wor kwi t hf ul lcol ori nser t -I ncl udesdi gi t aldownl oadcar d

Sarah Mary Chadwick Please Daddy LP/Digital • Hometown: Melbourne, Australia • US Tour Dates Forthcoming • Sixth Solo Album This music is hard. Not in the sense of machismo or of complexity or of booksmarts or even tunelessness (there’s melodies for days), but in the sense that you will come into contact with great pain. It’s probably Sarah’s, but it might be yours, and as such this disc needs to be handled carefully, as though it glows with some kind of half-life accrued from traumas across a lifetime. Pain, indeed, is one of the ways we can go the deepest, like Fred Nietzsche says (and I’ll try not to over-intellectualise, the album doesn’t): “Only great pain, that long, slow pain that takes its time and in which we are burned, as it were, over green wood, forces us … to descend into our ultimate depths… I doubt that such pain makes us ‘better’ – but I know that it makes us deeper.”

LYN -0 51 01 . W hen Will D e at h Come 02. I’m N ot All ow e d In H e ave n 03 . Plea s e D add y 04 . Th e H e ar t A nd I ts Dou ble 0 5 . Let’ s Fi ght 0 6 . Ma ke H ey 07. N o thin g St i cks 0 8 . If I S q uint 0 9 . My M o u t h My Cu nt 10. All Li e s

RELEASE DATE: JANUARY 24TH, 2020 GENRE: POP / ALTERNATIVE “A terrifying loud masterwork.” - 5 Stars, The Guardian “Sustained chords, by turns implacable and triumphant, bring a magisterial gravity to her cryptic but emotive lyrics.” - The New York Times

LP UPC: 858458006965

LP LIST: $19.98 LP FORMAT: 12” LP LP BOXLOT: 50 EXPORT: WORLDWIDE EX. AUS + NZ VINYL NON-RETURNABLE

Press: Chris Hansell = chris.hansell@leftfieldpr.com Sales : Dave Martin - dave.martin@omnianmusicgroup.com

GR057 THEFUCKSONG

Chr i sLi l l ey

01TheFuc kSong 02TheFuc kSong( SweetVal l eyRemi x )

SweetVal l ey ,t hemusi cduoconsi st i ngofWavvesf r ont manNat hanWi l l i amsandhi sbr ot herJoelofRoshi ' s Gar den,ar eshar i nganewr emi xof" TheFuckSong, " whi chi st akenf r om Aust r al i anact or / comedi anChr i sLi l l ey' sNet f l i xshow,Lunat i cs.Ther emaker ewor kst hecomedi cor i gi nal ,i ncor por at i ngcarsounds,j ar r i ngl oops andaut ot unef oranexpl osi vet akeont het r ack. Lunat i csi st hel at esti nal ongl i neofcomedyser i es' f r om Chr i sLi l l eyf ol l owi ngAngr yBoys,SummerHei ght s Hi gh,andJa' mi ePr i vat eSchoolGi r lt onameaf ew.Li ke hi spr evi ousshows,hepl ayssever alchar act er sonLunat i cs,i ncl udi ngt he12year ol dGavi nMcGr egorwho per f or mst heor i gi nalsong. Ther emi xf ol l owsSweetVal l ey' sf ul l l engt hEt er nal ChampI I ,whi char r i vedl astyearvi aGhostRamp.The al bum ser vesast heconcept ualsequelt ot hei rhi ghl yaccl ai med2012al bum Et er nalChampandexpandson t hei rsi gnat ur evi deogamei nspi r ed,sampl eheavy sound.

Cat al ogueNumber :GR057 For mat :7” Rel easeDat e:Januar y24t h,2020 UPCLP:843563120774 Ter r i t or yRest r i ct i ons:None Genr e:Comedy VI nyli snotr et ur nabl e BoxLot :25

-Redcol or edvi nyl -I ncl udesf ol doutpost er -Feat ur edonNet f l i x’ s“ Lunat i cs”

WILD NOTHING

Laughing Gas EP - 12” [Milky Clear Vinyl]

• 350K+ Sales Worldwide & 125M+ Spotify Plays • Produced by Jorge Elbrecht (Ariel Pink, Japanese Breakfast) • Limited Edition Milky White Vinyl

On Laughing Gas, the third EP from Wild Nothing, songwriter and multi-instrumentalist Jack Tatum delves deeper into the territory where he thrives: namely, the synth and sophisti-pop of the 1980s. Working within a more mechanical and synthetic framework than his previous releases, Wild Nothing continues to delicately toe the line between the organic and the unnatural. These are still pop songs, but there’s an underlying sense of uneasiness that threads the music together.

CT-3 11 1. S l e ig ht of Hand 2 . Dizz i n e s s 3 . Foye r 4. Bl u e Wi ng s 5. Th e Wo rl d i s a Hung r y Pl a ce

Recorded in Los Angeles, CA and Richmond, VA with the help of Jorge Elbrecht, these five songs were originally imagined alongside last year’s Indigo and were written and tracked simultaneously with the album. When work on the full-length was nearing completion, Tatum set these ideas aside; they seemed to fit better on their own. In spare moments between tours, Tatum began to look back and piece the songs together at his home studio in Richmond, reconnecting with Elbrecht to mix the EP. With Elbrecht in Denver and Tatum in Richmond, the two went back and forth on the final touches, molding a common thread from the Lô Borges inspired new wave of “Sleight Of Hand” to the propulsive, icy synth funk of “Foyer”. Often considered a secondary or transitional format, Wild Nothing has always used the EP to further explore new ideas and influences. Laughing Gas is no exception.

LP UPC: 817949018047

LP FORMAT: 12” LP BOXLOT: 50 EXPORT: WORLD NON-RETURNABLE

RELEASE DATE: JANUARY 31, 2019 GENRE: INDIE / DREAM POP / ALTERNATIVE “Jack Tatum is simply one of the best songwriters in his field.” - Pitchfork

US Press: Jessica Linker - Jessica@pitchperfectpr.com UK Press: Jon Lawrence - Jon@chalkpressagency.co.uk

Jung Jae Il Parasite: Original Motion Picture Soundtrack

“The script for Parasite begins as follows: “Dark and hopeful music plays.” For a long time, I contemplated whether this piece of music could actually exist. Director Bong (Joon-ho) and I began with a sound that could permeate through the entire film and progress with focus. What is the one singular tone that can accompany emotions ranging from the most trivial humiliation to the extremities of murder, express all sorts of chaos, and embody the exhilaration of speed, or peace, or loneliness, or messy and dirty situations? I thought that a string orchestra could express these various narratives with one consistent tone — the elegant and refined sounds of baroque music, grotesque and neurotic sounds of contemporary music reminiscent of Penderecki or Ligeti, sounds used to heighten emotions in many films, and violin and cello sounds that carry the bleakness of wandering nomads. In terms of the melody, it was structured as a repetition of ascension and descent as the Kim family ascends to the rich house only to descend back to their poor home and further below to the dreadful bunker hidden beneath the Park family’s basement. The final music that closes the film is “Soju One Glass.” Director Bong said that he wants the audience to crave a shot of soju as they leave the theater after watching the film. Soju, the cheapest Korean liquor, has been with the joys and sorrows of everyday Koreans for decades. I think he wanted the audience to leave the theater feeling bitter after facing the pain and helplessness of reality, woeful from Ki-woo’s impossible dream, and wanting to release the inexplicable frustration and disquiet this movie brings. To paint a picture of Ki-woo drinking soju while mulling over his unattainable dream, sleeping on the streets, and waking up to a lonely morning, the actor Choi Woo-shik sang the song himself and Director Bong wrote the lyrics. I haphazardly recorded the song with my guitar after sleeping on my studio floor, and I couldn’t recreate the rough recording’s sense of misery and shabbiness in the actual recording studio, so we ended up just using the demo version. I hope you enjoy the music. Thank you.” — Jung Jae Il

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25

track listing: Opening (2:09) Conciliation I (1:06) On the Way to Rich House (0:57) Conciliation II (1:12) Plum Juice (0:57) Mr. Yoon and Park (1:52) Conciliation III (1:18) The Belt of Faith (7:15) Moon Gwang Left (0:58) Camping (3:07) The Hellgate (1:17) Heartrending Story of Bubu (1:37) Zappaguri (1:48) Ghost (2:02) The Family Is Busy (1:11) Busy to Survive (1:54) The Frontal Lobe of Ki Taek (2:43) Water, Ocean (4:43) Water, Ocean Again (1:38) It Is Sunday Morning (4:05) Blood and Sword (3:04) Yasan (1:17) Moving (1:45) Ending (0:54) Soju One Glass (3:21)

Key Information / Selling Points: Hometown / Key Markets: • Seoul, New York, Los Angeles, Austin, Chicago Selling Points / Key Press: •“Green Grass” color vinyl limited to 2000 units • Bong Joon-ho’s Parasite won the Palme d’Or for the Best Film at the Cannes Film Festival in 2019 catalog #: sbr-247 genre: Soundtrack Release Date: 1-31-2020 available formats: 2xlp-c1 upc-2xlp-c1: 843563123874 export restrictions: none Vinyl is not returnable Box Lot: lp 18 label contact: Sacred Bones Records 144 N. 7th Street #413 Brooklyn, NY 11211 info@sacredbonesrecords.com www.sacredbonesrecords.com

“green grass” color vinyl 2xlp w/ gatefold sleeve

SQÜRL Some Music for Robby Müller 1 2 3 4 5 6

track listing: Robby’s Theme (2:48) Dutch Light on Silver Water (7:08) In a Lonely Place (3:54) Magic Hour (4:31) While Vermeer Was Sleeping (9:22) Robby’s Theme (Variation) (2:48)

Key Information / Selling Points: Hometown / Key Markets: • New York, Los Angeles, Amsterdam, Austin, Chicago, London, Paris, Berlin Selling Points / Key Press: •“Golden Hour” color vinyl available, limited to 1000 • Tribute to the great Dutch cinematographer Robby Müller, who collaborated with Jim Jarmusch and Wim Wenders, among other legendary directors • Music was composed as the soundtrack for Living the Light, a documentary about Müller • Artwork features two Polaroids shots by Müller “These recordings were made by SQÜRL to provide the score to the documentary film LIVING THE LIGHT by Claire Pijman. The subject of Claire’s film is Robby Müller, the unparalleled Dutch cinematographer and poet of light whose work includes: PARIS TEXAS, DEAD MAN, BREAKING THE WAVES, BARFLY, 24 HOUR PARTY PEOPLE and at least 70 other remarkable films. He also produced many still photographs, like these luminous Polaroids on the jacket of this vinyl recording.

Related Catalog: • SBR-079 Jozef Van Wissem & Jim Jarmusch The Mystery of Heaven CD/LP • SBR-179 SQÜRL EP #260 12" EP • SBR-218 Jozef Van Wissem & Jim Jarmusch An Attempt to Draw Aside the Veil CD/LP • SBR-227 SQÜRL The Dead Don’t Die: Original Score LP

Claire Pijman is also Dutch, and also a cinematographer. Her film is, happily, not a conventional or formulaic documentary, but more a personal essay focused on Robby’s vision, his gathered images, and his approach to light, to storytelling and to life itself. LIVING THE LIGHT has now been screened at numerous important film festivals around the world, and was recently awarded the top prize for best feature documentary at the Netherlands Film Festival.

RiYL: Jim Jarmusch soundtracks, Föllakzoid, Earth

As SQÜRL approached creating music for Claire’s film, we attempted to be guided by the beautiful and illuminated elements of Robby’s spirit. We tried to channel his love of the special light during ‘magic hour,’ his love of moving images – from trains and cars, the sadness of certain architecture, or the vibrant energy that can be felt emanating from all living things. So here is Some Music for Robby Müller created by SQÜRL in NYC and inspired by Claire Pijman’s film, LIVING THE LIGHT, and of course by Robby himself; his perceptions, his wonderful presence, his mind, his heart and his twinkling, mischievous eyes -- through which he communicated, and with which he surveyed the same illusive world still vibrating around us.” – Jim Jarmusch, NYC, October 2019

catalog #: sbr-236 genre: Alternative/Soundtrack Release Date: 1-31-2020 available formats: LP, lp-c1 UPC-lp: 843563122716 upc-lp-c1: 843563122730 export restrictions: none Vinyl is not returnable Box Lot: lp 30 label contact: Sacred Bones Records 144 N. 7th Street #413 Brooklyn, NY 11211 info@sacredbonesrecords.com www.sacredbonesrecords.com

“Golden hour” color vinyl lp

Tall Tall Trees

A Wave of Golden Things

Overview

Details

Tall Tall Trees is songwriter and multi-instrumentalist Mike Savino. A Wave of Golden Things, his fourth studio album, opens with the distantcrow of a rooster and takes off in a dust cloud of swirling banjo, drums, and bass, melding the influences of Pink Floyd and Cat Stevens with inspiration from banjo pioneers Earl Scruggs and Bela Fleck.

Release Date : Janurary 31, 2020 Catalog # : JNR326 Available Formats : LP-C1 / CD / Digital Genre : Rock / Cosmic Country Box Lot Quantity : 20 LP / 30 CD Packaging : LP - Jacket / CD - Standard Wallet Key Markets : Asheville, North Carolina, US, UK, Europe Territory Restrictions : Worldwide

Savino, who self-records and produces his music, abandoned the heavily-layered textures of 2017’s Freedays for a more organic, stripped-down approach on A Wave of Golden Things, leaving his distinct voice as the centerpiece and opting for an immersive experience—setting up residence and a mobile recording rig on a hemp farm in the Appalachian mountains. Despite the sparse arrangements, Savino still manages to evoke the sonic imagery and pastoral landscapes that have often been hallmarks of Tall Tall Trees albums. Each of the eight songs that make up A Wave of Golden Things suggest a world unto itself. Reflective of the dark and challenging times of today, Savino’s message is ultimately one of hope and finding peace of mind in the chatter of the modern world. The last chorus reaches towards a transcendent beauty in the darkness, and makes a promise: “a wave of golden things, it waits for you.”

Vinyl Non-Returnable. L P - C1 ( G O L D ) 75393 69 0493 4

CD 75393 69 049 2 7

DI G I TA L 75393 6904910

Selling Points - Vinyl comes with Download Card. - Gold Colored Vinyl, Standard Jacket with Printed Insert. - Recomend If You Like: Sturgill Simpson, Grateful Dead, Tallest Man On Earth, Kishi Bashi, Paul Simon, Vampire Weekend

Noteworthy Quotes “[Tall Tall Trees] uses his banjo in delightful and paradoxical ways…” -NPR Music “[Tall Tall Trees] creates a marvelous sonic forest, layering a base of technique and twang, an indie electronica wall of sound and a gentle pop sensibility.” - Exclaim

Track Listing 1 2 3 4 5 6 7 8

The Wind, She Whispers Expectations Happy Birthday in Jail Ask Me Again A Number of Signs Deep Feels Seven Shades of Blues A Wave of Golden Things

5:12 4 : 41 3: 46 4 :12 4 : 47 4 :30 3:58 5:05

joyful noise recordings 3625 E. Raymond St. | Indy, IN 46203

joyfulnoiserecordings.com press@joyfulnoiserecordings.com

ABOUT THIS RECORD Stray Fantasies marks a deepening of the discography of wife-and-husband duo Hollie and Keith Kenniff under their collaborative moniker Mint Julep, an expertly manicured electric-pop venture that stands in stark contrast to the nebulous and experimental Helios and Goldmund outputs for which Keith Kenniff is known. Where those projects seek to defy conventional songform through textural, amorphous exploration, Mint Julep gels all the elements with an impressive songwriting expertise that speaks to the skill and well-roundedness of its creators. Stray Fantasies further proves this by delivering twelve fully crystallized, iridescent pop pearls glimmering with the interplay of synthesizers, pulsing basslines, and punching drums that ballast Hollie’s oneiric singing as she unfurls themes of vulnerability, insecurity, and other aching minutiae of love and relationships.

TRACK LIST 01 Blinded