February 2025 by SARASOTA SCENE Magazine

opening

FASHION GLOBAL JAZZ

Burr Bakke, DDS

• Fellow of the American Dental Implant Association

• Fellow of International Congress of Oral Implantologists

• Fellow of the American Academy of Dental Facial Esthetics

• Member of American Academy of Implant Dentistry

• Post Doctoral Instructor of Full Mouth Reconstruction

Jill Morris, DMD

• Accredited Member of the American Academy of Cosmetic Dentistry (only 550 accredited dentists worldwide)

• Fellow of the American Academy of Dental Facial Esthetics

• Post Doctoral Instructor of Full Mouth Reconstruction

• Member International Academy of Oral Biological Dentistry and Medicine

• Practicing dentistry for 33 years

Cameron Johnson, DMD

• Member of North American Association of Facial Orthotropics

• Member of the American Orthodontic Society

• Member of the International Association of Orthodontics

• Member of American Academy of Dental Sleep Medicine

• International Academy of Oral Medicine and Toxicology

Sydney Johnson, DMD

• Member of International Academy of Oral Medicine and Toxicology

• Member of International Academy of Biological Dentistry and Medicine

• Member of Academy of Holistic Dental Association

• RG Recognized Dental Laboratory Technician

Siesta

of hope for cancer patients and their families. Today, as our population grows, so does the need for cancer care. The new outpatient Milman Cancer Pavilion will expand critical patient programs and services. Many are fully supported through philanthropy.

You can play a vital role in ensuring that families continue to find the hope and healing they deserve.

Learn how you can make an impact, call 941.917.1286 or visit smhf.org.

Out-of-Door Academy: Jazz Under the Stars

Tuesday, February 11th @ 6 pm

Ring Sarasota

Friday, March 14th @ 6 pm

Sarasota

Contemporary Dance

Friday, April 18th @ 6 pm

The stage is set

Sights + Sounds is an outdoor showcase of the best instrumental, visual and performing arts the Sarasota region has to offer. Come out for dinner at the town center and stay to enjoy the show!

Check out all of the events happening around The Ranch!

Crazy For You

Great Escapes

FERNANDO TRABA , Principal bassoon

tHe RInGLInG’s ARt oF PeRFoRMAnce celebrates global jazz

By Scott Ferguson

oPeninG niGHt FAsHion

Make a stateMent in joseph ribkoff evening fashion

62 76 68 82 86 88

steP into tHe ARt And science oF sHoes at sarasota art MuseuM

By Scott Ferguson

25 yeARs oF sHARinG coMMunity foundation of sarasota county’s season of sharing By Joanna Fox

Like FAtHeR, Like son By John Knowles

ReFLections on tHe bRidGe photo journal by nancy guth

On the COver

sarasota orchestra principal cellist natalie helM in bird key park Modeling a dress by badgley Mischka froM foxy l ady. photo by jordan kelly-laviolette of dreaM on agency.

Kaileia Suvannamaccha

from the • P ub L is H e R

ight years ago, I selected Sarasota as my home mostly because it was so rich in cultural amenities. Sure, the beaches and outdoor sports were a plus, but as we all know, our small city boasts top quality performing arts, amazing museums and galleries, many fun festivals, and great cuisine choices from all over the world. Sarasota is my cultural world, providing me with a symphony for my senses, experiences of great anticipation and joy, and a welcome escape from my busy days.

Our February Culture City issue would easily be a 500-page magazine if we were to properly cover our culture scene—but unfortunately that’s not possible! So, keeping in mind the cost of paper, ink and mailing these days, we proudly cover as many cultural stories and upcoming happenings as we can in this issue through several timely articles and our Best Seats and Art Scene sections.

On our cover we feature the dynamic Natalie Helm, principal cellist at Sarasota Orchestra, who is modeling a fabulous gown from our beloved Foxy Lady, an iconic St. Armands and Siesta Key women’s clothing store which is just coming back from its recovery from Hurricane Milton. The Foxy Lady fashion spread issue showcases clothing perfect for attending cultural events

The history, art and science of shoes are on display in a new and fun exhibition at Sarasota Art Museum starting February 9. The exhibit is part of a national tour featuring over 70 pieces from the Bata Shoe Museum in Toronto and others from prominent institutions and collections. You’ll see shoes from as far back as the 19th century all the way to shoes of the future—virtual reality designs, which as Scene contributing writer Scott Ferguson says, “exist only in the metaverse.” I can’t wait to see it!

From February through April, The Ringling celebrates world music when it brings what they are calling its World Jazz Series to the “HAT” (Historic Asolo Theater) as part of its Art of Performance series. The sounds of Africa, the Middle East, Cuba and beyond, with influences of American jazz, the blues, and Latin influences will surprise and delight audiences. Learn lots more about this exciting series in this issue.

Arts and cultural organizations could not thrive in this town without the help of individual donors. The philanthropy of many generous people is what keeps it all going and we are blessed to have many among us who give support organizations we all enjoy. Did you know for most performing arts organizations only about 30% of expenses are covered by ticket sales? Grants and donations are critical to the success of our performing arts.

In this issue, please read the story of Arthur Siciliano and his wife B. Aline Blanchard, whose deeply rooted love of opera has made them long-time supporters of Sarasota Opera. The couple’s focus is the ensure our beloved opera company thrives for generations to come through the Opera’s Kretzmer Legacy Society and by supporting Sarasota Youth Opera.

Also in this issue is the story of Ellen and Richard Sandor who have long been philanthropic patrons of many arts organizations as well as international organizations,

H JOHN KNOWLES, PUBLISHER john@scenesarasota.com

John with Official Scene Greeter & Security Detail Major Reacher

© Terry O’Neill/Iconic Images

including the Jewish Federation of Sarasota-Manatee (JFED). As we learn in this article, Richard and Ellen have created the inaugural Richard and Ellen Sandor Israeli Arts and Culture Prize—an award aimed at honoring individuals who have made significant contributions to Israeli arts and culture. According to Shep Englander, JFED Sarasota Manatee CEO, this creative idea “captures the Federation’s vision to celebrate our shared Jewish culture and the incredible spirit of Israel.”

When it comes to fundraising and donor engagement, for Michelle Butler, Senior Director of Philanthropy for The Sarasota Ballet, making the donor experience quite special is her number one goal. Michelle is featured in our “Around Town” feature, and she shares her love of The Sarasota Ballet, its donors and its leadership in a very insightful Q & A.

And speaking of giving, the 25th Season of Sharing, has been underway these past few months. This time-tested and highly regarded community safety net supports individuals and families facing hardships through unanticipated challenges. Since inception, Season of Sharing has raised more than $47 million and has helped more than 55,000 individuals and families in their time of need. You can learn more in this issue.

Wrapping up our Culture City issue is a very informative article on the Arts and Cultural Alliance of Sarasota County’s efforts to ensure the continued success of our arts-powered economy, but advocate for its future through arts education programs for teachers and students.

But wait…there’s one more. You can imagine my delight that my father wrote for Montreal Scene , a supplement magazine to the Montreal Star newspaper, and I became the owner and publisher of Sarasota Scene . The full circle moment for me occurred when I read an article my father wrote in the 1970s on a famous costume shop in Montreal. The shop also made the costumes and props for opera companies throughout Canada. Well, lo and behold, our Sarasota Opera became the owners and stewards of these incredible costumes when the Montreal store closed after a century. The full story is told in this issue.

You’ll see me around this month at lots of galas including The Sarasota Ballet Gala and Selby Gardens Orchid Ball, as well as opening night at Sarasota Opera and for Asolo Rep’s Anna in the Tropics . If you’re there, be sure to say hello.

Look forward to seeing you on the culture scene!

H JOHN KNOWLES, PUBLISHER john@scenesarasota.com

Publisher/Executive Editor H John Knowles

Managing Editor/Strategic Partnerships

Julie A. Milton

Executive Creative Director

Darcy Kelly–Laviolette

Communications Specialist Gina Liga

Distribution Mike Straffin

Accounting Sally A. Bailey

Advertising Enquiries

Paul McNamara

Call/Text 917.751.6506 | paul@scenesarasota.com

Sharon Castellano

Call/Text 203.984.7577 | sharon@scenesarasota.com

Contributing Graphic Designer Laura Guzman

Contributing Writers

Scott Ferguson

Joanna Fox

Reno Gomez

Tom Reese

Kaileia Suvannamaccha

Contributing & Social Photographer Nancy Guth

Contributing Photographers Janet Combs

Jordan Kelly-Laviolette

Harry Sayer

Lori Sax

Scene Greeter & Security

Major Reacher

Beautiful AND Durable Exterior Door Hardware

It’s a frustrating reality for many Gulf Coast homeowners – discolored, pitted and tarnished exterior door hardware caused by our harsh salt-rich air.

We eventually learn that the tease of “lifetime brass” really means a lifetime of maintenance and repair. There is a practical solution to this common problem – Bronze or Stainless

HOME TRENDS

Both materials offer excellent salt tolerance and oxidation/corrosion resistance with a minimum of maintenance. A variety of styles and finishes provide a perfect match to existing color schemes including rich patinas of classic bronze, contemporary polished or matte nickel, and black.

air. We eventually learn that the tease of “lifetime brass” really means a lifetime of maintenance and repair. There is a practical solution to this common problem – Bronze or Stainless Steel. Both materials offer excellent salt tolerance and oxidation/corrosion resistance with a minimum of maintenance. A variety of styles and finishes provide a perfect match to existing color schemes including rich patinas of classic bronze, contemporary polished or matte nickel, and black.

Smitty’s Architectural Hardware, located inside The Plumbing Place, displays many lines of door hardware in beautiful styles for your home that are well suited for our demanding environment, and will create the first impression your front door deserves.

and kitchen fixtures, fittings and accessories from leading designers. Masterpieces of functionality and style showcased in an astounding showroom.

Hurricanes Debby, Helene and Milton have devastated our community over the past few months. We as a company are committed to help you in any way we can as you make restorations to your home. Please reach out to us so we can help you recover and find peace once again in the beautiful Sarasota/Bradenton area—one home at a time.

Beautifully crafted bathroom and kitchen fixtures, fittings and accessories from leading designers. Masterpieces of functionality and style showcased in an astounding showroom.

Beautifully crafted bathroom and kitchen fixtures, fittings and accessories from leading designers. Masterpieces of functionality and style showcased in an astounding showroom. Visit our showroom or call to arrange an appointment. 5678 Fruitville Road • Sarasota

maintenance and repair. There is a practical solution to this common problem – Bronze or Stainless Steel.

materials offer excellent salt tolerance and oxidation/corrosion resistance with a minimum of maintenance. A variety of styles and finishes provide a perfect match to existing color schemes including rich patinas of

RINGLING COLLEGE

fe B ruary 3

LIBRARY ASSOCIATION TOWN HALL

Rob Gronkowski has transcended NFL superstardom to become a fixture of the modern pop culture lexicon.

Van Wezel | rclassociation.org/schedule/ rob-gronkowski/

fe B ruary 7

FIRST FRIDAY DOWNTOWN SARASOTA

SIP & SHOP

Enjoy live music on Palm Avenue and throughout upper and lower Main Street while you explore the area’s top fashion boutiques and trendy home décor stores.

Downtown Sarasota | destinationdowntownsarasota.com/firstfriday-sip-shop/

fe B ruary 9-13

POETRY OPEN MIC NIGHTS

Join Sarasota’s spoken word community and take part in Poetry Open Mic. Share original work or recite your favorite poem.

Bookstore1 | sarasotabooks.com/poetry

fe B ruary 14-16

Thunder by the Bay Music & Motorcycle Festival

The 27th Annual Thunder By The Bay Music & Motorcycle Festival is a three-day event that features continuous live music, vendors, motorcycle stunt shows and more. Funds raised help local children, teens and adults with special needs.

Sarasota Fairgrounds | thunderbythebay.org

Everything you need for Valentine’s Day. Elegant food, fine wine, fresh flowers, divine desserts and specialty gift baskets. Prepared by us. For you and your sweetheart.

Serving the Sarasota area for over 50 years Historic Southside Village 1924

(941) 955-9856

CO-CHAIRS

Stephanie & Allen Hochfelder

Michael & Lavender Suarez

• scene s P onso R ed • t he s arasota Ballet g ala fe B ruary 16

This extraordinary evening will feature a new atmosphere of specialty curated performances, along with a dazzling celebration of fine dining and dancing.

The Ora | sarasotaballet.org

fe B ruary 18

Sarasota Orchestra

Masterworks 5 Dinner

Featuring a short music performance followed by a moderated conversation with Miguel Harth-Bedoya, who will share his insights, approach to making music, and the stories behind his passion for the classics.

The Ritz-Carlton, Sarasota | sarasotaorchestra.org/donate/ special-events

“TRIANGLE” AVAILABLE AT THE MARK LOCATION

CHASENGALLERIES.COM (941) 955 0155

99 SOUTH PINEAPPLE AVENUE, SARASOTA

1830 SOUTH OSPREY AVENUE, STE 102, SARASOTA

TOMAS BRZON

fe B ruary 20

MAKE-A-WISH FOUNDATION COOKING FOR WISHES

Cooking For Wishes features an interactive cooking dinner where guests prepare a one-of-a-kind 4-course meal, enjoy speciallyselected wines, an exciting raffle and a live auction.

Circus Arts Conservatory | cookingforwishes.com

VENICE ITALIAN FEAST & CARNIVAL

Live music, entertainment, Italian food, vendors and rides.

Venice Airport | italianamericanclubofvenice.com/ feast/

UTC Night Market

Shop, sip and stroll under the stars every third Thursday of the month from 6:30-9:30 at the Night Market. The Green at UTC | posiesflowertruck.com

Senator John and Michelle McKay

Jan Miller and Jim Culter

Observer Media Group

The Otto Group at Hightower Advisors

Alfred Rose

The Sam Sciturro

Family Foundation

Cindy and Tom Stuhley

Marilyn B. West –In Memory of My Beloved Arnie

GLASSER/SCHOENBAUM COLLABORATION CELEBRATION

This annual get-together joins community and business leaders; philanthropists; non-profit agencies; foundations; and volunteers in an inspiring celebration of non-profit excellence, mission, and impact.

Carlisle Inn & Conference Center | gs-humanservices.org/event/ collaboration-celebration

ASOLO REP GALA: ASOLO IN THE TROPICS

Asolo Rep’s biggest fundraiser of the year featuring a cocktail reception followed by a seated dinner, paddle raise, live music, and dancing.

The St. Regis Resort, Longboat Key | asolorep.org/support-us/specialevents/annual-gala

Pietro Mascagni AND PAGLIACCI

Ruggero Leoncavallo

Gioachino Rossini

Feb. 22 – March 29, 2025

Feb. 15 – March 29, 2025 THE BARBER OF SEVILLE

THE MARRIAGE OF FIGARO

Wolfgang Amadeus Mozart

March 8 – 28, 2025

STIFFELIO

Giuseppe Verdi

March 15 – 30, 2025

VICTOR DeRENZI, Artistic Director

RICHARD RUSSELL, General Director

March 1

RINGLING COLLEGE

AVANT GARDE GALA

Break out your tracksuits and fanny packs—it’s time to honor Ringling College of Art and Design’s students at the annual Avant-Garde gala while celebrating your favorite moments of pop culture.

Ringling College Campus | ringling.edu/about/officesand-departments/office-foradvancement/avant-garde/

March 2

USFSM BRUNCH ON THE BAY

Brunch on the Bay is a celebration of community, philanthropy and the extraordinary achievements of USF Sarasota-Manatee campus students.

USF Campus | sarasotamanatee.usf.edu/ brunch-on-the-bay/

March 28

SPARCC RUNWAY FASHION SHOW

Fabulous luncheon; amazing designer deals at the boutique; and designer fashion on the runway.

The Ritz-Carlton, Sarasota | sparcc.net/sparcc-runwayfashion-show/

PAR ty pics

SELBY GARDENS NEW YEARS EVE GALA

Guests gathered at Selby Gardens to ring in 2025 in style with an elegant dinner by Michael’s On East, dancing, ballet performances and of course a frontrow seat to the Bayfront firework show.

12TH ANNUAL EVENT FRIDAY, MARCH 28, 2025 10:30 a.m. – 1:30 p.m. The Ora, Sarasota

PHYSICIAN SPONSOR

CHERYL GORELICK AND JAKE ZEIGLER BARBARA RODKIN AND AUDREY STEWART

Audrey Robbins

Lori Conrad & Janice Hawkins

Scott Taylor & Deb Kabinoff

Sherry & Tom Koski, Katherine & Frank Martucci, Jennifer & Rob Rominiecki

Ultra High Resolution, Large Format Fine Art Photography of Florida & Be yond

SMHF HOSPITAL GALA

Sarasota Memorial Healthcare Foundation hosted its 8th annual Hospital Gala at The Ritz-Carlton, Sarasota with 550 guests in attendance. The 1920s-themed event kicked off SMH’s year-long 100th anniversary celebration, and broke the previous Gala record raising over $1.5 million supporting greatest needs at SMH.

Rachael & Patrick McQuillan

Lem Seabrook, Michele Hooper, Rosa Stanfield & Stacey Corley

Anne Essner, David Zaccardelli & Diane Weaver

Chris & Kirk Voelker

THANK YOU TO OUR 2025 SPONSORS

PREMIER SPONSOR

Jonathan and Michelle Mitchell / Glenn and Jackie Tilton

HELICOPTER SPONSORS

JOHN AND PAULINE GROETELAARS

AMBULANCE SPONSORS

DEB KABINOFF FUND /

JON AND LIBBY SODERBERG FAMILY FUND

DOUG HOLDER FAMILY FOUNDATION

ROBERT AND ANNE ESSNER

BARBARA AND GARY RODKIN

BOB AND ANGELIA WOOD

FIREFIGHTER SPONSORS

Cathy and Frank Burzik

Douglas Jeep Chrysler Dodge Ram

First Physicians Group Administration

Florida Cancer Specialists & Research Institute

Friends of the Foundation

Gilbane Building Company

Cheryl Gorelick and Jacob Zeigler

Gresham Smith / TLC Engineering / Walter P Moore

Gulf Coast Community Foundation

Kosloski Family Foundation

LeeSar Regional Service Center

Meritain Health

Michael J. Kosloski Foundation

Nutter Custom Construction

Sarasota Vascular Specialists

Dona and Sam Scott

Shutts & Bowen

Eric and Doreen Spiegel

POLICEMAN SPONSORS

Cardiovascular Center of Sarasota and El Shahawy Family Foundation

DeAngelis Diamond

First Physicians Group

Katherine Keeley, M.D.

Radiology Associates of Florida

SaraPath Diagnostics

Sarasota Emergency Associates

Turner Construction / J2 Solutions

Art

AS A BRIDGE TO CONNECTION

THE INAUGURAL RICHARD AND ELLEN SANDOR ISRAELI ARTS AND CULTURE PRIZE

By Kaileia Suvannamaccha • Photo by Nancy Guth

Ellen and Richard Sandor first encountered the artwork of Israeli artist, Sigalit Landau, in Jerusalem. Their friend had taken them to an exhibit at one of the museums in the city. Landau is globally celebrated for her ability to turn everyday objects like clothing, fishing nets, and even a cello, into works of art by immersing them in the Dead Sea, where they undergo a striking crystallization process. “Immediately, it appealed to both of our sensibilities,” Richard Sandor recalls. “It was multimedia, sculpture, and deeply tied to the environment, so it hit my particular vein—really, both of ours.”

Ellen Sandor, whose own artwork appears in the permanent collections of the Smithsonian Institution and Art Institute of Chicago among other acclaimed American museums, champions the creative depth of Landau’s work. “This was mind-blowing. It was nothing like what I had seen before. When you see so many pieces like this throughout the museum, it absolutely blew me away,” she says.

“In Israel, everybody seems to know who she is—she’s that famous,” Ellen adds. “Her work combines history, the environment, and Israeli culture in ways that are unforgettable.” The couple, deeply moved by the experience, decided to acquire a few of Landau’s

pieces for their family collection—a passionate legacy which they have been building for more than 40 years.

“We realized how little Israeli culture is being shown in the U.S.,” Richard continues. That’s when the Sandors knew they had stumbled upon an opportunity to bring something truly special back home to Sarasota.

Partners for a Prize

Ellen and Richard Sandor have long been philanthropic patrons of the arts, blending their passion for creative expression, cultural awareness, and environmentalism through their support of various local and international organizations, including the Jewish Federation of SarasotaManatee.

Richard describes the Federation as “an uplifting, positive experience,” with a particular admiration for its impressive architecture and thoughtfully designed campus. Inspired by the Federation’s vision and the foundation they already have in place, he saw “a powerful example of what voluntary philanthropy can achieve” and sought to bring “a fresh viewpoint” to their cultural offerings.

This year, their partnership culminated in the creation of the inaugural Richard and Ellen Sandor Israeli Arts and

“It’s about showing that even during horrible, wartime conditions, art saves. It really does...We see so much negativity in the news, but art lifts people up—it’s a wonderful obsession.”

–Ellen Sandor

Culture Prize—an award aimed at honoring individuals who have made significant contributions to Israeli arts and culture. The 2025 recipient of this prestigious award is none other than Sigalit Landau, the interdisciplinary artist whose innovative sculptures incorporating elements of the Dead Sea left a lasting impression on the Sandors back in Israel.

Shepard Englander, Federation CEO, shares “Richard and Ellen are smart, thoughtful, and collaborative partners whose creative idea to establish an Israeli Arts & Culture Prize captures the Federation’s vision to celebrate our shared Jewish culture and the incredible spirit of Israel.”

“Her work is a perfect metaphor—not only for the Federation but for all Floridians facing environmental challenges,” says Richard, who is internationally regarded as the “Father of Financial Futures” and a “Hero of the Planet” by Time magazine for his pioneering efforts in environmental finance. He highlights the importance of bringing Landau’s art to a new audience, explaining: “The Dead Sea is shrinking, and here in Florida, we face the daily threat of catastrophic events. What better place to focus on environmental awareness through art?”

For the Sandors, the Israeli Arts and Culture Prize represents more than just recognition—it’s a celebration of Israeli creativity and culture. “The idea of the prize is to be optimistic, to recognize that there are important artists addressing cultural issues,” he adds.

“Richard knows in his head why he’s buying a piece,” Ellen points out. “He researches it—it’s not just an emotional decision—it has an intellectual basis.”

Sculpting a New Narrative

As one of the fastest-growing Jewish communities in the United States, The Jewish Federation of Sarasota-Manatee has become a vital center for cultural engagement and community-building. Through a variety of programs, including educational grants, mission trips to Israel, and efforts to combat antisemitism, the Federation is dedicated to fostering a sense of belonging for individuals of all ages and cultural backgrounds.

“They’re amazing, so first-class on every level. They have the right values,” says Ellen.

The Richard and Ellen Sandor Israeli Arts and Culture Prize is a natural extension of JFED’s mission to spotlight Israeli culture through a positive lens, offering a counterpoint to the often conflict-centered narratives emerging from the Middle East.

“It’s about showing that even during horrible, wartime conditions, art saves. It really does,” Ellen adds. “We see so much negativity in the news, but art lifts people up—it’s a wonderful obsession.”

The Philanthropic Heart

Sharing their broader philanthropic vision, Richard notes, “For us, philanthropy is all-encompassing—art, education, performing arts—these are what make up a sustainable community. It’s about ensuring that every facet of the community thrives.”

The Sandors’ contributions to Sarasota’s cultural life extend to The Ringling and to Asolo Repertory Theatre, where Ellen serves on the boards, and the Sarasota Art

Museum advisory committee. Richard lends his expertise to the Selby Gardens board. Notably, they’ve made recent donations to The Ringling’s exhibition on African American art and the Harry Callahan exhibit at Ringling College of Art and Design.

Ellen notes, “We are just standing on other people’s shoulders,” acknowledging the legacy of philanthropists who have paved the way for their own work. For the Sandors, their philanthropic journey is far from over. As Ellen says, “Life is short, but art is long. Art brings us up, makes us feel alive and joyful. To bring this prize to the Federation and share it with the community—it’s beyond positive.”

As they continue their philanthropic journey, the Sandors remain committed to nurturing the cultural landscape of Sarasota and beyond ensuring that art, education, and community can thrive for generations to come.

Ellen said it best: “We need more meaning and joy in our lives. And for us, art is the answer.”

The conversation with Sigalit Landau and award ceremony is scheduled for February 5, 2025, at 2:00 pm at The Ora at the Joel and Gail Morganroth Event Center, located at 578 McIntosh Road, Sarasota, FL 34232.

FOR MORE INFORMATION

about Jewish Federation of SarasotaManatee, please visit www.jfedsrq.org.

FOR THE LOVE

OFOpera

Arthur Siciliano and B. Aline Blanchard

By Tom Reese | Photo by Nancy Guth

Arthur Siciliano and his wife B. Aline Blanchard have been patrons and supporters of Sarasota Opera for quite some time, being involved in different ways throughout several years. Today, Arthur is the Chair of the Board of Trustees, and the couple continues to donate and do work for the organization to ensure our beloved opera company thrives for generations to come.

Arthur grew up in Boston and obtained a bachelor’s degree in pharmacy before obtaining his PhD in medicinal chemistry and an MBA in marketing and entrepreneurship. After an illustrious career, he retired early in 2003, and he quickly settled into the Florida lifestyle with Aline.

Aline grew up in New Jersey. She majored in English and Psychology at Butler University and had a diverse career path encompassing social work, teaching, editing and writing. She is a published novelist and poet. Since 2008, Aline has had an art studio in Venice, and continues to paint, sculpt, and create mixed-media pieces.

“We were actually introduced to each other through a telephone blind date in 1978 while we were both working in New Jersey,” said Aline. “We got acquainted

by talking on the phone for weeks before meeting in person. We fell in love and later got married in 1983— and the rest is history.”

After visiting Aline’s family in Florida, they purchased their first vacation home in 1995 in Venice. In 2019, they moved to the heart of Sarasota to be closer to the many arts organizations they love and live within walking distance of their favorite things to do.

The couple have both had a passion for opera since they were young. Aline’s father was a professional classical French horn player, and she attended her first opera as a small child at the Metropolitan Opera House in New York. Arthur’s family is of Italian heritage, and he grew up listening to records at home of opera singers such as Enrico Caruso. Already in love with opera, he began attending live performances around the age of eleven.

The couple first attended performances at Sarasota Opera in 1995 when they lived in Venice part time. When they retired, they got season subscriptions to Sarasota Opera and became more involved. Arthur first joined the board in 2015 and is now its current board chair. The couple holds eight season subscriptions

to arts organizations in Sarasota, attending as many performances and events as possible.

Their primary motivation for becoming philanthropic donors of Sarasota Opera was to ensure the art of opera would live on for future generations. One way for Arthur and Aline to do this is through their participation in the Kretzmer Legacy Society, where members are patrons who have committed a future planned gift to Sarasota Opera through their wills, life insurance, retirement fund beneficiary designations, charitable gift annuities, or charitable trusts.

Another Sarasota Opera need to ensure involvement for future generations is through support of its youth programs. The Sarasota Youth Opera stands out as a

premier example of opera education in the nation. It’s the one and only program in the United States that showcases a fully staged youth opera production each year, complete with a professional orchestra, elaborate sets and costumes.

“If people aren’t exposed to the arts like opera when they are young, they may never be,” said Aline. “We love supporting Sarasota Youth Opera and its school programs because it can enrich students’ lives. I still have students I took to performances nearly 40 years ago reach out to me and thank me for introducing them to the magic of live performances. That is its power.”

Sarasota Opera would not survive without the support of donors like Arthur and Aline. The amount of money

MARCH 3-6 2025

This 16 TH year of our film festival will feature 12 FILMS screened at the REGAL 11 SARASOTA . Each film is $15 and bundle pricing is available. For a complete list of all films, please visit

special guest

Janis Ian

and manpower it takes to stage these breathtaking performances is significant, and philanthropy is crucial.

“As is the case with Sarasota Opera, only about 30% of our expenses are covered by ticket sales,” said Arthur. “Grants, contributions, and donations are critical to keep the company going. It’s up to the people that love these local arts organizations to keep them successful— that’s why we’ve donated.”

JANIS IAN: BREAKING SILENCE

In the mid-sixties, Janis Ian, a tiny teenage Jewish singer-songwriter from New Jersey scores a controversial hit single called "Society's Child," about an interracial love relationship. The song launches her illustrious career but also ignites death threats plunging her into an emotional tailspin —only to emerge from the ashes in the 1970s with an even bigger hit, "At Seventeen," ahead of its time in confronting body shaming and bullying.

After the film, Janis will share stories and answer audience questions.

The 2025 Winter Opera Festival launches February 15 with Cavalleria rusticana/Pagliacci , a two-act performance of two operas, two betrayed husbands, and two tragic ends. This performance runs through March 29. This is followed by performances of the beloved comedic work The Barber of Seville from February 22 to March 29.

From March 8 to 28, there will be performances of The Marriage of Figaro , a four-act opera continuing the story of The Barber of Seville . In true Sarasota Opera fashion, the season will conclude with a Giuseppe Verdi opera, Stiffelio, an emotionally charged work that is now recognized as an important one by the great Verdi.

“Live performances are just so much different than recorded ones,” said Aline. “People are so surprised when they go for the first time and realize that it can be a whole-body experience—something you may feel and not just see and hear. My skin tingles.”

Sarasota Opera will always need help from our community to continue producing first-class performances for our enjoyment. Whether it be a one-time individual donation, a tribute or legacy gift, or continued support and involvement, philanthropy is key to longevity of the company.

FOR MORE INFORMATION about Sarasota Opera, or to become involved, please visit www.sarasotaopera.org/support.

Photo y Keith Stokes

MiChelle around toWn

B y tom reese

The art of fundraising and successful donor engagement can be competitive and challenging, but not for seasoned non-profit professional Michelle Butler, Senior Director of Philanthropy at The Sarasota Ballet. She has spent the better part of her 20-year professional career in development roles for some very important local nonprofits, but as she will tell you, she feels very lucky to work at The Sarasota Ballet, an organization she truly believes in, and which makes a difference not only in our community, but throughout the world of ballet.

Tell us about your childhood and your educational experience.

I am a true Florida girl! I grew up in Daytona Beach and have lived on the water as far back as I can remember. Most of my memories start either on a boat or at the beach. I am an only child and have always been very close to my parents; they have been my rock my whole life. Family means everything to me. We traveled quite a bit growing up, and when I was old enough to travel alone, I would spend a few weeks with my grandparents in Illinois where I could play with my cousins and “farm country” was so different than Florida.

I have a Bachelor of Business specializing in management from Stetson University in Deland, which I loved. My classes were small, and so there was no option to be unprepared. I also had an amazing opportunity to study abroad in Europe with a small group of other management majors led by the head of the department. Since human resources was an up-and-coming field, I decided to pursue that area of studies.

When and why did you choose to make Sarasota your home?

I moved to Sarasota in 1998. Two of my roommates in college were from this area, so I had visited multiple times. I fell in love with the beauty of the area and the small-

town feel. I pursued a position with Schroeder Manatee Ranch and was thrilled to join its human resource team. I met my husband here in 2001. He is a native of this area and together we decided this was the best place to raise our family.

You started your professional career in the corporate world, moving into leadership and development roles with various nonprofits. Why did you choose to go from the corporate world to the competitive non-profit sector?

Honestly, it happened kind of organically. When I worked for Mercedes Benz, one of my responsibilities was working with the nonprofits with which we partnered. That was my first step into fundraising, and I got to see how important it is for funds to be raised to support the mission of an organization. I also learned that it was equally important to educate the community on the difference that their donations make to an organization. I continued to get involved and volunteer my time with other organizations, but always for nonprofits whose missions I strongly believed in. Fast forward: Make-AWish Foundation of Central and Northern Florida had just acquired five counties – with Sarasota being one of them. They were looking to rebrand and reeducate the community (specifically in Sarasota County) on their mission, and I accepted my first non-profit job

Butler

“I thInk It Is crItIcal to keep your donors engaged, Informed and connected to the organIzatIon. they are so vItal to our success, and they need to know that we realIze that, so we must keep them Informed of all the great thIngs we are doIng and the role that they play. ”

as its Regional Director. I found the transition from the business world seamless and my prior work experience invaluable. I credit my corporate experience and education on why I have been successful and have had amazing opportunities in the non-profit sector.

Fundraising is not easy, especially in a city with so many important non-profit organizations vying for donors. As Senior Director of Philanthropy, please tell us how you put the exciting success of The Sarasota Ballet front and center to potential new donors. I think it is critical to keep your donors engaged, informed and connected to the organization. They are so vital to our success, and they need to know that we realize that, so we must keep them informed of all the great things we are doing and the role that they play. To me it is simple: thank them, appreciate them, and keep them in the know. We are lucky that we have seven performances a year and we get to see our donors often. They get to see with their own eyes the difference they make, and we get to appreciate them.

Donations to The Sarasota Ballet not only benefit the Company, but other programs. Please tell us more. Yes, most of the community is familiar with The Sarasota Ballet Company, the professional dancers and amazing programs spanning from beloved classics to world premieres, incorporating live music, guest conductors, and choreographers. However, we also have two other important areas of focus, Dance Education and Community

Engagement. Through Dance Education, we have our Margaret Barbieri Conservatory (a pre-professional training experience for talented young dancers), The Sarasota Ballet School, and our Summer Intensive and Summer Camps. We served over 400 students in those programs last year. These students also perform in The Nutcracker every holiday season. In addition, we have Dance – The Next Generation (DNG), our flagship Community Engagement program, which provides a tuition-free dance education to underserved children in Sarasota and Manatee counties. Operating after school, over 200 students in grades 3-12 are immersed in an inclusive, diverse, and well-rounded dance program which includes academic support, mentoring, and enrichment opportunities. We also offer school age performances and programs at many of the counties’ schools and here in our theater at no cost, so they may experience the art of classical ballet. For many students in the counties of Sarasota, Manatee, and Charlotte, where the art curriculum is not as prevalent, this is often their first time experiencing a live dance performance.

What are some of the special experiences of becoming a patron of The Sarasota Ballet?

I absolutely love our Patron experiences. We know that our donors are why we can continue to bring the joy of dance to our community and offer such amazing programs. We designed the experiences so that you feel closer to The Sarasota Ballet and develop a personal connection. Some of my favorite experiences are the intimate opportunities to observe a Company Class or a Studio Dress Rehearsal. It is so special to see a Studio Dress Rehearsal five feet in

front of you, and then see that same program performed on stage! Seeing the athleticism and passion that is exerted by our dancers – all seemingly effortless – is surreal. A donor favorite is our fabulous VIP Opening Night Receptions, after the performance with our dancers and directors. I also love that we celebrate our donors at our Dinner of Excellence or exclusive Dinner with Directors. Lastly, we produce an amazing Season Program Book where we recognize our donors, and depending on level, include photographs of them and the opportunity to tie your recognition to a specific ballet, education or community program. Our goal is for our donors to feel like they have ownership and are a part of the Company.

Are there volunteer opportunities at The Sarasota Ballet as well?

Absolutely, most of these opportunities are through The Friends of The Sarasota Ballet. They have a membership of over 300 and they volunteer in various areas: will-call for the box office as well as general box office support, the welcome table at performances, greeters at Dance Education/Community Engagement performances, and guides for our backstage tours. They also host special events that you can volunteer at such as the Showcase Luncheons and “Meet Me at the Barre.” We of course have a talented Board of Trustees with many committees, a very dedicated and passionate group of individuals who dedicate many hours of their time to continue The Sarasota Ballet success.

Is there any news you can share near or long-term for The Sarasota Ballet to entice potential donors?

This month on February 16, we have our Gala. This is the signature event for The Sarasota Ballet, and we have made some big changes. We moved the event from the end of April – and closing out our season – to February. This year it will also be home to a new venue, The Ora, where the champagne reception, exclusive performance, and gourmet dinner will be in one location. I am so excited for this event. It never disappoints and this year will be no different.

It is no secret we had a very successful summer in London at the Royal Opera House on our first International Tour. We hosted a group of over 30 patrons for an exclusive experience including museums, a tour of White Lodge (The Royal Ballet lower school for ages 11-16), the US Ambassador’s home, backstage at the Royal Opera House, and most importantly the unforgettable performances by our very own Company in the Linbury Theatre at The Royal Opera House, as well as our performances with The Royal Ballet on the main stage. The success of this tour has opened many more doors for us, and we will be touring domestically over the next two years. I can’t share our destinations just yet, but they will not disappoint, so stay tuned! We will need the support of the community and donors to showcase the world class excellence of The Sarasota Ballet and continue to show that our Company is one of the leading ballet companies in America.

What are some of your favorite things about working with the board and leadership staff at The Sarasota Ballet?

I absolutely LOVE working with Joseph Volpe and Iain Webb. I honestly feel lucky to have the opportunity, and I learn so much from them both. This is my first fundraising job in the performing arts so I could not ask for two better

“As a registered nurse practitioner, geriatric nurse care manager, aging brain health expert and educator, I founded Youthful Aging over 25 years ago to offer cutting-edge clinical proficiency backed by compassionate and highly trained caregivers.

We follow Guided Care, evidencebased guidelines developed by John Hopkins University, for managing chronic conditions and have adopted Guided Care’s effective principles that are designed to improve the quality of life and care of patients by working closely with the patient, their family, and the primary care physician.”

—Nicci Lieberman, President

DR. ALISSA SHULMAN

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leaders and teachers to support me in my role. I mean we all know that Joe is a legend in his field, and I try to take in everything that I can from his experiences. Iain is just so talented, and I am mesmerized by how he plans the season. I am learning so much about ballet through his eyes. We are so lucky to have them both. Plus, a bonus is that my job is genuinely fun! I am surrounded by talent in all areas of the Company where we support and work together and have an amazing team to lead. Those are the most important things to me.

As for the Board, they are one of the best I have ever worked with. They respect our leadership team, support us, and are diverse in their backgrounds. They are so helpful and insightful; I enjoy working with them on projects and getting to learn about them and from them.

When you’re not busy at work, what do you and your family enjoy the most about living in Sarasota?

That’s an easy one; we try to always take advantage of the outdoors. I love to boat, and we live in the best place to do that. It never gets old. If I see a dolphin, my day has been made! When we have free time, that is usually where you can find us. That is 100% my happy place. I have never lived anywhere in my life where I am more than 15 minutes from an opportunity to boat. I also enjoy watching sports, specifically football or baseball. That being said, I want to do all these things with my husband and children, because family is my everything.

One of Dr. Shulman’s many specialties is fat grafting, a procedure she describes as similar to sculpting clay. It involves harvesting fat from one area of the body, and then injecting it into the desired area.

For more information about The Sarasota Ballet, please visit www.sarasotaballet.org.

“If you carefully process the fat and put it in a place where it has a good blood supply, it really does well,” she said. “I like a nice, healthy patient that gives me tissue to work with.”

When Dr. Alissa Shulman was about 13 years old, she witnessed

The Ringling’s Art of Performance Celebrates Global Jazz

By Scott Ferguson

Photos Courtesy of The Ringling

From February through April, The Ringling will bring the world to Sarasota through its Art of Performance series. The infectious rhythms of Africa, the Middle East, Cuba and beyond — including echoes of American jazz and tap dance, the blues, and Spanish and Latin influences — will resound through the Historic Asolo Theater (affectionately known by its acronym as “the HAT”), an intimate showcase on the grounds of the museum complex.

“A core focus of this season’s Art of Performance is what we’re calling our Global Jazz Series,” says Elizabeth Doud, the Currie-Kohlmann Curator of Performance at The Ringling. “We’re presenting four mainstage performances at the HAT. We call it global jazz because we’re featuring artists that infuse jazz into other global music traditions.

“We’re excited to present Nélida Karr February 13 and 14. She’s a guitarist and singer-songwriter, and she also performs with a jazz trio. Nélida comes from Equatorial Guinea, the only Spanish-speaking country in Africa. So her music is this beautiful mix of not only traditional African polyrhythms, but also a lot of Spanish influence.

“In her guitar playing you can hear a lot of the flamenco tonalities and classical Spanish sensibilities. And she brings a wonderful kind of jazz — almost like a scat-style singing approach — to a lot of her vocals. She sings in multiple languages and uses various guitars. She can play a Spanish classical guitar, then switch to a steel-string guitar and play the blues. Nélida takes off like a rocket; she’s such a surprise and so much fun.”

Amir ElSaffar and the Two Rivers Ensemble are next, on February 15 and 16. The group is a sextet that fuses Middle Eastern music with American jazz. Deeply rooted in the musical forms of Iraq and nearby regions, the music also speaks the language of swing, improvisation and group interaction, creating a sound that is distinct from other contemporary cross-cultural musical fusions.

“Amir is based in New York City and has an Iraqi heritage. He has done extensive research in the Middle East around the maqam music system. It’s based on a certain scale of tonal ranges, instrumentation and arrangements that may be familiar if you’ve listened to any Middle Eastern music. His main instrument is the trumpet, but he also plays the santur, a small stringed instrument with origins in Mesopotamia that’s played with little hammers like a dulcimer. He’s brilliant!”

“We call it global jazz because we’re featuring artists that infuse jazz into other global music traditions.”

— Elizabeth Doud

On February 21 and 22, one of Cuba’s most versatile musicians, Alain Pérez, will take center stage. A GRAMMY®winning singer, songwriter, bandleader and multiinstrumentalist, he is especially known for playing the electric bass. Pérez has shared the stage and recorded with a diverse collection of jazz legends, including the Chucho Valdés Quarter, the Paco de Lucía sextet, Enrique Morente, and the Jerry González Quartet.

“Alain leads a big band, but he’s bringing his quintet to the HAT,” explains Doud. “He has adapted his orchestral arrangements for a smaller group. So the little riffs, like some of the solo moments, go off into orchestral areas. He’s a master of the many genres of Latin jazz, and a great collaborator. The interplay between Alain and the other musicians on stage is fascinating.”

The series moves to America with the Baby Laurence Legacy Project, featuring Brinae Ali, the Baltimore Jazz Collective and Wendell Patrick, March 14-17. The project, which blends innovative choreography and musical compositions with powerful storytelling, is a tribute to the artistic genius of Baltimore native Laurence Donald “Baby Laurence” Jackson (1921-1974), a tap dancer and singer who worked with the jazz bands of Duke Ellington, Woody Herman and Count Basie. He also appeared with the legendary dancer and singer Josephine Baker.

“Baby Laurence was one of the premier tap dancers, teachers and mentors of young tap artists,” says Doud. “One of the things Brinae is exploring in the work is not only preserving his history, but commemorating him through music and dance.

“She identifies with his story because she is a vocalist and a tap dancer. She is trying to figure out how to fuse these two musical art forms. Her Baby Laurence Legacy Project includes a jazz ensemble, The Baltimore Jazz Collective — a group of respected musicians who’ve agreed to work with her on this exciting project. She choreographs the performance and dances in it, along with a couple of other dancers.

“One of the exciting things about this to me is that it’s a brand new work. It isn’t premiering here, but Brinae was an artist in residence with us briefly last year with some of her collaborators, so we feel like we’ve been able to make a valuable contribution to the project.”

Fast-forward from tap dance to hip-hop and street dance with Rennie Harris Puremovement, April 4 and 5. Losing My Religion, a new retrospective creation by Harris, examines the historical use of hip-hop and street dance as languages of protest, resilience and power.

“Rennie is quite a legend in the world of hip-hop dance,” says Doud. “He’s been a teacher and an important mentor in that world. He created Losing My Religion with the help of the 2023 Hermitage Greenfield Prize, presented by the Hermitage Artist Retreat.

Rounding out the Art of Performance global jazz lineup is the Lívia Mattos Trio on April 18 and 19 at the HAT. Mattos is an accordion player, songwriter, vocalist, filmmaker and visual artist from Bahia, Brazil. She blends Brazilian popular music, burlesque jazz, and circus sensibilities. Her trio features her as the leader, plus a percussionist and a tuba player. Their highly original performances feature unique arrangements, inventive lyrics and visual treats.

“Lívia’s work fits so well into our global jazz framing because it is unmistakably jazz in its configuration. Her influences are from Brazilian popular music, particularly from the northeast of Brazil, which is where she was born and raised. There are a lot of African and indigenous rhythms in her music, as well as the European influence of the accordion. Immigrants from Germany and other European countries brought the instrument to Brazil in the late 19th century. The accordion, of course, is also a traditional circus instrument.

“On the afternoon of Saturday, April 19 — World Circus Day — Lívia will display her circus arts background when she becomes a roving performer. She’ll dress up as a little circus tent with lights. When she opens the flaps of the tent, you’ll see her inside with her accordion. She’ll walk around the grounds and give an enchanting itinerant concert. She’ll take people from the front gate all the way down to our Circus Museum, while serenading them in a very ‘circusy’ way.”

What better way to celebrate global jazz and the worldwide art of the circus than at The Ringling — the museum complex that is the legacy of circus magnate John Ringling himself?

For more information and tickets to the Art of Performance Global Jazz Series at The Ringling, visit www.ringling.org/ explore/art-of-performance. Season subscriptions and tickets to individual performances are also available by phone at 941-360-7339, or in person at the Historic Asolo Theater Box Office at The Ringling, open daily from 10 a.m. to 4 p.m.

Timeless Impressions

2/14 - 2/23

Astronaut Molly Jennis has embarked on an interplanetary expedition following her husband’s tragic, failed attempt to reach Mars. As the first to the Red Planet, she faces not only the dangers of solitude and the unknown frontier, but also the haunting reflections of her past decisions.

SPACEMAN is a weightless, fullsensory, surround-sound exploration of both the challenges of space travel and the uncharted future that awaits Molly at her Martian destination PLAYING AT URBANITE THEATRE JAN 3-FEB 16, 2025 urbanitetheatre.com/spaceman

OPENING FASHION

NIGHT

PLEATED SATIN MIDI DRESS

Crafted from a divine woven satin this midi dress pairs soft pleated elbow sleeves with a flowy trapeze silhouette. A knotted waist detail adds oomph and definition, while a lovely v-neck complements the decolletage.

For galas and opening nights, Joseph Ribkoff signature looks always shine. Available at Foxy Lady.

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SILKY KNIT AND FOILED VELVET JUMPSUIT

A true statement piece, this silky knit jumpsuit offers a seamless blend of comfort and allure. The garment boasts a bold animal print on a luxurious velvet fabric, while the sleek short dolman sleeves and cowl neckline elevate the design’s timeless charm. The top overlay at the back adds a hint of more glamour and the tucked-in detail at the front and pockets enhance the jumpsuit’s chic slim silhouette.

SHINY KNIT WIDE LEG JUMPSUIT

Elevate your style with this Shiny Knit Wide Leg Jumpsuit. Featuring a flowing overlay and decorative buckle, it will keep you sparkling all night long. The wrap neckline and long sleeves add a flattering touch, making it a must-have from the Signature collection.

BLACK 3D DOT SLEEVELESS TRAPEZE DRESS

This unique sleeveless dress, cut from an intricate novelty fabric, features an airy trapeze silhouette. Beginning with a chic cowl collar and ending below the knee with a free-flowing handkerchief hem, this piece is lined for all-day comfort.

MAXI SHEATH DRESS WITH JEWEL EMBELLISHMENT

If you’re searching for a drop-dead-gorgeous look for your next event, you’ve found it in this stunning sleeveless maxi gown. Its standout feature is the nude mesh upper adorned in pearl and silver ombre beading. You’ll also appreciate its alluring front slit and back keyhole detail. Crafted from a luxe silky knit that drapes beautifully over your shape.

ELEGANT MIDI DRESS

Crafted from a luxurious mix of 95% polyester and 5% spandex, this dress drapes beautifully on the body while offering just the right amount of stretch for a flattering fit. The chic midi length and refined design make it a versatile choice for any occasion, from brunch with friends to an evening out.

Here Comes the Sun

Feb 3, 2025

BEATLES TRIBUTE These phenomenal artists recreate the music, high energy, and excitement of the Fab 4 in this modern Rock ‘n’ Roll experience. (VPAC)

The Everly Set

Feb 10, 2025

Go back to 1957 when teens Phil and Don Everly first supercharged the vocal sound of Rock ’n’ Roll with sparkling harmonies. (VCC)

Capitol Fools

Featuring former members of the Capitol Steps Up-to-the-minute political satire, hilarious song parodies, and foolish reflections that inspire belly laughter on both sides of the aisle. (VPAC)

The Astro Yachts

FORMAL

HIGH-NECK JUMPSUIT

Featuring a high-neck design and sleeveless cut, this full-length piece exudes elegance and femininity. Perfect for formal occasions or a night out, its plain pattern and belted jewel embellishment add a touch of refinement. Embrace timeless style with this must-have addition to your wardrobe.

Mar 9, 2025

This LA-based party band re-creates your favorite Yacht Rock hits from The Doobie Brothers, Steely Dan, Toto and more! (VPAC)

Mar 16, 2025

Feb 17, 2025 Hear one of the greatest voices of our generation! Broadway star Norm Lewis sings Broadway favorites and timeless classics in a special production. (VPAC)

TROLLEY TOURS

• Amish Experience

• Art Tours

• Circus Secrets of Sarasota

• Circus Secrets of Venice

• Haunted Sarasota

• History Hop Trolley

• Leading Ladies of Sarasota

•

• Sunset Cabaret

•

MIDNIGHT BLUE CHIFFON AND SILKY KNIT LAYERED DRESS

Crafted from a luxurious silky knit, this elegant sheath dress features a chiffon overlay that gracefully flows over your shape. A v-neckline adorned in glittering rhinestones, and cold shoulder sleeves, give this piece an alluring appeal. Detailed with self-ties finished with metal aglet trim at the back neckline, and a majestic cape back hem.

Deaven

STEP INTO THE Art and Science of SHOES AT SARASOTA ART

By Scott Ferguson

MUSEUM

We wear shoes every day. We choose them for function, fashion, or both. But are they art? An exhibition at Sarasota Art Museum (SAM), Future Now: Virtual Sneakers to Cutting-Edge Kicks, argues that shoes can indeed be artistic creations, and that designers are constantly reshaping and reinventing them.

The exhibit, part of a national tour, features over 70 pieces from Toronto’s Bata Shoe Museum, as well as loans from other prominent institutions, collectors, designers, and inventors. It’s on view, beginning February 9, at Sarasota Art Museum of Ringling College of Art and Design, Sarasota’s only museum dedicated to contemporary fine art.

“This exhibition truly speaks to museumgoers of all walks of life,” says Executive Director Virginia Shearer. “Shoes are ubiquitous. Humans have been wearing them for at least 40,000 years. And yet, shoes can also be so very personal. We use expressions like ‘to walk a mile in someone else’s shoes’ as a way of describing what it means to understand another person’s lived experience.”

EXHIBITION HIGHLIGHTS

The exhibit is organized into five thematic sections: “A Step Ahead,” featuring historical shoes from the 19th and 20th centuries, and showcasing the impact of industrialization on shoe manufacturing; “Innovative,” highlighting how innovations in materials and technology have shaped the industry over time; “Transformative,” which focuses on how individual brands and designers have changed the industry; “Sustainable,” reflecting the growing importance of environmental consciousness in the footwear industry; and “Virtual,” featuring digital and virtual reality shoe designs, including limited-edition shoes that exist only in the metaverse.

Highlights include digitally designed and 3D-printed shoes and sneakers made from unconventional materials, such as mushroom leather and reclaimed ocean plastics. Featured designers and brands include Salehe Bembury, Mr. Bailey, Zaha Hadid, JEMS by Pensole, Safa Şahin, Saysh, Benoit Méléard and many more.

One of the standout pieces is the Nike Mag, inspired by a pair of prop shoes worn by Michael J. Fox as Marty McFly in the movie Back to the Future Part II (1989). Known for its “power lace” technology, the movie version of the sneaker didn’t actually self-lace, but a grass-roots campaign to create a real functioning version began 15 years after the film’s release. In 2011, Nike released a limited replica edition of 1,500 pairs that raised nearly $10 million in 10 days at an auction benefiting the Michael J. Fox Foundation’s funding of Parkinson’s disease research.

Salehe Bembury x Crocs. Pollex, 2021. Image courtesy of Salehe Bembury.

Jeff Staple x RTFKT. Meta-Pigeon K-Minus, 2021. Collection of the Bata Shoe Museum, gift of RTFKT. Image courtesy of RTFKT.

DeRuyter’s professional portfolio includes entertainment design for several major theme parks, where he has created visual effects and animation for rides and shows. He’s also worked on high-profile video game projects and has designed exhibitions for a variety of museums and educational centers.

Four years later, on October 21, 2015 (the day Marty McFly got “Back to the Future” in the movie), Nike announced that actual self-lacing technology would be featured in a new version of the Nike Mag. That launch raised an additional $6.74 million for the Foundation.

The story of the Nike Mag’s journey from movie prop to reality is a perfect example of the way pop culture and the design industry influence how we think about the future,” says SAM Senior Curator Rangsook Yoon. Inventors and designers draw inspiration from a wide range of sources, including imagined products depicted in sci-fi and fantasy entertainment. We also see new product development inspired by real-life environmental issues, which have driven the adoption of sustainable materials in design as well as innovative production processes. We see both examples in shoes on display in Future Now.”

“One of the beautiful things about Sarasota Art Museum is that, as part of Ringling College of Art and Design, we are able to draw on the talents and expertise of our accomplished colleagues to ensure that our exhibitions are exciting and compelling,” explained Executive Director Shearer. “We tapped Jamie DeRuyter, Head of Entertainment Design at Ringling College, to help create the exhibition design for Future Now.”

“My job as a professor is to help train the next generation of entertainment designers,” said DeRuyter. “One of the key transferable skills used in this industry is 3D modeling. The common thread is translating an idea for a show, an exhibit or an experience into a three-dimensional digital environment. By using 3D technology, we were able to generate CAD (computer-aided design) drawings of the Museum’s third floor galleries. This allowed us to then virtually ‘walk around’ the space and imagine how the exhibit could be laid out. The process of designing a museum exhibition and imagining a theme park experience are actually very similar. ”

Hanan & Sons. Detail of Celluloid heel embellished with rhinestones, American, 1920s. Collection of the Bata Shoe Museum.

EKTO One Robotic VR boots, 2021. Collection of Brad Factor. Image courtesy of Brad Factor.

REVOLUTIONARY FOOTSTEPS

The cutting-edge innovation represented in Future Now isn’t all from the 20th and 21st centuries. The exhibit reminds visitors where we’ve come from, showcasing shoe-making materials dating back to the Industrial Revolution.

Yoon notes that once upon a time, shoemakers, also known as cobblers, could make only two pairs of shoes or one pair of boots a day, often requested directly by a customer. The same customer might return many times to the same cobbler to have their precious shoes or boots mended, rather than throw them away and buy another pair.

“By the 19th century, with the rise of factories, we see a disconnect emerge between shoemakers and wearers. Future Now explores a return to individual craftsmanship in shoemaking and the revival of traditional shoe artisans.”

Dr. Reichbach and his staff have committed to the mission of providing hope to those suffering from pain and mental health illnesses since first opening the Gulf Coast Ketamine Center in 2016. In 2020, the practice began a partnership with Veterans in Pain, a national nonprofit dedicated to solutions for U.S. veterans suffering from physical and emotional chronic pain. Serving as the director of the ketamine division for Veterans in Pain, Dr. Reichbach proudly offers discounted services through Reichbach Center for veterans and their immediate family members.

Mr. Bailey. Octopus Shoe, 2018. Collection of Mr. Bailey. Courtesy of Mr. Bailey.

RUN,

DON’T WALK,

TO FUTURE NOW

Future Now is more than just a collection of footwear; this exhibition tells a story. It’s a story of us as people — where we’ve come from and where we’re going.

“It will definitely be a journey to go through this exhibit,” says DeRuyter. “There’s something in it for everybody — all ages, all cultures. I think people will be impressed by what they see.”

RUN, DON’T WALK, TO FUTURE NOW

Yoon says she hopes visitors have fun looking at these objects, reminiscing about their own experience of wearing Crocs or Converse or other brands. She also hopes this show inspires museumgoers to think about the shared cultural values that are reflected in the shoes — past, present and future.

Future Now is more than just a collection of footwear; this exhibition tells a story. It’s a story of us as people — where we’ve come from and where we’re going.

Executive Director Shearer adds, “My hope for our community is that Future Now brings a wide range of people together at Sarasota Art Museum, and that they walk away with a new appreciation for how art and design are deeply engrained in our everyday lives and who we are as humans.”

Future Now: Virtual Sneakers to Cutting-Edge Kicks, will be on view at Sarasota Art Museum of Ringling College of Art and Design from February 9 through May 4. The Museum is located in the historic former Sarasota High School, 1001 South Tamiami Trail, Sarasota. For more information visit SarasotaArtMuseum.org or call 941-309-4300.

Photo: Ron Wood. Courtesy American Federation of Arts and the Bata Shoe Museum.

Photo: Ron Wood.

Courtesy American Federation of Arts and the Bata Shoe Museum.

Zaha Hadid x United. Nude NOVA, 2022, first designed in 2013.

Courtesy

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SCRY. Undercurrent P Virtual Prototype, 2022. Collection of the Bata Shoe Museum.

2023 Bata Shoe Museum.

Bata Shoe Museum.

25 YEARS OF SHARING

Community Foundation of Sarasota County

By Joanna Fox

The world was a different place 25 years ago. Most of us still had landlines and knew the phone numbers of all our friends and family members by heart. When we weren’t home to answer the phone, a message would be captured on our answering machines. We’d stop by the video store on our way home from work to rent a movie, and we read a hard copy of the daily newspaper usually over our morning coffee at the kitchen table.

It was against this milieu that the Community Foundation of Sarasota County’s Season of Sharing was created, and while our lives may have been a bit different 25 years ago, what is not different is that people faced hardships then and still face hardships today.

Season of Sharing was the shared vision of Diane McFarlin, Sarasota Herald-Tribune publisher and then Board Chair of the Community Foundation, and Stewart Stearns, who was the leader of the Community Foundation. The idea of Season of Sharing was to establish a fund to provide one-time financial assistance for individuals or families facing an unanticipated temporary need for basics such as rent, utilities, childcare and transportation needs or repairs. The fund would support those living inCharlotte, DeSoto, Manatee, and Sarasota counties. One hundred percent of the dollars raised would go directly to help those in need. There would be no administrative costs. Thus began the Season of Sharing Donation Campaign.

While Season of Sharing began as a partnership between the Community Foundation of Sarasota County and the Herald Tribune, it alsoinvolves a large network of human service organizations, some of which also function as fiscal agents. Those in need of financial assistance call 2-1-1, a service helpline, that assigns a caseworker who addresses their needs and determines available resources. Payments are submitted directly to landlords or service providers on behalf of clients.

In 2000, the year Season of Sharing was founded, $121,400 was donated through 1,200 gifts. The, dollars were distributed to assist people enduringunexpected misfortunes like car trouble or a medical bill that moved them to the economic edge, making them vulnerable to eviction and homelessness. Over the past 25 years, more than $47 million has been raised and Season of Sharing has answered the constant flood of need for more than 55,000 individuals and families, filling the role of a safety net or financial lifeline.

While the campaign dollars are raised from early November through January 31, in response to the devastation and flooding wreaked by Hurricanes Debby, Helene and Milton, Season of Sharing kicked off this year in early October. Immediately, the Community Foundation’s longtime partner The Patterson Foundation stepped up and donated $1 million to help bridge the gap for those displaced from their homes or facing disruptions from work due to the storms. In addition, The Patterson Foundation again this year provided a Season of Sharing challenge match, donating $100,000 for every $500,000 raised by the community.

One good thing leads to another and another. The Brian and Sheila Jellison Family Foundation and Eliza and Hugh Culverhouse, Jr. followed The Patterson Foundation lead and each donated a $500,000 matching gift, and the Baltimore Orioles made a $250,000 gift plus another $250,000 matching gift, while the Bishop-Parker Foundation contributed $100,000 to be directed to hardhit communities in Manatee County. Individual community members, many shouldering their own storm experiences, sent their support knowing that combined efforts would help assuage the needs in the community.

In November and December, more than $1 million was distributed to address the financial needs of 644 families. This is what Season of Sharing does best. Though the storms no longer appear on the weather map, their visits have left deep scars not only on the landscape but also on the lives of so many whom Season of Sharing is helping. The funds will continue to be disbursed throughout the year when those seeking support need it most depending on their individual circumstances.

At it’s core, Season of Sharing introduces our community of givers to those in the community who are the receivers through sharing stories and hope. It is a way for us to connect. We get to hear their voices and participate in their story of recovery as we recover from hurricanes, the pandemic, recurrent red tide blooms, and daily challenges. The strength of community is undeniable.

Through these shared stories we appreciate the vision shared 25 years ago by the Herald-Tribune and the Community Foundation—our community bridging the gap for those who are experiencing a financial need. The stories differ; some are between jobs, some are facing unexpected medical expenses, others are taking in young

relatives to raise, and still others lost property or childcare to the storms. Yet one aspect unites them all: they have found themselves in need of help with necessities like rent. Through Season of Sharing, we see our donations at work.

According to tradition, the 25th anniversary is a silver anniversary. Silver is precious. It shines. It also symbolizes a quiet, resilient strength that helps us withstand the ups and downs of life. This is what Season of Sharing offers to each member of our community—a renewed strength that helps us get through moments of adversity. This time-tested and trusted community safety net has stood strong and grown in importance as a vital community support in the 25 years since its inception.

To be part of the continued growth and strength of Season of Sharing, you can donate throughout the year. Gifts can be made online at www.cfsarasota.org/community-impact/ community-care/season-of-sharing or by sending a check payable to Community Foundation of Sarasota County to Attn: Season of Sharing, 2635 Fruitville Road, Sarasota, FL 34237. All donations are tax-deductible, with every dollar going directly, and quickly, to those who need it most.

Kirsten Russell, Vice President of Community Impact

LIKE FATHER, LIKE SON

By John Knowles

They say that life sometimes comes full circle. Somewhere along the way we may mirror what we have learned from our parents, and occasionally find ourselves in a situation when we just shake our head and think “been there done that.” It’s the odd déjà vu that sends a shiver down our spine, and we marvel at its meaning.

My father moved our family from Dublin, Ireland to Montreal, Canada when he was 32. I was four and my sister was two. I moved my family from Montreal to Toronto when I was 32, when my son was four and my daughter was two.

It has been said for decades that the media and entertainment world was rife with nepotism. And while it is true that my father, mother and sister worked for the Montreal Gazette , I like to think I was hired by the Montreal Gazette for my talent, not because my family had worked there!

I also find it amazing that my father worked on Montreal Scene magazine, and that I of course publish Sarasota Scene magazine. He wrote feature articles in this supplement magazine to the Montreal Star during the 1970s which focused on the arts, culture, and entertainment scene in Montreal. I am fortunate to have three full issues of the magazine plus three fragmented copies. The magazine’s life predates the digital era and there is no microfilm to be had.

One story in Montreal Scene written by my father that caught my attention was “Valet to Tycoons and Tenors” published in July 1974.

My father spent the day with Jean-Guy Leonard (known in his day as the king of theatrical costumiers), meeting him for drinks on St. James Street (Rue Saint Jacque). The liquid lunch, as was the custom of the day, was followed by an invitation to see the business premises.

He was told the story of Leonard’s theatrical supply company located in old Montreal and shown a dilapidated Victorian style building. Its six stories were full of everything one could imagine for any kind of event or show. The store’s managing director was known to be able to get his hands on anything if it wasn’t in inventory. However, more than likely, it was already there in the mélange of items and clothing they had on hand.

Leonard had so many stories to share including one moment in time a decade or so earlier when he was cleaning out a corner to make room for more inventory. He was going to pay to have it picked up as garbage but instead, offered it for sale. It was later sold for $2,000 and became the costumes and props for the very well-known musical Hair .

The original business was started around 1900 by a widowed woman, Mrs. Malabar, with four children. She was a poor seamstress that made ends meet by creating ball gowns for women going to fancy dress parties in Winnipeg, Canada. In 1922, it was formed into a fully-fledged company in Toronto by Mrs. Malabar’s son Harry, with operations also in both Winnipeg and Montreal.

Sara Scott Malabar’s business mushroomed. And if a mushroom can bloom, Malabar’s bloomed on opera

in Canada and across the border in the United States. Sara’s relationship with the Winnipeg Operatic Society helped to establish her reputation as a professional costumer and by the 1920s Sara had a viable costume business and opera companies would become the largest client base the Malabar Costumes Company ever had.

Through the years, Malabar has supplied everything from coffins to antique bathtubs to live snakes. It became known throughout North America for supplying theatrical costumes of all kinds. The business thrived for a century but like all good things it came to an end.

However, the ending of this business became the start of something new. There have been a few stewards of the Malabar inventory over the years. All were close to the original family and most started as employees. One such person was master cutter Luigi Speca who became Malabar’s owner and had a close working relationship with our own Sarasota Opera. In 2019, Sarasota Opera became the owners and stewards of this wonderful inventory!

The entire opera collection, purchased for $1.1 million, included 30,000 ensembles from 135 productions—that’s about $33 each for costumes worth $1,000 to $2500 apiece. Incredible! Some weigh as much as 35 pounds, and some have been worn by Pavarotti and other opera superstars. And this smart acquisition by Sarasota Opera continues to bear fruit since Sarasota Opera leases sets and costumes globally to other opera companies, providing a steady secondary income.

I am sure this narrative will continue in the good hands of Sarasota Opera’s General Director Richard Russell, Artistic Director Victor DeRenzi, and Resident Costume Designer Howard Tsvi Kaplan, who made the deal to purchase the inventory from longtime friend Luigi Speca.

I am happy to add to my father’s story from 50 years ago for you see I am a huge supporter and lover of Sarasota Opera—my father’s article with a connection to Sarasota Opera has come full circle with my Sarasota life! Mine and my father’s lives have connected in ways I could never imagine they ever would or could. Like father like son!

reflections on the bridge

A photo journal by Nancy Guth

educ Ation matters

ARTS & CULTURAL ALLIANCE OF SARASOTA COUNTY

By Reno Gomez

Sarasota is known as Florida’s Cultural Coast, boasting a vibrant array of galleries, museums, live performances, and more. Since 1986, the Arts and Cultural Alliance of Sarasota County has served as the voice of the art sector, not only bringing community together to indulge in the local arts-powered economy, but also advocating for its future, which starts in our classrooms.

The Sarasota County Arts Education Partnership (SCAEP), formerly known as the Arts Education Task Force, brings together art educators from some of the area’s arts and cultural organizations, Sarasota County Schools staff, and members of the community who are passionate about arts education to monitor the health of the arts in our schools. Amidst drastic budget cuts to arts education in the early 1990’s, this long-standing committee advocated for the arts as an essential part of a complete education. Following the success in its major campaign in the 19951996 academic year, art instruction was restored in our schools, and continues to improve.

The committee has supported and advocated for the mileage referendum, allowing schools to continue funding direct art instruction from full-time, professional educators. Though this funding has been in place since 2002, SCAEP’s tirelessly advocacy contributed to passing with 84% of the vote, the widest margin across the state of Florida. Funding has enabled the school district to hire and retain certified educators, invest in the newest technology, and continue to support the arts.

SCAEP meetings are held on the first Thursday of each month and are open to the public. These meeting are hosted by local arts organizations, such as The Ringling and The Sarasota Ballet, and allow educators and the community to network and share information. Sample agendas can include updates from The Alliance and the school district. The host organizations also use the meetings to highlight the ways they work in schools, and to touch base on their upcoming initiatives. This allows for the community to take part in professional learning

opportunities to expand their skillset, proving that art education extends beyond the classroom. To learn more, or to be added to the SCAEP newsletter for the latest, contact education@sarasotaarts.org.

While classroom education can set the stage for many students, expanding their knowledge and interest through experiential learning opportunities is possible with EdExploreSRQ. This web-based search platform allows teachers of all grade levels to find opportunities for their students to engage with the local community through visits and classroom experiences, taking advantage of Sarasota’s abundant science, culture, and arts resources. The hundreds of offerings by local non-profits and individual teaching artists are reviewed and approved by school district staff to ensure connections to educational standards. The Alliance encourages educators to take advantage of this resource, and aspires for every student to experience at least one Exploration every year.

One of the many experiences that can be found through the program is a school tour through the Patriot Plaza, generously provided by The Patterson Foundation and located within the Sarasota National Cemetery. Private tours are managed

by the Alliance, and their incredible roster of tour guides, many of whom are veterans. Educational visits cater to Grades 4-12 and provide students with the opportunity to learn about Civics, American History, Visual Arts, and Language Arts through docent-led tours of the 2,800-seat amphitheater and artworks featuring content aligned to the Florida Standards. The Patterson Foundation has partnered with The Collaboratory at Ringling College of Art and Design to create an opportunity for Florida middle school civics classes, as well as the public, to experience Patriot Plaza virtually.

The EdExplorerSRQ initiative is made possible through the partnership of The Alliance, The Patterson Foundation, Education Foundation of Sarasota County, The Science and Environmental Council, and The Community Foundation of Sarasota County.

Brian Hersh, CEO of the Arts and Cultural Alliance of Sarasota County since June 2023, previously served as Program Director of Any Given Child in Sarasota County Schools, and is excited to bring that initiative to The Alliance. The goal of the Ensuring the Arts for Any Given Child initiative is to “create full access to and equity in arts education programs and resources for all students.” This collective impact relies on collaborative efforts from the community to ensure arts education is an essential element of a complete education.

In partnership with the Kennedy Center, The Alliance is able to pool resources from the national network of educators

to learn best practices and apply them to Sarasota County Schools. Much like SCAEP, Any Given Child collaborates with policymakers and leaders to influence strategies for arts education in the school district.

“Beyond the scope of education, we know that art brings a certain quality of life to this community. We want to make sure our students have those same opportunities, and they have a great quality of life in school. Art helps keep students engaged, bring light to their day, and improves other academic areas,” says Hersh. “Arts aren’t just special; they’re essential.”

As the Sarasota area continues to grow in population, it is imperative to support the ecosystem of the arts to keep it accessible for our students and the community. Getting involved can be as simple as a donation to an arts organization like The Alliance, subscribing to their ARTbeat newsletter for the latest updates and information, or volunteering for one of the many experiential learning opportunities available in the area. The most important way to support artists, both inside the classroom and beyond, is to attend where you can, and share the experience with others.

FOR MORE INFORMATION on the Arts & Cultural Alliance of Sarasota County, please visit www.sarasotaarts.org.

A ts

BARTIST SERIES CONCERTS

941.306.1200 / artistseriesconcerts.org

Duo Karolina & Iwo

February 6

Imani Winds

February 11

KP Jazz Trio

February 18

ASOLO REPERTORY THEATRE

941.351.8000 / asolorep.org

Ken Ludwig’s

Lady Molly of Scotland Yard

Through February 8

Anna in the Tropics

February 21 - March 13

CHORAL ARTISTS OF SARASOTA

941.387.6046 / choralartistssarasota.org

The Measure of All Faith

February 23

CIRCUS ARTS CONSERVATORY

941.556.5349 / circusarts.org

Circus Sarasota

February 15 - March 9

ENSEMBLENEWSRQ ensrq.org

Truth & Mayhem

February 17

FLORIDA STUDIO THEATRE

941.366.9000 / floridastudiotheatre.org

Off the Charts! Through February 9

The Heart Sellers Through February 16

59th Street Bridge

Through March 30

GUITAR SARASOTA

941.260.3306 / guitarsarasota.org

Tariq Harb

February 8

McCurdy’s

KEY CHORALE

941.552.8768 / keychorale.org

Baroque Fest

February 7-8

Giuseppe Verdi: Requiem

February 15

LEMON BAY PLAYHOUSE

941.921.4845/lemonbayplayhouse.com

With This Ring

Through February 9

Paisley Craze

February 15

Artist Series Concerts

Guitar Sarasota

Lemon Bay Playhouse

MANATEE PERFORMING ARTS CENTER

941.749.1111/ manateeperformingartscenter.com

Temps, Tops, Supremes and Smoky February 6-8

Sarasota Contemporary Dance + Duke Ellington in Collaboration with Shane Chalke B.E. Jazz February 12

MCCURDY’S COMEDY THEATRE

941.925.3869/ mccurdyscomedy.com

Music Monday: Bill Evans

February 3

Bermuda Mavericks

February 5

Steve Byrne February 7-8

Humor Institute Class Performance

February 10

Lynne Koplitz

February 13-15

Hard Heart Burlesque

February 16

Jon Rudnitsky February 20-22

Drag Queen Bingo Extravaganza

February 23

Open Bar Comedy February 25

NEEL PERFORMING ARTS CENTER

941.752.5252 / scf.edu/neel

Manatee Community Concert Band Presents Music from the Heart February 8

Sarasota Opera

THE SARASOTA BALLET

941.359.0099 / sarasotaballet.org

P5: Mark Morris Dance Group February 28 - March 3

SARASOTA CONCERT ASSOCIATION

941.365.2494 / scasarasota.org

Czech National Orchestra February 13

An Evening with Yo-Yo Ma February 27

SARASOTA JEWISH THEATRE

941.225.6500 / sarasotajewishtheatre.com

The Catskills - The Rise & Fall of the Borscht Belt February 3

Visiting Mr. Green Through February 9

SARASOTA OPERA

941.928.1300 / sarasotaopera.org Cavalleria Rusticana Pagliacci February 15 - March 29

The Barber of Seville February 22 - March 29

Sarasota Jewish Theatre

SARASOTA ORCHESTRA

941.953.4252 / sarasotaorchestra.org

Chamber Soirées: Poulene Dvorák

February 6

Great Escapes: Crazy For You

February 12-16

3 Divas from Broadway

February 28

URBANITE THEATRE

941.321.1397 / urbanitetheatre.com

Spaceman Through February 16

VAN WEZEL PERFORMING ARTS HALL

941.953.3368 / vanwezel.org

Evil Woman: The American Elo

February 4

The Drifters, The Platters & Cornell Gunter’s Coasters

February 5

Golden GrooversDances from the 20’s and 30’s

February 5

Luis Bravo’s Forever Tango

February 6

Kenny Wayne Shepherd: Dirt On My Diamonds Tour

February 7

Steve Solomon’s: My Mother’s Italian, My Father’s Jewish & I’m Still in Therapy

February 10

Burton Cummings of the Original ‘The Guess Who’ 60th Anniversary Hits Tour

February 11

Golden GrooversDances from the 30’s and 40’s

February 12

Herb Alpert & The Tijuana Brass & Other Delights

February 12

Chris Botti

February 14

Paula Poundstone

February 15

Alton Brown Live Last BiteThe Farewell Tour

February 16

Danny Go!

February 17

Come From Away

February 18

Golden GrooversDances from the 50’s and 60’s

February 19

Van Wezel Performing Arts Hall

Sarasota Jewish Theatre

Sarasota Orchestra presents Melting Pot of Music

February 22-23

Nitty Gritty Dirt Band with special guest Brit Taylor

February 25

Golden Groovers - Dances from the 70’s

February 26

Sarasota Concert Association presents An Evening with Yo-Yo Ma

February 27

Sarasota Orchestra presents 3 Divas from Broadway

February 28

VENICE PERFORMING ARTS CENTER

941.218.3779 / veniceperformingartscenter.com

Live & Let Die: The Music of Paul McCartney

February 2

Rumours: Fleetwood Mac

February 8

Cash, Killer and the King

February 15

Hollywood in Venice February 21-22

Stars & Stripes: Celebrating Great American Songs

February 23

Venice Concert Band: See the USA

February 24

VENICE THEATRE

941.218.3779 / venicetheatre.org

Don’t Touch That Dial Through February 9

Here Comes the Sun: A Beatles Tribute

February 3

The Everly Set

February 10

Capitol Fools

February 17

WESTCOAST BLACK THEATRE TROUPE

941.366.1505 / westcoastblacktheatre.org Fences Through February 23

VISIT SCENESARASOTA.COM

for a calendar of performances and events. To submit a performance for listing consideration, please email publisher@scenesarasota.com

art scene

Studios

ART CENTER SARASOTA

941.365.2032 / artsarasota.org

Jon Green

Frederico Torres

Madie Gotshall

Annual Juried Members Show On view through March 1

ARTCENTER MANATEE

941.746.2862 / artcentermanatee.org

Women Contemporary Artists Curated Exhibition Through February 28

American Watercolor Society 157th Traveling Exhibition Through February 28 Roots & Reflections Through Memory & Nature, Denise Cormier Mahoney Curated Exhibition Through February 28

CHASEN GALLERY

941.260.5787 / chasengalleries.com

“Blissful Horizon” featuring Joanne Miller Rafferty February 6, 2025 at Southside Village Sarasota Symphony of Colors February 20 at Southside Village

CREATURO GALLERY

941.953.6163/ creaturogallery.com

Art Walks Every First Friday February 7

CREATIVE LIBERTIES

941.799.6634 / creativeliberties.net

Limelight Artist Night at 927 N. Lime Ave & 901B Apricot Ave

February 6

Family Art Day at 927 N Lime Avenue

February 22

EMBRACING OUR DIFFERENCES

941.404.5710 / embracingourdifferences.org 2025 Exhibition, Bayfront Park Through April 13

HARMONY GALLERY

941.953.4252 / sarasotaorchestra.org/about/ community/harmony-gallery

Good Things Take Time Through March 5

ISLAND GALLERY & STUDIOS

941.778.6648 / islandgallerywest.artspan.com

Susan Elliott: Stay Golden February featured artist

LIGON FINE ART GALLERY ANNEX @CLIVE | DANIEL HOME DESIGN

832.361.0308 / angelaligonart.com

Jozef Batko Oil on Canvas

Pascal Benichou Oil on Canvas

Duncan Chamberlain

Mixed Media Sculpture

Sue Elliot — Island Gallery &

Joanne Rafferty—Chasen Galleries

Karina Herrera

Lori Childers — MARA

WCA — ArtCenter Manatee

— ArtCenter Manatee

MARA ART

STUDIO + GALLERY

941.914.8110 / marastudiogallery.com

Lori Childers: Vintage Play Through February 25

InterPLAY: A Dialogue Between Abstraction and Representation Through February 25

MARIE SELBY BOTANICAL GARDENS

941.366.5731 / selby.org

Patti Smith: A Book of Days Through August 31

NORTH PORT ART CENTER

941.423.6460 / northportartcenter.,org

Urban Takeover

February 15

PALM AVENUE FINE ART

941.388.7526 / palmavenuefineart.com

EJ Paprocki

February 7-9

Timeless Impressions

February 14-23

RINGLING MUSEUM

941.359.5700 / ringling.org Enduring Light Through February 9

Jess T. Dugan: I want you to know my story Through February 25

Radical Clay: Contemporary Women Artists from Japan Through May 11

SARASOTA ART MUSEUM

941.309.4300 / sarasotaartmuseum.org

Molly Hatch: Amalgam Through April 26

Jon Fig: Contemplating Vermeer Through April 13

Future Now: Virtual Sneakers to Cutting-Edge Kicks

February 9 - May 4

Creaturo Gallery MARA Art Studio + Gallery

Palm Avenue Fine Art

Sarasota Art Museum

Principal Cello of the Sarasota Orchestra, American cellist Natalie Helm has been praised as having a sound that “catches the attention of the room” and “leaves a lasting impression”. LA Times proclaimed the audience “was transfixed” by her performance that was “handled ardently”. A cellist of extraordinary versatility, Ms. Helm enjoys a dynamic career as a soloist, chamber musician, orchestral musician, and educator.

Ms. Helm’s recent engagements include solo appearances with the National Music Festival Orchestra, Sarasota Orchestra, Dana Point Symphony, and Montgomery Symphony Orchestra. Natalie’s goal to create exciting and innovative concert experiences has inspired the P.E.R.M.A. Concert Series: Music and Positive Psychology, Bach Immersion: the Bach Suites in collaboration with other art forms, and Her Journey: An all female composer program. Chamber appearances include recitals throughout the UK and US with the genre-crossing DuoSkope and Sorella Duo. Recently releasing her first album, you can find Ms. Helm on iTunes, Amazon Music, and Spotify.

A top prize winner at international competition, Ms. Helm has had the opportunity to perform internationally throughout Italy, Germany, and Japan. She toured the United States performing in over 30 cities in 3 weeks. Ms. Helm’s performances have been broadcast on NPR, iHeart Radio, Fox News, and PEOPLE Magazine. Music is a powerful elixir for change and Ms. Helm has embraced this idea through Upward Notes, INC. As Founder and Executive Director, she brings musicians together to perform and create opportunities to bring positive social change to underserved communities. Upward Notes performs at jails, homeless shelters, foster care homes, schools, addiction centers, animal shelters, domestic abuse safe houses, and assisted living facilities throughout the United States.

For more information, visit www.nataliehelmcello.com.

meet

the performer

natalie helM

Natalie Helm in Teri Jon gown from Foxy Lady.

Photo by Jordan Kelly-Laviolette of Dream On Agency.

meet the performer

ricardo rhodes

Ricardo Rhodes, born in Boston, Massachusetts, commenced his formal dance training at the esteemed Boston Ballet. Rhodes’s professional career began when he joined the critically acclaimed Sarasota Ballet in 2007. Demonstrating exceptional talent and artistic growth, Rhodes rose to the rank of soloist in 2010 and was promoted to principal dancer in 2012. Since joining The Sarasota Ballet, he has captivated audiences by performing in our vast repertoire that encompasses some of the most intricate and demanding roles in ballet, choreographed by renowned masters of classical and contemporary dance. Rhodes has also performed on tour with The Sarasota Ballet at incredible venues such as the Kennedy Center, Jacob’s Pillow Dance Festival, New York City Center, Joyce Theater, and most recently, The Royal Opera House on both the Linbury Theatre stage and the Main Stage.

Among the highlights of his illustrious career are Rhode’s leading roles in Ashton’s The Dream, La Fille mal gardée, Jazz Calendar, Méditation from Thaïs, Monotones II, Les Rendezvous, Rhapsody, Scènes de ballet, Sinfonietta, Symphonic Variations, The Two Pigeons, Valses nobles et sentimentales, Varii Capricci; Balanchine’s Apollo, Bugaku, Diamonds, Divertimento No.15, Emeralds, The Four Temperaments, Rubies, Serenade, Stars and Stripes, Theme and Variations, Western Symphony, Who Cares?; Bintley’s A Comedy of Errors, ‘Still Life’ at the Penguin Café; Bruce’s Sergeant Early’s Dream; Darrell’s Othello; de Valois’ Checkmate; Fokine’s Les Sylphides; Kobborg’s La Sylphide, Salute; Lang’s Shades of Spring; Liang’s The Art of War; Nijinsky’s L’Après-midi d’un Faune; North’s Troy Game; Nureyev’s Raymonda Act III; Robbins’ The Concert, Fancy Free, In the Night; Taylor’s Brandenburgs; Tharp’s In The Upper Room, Nine Sinatra Songs; Tuckett’s Changing Light; Wheeldon’s The American, There Where She Loved; Wright’s Giselle, Summertide.

To learn more or purchase tickets, please call 941.359.0099 or visit www. sarasotaballet.org.

Ricardo Rhodes in George Balanchine’s Apollo. Photo Frank Atura.