Schilt Publishing & Gallery January – June 2017
new titles
21 Mario Giacomelli Under the Skin of Reality
2 Pavel Baňka Reflection
Linda Dorigo and Andrea Milluzzi Rifugio
4 Kirk Crippens and Gretchen LeMaistre Live Burls
Diana Matar Evidence
6 Evgeny Berezner, Irina Chmyreva, Natalia
Peter Suschitzky Naked Reflections
Tarasova & Wendy Watriss Contemporary
Elena Perlino Pipeline
Russian Photography
Lauren Fleishman The Lovers
8 World Press Photo 17 Dutch edition 10 The Best of LensCulture Today 12 Dornith Doherty Archiving Eden 14 Lotte Christensen Constructions
Schilt Gallery 16 Jindra Viková Sculptures
17 Pavel Baňka Photographs
backlist
Leonard Freed After The War Was Over Anna Fox Resort 1 Butlin’s Bognor Regis Anna Fox Resort 2 Butlin’s Bognor Regis 22 Louise Baring Emmy Andriesse Elliot Ross Animal Elliot Ross Other Animals
grey matters Lucia Ganieva Ermitazhniki (GM 1)
19 Michel Huneault The Long Night/La longue nuit
Chiara Tocci Life After Zog (GM 2)
Maria Gruzdeva BORDER
Matthew Murray Ska (GM 3)
Majida Mouasher Modern and Contemporary
Gesche Würfel Basement Sanctuaries (GM 4)
Samia Halaby Drawing the Kafr Qasem Massacre
Camille Renée Devid My Other Side (GM 5)
Arab Art from the Levant
Donald Weber & Arthur Bondar Barricade (GM 6)
World Press Photo 15 Dutch edition
Ananda van der Pluijm An Incomplete History
World Press Photo 16 Dutch edition World Press Photo Stories of Change
(GM 7) 23 Distribution
20 FotoFest Changing Circumstances FotoFest View From Inside Sadik Kwaish Alfraji Sara Davidmann Ken. To be destroyed Edward Thompson The Unseen Yola Monakhov Stockton The Nature of Imitation David Batchelder Tideland Giancarlo Ceraudo Destino Final
Join the club! Become a Rhubarbino Design: LevievanderMeer, Amsterdam
Check our website: schiltpublishing.com
Dear friends, What an amazing spring collection we have for you this time around. Every one of our featured books is truly remarkable – there’s no other word to describe them. And to top it all, we’re holding a spectacular exhibition in our gallery! Enjoy a premature glimpse of the brilliant book Reflection by the grand Czech master Pavel Baňka; the pure-blooded and bloodcurdling account by Kirk Crippens and Gretchen LeMaistre of the illegal tree felling of America’s most renowned trees: Live Burls – Poaching the Redwoods; the long-awaited overview of Contemporary Russian Photography; the consistently unsurpassed World Press Photo Yearbook (2017); the first exciting fruits of a new partnership between LensCulture and Schilt Publishing: The Best of LensCulture Today – 150 Contemporary Photographers You Should Know; the superb volume of documentary and yet artistic works in Archiving Eden by Dornith Doherty, showcasing seeds and seed banks from all over the world. This is an essential and urgent book in today’s era of climate change and its fateful consequences; and Lotte Christensen’s fine art book Constructions, in which nature acts as a projection screen for inner human dilemmas. And as icing on the cake, Schilt Gallery will be organising a major retrospective of the works of the above-mentioned Pavel Baňka, complemented by the extraordinary and unique creations of the well-known Czech ceramic artist Jindra Viková, who happens to be Pavel’s wife. What an incredible couple! So if you’re a lover of photography and art, you know the place to be: Schilt Publishing & Gallery once again offers you the cream of the crop. To keep up to date, follow us on Instagram (schilt_publishing); from now on, this will be our main platform for informing you about our latest scoops on a daily basis. And now it’s high time to dust off the slogan we first started out with: As long as we all continue to refuse to accept mediocrity, a wonderful future lies ahead of us! Kindest regards, Maarten Schilt October 2016
Pavel Baňka
Design: Markéta Othová ISBN 978 90 5330 882 0 Format: 24 x 29 cm (landscape) Flex cover 160 pages with approx. 180 photos in full colour and duotone World rights January 2017
Reflection If we tried to imagine Pavel Baňka’s creative life as a photograph, its inherently transient nature would probably show very soon. There would be a steady stream of portraits, staged figurative actions, spaces artificially created by the artist himself, images verging on the abstract, as well as landscapes and interiors with a spiritual dimension. Such an imaginary picture would then suggest a host of frameworks within which Baňka’s work might be arranged, based on various inner and external criteria – just as the motif of the frame itself keeps recurring throughout Baňka’s work. A biographical angle would show that ever since his beginnings as a self-taught photographer, Baňka has retained his determination to search and invent, thus keeping at bay any danger of artistic stagnation, while always putting new approaches to the test. Within the framework of Czech photography, Baňka’s place would be somewhere behind the founding father figure of Jan Sudek, whom he also references in his early works, and alongside Jan Svoboda, with whom he also shares an interest in the work of renowned Czech glass and jewellery artists. In Baňka’s nudes and some of the portraits, we can also find traces of another giant of Czech photography, František Drtikol. Like Drtikol, Baňka’s main objective is not creating a mere image of the subject, but rather constructing a photographic picture, where the photographed figure acts only as a fully integrated, yet provocative, part of the whole. In Baňka’s photographs, a piece of jewellery does not function as a mere decoration of the model but rather as an extension of their body and an expression of their mood. With each small prop, the spatial dimensions and inner meaning of the portrait shift.
£40 | $50 | €45
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Schilt Publishing
This book focuses mainly on Baňka’s early work and is divided into three areas entitled Construction, Figuration, and Abstraction. The title Construction refers to the way an image is constructed by light. Baňka photographs panels of mirrors placed in a landscape, he opens windows, thus reflecting and focusing the view into the interior. The mechanisms of light shining through or being reflected, as captured in Baňka’s photographs, refine both the vision and the awareness of space. In his kinetic, phased figurative pictures, Baňka’s wife, his daughter, or he himself then become the protagonists of a few second-long photographic actions: a simple movement creates a sequence, interconnecting personal and general levels. Other photographs play out almost on the surface so to speak. The term Abstraction is not used to suggest the notion that images lose their descriptiveness – rather, they shed the shackles of exact contours, becoming blurry and gaining evocativeness. In his experiments with exposure length, the immediate moment of a picture being taken is enriched by the time frame of the past as well as of the possible, just as Baňka himself seems to suggest when he speaks of “recollections” and “imaginations”.
Pavel Baňka was born in 1941 in Prague, and has had several creative “lives”, which have intermingled for decades. As a photographer and as a teacher and a mentor in the Czech Republic, United States and United Kingdom, he has influenced generations of artists. He is also known as a curator, writer, and the founder of the popular photography magazine FOTOGRAF. His work is held in many collections including: Musée de la Photographie, Charleroi, Belgium; George Eastman House, Rochester, New York, USA; Art Institute of Chicago, USA; Paris Audio Visual, France. His photographs have been exhibited in galleries and festivals all over the world.
Kirk Crippens
Live Burls
& Gretchen
Poaching the Redwoods
LeMaistre
Design: LevievanderMeer, Amsterdam
In 2013, an alarming number of National Park redwood trees were shorn of their knobby protrusions, called burls. The trees were disfigured by thieves aiming to sell distinctive burl wood to luxury furniture retailers. One team was bold enough to fell an entire tree for its burl. Kirk Crippens and Gretchen LeMaistre read about these trees in the news and were motivated to go and see them. Rangers from the Redwood National and State Parks assisted them in accessing and photographing each site. From 2013 to 2016, they made many visits to the National Park redwood forests of Humboldt County, California. On their first trip to the region, they passed a tourist attraction called “Trees of Mystery”. The entrance featured a 50-foot effigy of an American folklore lumberjack, Paul Bunyan, and a large souvenir store with a neon sign that read, “Live Burls”. At first they laughed at the spectacle; but the sign brewed in the back of their minds as they began to explore the lure and the lore of giant redwoods.
ISBN 978 90 5330 881 3 Format: 28 x 34 cm (portrait) Hardcover with cloth cover and inlaid photograph 64 pages with 28 photos in duotone World rights April 2017 £35 | $45 | €40 Based in San Francisco, Kirk Crippens and Gretchen LeMaistre have worked together for over 10 years and are also independent artists. Kirk’s work is held in the collections of Museé de la Photographie, Charleroi, Belgium, RayKo Photo Center, San Francisco, USA, and the Museum of Fine Arts in Houston, USA, amongst others. Gretchen’s work is also held in the collection of the Museum of Fine Arts in Houston, and has been exhibited at SPMOMA, San Francisco, USA. In 2016, Live Burls was exhibited at Candela Gallery, Richmond (VA), USA, and Datz Museum of Art, Gwangju, South Korea.
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While redwood trees are sensational for their size, their burls are unique for less obvious reasons. Redwood burls contain stem cells that enable the trees to clone themselves. In a sense, a redwood tree may never truly die because the burls’ genetic codes maintain cycles of reproduction dating back nearly 200 million years when the species began. Only one percent of redwood seeds become trees; instead, burls generate the majority of trees. Redwood trees and their cousin sequoias sometimes exist for as long as three thousand years. For these reasons, they were given the species name “Semper virens”, or “Ever living”. Steinbeck once referred to them as “ambassadors of another time”. Out of respect for their ancient heritage and after an extended period of aggressive logging, Theodore Roosevelt pioneered forest preservation efforts in the early 20th century. He is famously quoted as saying, “A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral.” Today less than five percent of old-growth coast redwood forest remains in the Northern Hemisphere, most living in the Redwood National and State Parks. Yet even the protected trees are subject to threat. Shorn trees are more vulnerable to disease, and their ability to reproduce is uncertain. Decades may pass before the full extent of poaching damage can be assessed.
Evgeny Berezner, Contemporary Irina Chmyreva, Natalia Tarasova & Wendy Watriss
Design: HvA Design, NY ISBN 978 90 5330 768 7 Format: 22 x 24.5 cm (portrait) Hardback 360 pages with approx. 300 photos in full colour and duotone World rights March 2017 £45 | $55 | €50
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Russian Photography Contemporary Russian Photography is the first extensive publication presenting the history of Soviet-Russian creative photography from the early 1950s to 2012. This book is based on a broad collection of photographic work never before assembled from these years. The book presents the evolution of creative photography of the post-Stalin period through the wild experimentation of Perestroika and its aftermath in the 1990s to the work of young Russian photographers today. In its presentation of Russian photography, the book shows the remarkable breadth of the photographic arts in Russia over the past 66 years. The essays provide a re-examination of the history of creative photography in the Soviet Union and Russia after Stalinism. The book is divided into three chapters: After Stalin and “The Thaw” The Re-emergence of the Personal Voice Late 1940s through the 1970s Including artists such as: Victor Akhlomov, Max Alpert, Naum Granovsky, Gennady Koposov, Pavel Krivtsov, Vsevolod Tarasevich, Alexander Ustinov. Perestroika Liberalization and Experimentation Mid 1980s–2010 Including artists such as: Sergey Chilikov, Alexander Gronsky, Vadim Gushchin, Yuri Kozyrev, Gregory Maiofis, Sergey Maximishin, Boris Mikhailov, Igor Moukhin, Alexey Titarenko. The Young Generation A Collective Portrait Mid 2000s–2012 Including artists such as: Oleg Borodin, Maria Kozhanova, Margo Ovcharenko, Nikita Pirogov, Tatiana Plotnikova, Anna Skladmann, Anastasia Tailakova, Daria Tuminas.
The history of Russian creative
multi-media projects at Moscow
classical photography since the
photography since the late 1950s, its
Museum of Modern Art, Evgeny
mid-nineties in Russia and abroad.
artists and artworks, are the subjects
Berezner curated over 150 exhibitions
She is the Assistant Professor at the
of essays by the leading Russian
of contemporary and classical Russian
Photography Art Department of
curators and independent art
photography. Irina Chmyreva is the
Moscow State University of Culture
historians, Evgeny Berezner, Irina
senior researcher for photography at
and Arts. Wendy Watriss,curator and
Chmyreva and Natalia Tarasova.
the Department of Russian Art of the
co-founder of FotoFest International
Former Deputy Director General for
20th Century in the State Research
has worked extensively with Soviet
photography and multi-media
Institute of Art History in the Russian
and Russian photography and this
projects at the ROSIZO State
Academy of Fine Arts. She has written
team of Russian curators. Her
Museum and Exhibition Center of the
widely on Russian photography.
introduction pays homage to the
Russian Ministry of Culture and
Natalia Tarasova has been curating
durability of the creative Russian
Deputy Director for photography and
exhibitions of contemporary and
spirit and its contemporary history.
Schilt Publishing
Gregory Maiofis
Vlad Krasnoschok Before devoting himself full time to documentary photography in 2008, Michel Huneault worked for over ten years in the international development and humanitarian field. His practice video elements, he has worked in Canada (Lac-MĂŠgantic), Japan (Tohoku), Haiti (Port-au-Prince) and across Europe during the 2015
Anna Skladmann
Valera and Natasha Cherkashin
often mixes photography with audio/
migratory crisis. His work has been shown in various venues in Canada, France, UK, USA and the Netherlands. Michel is a regular grantee of the Quebec and Canada Arts Council, and in 2015 he won the prestigious Dorothea Lange-Paul Taylor prize for his long-term work on Lac-MĂŠgantic. Boris Mikhailov
17 Dutch edition
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Design: Heijdens Karwei, Amsterdam ISBN 978 90 5330 886 8 Format: 19 x 24.5 cm (portrait) Paperback
Every year since 1958, an international jury has met in the Netherlands under the auspices of the World Press Photo Foundation to choose the world’s finest press photographs. Universally recognised as the definitive competition for photographic reportage, it has been described by Michael Rand as “the international photographic contest”. Publishing the results of the latest annual World Press Photo Contest, this exceptional book contains the very best press photographs from 2016 – pictures submitted by approximately 6,000 photojournalists, photo agencies, newspapers and magazines from about 125 countries. Selected from around 100,000 images, these prize-winning photos capture the most powerful, moving and disturbing images of the year. “Will amuse, sadden, console and ultimately teach you much about this world of ours.” People Photography
240 pages with approx. 250 photos in full colour and duotone World rights; English (Thames & Hudson), German (Till Schaap Edition), French (Till Schaap Edition), Spanish (Blume) and Italian (24 ORE Cultura) rights sold. April 2017 €25 Schilt Publishing is the primary publisher of the World Press Photo Yearbook. Co-editions are available in 6 different languages. For details of the English-language edition of World Press Photo, please contact Thames & Hudson at sales@thameshudson. co.uk or visit thamesandhudson.com Illustrations: Spreads from the 2016 yearbook
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Schilt Publishing
“Some of the very best work being done around the world today.” News Photographer
The Best of LensCulture Today Justine Tjallinks
150 Contemporary Photographers You Should Know Fresh, inspiring, insightful, thought-provoking: here is an overview and introduction to 150 of the most exciting contemporary photographers from cultures around the world. This book celebrates excellence in the visual language of photography in all genres: documentary, fine art, photojournalism, portrait, street photography, abstract, landscape, architecture, nature, alternative process, experimental, poetic, personal, and more. From the already world-famous, to brand new discoveries and emerging talents, anyone who is serious about the current state of photography around the globe will be delighted and surprised to discover the rich variety of photographers and their imagery presented in these pages. Design: Heijdens Karwei, Amsterdam ISBN 978 90 5330 880 6 Format: 19 x 24.5 cm (portrait) Paperback 288 pages with approx. 200 photos in
Who are the people practicing this profound universal language with “fluency” in our image-saturated world today? This book attempts to answer that question. The editors of this volume believe it takes the critical eyes of curators and experts in the field to discover and celebrate true excellence, finding those images that stand out from the crowd and deserve our considered attention.
full colour and duotone World rights April 2017 £22 | $29.95 | €25
LensCulture is a global network and online magazine that has become one of the most popular platforms for discovering and sharing the latest and best in contemporary photography – currently reaching a monthly audience of over 2 million around the world. You can find out more at www.lensculture.com
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Schilt Publishing
In addition to appearing in the pages of this book, all of these photographers have been featured in exhibitions and shows at large-scale international photo festivals and events around the world in the past year, including London, Paris, Barcelona, Amsterdam, Berlin, New York, San Francisco, Rio de Janeiro, Buenos Aires, Beijing, Seoul and Tokyo.
Alia Ali
Vanja Bucan
Antonio Masiello
Graciela Magnoni
Luisa Dorr
Poike Stomps
Dornith Doherty
Archiving Eden Spurred by the impending completion of the Svarlbard Global Seed Vault, Archiving Eden explores the role of seed banks and their preservation efforts in the face of climate change, the extinction of natural species, and decreased agricultural diversity. Serving as a global botanical backup system, these privately and publicly funded institutions assure the opportunity for the reintroduction of species should a catastrophic event or civil strife affect a key ecosystem somewhere in the world.
Design: LevievanderMeer, Amsterdam ISBN 978 90 5330 884 4 Format: 24 x 29 cm Half-cloth hardcover 184 pages with approx. 125 photos in full colour World rights May 2017 £40 | $50 | €45
Since 2008, Dornith Doherty has worked in collaboration with renowned biologists at the most comprehensive international seed banks in the world: the United States Department of Agriculture, Agricultural Research Service’s National Center for Genetic Resources Preservation in Colorado, USA, the Millennium Seed Bank, Royal Botanic Gardens, Kew in the UK.; and PlantBank, Threatened Flora Centre, and Kings Park Botanic Gardens in Australia. Utilising the archives’ on-site X-ray equipment that is routinely used for viability assessments of accessioned seeds, Doherty documents and subsequently collages the seeds and tissue samples stored in these crucial collections. The amazing visual power of magnified X-ray images, which springs from the technology’s ability to record what is invisible to the human eye, illuminates her considerations not only of the complex philosophical, anthropological, and ecological issues surrounding the role of science and human agency in relation to gene banking, but also of the poetic questions about life and time on a macro and micro scale. Doherty is struck by the power of these tiny plantlets and seeds (many are the size of a grain of sand) to generate life and to endure the time span central to the process of seed banking, which seeks to make these sparks last for two hundred years or more. Use of the colour delft/indigo blue evokes references not only to the process of cryogenic preservation, central to the methodology of saving seeds, but also to the intersection of East and West, trade, cultural exchange, and migration. This tension between stillness and change reflects her focus on the elusive goal of stopping time in relation to living materials, which at some moment, we may all want to do.
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Dornith Doherty was born in
awarded a Guggenheim Foundation
Institute of Arts, USA.; the Museum
Houston, Texas and received a B.A.
fellowship. Doherty’s work has been
Belvédère, the Netherlands; the
cum laude from Rice University and
featured in exhibitions widely in the
Museum of Photography, Rafaela,
an MFA in Photography from Yale Uni-
USA and abroad at institutions
Argentina. Her work is held in
versity. She is Distinguished Research
including: FotoFest, USA.;
numerous permanent collections
Professor at the University of North
The Bluecoat, UK.; the Centro de
across the world.
Texas, where she has been on the
Fotografía, Spain; Galerie Lužánky,
faculty since 1996. In 2012 she was
Czech Republic; the Minneapolis
Schilt Publishing
Lotte Christensen Constructions In 2009, Lotte Christensen travelled to the Canadian wilderness. As so often before, venturing into nature, she had her camera with her and was out to make pictures. Among mountains and trees, she found a good spot for an image. She put up the camera, ran into the frame and placed herself with a map between her hands. A “click” sounded, but not the usual “clack” of the mirror falling back into place - the camera was out of order. Being far away from civilization with a non-operational camera, the situation all of a sudden felt meaningless. It was the making of images, the exploration and documentation, that was her tool for being in, and dealing with, this foreign landscape. To create felt more important than to be.
Design: LevievanderMeer, Amsterdam ISBN 978 90 5330 883 7 Format: 17.2 x 22 cm (portrait) Hardcover with dust jacket 76 pages with approx. 40 photos in full
The act of making images is in itself a way of living life for Danish artist Lotte Christensen. The camera and the act of constructing and making an image is an essential approach to the world in search of an understanding of her place in it. She works as a visual philosopher with photography and nature to construct images that explore existential issues. She enters the landscape using herself as a measuring tool, gently pulls plants though paper to isolate them from their natural environment, or brings back parts of nature to her outdoor studio to build fragile constructions. In line with the tradition of representing landscape in art history, in Lotte Christensen’s work, nature acts as a projection screen for inner human dilemmas.
colour World rights May 2017 £22.50 | $27.50 | €25
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Schilt Publishing
Lotte Christensen’s work speaks to the imminent human desire for a sense of meaning in existence: Why am I here in this world? As we measure, categorise and examine the world around us in order to understand and define our lives, we end up building an almost tragi-comical connection to the natural world, such as that of the scientist – at once observing and being part of the natural world. In the images and sculptural work of Christensen, this balance between heartfelt, honest attempts of making meaning and the sometimes humorous results co-exist in a strange and poetical universe.
Lotte Christensen, born in 1979 in
human mind and the natural
the Danish countryside, is a visual
surroundings. It has, among other
artist now based in Copenhagen,
places, been shown in various venues
Denmark. She holds an MFA from the
in Denmark, Sweden, France, Austria,
School of Photography, Gothenburg,
Slovenia, Canada, the USA, China and
Sweden and a BA in Fine Art
Korea. She has received work grants
Photography from the Glasgow
from the Eric Ericsson Foundation
School of Art, Scotland. Her work
and the Danish Arts Foundation, and
deals with the relation between the
is also represented in this collection.
Schilt Gallery Pavel Baňka Photographs Jindra Viková Ceramics
Peter Martensstraat 121 NL – 1087 na Amsterdam T +31 20 330 59 29 T +31 6 51 98 47 47 gallery@schiltpublishing.com
20-11-2016 till 26-02-2017
Schilt Gallery
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Schilt Gallery
SELECTED backlist Check our website schiltpublishing.com for a complete overview of all our titles and
Michel Huneault The Long Night of Mégantic / La longue nuit de Mégantic
Maria Gruzdeva BORDER
ISBN 978 90 5330 876 9
£30 | $40 | €35
A journey along the edges of Russia ISBN 978 90 5330 878 3
Bilingual: English/French
15 Dutch Edition
£30 | $40 | €35
ISBN 978 90 5330 850 9 €25
16 Dutch Edition ISBN 978 90 5330 866 0 €25
Modern and Samia Halaby Contemporary Arab Drawing the Kafr Art from the Levant Qasem Massacre The Majida Mouasher Collection
Essay by Salman Abu Sitta
ISBN 978 90 5330 877 6
ISBN 978 90 5330 874 5
£40 | $55 | €45
£40 | $50 | €45
Stories of Change Beyond the ‘Arab Spring’ ISBN 978 90 5330 823 3 £40 | $55 | €45
special editions!
Schilt Publishing
19
20
FotoFest Changing Circumstances Looking at the Future of the Planet
FotoFest View From Inside Contemporary Arab Photography, Video and Mixed Media Art
ISBN 978 90 5330 862 2
ISBN 978 90 5330 825 7
ISBN 978 90 5330 861 5
£45 | $60 | €50
£45 | $60 | €50
£45 | $55 | €50
Edward Thompson The Unseen An Atlas of Infrared Plates
Yola Monakhov Stockton The Nature of Imitation
David Batchelder Tideland
ISBN 978 90 5330 863 9
Text by Elisabeth Biondi
£60 | $75 | €65
£40 | $50 | €45
ISBN 978 90 5330 845 5
ISBN 978 90 5330 864 6
£27,50 | $35 | €30
£40 | $50 | €45
Schilt Publishing
Sadik Kwaish Alfraji Curated by Nat Muller ISBN 978 90 5330 848 6 £45 | $55 | €50
Text by David Campany ISBN 978 90 5330 856 1
Sara Davidmann Ken. To be destroyed Edit and text by Val Williams
Giancarlo Ceraudo Destino Final Argentina’s Death Flights during the Dirty War
Mario Giacomelli Under the Skin of Reality Treasures from the Sassoferrato Archive
Linda Dorigo & Andrea Milluzzi Rifugio Christians of the Middle East
Edited by Katiuscia Biondi, Marina Itolli and Catia Zucchetti With an introduction by Achille Bonito Oliva
ISBN 978 90 5330 843 1
Diana Matar Evidence
Peter Suschitzky Naked Reflections
ISBN 978 90 5330 842 4
ISBN 978 90 5330 846 2
£40 | $50 | €45
£45 | $55 | €50
Leonard Freed After The War Was Over
Anna Fox Resort 1 Butlin’s Bognor Regis
Jewish Life in Amsterdam in the 1950s Text by Bernadette van Woerkom
ISBN 978 90 5330 803 5
£35 | $45 | €40
ISBN 978 90 5330 813 4 £40 | $50 | €45
Elena Perlino Pipeline Trafficking in Italy
Lauren Fleishman The Lovers
ISBN 978 90 5330 824 0
Last available copies, North America only!
£30 | $40 | €35
ISBN 978 90 5330 836 3
£35 | $45 | €40
£45 | $55 | €50
ISBN 978 90 5330 857 8
Resort 2 Butlin’s Bognor Regis
£30 | $40 | €35
ISBN 978 90 5330 840 0
Dutch edition:
£45 | $55 | €50
Leonard Freed De oorlog voorbij Joods Amsterdam in de jaren vijftig ISBN 978 90 5330 858 5 €35
Schilt Publishing
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Gesche Würfel
GescheWürfel’s first university degree was in Spatial Planning (from the University of Dortmund) and she spent several years afterwards working in the field of regeneration and public participation. In 2005, she moved to London to study Photography and Urban Cultures at Goldsmiths, University of London where she focused more on my own visual arts practice. These experiences all shape her approach to the relationship between space, human (inter)action, and nature. In particular, she tend to investigate the physical manifestation of underlying social and urban processes by exploring notions of place as well as the relationships humans have with their environment (in urbanscapes as well as cultural and natural landscapes).
Gesche Würfel is a German visual artist living and working in New York City. She received her Diploma in Urban Planning from the University of Dortmund, Germany, and her M.A. in Photography and Urban Cultures from Goldsmiths, University of London, UK. Her work has been exhibited nationally and internationally. In 2007, Würfel was selected as one of the Bloomberg New Contemporaries showcasing the best emerging talent from UK art schools. Some of her recent exhibitions include solo shows at Field Projects, NYC; Wolk Gallery, Massachusetts Institute of Technology (MIT), Cambridge, MA; Civilian Art Projects, Washington, DC. Her work has been presented among others in group shows at Tate Modern, [space]; Kokerei Zollverein, Essen, Germany; and Curator’s Office, Washington, DC. Her work is included in the MIT Museum’s Collection, along with private collections in Germany, Italy, the United Kingdom, and the United States.
www.schiltpublishing.com
Grey Matters 4
Basement Sanctuaries
Basement Sanctuaries combines a wide range of influences. Her work is research-based and usually has a strong theoretical foundation.
Louise Baring Emmy Andriesse Hidden Lens ISBN 978 90 5330 790 8 £30 | $40 | €35
Grey Matters 1
Grey Matters 4
Grey Matters 7
Lucia Ganieva Ermitazhniki ISBN 978 90 5330 798 4
Gesche Würfel Basement Sanctuaries
£12,50 | $20 | €15
ISBN 978 90 5330 819 6
Ananda van der Pluijm An Incomplete History Text by Bill Kouwenhoven
£12,50 | $20 | €15 Grey Matters 2
Chiara Tocci Life After Zog
ISBN 978 90 5330 859 2 £15 | $25 | €20
ISBN 978 90 5330 796 0
Camille Renée Devid My Other Side
Elliot Ross Animal
£12,50 | $20 | €15
ISBN: 978 90 5330 839 4
Text by Manfred Zollner
Grey Matters 3
ISBN 978 90 5330 730 4
Matthew Murray Ska
and other stories
£35 | $45 | €40
£12,50 | $20 | €15
ISBN 978 90 5330 736 6
Text by Addie and Mitchell Vassie
Edition of 50
ISBN 978 90 5330 812 7
£175 | $350 | €250
£12,50 | $20 | €15
Special edition
Grey Matters 6
Donald Weber & Arthur Bondar Barricade The EuroMaidan Revolt Text by Larry Frolick
Other Animals
ISBN: 978 90 5330 841 7
Text by Diana L. Daniels
£12,50 | $20 | €15
ISBN 978 90 5330 835 6 £35 | $45 | €40 22
Grey Matters 5
Schilt Publishing
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Distributed Sales Co-ordinator
East Sussex, West Sussex, Wiltshire,
T 020 7845 5000
Worcestershire, Oxford, London
f 020 7845 5055
SW4-6, SW8-20, SE2-26, W3-7, W9-14
e m.garland@thameshudson.co.uk Karim White Renaud Toulemonde
t 07740 768900
Distributed Sales Co-ordinator
e k.white@thameshudson.co.uk
t 020 7845 5000
Cheshire, Cleveland, Cumbria,
f 020 7845 5055
Co. Durham, Lancashire,
e r.toulemonde@thameshudson.co.uk
Greater Manchester, Merseyside, Northumberland, Sheffield, Tyne &
UK Territory Managers
Wear, Yorkshire, Ireland, Scotland
Gethyn Jordan Key Accounts Manager
Mike Lapworth
National Wholesalers
t 07745 304 088
T 020 7845 5000
e mikelapworth@sky.com
f 020 7845 5055
Buckinghamshire, Derbyshire,
e g.jordan@thameshudson.co.uk
Herefordshire, Leicestershire, Lincolnshire, Northants,
Michelle Strickland
Nottinghamshire, Oxon (except
Key Accounts Manager
Oxford), Shropshire, Staffordshire,
T 020 7845 5000
Warwickshire, West Midlands,
f 020 7845 5055
Worcestershire
e m.strickland@thameshudson.co.uk
Schilt Publishing
23
Ian Tripp
Eastern Europe
South Africa, Swaziland, Lesotho,
T 07970 450162
Sara Ticci
Namibia, Botswana and Zimbabwe
e iantripp@ymail.com
T +44 7952 919866
Peter Hyde Associates
Channel Islands, Cornwall, Devon,
e s.ticci@thameshudson.co.uk
5 & 7 Speke Street
Gloucestershire, Somerset, Wales
(Corner Nelson Street) Eastern Mediterranean, Bulgaria,
Observatory 7925
Victoria Hutton
Romania
Cape Town
T 07899 941010
Stephen Embrey
t (021) 447 5300
e victoriahuttonbooks@yahoo.co.uk
T +44 7952 919866
f (021) 447 1430
London Gift Accounts
e s.embrey@thameshudson.co.uk
e noelene@peterhyde.co.za
James Denton
France
Middle East
T 07765 403182
Interart S.A.R.L.
Middle East incl. Egypt and Eastern
e jamesdenton778@btinternet.com
1 rue de l’Est
Mediterranean
South and South East Gift Accounts
75020 Paris
Stephen Embrey
T (1) 43 49 36 60
t +44 7952 919866
F (1) 43 49 41 22
e s.embrey@thameshudson.co.uk
Subsidiaries, Agents and Representatives Abroad
e commercial@interart.fr
Americas
Iran
Central & South America, Mexico and The
Ireland
Book City Co.(P.J.S)
Caribbean
Karim White
P.O. Box 158757341
Natasha Ffrench
T 07740 768900
743 Shariati St.
Export Sales Department
e k.white@thameshudson.co.uk
Tehran 16396 t +(9821)88459950
Thames & Hudson Ltd e n.ffrench@thameshudson.co.uk
Italy, Spain, Portugal
f +(9821)88459949
Natasha Ffrench
e info@bookcity.co.ir
Europe
Export Sales Department
Austria, Germany, Switzerland
Thames & Hudson Ltd
Lebanon
Michael Klein
e n.ffrench@thameshudson.co.uk
Levant
c/o Vertreterbuero Wuerzburg
PO Box 11-1181
T +49 931 17 405
Scandinavia, Baltic States, Russia and
Sin-El-Fil, Al Qalaa Area
f +49 931 17 410
the CIS
Sector No. 5
e mi-klein@t-online.de
Per Burell
Bldg #31, 53rd Street
T +46 (0) 70 725 1203
Beirut
e p.burell@thameshudson.co.uk
t (01) 488 035
Belgium, Netherlands and Luxembourg
f (01) 510 659
Bas van der Zee T +31 (0) 623137695
Africa
e b.vanderzee@thameshudson.co.uk
Africa (excluding South)
Ian Bartley Export Sales Department Thames & Hudson Ltd e i.bartley@thameshudson.co.uk
24
Schilt Publishing
e info@levantgroup.com
Distribution in North America
Asia
Singapore and South-East Asia
China (PRC), Hong Kong and Macau
Thames & Hudson Singapore
Thames & Hudson China Ltd
52 Genting Lane
Units B&D 17/F
#06-05, Ruby Land Complex
Ingram Publisher Services
Gee Chang Hong Centre
Singapore 349560
One Ingram Blvd.
65 Wong Chuk Hang Road
t (65) 6749 3551
LaVergne, TN 37086
Aberdeen
f (65) 6749 3552
IPS: 866-765-0179
Hong Kong
e customersvc@apdsing.com
e customer.service@
t +852 2 553 9289
ingramcontent.com
f +852 2 554 2912
India, Nepal, Bangladesh and Bhutan
e aps_thc@asiapubs.com.hk
Kapil Kapoor Roli Books
Distribution in The Netherlands
For China enquiries:
India
Marc Zhang, Beijing
t + 91 11 4068 2000
Centraal Boekhuis
e aps_china@asiapubs.com.hk
f + 91 11 2921 7185
https://portal.boekhuis.nl/cbonline/
e kapilkapoor@rolibooks.com
boek-verkopers t +31 (0)345 – 47 58 88
Taiwan
Ms Helen Lee, Taipei
Pakistan and Sri Lanka
e Helen_lee@asiapubs.com.hk
Scipio Stringer
e detailhandel@centraal.boekhuis.nl
e s.stringer@thameshudson.co.uk
Representation in The Netherlands
Australasia
Coen Sligting Bookimport
Australia, New Zealand, Papua New
Groot Nieuwland 27
Japan
Guinea & the Pacific Islands
1811 ET Alkmaar
Scipio Stringer
Thames & Hudson (Australia) Pty Ltd
The Netherlands
Export Sales Department
11 Central Boulevard
t +31(0)72 – 511 92 20
Thames & Hudson Ltd
Portside Business Park
f +31(0)72 – 511 70 29
e s.stringer@thameshudson.co.uk
Fisherman’s Bend
e sligting@xs4all.nl
Thames & Hudson Ltd Korea
Zita Chan e zita_chan@asiapubs.com.hk
Victoria 3207 Malaysia
t (03) 9646 7788
Thames & Hudson Singapore Pte Ltd
f (03) 9646 8790
c/o APD Kuala Lumpur
e enquiries@thaust.com.au
Representation in Flanders/Brussels Luster Publishing
No 22, 24 & 26 Jalan SS3/41 47300 Petaling Jaya
For countries not mentioned
Tania Van de Vondel
Selangor Darul Ehsan
above, please contact:
Hopland 33 bus 4.2
t (603) 7877 6063
Ian Bartley, Head of Export Sales
2000 Antwerp
f (603) 7877 3414
Export Sales Department
Belgium
e liliankoe@apdkl.com
Thames & Hudson Ltd
t +32 (0)474 - 88 49 68
181A High Holborn
e tania@lusterweb.com
London WC1V 7QX t +44 (0)20 7845 5000 f +44 (0)20 7845 5055 e i.bartley@thameshudson.co.uk
Expected July – December 2017
Schilt Publishing’s Book of Cats Elliot Ross Dusha, 2015
& Gallery Amsterdam Peter Martensstraat 121 NL – 1087 na Amsterdam
london Yasmin Keel T +44 7794 055862
new york Amber Terranova T +1 718 954 2188
T +31 20 528 69 12 M +31 6 51 98 47 47
yasmin@schiltpublishing.com press@schiltpublishing.com
amber@schiltpublishing.com
schilt@schiltpublishing.com sales@schiltpublishing.com
schiltpublishing.com