OnDemand
Saariaho, Kaija Six Japanese Gardens
Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14030349 Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/id_no/00080497/details.html?kbid=1296 Information about the work and materials for hire: http://www.musicsalesclassical.com/composer/work/7848
Score begins on the next page.
Chester Music Limited Part of the Music Sales Group
ELECTRONICS – technical requirements Further information about the electronics for this work may be found at www.chesternovello.com. Please consult the work page on this site. Equipment needed: • •
• • • •
Macintosh or PC computer equipped with an audio interface compatible with Max/MSP (e.g. Motu 828mkII; Motu 896; Digidesign DIGI002) to run a patch including stereo hard-disk playback of sound-files. the Max/MSP patch can include all reverberations and harmonizers Or Infinite reverberation (e.g. Lexicon PCM81or PCM91 or MPX110) – see Appendix I below for parameters General reverberation (e.g. Lexicon PCM81) Harmonizers (e.g. Yamaha SPX2000 or any dual pitch shifting device) – see Appendix II below for parameters MIDI interface (e.g. Motu Micro Lite USB) to connect a MIDI sustain pedal to the Macintosh/PC 1 to 3 sustain pedal (for Max triggering) connected to the Mac/PC through any MIDI keyboard or voltage to MIDI converting device (e.g. MIDI Solutions’ Footswitch controller) Directional microphones, number depending on performance space and percussion set-up Mixer and stereo diffusion (possibly a return monitor for the percussionist)
Appendix I Infinite reverberation (decay time controlled by envelope follower on input level) The infinite reverberation (used with Lexicon LXP15 or PCM81, for example) is a program in which the reverberation time is constantly changed by the amplitude of the input signal. The general idea here is, the quieter the sound, the longer the reverb. The amplified instrumental sound should blend well with the reverberation sound, but nevertheless remain slightly in the foreground. A second reverberation should generally be used to soften the amplified instrumental sound and the infinite reverberation sound. PCM81 parameters (start from Preset P3 1.9 Concert Hall) Patch 0 src Int Mono Lvl Patch 0 Dst Rvb Time Mid Rt Patch 0 values 000 : 55.6 src 127 : 3.33 Appendix II Harmonizers approximately a quarter tone above and below The harmonizer should be set to produce microtonal pitch shifting, the transposition being about 50 cents (= ¼ step) on both sides of the input signal. If only one channel is available, the transposition is set one ¼ step upwards. If an SPX90 is used as the harmonizer, select Programme 22 (pitch change B) and set the parameters as follows: pitch 1 +0 / fine1 +45 cents/delay 1 20ms pitch 2 +0/ fine2 –50 cents/delay 2 15ms
IMPORTANT NOTE: the information given above is correct as at December 2004, but please consult www.chesternovello.com for any developments since that time.
in memory of Toru Takemitsu
SIX JAPANESE GARDENS Molto calmo
÷ 24 œ œ π 2 ÷ 4 ∑
Triangle Medium Suspended Cymbal
2 &4
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Copyright 2005 2003 Chester Chester Music MusicLtd. Ltd. © Copyright
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All rights reserved Printed in England
8
IV Rock Garden of Ryoan-ji
Small Cymbal Gong Log Drum Zen Cymbals Tam-tam
÷ 46
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Electronics
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to end of Mov. IV
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Calmo
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