Dillon TRAUMWERK BOOK 3

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DILLON

Traumwerk III

for Violin and Piano

Score

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JAMES DILLON

Traumwerk III

Score for Violin and Piano

POD PETERS on demand

ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED

EDITION PETERS

LEIP ZI G · L ONDO N · NE W YOR K

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‘....Arditti apart, a principal inspiration for these highly varied “marginal” pieces came from the exquisitely detailed marginalia with which Albrecht Dürer embellished the prayer book created in 1515 for the emperor Maximilian, and the title derives from Dürer’s comment that “whoever wants to do dreamwork, must mix all things together.”’

From notes by Richard Toop for Traumwerk I

Composed between January and April 2002.

for Irvine Arditti and Noriko Kawai to Richard Steinitz with admiration, thanks and best wishes for all new adventures

Commissioned by BBC Radio 3

First performance by Irvine Arditti and Noriko Kawai at the 2002 Bath Festival, Sunday 2 June 2002, Guildhall, Bath.

Other volumes in the series:

Traumwerk I for Two Violins (EP7452)

Traumwerk II for Violin and Harpsichord (EP7600)

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Vln

Pno

Lontano (sul pont.) senza vibrato

pont.

sul pont.

sul pont.

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pont.

pont.

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con sord. = 90 3 ( )

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* Match (l.h.) tremolo speed to the unit speed (9:8) of the following bar (al segno).

(teneramente) = 60 senza sord. I II flaut. (trem.rapido * )

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Piano

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Pno

Vln

Pno

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trem.lentiss. flaut. trans.

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Rallent.(poco) sempre

(remove mute)

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Piano

Vln

Pno

Vln Pno

sord.)

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Granular, strange (exotic) = 48

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- sempre (lontano - right hand slightly accented)

Keep the sust. pedal down throughout, use as form of vibrato i.e. continuously vary the degree (depth) of pedal. Must always be subtle.

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A Quick release and retake of the pedal. Should coincide with the chord (bell-like) attacks, to catch the post-attack resonance. trans. sul pont. trans. ord,

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Violin

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(cresc.)

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( ) decresc. sempre p o c o a p o c o

( ) decresc. sempre p o c o a p o c o

(decresc.)

) (decresc.) (decresc.)

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) (decresc.)

Vln

Pno (decresc.) ( ) (decresc.) (decresc.) ( ) (decresc.)

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(decresc.) (decresc.)

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Violin

Piano

Vln

Pno

Poco Rall.

Poco Rall.

Poco Rall.

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Piano

Vln

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A Tempo ( = 126)

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A Tempo ( = 112)

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James Dillon

James Dillon (b. 1950) has been published by Edition Peters since 1982. In that year, Parjanya-Vata for solo cello won the Kranichsteiner Musikpreis at the Darmstadt Summer Course for New Music. His String Quartet No. 1 was premiered by the Arditti Quartet the following year at the Huddersfeld Contemporary Music Festival – one of many festivals regularly featuring Dillon’s music. Other works include his ‘German Triptych’ (Überschreiten, 1985; helle Nacht, 1987; Blitzschlag, 1996) and the opera Philomela (2004). In 2003 he was awarded an honorary doctorate by the University of Huddersfeld and in 2007 took up the position of Professor of Composition at the University of Minnesota.

James Dillon (*1950) wird seit 1982 von der Edition Peters verlegt. Im gleichen Jahr wurde Parjanya-Vata für Violoncello solo bei den Darmstädter Ferienkursen für Neue Musik mit dem Kranichsteiner Musikpreis ausgezeichnet. Das Arditti- Quartett brachte im Folgejahr Dillons Streichquartett Nr. 1 beim Huddersfeld-Festival für Zeitgenössische Musik zur Uraufführung – nur eines von vielen Festivals, bei denen seine Musik regelmäßig erklingt. Zu weiteren Werken gehören das „German Triptych“ (Überschreiten, 1985; helle Nacht, 1987; Blitzschlag, 1996) sowie die Oper Philomela (2004). Im Jahr 2003 erhielt er die Ehrendoktorwürde der Universität Huddersfeld, und 2007 übernahm er eine Professur für Komposition an der University of Minnesota.