Tan Dun
INTERNET SYMPHONY “Eroica” for symphonic band
transcribed by Peter Stanley Martin
Full Score
From the G. Schirmer Rental Library Date of Printing__________
G. Schirmer, Inc. New York, NY
Tan Dun
INTERNET SYMPHONY “Eroica” for symphonic band
commissioned by Google / YouTube premiered on 15 April 2009 by the YouTube Symphony Orchestra Carnegie Hall, New York Tan Dun, conductor
G. Schirmer, Inc. New York, NY
Instrumentation 1 - Piccolo 4 - Flute 1 4 - Flute 2 1 - Oboe 1 1 - Oboe 2 1 - English Horn 4 - Clarinet 1 in B-flat 4 - Clarinet 2 in B-flat 4 - Clarinet 3 in B-flat 2 - Bass Clarinet in B-flat 1 - Bassoon 1 1 - Bassoon 2 2 - Alto Saxophone 1 in E-flat 2 - Alto Saxophone 2 in E-flat 2 - Tenor Saxophone in B-flat 1 - Baritone Saxophone in E-flat 3 - Trumpet 1 in B-flat 3 - Trumpet 2 in B-flat 3 - Trumpet 3 in B-flat 1 - Horn 1 in F 1 - Horn 2 in F 1 - Horn 3 in F 1 - Horn 4 in F 2 - Trombone 1 2 - Trombone 2 1 - Bass Trombone 2 - Baritone B.C. 4 - Tuba 1 - Timpani 1 - Percussion 1 3 Brake Drums - pitches C, A, and E*; with metal hammers, Snare Drum
1 - Percussion 2 4 Brake Gongs (Hubcaps) - pitches D, C, A, G*; with hard/wooden mallets, Crash Cymbals
1 - Percussion 3 Marimba - hard mallets
1 - Percussion 4 Vibraphone - very hard mallets, “metal sounding�
1 - Percussion 5 Slapstick, Chimes, Bass Drum
1 - Harp** 1 - Contrabass
duration circa 5 minutes *If Brake Drums/Gongs with these exact pitches cannot be located, indeterminate-pitched ones may be used in performance though the specified pitches are always preferred. ** If Harp is not available Piano may play Harp part, but note that all glissandi must be in respective tonal center.
Program Note In 2008, Google and YouTube commissioned Academy Award winner (“Crouching Tiger, Hidden Dragon”) and UNESCO Goodwill Ambassador Tan Dun to compose a new work – Internet Symphony “Eroica” – as part of the inaugural YouTube Symphony Orchestra project. Musicians from around the world were invited to audition by submitting videos of their interpretations of the Internet Symphony to be judged by members of leading international orchestras. There were more than 3,000 auditions from more than 70 countries. The project culminated in a performance at Carnegie Hall on April 15, 2009, was webcast, and is available on YouTube. More than 22 million people from 200 countries on six continents have experienced Tan Dun’s feeling of a global music community – UNESCO proclaimed that he continues “to promote intercultural dialogue through music,” which is encapsulated in his Internet Symphony “Eroica”. In the words of Tan Dun: The Internet is an invisible Silk Road, joining different cultures from around the world. East or West, North or South, and this project has created a classical music phenomenon, bringing together musical heroes from all corners of the globe. When I was conceiving this work it was during the China Olympics. On the streets of New York, London, Beijing, Shanghai, I heard the noise of people cheering and moving around beautifully. I was passing by a automotive garage and I found three brake drums from different automobiles – these car parts – and it was a beautiful sound...and I realized this is the spirit of the young. This is the spirit of today. From it, I heard Beethoven. The echo of an orchestra with the same kind of chords. The Beethoven (theme) and the street noise somehow vibrating or caramelizing together. Anything can be the way – your way to talk to the people and that is why this Internet Symphony provides a platform to enter anything you want to say through sound. It is the language of your heart and has nothing related to technique. That’s the future of expression of music. Music is alive and alive is music. This symphony provides a wonderful example – you can practice the music, but it is a mirror of your life, too.
INTERNET SYMPHONY
Tan Dun
“Eroica”
Piccolo
Flute
1 2
Oboe
1 2
English Horn
Allegretto q = 96
fff
fff
fff
Clarinet in Bb
3
a2
sf
Bassoon
1 2
sf
sf
Alto Saxophone
1 2
Tenor Saxophone
sf
sf
Baritone Saxophone
1
Horn in F
Horn in F
Trombone
3 4
1 2
Bass Trombone
Baritone
Timpani
1
2
Percussion
3
4
5
Harp*
Contrabass
p
fff
sfp
ppp
sfp
ppp
sfp
ppp
sfp
ppp
sf
fff
fff
fff
Vibraphone
fff
f
sf
fff
mp
fff
mp
ff
f fff marc.
sf sfp
Slapstick
sf
mp
f fff marc.
p
fff
fff marc.
sf sfp
fff
mp
fp
mp
f fff marc.
fff
sf sfp
fff
mp
fff
mp
fff
fff
fff
sf
fff
ppp
fff
sf
ppp
fff
sf
mp
mp
fff
sf
sfp
sfp
fff
arco
fff
fff
* If Harp is not available Piano may play Harp part, but note that all glissandi must be in respective tonal center.
Composer-approved edition
sfp
Marimba
sf
Brake Gongs (Hubcaps)
Brake Drums
fff
a2
sfp
sfp
a2
fff
fff
sf
fff
a2
ppp
sfp
a2
fff
fff
sf
Allegretto q = 96
1 2
Tuba
2 3
a2
sf
Trumpet in Bb
a2
fff
fff
a2
fff
sf
Bass Clarinet
a2
sf
1 2
fff
transcribed by Peter Stanley Martin
Copyright © 2009 by G. Schirmer, Inc. (ASCAP) and Tan Dun (ASCAP), New York, NY This arrangement Copyright © 2014 by G. Schirmer, Inc. (ASCAP) and Tan Dun (ASCAP), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
sfp
solo
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Chimes
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2
9
Dolce molto q = 80
(a2)
Ob. 1
(a2)
Picc.
Fl.
1 2
2
Eng. Hn.
Cl.
1 2
3
B. Cl.
Bn.
1 2
Dolce molto q = 80
Tpt.
solo
mf
2 3
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mp
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mp
p
2. (tutti)
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+3. (tutti)
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1 2
3 4
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1 2
B. Tbn.
Bar.
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tutti
1 player
1 player
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(tutti)
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2 players
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T. Sax.
1
A. Sax. 1 2
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Perc. 3
4
5
1
2
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3
18
Picc.
Fl.
Ob.
1 2
1 2
Eng. Hn.
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Cl.
1 2
3
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1 2
1
2 3
1 2
3 4
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1 2
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Tba.
(a2)
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4
5
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1
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23
Picc.
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1 2
Ob.
1 2
Eng. Hn.
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3
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1 2
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Perc. 3
4
5
1
2
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28
Picc.
5
Allegro q = 140
Ob. 1
1
Fl.
1 2
2
Eng. Hn.
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2
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1
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2 3
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2
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1
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3 4
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1 2
1 2
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(a2)
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3
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5
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36
Picc.
Fl.
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Eng. Hn.
Cl.
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1 2
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1
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1 2 3
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mf
mp
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Tpt. 2 3
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1 2
sf
sf
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sf
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B. Tbn.
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3 4
1 2
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Timp.
1
2
Perc. 3
4
5
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Cb.
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ff
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sf
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mp
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mf
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7
44
Picc.
Fl.
1 2
Ob.
1 2
Eng. Hn.
Cl.
1 2
3
1
A. Sax. 1 2
T. Sax.
B. Sax.
2
B. Cl.
Bn.
soli
mp
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mp
soli
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2 3
Hn.
1 2
Hn.
3 4
Tbn.
1 2
1 Tpt.
B. Tbn.
Bar.
Tba.
Timp.
Perc. 3
4
sf
sf
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solo
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1
8
51
Picc.
Fl.
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a2, soli
1 2
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mp sempre
3
B. Cl.
mp
1 2
mp
1 2
Eng. Hn.
Cl.
soli
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2
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2
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B. Sax.
mp
1
mp sempre
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f
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1 2
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3 4
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1 2
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4
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1
2
5
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1
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9
59
Picc.
sf
Fl.
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1 2
sf
1 2
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1 2
sf
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1
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1
4
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(Slapstick)
5
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2
Perc. 3
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Bar.
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B. Tbn.
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1 2
sf
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3 4
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1 2
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2 3
sf
Tpt.
sf
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B. Sax.
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1 2
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3
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f
p
p
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10 Picc.
66
p
mp
mf
mp
mf
(p)
mp
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(p)
mp
mf
p
Fl.
Ob.
1 2
p
1 2
p
Eng. Hn.
p
Cl.
1 2
3
p leggero
B. Cl.
p leggero p leggero
ppp
ppp
ppp
a2
(p)
1 p leggero 2
a2 (p)
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a2 (p)
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T. Sax.
B. Sax.
1
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mp
(p)
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Tpt.
2. solo mf f 2. + 3. sections
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2 3
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1
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f
4
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5
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Chimes
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2
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73
Picc.
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Fl.
1 2
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Ob. 1 2
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Eng. Hn.
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1 2
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12
81
Ob. 1
Picc.
Fl.
1 2
2
Cl.
1 2
3
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Bn.
Eng. Hn.
1 2
A. Sax. 1 2
T. Sax.
B. Sax.
Hn.
2 3
1 2
3 4
Tpt.
Hn.
1
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5
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4
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2
1
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1 Tbn. 2
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f
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88
Picc.
Fl.
1 2
1 2
Eng. Hn.
1 2
Ob.
Cl.
3
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Bn.
1 2
A. Sax. 1 2
T. Sax.
B. Sax.
1
Tpt. 2 3
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Hn.
Tbn.
1 2
3 4
1 2
B. Tbn.
Bar.
Tba.
1
Perc. 3
4
5
Hp.
Cb.
sf
sf
sf
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soli
soli
soli
fff
fff
soli
fff
soli
sf
sf
fff
fff
fff
fff
p
a2
p
a2
p
a2
sf
sf
p
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sfff
sfff
p
fff
fff
mp
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sfff
p
sfff
sfff
p
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sfff
p
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p
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13
sf
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2
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14
95
Picc.
Fl.
1 2
Ob.
1 2
1 2
3
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Bn.
Eng. Hn.
Cl.
1 2
A. Sax. 1 2
a2
T. Sax.
a2
2 3
Hn.
1 2
Hn.
3 4
Tbn.
1 2
B. Tbn.
Bar.
ff
mp
ff
B. Sax.
1 Tpt.
Tba.
Timp.
1
2
soli
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soli
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5
4
Cb.
Perc. 3
Hp.
soli
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soli
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soli
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Allegro vivace (q = 150)
accel.
102
Picc.
Fl.
1 2
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Eng. Hn.
Cl.
1 2
3
B. Cl.
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1 2
A. Sax. 1 2
T. Sax.
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1
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1 2
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fff
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a2
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1 2
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f
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accel.
a2
f
a2
15
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f
Allegro vivace (q = 150)
mf
f dolce
f dolce
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mf
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f
ff
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2
f sub.
Perc. 3
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f sub.
1
f sub.
f sub.
4
5
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16 109
Picc.
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1 2
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T. Sax.
B. Sax.
1
1 2
B. Cl.
Ob.
3
Cl.
1 2
1 2
Fl.
Eng. Hn.
Tpt. 2 3
Hn.
1 2
Hn.
3 4
Tbn.
1 2
2
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1
mf
4
5
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Hp.
B. Tbn.
Timp.
Tba.
Picc.
Fl.
Ob.
1 2
1 2
Eng. Hn.
Cl.
114 ff
Bn.
1 2
1
ff
Tbn.
mf
mf
ff
a2
ff
ff
ff
ff
ff
2
a2
ff
ff
a2
Snare Drum
a2
mf
mf
f
f
a2, bells up
f
mf
mf
mf
f
mf
mf
Crash Cymbals
f
4
mf
Cb.
mf
Hp.
bells up
mf
mf
Perc. 3
5
mf
a2
f
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f
ff
mf
1
Timp.
ff
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B. Tbn.
mf
1 2
3 4
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1 2
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Hn.
2 3
a2
T. Sax.
ff
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A. Sax. 1 2
B. Sax.
ff
ff
B. Cl.
3
1 2
17
Bass Drum
mf
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18
Picc.
120
Fl.
1 2
Ob.
1 2
T. Sax.
B. Sax.
Eng. Hn.
Cl.
1 2
3
B. Cl.
Bn.
1 2
A. Sax. 1 2
1
f
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2 3
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3 4
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1 2
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1
2
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4
5
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125
Picc.
Fl.
Ob.
1 2
1 2
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Cl.
1 2
B. Cl.
Bn.
1 2
Hn.
Tbn.
1 2
3 4
1 2
B. Tbn.
Bar.
f
1
f
f
mf
f dolce
mf
mf
f
mf
f
4
ff
f
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Hp.
Perc. 3
5
f dolce
mf
Più mosso q = 160
2
f
Timp.
f
f
Tba.
f
Tpt.
Hn.
f
a2
1
f
f
2 3
f
a2
f
B. Sax.
a2
T. Sax.
A. Sax. 1 2
3
19
Più mosso q = 160
20 130
Picc.
Fl.
Ob.
1 2
1 2
Eng. Hn.
Cl.
1 2
3
B. Cl.
Bn.
1
Tbn.
ff
ff
ff
ff
a2
ff
ff
ff
ff
a2
bells ord.
ff
bells ord.
ff
ff
ff
ff
a2
mf
f
ff
ff
f
ff
ff
ff
mf
ff
Cb.
2
Hp.
Bar.
5
B. Tbn.
4
1 2
Perc. 3
3 4
1
a2
ff
Timp.
1 2
Tba.
2 3
Hn.
Tpt.
Hn.
T. Sax.
B. Sax.
A. Sax. 1 2
1 2
136
Picc.
Fl.
1 2
Ob.
1 2
Eng. Hn.
Cl.
1 2
3
B. Cl.
Bn.
1 2
B. Sax.
1
Hn.
Hn.
Tbn.
mf
mf
mf
mf
Timp.
1
4
5
mf
Più mosso q = 170
ff
f
f
f
mf
f
f
ff
f
a2, bells up
mf
mf
mf
bells up
mf
mf
a2
mf
a2
2
Perc. 3
mf
Tba.
Cb.
1 2
Bar.
Hp.
B. Tbn.
2 3
1 2
3 4
Tpt.
T. Sax.
A. Sax. 1 2
21
Più mosso q = 170
22 142
Picc.
Più mosso q = 180
Fl.
1 2
Ob.
1 2
T. Sax.
B. Sax.
Eng. Hn.
Cl.
1 2
3
B. Cl.
Bn.
1 2
A. Sax. 1 2
1
f
Tpt. 2 3
fff
f
Hn.
Hn.
Tbn.
f
3 4
1 2
Tba.
Timp.
1
2
5
bells ord.
bells ord.
f
f
f
sf
sf
a2
sf
f
mf
f
f
f
fff
mf
fff
f
sf
f
sf
sf
a2
sf
ff
Chimes
ff
(Brake Gongs)
(Brake Drums)
sf
f
Perc. 3
4
f
Più mosso q = 180
fff
Bar.
Cb.
fff
1 2
B. Tbn.
Hp.
fff
f
23
147
Picc.
Fl.
Ob.
1 2
1 2
1
Tpt.
2 3
1 2
3 4
1 2
Tba.
Timp.
ff
4
5
sf
sf
a2
sf
sf
f
fff
fff
fff
fff
fff
fff
fff
fff
fff
lunga (6")
ffff sf a2 sf ffff a2
ffff
ffff
sf
sf
ffff
sf
ffff
fff
fff
fff
a2
a2
fff
fff
a2 fff
sf
sf
fff
fff
fff
sf
sf
fff
fff
sf
a2
ffff
sf
a2
ffff
a2
sf
sf
sf
sf
f
fff
fff
ff
2
Perc. 3
1
f
Bar.
f
B. Tbn.
Cb.
B. Sax.
Hp.
T. Sax.
Tbn.
1 2
A. Sax. 1 2
Hn.
B. Cl.
Hn.
3
Bn.
1 2
Eng. Hn.
Cl.
lunga (6")
fff
fff
24
1 2
1 2
153
Picc.
Fl.
Ob.
Eng. Hn.
Cl.
1 2
3
B. Cl.
Bn.
1 2
sfp
sfp
sfp
sfp
sf
sf
sf
sf
sf
sf
sfp
2
sfp
sfp
sfp
a2
a2
a2
sf
sf
sf
sf
5
sfp
sf
sf
sfp
sfp
sf
mp
sf
sf
f
sf
sf
sfp
sf
sf
mp
sf
sfp
sf
sf
sfp
sf
sf
sf
sf
sfp
sf
sf
sf
fff
fff
fff
fff
fff
sfp
ossia: tacet m. 158-159
sf
sf
sf
a2
sfp
sfp
sfp
Cb.
sf
Bar.
Hp.
B. Tbn.
4
sfp
sfp
1 2
Perc. 3
sf
a2
1
3 4
Timp.
sfp
1 2
Tba.
a2
Tbn.
2 3
Hn.
Tpt.
Hn.
T. Sax.
1
sfp
A. Sax. 1 2
B. Sax.
sfp
sfp
Bass Drum sf
sf
sf