Jocelyn Pook
Portraits in Absentia For mixed voices and orchestra (2002, revised 2004)
CHESTER MUSIC
Jocelyn Pook’s Portraits in Absentia was commissioned by the Malaysian Philharmonic Orchestra and given its first performance by them and conducted by Kevin Field on 5th November at the Dewan Filharmonik PETRONAS in Kuala Lumpur.
Messages............................................... 1 Parvin and Trevor’s Journey........... 13 Arsenal: Trevor’s Conversion.......... 31 Hope in Adversity*............................ 54 Returns of the Day* .......................... 66 * The playing order of these two movements is reversible
Instrumentation: 2 Flutes Oboe /Cor Anglais Clarinet /Bass Clarinet Bassoon Trombone Tuba 4 Voices (SSAT) Strings Backing Track (including Piano)
Duration: c. 23 minutes
Portraits in Absentia 1. Messages
q = 86
Jocelyn Pook
Oboe
Bass Clarinet in Bb
Flutes
1 2
Bassoon
Trombone
Tuba
(Answer machine)
(Piano)
Violoncello
Contrabass
Backing Track
q = 86
Violin I
Violin II
Viola
mp
mp
mp
© Copyright 2002 Chester Music Limited
2 7
Fl.
Ob.
B. Cl.
Bsn
Tbn.
Tba
B.Track
Vln I
Vln II
Vla
Vc.
Cb.
mp
mp
mp
pizz.
mp
3 12
Fl.
Ob.
mp
B. Cl.
mp
Bsn
Tbn.
Tba
B.Track
Vln I
Vln II
Vla
Vc.
Cb.
mp
“Bye”
“Bye”
4 17
Fl.
Ob.
B. Cl.
Bsn
Tbn.
Tba
B.Track
Vln I
mp
Vln II
mp
Vla
mp
Vc.
Cb.
5
22
Fl.
mf
Ob.
B. Cl.
Bsn
Tbn.
Tba
B.Track
mf
mf
Vla
Vln I
Vln II
mf
mf
Vc.
mf
arco
Cb. mf
6 26
Fl.
mf
Ob.
mf
B. Cl.
Bsn
B.Track
Vln II
Vla
mf
Vln I
mf
mf
Tbn.
Tba
Vc.
Cb.
7 31
Fl.
Ob.
Tbn.
Tba
Vln I
B.Track
Vln II
Vla
Vc.
mf
Cb.
B. Cl.
Bsn
8
Fl.
35
Ob.
B. Cl.
Bsn Tbn.
Tba
mf
“Oh blast!”
B.Track
Vln I
Vln II
Vla
Vc.
p
p
p
mf
Cb.
9 40
Fl.
Ob.
mf
B. Cl.
mf
Bsn
Tbn.
Tba
B.Track
Vln I
div.
pp
Vln II
div.
p
Vla
Vc.
Cb.
p
p
10 46
Fl.
mp
Ob.
mp
B. Cl.
mp
Bsn
Tbn.
Tba
mp
mp
B.Track
Vln I
unis.
f
Vln II
unis.
f
Vla
f
Vc.
Cb.
mp mp
11 50
Fl.
Ob.
B. Cl.
3
f
Bsn
Tbn.
Tba
3
f
3
B.Track
Vln I
Vln II
Vla
Vc.
3
3
f
Cb.
3
12 53
Fl.
Ob.
3
f
B. Cl.
Bsn
Tbn.
Tba
3
3
with backing track
p
“Hel - lo!”
B.Track
Vln I
Vla
Vc.
Vln II
Cb.
3
with backing track
p
13
2. Parvin and Trevor’s Journey q = 54
Flutes 1 2
Cor Anglais
Clarinet
Bassoon Soprano 1 Soprano 2
Alto 1
Alto 2
Tenor
(Parvin singing)
q = 54
Violin I Violin II
Viola
Violoncello
Violoncello
Double bass
(telephone no.) “Bye”
(Parvin)
(Trevor)
solo
pp
gli altri
pp
pp
14 13
Fl.
C.A.
Cl.
S1
S2
A1
A2
Bsn
T.
Vln I
Vln II
“hunky dory”
pp
“boomers”
“Greek girlfriend”
pp
Vc.
Db.
15 20
Fl.
C.A.
Cl.
S1
S2
A1
A2
Bsn
T.
“bye”
Vln I Vln II
Vla
“bye”
“bye”
solo
“great place man”
div. soli
mp
Db.
mp
Vc.
16 26
Fl.
C.A.
Cl.
S1
S2
A1
A2
Bsn
T.
Vln I
(Parvin)
<beep>
mp
Vln II
mp
tutti
Vla
mp
Vc.
tutti p
Db.
17 32
q = q.
Fl.
C.A.
Cl.
S1
S2
A1
A2
Bsn
T.
“million”
“bye”
q = q.
“bye”
“bye”
Vln I p
Vln II
p
Vla
p
unis. pizz.
Vc.
pizz.
p
Db.
p
18 35
Fl.
mp
C.A.
mp
Cl.
mp
Bsn
S1
mp
mp
Ah S2
mp
Ah A1
mp
Ah A2
mp
Ah
T.
mp
Ah
Vln I
“bye”
mp Vln II
Vla
Vc.
Db.
div. arco
mp
mp pizz.
mp (pizz.) mp
19
Fl.
38
C.A.
Cl.
Bsn
S1
(ah) S2
(ah)
A1
(ah)
A2
(ah)
T.
(ah)
Vln I
Vln II
Vla
Vc.
Db.
“bye”
20 40 Fl.
C.A.
Cl.
Bsn
S1
mf
mf
(ah)
(ah) S2
(ah)
A1
(ah)
A2
(ah)
T.
(Parvin)
Vln I
“bye”
mf
Vln II
mf
Vla
mf
Vc.
mf
Db.
mf
21
43 Fl.
C.A.
Cl.
Bsn
f
S1
S2
A1
A2
T.
“bye”
Vln I
Vln II
Vla
Vc.
Db.
arco f
arco f
22 46 Fl.
C.A.
Cl.
Bsn
solo mf
S1
S2
A1
A2
T.
Vln I
Vln II
Vla
Vc.
Db.
div.
<beep>
23 52
Fl.
S1
S2
A1
A2
C.A.
espressivo Cl.
Bsn
T.
sultasto Vln I
p
Vln II
sultasto p sul tasto
Vla
p
sul tasto
Vc.
p
Db.
24 55
Fl.
C.A.
Cl.
S1
S2
A1
A2
Bsn
T.
Vln I
Vln II
Vla
Vc.
Db.
“anyway…”
mf
25
59 Fl. mf
C.A.
Cl.
mf
Bsn
mf
S1
S2
A1
A2
T.
“bye”
Vln I
mf
Vln II
mf
Vla
mf
Vc.
espressivo
Db.
mf
26
Fl. 61
C.A.
Cl.
Bsn
f
S1
S2
A1
A2
T.
Vln I div.
Vln II
div.
f
unis. f
Vla
Vc.
Db.
f
27
63 Fl.
f
C.A.
Cl.
f
Bsn
f
S1
S2
A1
A2
T.
Vln I
legato e espressivo
Vln II
legato e espressivo
Vla
Vc.
Db.
f
28
Fl. 66
ff
C.A.
ff
Cl.
ff
Bsn
ff
ff
S1
Ah ff
S2
Ah ff
A1
Ah ff
A2
Ah ff
T.
Ah (Parvin)
Vln I
ff
Vln II
ff
Vla
ff
Vc.
ff
Db.
ff
29
Fl. 68
C.A.
Cl.
S1
S2
Bsn
A1
A2
T.
Vln I
Vln II
Vla
Vc.
Db.
30
Fl. 70
C. A.
Cl.
S1
S2
A1
A2
Bsn
T.
Vln I
Vln II
Vla
Vc.
Db.
31
3. Arsenal: Trevor’s Conversion q = 88
Cor Anglais
Clarinet in Bb
Soprano 1
Soprano 2
Alto
1 Flutes 2
Bassoon
Trombone
Tuba
Tenor
(Answer machine) (football chants)“sleep now”
“Vi - era”
Violin I
Violoncello
Double bass
Violin II
Viola
(2nd one)
q = 88
p
p
32 7
Fl.
C. A.
Cl.
mp
S1
S2
A
Bsn
Tbn.
Tba
T
“Weee!”
Vln I
Vln II
Vla
Vc.
Db.
p
mp
p
33 14
Fl.
mp C. A.
Cl.
sim.
S1
S2
A
Bsn
Tbn.
Tba
T
mp
“Weee!”
Vln I
Vln II
Vla
Vc.
mp
Db.
mp
34 17
Fl.
cresc
sim. C. A.
sim.
mp Cl.
Bsn
cresc
mf
3
cresc
mf
cresc
S1
S2
A
Tbn.
Tba
T
Vln I
cresc. Vln II
cresc.
Vla
Vc.
Db.
mf
3
mf
cresc.
cresc.
35
gliss. 20 Fl.
C. A.
Cl.
Bsn
gliss.
gliss. f
gliss.
3
f
f
S1
S2
A
Tbn.
Tba
T
cheat,cheat…” “Cheat,
3
3
3
gliss. Vln I Vln II
Vla
gliss.
Vc.
3
f
f
f
f
Db.
3
gliss.
f
gliss.
f
36 3
24
Fl.
f C. A.
3
f
Cl.
Bsn Tbn.
3
f
3 3
3
3
f
3 3
3
f
f
S2
A
Vln II Vln I
Vc. Db. Vla
S1
T
f 3
Tba
“The ref-e-ree’s a wan-ker!”
37 28
Fl.
C. A.
Cl.
Bsn Tbn.
S1
S2
A
Tba
T
Vln I Vln II
Vla
Vc.
ff
Db.
ff
38
Fl.
C. A.
Cl.
“Here we go”
31
Bsn
Tbn.
S1
S2
A
Tba
T
“You fat bastard”
Vln I
“Here we go”
Vln II
Vla
Vc.
Db.
solo
p
ff
“Boo!”
p
ff
p
39 37
Fl. C. A.
expressive, legato
3
mp
S1
S2
A
Cl.
Bsn
Tbn.
Tba
T
“Lovely”
Vln I
Vln II
Vla
tutti
p
Vc.
Db.
40 44
Fl.
p C. A.
p Cl.
p
Bsn
S1
S2
A
Tbn.
Tba
T
p
“Here we go” “Yeah, Yeah!”
“Wooo, wooo!”
Vln I
Vln II
Vla
Vc.
p Db.
p
41 52
Fl.
C. A.
Cl.
3 Bsn f 3 Tbn. f mf S1
Tba
S2
A
T
Vln I
mf
Vln II
Vla
Vc.
Db.
mf mf f mf
3
42 56
Fl.
f
mf C. A.
3 3
3 3 f mf 3 Bsn 3 Tbn.
Cl.
S 1
Tba
A
S2
T
Vln I
Vln II
Vla
Vc.
Db.
3
43 60 Fl.
C. A.
mf
Cl. Bsn Tbn.
S 1
Tba
mp
S2
A
T
Vln I
Vln II
Vla
Vc.
Db.
mf mp
mp mp
“1-
44 65
- 0” Fl.
legato
mp C. A.
mp Cl.
legato
mp
Bsn
legato
S1
S2
A
Tbn.
Tba
T
- 0”
Vln I Vln II
Vla
legato
legato
Vc.
Db.
“2 -
45 71
Fl. C. A.
Cl.
p
Bsn
S1
S2
A
Tbn.
Tba
T
- 0”
Vln I
“2-0, 2-0”“Vi - e - ra”
“Vi - e - ra”
pp Vln II
Vla
Vc.
Db.
pp
pp
pp
“Vi -
46 76
Fl. mp
C. A.
Cl.
S 1
Bsn
Tbn.
Tba
S2
mf
O Ma mf
O Ma A
T
T
- e - ra”
Vln I
Vln II
Vla
Vc.
Db.
p
p
p
“2-0, 2-0, 2-0 “Vi - e - ra”
p
47 81
Fl. C. A.
Cl.
Bsn
Tbn.
Tba
S 1 - ri S2
T
-
Vla
Vc.
Db.
-
gi - ne
flos ho - no
3
vir
-
-
ris
gi - ne
flos ho - no
-
ris
Vln II
vir
a
T
Vln I
3
a
- ri
A
-
“Vi - e - ra”
“Vi - e - ra”
48
86
Fl.
C. A.
Cl.
Bsn
Tbn.
Tba
mf legato & expressive
S 1
mf
vi - tae vi - a lux fi - dei pax
S2
a -ma ris
a -ma ris
O Ma - ri mf
vi - tae vi - a lux fi - dei pax A
T
mf
-
a
O Ma - ri
a
O Ma - ri mf
-
-
a
O Ma - ri
-
a
T
Vln I
(Piano)
mp
Vln II
Vla
Vc.
Db.
mp
mp
mf legato & expressive
mp
49 91 Fl.
C. A.
Cl.
Bsn
Tbn.
Tba
S1
3
flos ho - no
flos ho - no
vir - gi - ne
vi - tae vi - a lux fi - dei pax
-
ris
vi - tae vi - a lux fi - dei pax
vir - gi - ne 3
ris
flos ho - no
3
-
-
ris
vi - tae vi - a lux fi - dei pax
flos ho - no
-
vir - gi - ne
T
3
A
vir - gi - ne S2
ris
vi - tae vi - a lux fi - dei pax
T
Vln I
Vln II
Vla
Vc.
Db.
50
96
Fl.
mp
C. A.
Cl.
Bsn
Tbn.
Tba
mf
a - ma - ris
a - ma - ris
f
Ma - ri - a
O
Ma - ri - a
a - ma - ris
O Ma - ri
-
O f
f
T
f
S 1
A
mf
mf
S2
vir
-
-
vir
-
vir
-
gi - ne 3
gi - ne
3
a
gi - ne
vir
f a - ma - ris O Ma - ri a
flos ho
gi - ne
flos ho
T
Vln I
mf
Vln II
mf
Vla
Vc.
mf
f
Db.
mf
51
Fl.
101
C. A.
ff Cl.
mf
Bsn
Tbn.
Tba
S1
S2
ff
flos
ho - no
-
ho - no
-
-
ris
ff
ris
vi - tae
pax
a - ma - ris
pax
a - ma -ris
vi - tae
- no - ris
vi - a lux fi - dei pax
ff
a - ma - ris
vi - tae
f
vi - tae
ris
f
- no
T
flos A
vi - a lux fi - dei pax
O Ma
ff
a - ma - ris
O Ma
T
Vln I
Vln II
Vla
Vc.
f
f
f
Db.
ff
ff
52
105
Fl.
f C. A.
Cl.
Bsn Tbn.
Tba
ff
ff
O Ma - ri S2
A
-
vir
a
-
vir
a
- ri - a
-
-
gi - ne 3
-
gi - ne
vir
-
gi - ne
3
vir
a
- ri
T
-
O Ma- ri
S 1
flos ho -
gi - ne
flos ho -
T
Vln I
Vln II
Vla
Vc.
Db.
53
Fl. 109
C. A.
Cl.
Bsn
Tbn.
Tba
S 1 S2
A
flos ho - no
- ris
flos ho - no
- ris
-
vi - tae
pax
a - ma - ris.
pax
a - ma - ris.
ris
vi - tae
- no - ris
vi - a lux fi - dei pax a - ma - ris.
vi - tae
vi - tae
- no
T
vi - a lux fi - dei pax a - ma - ris.
T
Vln I
Vln II
Vla
Vc.
Db.
54
4. Hope in Adversity Flutes 1 2
q = 76
Oboe
Bass Clarinet in Bb
Bassoon
Trombone
Tuba
Soprano 1
Soprano 2
Alto
Tenor
Violin I
Viola
Violoncello
Violin II
Double bass
(Parvin sings)
<beep>
q = 76
p
p
55 “Hi, it’s Mum…
10
Db.
Vln I
Vln II
p
Vln I
Vln II
Db.
<phone>
“…wearing…”
“you could…”
16
23
(Parvin sings)
Vln I
Vln II
mp
Db.
mp
Vc.
mp
Vla
mp
56 31
(Harvey) “It’s me”
Vln II
Vln I
Vla
Vc.
Db.
mf
mf
mf
mf
38
S1
p
ve - re
Vln II
“tragic…”
<beep>
Vln I
pas -
sum
im - mo - la -
“von Bingen”
Vla
Vc.
Db.
tum
43
S1
cor
Vc.
Db.
-
pus na -
tum
ve - re pas - sum
57 48
S1
“beep beep beep”
pizz
pizz Vln I mf
Vln II
mf
Vla
mf
pizz
Vc.
mf
Db.
mf
54
Vln I
“bye”
(Parvin sings)
“bye”
pizz.
Vln II
Vla
Vc.
arco
Db.
58 60
S1
pp
ve - re pas - sum
“anyway”
arco
Vln I
pp
arco
Vla
Vc.
Db.
Vln II
pp
66
S1
im - mo - la - tum
Vln II
cor - pus na - tum
Vln I
“anyway”
59 72
Fl.
Ob.
B. Cl.
Bsn
Tbn.
Tba
S1
mf
A - ve
S2
ve - rum
mf
A - ve
A
Vln I
“bye”
na - tum
na - tum
Ex Ma - ri - a
cor - pus
Ex Ma - ri - a
ve - rum
na - tum
cor - pus
mf
“bye”
ve - rum
A - ve
cor - pus
Ex Ma - ri - a
“bye”
mf
Vln II
mf
Vla
mf
Vc.
mf expressive Db.
(pizz.) mf
60 78
Fl.
Ob.
B. Cl.
Bsn
Tbn.
Tba
S1
vir - gi - ne
S2
A
ve - re pas - sum
vir -gi - ne
ve - re pas - sum
vir - gi - ne
ve - re pas - sum
“bye”
Vln I
Vln II
Vla
Vc.
Db.
61 85
Fl.
Ob.
B. Cl.
Bsn
Tbn.
Tba
S1
(Harvey) “It’s me”
In cru - ce pro ho - mi - ne
im - mo - la - tum
In cru - ce pro ho - mi - ne
im - mo - la - tum A
In cru - ce pro ho - mi - ne
im - mo - la - tum S2
Vln I
Vln II
Vla
Vc.
Db.
arco
62 90
(Parvin sings)
Fl.
Ob.
B. Cl.
f Bsn
Tbn.
f
f
ve
ve
mf
Tba
mf
S1
S2
T
f
Vln I
A
f
A - ve
ve - rum
-
rum
-
rum
cor - pus
na
-
na
tum
-
tum
Ex Ma
na - tum
na - tum
cor - pus
cor - pus
mf
ve
cor - pus
Vla
ve
ve - rum
mf
-
A - ve f
Vln II
-
(Parvin sings)
A
A
Ex Ma
mf
Vc.
mf
Db.
(arco) f
63 95
Fl.
Ob.
B. Cl.
Bsn
Tbn.
Tba
S1
S2
Ex
A
ri - a
T
ri - a
Vla
Db.
-
gi - ne
gi - ne
Vln II
Vc.
vir
vir -gi - ne
Ma - ri - a
-
vir - gi - ne
Vln I
vir
Ma - ri - a
Ex
64
Ob.
B. Cl.
Bsn
Tbn.
Tba
mf
f
S1
S2
A
T
f
mf
100
Fl.
f
ve
ve
pas
ve - re pas - sum
re
pas
-
-
sum
im- mo - la
-
tum
tum
-
tum
im - mo - la -
Vln I
im- mo - la
im - mo - la -
sum
ve - re pas - sum
f
re
-
f
-
f
tum
f
Vln II
f
Vla
f
Vc.
f
Db.
65
104 Fl. Ob.
B. Cl.
Bsn
Tbn.
Tba
ff
ff
S1
S2
A
T
Vln I
Vla
Vc.
-
ne.
cru - ce
pro ho - mi
-
ne.
In
cru - ce
pro ho - mi
-
ne.
In
pro ho - mi
In
cru - ce
Vln II
Db.
In
cru - ce
pro ho - mi
-
ne.
“Byeee”
66
5. Returns of the Day Flute
q = 106
Oboe
Clarinet in Bb
Soprano
Alto 1
Alto 2
Bassoon
Trombone
Tuba
Tenor
Violin I
“Hey!”
“come on dear”
“Happy Birthday!”
“Look out the window…”
q = 106
Violin II
Viola
Violoncello
Double bass
67 5
Fl.
f
Ob.
f Cl.
f
Bsn Tbn.
f
Tba
f
f
S
A1
A2
T
(Perc.)
Vln I
Vln II
Vla
Vc.
Db.
68 11
Fl. Ob.
Cl.
7
7
7 7
mp
mp
7 mp 7
Bsn
Tbn.
Tba
mp
S
A1
A2
T
Vln I
Vln II
Vla
pizz
mp Vc.
Db.
pizz
mp
pizz
mp
69 17
Fl.
mf Ob.
mf Cl.
Bsn
Tbn.
mf
mf
Tba
mf
S
A1
A2
T
Vln I
Vln II
Vla
mf (arco)
mf (arco)
mf
Db.
(arco)
mf Vc.
mf
70 22
Fl. Ob.
Cl.
Bsn
Tbn.
Tba
A1
A2
Vln I
Vln II
Vla
Vc.
Db.
(Cowbell)
f
arco f
pizz
S
T
dim.
dim.
71
27
Fl. Ob.
Cl.
mf
mf
7
7
mf
7
Tbn.
Tba
S
A1
A2
Vln I
Vln II
Vla
Vc.
Db.
7
7
Bsn
T
7
72
Fl.
33
Ob.
Cl.
Tba
Bsn
mf`
Tbn.
mf
mf
S
mf
3
Ah
3
Ah
3
Ah
A1
A2
T
Vln I
mp Vln II
mp Vla
mf
mf legato
mp Vc.
mf
Db.
mf
73
Fl. 38
Ob.
Bsn Cl.
Tbn.
Tba
S
A1
A2
T
Vln I Vln II
Vla
Vc.
Db.
7
3
7
mf legato
7
f
arco
f
7
f
3 3
f
f
74
Fl.
Ob.
Cl.
43
Bsn
Tbn.
Tba
S
A1
A2
T
Vln II
Vla
3
Vc.
Db.
3
3
3
3
10
3
3
10
3
3
3
3
3
3 3
3 3 Vln I 3
3
3
3
3
3
7
3
7
47
Fl. Ob.
f
f
Cl.
Bsn
Tbn.
3
mf
3
mf
f
Tba
75
3
mf
mf
mf
mf
S
A1
A2
T
Vln I
ff
Vln II
ff
Vla
Db.
mf
ff
mf
ff
Vc.
mf
pizz. mf
mf
76
Fl.
52
Ob.
Bsn Cl.
Tbn.
Tba
S
A1
A2
T
Vln I
Vln II
Vla
Vc.
Db.
77
57
Fl. Ob.
Cl.
Bsn Tbn.
Tba
S
mf
3
Ah
A1
mf
3
T
Vln I Vln II
Vla
mf
3
Ah
mf
3
3
ah
3
3
ah
3
ah
ah
Ah
A2
3
ah
mf
mf
Vc.
Db.
78
Fl. 62
Ob.
Cl.
Bsn Tbn.
f
7
f
3
7
Tba
7
f
mf
3
S
A1
A2
T
Vln I Vln II
Vla
7
7
Vc.
Db.
f
7
arco
f
7
f
mf
3 3 3
f
79
3 Fl. 3
67
3
3
Ob.
Cl.
Bsn Tbn.
Tba
f
3
3
3
3
mf
mf
mf
mf
3
3
3
3
3
3
3
3
3
10
10 7
7
3
3
10
3
3
3
3
3
7
3
3
10
3
3
3
3
3
3 3
3
3 3
3
Db.
3
3
Vc.
3
3 3 Vln I
Vla
3
Ah
Vln II
3
f
Ah
T
3
Ah
A2
3
Ah
A1
3
f
S
3
7
80
Fl. 71
mf
ff
Bsn
mf
mf
ff
Tba
Tbn.
mf
ff
Cl.
ff
ff
mf
ff
Ob.
mf
S
A1
A2
T
Vln I ff Vln II
Vla
ff
ff
Db.
ff
mf
mf
ff Vc.
mf
(arco) mf
mf
81
Fl. 76
3
Ob.
Cl.
3 3
3
3
3
3
3
3
Bsn
Tbn.
3
3
3
S
A1
A2
Tba
T
Vln I
Vln II
Vla
Vc.
Db.
82
Fl.
Ob.
Cl.
Bsn
Tbn.
Tba
81
S
mf na na na na na na na
A1
mf mf
Vln I
Vln II
Vla
ah
ah
3
na na na na na na na
ah
na na na na na na na
na na na na na na na T
na na na na na na na
na na na na na na na A2
ah
mf
ah
Vc.
Db.
83
Fl.
Ob.
Cl.
86
Bsn
Tbn.
Tba
S
A1
A2
T
3
Vln I
Vln II
Vla
Db.
nana na na na na
na nana na na na na na
Vc.
na
nana na na
nana na na na na
na
nana na na na na
na
na na na na na na
na
84
Fl.
Ob.
Cl.
91
Bsn
Tba
Tbn.
S
na na
A1
na
Vln II
Vla
Vc.
Db.
na nana
na
na
na na na
na
na
na na na na
na na na na
na na na na
na
na
na na na na
na
na nana
na na na na
na na na na
na nana
na na na na
na na na
na
na
na nana na na na
na
na
Vln I
na nana na
na na na na na na T
na na na na na na
A2
na
na na na na
85
Fl.
Ob.
Cl.
Bsn
Tbn.
95
Tba
S
na
na
Vln II
Vla
Vc.
Db.
na na na
na
na na na
3
ah
ah
3
3
ah
na
na
3
ah
na
na na na na na na na na na
Vln I
na na na
na na na
T
na na na
A2
na na na
A1
86 99
Fl. Ob.
Cl.
Bsn
Tbn.
Tba
S
A1
3
ah
ah
3
T
Vln I
Vln II
Vla
Vc.
Db.
ah
ah
3
3
3
ah
ah
ah
ah
ah
3
3
ah A2
87
Fl. 104
dim. al fine Ob.
dim. al fine
Bsn
Tbn.
Cl.
Tba
S
3
ah
T
Vln I
3
ah
ah
3
ah
ah
3
dim. al fine
dim. al fine
3
dim. al fine
dim. al fine
ah
ah A2
3
ah
A1
3
ah
ah
ah
3
dim. al fine
Vln II
dim. al fine
Vla
dim. al fine
Vc.
Db.
dim. al fine
dim. al fine
88
Fl.
Ob.
Cl.
109
Bsn
Tbn.
Tba
S
diminuendo al fine
3
(ah) A1
diminuendo al fine
A2
Vln I
Vln II
Vla
(ah)
diminuendo al fine
(ah)
T
(ah)
diminuendo al fine
Vc.
Db.
89 114
Fl.
Ob.
Cl.
Bsn
Tbn.
Tba
S
3
(ah) A1
(ah)
A2
(ah) T
(ah)
Vln I
Vln II
Vla
Vc.
Db.
90 119
Fl. Ob.
Cl.
Bsn
Tbn.
Tba
S
3
(ah) A1
(ah)
A2
(ah)
T
(ah)
Vln I
Vln II
Vla
Vc.
Db.