Frank SEIS CANTOS DE LOS CAMPOS

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Gabriela Lena Frank

Seis cantos de los campos for two Pianos

From the G. Schirmer Rental Library Date of Printing________________

G. Schirmer, Inc. New York, NY



Gabriela Lena Frank

Seis cantos de los campos for two Pianos

I.............................Gigantes II............................Charangos III...........................Ara単as IV..........................Karnavalito-tito V............................Canto infantil VI..........................Danza del pueblo

Commissioned by Maxine Master Long for the 12th Dranoff International Two Piano Competition

G. Schirmer, Inc. New York, NY


2

Seis Cantos de los Campos I. Gigantes Gabriela Lena Frank (2013)

Maestoso 

Primo

 

 

     

Segundo

 



19



Pedal liberally

        

 

3

   

   

 19

 

Performance materials supplied by the composer.

 



   



19

   

 



 

      3

           



     Pedal liberally         

19



Copyright © 2013 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured.All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

3

    

 


5

   

     

   

 7

   

9

   

6

         

    

6

 

 

 

 

 

 



19

      

6

6

I. Gigantes

            

  

   

           

 

        

 

  

19

 

 

6

   

 

       3     

3

       

 

6

 

 

 

 

 

 



19

   

      

  

  

 

     3

3        3

 

                        6



19



6

                                 19                     3                      19       3                              


    

 

        

 

17

 

  

  

 19

  

         6 6

 

   

          

 

21

  

 

     

         

  

 

  

19

  

              

 19

   

 

3

       

    

           

3

  6

 

  

     

   

   

   

     



       

   

         

5

19

6

 

6

    19

6

6

  19



 

   

      

   

6

       

              

6 6

 



3 3



 

       

         

   

 

19

    

I. Gigantes



 

 

 

 

 

 

      3

 

 



           3

    

    

      

           33

    


  

6 23

        

25

          

    

  

  6

6

 

  

 

 19

      

I. Gigantes

3

 

            



    

   

3

       

  

        

             

   

        

  

         6

   



19



    

6

      

19

  

           19                                                      27    19 19                

         



   

     



                   6

6

       

6

6

   

   

   

   

   

           


8

  35     

      

  

38

      

  

 

 

 

 

     

 



19

 

 

 

 

 

 

 

6

6

  

19

   



      

 

3

  

  

        



   

3

6

6

 

 

 

 

         

       

        

   

 

19

        

 

     



               



19

3

 

                3

6

 

6

                      

 

19

           36   

 

I. Gigantes

        

6

6

   

   

         

      3         3


I. Gigantes

10

 

 

    

 

6

 

6

 

     

            

 

      dramático

      



  

       



  

     



  

  

   



 

  

6



  

  

  



6

  

     



  

  

      dramático



6

  



  



  

 



  

   



6

6

           



6

molto allargando

                

 



 



 



    44              

molto allargando


11

II. Charangos

Leggiero 

                  m.d. sopra

7

        

7 7  fluttering but bring out top voice                    

Primo

7

  

Segundo

 

 

 

 

ritardando

                 

3

7

5

 

ritardando

  

5

       

          

 

 

a tempo

 

 

                          7

7

          

 

        

7

7

molto legato

7

 

     

molto legato

  

                 m.d. sopra

 

 

7 7  leggiero                    7

7


12

 

 

  

   

6

 

  7                   7 7                        Con Brio 

9

  

 

        

13

  

     

      

       

   

   

ritardando

7

             secco                    

                                    

           

II. Charangos

7

   

5

              7

 

5

                               

           

    

      

  

 

         

     

 

             

   

     

          

 

   

     

                

     

                        

            

   

        

   

   

 


II. Charangos

14



 

 

 

33

              7            

                  7

7

7

ritardando

 

ritardando

7

5

        

     

          7

         a tempo

38

 7            7

a tempo

     

5

              7

         

7

 

 

        

7

         

7

          

    

 

 

7

                  

   

 

           





 

         7 7

 

         

7

  

35

    poco rit.

            7

7

poco rit.

 

 


17

II. Charangos

60

 

        

 66



         

  

  



  

  

          

       

7                      7

7

     

68

          

              

   

    

        

7

                         



     

          77            

        poco rit.         

7 7

 



7

 

      

   

7

 

poco rit.

 poco rit.

 

poco rit.

7

     7

         


19

III. Arañas

Scurrying, with humor 

 

Primo

      Pedal liberally   

Segundo

 

 





 

 

  

Pedal liberally

  

  

a tempo

 

 





a tempo

7

   

   

  

 



   



      

 

poco rit.



 



 

  





 

poco rit.

 




III. Arañas

20 13

a tempo



       

24





  



 





 

 

 







a tempo

 

 

a tempo





  

 



      

 

    







 

  

 

 poco rit.    





 

  19







      





 

  

   





     

        



  

  



      

  

  

 





  

   

 

 





5

   


22

 

46

   



   

   

  

  

 

 

 

   





  

 

 

       



 

    



 







 

 

      

  

  

                                         

 

 

 

 

a tempo, con brio

 

  



 

  

  

  

  

 

 

55





 

  

51

III. Arañas



    

 

  

  

 

 

                     






III. Arañas

     

65





60

  

 



        

  

  

 

            

 

  

        

        





   

   

    

  

  

  

 

 

    

   

                                 

    

  

  

 

 

 

 

                  

   

  

    

   

 

  

  

 





   





  

        







   

70













23



     

         

           


24 75

  

  

    

 

    

  

III. Arañas

  

                                               80                           

85

  

         

 

 



 

   

 

 

 

 

 

 

     

  

  

  

                                                                  

 



  



  

                       

 

        

  

   



           

 

  

   

 

        

         

  

  

 

 

  




III. Arañas

26 105

 



 

  

110

 

   

   

  

  



 

 

  

   

  

  

   

  

   

 

 

          

 

 

   

   

          

  

  

  

 

   

  

 

  

  

   

  

 

  

    

  

  

  

  

 



   

 

  

   





  

  

    

  

   





114



  

  

 





   

    


III. Arañas

28 133

 







 



 

 





  

  

 

 





     







    

  

  



 



 

 

 

 

 





 

 



 

 

 

  144  

  

 

 

 

   

 



poco rit.

138

  

a tempo

  





                     

   

5


29

IV. Karnavalito-tito

Spirited 

Primo

 



 



 

Segundo

 

                       

m.d. siempre sopra

       

5

          



                        

        





                                          

       

                       

      

       

         



                  

   

    

                   

       

                      

      


30 9

   

13

                                                

   

                             17

    

     

         

    

    

IV. Karnavalito-tito

                                            

 

      

           

 

 

      

   

         

                   

 

  

      

    

                   



                                                                                                                                                                                       


IV. Karnavalito-tito

      

20

 

 

                   

      

      

23

        

26

  

  

           

 



                                                                     

         

    

 

    

      

 

 

 

 

 

   

    

 

 



                

  



                     

                      

        

   

  

  



  

31

                               

      


        

IV. Karnavalito-tito

     46

                                                                                    50                                                                           

33

                                                                                                                       

                    

42

        

                         

  

  

 

      

                   

        

                                           

 

 


34

IV. Karnavalito-tito

Playful, poco meno mosso y rubato 

 

53

                

 string.              3

 

 

 

56

          

 

               

3        3            

     



                 3 3  string.                             59

   

         

                                                          

 

 





   

   

 

 







   

 

 

                  

   

                                        

  

      


IV. Karnavalito-tito

36

                                    

72

 

                

76

   79

         

Tempo Primo

 

  

  



  

        

      

 



                 

    





  

 

    

 

 

 

 

 



                         

 

 

                   

 

 

 

      

   

        

    

           



      

 

                          

 

 



   

             

 



                 


82

 

      

      

              85

        

  

 

    

 



      

      

     

  

  

 

 

     

 



 

         

   

      

 

    

   

         

 

 

      

   

37

      

   

      

             



                          

               

                        



                              88

 

IV. Karnavalito-tito

    

 

 

 

    

    

      

 

       

                     

 

                     


     

IV. Karnavalito-tito

38

 

92

   

  

 

 

       

        

 

    



                                                             96                                  

        

          

      

 

      

 


39

V. Canto Infantil Dolce 

Primo

 

 



 



                       smorzando, espressivo                           

 

 

4

       

 

              

3

3

   



     

  

  

3

3

    

3

 



Pedal liberally



  

Pedal liberally

     

3

3

   espressivo  

 

Segundo

             

poco rubato



          3

   

3



 

     

  

  

 

 

  


40

        6                   3 3 3 3                     

V. Canto Infantil

   



    





8



   

10

 

 

  



 



     

3



  



   



   



  

 

 

3

  

            

      

3



 

3



 

     

3





  

 

                      

3

  

3

 

                 

3

3

3

      





 

     3

 

  

     

3



3

  



  



 

 

  

 



 


42



14

    



3

  

  m.d. sopra            

15

 

 

  





       

              

   3

  

      

 

         





      

 

 

            

3







      

 3

      

3

3

 



 3

3

      



      

  

16

 

3

   





3

 



3

3



V. Canto Infantil

 

3

     

  



      







              3  

    

 

  

 

3

3

  



 




      18            3 3 3                             20

 

 

     









 



                    22     3 3         

 



  

  



Poco Meno Mosso  

 

                 3 3  molto 3 rit.      

Poco Meno Mosso

   

V. Canto Infantil

 

lunga

3                 molto rit.                          3 calando

3

3

  

lunga

3



 

          ritardando

    

3

3

3



3

 

3

 

   

     







      

 

 

 

 

ritardando

 

calando



43


44

VI. Danza del Pueblo Vivo 

   





                                             



Primo

Segundo

6

 

         

  

      

 

 

 

             

 

     

 

                

 

  

 

   

                 

 

             

   

    

      

 

 

  

               

 

             

   

 

   

  

   

 

   

   

  

   

  

        

  

     

Composer's note: The tempo of this music must be between 132 and 136. I you slow down this style, it becomes an entirely different song form, shifting to another region of the country, and the native citizens wouldn't recognize it!


46

           

24

 



                            

     

VI. Danza del Pueblo

                                                                              

                                     

29



      

           

                  

                     

35

        

        

   

      

     

           



                   

               

                         



                                                                       

              

          

   

             

     

      

 

             

      

        

    

           


47

VI. Danza del Pueblo

                                                                                 46                                                                     40

 

51

                              

  

    

   

                   

           

           

          

  

   

     

    

                

                    

                 

     

       

 

 

         

        

      







poco allarg.

  

    

poco allarg.

   

  

 



      

        

 

    

          

      


48

VI. Danza del Pueblo

56

                  

62

 

    

 

 

      

              

     

       

          66

 

 

     

    

                  

a tempo

            

    

         

      

                   a tempo                                                                                           

            

  

 

     

 

   

      

 

        

     

  

 

     

           

            



           




50 85

      

   VI. Danza del Pueblo                      

                           



           

      poco rit.              

  

                                                    



    



    

             a tempo                                         

 

      

a tempo

  



97

       

poco rit.

        



    

               



   



             

   



                                     

                                       



91

                          

   

         

        

  

 

 

 




101

  

  

  

 

 

   

 

 

                 

                  105                      

            110          

     

      

       

  

         

   

  

   

     

   

 

   

             

                

 

    

  

VI. Danza del Pueblo



                                       

                

  

          

                        

  

 

 

 

     

    

 

   

    

   

        

                

 



         

        

     

 

                 

   

    

 

      

    

  

 

51

 

        

        


52

   

         

115

      



     

         



              

                               poco rit.

     

  

   

          

  

   

       

poco rit.

128

           

    

120

                         

   



       

VI. Danza del Pueblo

          

 

 

     

         





  

              

                   

                               

                              

   

                                

              gradually accelerando                        gradually accelerando          


54

VI. Danza del Pueblo

                                        ritardando

152

                                                                                                                      ritardando

 156              

        

                        

 

         

        

lunga

 

        

            

lunga

    

              

                             


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