Nico Muhly
SO TO SPEAK for orchestra
Full score
St Rose Music Publishing Co. / Chester Music Ltd.
First performed in April 2004 by the Julliard Orchestra, conducted by Jeffrey Milarsky, at the Julliard School, New York City, U.S.A.
INSTRUMENTATION Piccolo 2 Flutes (II/Piccolo) 2 Oboes 2 Clarinets in B (II/Bass Clarinet) 2 Bassoons Contrabassoon* 4 Horns in F 3 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani Percussion (3 players): marimba (with low A), glockenspiel, crotales (2 octaves, with bow), vibraphone (with bow), 2 bongos, 4 tom-toms, bass drum, 3 pairs of finger cymbals (mounted, played with one hand only), triangle, 3 pairs of maracas or egg shakers
Harp Piano Strings * Contrabassoon part can optionally be played by Bassoon 2.
Duration: c. 8 minutes
PERFORMANCE NOTE Passages marked ‘twitching’ should be played as uneven, stuttering tremolos. Do not attempt to coordinate with any other player. Use a variety of articulations to create a sputtering, unpredictable effect.
COMPOSER’S NOTE So To Speak is an extended meditation on an anthem for Pentecost by Thomas Tallis entitled Loquebantur Variis Linguis (‘they spoke in many tongues’). After organizing the material for the piece, I wrote a melody that works against, underneath, and above Tallis’s lines to create counterpoint made of old and new elements. Patterns of aggressive woodwind scales and ornaments evoke some of the hysteria inherent in glossolalia (ecstatic speaking in tongues). The central section of the piece gestures towards an insect-like musical and religious fervor.
Full score in C. Orchestral parts are available on hire from the publisher.
for Amiel, fervent polyglot
SO TO SPEAK (after Thomas Tallis) Piccolo 1
Severe q = 92 G.P. 2 4 4 4
(2004) quickly, ignore conductor
mf
Flute 1
2 4
NICO MUHLY
2 4 ff
quickly, ignore conductor
4 4
2 4 mf
Flute 2 (Piccolo 2)
2 4
4 4
Oboe 1
2 4
4 4
ff
quickly, ignore conductor
2 4
mf
ff
2 4 mp
Oboe 2
2 4
f
4 4
2 4 mp
Clarinet 1 in Bb
2 4
4 4
f
2 4
2 4 mf
2 4
7
f
7
2 4
Horn 1 in F
2 4
4 4
Horn 2 in F
2 4
4 4
Horn 3 in F
2 4
4 4
Horn 4 in F
2 4
4 4
Trumpet 1 in C
2 4
4 4
Trumpet 2 in C
2 4
4 4
Trumpet 3 in C
2 4
4 4
Trombone 1
2 4
4 4
2 4
4 4
6
f
ff
2 4 mp
f
ff
mp
f
ff
4 4
2 4 2 4
5
f
p
f
5
p
f
2 4
f
5
p
f
2 4
p
f
f
5
f
f
2 4
5
2 4
f
3
4 4 p
Tuba
2 4
4 4
Timpani
2 4
4 4
Crotales
2 4
4 4
Marimba
2 4
4 4
Vibraphone
2 4
4 4
2 4
5
2 4
5
f smudge
3
p Bass Trombone
2 4
f
p
2 4
2 4
4 4
Bassoon 2 (Contrabassoon)
Trombone 2
ff
4 4 mp
Bassoon 1
ff
7
mp Clarinet 2 in Bb (Bass Clarinet)
ff
3
2 4
f smudge
2 4
f smudge
2 4 p
sf
mute in rests unless otherwise indicated
2 4
sfp
Finger Cymbals (III)
2 4
4 4
Harp
2 4
4 4
arco
mfz
hard yarn
hard yarn
5
2 4 2 4
p
sf
3
mp
f
3
3
2 4 2 4
mp l.v. sempre 3
3
2 4
mp 3
Piano
Violin I
2 4 Severe q = 92 G.P. 2 4
4 4
2 4 mp
4 4 sf
Violin II
2 4 2 4
Violoncello
2 4
4 4
Contrabass
2 4
4 4
3
2 4
3
3
2 4
3
3
2 4
mp
4 4 sf
3
mp
4 4 sf
Viola
3
mp
2 4 sf
2 4 fff aggressive
Copyright Š 2006 St Rose Music Publishing Co. and Chester Music Limited
2
5 Picc. 1
2 4
3 4
3 8
ord.
4 4
3 4
f Fl. 1
2 4
3 4
3 8
ord.
4 4
3 4 f
Fl. 2
2 4
3 4
3 8
ord.
4 4
3 4 f
Ob. 1
2 4
3 4
3 8
4 4
Ob. 2
2 4
3 4
3 8
4 4
Cl. 1
2 4
3 4
3 8
4 4
Cl. 2
2 4
3 4
3 8
4 4
Bn. 1
2 4
3 4
3 8
4 4
Bn. 2
2 4
3 4
3 8
4 4
Hn. 1
2 4
3 4
3 8
4 4
3 4 f
3 4
f
3 4
5
f
3 4
f
5
3 4
f
3 4 f
3 4
5
f Hn. 2
3 4
2 4
3 8
4 4 f
Hn. 3
2 4
3 4
3 8
4 4
5
f Hn. 4
2 4
3 4
3 8
4 4
Tpt.
2 3
Tbn. 1
2 4
3 4
2 4
3 4
3 8 3 8
4 4 4 4
f
sub. p
f
sub. p
f
sub. p
f
5
f à 2
3 4
3 8
3 4 3 4 3 4 f
sfp
3 4
5
f
2 4
3 4
5
f Tpt. 1
sub. p
f
sfp
4 4 p
Tbn. 2
2 4
3 4
3 8
3 4
5
f 5
4 4
3 4 f
p B. Tbn.
2 4
3 4
3 8
4 4
Tba.
2 4
3 4
3 8
3 4
3
p
f
4 4
3 4 sim.
Timp.
2 4
3 4
3 8
4 4
Crot.
2 4
3 4
3 8
4 4
Mar.
2 4
3 4
3 8
4 4
2 4
3 4
3 8
4 4
3 4
3 8
4 4
3 4 sfp
(arco)
3 4 3 4
sim. Fing. Cym. (II)
Vib.
2 4
3
3 4
mfz
3 4 mp
Fing. Cym. (III)
Hp.
2 4 2 4
3
3 4
3 8
4 4
3 4
3 8
4 4
mp
3 4 mp
3
Pno.
2 4
3 4
f
3 4
3 8
4 4
3 4 mp
Vln. I
2 4
3
3 4
3 8
4 4
3 4 sff
Vln. II
2 4
3
3 4
3 8
4 4
3 4 sff
Vla.
2 4
Vc.
2 4
3
mp
3 4
3 8
4 4
3 4
3 8
4 4
mp
3 4 sff
mp
3 4 mp
Cb.
2 4
3 4
3 8
4 4
3 4 fff
3
A 11 Picc. 1
3 4
3 8
3 4
2 4
7
sempre f Fl. 1
3 4
3 8
3 4
2 4
7
sempre f Fl. 2
3 4
3 8
3 4
2 4
6
sempre f Ob. 1
3 4
3 8
3 4
2 4
3
sempre f Ob. 2
3 4
3 8
3 4
2 4
3
sempre f Cl. 1
3 4
3 8
3 4
2 4
Cl. 2
3 4
3 8
3 4
2 4
Bn. 1
3 4
3 8
3 4
2 4
sempre f
sempre f
sempre f
Bn. 2
3 4
3 8
3 4
2 4 sempre f
Hn. 1
3 4
3 8
3 4
Hn. 2
3 4
3 8
3 4
Hn. 3
3 4
3 8
3 4
2 4 sempre f
sempre f
2 4 2 4
sempre f Hn. 4
3 4
3 8
3 4
Tpt. 1
3 4
3 8
3 4
Tpt. 2
3 4
3 8
3 4
2 4 sempre f
sempre f
2 4 2 4
f Tpt. 3
3 4
3 8
3 4
Tbn. 1
3 4
3 8
3 4
sfp
2 4 sempre f
2 4
sf
Tbn. 2
3 4
3 8
f
3 4
mf
mf
2 4 sf
sf
B. Tbn.
3 4
3 8
3 4
2 4
Tba.
3 4
3 8
3 4
2 4
ff
mfz
Timp.
3 4
3 8
3 4
2 4
Crot.
3 4
3 8
3 4
2 4
light plastic beaters
f l.v. sempre Vib.
3 4
3 8
3 4
2 4
5
mf Glock.
3 4
3 8
3 4
2 4
Hp.
3 4
3 8
3 4
2 4
3 8
3 4
2 4
light plastic beaters
f l.v. sempre
mf Pno.
3 4 mf
Vln. I
3 3
A
3 4
f brilliant
3 8
3 4
2 4
3 8
3 4
2 4
mf
Vln. II
3 4 mf
Vla.
3 4
mf
3 8
3 4
mf Vc.
3 4 3 4
2 4 sempre f
3 8
3 4
mf
Cb.
senza vib.
2 4 sempre f
3 8
3 4
2 4 f
4
16
3 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
Cl. 1
3 8
2 4
4 4
2 4
Cl. 2
3 8
2 4
4 4
Picc. 1 7
Fl. 1 6
Fl. 2 7
Ob. 1 3
Ob. 2 3
sfp
f
2 4 f
sfp
3 8
Bn. 1
2 4
4 4
sfz
Bn. 2
3 8
2 4
4 4
2 4
Hn. 1
3 8
2 4
4 4
2 4
Hn. 2
3 8
2 4
4 4
2 4
Hn. 3
3 8
2 4
4 4
2 4
Hn. 4
3 8
2 4
4 4
2 4
3 8
2 4
4 4
5
Tpt. 1
4 4
5
2 4
f
3 8
2 4
mp cresc.
2 4 p
Tpt. 2
3
p
2 4
f
3 8
Tpt. 3
2 4
4 4
2 4
sfp
3 8
2 4
4 4
2 4
B. Tbn.
3 8
2 4
4 4
2 4
Tba.
3 8
2 4
4 4
2 4
Timp.
3 8
2 4
4 4
2 4
Crot.
3 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
Tbn. 1 f
3
Chin. Cymb.
3 8
Vib. mf
2 4
5
4 4
ppp
2 4
f
5
Glock.
3 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
3 8
2 4
5
Hp.
mf
5
Pno. mf
5
Vln. I mp
make random swells to f and down to p
Vln. II mp
make random swells to f and down to p
3 8
f sul G
2 4 2 4
4 4
5
4 4
5
2 4 mf
2 4
pochiss. vib.
mf
4 4
2 4
sfp
mf
3 8
Vc.
sul G
f
3 8
Vla.
2 4
mf senza vib.
4 4
2 4
mp Cb.
mp cresc.
mfz
3 8
2 4
4 4
2 4
5
B 24
3 8
Picc. 1 mf cresc.
6
mf cresc.
6
f
3 8
Fl. 1 f
7
5
6
3 8
Fl. 2 mf 6
3
6
7
7
3 8
Ob. 1 3
mp sempre cresc. 6
3
7
7
3 8
Ob. 2 3
7
mp sempre cresc.
5 7
6
3 8
Cl. 1 f
5
mp cresc.
5 7
6
3 8
Cl. 2 f
6
5
3 8
Bn. 1 6
6
f
sf
3 8
Bn. 2 6
6
f
sf
à2 Hn.
3 8
1 3 p
sf
p
sf
p
sf à2
Hn.
3 8
2 4 p
sf
p
sf
p
sf
Tpt. 1
3 8
Tpt. 2
3 8 p
Tpt. 3
3 8
B. Tbn.
3 8
Tba.
3 8
Timp.
3 8 3
Fing. Cym. (I)
3 8
mp
3 8
Chin. Cymb.
poco mp
3 8 Hp.
sff l.v.
mf cresc.
3 8 3 8
Pno. ff
f
B normal vib. - - >
- - .> extreme vibrato
3 8
Vln. I f normal vib. - - >
sff
f
- - .> extreme vibrato
3 8
Vln. II f normal vib. - - >
f
sff
- - .> extreme vibrato
pizz.
3 8
3
Vla.
very intense
f quasi gliss.
sff
f aggressive
3
pizz.
3 8
Vc. sempre mf
f aggressive
5 6
3 8
Cb. f
6
sf
6
C 29 Picc. 1
Fl. 1
Fl. 2
Ob. 1
3 8
2 4
3 8
7
2 4
3 8 3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
5
3 8
3 4
5
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
sff
7
2 4
3 8
sff
7
sff
2 4 sff
Ob. 2
3 8
2 4 sff
Cl. 1
Cl. 2
Bn. 1
3 8
3
3 8
2 4
5
3
sff
2 4
3
3 8
sff
2 4
Bn. 2
3 8
2 4
Hn. 1
3 8
2 4
Hn. 2
3 8
2 4
Hn. 3
3 8
2 4
Hn. 4
3 8
2 4
Tpt. 1
3 8
2 4
p
p
f
f
f
f
5 5
5 5
sf 2 3
3 8
2 4
Tbn. 1
3 8
2 4
Tbn. 2
3 8
2 4
Tpt.
B. Tbn.
3 8
2 4
Tba.
3 8
2 4
Timp.
3 8
2 4
Fing. Cym. (I)
3 8
Mar.
3 8
Fing. Cym. (II) Tam.-t. (II) Fing. Cym. (III) B. D. Guiro
Hp.
Pno.
3 8 3 8
5
f
f
à 2 sf
p (open)
p (open)
p
p dark p
2 4
sf
2 4 2 4
sf
2 4
3 8
2 4
3 8 3 8
2 4 2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
muted
sf
p l.v.
f
mf
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 8
mp hold with pedal until sound dies
3 8 3 8
(quasi gliss.)
3 8
2 4
Vla.
3 8
2 4
pizz.
f
3 8
2 4
(pizz.)
pizz. gliss. Cb.
3 8
mf aggressive
3 4 3 4 3 4
C 3 4
sff
Vln. II
Vc.
mp articulate
3 4
3 4 mf
hard yarn
3 4
3 8
pizz. Vln. I
p l.v.
3 4 3 4
3 8
sff
soft sticks
3 8 3 8
sff
forearm cluster (lowest)
mf
mf
3 8 soft sticks
mf
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
sff
sff arco
sff
p arco
2 4 sff
p
mf off the string mf
7
35
2 4
Picc. 1 mf
6
6
Fl. 1
3 4 6
6
6
2 4
3 4
2 4
3 4
2 4
3 4
mf
Fl. 2 mf Ob. 1 6
mf Ob. 2 mf Cl. 1 mf Cl. 2
6
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
mf 3
Bn. 1 5
f
5
sf to Contrabassoon
2 4
3
Bn. 2 f Hn.
sf
1 3
Hn.
pp
mf
pp
pp
mf
pp
2 4
à2
2 4
à2
3 4 sf
2 4
3 4 sf
2 4
Tpt. 1 mf
Tpt.
3 4
p
sf
2 4
2 3 mf 3
3 4
3 4
p
sf
3
2 4
Tbn. 1
3 4
f 3
3
sf
2 4
Tbn. 2 f
sf
2 4
B. Tbn. f
3
Tba. f
hard yarn
(hard yarn)
2 4
T. D.
3 4
sf
2 4 2 4
Timp.
3 4
3 4
sf
3 4
sf
3 4
mfz
2 4
Mar.
3 4
sff
2 4
Shkr. (II)
f
2 4
4 Toms
3 4 3 4
mp
secco
2 4
B. D. 5
5
2 4
Guiro
Hp.
2 4
Pno.
2 4
3 4
mfz
sff
3 4 3 4
f
3 4 f
div. arco senza vibrato!
2 4
Vln. I p div. arco senza vibrato!
sff
2 4
Vln. II p arco
3 4 mp
sff
2 4
Vla. mp
3 4 mp
sff
3 4 f
mp
2 4
Vc.
3 4
sfp
Cb.
sf
2 4
3 4 sf
8
D Slightly Slower q = 86 39 Picc. 1
3 4 6
Fl. 1
7
p
3 4 p
Fl. 2
3 4 p
Ob. 1
3 4 6
Ob. 2
3 4
Cl. 1
3 4
6
pp
Cl. 2
3 4
Bn. 1
3 4
Hn.
1 3
1.
3 4
p
Hn.
2 4
mp
p
3 4 p harmon mute
Tpt. 1
3 4 p
2 3
3 4
B. Tbn.
3 4
Tba.
3 4
Tpt.
harmon mute
p
arco Crot.
3 4 sf
Mar.
quick change to marimba with flutes, soft yarn
3 4
p
Shkr. (II)
Vib.
3 4
f
3 4 mf dolce
Fing. Cym. (III)
3 4
hold with pedal until sound dies
3
mf
3 4 Hp.
3 4
ff
mf dolce
mp
ff
mf dolce
mp
3 4 Pno.
3 4
D Slightly Slower q = 86 Vln. I
3 4
Vln. II
3 4
Vla.
3 4
Vc.
3 4
solo
pp
Cb.
3 4
mf
pp
mfz
9
45
5
5
2 4
5
Picc. 1 p
p
6
p
2 4
Fl. 1 p
p
p
5
3
6
6
take Piccolo Fl. 2 p
p
p
6
5
6
2 4 2 4
Ob. 1 pp
2 4
Ob. 2 ppp
2 4
Cl. 1 ppp take bass clarinet
2 4
Cl. 2 pp
2 4
Bn. 1
3
2 4
2 4
2 4
Tpt. 1
2 4
Hn.
Hn.
1
sfp
2 3
2 4
B. Tbn.
2 4
Tba.
2 4
Mar.
2 4
Tpt.
6
6
<>
<>
<>
soft yarn Chin. Cymb.
2 4
ppp soft yarn
2 4
Vib. mfz (all harmonics sound 8va)
2 4
Hp. p
2 4 mfz
Pno.
2 4
2 4
Vln. I p
mfz
2 4
Vln. II ppp
p
2 4
Vla. -->
sul pont -->
ord.-->
sul pont.--->
ord.-->
sul pont.-->
ord.-->
2 4
Vc. p
Cb.
2 4
10
E 53 Picc. 1
A Tempo q = 96
2 4 sempre mp
Picc. 2
2 4 sempre mp
Fl. 1
2 4 sempre mp
Ob. 1
2 4 p cresc.
Ob. 2
fz sempre sim.
mp
2 4 p cresc.
Cl. 1
fz sempre sim.
mp
2 4 sempre mp
B. Cl.
2 4 mf cantabile (with trombone and vc.)
Bn. 1
2 4
3
2 4
2 4
2 4
Tpt. 1
2 4
Tbn. 1
2 4
Hn.
Hn.
1
open
mf cantabile, solo
B. Tbn.
2 4
Tba.
2 4
Chin. Cymb.
2 4
Vib.
2 4
medium yarn
mp
Glock.
light plastic
2 4
5
p
p
2 4 Hp.
mp
2 4 2 4
Pno.
3
p
2 4
pedal down until next gesture starts always
E Vln. I
3
3
A Tempo q = 96
2 4 mp
Vln. II
2 4 mp
Vla.
2 4 mp sul pont.
Vc.
2 4 mf
Cb.
tutti ord.
2 4
n
mf cantabile, soli
5
5
p
5
p
11
F 61 Picc. 1 mp
f
p
mp
f
p
f
p
mp
f
p
mp
f
p
mp
f
p
mp
f
p
Picc. 2
Fl. 1 mp
mf
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bn. 1
Hn.
1 3
Hn.
2 4
straight mute Tpt. 1 mp
Tbn. 1 mp
mf
B. Tbn.
Tba.
Mar. pp
mp
pp 3
3
Vib. mp 5
3
3
Glock. pp
3
p
Hp.
3
3
3
3
3
3
mp twitching
Pno.
F 3
Vln. I mf
Vln. II poco mf 3
Vla. mp
Vc. mp
Cb.
mf
poco sf
12
G 66 Picc. 1 mp
7
7
Picc. 2 mp
7
7
Fl. 1 mp
Ob. 1 mp
sf
sfp
Ob. 2 mp 6
7
6
5
5
5
Cl. 1 mp
mf cresc.
sf
mp 6
B. Cl. mf cresc.
5
più f
Bn. 1 mf
6
Cbn. mp
sf
1. Hn.
1 3 p
mf
sf
2. Hn.
2 4
3
mf
Tbn. 1 sf
mf
muted Tbn. 2 mf (open) B. Tbn. mf Tba. mf
very articulate
3
Timp. mp T. D. mp
fade in
5
snare drum sticks
(rims)
5
4 Toms fade in
5
5
mp
p
mp
Vib.
B. D. snare drum sticks 2 Bongos mf
mp
3
5
5
Glock.
sempre sff
Hp.
3
clusters with palm; mute immediately
Pno.
G pizz.
5
Vln. I mf div. Vln. II p
mf
Vla. p
mf
mf
Vc. mf pizz. gliss Cb. mfz
mfz
13
H 73 Picc. 1 f
mp
5
7
5
5
7
Picc. 2 f
mp
f
mp
5
5
Fl. 1 7
Ob. 1 mf
mf
7
mp
7
Ob. 2 mp
mf 5
Cl. 1 mp
3
B. Cl. mf cantabile
Bn. 1
Cbn.
Hn.
1 3 Ã 2
3
2 Hn. 4 3
Tbn. 1 mf cantabile
Tbn. 2
B. Tbn.
Tba.
Timp. p
T. D.
4 Toms
3
2 Bongos n
sff l.v.
Hp.
p
mf
p
Pno. 5
5
p twitching
H 1 Solo Violin
3
sf
ff
p
arco
3
Vln. I mp
6
sf
arco Vln. II mp
6
sf
Vla.
Vc. 3
mf cantabile arco Cb. mfz
mp
3
5
mf
p
14
I 81
3 8
Picc. 1 3
twitching
2 4 mf
f
3 8
Picc. 2 3
twitching
2 4 mf
f
3 8
Fl. 1
2 4 mf
f
3 8
Ob. 1
2 4 mf
f
3 8
Ob. 2
2 4 mf
3 8
Cl. 1 3
3
3
3
3
f
3
2 4 mf
B. Cl.
5
Bn. 1
f
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
f
Hn.
1 3 4.
Hn.
2 4 mf
Tbn. 1
open Tbn. 2 n
sf
B. Tbn. mp 5
Tba. f Timp. mp 5
Mar.
7
mf marcato
f Fing. Cym. (II)
Fing. Cym. (III) 5
Glock.
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
mf 3
mf
mf, twitching
Hp.
Pno.
twitching
I 1 Solo Violin
(arco)
mf 3
Vln. I
3
pizz.
3 8
mf 3
Vln. II
f
3 8
sul pont.
2 4
6
3 8
2 4 sf
mf
Vc.
3 8
2 4
Cb.
3 8
2 4
mp
solo arco
sf
mf
Vla.
2 4
15
J 90 Picc. 1 3
mf
Picc. 2 mf
Fl. 1 mf
Ob. 1 mf
sf
Ob. 2 mf
sf
Cl. 1 mf 5
5
6
6
take Bb clarinet
6
B. Cl. mf
5
5
f
Bn. 1 mf
f à2
Hn.
1 3
p
sf
p
sf
à2 Hn.
2 4
p
sf
sempre p
straight mute flz.
5
Tpt. 1 6
mp but intense
Tpt.
2 3
straight mute flz.
5
6
mp but intense
Tbn. 1 mp
Tbn. 2
B. Tbn. mp Tba.
Timp.
5
5
Vib. 5
mf 5
5
Hp. 5
mf
mf
Pno.
J 1 Solo Violin arco
Vln. I pp
mp
Vln. II 6
6
6
6
pizz. div. Vla. mf 5
Vc. mf pizz. Cb. mf
5
5
5
f
6
6
6
16
K
A Little Faster q = 108
96 Picc. 1 5
sempre mp
Picc. 2 sempre mp
Fl. 1 sempre mp
Ob. 1 p cresc.
mfz sempre sim.
Ob. 2 p cresc.
mfz sempre sim.
Cl. 1 mp
Cl. 2
Bn. 1 5
sempre mp
Cbn.
solo Hn. 1 mf cantabile Tpt. 1 p
7
sf 7
Tpt.
2 3 p
sf
Tbn. 1 p
sf
open Tbn. 2 p
sf
B. Tbn.
Tba.
Timp.
Hp. f
5
mp dolce
Pno.
K
A Little Faster q = 108
tutti Vln. I mf anxious tutti Vln. II 3
mf anxious arco poco sul pont. Vla. mf anxious
Vc. mf cantabile
Cb.
3
3
3
3
3
3
3
17
102 Picc. 1 5
5
Picc. 2 5
5
5
5
5
5
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2 sempre mp
Bn. 1 5
5
Cbn. sf mp sempre
Hn. 1 f
Tbn. 1
Tbn. 2
B. Tbn. sfz sempre from here on, hold all notes as long as comfortably possible, tapering off ends of notes when appropriate Tba. sf mp sempre
Timp. sempre mp
Tam.-t. (II)
sempre mp
B. D. sempre mp
Hp.
ff
Pno.
Vln. I p twitching
mf
p twitching
mf
Vln. II 3
3
3
Vla. sf
sff
mp
Vc. f arco Cb. sf mp sempre
18
L 107 Picc. 1
Picc. 2
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bn. 1
Cbn.
Hn. 1
Tbn. 1 p
sf
Tbn. 2 p
B. Tbn.
Tba.
Timp.
Tam.-t. (II)
Vib. mf
B. D.
Glock. mf
Hp.
3
Pno.
3
mp dolce
L Vln. I
Vln. II
Vla. f
Vc.
Cb.
sf
19
M 113 Picc. 1 5
Picc. 2 5
Fl. 1 3
f
mf
f
mf
Ob. 1
Ob. 2
Cl. 1
5
Cl. 2
Bn. 1 5
Cbn.
3
Hn. 1 poco sf
Hn. 3 poco sf
Hn.
2 4 mp harmon mute
Tpt. 1 mp harmon mute
mf
mp (harmon mute)
mf
mp
mf
Tpt. 2
harmon mute Tpt. 3 mp
B. Tbn.
Tba.
Timp.
5
5
Vib. mp
mf
B. D.
Glock. mf
Hp. mp
mf
twitching
Pno.
M div.
3
3
Vln. I 3
mp
Vln. II mp
Vla. mp
mf with glock 3
Vc. poco sf
Cb.
mf
20
N 120
4 4
Picc. 1
2 4 7
mf
4 4
Picc. 2
2 4 6
mf
4 4
Fl. 1
2 4
5
5
5
6
7
6
7
6
7
sf
sf
mf
4 4
Ob. 1
2 4 mf
4 4
Ob. 2
sf
5
7
mf
4 4
Cl. 1
4 4
Bn. 1
4 4
Cbn.
4 4
Hn. 1
4 4
2 4 7
sf
7
5
mp
twitching
5
mp
5
sf
Hn. 3
Hn.
7
mf
sf
5
mp
2 4
mf
mp
mp
mf
mp
mp
mf
mp
mp
mf
mp
mp
mf
mp
2 4
4 4
Tbn. 2
mp
2 4
4 4
Tbn. 1
mp
2 4
4 4
Tpt. 1
2 4
B. Tbn.
4 4
2 4
Tba.
4 4
2 4
Timp.
4 4
2 4
Fing. Cym. (I)
4 4
2 4
Vib.
4 4
2 4
B. D.
4 4
2 4
Glock.
4 4
2 4
Hp.
4 4
2 4
5
f dim.
2 4
4 4
2 4
5
mp 3
3
3
3
mf
3
3
f
3
4 4
5
p
mf
Pno.
3
mp
2 4
4 4
2 4
3
mp
mf
4 4
3
mp
2 4 5
3
6
5
2 4
mp
5
mf
Cl. 2
5
6
5
2 4 7
sf
mp
6
5
2 4
7
6
5
3
3
3
f
mf
mp
3
3
mp
improvised twitching on given pitches
N 4 4
Vln. I
2 4
4 4
Vln. II
2 4
4 4
mf div.
f
mp
p
mf
mp
2 4
mf Cb.
mp
mp
5
Vc.
f
2 4
4 4
Vla.
mf
mp
4 4
2 4
21
128 Picc. 1
3
3
Picc. 2
3
3
Fl. 1 3
3
3
Ob. 1
Ob. 2
Cl. 1
3
Cl. 2 3
Bn. 1
3
3
Cbn.
Hn. 1 sfp open Tpt. 1 mf
p
open Tpt. 2 mf
p
(muted) Tpt. 3 mp
mf
B. Tbn.
Tba.
Timp.
Tam.-t. (II)
Vib.
B. D. 5
Glock. mp
sf l.v.
Hp.
Pno.
Vln. I mp
mf twitching
mp
mf twitching
Vln. II p sul pont.
ord.
Vla. p
5
sf
mf with glock
Vc. sfp
Cb.
22
O 135 Picc. 1 5
f
5
Picc. 2 f
5
Fl. 1
5
5
f
Ob. 1 f
Ob. 2 f
Cl. 1 f 5
Cl. 2 5
f
Bn. 1 5
f
5
Cbn.
Hn. 1 mf
sfp
f
sfp
f
sfp
f
Hn. 3
à 2 Hn.
2 4
flz. Tpt. 1 p
sf
Tpt. 2 sfp
mp
pp
sfp
mp
pp
sfp
mp
pp
Tpt. 3
Tbn. 1
Tbn. 2 p
sf
B. Tbn.
Tba.
Timp.
Tam.-t. (II)
B. D.
Hp. f
5
Pno.
5
O 1 Solo Violin sul pont.
6
sf ord.
ff
Vln. I p molto cresc.
sff
sul pont.
ord.
6
Vln. II p molto cresc.
sff
sul pont.
ord.
Vla. 6
p molto cresc.
sff
Vc. mf
Cb.
sfp
f
23
P 141 Picc. 1 5
5
5
sub. f Picc. 2 5
5
Fl. 1 sub. f
5
Ob. 1 sfp
fz
forceful sub. f
Ob. 2 sfp
fz
sub. f
Cl. 1
5
5
5
sub. f
5
Cl. 2 sub. f Bn. 1 5
5
5
sub. f
Cbn.
Hn. 1 f cantabile Hn. 3
Hn.
2 4
Tpt. 1 f cantabile Tpt. 2 p
sf
sim. open
Tbn. 1 p muted
sf
Tbn. 2 p B. Tbn.
Tba.
Timp.
Fing. Cym. (I)
Mrc.
Vib. 6
mf
sf
Fing. Cym. (III) B. D. D C# B E F# G A Hp.
Pno.
p twitching
mf
p twitching
mf
P
tutti
Vln. I mf
3
sf
Vln. II mf
Vla. f cantabile, soli Vc.
Cb.
sf
24
Q 147 Picc. 1
4 4
3 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
3
mf
Picc. 2
2 4
6
4 4
Fl. 1 mf
Ob. 1
3
6
3
mf 3
6
3
sempre sim.
Ob. 2
sempre sim.
Cl. 1
4 4
3 4
2 4
Cl. 2
4 4
3 4
2 4
Bn. 1
4 4
3 4
2 4
3
3
6
6
3
6
Cbn.
4 4
3 4
2 4
Hn. 1
4 4
3 4
2 4
4 4
3 4
2 4
3
Tpt. 1
2 3
4 4
2 4
3
Tbn. 1
4 4
3 4
2 4
Tbn. 2
4 4
3 4
2 4
B. Tbn.
4 4
3 4
2 4
Tba.
4 4
3 4
2 4
Timp.
4 4
3 4
2 4
Tpt.
5
3 4
à 2 open
p
mf
sf
mp 5
4 4
3 4
4 4
3 4
4 4
3 4
B. D.
4 4
3 4
2 4
Hp.
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
Fing. Cym. (I)
Fing. Cym. (II)
Fing. Cym. (III)
Pno.
mf 3
mf
mf
2 4 3
2 4 2 4
mf
f
Q Vln. I
4 4
3 4 mp
Vln. II
4 4
3 4
mf
Vla.
4 4
Vc.
Cb.
3
2 4 mp
5
3
2 4
mf
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
3
25
R 154
as before
Picc. 1 f Picc. 2 5
6
5
f Fl. 1 3
3
f Ob. 1 f Ob. 2 f Cl. 1 f
6
5
5
Cl. 2 f
as before Bn. 1
f Cbn.
Hn.
à2
1 3
p Hn.
f
à2
2 4 p
f
p
f
Tpt. 1
Tpt.
2 3
Tbn. 1 open Tbn. 2
B. Tbn.
Tba.
Timp. 3
Fing. Cym. (I)
3
mf
T. D. p Fing. Cym. (II)
f
mf
Tam.-t. (II) 5
Fing. Cym. (III)
5
mf
B. D.
Hp. f
Pno.
mf
f
5
6
6
5
6
6
R
3
Vln. I f
3 3
Vln. II 3
f
Vla. f sul D Vc. f Cb.
mf strong
26
S 160
3 8
Picc. 1 5
mf
3
5
mf
Hn.
2 4
f
f
3 8
p
3 8
3 4
3 8 f
3 4 mf
3
f
f
3 8
1
3 8
3 4 mf
Cbn.
f
f
3 8
5
3 8
3 4 mf
Bn. 1
f
f
3 8
3
3 8
3 4 mf
Cl. 2
f
f
3 8
5
3 8
3 4 mf
3
f
f
3 8
Cl. 1
3 8
3 4 mf
Ob. 2
f
f
3 8
Ob. 1
3 8
3 4 mf
Fl. 1
Hn.
f
3 8
Picc. 2 3
3 4
f
3 8 f
3 8
3 4
3 8
3 8
3 4
3 8
3 8
3 4
3 8
3 4
3 8
sff
p
sff
Tpt. 1
f 2 3
3 8
Tbn. 1
3 8
3 4
3 8
Tbn. 2
3 8
3 4
3 8
B. Tbn.
3 8
3 4
3 8
Tba.
3 8
3 4
3 8
Timp.
3 8
3 4
3 8
Tam.-t. (II)
3 8
3 4
3 8
Vib.
3 8
3 4
3 8
Tpt.
f
f
B. D.
3 8
3 4
3 8
Hp.
3 8
3 4
3 8
3 8
3 4
3 8
Pno.
3 8
mf
f
3 4
f
3 8
S div.
3 8
Vln. I
div. Vln. II 5
mf
f
f
3 8 f
3 4 mf
f
3 8 3 8
3 8
3 4
3 8 f
3 4 mf
Cb.
f
3 8 div.
Vc.
mf
3 8 div.
Vla.
3 4
f
3 8 f
3 4
3 8
27
165 Picc. 1
3 8
3 4
3 8
3 4 mf
Picc. 2
3 8
3 4
3 8
3 4
3 4
Ob. 1
3 8
3 4
3 8
3 4
Cl. 1
3 8
3 4
3 8
3 4
Bn. 1
3 8
3 4
3 8
3 4
f
4 4
3 8
3 4
4 4
3 8
3 4
4 4
3 8
3 4
4 4
3 8
3 4
4 4
3 8
3 4
4 4
3 8
3 4
4 4
3 8
3 4
4 4
f
3 8
3 4 f
f
3 8
3 4 f
f
3 8
3 4 f
f
3 8
3 4 mf
3 4
f
3 4
mf
Cbn.
f
3 8
mf
3 8
f
3 4
mf
Cl. 2
f
3 8
mf
4 4
f
3 4
mf
Ob. 2
f
3 8 mf
3 4
f
3 8 mf
Fl. 1
f
3 8
f
f
3
3 8
3 4
3 8
3 4
3 8
3 4
4 4
2 4
3 8
3 4
3 8
3 4
3 8
3 4
4 4
Tpt. 1
3 8
3 4
3 8
3 4
3 8
3 4
4 4
Tpt. 2
3 8
3 4
3 8
3 4
3 8
3 4
4 4
Tpt. 3
3 8
3 4
3 8
3 4
3 8
3 4
4 4
Tbn. 1
3 8
3 4
3 8
3 4
3 8
3 4
4 4
3 4
3 8
3 4
4 4
3 4
3 8
3 4
4 4
Hn.
Hn.
1
ff Tbn. 2
3 8
3 4
3 8 ff
B. Tbn.
3 8
3 4
3 8 ff
più p cresc.
Tba.
3 8
3 4
3 8
3 4
3 8
3 4
4 4
Timp.
3 8
3 4
3 8
3 4
3 8
3 4
4 4
ff
Vib.
3 8
3 4
3 8
B. D.
3 8
3 4
3 8
3 8
3 4
3 8
3 8
3 4
3 8
3 8
3 4
3 8
Pno.
Vln. I
mf
mf
mf
Vln. II
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 4
4 4
3 4
3 8
3 4
3 4
3 8
3 4
4 4
3 4
3 8
3 4
4 4
3 4
3 8
3 4
4 4
3 8
3 4
4 4
3 8
3 4
4 4
3 8
3 4
4 4
3 8
3 4
4 4
4 4
pp
f
f
f
3 8
3 4 f
f
3 8
3 4 mf
Cb.
3 8
3 4
mf
Vc.
3 4
f
3 8 mf
Vla.
f
più p cresc.
f
f
3 8
3 4 f
più p cresc.
28
T 171 Picc. 1
Slightly Faster q = 112
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
5 4
4 4
ff as fast as possible, furious
Picc. 2
take Flute
4 4 ff as fast as possible, furious
Fl. 1
4 4 ff as fast as possible, furious
Ob. 1
4 4
mf
ff as fast as possible, furious
Ob. 2
senza vib. (early music), sempre tenuto
4 4
f
2 4
4 4
2 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
f
Cl. 1
4 4
5
5 4
5
5
4 4
f
Cl. 2
4 4 sfz
Cbn.
ff as fast as possible, furious
4 4
ff Hn.
1 3
4 4
à2
4 4
à2
5
2 4
4 4
5
5 4
5
4 4
5
2 4
4 4
5
5 4
5
4 4
5
2 4
4 4
5
5 4
5
4 4
2 4
4 4
2 4
4 4
f
Hn.
2 4
f
Tpt. 1
4 4 f
Tpt. 2
senza vib. (early music), sempre tenuto
4 4
5 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
5
2 4
4 4
5
5 4
5
4 4
5
2 4
4 4
5
5 4
5
4 4
2 4
4 4
5
5 4
4 4
5 4
4 4
f
Tbn.
1 2
4 4
à2
5
sf
f
B. Tbn.
4 4
2 4
4 4
2 4
4 4
2 4 sfz
Mar.
fz
ff
sfz
Timp.
sfp
ff
sfz Tba.
5
ff
hard yarn
4 4 sempre sf
Tam.-t. (II)
4 4
mfz secco
5
Vib.
4 4 f
B. D.
Glock.
4 4
sf hard plastic
4 4
mf l.v.
4 4 Pno.
sfz
T Vln. I
ff
4 4
Slightly Faster q = 112
4 4
senza vib. (early music), sempre tenuto, using full bow
f
Vln. II
4 4 f
Vla.
4 4 f
Vc.
4 4
sf
Cb.
4 4
2 4 sfz
sfp
4 4 ff
fz
29
U 177 Picc. 1
4 4 3
sempre f, insect-like
Fl. 1
4 4 6
3
6
3
3
5
sempre f, insect-like
Fl. 2
4 4
3
sempre f, insect-like
Ob. 1
4 4
Ob. 2
4 4
Cl. 1
4 4
Cl. 2
4 4
Cbn.
4 4
5
5
3
4 4
4 4
5
2 4
Tpt. 1
4 4
5
Tpt. 2
4 4
1 2
4 4
B. Tbn.
4 4
Tba.
4 4
Timp.
4 4
Mar.
4 4
Hn.
Hn.
1
mp
mp
Tbn.
4 4 Pno.
4 4
U Vln. I
4 4
Vln. II
4 4
Vla.
4 4
Vc.
4 4
5
5
sfp
Cb.
4 4
sfz
30
183
2 4
Picc. 1 p
mp
p
mp
p
Fl. 1 p
mp
p
mp 5
mp 5
mp 5
3
Cl. 2 3
3
3
3
3
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
mf
Cl. 1
3
2 4
mf
Ob. 2
3
4 4
p
Ob. 1
ppp
2 4 p
Fl. 2
3
4 4
3
3
3
mp
3
3
3
3
3
3
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
Tpt. 2
2 4
4 4
B. Tbn.
2 4
4 4
Tba.
2 4
4 4
Mar.
2 4
4 4
2 4
4 4
Cbn.
1. Hn. 1 p 4. Hn. 4 p 5
Tpt. 1 mp
mf
ppp
mp
Vib. ppp
mp
3
Hp.
ppp
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2 4
3
3
4 4
mp
3
2 4 3
3
3
3
3
3
3
3
3
3
3
3
3
Pno.
1 Solo Violin mp quasi espress, rhapsodic Vln. I
3
3
4 4 3
3
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
mf (not to the fore) 5
Vln. II mp
mf 5
Vla. mp
mf 5
Vc. mp
Cb.
mf
31
V 189 Picc. 1
4 4
5 4
4 4
p
Fl. 1
p
4 4
5 4
mp
4 4
5 4
mp
Ob. 1
4 4
mp
p
p
4 4 p
5
p
4 4 p
Fl. 2
p
5
5 4
p
mp
p 5
4 4 ff
Ob. 2
5
4 4
5
5 4
5
4 4 ff
Cl. 1
4 4
Cl. 2
4 4
5
5
5 4 3
5 4 3
3
3
3
3
3
3
3
3
5
4 4 4 4
pp
p
Cbn.
4 4
5 4
4 4
Hn. 1
4 4
5 4
4 4
mp
p
mp
mp
Hn. 4
4 4
5 4
4 4 mp
5
5
Tpt. 1
4 4
5 4
B. Tbn.
4 4
5 4
4 4
Tba.
4 4
5 4
4 4
Fing. Cym. (I)
4 4
5 4
4 4
Mar.
4 4
5 4
4 4
5
4 4
pp
Vib.
4 4
5 4
4 4 pp
Fing. Cym. (III)
4 4
5 4
4 4
5 4
3
4 4
mf 3
Hp.
3
3
3
3
3
3
3
4 4
3
5 4 3
3
3
4 4 Pno.
3
3
3
3
3
3
4 4 mfz
pp
4 4
3
3
5 4
4 4 mfz
4 4
5 4
4 4
V 1 Solo Violin
4 4
5 4
4 4
Vln. I
4 4
5 4
4 4
4 4
5
Vln. II
4 4
5
mf
5 4
5
5
4 4 ff
Vla.
5 4
4 4 ff
Vc.
4 4
5
5 4
5
4 4 ff
Cb.
4 4
5 4
4 4
n
p
32
195 Picc. 1 sfp
f
p
mf
5
6
3
Fl. 1 f
sf
sf
f
sf
sfp
sfp
p
mf
5
5
6
Fl. 2 p
ppp
mf
Ob. 1 p
pp
Ob. 2 p
Cl. 1 p
pp take B. Cl.
Cl. 2 mf
sfp
p
pp
Cbn.
Hn.
1 3
mf à 2
Hn.
2 4
mf
Tpt. 1 p
Tbn.
1 2
mf
p
B. Tbn.
Tba.
5
6
Crot. p shimmering, not overpowering
Fing. Cym. (II)
mp
Hp. p dolciss.
p dolciss.
Pno.
1 Solo Violin f
Vln. I ppp
Vln. II ppp senza vibrato! Vla. f
Vc.
Cb.
33
W
Faster Still q = 120
204 solo Picc. 1
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
pp dolciss.
Fl. 1 pp dolciss.
Fl. 2 pp dolciss.
Ob. 1 pp dolciss.
Ob. 2 pp dolciss.
Cl. 1 pp dolciss.
Bn. 1 pp dolciss.
* Bn. 2 pp dolciss.
Cbn.
pp but very articulate and clear
2 4
4 4
2 4
4 4
Tpt. 1
2 4
4 4
1 2
2 4
4 4
2 4
4 4
Hn.
1 3
Hn.
Tbn.
2 4
pp dolciss.
pp dolciss.
pp dolciss.
B. Tbn.
pp but very articulate and clear
2 4
Tba.
4 4 pp but very articulate and clear
2 4
Timp.
4 4 sf (solo)
Glock.
2 4
4 4
2 4
4 4
2 4
4 4
pp dolciss.
Hp. pp dolciss.
Pno.
2 4
W
pp but very articulate and clear
4 4
Faster Still q = 120
Vln. I
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
pp dolciss.
Vln. II pp dolciss. sempre sim. Vla. pp dolciss. div. senza vibrato, drone-like Vc. pp dolciss.
Cb.
pp but very articulate and clear
* If there are only two players, the 1st bassoon takes the 2nd part in bars 204â&#x20AC;&#x201C;217.
34
208 Picc. 1
3 4
2 4
4 4
Fl. 1
3 4
2 4
4 4
Fl. 2
3 4
2 4
4 4
Ob. 1
3 4
2 4
4 4
Ob. 2
3 4
2 4
4 4
Cl. 1
3 4
2 4
4 4
Bn. 1
3 4
2 4
4 4
Bn. 2
3 4
2 4
4 4
Cbn.
3 4
2 4
4 4
3
3 4
2 4
4 4
2 4
3 4
2 4
4 4
Tpt. 1
3 4
2 4
4 4
1 2
3 4
2 4
4 4
B. Tbn.
3 4
2 4
4 4
Tba.
3 4
2 4
4 4
Timp.
3 4
2 4
4 4
Glock.
3 4
2 4
4 4
Hp.
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
Vln. I
3 4
2 4
4 4
Vln. II
3 4
2 4
4 4
Vla.
3 4
2 4
4 4
Vc.
3 4
2 4
4 4
Cb.
3 4
2 4
4 4
Hn.
Hn.
Tbn.
1
Pno.
35
212 Picc. 1
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Bn. 1
Bn. 2
Cbn.
Hn.
1 3
Hn.
2 4
Tpt. 1 mp
Tbn.
1 2
B. Tbn.
Tba.
Timp.
Glock.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
36
X 217
3
3
3
3
3
3
Picc. 1 p
Fl. 1 p
Fl. 2 p
Ob. 1 mf
mp
Ob. 2 mf
mp solo
Cl. 1 mf
mf espress.
B. Cl. mf
Bn. 1 mf
sfp
sfp
Bn. 2 mf
Cbn. mf Hn.
1 3 mf
Hn.
2 4
mf
Tpt. 1
Tpt. 3 pp
Tbn.
1 2
B. Tbn. mf
Tba. mf
Timp. mp very articulate but in the background
Mar. p
f Fing. Cym. (II)
f
mf l.v. sempre
Vib. mfz sempre use pedal on each note Fing. Cym. (III)
mf l.v. sempre
B. D. sempre mfz do not overpower Glock.
Hp.
Pno.
f incredibly short notes
X div. Vln. I sfp div.
sfp
sfp
Vln. II sfp
pizz.
arco
Vla. sfp
sfp
Vc. sfp 1 solo (with bass clarinet) Cb. mf
sfp
sfp
sfp
37
Y 222
3
Picc. 1
3
Fl. 1
3
Fl. 2
Ob. 1 5
mf
5
mf
Ob. 2
Cl. 1
B. Cl.
Bn. 1 sfp
sfp
sfp
sfp
Cbn.
Tbn.
1 2
B. Tbn.
Tba.
Timp.
Mar. sempre sim. Fing. Cym. (II)
Vib.
Fing. Cym. (III)
B. D.
Hp.
Pno.
Y
sfp
sfp
unis.
Vln. I sfp
sfp sfp
sfp Vln. II
sfp
sfp pizz.
arco
pizz.
arco
Vla. sfp
sfp
Vc. sfp
Cb.
sfp
38
228
3
3
3
Picc. 1 mp 3
3
3
Fl. 1 mp 3
3
3
Fl. 2 mp
Ob. 1 mp
5
mp
5
Ob. 2
3
Cl. 1
B. Cl.
Bn. 1 sfp
Cbn.
à 2 Tbn.
1 2
3
3
3
3
3
3
f
B. Tbn. f
Tba.
Timp.
Mar.
Fing. Cym. (II) 3
Vib.
Fing. Cym. (III) B. D. 3
3
Guiro mf
Hp. sempre mf (with flutes)
Pno.
sfp
div. Vln. I sfp
sfp sfp
sfp Vln. II sfp
sfp pizz.
arco
pizz.
arco
Vla. sfp
sfp
Vc. sfp (solo) Cb.
sfp
39
Z 235 Picc. 1
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 f
B. Cl.
Bn. 1
Cbn.
Tbn.
1 2
B. Tbn.
Tba.
Timp.
Mar.
Vib.
B. D.
Guiro
Hp. mf
Pno.
Z
sfp
sfp
Vln. I sfp
sfp sfp
div.
unis. Vln. II sfp pizz.
sfp arco
Vla. sfp
sfp
Vc. sfp
Cb.
sfp
40
AA 243 Picc. 1
Fl. 1
take Piccolo Fl. 2
3
Ob. 1 mf
f
Ob. 2 mf
f
Cl. 1 mf
f
take Bb clarinet B. Cl.
Cbn.
Hn.
1 3 p
Hn.
2 4 p 3
Tpt. 1 mf
Tpt.
2 3
mf
Tbn. 1 mf
f
mf
Tbn. 2 mf
f
mf
B. Tbn.
Tba.
Timp. 3
Fing. Cym. (I)
f
Mar. 3
Vib. f 3
Fing. Cym. (III)
f
B. D.
Hp. f 7
f
Pno.
AA sfp Vln. I sfp
sfp
Vln. II
pizz.
sfp arco
Vla. sfp
Vc. tutti sul G Cb. f
41
248
3 4
Picc. 1 f
7
6
ff sempre
f
5
3
3
5
ff
f
6
f
5
3
3
5
ff sempre
3 4
Fl. 1 7
take Flute
3 4
Picc. 2
ff
3 4
Ob. 1
ff sempre
3 4
Ob. 2 ff
ff sempre
3 4
Cl. 1
Hn.
3 4
1 3
à2
f
Hn.
3 4
2 4
à2
3
3
f 3
3 4
Tpt. 1
f 2 3
3 4
Tbn. 1
3 4
Tpt.
f
ff
3 4
Tbn. 2 ff
B. Tbn.
3 4
Tba.
3 4
Timp.
3 4 3
5
Fing. Cym. (I)
3 4
Vib.
3 4 3
Fing. Cym. (III)
5
3 4
B. D.
3 4
Hp.
3 4 7
7
6
3 4 Pno.
3 4
3 4
Vln. I f
3 4
Vln. II f
3 4
Vla. f radiant
3 4
Vc. f radiant
Cb.
3 4 sempre f
42
(q = 86)
253 Picc. 1
p
Fl. 1 p take Piccolo Fl. 2 p
Ob. 1
Ob. 2
Cl. 1 pp 1. Hn.
1 3 mf
Hn.
2 4
p
p
3
p harmon mute Tpt. 1 p harmon mute Tpt.
2 3
p
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp. arco Crot. sf with flutes, soft yarn Mar. p
Tam.-t. (II)
Vib. mf dolce
hold with pedal until sound dies
B. D.
Hp.
mf dolce
mp
Pno.
mf dolce
mp
(q = 86) Vln. I ff sempre
pp
ff sempre
pp
ff sempre
pp
Vln. II
Vla.
solo Vc. pp
mf
pp
Cb. p dolce
mfz
43
(q = 120) 260 Picc. 1 ff sempre
6
ff sempre
6
ff sempre
6
6
5
Picc. 2 6
5
Fl. 1 6
5
6
Ob. 1 ff sempre
6 6
Ob. 2 ff sempre
6 6
5
Cl. 1 6
ff sempre 6
5
Cl. 2 ff sempre Bn. 1 ff sempre Cbn. ff sempre Hn.
1 3 f
Hn.
2 4 f
Tpt. 1 ff
Tpt.
f
2 3 f
Tbn. 1 f
Tbn. 2 f
B. Tbn.
Tba.
Timp.
T. D. sempre mfz
B. D.
Hp.
Pno.
ff sempre
(q = 120) Vln. I ff sempre
Vln. II ff sempre
Vla. ff sempre tutti Vc. ff sempre
Cb. sff
44
265 Picc. 1
3 8
4 4
Picc. 2
3 8
4 4
Fl. 1
3 8
4 4
Ob. 1
3 8
4 4
Ob. 2
3 8
4 4
Cl. 1
3 8
4 4
Cl. 2
3 8
4 4
Bn. 1
3 8
4 4 p
3 8
4 4
3
3 8
4 4
2 Hn. 4
3 8
4 4
Cbn.
Hn.
1
mf
mf
3 8
Tpt. 1
4 4 mf
2 3
3 8
Tbn. 1
3 8
Tpt.
4 4 mf
4 4 mf
3 8
Tbn. 2
4 4 mf
B. Tbn.
3 8
4 4
Tba.
3 8
4 4
Timp.
3 8
4 4
Mrc.
3 8 3 8
Crot.
p single strokes
4 4 arco
4 4 mp
Fing. Cym. (II) Tam.-t. (II)
Fing. Cym. (III) B. D.
Hp.
Pno.
5
Vln. I
5
Vln. II
5
Vla.
Vc. 5
Cb.
3 8
4 4
3 8
4 4
3 8
4 4
3 8
4 4
3 8
4 4
3 8
4 4
3 8
4 4
3 8
4 4
3 8 3 8
mp
mp
mp
sf
p
f
pp
p
f
pp
p
f
pp
4 4 4 4
3 8
4 4
3 8
4 4