MARCH 2015
Barbara Sternberger Fusion, 2014 20” x 20” oil on Arches oil paper E X H I B I T I N G AT L I N D A H O D G E S G A L L E R Y
through March 28
Joseph Goldberg - Sky and Stone
Opening reception: First Thursday, March 5, 6-8pm
TICK OF TIME, 2015, encaustic on linen over wood panel, 64 x 43 inches
GREG KUCERA GALLERY
212 THIRD AVENUE S SEATTLE, WA 98104 206.624.0770 www.gregkucera.com staff@gregkucera.com
FIELD, 2015, encaustic on linen over wood panel, 64 x 42 inches
Barbara Sternberger
March 5-28, 2015
Patti Bowman
First Thursday, 3/5, 6-8 pm
“Inner Passage”
“Collapse and Reorganization”
The Blue Construction, 2014, encaustic on panel, 12” x 24”
Interchange, 2013, oil on linen panel, 12” x 12”
Guide, 2014, oil on linen panel, 12” x 12”
Autumn Pond, 2014, encaustic on panel, 30” x 30”
Melding, 2014, oil on Arches oil paper, 20” x 20”
L I N DA H O D G E S
G ALLERY
316 First Avenue South, Seattle, WA 98104
www.lindahodgesgallery.com
206 624 3034
Tuesday-Saturday 10:30-5:00
Photon Drift, 2014, encaustic on panel, 24” x 24”
C E L E B R AT I N G 3 2 Ye a r s
UPCOMING EXHIBITIONS April: Kurt Solmssen / Jeff Scott May: Jennifer Beedon Snow / Michael Paul Miller
M a rc h 2 - M a rc h 2 8 , 2 0 1 5
Marita Dingus, Girl with Black Buttons & Girl with White Buttons, mixed media, 2014 photo: Ben Lerman
STEVE JENSEN
O p e n i n g Re c e p t i o n : T h u r s d a y, M a rc h 5 t h 5 : 0 0 - 8 : 0 0 PM
MARITA DINGUS THE GIRLS MARK BENNION NEW WORKS
1210 2nd Avenue Seattle, WA 98101 | 206.628.9501 info@abmeyerwood.com
|
www.abmeyerwood.com
march 5 - 28, 2015 opening reception: march 5th, 5-8pm
110 UNION ST. #200, SEATTLE, 98101 206.587.6501 | TRAVERGALLERY.COM
Käthe Kollwitz
Please join us for ‘First Thursday’, March 5th, 6-8pm
(German 1867-1945)
From Many Wounds Continues through March 28
Contemporary Japanese Printmakers Opens March 17
Selbstbildnis mit der Hand an der Stirn (Self-Portrait, Hand at the Forehead). From Zeitschrift für bildende Kunst, new series, Vol. 26. Line etching and drypoint. Date of Impression 1914-1915. Date of Plate ca. 1910. edition 1450. Reference: Klipstein 106, Knesebeck 109iid; second state of five. 6-1/8 x 5-1/2 inches.
amanDa Knowles
Nescience Continues through March 14 Portion, 2015. screenprint, acrylic on paper, Duralar with handcutting and handstitching. 16 x 19 inches.
KoZo InoUe
aKIKo TanIGUchI
FUMIKo sUZUKI
PhiliPPe mohlitz selected engravings Continues through March 14 Les Abysses, 1967. engraving. edition : 28/50. 8-1/4 x 7 inches.
MaRIKo anDo
aKIRa KURosaKI
ToMIyUKI saKUTa
FUMIaKI FUKITa
eriK Desmazières
Curious Spaces: Inside & Out Continues through March 14 Le Deluge, 1981. etching. edition 90. 16-1/4 x 23-1/4 inches.
Kana neMoTo
yoshIo yaManobe
bernar venet - Indeterminate Lines continues in the Contemporary Department Upcoming Exhibitions: Reginald MaRsh opens March 31 Jacob LawRence as Printmaker opens april 28 contemporary aUsTRaLIan Printmakers opens april 28
Front Desk • 206 624-7684 Contemporary Works on Paper • 206 624-1324 Antique & Modern Works on Paper • 206 624-6700
313 Occidental Ave S • Seattle, WA 98104 hours: Tuesday-saturday 10 am-5:30 pm www.davidsongalleries.com
nEWs: Join us in for the 19th Mcnay aRT MUseUM PRInT FaIR March 7 & 8, in san antonio, Texas
SHERI BAKES EVEN IN THE DARK March 5 - 28, 2015
Sheri Bakes, Night Messengers, 2015, oil on canvas, 42 x 48 inches
Sheri Bakes, Spirit of Light, 2014, oil on canvas, 36 x 36 inches
FOSTER/WHITE GALLERY
OPENING RECEPTION THURSDAY MARCH 5, 2015 6 - 8 PM ARTIST IN ATTENDANCE
220 T H I R D A V E S O U T H S E A T T L E W A 9 8 1 0 4 2 0 6 6 2 2 2 8 3 3 WWW.FOSTERWHITE.COM
PROGRAPHICA GALLERY M A RC H 5 - 29, 2 015 O p e n i ng Re ce pt io n I T h u r sd ay, M a r ch 5 , 6 : 0 0 - 8 : 0 0 p m
David Brody
Chris Watts
“Geometric Abstraction” Through March 28
Geometric Abstraction has been around since the early 20th century. Initially art theorists of the time described the movement as a rejection of the illusionism of Western Art: the artists acknowledging and emphasizing the two-dimensionality of paintings (paintings are after all, flat) while denying the threedimensional illusion. Well, that is true up to a point; however, Geometric Abstraction works may certainly have considerable three-dimensional illusionistic space. What these early proponents did do, and this is a significant contribution, is remove recognizable subject matter as the central concern of their illusion.
Robert Perlman
3419 E. Denny Way Seattle, WA 98122
Diana and Reflection, 2015, mixed media on board, 20” x 16”
280, 2015, pigmented resin on primed wood panel, 37” x 48”
KAREN KOSOGLAD
VICTORIA JOHNSON
Contour, Gesture, and the Figure
Color Narratives
The removal of recognizable subject matter, a singular act by the Geometric Abstractionists, made non-representational painting part of the visual canon of modern art. The impact on the art of the 20th and 21st centuries has been enormous. N.L. www.prographicadrawings.com Hours: 11 - 5 Wed. to Sat. 206.322.3851
Pike Place Market 1922 Pike Place, Seattle, WA 98101
206.443.3315
Mon–Sat 10:30–5:30; Sun 11:00–4:00
lisaharrisgallery.com
Seattle Art Dealers Association c/o Encore Media Group 425 N 85TH ST Seattle WA 98103 Return Service Requested
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1201 Western Avenue • 622-7243 • www.woodsidebrasethgallery.com
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WOODSIDE/BRASETH GALLERY
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203 Dexter Avenue North • 652-5855 • www.winstonwachter.com
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110 Union St, 2nd Fl • 587-6501 • www.travergallery.com
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TRAVER GALLERY
125 South Jackson St • 405-4040 • www.stoningtongallery.com
2nd Avenue S
13
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GALLERY 12 PROGRAPHICA 3419 E Denny WY • 322-3851 • www.prographicadrawings.com
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114 3rd Ave South • 323-2808 • www.platformgallery.com
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1225 Second Avenue • 223-0273 • www.rovzargallery.com
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PLATFORM GALLERY
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316 1st Ave S • 624-3034 • www.lindahodgesgallery.com
1922 Pike Place • 443-3315 • www.lisaharrisgallery.com
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300 S Washington St • 587-4033 • www.ggibsongallery.com
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123 South Jackson St • 625-0055 • www.galleryima.com
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313 Occidental Ave S • 624-1324 • www.davidsongalleries.com
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