SELWYN KUSUMA Architecture & Interior Design Portoflio 2020 - 2021
S E LWY N Griya Riatur Indah Medan, Indonesia 20124
K U S U M A www.selwyndesigns.weebly.com selwynkusuma00@gmail.com +6281260836411
PROFILE Pursuing Bachelors Degree in Spatial Design and studying Diploma in Landscape & Architecture, widens up my knowledge into the open artistic world of architecture that is more than just function and structure, but the searching of unique artistic language through my strong passion in architecture. Being able to proudly present my works to the industry as the Best of Best in Diploma (2019) & Bachelor (2020) Project Exhibition and accumulate respectful awards from SILA for GOLD & Bronze. Showcasing my projects in NAFA Open House in 2018, Exhibitions in 2019, and Singapore Gardens Festival in 2018, are the stepping stones that I took courageously for a better future career. Architects and designers like Le Corbusier, Tadao Ando, Louis Kahn, Steven Holl, Daniel Libeskind, and James Turell whom are masters of spatial and architecture creativity, had always been an inspiration that guided me through my projects.
SKILLS
Design
Lumion 10
Layout
Premiere Pro
Sketch Up
AutoCad
Adobe Illustrator
V - Ray
Adobe Photoshop
Adobe In Design
Media
Video / Photography, Motion Graphics / Animations, 360 Virtual Reality Renderings
Fabrication
3D Handcraft Modelling, 3D Laser Cutting
PARTICIPATION
AWARDS 2020
+ IDCS SPADE Student Awards Silver Awards Category : Best Public Design “Fabricating The Ineffable”, Portfolio Page 5
2020 - 21
+ Anabata Talks Series
2018
+ Singapore Garden Festival
Landscape Competition, Consolation Prize
+ B.O.B Exhibition Bachelors
Exhibited & Awarded Best Of Best Awards “Fabricating The Ineffable”, Portfolio Page 5 NAFA, Lim Hak Tai Gallery
2019
+ NAFA 80th Anniversary Exhibition Ambassador & Exhibitor
+ SILA Student Awards Gold Awards
Category : Graphics and Visual Presentation
+ IFLA World Congress
Bronze Awards
Participation as a Delegate
Category : Contextual Analysis / Research “Paradigm”, Portfolio Page 1
+ B.O.B Exhibition Diploma
+ Superimposing Spaces Exhibition
Exhibited & Awarded Best Of Best Awards “Paradigm”, Portfolio Page 1 NAFA, Lim Hak Tai Gallery
EXPERIENCE 2020 - 22
Exhibitor
EDUCATION
+ WE Arsitek | Medan Architect & Interior Designer, 3D Visual Renderer Working on Public, Commercial, Residential Interior Projects & Site Overseeing Completed 2 Commercial Projects : Kopi Konnichiwa, Tokyo Gorilla
2018
2015 - 19
+ Diploma in Landscape & Architecture
2019 - 20
+ Bachelor of Arts (Honours) Spatial Design
+ Playpoint | Singapore Internship Produced design drawings, 3D Visuals for various Playground designs : Condominiums, Schools
Freelance
Participation in Anabata Talks of Architects
+ SK Studio | Medan 3D Artist & Spatial Design Producing HD 3D Renders Exterior & Interiors 3D Motion Graphics / Animations Projects : Residential, Commercial / Public Instagram : @_studio_sk_
Nanyang Academy of Fine Arts, Singapore
Nanyang Academy of Fine Arts, Singapore
CONTENT 1
2
2019
2020
3
2021
4
ONGOING
02
FA B R I CAT I N G THE INEFFABLE FINAL YEAR PROJECT @ F O R T CA N N I N G PA R K
BEST OF BEST PROJECT (BACHELOR)
03
T O KY O G O R I L L A COMMERCIAL CAFE @WEARSITEK
COMPLETED PROJECT
01
PA R A D I G M
FINAL YEAR PROJECT @KALLANG AIRPORT
2020 2021 2019
04
PLN CHARGING STAT I O N P U B L I C S PA C E D E S I G N @WEARSITEK REALSCALE PROJECT
3D RENDER SK STUDIO
A N I M AT I O N / M OT I O N G R A PH I CS EXTERIOR & INTERIOR RENDERS 360 VIRTUAL RENDERS 2020 - ONGOING
2021 - ONGOING
PA R A D I G M Deconstruct and Reconstruct memories (Exhibition + Awards) Site : Old Changi Airport, Singapore Type : Public Design Designer : Selwyn Kusuma, NAFA ,
1 | STRATEGY
DESIGN STRATEGY PAST
BURRIED PAST CREATING VOLUME BY DEBOSSING LANDSCAPE
WWII REPRESENTATION CREATING SHARP EDGES TO REPRESENT WWII FROM HERITAGE ACCESS POINTS
TEARDROP HERITAGE KEEPING ORIGINAL DRIVEWAY
360° CIVIL FLOW - FREE FLOW ALL ACCESS POINTS
UNPREDICTABLE FUTURE OPEN GREEN SURFACE PICNIC, EVENTS
RUNNING TO ARCHIVES SPRINKLING WOODEN SEATING ON ANGLED SURFACE
PR ES EN T
FUTURE
STRATEGY | 1
EXHIBITION PANELS ANGLED VIEW DEMARCATE & LIFT UP SPACES - CASCADING WATERS & PLATFORMS
RECONSTRUCTING SPACES - CORTEN STEEL EXHIBITION PANELS & WETLAND
WATER CASCADE WATER FLOW & DARK GREY PEBBLES (REFLECTION)
PANORAMIC VIEW ALLOW FULL SITE VIEW, RE-CREATE CONTROL TOWER EXPLODED SPACE PATTERNS, ATMOSPHERE
SECTION DIAGRAM WOODEN STEPS ACCESSIBILITY
Respect heritages
Neutral approaches towards space possibilities
2 | SECTION OG No. 01
OLD GATE ENTRY
MO No. 02
MANGROVE ORIGIN
TD No. 03
TEAR DROP
CO N C EPT AT T ITU D ES . The design concept follows 2 concept attitudes : Respecting Heritages & Neutral Approaches to space possibilities. These attitudes allow the design to be more subtle and not invading the importance of historical heritages. The idea is greatly inspired by its memorable history that is crucial and unique to the site, to translate it into different atmosphere and space experience as users go through the spaces. Paradigm eventually breaks down these ideas into 3 different timelines of spaces : Past, present and Future, creating an exhibition and memorial park.
SECTION | 2 RM No. 04
MEMORY OF THE PAST
CR No. 05
CONCRETE RECONSTRUCTION
Ma ster Pla n
HOK No. 06
HEART OF KALLANG
3 | PROGRAMMATIC
EAST & WEST BLOCKS - TEMPORARY EXHIBITIONS
CONTROL TOWER - PERMANENT EXHIBITIONS
FOOD & BEVERAGE - BASEMENT CONTROL TOWER
FUTURE - PICNIC & EVENT SPACE
PRESENT - FREE FLOW ENTRANCE
PAST - EXHIBITION / HISTOL ARIUM
PROGRAMMATIC | 3
4 | 3D RENDERS
3D MODELLING | 4
FABRICATING THE INEFFABLE A JOURNEY TO MEMORYLANE (Exhibition + Awards) Site : Fort Canning Park, Singapore Type : Public Design Designer : Selwyn Kusuma, NAFA ,
6 | INTRODUCTION
PROLOGUE “INEFFABLE”
INDESCRIBABLE
EXPE RIE NCE D
CO M PL EX & EXT R AVAG A N T
LIVE D, F E LT, CO NF R O NT E D
PA R A L L AX T H EO RY
ILLU M INAT IO N
ST EVE N H O L L
DA N I E L LIBESKIND
PHILO S O PHY O F DE S IGN T IM E LIN E
“ WHAT I S I NEF FABLE? ” “ WH AT A R E T H E DAI LY ENCOU NT ERS O F I NEF FABLE? ” “ H OW D O WE RES P O ND TO I NEFFABLE? ”
“ S E A R C H I N G THE I NEF FABLE . I S I T I M P ORTANT ? ”
ST EVE N H O L L’ S T H E O RY
INTRODUCTION | 6
I N E F FA B L E STO RYL I N E
7 | MONTAGE
CONCEPT APPROACH 01.
H I STO RY PR ECE D E N TS W W 2
02 .
MAR K I N G & I N T E R SECTI N G EVE N TS B AS E D O N PR EC E D E N TS
03 .
IN CI SI O N S O N SLO PE - CON N ECT IN G H I STO R I CA L AXIS
04.
BAS I C VO LU M E O N SLO PE - CON T IN UOUS CO R R I DO R
0 5.
CA R VE D I N TO T H E SLOPE OF FORT CA N N I N G
MONTAGE | 7
8 | PLAN
SE CT IO N CU 2 T #
CU N O TI SEC
SIT E LOCATI O N - FO RT CA N N I N G PA R K
1 T #
PROGRAMMATIC | 8
The idea of creating experiential journey ties back to the importance in understanding the phenomenon of history, its timeline and existence within the memories and places. The approach includes understanding the chronological journey of the war, marking out the precedents ; the first step of japanese invasion, bombings, Alexandra Hospital massacres and so on. The marked precedents eventually creates incisions on slope, uncovering the ground of the memories that will eventually become a corridor of journey that visitors will take to venture the memories. The corridors are a combination of exterior and interior space, unity of all nature and a loop of memories.
9 | SECTION
SCENE FOUR : R
SCENE O
SECT I O N AL CUT # 1
0m
2m
6m
12m
SCENE FOUR : ROOF TERRACE
SCENE ONE : EXHIBITION
SECT I O N AL CUT # 2
0m
2m
6m
12m
SCENE TWO : THEAT
ROOF TERRACE
SECTION | 9
SCENE THREE : CAFE
ENTRY & EXIT - FORT CANNING
ONE : EXHIBITION
TRE
SCENE TWO : THEATRE
ENTRY & EXIT - CLEMENCEAU AVE
SCENE THREE : CAFE
10 | 3D RENDERS
3D RENDERS | 10
T O KYO X U N I TY To ky o G o r i l l a C a f e Site : Jl. Multatuli No 48, Medan, Indonesia Type : Commercial Cafe Designer : Selwyn Kusuma at WE Arsitek S c o p e o f Wo r k : I n te r i o r & E x te r i o r D e s i g n , P h o to g r a p h e r , 3 D Vi s u a l s
11 | EXTERIOR STRATEGY
JA PANESE FACADE
S H OJ I
I N S PI RED
FACAD E
AS
TE MP ORARY
Due to the site is situated at an old building which was rented by client and as per request by client, they wanted to preserve its original facade. By doing so, the idea of Japanese Shoji created a second skin infront, retaining the original building facade, which can be taken down once the site is returned to its original owners. The shape of Japanese Shoji also influences the way natural light enters the interiors of the space, as the site is located to the north east. The angled facade allows more light to be captured within the spaces.
CONCEPT APPROACH STEEL FRAMES GRC PHOMI
S IT E A R E A 4 M X 33M LONG CO R R ID O R
ADDED FACADE
OLD
FACA D E A N GL E FAC ING TO T HE N O RTH A S A N EW S KIN
GLASS BLOCKS
E
I M PR OVIN G N ATU R AL LIG HT IL LU MIN AT IO N
W
CEMENT STRUCTURE
NEW SKIN FACADE - SECTION CUT
INTERIOR STRATEGY | 11
JO URNEY T H ROU G H A PA N D EM I C CAF E
The Corona Virus pandemic has induced an acceleration in transformations such as teleworking (Work Via Online Platforms) or sustainable mobility. It has also change the way people interact with each other, places we visit, and daily life quality. These changes may be temporary, but it will be a reminder as a year where we value the interior homes or spaces the most as lockdowns are implemented. This creates an idea of evolution within the public and commercial sittings / businesses to adapt in such conditions where people are social distancing and moving more efficiently than before. NEON ALLEY
CAUSTIC TRANQUILITY
NARROW SUBWAY
THE JOURNEY IN A COLLECTIVE MEMORY
CIRCULATION
SPACE PL ANNING
ORDER, PICKUP TO KYO S I G N INSTA SPOT TO KYO G O R I L L A BOOTH #1
ENTRY & PARKING AREA
MAIN SEATING AREA
UNITY COFFEE SIGNAGE INSTA SPOT
UNITY COFFEE BOOTH #2
12 | EXPLODED ISOMETRIC
JAPANESE SHOJI FACADE
SECOND SKIN FACADE, CAPTURING EAST - WEST LIGHT
TEXTURED GLASS BLOCKS - CAUSTIC
TRANSOFRMING NATURAL LIGHT INTO MOVEMENT OF BREATHING SPACE
NEON LIGHTS - KANJI
EXPLODED ISOMETRIC | 12
CU R VE D H A L LWAY - N A R R OW S U BWAY
MADE WITH WHITE PLATED STEEL WITH EMBEDDED LIGHT STRIPS
JOURNEY THROUGH A PANDEMIC CAFE
13 | 3D RENDERS
3D RENDERS | 13
JAPANESE SHOJI FACADE
TEXTURED GLASS BLOCKS
STRIPED TRANSPARENT BARRIER
14 | PHOTOGRAPHY
PHOTOGRAPHY | 14
PLN CHARGING STATION PT PLN UNIT INDUK SUMATERA UTARA S i t e : J l . Yo s S u d a r s o , N o . 2 8 4 , M e d a n , I n d o n e s i a Type : Public Design Designer & Render : Selwyn Kusuma at WE Arsitek
CONCEPT IDEA The idea of energy saving that introduces the world into electric cars, injecting power by exchanging fuel with electricity. It becomes a vessel of moving batteries that links both humans and nature together by helping to reduce the carbon emission. It is a paradox thata create a change in atmosphere from grim to bright. the idea is to mark the start of a change into the carbon emission within the country, specially north sumatra. The design transforms rain drops into canopy like structures, with each canopy, it captures water and create a man made greenery that grows overtime, creating a living monument. A new home for nature, a link between human and nature.
STRATEGY
RAIN DROPS
COLLECTING
EXCHANGE
GROW
COMMUNITY
15 | EXPLODED ISOMETRIC
ROOF GARDEN
TEMPERRED GLASS CAFE AND RESTING AREA
STEEL FRAME
WOODEN CANOPY
PUBLIC SEATING AREA
FILTRATION STRUCTURE
16 | DETAIL DRAWINGS B
A
E
HAL 20
HAL 19
HAL 24
51280
L K
6016
1
2016
J I
CAFE
719
26°
H
D
C
20410
G F
° 15
17
0
1870
16000
1297
2000
15500
00
140
8°
15° 6°
1500
2000
15° 15° 16 °
15° 15 ° 1 5°
18000
15°
12 °
A
60
°
B
141
18
C
145
00
0
A
00
145
50
17
D
50
0
B
E
800500
6153
2640 11950
7000
500
12350
ENTRY
1
2
3
4
5
6
7
8
9
10
500
7000
11980
11
12
13
14
15
16
C
HAL 21
EXIT
TIANG BENDERA
17
19
18
20
21
22
23
24
25
26 D
HAL 22
51280 9160
9045
57°
21 00
I
8
7800
J
246
3785
2150
K
6435
L
4649
90°
H
1850
91
515 0
4097
°
69 °
54
5348
4595
1110
F
20410
°
4° 11
G
E
00
19 520
941
1620
6436
2297
1475
499 4 5095
64°
°
57
0
7683
2000
A
55°
C B
5443
420
1925
102°
1450
D
10607
2000
1
N
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
DETAIL DRAWINGS | 16 RAINWATER FILTRATION LAYER 1. KERIKIL PUTIH 2. WIRE MESH GRATING
250
249
TOP OF CANOPY BATU KERIKIL
450 45°
METAL GRATING / MESH
200 250
450
GL+ 321.10
DRAINAGE BASIN
300
550
548
LAMPU STRIP WARM WHITE 45 DERAJAT PLAFON
299
BIDANG MIRING PLAFON 45 DERAJAT
SALURAN AIR HUJAN
CORRUGATED GLASS 1M X 2.8M LAMPU STRIP LED WARM WHITE
ENTRANCE GL+ 0.60 GL+ 0.00
100 RAINWATER FILTRATION LAYER 1. KERIKIL PUTIH 2. WIRE MESH GRATING
250
BEVEL PINTU BAGIAN DALAM
STRUKTUR TIANG CAFE
250
10042
450
200 250
LAMPU STRIP WARM WHITE
940
45°
500
BIDANG MIIRING 45 DERAJAT PLAFON
950
450
GL+ 321.10
1860
2300
300
DRAINAGE SYSTEM CAFE GL+ 0.60 GL+ 0.00
17 | 3D RENDERS
3D RENDERS | 17
LINK TO 360 960
S E LWY N
K U S U M A