PROFILE
S E LWYN KU S U M A
This opportunity allowed me to discover more about myself as an artist and designer, my visions and creative thinking in architecture; finding myself in a vast major industry that separates artists architects among others. Architects and designers like Le Corbusier, Tadao Ando, Louis Kahn, Steven Holl, Daniel Libeskind, and James Turell whom are masters of spatial and architecture creativity, had always been an inspiration that guided me through my projects.
LANDSCAPE ARCHITECTURE & SPATIAL DESIGN + 65 8197 2781
10 Joo Seng Road, 360010
s e l wy n ku s u m a0 0@gm ail.co m
issuu.com/selwynkusuma00
linkedin.com/in/selwyn-kusuma-493b7a192
Being able to proudly present my works to the industry as the Best of Best in Diploma (2019) & Bachelor (2020) Project Exhibition and accumulate respectful awards from SILA for GOLD & Bronze. Showcasing my projects in NAFA Open House in 2018 and Exhibitions in 2019, are the stepping stones that I took courageously for a better future career. My participation in competitions like Singapore Gardens Festival in 2018, paved my way through landscape understanding, by working with big industries, teammates, landscape contractors and moreover, had enabled me to showcase my artistic elements towards garden design and exhibited it publicly in Gardens by The Bay for several days.
SKILLS Proficient in Illustrator
Experienced in Indesign
Skillful in Premiere Pro
Proficient in Autocad
Proficient in Lumion 10
Skillful in Sketchup
LANGUAGES
2019 - 2020
English (Fluent)
Bachelor of Arts (Honours) Spatial Design
Bahasa (Mother Language)
Nanyang Academy of Fine Arts, Singapore
MODELLING
2015 - 2019
Proficient in V-Ray
Proficient in Microsoft Software
MANUAL RENDERING
PARTICIPATION 2016
Tuition Grant (DIPLOMA)
URA RE:BENCH DESIGN
2018
ArKIDecture @ Archifest
2018
Skyrise Greenery Conference
2018
NAFA 80th Anniversary Exhibition
2019
Chandra Kumala School, Indonesia, Medan
2020
17 July 2020 - 7 August 2020
2020, Best of Best Ceritificate of Awards (Bachelor)/ Best of Best Exhibition/ Lim Hak Tai Gallery, NAFA Project Awarded : Fabricating The Ineffable 17 November 2019
2019, SILA Student Design Awards/ Outstanding Graphics Presentation/ Gold, SILA Project Awarded : Paradigm
Superimposing Spaces Exhibition
2019 SILA Student Award (BRONZE)
7 November 2019
2019, SILA Student Design Awards/ Outstanding Contextual Analysis & Investigation/ Bronze, SILA Project Awarded : Paradigm
Spatial Design Award (SPADE)
2019 B.O.B Exhibition (DIPLOMA)
Participation in SPADE Competition “Entwine”
Exhibiting “LE GRID” Project & as Ambassador
2018
IGCSE ‘O’ Levels, Cambridge
Nanyang Academy of Fine Arts, Singapore
2019 SILA Student Award (GOLD)
IFLA World Congress
Exhibiting “Entwine” Project
Participation as a Delegate
2018
Student Helper (The Grad Expectations)
Participation as a Delegate
Participation as a Facilitator
2017
Diploma in Design Landscape & Architecture
2020 B.O.B Exhibition (BACHELORS)
Awarded Certificate of Appreciation, NAFA, 3DD Programme
Participation in BENCH design by URA
2017
2013 - 2015
AWARDS
Awarded Tuition Grant by MOE
2017
selwyndesigns.weebly.com
EDUCATION
SKETCHING Proficient in Photoshop
PORTFOLIO WEBSITE
Pursuing Bachelors Degree in Spatial Design and studying Landscape & Architecture in Diploma widens up my knowledge into the open artistic world of architecture that is more than just function and structure, but the searching of unique artistic language through my strong passion in architecture. It had introduced me to wide ranges of architectural knowledge starting from meeting and attending architects talks, competitions and learning from the industry.
24 June 2019 - 17 July 2019
2020, Best of Best Ceritificate of Awards (Diploma)/ Best of Best Exhibition/ Lim Hak Tai Gallery, NAFA Project Awarded : Paradigm
Spatial Design Award (SPADE) Participation in SPADE Competition “Fabricating The Ineffable ”
2019 Consolation Prize
June 2018
2018, Consolation Prize/ Landscape Competition/ Singapore Garden Festival, NPARKS Project Awarded : Childhood Dreams
Student Helper (NAFA Open House) Awarded Certificate of Appreciation, NAFA, 3DD Programme
EXPERIENCE 2018 - Internship Playpoint Internship at Playpoint for 3 months
2017 - Part Time Sales Promoter Dealing with various customers, Door to Door sales
Job Description :
Software Used :
Address :
Duration :
Assistant Designer to help out with Tender Drawings, Layouts, Editting and Renderings
SketchUP, AutoCAD, VRAY, Photoshop, InDesign, Illustrator
1 Sims Ln, Singapore, 387355 https://playpoint.asia/
16 May 2018 - 20 August 2018
Job Description : Dealing with Homeowners in HDBs throughout Singapore (West - East)
CONTENT 1
2
2016
3
4
2018
2019
5
2020
04
PA R A D I G M
FINAL YEAR PROJECT @KALLANG AIRPORT
FA B R I CAT I N G THE INEFFABLE
02
ENTWINE
I D C S S PA D E CO M P E T I T I O N @BRAS BASAH COMPLEX
LE GRID
NAFA OPEN HOUSE @QUEEN STREET
2018
FINAL YEAR PROJECT @ F O R T CA N N I N G PA R K
03
CHILDHOOD MEMORIES
LANDSCAPE COMPETITION @ G A R D E N S BY T H E B AY
01
05
2019
BEST OF BEST PROJECT (BACHELOR)
Le Grid | NAFA OPEN HOUSE Le grid is a Pocket Park Design which integrates the use of grids on a town plan or a map as its simplest form at the queen street area. Le grid combines both exhibtion and resting area that will also provide users to enjoy the view as it has a built in greenery as a green lung of the region. Using white concrete as the walls of the exhibtion and wood planks as the pathway to create a unity of being natural and being futuristic. The design is made from a 45 degree turn of a rectangular shape, facing diagonally. Landscape of the area is also integrated into a similar concept of diagonal rectangle shapes that overlaps and stay as it is. Arts Exhibition Space
The very first project that introduced me to the world of architecture and landscape design.
EXHIBITION A
FRONT ELEVATION
EXHIBITION B
The Pocket Park consist of 2 ehxibitions area 1 & 2, and small gathering space for users in between exhibitions. In each exhibitions has integrated seatings and plantings for a more vibrant exhibition. The design also uses green roof concept on the gathering space to allow a softer overall design, as well to be the green lung of the area. The design is an air gallery which allows a more open spaces, allowing users to relax and have a beautiful environment view from all angles. Exhibition grids are also facing north, part of its design concept as a compass.
Exhibitions A and B has applied softscape greenery and seatings in the middle of each sections to facilitate user with resting and enjoying the view of gallery. By doing this, the design is trying to achieve an open air gallery design, with trees acting as passive shelter. Exhibition B is larger in space than A, allowing it to have 4 entry and exit points. Keeping and improving the existing circulation flow.
The project uses hand cut materials (Modelling Wood & PVC) acurrately according to the dimensions drawn within CAD. Exploring the use of different materials to create the landscaping effect into the modelling & create the correct ambience and atmosphere of space.
Entwine | Superimposing Spaces Exhibition Entwine is a linear stretch design at the level 5 invisible boundary, that provides diverse reading space programmes and community activities. This space targets the residents, especially the elderlies to promote book reading, proven beneficial for their health mentally and physically, as well create an interaction between residents of two different residential blocks. Entwine space design is derived from the bookmark ribbon concept, where it connects and joins a book, “pausing and resuming the reading at the spot�. The design connects directly to the circulation points, where it will lead to a series of different reading programmes such as private reading, sharing experiences, donation of books, etc.
FINAL MODEL / EXHIBITION @ LIM HAK TAI Trees, Humans, Glass figures were all added during the final process after laser cutting models. This touching up process includes building up the surrounding to make it look more realistic and professional, including the addition of the two HDB apartments. The final model was showcased in Lim Hak Tai Gallery at NAFA. This session includes presentation, consultation and opening ceremony to meet other professionals.
1 DESIGNATED LOCATION - PROPOSED TO REMOVE
2 GRID LINES - CONNECTING ACCESS POINTS
3 CONSTRUCTING SPACES - LIFTING UP SPACES
4 GIVING IDENTITY - REDEFINING SPACES BASED ON ANALYSIS
5 SOFTSCAPE INTEGRATION SUPERIMPOSING TREES & SHRUBS
DONATION OF BOOKS
LOUD
QUIET
SHARING STAGE AMPHITHEATHRE
URBAN FARMING ACTIVE READING
PRIVATE WORKING SHARED - PRIVATE
BOOKS DONATION
SHARING SPACE
ACTIVE READING
PRIVATE READING
PRIVATE READING SPACES - EYE LEVEL VIEW The Private Reading area has singular pods, double shared pods, and a group sharing pods. these individual pods have atleast three sides covered to provide the sense of privacy and aswell an open front wall to increase the view, and allow wind to flow through and ventilate the space.
PRIVATE READING SPACES
Private zone is divided into 2 spaces : private shared and privateworking area. these spaces provides residents courtyards on both areas, where they can do morning exercises, picnics and meditations outdoors, as part of their daily lifestyle. While inside the shelters, private reading spaces are provided.
ACTIVE READING SPACE - INTERIOR VIEW Active Reading Zone has a mix of activities + reading combined activities where residents can enjoy active interactions between one another, and having to be able to share and learn at the same time. Activites such as : Urban Farming, Hobbies, Technologies, Etc.
Active Reading Zone has a mix of activities + reading combined activities where residents can enjoy active interactions between one another, and having to be able to share and learn at the same time. Activites such as : Urban Farming, Hobbies, Technologies, Etc.
ACTIVE READING SPACES
SHARING SPACES
An Outdoor sharing space will go along after Active reading, which provides a stage and ampitheatre environment to share experience among elders young.
SHARING SPACE - EYE LEVEL VIEW The Sharing Space has an ampitheatre built into the space, allowing residents to share stories, group gathering and interaction. The design is allowing natural light and wind to pass through easily, to create a sense of relaxation and open space similar to that of a play stage. The softscapes are also twisting and turning into the wooden decking, creating a better feel of nature.
DONATION OF BOOKS - INTERIOR VIEW The Donation of books has a unique wooden decking roof design where it has a variant of gaps in between each wood that will provide a natural spotlight towards each aisle of donated books, show casing an open space books gallery.
Lastly, Donation of books situated at the end, provides the community a flexible and accessible library of donated books, sharing and caring among residents. Flea market can be happened on top of the last donation of books space.
DONATION OF BOOKS
Childhood Memories | Singapore Garden Festival 2018 Singapore’s childhood has played important role in developing the current Singapore in such of emotion, character and uniqueness, we wanted to emphasise these points by creating a childhood dream garden that symbolises Singapore’s childhood sensory garden. Using the different senses will stimulate the feeling of a childhood that will evoke emotions in the people’s hearts. We used a variety of different colours and textures to show contrast between species that will excite the eyes. The textures draw us in, asking us to engage with the planting design. Dream concept also has selected plants that will create dreamy illusion and miniature dreamlike spaces. COMPETITION THEME : KALEIDOSCOPE OF COLORS
KALEIDOSCOPE FORM
OUTLINE
STRETCHED OUT
MIRRORING FORM
FINAL LAYOUT
DEFINE SPACES
0.5m
INITIAL CONCEPT Initial concept of Childhood Dreams is aiming to connect users towards memorable plants through their senses, such as : Sight, Touch, Smell and Hear. The use of hardscape and softscape elements emphasize a confined memories that we have lost since a child, within a concealed glass ; represented through a terrarium.
1.3m 0.25m 2.5m
0.7m
1m
1m
PLAN VIEW
TERRARIUM ENTRANCE -
Allows user to enter the space
KALEIDOSCOPE HARDSCAPE EFFECT E L EVAT I O N VI EW
INITIAL CONCEPT - PLANTING ZONING
3 Coloured Planting Areas
ZONE 1 (SEE)
ZONE 2 (SMELL)
ZONE 3 (TOUCH) (FOCUS POINT)
INITIAL CONCEPT - PLANTING SPECIES Brunfelsia pauciflora (Cham. & Schltdl.) Benth Height: 1m Texture: Medium fine Colour: purple
Dieffenbachia exotica
Murraya paniculata
Height: 1m - 3 m Texture: Medium Colour: Cream white, green
Height : 2.5 m to 3.5 m
Texture: Medium fine Colour: white flower, green
Ficus lyrata Warb. Height: 3 m Texture: Medium Colour: Greenish-grey, purple
Phyllanthus myrtifolius Height: 0.3m Texture: Fine Colour: Light green
Dieffenbachia exotica Height: 1m - 3 m Texture: Medium Colour: Cream white, green
ZONE 1 (SEE)
ZONE 2 (SMELL)
Hydrangea macrophylla Height: 1 m Texture: Medium coarse Colour: Bluish purple
Dionaea muscipula J.Ellis Texture: Fine Colour: yellowish green
Ficus lyrata Warb. Height: 3 m Texture: Medium Colour: Greenish-grey, purple
Mimosa pudica. L. Height: 0.5m Texture: Fine Colour: green
Crinum asiaticum Height: 2m Texture: Medium Colour: Green
ZONE 1 (SEE)
Codariocalyx motorius Height: 1m Texture: Fine Colour: purple, green
ZONE 3 (TOUCH)
0.25m gap
0.5m 0.5m
E XP E R I M E N T 2 ( WO O D PA L L E T S + PA N E L S )
2.5m
3rd lvl 2nd lvl 1st lvl
3m Pebbles on 0.25m gap
0.25m gap
Wood Panels
CONCEPT TO REALITY Several designs and plants changed after consulting nursery, competition judges and within team discussion, to have the best quality as well as deliver an efficient and winner worthy design. This is done due to the time limit given during the competition day to construct the modulars within 4 hours, as part of the challenge. Secondly, budget had been limited to $2000 per team ; important to collaborate with respective nursery towards design approach and checking on nursery’s planting availability. The initial concept is not effeciently designed for the team to carry out the project and costly.
Plectranthus scutellarioides Begonia rex Sansevieria trifasciata Pandanus amaryllifolius Spathiphyllum walliisii Ocimum bacilicum Epipremnum aureum Thamatococcus daniellii Senna pendula Cordyline fruticosa ‘Inscripta’ Philodendron ‘Red Cherry’ Phylanthus myrtifolius Cuphea hyssopifolia
PLOT VISIT 3m x 3m
@Gardens By The Bay
TEAM WORK
Setting out hardscapes Compositioning plants
Paradigm | Best of Best (Diploma) Awards Paradigm represents different timelines of past, present and future within the former Kallang airport in attempts to create diverse non stopping movement of civil will’s life. This project envisions to harmonizing and link two different worlds of Humans civilization & Kallang Airport’s memorable history. Paradigm design follows two conceptual attitudes which are, respecting existing heritages and neutral approach towards space possibilities. This translates that the design shall not interfere with the heritage and shall not rival its architecture that exists within the site such as, Kallang Airport Control Tower by Frank Dorrington Ward and two existing Airport Blocks.
OG No. 01
OLD GATE ENTRY
MO No. 02
MANGROVE ORIGIN
TD No. 03
TEAR DROP
RM No. 04
MEMORY OF THE PAST
CONCEPT AT T ITU DE S .
THE DESIGN CONCEPT FOLLOWS 2 CONCEPT ATTITUDES : RESPECTING HERITAGES & NEUTRAL APPROACHES TO SPACE POSSIBILITIES. THESE ATTITUDES ALLOW THE DESIGN TO MORE SUBTLE AND NOT INVADING THE IMPORTANCE OF HERITAGE (BUILDING, ITEMS, & LANDSCAPE). THE IDEA IS GREATLY INSPIRED BY ITS MEMORABLE HISTORY THAT IS CRUCIAL AND UNIQUE TO THE SITE, TO TRANSLATE IT INTO DIFFERENT ATMOSPHERE AND SPACE EXPERIENCE AS USERS GO THROUGH THE SITE. PARADIGM EVENTUALLY BREAKS DOWN THESE IDEAS INTO 3 DIFFERENT TIMELINES OF SPACES : PAST, PRESENT AND FUTURE, CREATING EXHIBITION AND MEMORIAL PARK.
Ma s te r P l a n
CR No. 05
CONCRETE RECONSTRUCTION
HOK No. 06
HEART OF KALLANG
EAST & WEST BLOCKS - TEMPORARY EXHIBITIONS
CONTROL TOWER - PERMANENT EXHIBITIONS
FOOD & BEVERAGE - BASEMENT CONTROL TOWER
FUTURE - PICNIC & EVENT SPACE
PRESENT - FREE FLOW ENTRANCE
PAST - EXHIBITION / HISTOL ARIUM
A n gl e d barriers s u rrou n d in g th e corrid or d e s ig n e d to p rovid e exhi b it i o n d e s c rip t io n w h i ch fa ces toward s th e wetlan d ( pas t laye r) a n d a m o re s ub t l e a p p roa ch to b le n d w i t h th e s h arp an g les of th e pas t .
ORIGINAL TEAR DROP ASPHALT
HORIZONTAL FRAME + ANGLED BARRIER
BLUE TINTED GLASS
EXHIBIT DESCRIPTION INFORMATION OF EXHIBITION ON LIGHT BOX
PATTERN IMITATING CONTROL TOWER STREAM LINED FACADE & WINDOW
B lue t i n te d gl a ss a n d h o ri zo n t a l f ra m e pa tte rn s s urro u n di n g t h e co rri do r, mimic s t h e i co n i c Ka l l a n g Co nt ro l Towe r wi n dows.
SHADOW PATTERNS
L i g h t an d s h a d ow pattern s illu m in atin g into t h e tea r d ro p co rri d o r. T h e i n clin ed an g le of f u tu re layer allows l i g ht to i l l umina te a n d p e n e t rate th rou g h th e p lu m eria ru b ra.
PLUMERIA RUBRA LESS CROWN DENSITY
LIGHT & SHADOW ANGLED CUT ALLOWS SHADOW TO DISSOLVE INTO TEAR DROP
Fabricating The Ineffable | Best of Best (Bachelor) Awards “Fabricating the ineffable”, the word “Ineffable” means to make sense of the understanding towards something that can not be explained through words, which can be fabricated through personal experiences and feelings. The project is about repressing memories of Fort Canning’s history through the architecture of sensibility: in which surpass the dominance of the eye but engages all the five senses; touch, smell, sound, taste and sight, as a vessel for experience. Therefore, a reactive reaction will be formed by the movements, actions, and perception of the bodies as they enter the space. Centre of the Arts & Culture.
1 st C HRI ST I A N C EMET ERY Fo r Early Eu ro p ean ( 1 8 24 1 8 65 )
COM M U N ICATION CE N TER Fl a g S ta ff, Li gh t H o us e, Ti m e Ba l l
1 8 2 3 B R I T I S H S ET T L EMENT St amfo rd Raf fl e s b u ilt his re s i d e n cy an d g ove rnm e nt h o u s e s o n t h e hi ll, marki n g t h e early co l o nial p e rio d o f Fo r t Cannin g .
EA R LY CO LO NI A L
B AT T L E B OX O n 1 5 Fe b r u a r y 1 942 Lieutenant-General Ar t h u r Pe rc i va l cru ci al d e c i s i o n to s u rren der S i n g a p o re to J apan ese
9 P O U ND CA N N O N S CO NVI CT L A B O UR E R S A r t i lle ri e s , Ca n n o n s , M o r t a rs 1 9 07 O l d Fo r t wa s d e m o l i s h e d , w i t h t h e g a teway to t h e fo r t a n d 2x 9 p o u n d e r c a n n o n s re m a i n e d .
1 8 6 0 FO RT I FI CAT I O N B rit is h d e ci d e d to t ra n s fo rm t h e hi ll i nto a fo r t d u e to t h e ab s ce n ce o f h a rb o u r d e fe n ce . R e nam e d to Fo r t Ca n n i n g .
B y 1 920 - 1 93 0, U n d e rg ro u n d B u n ke r “ B a tt l e B ox ” wa s co n s t r u c te d , w h e re t h e B ri t i s h Army u s e d a s H ea d q u a r te rs a n d Co m m a n d o p e ra t i o n s .
FO R D FACTO RY Th e o f fi c i a l s i g n i n g of the s u rre n deri n g h a p p e n e d a t form er fo rd fa c to r y.
FO RT I F I CAT I O N & M I L I TA RY
TIM EL INE INEFFABLE STORYLINE
JA PA N E S E O CCUPAT I ON 3 , 5 Yea rs o f G r u el i n g J apan ese o cc u pa t i o n
CO N C E PT
3 AXI S O F H I STO RY
A NC I ENT HI STO RY
14 t h Cen t ur y “Fo rbi dden H i l l ” B y t h e earl y Sin g ap o re ru le rs Ki n gs a n d Queen It was o ccu p i e d by a pala ce w it h va ri o us bui l di n gs o f p o lit ical, re lig io u s an d co mm erc i a l s i gn i fi c a n ce .
R u i ns D i s cove re d 1819 B ri t i s h a rri ve d an d to o k a d va n ta g e o f t h e h i l l . T h ey d i s cove re d Rui n s l e f t by t h e an c i e n t Ki n g s a n d Que e n s .
E N D O F WA R Fo r t Ca n n i n g was deci ded as a n a t i o n a l h e ri t a g e an d t ransfo rm e d i n to pa rks for edu cational and e nter t ai nm ent p u rp o s e s . J u b i l e e Pa rk ( Ki n g G eorg e V Pa rk ) , N a t i o n al S i n g apore Th ea t re , Va n k l eef Aqu ari u m
A ba n do n e d S i n ce En d o f 1 4 t h Ce n t u r y Att a cke d by M ajapahit o r t h e s i am e s e , fo rci n g the ru le rs to fl e e toward s m e laka.
1941 - 1942 Timeline of WW2 against Japanese, ended in just 70 days. It talks about the Chaos & Violence that happened throughout the war. In early December, the bombing started at the centre of Singapore where lots of civilians and the society lost their lives that day and marked the invasion of the japanese forces. the japanese had defeated Malaya by January and moving downwards to cross the bridge towards Singapore from Johor. However, the bridge was eventually blown apart by allied forces. By February, the Japanese took the allied forces off guard by using bikes into the battlefield, capturing higher grounds at Bukit Timah and seizing Ford factory. Massacre of hundreds of Civilians eventually forced British General Arthru precival to surrender from the Battle Box, to the signing in Ford Factory.
CON S E Q U E N C E O F W A R “ B I T T E R V A L U A BLE LESSONS” It doesnt only talk about the Defeat, and the Loss of the war, but how they use it to turn into a better future as part of the Consequence of War “Bitter But Valuable Lesson. Capturing the emotions of war into experiential journey
1941 - 1942 TIMELINE HISTORY OF WW2 FORT CANNING PARK
SE CT IO N CU 2 T #
U N C O I T SEC
S I TE LO CATI ON - FORT CA N N IN G PA RK
1 T #
SCENE FOUR : ROOF TERRACE
SCENE THREE : CAFE
ENTRY & EXIT - FORT CANNING
SCENE ONE : EXHIBITION
S ECTIONA L CUT #1
0m
2m
6m
SCENE TWO : THEATRE
12m
SCENE FOUR : ROOF TERRACE
ENTRY & EXIT - CLEMENCEAU AVE
SCENE ONE : EXHIBITION
SECTION A L CUT #2
0m
2m
6m
12m
SCENE TWO : THEATRE
SCENE THREE : CAFE
FABRICATED MONTAGES : THE INEFFABLE
Fierce battle between allied forces against the strategist Japanese army. They found themselves t the voids of the forest, gaps between trees. Awareness and adrenaline is at the peak of their sens slower and slower until the shadows from pillars of trees, and bodies covering the field. One by o they see neither light, nor sense anything.
UN DU
SCENE ONE : THE DEFENDING VS THE INVADING
SLO PE SUR
trapped between ses, time is going one they fall until
U L AT I NG PANELS
R FACE + PO ROUS FACADE
The punishment brought upon the environment : Battlefield, City Centre, Living Area. Ruins of build bricks, blood, and screams of the innocent covers the surrounding that echoes for days. It was a dissa by the “Gibraltar of the east” (British Forces), but it was a mark of the beginning of somethin
SCENE TWO : WITNESSING THE DESTRUCTION
ACO U ST
dings, debris of apointing defeat ng new.
TIC S PAC E - EC HO E S
Nothing could be done but to reflect and fight for themselves as they were forced, terrified, and suf ruling of Japanese. Not knowing when, how it will end, but looking after each other and ponder for
SCENE THREE : DECISIVE SURRENDER
C EI L I N G A S R O O F T E
ffered by the r the future.
ER R ACE + S CR E E N
Freedom to act, speak, think, and live is the way of the future. City in A Garden, Arts of the City ar upcoming future, marking a story that keeps going and never ends.
SCENE FOUR : CHALLENGING FUTURE
ASCE N DIN G TE RRAC ES + L I G HT C H
re the ideas of the
HOREOGRAPH TO EXHI BI TIO N
WH IT E OAK WOOD
CRUSHED GRA NITE CONC RETE FLO O R
STRIPED CONCRETE
CO NCRETE PL A STER
U N DU L AT IN G PAN ELS
WATER + GRA NITE MO UNDS SLOPE SURFAC E
NEIGHBO URING PO ROUS FACA DE
ACOUSTIC SPACE - ECHOES
SCE NE TWO - WI TNE SSI NG THE DE STRUCTI ON
SCENE ONE - THE DEFENDING VS THE I NVADI NG
CONCRETE BRICKS
C EIL ING AS ROOF TERRACE + SCREEN
SCENE THREE - DECISIVE SU RRE NDE R
LIGHT PAT TERNS 12 P.M - 6 P.M
WHITE OA K WO O D
A SCENDING TERRACES
LIGHT CHO REOGRA PH INTO INTERIORS
SCE NE FOUR - CHALLE NGI NG FUTURE