Portfolio Serdar Aydin

p

o

r

t

f

o

l

i

o

2

0

1

2

Serdar Aydin MA Architecture University of Liverpool

to cancan

i

Content

1. Brewery over the canal (Bridge) The bridge proposes a range of functional spaces with a modern framework, vierendeel truss. Put on the bridge, the brewing process is displayed with a linear planning to visitors.

1

2. Invisible Narratives Invisible narratives propose a submerged research centre and a scultural urban infill for a public space using a modular unit at the material scale, a new ‘brick’ topology. The idea highlights how the system responds to a number of change strategies.

8

3. Islamic Tiling Patterns and Caligraphy A canopy proposal derived from octogonal star pattern.

14

4. quasiGRAMMARS (Research)

17

Research summary of the dissertation for a flexible urban design tool with shape grammars optimised by genetic algorithms where programming and design take place with an interdisciplinary approach.

ii

Preface Since the modern philosophy has constructed our understanding in every fields, one may see a complexity on the piece of caligraphy art at rigth. If it is so complex, it would be often defined as random. The word of random refers to as not ordered. But the reverse might be the case.

Though I will point out a hint about this anomaly at the end of the portfolio, I want to link my understanding of art, architecture and urban design with this piece.

According to Wabi-Sabi that tells us two diferrent or opposite things can exist together, I conclude that it is possible for randomness to coexist with order. In the projects on this portfolio, complexity is

iii

displayed in different forms such as visual, functional, structural and even philosophical complexities. However, order is a sine-qua-non whilst designin complexity. This type of design might fall in with mathematics, geometry, algebra and even astronomy. Having to be innovative and flexible, designing a complexity might end up with a paradigm shift that will lead the future.

In order to complete this complex process of designing a complexity, research and analysis possess a significance. Only then, the innovative complexity that is attempted to design can be contextual as the order used comes with the knowledge from research and analysis.

Here are three works listed in the content.

But each of them are derived from the others displayed in the last page. On top everything, they are a product of my self-perception in architecture, life and everything that I think I know. There are conflicts, contradictions and mistakes. I see them like the world. I see my position as a dealer in this world. Dealer between the reality of contradictions and the desire for perfect. Never been perfect though and never felt close to it.

In a nutshell, with this portfolio, I ask your pardon to spend a couple of minutes for a look.

Serdar Aydin, 2012

Brewery over the canal (Bridge) Organic Brewery for Cains Leed-Liverpool canal regenaration

Cains is a Liverpool brewery with a long and proud history.

Their products range from beers and lagers for large supermarket chains to small-run beers for their own pubs.

They are expanding their range of ‘real ale’ and heritage beers and require a new, organic brewery that can use the Leeds-Liverpool canal for transportation of raw materials in and finished beers out. The slogan of the design is “Drink Responsibly, Cains Brewery”.

Location: Date: Type: Role: Contribution:

Merton Road, Bootle, Liverpool December, 2011 Academic group work for research, individual for design Group leader, chief designer Research, site analysis, master plan, concept generation, layout, details, plans Collaborators: Ai Xue, Song Yi, Cagri Celikten, Deng Yuanjie, Zhang Fan Tutors: Mike Knight, Richard Dod

1

Liverpool: Last Stop Before US

Social Context: Canal

Leeds & Liverpool Canal The canal was built more than 100 years ago and constantly expanded. The main reason was transportation of goods and coal that was necessary for the industry.

Nowadays, canal is alone and mostly ignored by the architecture alongside its banks.

To: Belfast Dublin Isle of Man

Leeds

Site 1900

ey

s

er

Riv

antic Tie

Liverpool

Traveling by boat or a titanic ship is the history of Liverpool. This brings Liverpool different identities and styles. Boats mean natioal harmony while huge ships international melody. This in turn becomes art, music and architecture in Liverpool.

1970s

Canal

1970

(4 miles)

Wigan

City Centre

2012

2012 350

318

300

From Site to City Centre via Canal From the site to the city centre, the length of the canal is around 4 miles. The opportunity of a beer festival is the starting point of the design. According to the dock in the site, other functions are organised.

2

2012

Liverpool

250

Research&History

Social Context: Brewery Brewery architecture is suffering paralelled with the decrease in the importance of pubs in society. They are either massive blocks as an extention of existing preliminary old architecture or completely burried under the smug of industrial zones.

Pubs are about people. This indirectly makes pubs to be considered like a social being, at least a part of it. Giving a designer the responsibility to think about social problems, a brewery cannot be considered without the context of pubs and people.

Irish Sea

Transatl

Social Context: Pubs

rs Me

Liverpool has historic ties with the US. It was the last stop for European immigrants before the continent of America. The port of the city misses the old days and people coming and going. Titanic was owned by a company based on Liverpool. Dramatic history of the ships that sank in the Atlantic gives Liverpool historical importance. These facts make Liverpool important in terms of port engineering as well as canal which connects the city to other places in the North of England.

200 150 100 50 0

88 29

6

Number of houses Number of pubs 1

53

1900 1970 2012

Pub & Population Ratio With a declining density in the neighbourhood, pubs have become less and less. Pub culture is a characteristic feature not only in Liverpool but also all over the UK. The tradition of pubs is to become extinct years later, replaced with new typology of modern day meeting places.

Cains today

Contextual Analysis

Neighbourhood Research Leed-Liverpool Canal

Tow

St Winefride's RC Church

To

th

a gP

in

Sefton Borough

g win

Site

Dock

th

Pa

Dock for tourist

Farms (10miles away

Albert Dock (4miles away)

Site

Site

Beer out

Pedestrian Route

Mersey Rail

Dock

Tourist Route

A

D A B

F

C

B C D E F

Site

Local Markets

Transportation

Add 1: Canal Museum Canal Museum &Pub

Merton Road Railway Canal

E

Site Analysis

Canal Museum

Raw material in Beer out

Eco-farmyard

St Winefride's RC Church

Site for Brewery

Oriel House

Neigbourhood Pavillion

Sefton Borough

Existing Functions

Clairville Close Georgia Close

Green

Ruskin Close

Scrap Yard

Add 2: Eco-farmyard

Add 3: Neighbourhood Pavillion

Functional Route

Functions

Empty Building Empty Plot

1 2

1 2

Alexandra Dock Brocklebank Dock Bootle Rail Station Roads Railway

41.5% Green Ratio 18.4% Building Density

23.8% 55.3% 20.9% Public Utilities Industry&Commercial Residential

Visual Analysis

Summary Besides a brewery, three more functions is added to the scheme as a result of rigorous research and site analysis, whereas the idea of a brewey on a bridge spanning over the canal improves the awareness toward the potentials of the canal.

In so doing, the effect of the railway bridge blocking the view in the site is lessened.

3

Functions Solar Panels

Concept Entrance to the Bridge

Background Image: Approach from Oriel Road where the railway station is

Vierendeel Truss

Vierendeel Truss?

Elemenation of diagonal elements Rare as a bridge type Common in modern building construction Resolution of gross shear forces against the frame elements Retaining rectangular opennings between columns Advantageous in allowing flexibility in the use of space

Phase 1 Brewery on the Bridge

Albert Dock (4miles away)

Placed to highlight the canal towards the oriel road where the station is.

Farms (10miles away）

Canal Museum

In accord with the existing dock, a museum function is added to the scheme.

Approach from the station

Phase 2 ‘Drink Responsibly’ Social Centre Clearly needed to adress health and social issues.

Easily accessed by pedestrians and locals.

Problems: Neighbourhood in City

4

Low household incomes in the city Relatively low education attainment levels Highest smoking prevalence in the city High bing-drinking rates in the city High hospital admission rates for alcahol-related conditions in the city Lowest life expectancy in the city

x x x x x x

Bistro&Cafe

Responding to the church, having an open space in front of the rare door alongside the canal.

Phase 3 Eco-Farmwayd and Neighbourhood Pavillion

St Winefride's RC Church

Site Plan

Drawings

24. Entrance Hall 25. Reception 26. Moving Pathway for Visitors 27. Staff Line / Exit 28. Lounge 29. Changing Rooms 30. WC 31. Filled Casks 32. Engineering Room 33. Filling Room 34. Fermentation 2 35. Fermentation 1 36. Brewery 37. Silo / Hops 38. Melt Storage 39. Bar 40. Lifts for Visitors 41. Pub 42. Roof (Canal Musem) 43. Roof (Drink Responsibly Social Centre) 44. Leeds-Liverpool Canal

01. Social Centre Lobby 02. Reception 03. Seminar Room 04. Secretary 05. Meeting Room 06. Office 07. WC 08. Bistro / Cafe 09. Bar 10. Kitchen 11. WC 12. Beer Barrels 13. Semi-Open 14. Car Park 15. Canal Museum 16. Reception 17. Raw Material Import 18. Lifts for Brewery 19. Lifts for Visitors 20. WC 21. Recycling 22. Dock 23. Open Air Theatre

10 11

±0,00

9 +0,50

13

Bistro / Cafe Plan 22 ±0,00

44

26

+5,00

41

26 32

40

38

37

36

34

33

39

31

27

29 28

±0,00

25

±0,00

19

6 18

20

±0,00 16

15

21

7

5

44 4

±0,00

27 42

±0,00

17

+5,00

30

24 35

8

12

+0,50 -0,50 ±0,00

±0,00

14

44 -0,50

±0,00

2

43 3

±0,00

1

23 0

10

30

70 m

0

5

15

35 m

Bridge Plan

Canal Museum Plan

Social Centre Plan

Process

Barrels / Casks

Fermentation Tank

Fermentation Tank

Yeast

Lauter Whirlpool Tun

Hops

PACKAGING 5

FERMENTATION 4

Brewery Scale

Drying Machine Cold Water Treatment water Extra Sugar

Hot Water

Hops back

DELIVERY 6

Mash Vessel

Harmless Water

Sorting Machine

Malt 50 kg

Silo

Boats

Smashing Baking Humidifying Germination

Purified

SACCHARIFICATION 3

PREPARING AND STORAGE 2

TRANSPORTATION 1

RECYCLING ROOM

Section & Elevation

Productivity:

80 barrels (163 litre each) per brewing Brew Productivity: 80 X 163 = 13040 L Three times brewing in a week, recommended Weekly productivity: 3 X 80 = 240 barrels; 240 X 163 = 39,120 L Yearly Productivity: 240 X 50 = 12,000 barrels; 12,000 X 163 = 1,956,000 L

Raw Materials:

Grist per brewing: (Produced beer) X 0.2 = 13,040 X 0.2 = 2,608 kg Grist per week: 3 X 2.608 = 7.824 kg

Fertiliser:

Per brewing: (Produced beer) X 0.25 = 13.040 X 0.25 = 3,260 kg Per week: 3 X 3,260 = 9,780 kg Per year: 9,780 X 50 = 489,000 kg

Transformation System:

Canal - Narrowboat Capability of each boats (20,000 kg / 400 bags / 120 barrels) 50L and 15L cask/keg for distribution

PACKAGING

TRANSPORTATION DELIVERY

Sustainable Brewery

Reuse of water Reuse of waste - Solar drying system Eco-Farmyard Only cask production Health-Social Centre Public transportation accessibility

Perspective

7

Experimental Wave Power Research Facility on Hilbre Island Visitor and Research Centres Modern Brick Location: Date: Type:

Invisible Narratives

‘Invisible narratives’ is a sensitive design which allows simultaneous perception of the space and the nature. It emulates self-organisation in nature, with a new typology of brick system.

Hilbre Island, West Kirby, Liverpool May, 2012 Team-work with Ai Xue DAF Competition 2012 Short-listed Project, (see http://adaptablefutures.com/competition%20results/) Role: Designer Contribution: All

8

Satellite View

Nature on Hilbre Island

Tidal Lagoon Locations

Janurary

1

Duddon&Wrye Red rocks

Existing Wind Farm

Anglesey 6

Hilbre Island

3 4 4

Little Hilbre

Lleyn Peninsula 3

Safest Route to Hilbre for hikers

Sustainable Tidal Lagoon Advatages low-cost comparing to other wave power applications minimal impact on marine environment fosters biodiversity by creating new habitats attracts tourists

1

3

30 km to Liverpool Bay Tidal Energy Lagoon

June

July

August

September

October

November

December

Cerastium arvense

Rock sea-spurrey

Common Heather Algea

3 3 3

Fauna Habitat Time

West Kirby

4

May

Bell Heather

2

Hilbre Research Centre

April

Parietaria judaica

3

Liverpool

5

March

Limonium binervosum

2

Flora Flowering Time

1

Feburary

Aspleniaceae

3

Over Winter Wading Birds Sandering Sandpiper Ostercatcher Knot Dunlin Redshankturnstone Migrating Birds Meadowpipet 4 Linnet Skylark 4 Starling Shelduck

223 species have been observed, and five species have nested here regularly

Common Seal Dolpin sometimes appear

3

Field Vole Special grassland species

Invertebrate

Sub-maritime Grassland Species

Other animals/plants

Only Mamal on Hilbre island

4

2 Little Eye Marine Lake

Hilbre Island

Prestatyn

Liverpool

Birkenhead Dee estuary 0

5

10 km

1

8

4

6 5

1

7

Approved Route to the Island

4

6

2

Mean High Water Level Mean Low Water Level

Mersey

3

5

5 Welsh channel

3

2

Mean High Water Level Mean Low Water Level

9 6

Morphology Existing footprints: 850m²

1. Existing Volumes

Contextual Design Instead of Intutive Decisions 2. Point Cloud

3. Delaunay

SUSTAINABLE 4. Intersection

5. Facet-dome

6. Bubbles

N

230m yrs ago Hilbre as a desert since 1080 to now Hilbre living with tides

Adaptable

Biomimicry Modern Brick Units

scheme of today Hilbre with biomimicry

Algae-like Weaire-Phelan Structure

CO

NV

2050 Hilbre by herself

Proposed area: 900m²

Birdview Mean High Water Level Mean Low Water Level

Visitor Center & Research Center

Protective Observatory

Type 1: Wooden Covered Insulated Cells

Type 2: Frame Cells

Type 3: Glass Covered Cells

Lifeboat House Visitor Center & Research Center

Lifeboat House

Existing Planting Area

Proposed Planting Area

Type 4: PV Panel Cells

ER

TIB

LE

J

AD

LE

AB

T US

Symbioctic Light Foorprint Biomimicry Public Enagement Environmental Energy Adaptive Reassemble Standerd Component Handful Scale

Protective Observatory

Non-fixed Objects Detachable Connections Openrable Elements

Accommodation Zone

Accommodation Zone

10

tetrakaidecahedron + dodecahedron weaire-phelan structure

LE VAB MO

SCA LAB LE

Concept

Modern Brick Typology A biomimicrical algorithm has been designed as an interpretation of algae, engaging in a creative dialogue with notions of mass, developable surfaces, patterns and transparency in nature. Modern brick becomes a gesture of how geometry and simple forms can cause a complex environment that connect intimately with the larger world. Shortly, simple materials are lightly manipulated and connected to dramatic effect.

Local Materials Modular Units Structral Redundancy Know Techniques Multi-functional Spaces Flowing Open Spaces Changeble Spaces

Living Roof The accumulation of sand and earth brought by tidal waves will be breeding local plants like heather or veneris.

They can also provide simple homes for birds stopping by while migrating

Construction ‘Design’ literally refers to the past due to the prefix ‘de-’.

With the aim of innovative results, historical material brick has been interpreted as well as the construction process of traditional brick domes.

The narrative of organic flow is free from interruption. Instead of juxtaposing the visual abundance of the natural surroundings with restrained imagery of a research building, ‘invisible narratives’ introduces visitors to a range of ambiences.

Visitor & Research Centres Plan 0

5

15m

Researcher Route Visitor Route

11

Section & Detail

Component Detail

3D Solar Panels Folded solar cell systems producing power throughout the day and do not need tracking.

Modularity The adaptivity of the design is mainly featured by the modular units producing which is engaged by public, reassemble of construction and the symbiotic capacity with plants in this unique environment.

4

0

5

15m

Timeline & Lifespan Nucleation

ONE MONTH FRAMEWORK MANUFACTRING

HILBRE ISLAND

TWO MONTHS DELIVERING

Growth

Participation

Autonomy

ONE YEAR PUBLIC ENGAGEMENT IN CONSTRUCTION PROCESS ON ISLAND

Reassembled units as scultures, installations, seats, shelters, ...

CITY SQUARE VOLUNTEER ORGANISATIONS SCHOOLS ART STUDIOS

2050 BE A PART OF THE ISLAND Intersection ONE YEAR CHANGE AND MOVE OF CLUSTER UNITS

2050 Hilbre by herself

EVERYDAY SEDIMENT FROM WAVES

ONE YEAR LATER INDIGENOUS FLORA AND FAUNA INHABIT ON ROOF GRASS, HEALTHIER, MIGRATING PASSING BIRDS... ...

The framework of cluster units will be transferred by visitors such as hikers from HILBRE ISLAND to the city of LIVERPOOL

230 million years ago Hilbre island was a desert, through years of movement of crust and evolution of creature, it became the paradise for numerous coastal creatures (waders, seals, molllusks, heathers). And it has been under the humanbeings’ influence since 1080. The scheme is to make a serious of construction responsible scientific research and visitors by barrowing a part of the resource on the island, and 20 years later, the construction will become a part of the island, compensating what we borrowed today.

13

The goal of this work is to design a portable, adaptable and movable canopy based on octagonal Islamic star pattern. The question raised to solve is the space problem of those who pray together in mosques under any weather conditions. While stepping up for a solution, learning Grasshopper is the target to reach.

14

Islamic Tiling Patterns and Caligraphy Muqarnas, Tiling and Caligraphy Grasshopper, Kangaroo, CAAD Date: Type: Tutor: Link:

November, 2011 Academic / Individual work Mike Knight https://vimeo.com/43345795

Problem

Muslims are most likely to get together on Fridays to pray.

But there is often lack of space, forcing people to settle whereever they are, courtyards, grass and even streets.

Sunny days are good whereas winter doubles the issue.

There might be a flexible canopy allowing a couple of people to create their own space quickly. In this work, one of the Islamic tiling patterns that could be seen in mosques almost without exception is used to generate a a flexible canopy form. Then the possibility of a relationship between tiling patterns and caligraphy is questioned.

Research Muqarnas: An stalactile ornament in Islamic architecture applied to the interior of domes, vaults and arches since 10th century, presenting parameters of scale, texture and depth, colouration and tone with a slightly more rational take on the distribution of geometry and forms.

Al-Hambra Palace Granada, SPAIN

Section and Plan of muqarnas dome Hall of the Two Sisters, Al-Hambra

Stalac Tile, Tesselated Manifolds Student work, Washington Uni, http://archinect.com/features/article/100296/student-works-stalactile-tessellated-manifolds

Islamic Deformations

by Jennifer Coppin

Analysis in Grasshopper

15

00:00:00

00:00:02

00:00:04

00:00:06

00:00:08

00:00:04

00:00:10

00:00:12

00:00:14

00:00:16

00:00:18

00:00:14

00:00:20

00:00:22

00:00:24

00:00:26

00:00:28

00:00:23

Form Finding

Top-View of free form finding

Kangaroo in Grasshopper

00:00:30

00:00:40

00:00:32

00:00:42

00:00:34

00:00:44

00:00:36

00:00:46

00:00:38

00:00:48

00:00:36

00:00:48

Vav Sketch - Caligraphy by Fatih Ozkafa

http://www.kalemguzeli.org/hatteserleriayrinti.php?KNO=695&HKNO=20

It is time to reveal the hint that is mentioned in the preface of this portfolio. I think you might have already found it. Yes, it is hidded in the comparison between two pictures above. On the left is the result of the form finding analysis from Islamic tiling patterns. And the other is a piece of caligraphy named as ‘Vav Sketch’. I find stunning that the similarity between two pictures are found by random.

Do you still believe that it is random?

00:00:50

00:00:52

00:00:54

00:00:56

00:00:58

00:01:00

A parametric quasi-grammar for generating a flexible urban design tool Shape Grammars Evolutionary Algorithms Processing Programming Language Date: Type: Supervisor: Link:

August, 2012 Academic / Dissertation Mike Knight http://prezi.com/yphftc9wpedp/quasigrammars/

quasiGRAMMARS is the name of the tool which is theoretically defined in my thesis for MA Architecture.

Basically it is generated by shape grammar rules as a result of the analysis of existing urban language/pattern.

Then these rules are optimised by genetic algorithm which is a technique for computational problems.

17

Background

Islamic decoration has been a long-time interest of me. When my dad got a business to produce furnitures for mosques in his little wood furniture workshop, I was only 19, studying architecture. Me and my dad have designed and produced many furniture that are embellished with islamic art patterns. These patterns led my way through my education. As explained in the previous CAAD project, the topic I researched has always been influenced by this background.

The star patterns in the Al-Hambra Palace and in Andalusian art caught my eyes before commencing a

18

master’s in Liverpool. Afterwards, I came across with an academic news.

It was about the Nobel Prize in chemistry in 2011. Dan Shechtman had received the prize for his discovery of ‘quasicrystals’. Islamic architecture, Andalusian in particular, had been resource for scientist to analyse the structure of ‘quasicrystals’.

Being interested in Andalusian art, I paid special attention to Morroccon art, architecture and cities. Having learned how to use parametric design tools, I was intrigued by the works done by Jose Duarte seeking a flexible urban design method by

looking into shape grammar rules in the city of Marrakesh in Morrocco.

This work induced the initial idea of a research in computational urban design that is based on vernacular rules of shape grammars.

As a result, the dissertation by which I completed the master’s was to search the theory of designing an urban design tool in an architecture software. With all the aforesaid interest, knowledge and experiences this work gave me the passion and ambition for further studies and career in computational architecture and urban design within the context of vernacular research interests.

Research Questions

Abstract

quasiGRAMMARS Computational design has recently come to recast the conventional urban design strategies. The complexity of urban planning exceeds the potential owned by manual design techniques to produce an array of distinguishable solutions while competent to deal with varying demands during urban design process. This research explores the means to create a flexible urban design tool that could afford to conceive complex solutions with cooperative computational design techniques. The computational process is divided into two parts; shape grammars and evolutionary algorithms. The flexibility to

Research Methodology

?

‘Design is Research’ satisfy constantly changing demands is constituted by parametric shape grammars that consist of variables.

Genetic algorithms and genetic programming are compared and suggested to meet the optimisation problem of the flexibility controlled by parametric variables which are described by aforementioned shape grammars. The parametric urban design tool proposed in this work pays special attention to the coexistence of the new and old in harmony with each other. Therefore, the goal of this design related research is to present a guidance for a computational solution within this complexity.

Manual Design Techniques

Time Urban Design

Complexity

Literature Review for: Cities & Philosophy Urban History CAAD History

2

Computational Analysis: Software Case Studies Duarte’s Marrakesh work Halatsch’s work

?

3

Learning & Testing Software Tools and Programming Languages

4

Review for Specific Problem: Neoliberal Development Strategies Comparison & Suggestion

How can we harmonise very simple rules, whose output generates complexity carrying sufficient information for dynamic urban design? 2

Algorithms &

Now Shape Grammars

?

1

What is the extent of theoretical/philosophical background in the creation of urban patterns? 1

Computational Optimisation

5

What effects do genetic algorithms have on shape grammars in the context of complex urban design? 3

?

Future What software are operative in programming with shape grammars and genetic algorithms for urban designers and architects? 4

urban design philosophy architecture robotics computer science

URBAN HISTORY

INTERDISCIPLINARY APPROACH

19

Framework

What’s wrong with urban?

Richness of randomness!..

PROBLEM IN THE BROAD CONTEXT 1

Fast Growing vs.

Complexity Urbanisation along the history Urban pattern Planning & Philosophy Top-down approaches Computation & Randomness Timeline for computation

20

Timeline

SOLUTION IN THE BROAD CONTEXT 2

Paradigm Shift Neccessary Complexity & Randomness Bottom-up approaches and Girih and vernacular patterns Fractal strategy Evolutionary algorithms Genetic-code scripting Critereia for success

PHASE I / FOUR WEEKS RESEARCH FOR THEORETICAL FRAMEWORK

Computation for liveable urban!..

SPECIFIC PROBLEM 3

SPECIFIC SOLUTION

Large-Scale Urban Projects

+

Flexible Urban Design Tool

Stacking blocks in the name of development!..

High-rise shortcuts (Re)developing an urban Mozart Different form of Neoliberal development: China Building future’s cities

by TOKI: Turkey

PHASE II / THREE WEEKS LEARNING AND TESTING PROGRAMMING LANGUAGES

quasiGRAMMARS

4

Programming for Urban Design Shape Grammars Parametric & Fractal shape grammars Shape grammar rules Optimisation Genetic algorithms

PHASE III / FIVE WEEKS ANALYSING ACTUAL PROBLEM & DETAILS FOR SOLUTION

= FUTURE WORK FOR PHD GENERATING AN URBAN DESIGN TOOL

Programmi覺ng

]

why

2. Genetic Algorithms - 1970 by Holland to generate

Algebra & Arithmetic Instead of generalisation

Contextual Analysis Instead of intuitive design

[ [ [

Logical, Combinatorial, Relational Design

Complexity & Randomness

]]

If Order != Disorder then Order != Randomness

]]

Because Randomness == max Complexity

which is a case of disorder

But Order

]]

Randomness != Regularity && Simplicity

Randomness

INDIVIDUALITY DISCRETENESS

Shape Grammars

IDENTITY

Genetic Algorithms

Shape definition geometry symbol attributes position variables such as length and width vectors an urban lot example: l

Q3

]

COMPLEXITY

growing according to the rules defined by shape grammars

input data to define the shape grammar

Q1

==

2 Generative:

Descriptive:

Q2

w Q4

n=4

n: l : w:

number of edges length width Q : angle

Start optimisation

New population

generate random population

generate mating pool

fitness criteria

1. mating: parent 1

100111000

parent 2

111001010

Replacement

1st step - selection of two parents 2nd step - crossover 3rd step - mutation 4th step - accepting

DNA - genotypes

new population

Instead of euclidean geometry

1

COMPUTATION

] ] ]

how

Problem is:

OPTIMISATION

1. Shape Grammars - 1972 by Stiny&Gibs to define

2. crossover:

1001

3. mutation

11000

11100

1010

4. accepted new population

+

1010

1 1 0 0 01 0 1 0 0

1

Last step, testing If satisfied, stop and return the best solution

1 0 0 0 01 1 1 0

Every change to require the whole newly constructed.

Finished - Loop go to 1st step

new population

child

11000

Using the new population for a further run

Individual elements to depend on each other

Every change to require the whole newly constructed.

21

Suggestion

Scripting and Codewriting Languages:

Conclusion

easier and faster: Summary:

quasiGRAMMARS - ‘A goodly word is like a goodly tree.’

1

Designing complexity with AutoLISP in AutoCAD: Tested at the beginning.

Used to be very common Hard to grasp the work-flow for a fresher Limited for visualisation of written text comparing to Processing

AutoLISP (AutoCAD)

2

3

C, C#, C++ Java MATLAB MacScript Maya

Processing (Java) Python

RhinoScript (Grasshopper)

Elements

Points

Vectors

Boolean

Combinatorial optimisation

Parametric controlling

Visualisation

4

5

Libraries

Traer Physics

Point2line

Processing combined with Grasshopper: User-friendly structure Convenient for designers no matter it is a fresher to use or not.

Point2line

ControlP5

PeasyCam

Easy integration with other 3D software Allows original concepts to be lifting up to their final forms

generation and visualisation of large-scale urban projects integration of non-regular geometry manageable complexity for complicated urban design problems reusability of design patterns over the process providing sustainability

threat 1

Downloadable libraries Fast integration of texts and visual results

creation of large urban scenarios with the help of the method by which genetic algorithms and shape grammars integrated

2

may come to an abrupt end inadvertently. may end up with sluggish due to the amount of information carried.

Others

Museum

Mosque

Social Housing

Rennovation

Eco-House

Airport Terminal

Observatory

Residence

Office

Leisure Centre

Town Hall

Masterplan

Global Warming Museum 2007 Istanbul - Taksim Square Student Competition Individual

Mosque 2006 Trabzon Academic Individual

A Syncretistic Housing 2008 Tbilisi / GEORGIA Academic Individual

Survey / Restoration 2008 Tbilisi / GEORGIA Academic Group-Work

Sustainable Housing 2009 Tbilisi / GEORGIA Student Competition Individual

International Airport Term.

2009 Trabzon Diploma Project Individual

Bird Observatory and Research Centre Design 2009 Kars, Kuzey Doga Society Professional Group-Work

Residence + Hotel 2010 Eskisehir Practice (Job Exper.)

Group-Work Techinal Drawing Rendering

Office 2010 Eskisehir Practice (Job Exper.)

Individual Design and Presentation

Pro-Steel ‘09 2009 Amasya Student Competition Group-Work Group Leader

Municipilaty Building and Square Design 2009 Denizli Architecture Competition Group-Work Designer

Liverpool Waters Liverpool, Graz, Hong Kong Workshop 3 Architects 2 Urban Planners Group-Work Group Leader

Thank you...

23

爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 Education Experiences Personal 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 University of Liverpool, Liverpool, UK Project Manager, SENA Project, Eskisehir, 06-10/2011 Adress: Visnelik Mahallesi, 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 MA Architecture Editorial Assistant, Prof.

Sengul Oymen Gur, 07-08/2010 Taskopru Caddesi, No: 9/1 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 September 2012 26020 Eskisehir / Turkey Editorial Assistant, Dr. Halil Ibrahim Duzenli, 01-04/2009 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 Karadeniz Technical University, Trabzon, Turkey e-mail: serdar_aydin@hotmail.co.uk Freelance Designer, Kuzey Doga Society, 09-12/2008 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪 Bachelors of Architecture hssaydin@liverpool.ac.uk Designer Assistant, Dr. Figen Beyhan, 01-04/2008 提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 July 2009 Intern, Site Architect, ARITURK Cons. Com., 06-09/2007 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪