2021 SFCC Literary Review

Page 44

GAIL McCORMICK

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TRUTH TELLING

There was a full house. I stepped onto the podium and turned to face the crowd. The tableau of brown faces sent shockwaves through my heart. After a stunned pause, feeling vulnerable and naked, I took a deep breath, raised my voice to the mic and voiced a shameful truth: “My ancestors were dreamers with guns and the prerogative to kill dark-skinned Natives whose land seemed an answer to their prayers.” I had hoped to reach a racially diverse audience with the story I’d written about the social injustices of my northern European ancestors. That opportunity came when it was published in Santa Fe and I was invited there to read excerpts to an audience that would include Native and Latino people. I had practiced for this moment, reading aloud over and over to get the tone and pace just right. When I approached the podium my confidence felt solid. But I hadn’t anticipated a tsunami of shame and fear to strike. Until this moment, I hadn’t considered the personal ramifications of exposing my history in front of this multihued group. The packed room went still, as though everyone had ceased breathing. Or was that my imagination? Concern dizzied me. Why hadn’t I realized how awkward this would be? With no warning, a burst of adrenaline distorted my vision. I could no longer see the people I faced, not even my husband. My legs quivered as if I were a criminal, standing before a jury, confessing to a crime. No longer anonymous, I was a woman raised as a white AngloSaxon Protestant in America’s heartland, speaking about race to descendants of people some of my ancestors had feared and maybe even killed. This was personal. A legacy of fear and violence had flowed in my mother’s blood. On our Midwest farm, she’d slept with a gun under her pillow and a shotgun by her side. Over the years I’d told the story of my gun-toting mom many times, humorously describing her as a fearful but gutsy woman with a pioneer spirit. Yet her proclivity to keep firearms at her bedside whenever Dad was away had stoked my own anxiety as a child. I had tried to accept her behavior as normal and reasonable for a woman with children on an isolated farm. Now, as if guided by an invisible power that had steered me toward this moment, addressing

34

Volume 16 • 2021


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Articles inside

Joe Navarro, "Word Murals" (poem)

1min
pages 11, 27

Susana Gonzales, "My Hand Are Getting Softer" (poem)

1min
page 85

Beth Paulson, "Les Carrottes Sont Cuites" (poem)

1min
page 61

Kelsey Hennegen, "I Shrug Into You Like a Winter" (poem, Pushcart Prize Nominee 2021)

1min
page 49

Tim Maxwell: An Artist's Statement and Recent Work

1min
pages 72-73

Gail McCormick, "Truth Telling" (creative non-fiction)

1min
pages 44-48

Elizabeth Rees, "Tuned In" (poem)

1min
page 43

Melanie Lamb Faithful, "Circles of Days" (Art)

1min
pages 40-41

Roxanne Seagraves, "To Touch Their Hearts of Gold" (Fiction, Pushcart Prize Nominee 2021)

1min
pages 35-39

Oliver Agustin Kautter: Art and Recent Works

1min
pages 32-33, 77

Brandon Kilbourne, "Frau Kahnt" (poem)

1min
page 31

JesseBob: An Artist's Statement and Work

1min
pages 26-27, 70

Sena Chang: An Artist's Statement and Work

1min
pages 20-21

Yeva Chisholm, "La Loba" (poem)

1min
page 19

Zanzia Eklund, "Winter Sun" (fiction)

6min
pages 16-18

Sheena Chakeres: An Artist's Statement

1min
pages 12-13

SFLR Interviews Author Kirstin Valdez Quade

8min
pages 108-112

Robert Kostuck, "A Brief Guide to September 1980" (creative non-fiction, Pushcart Prize nominee 2021)

8min
pages 21, 102-105

Morgan Liphart, "In your brownstone on Mill Street" (poem)

1min
page 101

Andreana Thompson, "Mother/Land" (Poem)

4min
pages 13, 94-97

Aaron Lelito: An Artist’s Statement and Recent Work

2min
pages 98-99

Reshmi Hebbar, "Why Deny the Obvious" (fiction)

11min
pages 88-93

Thomas Barth: An Artist’s Statement and Recent Work

2min
pages 86-87

Amira Alsareinye: An Artist’s Statement and Recent Work

1min
pages 82-83

Fergus McAlister, "Ghost Story" (poem)

3min
pages 74-76

Kate Pashby, "victor" (poem)

1min
page 81

Marissa Fae Myers, "Fire Burns in the Heart of a Woman" (fiction)

6min
pages 78-80

Jennifer Furner, "Female Stamina" (creative non-fiction)

9min
pages 64-69

Sharon M. Carter, "Sorting My Parents’ Possessions" (poem)

1min
page 71

Bri Neumann, "Nose" (creative non-fiction)

4min
pages 58-60

Ollie Rollins: An Artist’s Statement and Recent Work

2min
pages 62-63

Pi Luna: An Artist’s Statement and Recent Work

1min
pages 56-57

Adele Oliveira, "Ouija" (fiction) (Pushcart Prize Nominee 2021)

7min
pages 52-55

Tick: An Artist’s Statement and Recent Work

1min
pages 50-51

Yusef Salaam, "Somewhere Nowhere" (poem)

2min
pages 28-30

Belinda Edwards, "Grief Bundle" (fiction)

8min
pages 22-25

Bethany Carson, "Underwater Explorer" (poem)

2min
pages 14-15, 106
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