2021 SFCC Literary Review

Page 52

ADELE OLIVEIRA

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OUIJA After a minute Cole said, “I don’t feel anything.” “Shhh!” Aurora hissed. “It takes longer. You’re not going to feel anything if you expect not to. Give it a chance.” Cole swallowed and closed his eyes, adjusting his fingertips on the planchette. His hands were cramping and twenty seemed too old for séances, but anything for Aurora. “Come at me, Randall Davey,” he said. “Tell us about the beyond. Or the here, I guess, if you’re still in this dimension. Are there paints in the afterlife? Do you even care about painting, when you’re dead?” “You’re not taking this seriously,” Aurora shoved the game board and the planchette away from her, hugged her knees in close to her body. “It won’t work if you think it’s a huge fucking joke. I knew I shouldn’t have asked you.” They sat facing each other on warped wood floorboards of a very old house that had been an old sawmill before that. The house was a museum now, run by the Audubon Society, but in the 1920s, when Santa Fe was still remote, the painter Randall Davey lived on the property with his family, nestled into the foothills below Picacho Peak. In those days, the reservoir brimmed high just across Upper Canyon Road, and Davey held champagnesoaked parties under the stars, swinging croquet mallets by torchlight. He was buried, with his second wife and stillborn daughter, in a small plot bordered by lilacs that lay just beyond the orchard. “Hey,” Cole reached across the air between them and brushed the back of her wrist. “I’m sorry, Ror. Just messing around, getting in the spirit.” He paused, but she didn’t acknowledge his pun. “Try again?” Aurora looked at him over her knees, eyes green and flashing, hair dyed a lurid dark red, reminding him of a dragon. Since they left for college two years ago, she’d gone bonier: her face suspended between precise collarbones, sharp as paper airplane wings, and her hipbones made steep mountains, mirror images of each other, when she lay flat on her back. “One more chance. But if you pull any more shit like that, I’m going to actually be mad,” Aurora said. “I’ll make you sleep outside if you do.”

42

Volume 16 • 2021


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Articles inside

Joe Navarro, "Word Murals" (poem)

1min
pages 11, 27

Susana Gonzales, "My Hand Are Getting Softer" (poem)

1min
page 85

Beth Paulson, "Les Carrottes Sont Cuites" (poem)

1min
page 61

Kelsey Hennegen, "I Shrug Into You Like a Winter" (poem, Pushcart Prize Nominee 2021)

1min
page 49

Tim Maxwell: An Artist's Statement and Recent Work

1min
pages 72-73

Gail McCormick, "Truth Telling" (creative non-fiction)

1min
pages 44-48

Elizabeth Rees, "Tuned In" (poem)

1min
page 43

Melanie Lamb Faithful, "Circles of Days" (Art)

1min
pages 40-41

Roxanne Seagraves, "To Touch Their Hearts of Gold" (Fiction, Pushcart Prize Nominee 2021)

1min
pages 35-39

Oliver Agustin Kautter: Art and Recent Works

1min
pages 32-33, 77

Brandon Kilbourne, "Frau Kahnt" (poem)

1min
page 31

JesseBob: An Artist's Statement and Work

1min
pages 26-27, 70

Sena Chang: An Artist's Statement and Work

1min
pages 20-21

Yeva Chisholm, "La Loba" (poem)

1min
page 19

Zanzia Eklund, "Winter Sun" (fiction)

6min
pages 16-18

Sheena Chakeres: An Artist's Statement

1min
pages 12-13

SFLR Interviews Author Kirstin Valdez Quade

8min
pages 108-112

Robert Kostuck, "A Brief Guide to September 1980" (creative non-fiction, Pushcart Prize nominee 2021)

8min
pages 21, 102-105

Morgan Liphart, "In your brownstone on Mill Street" (poem)

1min
page 101

Andreana Thompson, "Mother/Land" (Poem)

4min
pages 13, 94-97

Aaron Lelito: An Artist’s Statement and Recent Work

2min
pages 98-99

Reshmi Hebbar, "Why Deny the Obvious" (fiction)

11min
pages 88-93

Thomas Barth: An Artist’s Statement and Recent Work

2min
pages 86-87

Amira Alsareinye: An Artist’s Statement and Recent Work

1min
pages 82-83

Fergus McAlister, "Ghost Story" (poem)

3min
pages 74-76

Kate Pashby, "victor" (poem)

1min
page 81

Marissa Fae Myers, "Fire Burns in the Heart of a Woman" (fiction)

6min
pages 78-80

Jennifer Furner, "Female Stamina" (creative non-fiction)

9min
pages 64-69

Sharon M. Carter, "Sorting My Parents’ Possessions" (poem)

1min
page 71

Bri Neumann, "Nose" (creative non-fiction)

4min
pages 58-60

Ollie Rollins: An Artist’s Statement and Recent Work

2min
pages 62-63

Pi Luna: An Artist’s Statement and Recent Work

1min
pages 56-57

Adele Oliveira, "Ouija" (fiction) (Pushcart Prize Nominee 2021)

7min
pages 52-55

Tick: An Artist’s Statement and Recent Work

1min
pages 50-51

Yusef Salaam, "Somewhere Nowhere" (poem)

2min
pages 28-30

Belinda Edwards, "Grief Bundle" (fiction)

8min
pages 22-25

Bethany Carson, "Underwater Explorer" (poem)

2min
pages 14-15, 106
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