2021 SFCC Literary Review

Page 88

RESHMI HEBBAR

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WHY DENY THE OBVIOUS Shruti Raman had known the Reddys her entire life. Their family had adopted hers as if she and her parents were tragic orphans instead of just another clan of middle class Indians in Western Pennsylvania trying to get ahead. And yes, what had happened to the Ramans was sad enough for another family to take a charitable and then long-term interest in, the loss of the baby that would have been Shruti’s much younger sister. But decades had passed since then. The “children” were educated, out of the house and working. Though Shruti hadn’t been close to Pallavi Reddy since they were teenagers, Pallavi’s latent lesbianism introducing enough complexity into the equation without the other main thing that Shruti was never able to address, it seemed wrong to her that not a single Reddy was with her on this mission in Bangalore. Every topic that had ever mattered—from the best elementary schools to affordable graduate programs—had always been discussed between their families. Usha Reddy and her husband, Manu, had been the authorities because they were the ones with more children, with the eldest child, the couple with the husband breadwinner who managed to avoid the layoffs of the 1980s. What was the hidden framework of rules, then, that had kept the subject of love and marriage off limits? “Shruti’s put on weight,” Vanita Auntie observed from the middle seat of the car as it jounced away from the airport towards Shruti’s fate. Shruti sat with her head against the glass, jetlag dulling the panic she’d nursed across terminals and continents. “Looking good,” her aunt finished. “Tell me, Radha. How’s everyone there?” Vanita Auntie went on speaking to Shruti’s mother. “How are the Reddys?” “Usha is very busy now with the grandchildren,” her mother answered. The envy in her voice pricked through Shruti’s rising anguish. Her words had touched too close to the main thing. “Careful, Bipin!” Vanita Auntie scolded the driver as he narrowly missed two schoolgirls who were walking together, their looped braids swinging forward.

78

Volume 16 • 2021


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Articles inside

Joe Navarro, "Word Murals" (poem)

1min
pages 11, 27

Susana Gonzales, "My Hand Are Getting Softer" (poem)

1min
page 85

Beth Paulson, "Les Carrottes Sont Cuites" (poem)

1min
page 61

Kelsey Hennegen, "I Shrug Into You Like a Winter" (poem, Pushcart Prize Nominee 2021)

1min
page 49

Tim Maxwell: An Artist's Statement and Recent Work

1min
pages 72-73

Gail McCormick, "Truth Telling" (creative non-fiction)

1min
pages 44-48

Elizabeth Rees, "Tuned In" (poem)

1min
page 43

Melanie Lamb Faithful, "Circles of Days" (Art)

1min
pages 40-41

Roxanne Seagraves, "To Touch Their Hearts of Gold" (Fiction, Pushcart Prize Nominee 2021)

1min
pages 35-39

Oliver Agustin Kautter: Art and Recent Works

1min
pages 32-33, 77

Brandon Kilbourne, "Frau Kahnt" (poem)

1min
page 31

JesseBob: An Artist's Statement and Work

1min
pages 26-27, 70

Sena Chang: An Artist's Statement and Work

1min
pages 20-21

Yeva Chisholm, "La Loba" (poem)

1min
page 19

Zanzia Eklund, "Winter Sun" (fiction)

6min
pages 16-18

Sheena Chakeres: An Artist's Statement

1min
pages 12-13

SFLR Interviews Author Kirstin Valdez Quade

8min
pages 108-112

Robert Kostuck, "A Brief Guide to September 1980" (creative non-fiction, Pushcart Prize nominee 2021)

8min
pages 21, 102-105

Morgan Liphart, "In your brownstone on Mill Street" (poem)

1min
page 101

Andreana Thompson, "Mother/Land" (Poem)

4min
pages 13, 94-97

Aaron Lelito: An Artist’s Statement and Recent Work

2min
pages 98-99

Reshmi Hebbar, "Why Deny the Obvious" (fiction)

11min
pages 88-93

Thomas Barth: An Artist’s Statement and Recent Work

2min
pages 86-87

Amira Alsareinye: An Artist’s Statement and Recent Work

1min
pages 82-83

Fergus McAlister, "Ghost Story" (poem)

3min
pages 74-76

Kate Pashby, "victor" (poem)

1min
page 81

Marissa Fae Myers, "Fire Burns in the Heart of a Woman" (fiction)

6min
pages 78-80

Jennifer Furner, "Female Stamina" (creative non-fiction)

9min
pages 64-69

Sharon M. Carter, "Sorting My Parents’ Possessions" (poem)

1min
page 71

Bri Neumann, "Nose" (creative non-fiction)

4min
pages 58-60

Ollie Rollins: An Artist’s Statement and Recent Work

2min
pages 62-63

Pi Luna: An Artist’s Statement and Recent Work

1min
pages 56-57

Adele Oliveira, "Ouija" (fiction) (Pushcart Prize Nominee 2021)

7min
pages 52-55

Tick: An Artist’s Statement and Recent Work

1min
pages 50-51

Yusef Salaam, "Somewhere Nowhere" (poem)

2min
pages 28-30

Belinda Edwards, "Grief Bundle" (fiction)

8min
pages 22-25

Bethany Carson, "Underwater Explorer" (poem)

2min
pages 14-15, 106
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