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00 01
Academy At Herne ............................................. . Herne,Germany
Design Studio Fall 2012 Instructor : Karen King Partners: Anna Matejczuka
assignment 0.01 Making
One precise joint detail: [the] drawings were to be exquisitely crafted,detailed representations from precedence given by the instructor. While the drawings were to be precise, the technique of drawing was to determined by what was being conveyed. This drawing was a study about the idea of detailing and assembly of materials.
Assignment 0.02 making context Build one precise wall section 1/2� = 1’ scale. Models were to be EXQUISITELY crafted, detailed representations of the precedent being studied. Model materials were to be chosen to reflect an understanding of actual materials for construction. These models were to be a precise study of an idea of enclosure.
Original BIM model: Kourda & Perraudin Archjitects
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01 ........................................................ . making [content]
academy of herne
Design Studio 601 Fall 2012 Instructor: Karen King
Detail 1-1, 1-2 Outer facade connection through vertical truss
[6]
[3]
[4]
[2]
[5] [1]
1] Facade : Layered with talline Solar 2]
18 mm toughened glass 170-72m Mono crysModule 1m x 2.74m
Aluminium
adaptor
frames
3] 60/160 mm laminated timber facade posts
4] 18 mm steel connection with Hex Cap Screw, Stl, M6x1 x 18mm, PK50 5] 4mm Steel Plate attached with M2.5-0.45 x 4mm ISO 7380 Class A2 Stainless Steel 6]
Vertical
truss
member
Details of the Curtain wall of the academy.
Photo voltaic panels are used in this faรงades to vary the intensity of the sun as well as collect energy. The curtain wall is a shelter for many interior buildings. The concept of the building was clouds, the architects used the Photo voltaic panels to emulate an overcast sky with varied patterns to give a natural feeling to this building complex.
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02 ........................................................ . making [content]
academy of herne
Design Studio 601 Fall 2012 Instructor: Karen King Model crafting Partner : Anna Matejczuk
1/2” Model wall section :The Academy at Herne 3/4” Oak Dowels 1/16” Bass wood 1/16” Acrylic 1/64” Piano Wire 1/8” Bass Wood [RE]Claimed Laminated Beam Assessment of project: Anna and I had very different strengths. Anna is best at detailing while I excel at overall considerations. Anna designed the glass curtain wall and the roof, She intricately pieced them together in a little less than a week. I created the truss members, connections, base, and created all templates for the laser cutter, The connections of the vertical truss members are held together with steel rods. I also calculated the diameter of the members and the cable supports.
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03 ........................................................ . Nation Women’s History Museum
Washington DC
Design Studio 601 Fall 2012 Instructor: Karen King Partners: Daniel Osuna: Graphics/ Photo Montage Cameron Treme: Rhino Modeling Aaron Reddick: Graphics/ Photo Montage Stacey George: Structure,Mechanical Systems, Physical Model, Green Roof Design Assignment 0.03: National Women’s History Museum [N.W.H.M] Conceive, design and develop a comprehensive architecture as outlined in the syllabus learning objectives. Create a site strategy, Spatial organization, Tectonic language, thermal responses and presence of this project which must concern its self with conceptual richness/complex/context. Confront the complex issues of MAKING. Part A: Master plan Synopsis Part B: Design and Development Part C: Model
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03 ........................................................ . Sw eco District Plan
NWHM planning
Design Studio 601 Fall 2012 Instructor: Karen King
Washington dc national Mall area sw eco district master plan In 2010, NCPC joined federal and local partners to establish the SW Ecodistrict Initiative to transform the Southwest Rectangle into a sustainable and livable neighborhood that us federal land and natural resources efficiently and contributes to the economic vitality and environmental health of the city. Synopsis of the plan: • Reduce carbon emissions, conserve resources, and reduce operating costs; • Establish new cultural destinations beyond the National Mall to help relieve development pressure and overuse • Establish a diverse mix of uses, including cultural, retail, and open space; • Remove visual and physical barriers between the National Mall and the waterfront; •Expand transit capacity, improve walk ability, and enliven streets and public spaces
Recommendations for project • Reconnect the street grid; • Balance the office and housing use mix; • Increase efficient use of federal lands and buildings; • Improve the setting for cultural development; • Unlock the potential for 10th Street and Maryland Avenue to be vibrant corridors. Realign the 12th Street ramp to enter the grid at Maryland Ave. and deck the tunnel to develop a mix of uses. Provide a commemorative park on Independence Avenue between 11th and 12th Street. Consider incorporating the commemorative park into the design of the adjacent parcels such as the design of Market Square on Pennsylvania Ave.
program verification
Programing Requirements Lobby, Gathering Spaces Event Spaces
Public Services Visitors Services 9.75% 20,000sqf Museum Store Cafe/ Dining Exhibition 46.35% 95,000sqf
Permanent Exhibition Spaces Temporary Exhibit spaces Additional Display
Academic 46.35% 95,000sqf
Performance Spaces Education
Curatorial offices, Lobby, Administrative Archives 20% 43,000 sqf Storage Exhibit support Utility 10% 22,000
Administration
Outdoor
Garden Spaces as Appropriate
Building Service
Creating a museum that the public could interact with beyond the interior, that allowed equal access for all and gave an incredibly powerful experience. these were the goals of our team. Private
Public
Concept development Emerging: Verb: Become apparent, important, or prominent Through the form we wanted to express the struggle of women’s history. The purpose of this form was to express the struggle between recognition and discovery in women’s history. Each Facture or piece recognizes an important event in women’s history. From the suffrage to current issues like “white” slavery, Women’s history has been like tectonic plates being pushed and pulled by strong, sometimes, violent forces. This museum’s design reflect this.
Precedence: For the interior we looked to Alaphaville architects to see how they created successful “folded” architecture. The exterior we looked at many examples but the form seemed mostly stem from our design senses.
The cafe and theater creates an activation of Independence street and the Museum
Allowing people to elevate as they explore the museum, ending in a panoramic view of the national mall
Administration building is in stark difference to the museum, the building was designed to retain the integrity of the mall with its classic facade
Levels: +2 / -2
Levels: -2/ -4
Exhibit circulation: the metaphor of enlightenment through ascension. The lowest floors show case the hidden history of women: the darkness, as one moves through the space natural light begins to become more prominent. Natural light is used as the metaphor for knowledge.
natural ventilation creates cooling
Environmental responses :
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A strong emphasis was place in the SWECO plan for the Independence ave. on environmental responses. It is predicated that Washington DC will suffer water shortages by 2045. Water collection, recycling, reduction of water waste and production of energy were strong influences on the form. The large green roofs were used to allow interaction beyond the interior of the museum, activate the proposed neighborhood by creating a public space to be shared by the public, water collection that will feed in to proposed water catchment systems.
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03 ........................................................ . making [wall section]
NMHM
Design Studio 601 Fall 2012 Instructor: Karen King Materials: Rockite [re]claimed birch plywood Cork 1/16� Basswood White museum board
[2]
[1] [4] [1] Intensive (habitable) Green roof [2] Drain for water collection
[3]
[3] Perforated metal panel facade
[4] Space Truss designed to with stand weight of green roof ( 354# per square inch, including snow load
[5]
[5] Under floor air delivery system
Conceptual drawings
Interior and exterior renders
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04
. .......................Tucumcari ..............,..NM ................ The movies
Design Studio 602 Spring 2013 Instructor: Mark Childs Partner: Landscape architect student peter collins
Assignment: 0.04 Research , asset mapping, and precedence
Assignment: 0.05 Tucumcari, NM : princess theater part a: Research: students were assigned topics to research and share with the class. I chose the smaller town of Tucumcari and was only one of three. We created addition assignments for ourselves to enrich our design process and because there were fewer of us. part b: Each architecture student was assigned a theater in a small town in New Mexico. We worked in conjunction with a landscape architect student to create theater districts. The theater designs were expected to respond to the expressed interest of the citizens of the townships, aim to improve the economic and social viability of the theater and aim to improve the sustainability of the building and its operation. Students did not need to work together as a group, each student could design independently of each other. Part c: Develop a tool kit of economically plausible, socially robust, and environmentally responsible design strategies and resources for small town movie places that include approaches. Work should reflect the goals of the communities.
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04 ........................................................ . The movies
Tucumcari
Design Studio 602 Spring 2013 Instructor: Mark Childs
Tucumcari , NM
Albuquerque 2,245,750
Tucumcari* 5,334
vacant
55+ 00-05
re tu ul ric ag
single family residance
06-18
29-54
multi-family residence transportation
19 8 -2
9th grade or less 621 9th - 12th grade, no degree 914 highschool graduate 1,465 some collage 675 associates degree 135 bachelor degree 278 professional degree 147
co m m er cia indu l stria l public institu tion
streets/roads park
comparision of Albuquerque to Tucumcari *and surrounding area
Age distibution in Tucumcari
Land use in Tucumacari *within city limits
8% E4 AL M
Tucumcari is a small town in Eastern New Mexico. Boasting a population of 2,215 Tucumcari is a small town. The town has experienced decline since the decline of the railroad. The town host a buffet of artistic individuals that give Tucumcari personality.
FEMAL E5 2%
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05 ........................................................ . [as] built
princess theater
Design Studio 602 spring 2013 Instructor: Mark Childs Partner: Landscape Architect: peter Collins
Princess theater
The Princess theater has a wide range of experiences periences and memories in its lifetime. Born on October to ober 21, 1917. The Princess has been a source of pride for the community. Under constant remodeling g for the first half of its career the princess was a grand theater for its time, with flared art deco style and beautiful Carrara glass facade.
es struck. On February 21, 1943 The first of many fires The fire completely destroyed the interior. In 1944 the Princess opened again, Fully restored. In 1962, A second blaze tore through the princess from that day until 1977 the theater sat vacant. The last show was in 1985. Since that day the theater has sat in disrepair, waiting like a silent sentinel to serve the community again.
Blue indicates inferred walls and objects
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05 ........................................................ . Design [Phase 1]
Princess theater
M i n i m a l Restoration and cleaning
The Princess Theater: Storefront windows can be used as temporary venues for community events. Allowing a large screen television to be placed in the windows community members can gather to tail gate, collectively watch events and create interests along main street. Suggested criteria for artistic occupation of the store front: Request artist to interact with street front and visitors Utilize the store front windows to activate main street Retain and enhance Tucumcari’s artist and historical identity Investing minimally in the Princess Theater can have big payback. If A space is created that the community can invest in personally, they will be more likely to want to save this historical landmark.
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05 ........................................................ . design [ phase 2]
Revitalization of storefronts
princess theater
Design Studio 602 spring 2013 Instructor: mark childs
interior renovation of storefronts Programing the Princess theater as a bar, cafe, night club or artist studio can help support this community. Tucumcari already has an active historical film theater, it doesn’t need another. To successfully activate mainstreet it is suggested to create a social hub that locals and tourist can gather to enjoy Tucumcari’s mainstreet. Around the clock activity can provide a catalyst for mainstreet.
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Retrofitting redesign
05 ........................................................ . design [ phase 3]
and
princess theater live music venue
Design Studio 602 Spring 2013 Instructor: Mark Childs Retrofitting a Live Performance Space de sustainable retrofitting. Night flushing, Renovations should include Co2 Sensors, reuse of existing building materials , and the use of skylights for natural lighting can re-use the carbon foot print and encapsulate mainstreet Tucumcari as the new sustainable historical forefront. SKYLIGHTS FOR NATURAL DAYLIGHT AND VENTILATION
Addition of fire escape and shared elevator with neighbor business
M o v e a b l e seating allows a transformable space
Third Floor: offices and mechanical
Second Floor: Bar , lobby and stage
Entry Level: lobby , Stage and Bar
CO2 SENSORS NIGHT FLUSHING
RECLAMATION OF BUILDING MATERIALS
Strong consideration should be given to retrofitting with universal access. Stepping the stage and floor area down can allow everyone to enjoy performances. A gate elevator can allow storage in the basement, access for every body type from the floor, the basement and the stage.
Proposed redesign section facing West
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01 06 ........................................................ . Movies [new venues]
floating theater
Design Studio 602 spring 2013 Instructor: mark childs assignment 0.06 Alternative Venues Develop a tool kit of economically plausible, socially robust, and environmentally responsible design strategies and resources for small town movie places that include approaches to (a) an existing movie theater, (b) adaptive reuse of existing buildings, and (c) proposals for a new type of venues for community movie going. Work should reflect the goals of the communities as well as the main street program.
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06 ........................................................ . making [content]
Floating Theater
Design Studio 602 Spring 2013 Instructor:MArk Childs
Precedence: Floating Theater by Ole Scheeren, a German architect based out of Beijing, China designed a floating movie theater to give viewers a truly unique experience while watching films. By using local lobster fisherman rafts with tires, Scheeren created a floating screen and a separate platform for the audience to sit back, relax and enjoy the show. The screen was placed in front of two beautiful rocks in the archipelago in the Bay of Bengal for a film festival called “Film on the Rocks Yao Noi.”
A salt basket from Thailand was the inspiration for the form. The “cradling” form is warm and inviting.
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locations ........................................................ . floating [theater]
Design Studio 602 spring 2012 Instructor: mark childs
Water In New Mexico is a phenomenon. We celebrate its presence in our desert. I wanted to capture that connection and celebrating by engaging the activity of movie watching with the natural landscape. To create an extroverted movie watching experience.
Location Selection criteria: Public land: land that is regulated by government to reduce environmental impact and damages Access to water through boat dock Forest Service access: allowing the Forest service to use Floating Theater for “Ranger Talks� and other educational uses.
Image: NM tourist board
Images: NM tourist board
Floating Theater: Construction of this piece would include recycled wood. Wood is an imporatnt material because it extrudes a warmth at night after sitting in the hot New Mexicos hot sun. Warm wood, soft breezes off the water and movie magic. Traditional floatation options are costly, instead recycling 55 gallon barrels will give bouyancy. The barrels may also be used as anchors when filled with sand.
Iterations of design Different iterations of the location of the supporting wall, screen and materiality. A natural oval shape was chosen over an orthogonal one because of the natural connotations with ovals and water.
Diagram above: Views / natural ventilation Because of the open design of this piece summer use was assumed. The wall wrap is only allowed to protect from wind and retain sound from the screen. To prevent the loss of views and natural ventilation, windows are design in whimsical random patterns.
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06 ........................................................ . floatig [theater]
eagle’s nest, nm
Design Studio 602 Spring 2013 Instructor: Mark childs
The thought of watching films on the water seems a little unorthodox, but magical. Sound and light reflecting of the water , No roof , views over the water and an audience, floating in an ephemeral space . A sense of temporality,
randomness. Almost like drift wood.