Autonomy, Activism and Art Direction

Page 124

AN INTERVIEW WITH: GOLD MARIA AKANBI.

GOLD MARIA AKANBI, BA FINE ART, LIVERPOOL JOHN MOORES (2018). How does Diversity play a Role in Art Direction?

Well, when it comes to Art Direction the term in itself covers a broad range of industries that come under the terms ‘Arts’, sometimes overlapping into the entertainment industry - though not too much as that’s when it becomes pop culture and not everyone can pull off turning art into a popular trend. But I think that is one major impact of diversity within The Arts; changing popular culture and what is seen consumed by the masses. Plurality of choice, intersectionality and concepts of unique identity, in terms of both ethnic/natural cultures and personal constructs have made The Arts not only more appealing but more entertaining but also educating. For instance, I educate my mother on certain aspects of our ethnicity that she never knew about or that she even feared because there was no one around her that was willing to delve into the uniqueness of our culture to give her the comfort of understand, to educate her on the world that was around her. Does the creative industries cater for intersectional narratives? I think the Creative Industry is ‘attempting’ to cater to intersectional narratives. I think at times not all representation is good or even worthy representation. When it comes to the catering to or representation of the intersectional narratives, things can become skewed. Integrity and honesty comes into question. How much is for entertainment? How much is for education? How much is raw honesty? Is it really the rose and 124 // AUTONOMY, ACTIVISM & ART DIRECTION.

all its thorns or is it merely a digestible version being created in order to meet a new, popular and demanding quota. Can Art Direction be used as a tool for Activism? Art direction can definitely be used as a form of activism but if it should always be used as a form of activism is another thing. I’ve found that activism can also become a thing of contentious entertainment, trying to see how far we can trigger someone into reacting, into clicking on a link, tweet or article. Sometimes the activists I see on Twitter make the activist life seem like a Telenovela, all drama with very little hope for change. I think that’s my issue with activism in Art direction, too many lack hope for change to be using activism in the creation or curation of art to make it a successful and beneficial thing for society as a whole. Also, who is being educated? And are we reinforcing stereotypes and the same olf tropes to fit these narratives into stirile and confirmed, acceptable boxes? What is the importance of Art Directors within Activism? Well without female activists I’m sure most of the world would be without rights. Man, woman or child. From what I do know the ‘Me Too’ movement was started by females, particularly black females, though I take issue with the use of the word ‘females’, I prefer ‘women’ or the more inclusive ‘womxn’ (it might be the millenial in me but I do like to include all my sisters). I think my problem is, when does it stop becoming activism and when does it start to become


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Digital Resources

13min
pages 155-166

Further Reading

4min
pages 151-154

Bibliography

1min
pages 149-150

Key Terms

4min
pages 144-145, 147-148

It's Never East to Say Goodbye by Bee Smith

1min
pages 142-143

The Pedantic Inventor 1 by Andrew Hart

1min
pages 138-141

NY-LON by Favour Jonathan

3min
pages 134-137

Black Girl Series by Ryann L. Oakley

2min
pages 128-133

An Interview with Gold Maria Akanbi

7min
pages 124-127

Introspection Illusion by Bunmi Agusto

1min
pages 122-123

Diversity Reports by Kourtney Paul Stuart-Mason

2min
pages 114-121

Black Female Bodies by Shannon Bono

1min
pages 112-113

Retweet by Lois Majek-odunmi

1min
pages 108-111

Akwaaba. The Balancing Act: Being Both Black and British by Rose Ofori-Darkwah

1min
pages 106-107

Mercedes Lewis

3min
pages 104-105

The Modern Day Black Woman

1min
pages 100-103

Generica/Obamacare

1min
pages 96-99

Cherry by In\u00EAs Mour\u00E3o

1min
pages 92-95

I Don't See in Colour by Mercedes Lewis

8min
pages 84-91

2 Moons by Jonathan Fernandez

2min
pages 82-83

The 'Cool Black' by Gold Maria Akanbi

2min
pages 80-81

Motherhood (Series) by Sharon Foster

2min
pages 74-79

Base Head Jazz by Alaa Kassim

1min
pages 70-73

Arts 'Double Character' Rayvenn Shaleigha D'Clark

5min
pages 64-69

Blk. by Inës Mourão

1min
pages 58-63

Sam Nairobi (2017) by Awuor Onyango

1min
pages 56-57

House Party by Favour Jonathan

3min
pages 52-55

Tesifa (2019) by Mikael Calandra Achode

1min
pages 50-51

Agbogho II by Chizitalu "Chiizii" Uwechia

2min
pages 44-49

The Extraordinary Qualities of the Gaderene Swine by Tam Joseph

1min
pages 40-43

Body by Shannon Bono

1min
pages 38-39

Jason Sam (Antony)

1min
page 37

Inés Mourão

1min
page 36

Sankara (2018) by Ethel-Ruth Tawe

1min
pages 34-35

Key Term Video: Art Activism

1min
pages 32-33

Donald Rodney - 20 Year Anniversary (1961-1998)

3min
pages 30-31

For Us, By Us

1min
pages 24-29

Key Data

1min
pages 20-23

A Note from Richie Manu

5min
pages 17-19

A Note from Lawrence Lartey

5min
pages 14-16

Peer Review: Lawrence Lartey and Richie Manu

2min
pages 12-13

A Note From the Leads

4min
pages 8-11

Welcome.

4min
pages 1-3, 6-7
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