Autonomy, Activism and Art Direction

Page 128

BLACK GIRL SERIES.

RYANN L. OAKLEY, MULTIMEDIA ARTIST, WAKE FOREST UNIVERSITY (2016).

Too often black women are marginalized in society, especially when it comes to the narrow beauty standards and the limited and negative portrayals of black women in the media. The use of the comic art/ pop art allows me to traverse a world of melodramatic vulnerability that black women are stripped from exploring. I love the graphic and eye catching elements of comic books and wanted to use similar techniques to address issues I face as a black woman; lack of representation, silencing of black female narratives and the appropriation of the black female image. These images became a way to “appropriate” the same privilege that allows white individuals and more advantageous groups in society to wear black identity as an absurd costume. The juxtaposition of light, peachy flesh tones against different hues of brown skin highlights the absurdity of wearing a culture as a mask in addition to highlighting the tragedy that such a privilege cannot be reciprocated by black individuals. Images: Experiment 2A- “Black Girl, Listen To Yourself” Experiment 3A- “Black Girl, You Will Find Love In Yourself” Experiment 4A- “Black Girl, Your Anger Is Valid” Experiment 5-3- “Me Gritaron Negra” Experiment A- “Black Girl, Its Okay To Cry

128 // AUTONOMY, ACTIVISM & ART DIRECTION.


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Digital Resources

13min
pages 155-166

Further Reading

4min
pages 151-154

Bibliography

1min
pages 149-150

Key Terms

4min
pages 144-145, 147-148

It's Never East to Say Goodbye by Bee Smith

1min
pages 142-143

The Pedantic Inventor 1 by Andrew Hart

1min
pages 138-141

NY-LON by Favour Jonathan

3min
pages 134-137

Black Girl Series by Ryann L. Oakley

2min
pages 128-133

An Interview with Gold Maria Akanbi

7min
pages 124-127

Introspection Illusion by Bunmi Agusto

1min
pages 122-123

Diversity Reports by Kourtney Paul Stuart-Mason

2min
pages 114-121

Black Female Bodies by Shannon Bono

1min
pages 112-113

Retweet by Lois Majek-odunmi

1min
pages 108-111

Akwaaba. The Balancing Act: Being Both Black and British by Rose Ofori-Darkwah

1min
pages 106-107

Mercedes Lewis

3min
pages 104-105

The Modern Day Black Woman

1min
pages 100-103

Generica/Obamacare

1min
pages 96-99

Cherry by In\u00EAs Mour\u00E3o

1min
pages 92-95

I Don't See in Colour by Mercedes Lewis

8min
pages 84-91

2 Moons by Jonathan Fernandez

2min
pages 82-83

The 'Cool Black' by Gold Maria Akanbi

2min
pages 80-81

Motherhood (Series) by Sharon Foster

2min
pages 74-79

Base Head Jazz by Alaa Kassim

1min
pages 70-73

Arts 'Double Character' Rayvenn Shaleigha D'Clark

5min
pages 64-69

Blk. by Inës Mourão

1min
pages 58-63

Sam Nairobi (2017) by Awuor Onyango

1min
pages 56-57

House Party by Favour Jonathan

3min
pages 52-55

Tesifa (2019) by Mikael Calandra Achode

1min
pages 50-51

Agbogho II by Chizitalu "Chiizii" Uwechia

2min
pages 44-49

The Extraordinary Qualities of the Gaderene Swine by Tam Joseph

1min
pages 40-43

Body by Shannon Bono

1min
pages 38-39

Jason Sam (Antony)

1min
page 37

Inés Mourão

1min
page 36

Sankara (2018) by Ethel-Ruth Tawe

1min
pages 34-35

Key Term Video: Art Activism

1min
pages 32-33

Donald Rodney - 20 Year Anniversary (1961-1998)

3min
pages 30-31

For Us, By Us

1min
pages 24-29

Key Data

1min
pages 20-23

A Note from Richie Manu

5min
pages 17-19

A Note from Lawrence Lartey

5min
pages 14-16

Peer Review: Lawrence Lartey and Richie Manu

2min
pages 12-13

A Note From the Leads

4min
pages 8-11

Welcome.

4min
pages 1-3, 6-7
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