Autonomy, Activism and Art Direction

Page 36

INÊS MOURÃO.

ARTIST/DESIGNER, ESCOLA PROFISSIONAL BENTO DE JESUS CARAÇA (2018) NASTY WOMEN PORTUGAL FOUNDER. How does Art Direction/curation engage with the Public (discourse) and what are its Social Responsibilities? The first thing that goes through my mind when I think of Art Direction are the ‘masses’. I think of Art Direction, applied to the visual communication methods developed for the general public. I believe, that since day one, Art Directors have been challenged in several ways - visual language, freedom of speech, continuum of changing visual manifestations . Even though the approach to the masses has to be ‘gentle’, it also has to stir (and start!) the conversation. Some do it subtly, while others get emotional! Do the creative industries cater for intersectional narratives? I also see Art Direction it as a means for inclusion: what happens when an Art Director places symbols of African Heritage into a commercial for example? Or when there are references to the LGBTQ+ community? The diversity of commentary/ references is immense and continually evolving and so it becomes the unique challenge of the Art Director as a creative to challenge and engeder public discusoe using more varied frames of reference

36 // AUTONOMY, ACTIVISM & ART DIRECTION.

Can Art Direction be used as a tool for Activism? Art Direction has the unique ability to introduce new thoughts and perspectives to the mainstream, or change the pre-existing ones. It can plant the seed of self-critic, while embedding contemporary concepts into the viewer. Whilst in one way it might just visually instigate the curiosity of the viewer, it can also be the fuel - or catalyst - for new learning opportunities, research strands, sources of information in a number of ways. Whatever the outcome, that’s becomes one of the great things of Art Direction - It makes you question, and THAT, can later translate into activism!


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Digital Resources

13min
pages 155-166

Further Reading

4min
pages 151-154

Bibliography

1min
pages 149-150

Key Terms

4min
pages 144-145, 147-148

It's Never East to Say Goodbye by Bee Smith

1min
pages 142-143

The Pedantic Inventor 1 by Andrew Hart

1min
pages 138-141

NY-LON by Favour Jonathan

3min
pages 134-137

Black Girl Series by Ryann L. Oakley

2min
pages 128-133

An Interview with Gold Maria Akanbi

7min
pages 124-127

Introspection Illusion by Bunmi Agusto

1min
pages 122-123

Diversity Reports by Kourtney Paul Stuart-Mason

2min
pages 114-121

Black Female Bodies by Shannon Bono

1min
pages 112-113

Retweet by Lois Majek-odunmi

1min
pages 108-111

Akwaaba. The Balancing Act: Being Both Black and British by Rose Ofori-Darkwah

1min
pages 106-107

Mercedes Lewis

3min
pages 104-105

The Modern Day Black Woman

1min
pages 100-103

Generica/Obamacare

1min
pages 96-99

Cherry by In\u00EAs Mour\u00E3o

1min
pages 92-95

I Don't See in Colour by Mercedes Lewis

8min
pages 84-91

2 Moons by Jonathan Fernandez

2min
pages 82-83

The 'Cool Black' by Gold Maria Akanbi

2min
pages 80-81

Motherhood (Series) by Sharon Foster

2min
pages 74-79

Base Head Jazz by Alaa Kassim

1min
pages 70-73

Arts 'Double Character' Rayvenn Shaleigha D'Clark

5min
pages 64-69

Blk. by Inës Mourão

1min
pages 58-63

Sam Nairobi (2017) by Awuor Onyango

1min
pages 56-57

House Party by Favour Jonathan

3min
pages 52-55

Tesifa (2019) by Mikael Calandra Achode

1min
pages 50-51

Agbogho II by Chizitalu "Chiizii" Uwechia

2min
pages 44-49

The Extraordinary Qualities of the Gaderene Swine by Tam Joseph

1min
pages 40-43

Body by Shannon Bono

1min
pages 38-39

Jason Sam (Antony)

1min
page 37

Inés Mourão

1min
page 36

Sankara (2018) by Ethel-Ruth Tawe

1min
pages 34-35

Key Term Video: Art Activism

1min
pages 32-33

Donald Rodney - 20 Year Anniversary (1961-1998)

3min
pages 30-31

For Us, By Us

1min
pages 24-29

Key Data

1min
pages 20-23

A Note from Richie Manu

5min
pages 17-19

A Note from Lawrence Lartey

5min
pages 14-16

Peer Review: Lawrence Lartey and Richie Manu

2min
pages 12-13

A Note From the Leads

4min
pages 8-11

Welcome.

4min
pages 1-3, 6-7
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