Autonomy, Activism and Art Direction

Page 37

JASON SAM (ANTONY). ARCHITECT AND ARTIST.

How does Diversity play a Role in Art Direction/Production?

How can we preserve and protect marginal voices within art?

Art and culture is influenced by a variety of different contributions / ers. It can be therefore assumed that the role of diversity is reciprocal to the richness of art (just as in the wider world). Art direction / production gives us a platform to showcase a selection of artists leading to a richer narrative as a range of styles and stories can be shared, understood and hopefully social change can occur as a result.

By providing an environment in which artists have the liberty to produce work without fear of consequences. We must also celebrate this courage when we recognise it.

Do the creative industries cater for intersectional narratives? Definitely, we are seeing a great deal of artists emerging who’s subject matter confronts inter sectional narratives. It is imperative to continue to provide opportunities and platforms for these themes to be broadcast. In time these narratives can be a catalyst for discussion among the general public. Can Art Direction be used as a tool for Activism? Definitely, it’s arguably an essential tool. Art is often used to engender an emotional reaction to stimulate a feeling, or alter perceptions. It is only when people are moved by an emotional stimuli that they will act in an effort to make social change.

How can academia prepare an ethical art director/creative practitioner? Academia can prepare an ethical practitioner by doing more than simply teaching one how to enter the workforce. Education can ensure students understand their values by challenging them with questions about what and why particular principles govern their lives and how their actions can affect others (vice - versa). How does Art Direction/curation engage with the Public (discourse) and what are its Social Responsibilities? I think art acts as a stimuli for public discourse. Art itself has no social responsibility however the producers of the art do. Their social responsibility is based on their particular ethics.

AUTONOMY, ACTIVISM & ART DIRECTION. // 37


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Digital Resources

13min
pages 155-166

Further Reading

4min
pages 151-154

Bibliography

1min
pages 149-150

Key Terms

4min
pages 144-145, 147-148

It's Never East to Say Goodbye by Bee Smith

1min
pages 142-143

The Pedantic Inventor 1 by Andrew Hart

1min
pages 138-141

NY-LON by Favour Jonathan

3min
pages 134-137

Black Girl Series by Ryann L. Oakley

2min
pages 128-133

An Interview with Gold Maria Akanbi

7min
pages 124-127

Introspection Illusion by Bunmi Agusto

1min
pages 122-123

Diversity Reports by Kourtney Paul Stuart-Mason

2min
pages 114-121

Black Female Bodies by Shannon Bono

1min
pages 112-113

Retweet by Lois Majek-odunmi

1min
pages 108-111

Akwaaba. The Balancing Act: Being Both Black and British by Rose Ofori-Darkwah

1min
pages 106-107

Mercedes Lewis

3min
pages 104-105

The Modern Day Black Woman

1min
pages 100-103

Generica/Obamacare

1min
pages 96-99

Cherry by In\u00EAs Mour\u00E3o

1min
pages 92-95

I Don't See in Colour by Mercedes Lewis

8min
pages 84-91

2 Moons by Jonathan Fernandez

2min
pages 82-83

The 'Cool Black' by Gold Maria Akanbi

2min
pages 80-81

Motherhood (Series) by Sharon Foster

2min
pages 74-79

Base Head Jazz by Alaa Kassim

1min
pages 70-73

Arts 'Double Character' Rayvenn Shaleigha D'Clark

5min
pages 64-69

Blk. by Inës Mourão

1min
pages 58-63

Sam Nairobi (2017) by Awuor Onyango

1min
pages 56-57

House Party by Favour Jonathan

3min
pages 52-55

Tesifa (2019) by Mikael Calandra Achode

1min
pages 50-51

Agbogho II by Chizitalu "Chiizii" Uwechia

2min
pages 44-49

The Extraordinary Qualities of the Gaderene Swine by Tam Joseph

1min
pages 40-43

Body by Shannon Bono

1min
pages 38-39

Jason Sam (Antony)

1min
page 37

Inés Mourão

1min
page 36

Sankara (2018) by Ethel-Ruth Tawe

1min
pages 34-35

Key Term Video: Art Activism

1min
pages 32-33

Donald Rodney - 20 Year Anniversary (1961-1998)

3min
pages 30-31

For Us, By Us

1min
pages 24-29

Key Data

1min
pages 20-23

A Note from Richie Manu

5min
pages 17-19

A Note from Lawrence Lartey

5min
pages 14-16

Peer Review: Lawrence Lartey and Richie Manu

2min
pages 12-13

A Note From the Leads

4min
pages 8-11

Welcome.

4min
pages 1-3, 6-7
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