Body Politić

Page 104

AN INTERVIEW WITH: MERCEDES LEWIS.

ARTIST & CREATIVE DIRECTOR, SAVANNAH COLLEGE OF ART & DESIGN (ALUMNI). What embodies ‘blackness in the white landscape’, and what does this look like to you? In my opinion ‘ blackness in the white landscape’ is really most of America. To see that we are still living in a system that still oppresses black people’s freedom is a modern day issue. An example in america would be the NFL. We have so much of our blackness in national sport organizations yet we don’t have the right to take a knee when our people are being killed off the field. Using Colin Kaepernick story of losing his career to speak up for black people losing lives in this country is a prime example of blackness in a white landscape. This example shows how many rights a black person truly has in a national organization controlled by white people. Colin Kaepernick risked his career to fight for black lives and what treated unfairly. The idea that as a Black man that you speak freely for your own people and can lose your own career supports the idea that systematic oppression is modern day. He went against an idea the system had and lost his career. How are issues of body politics manifested, visualised and framed in the everyday? In the Trump Era things are manifested and framed against the minority. The fact that Trump says statements that supports ideas to assume blacks are less educated reinforces the idea of inequality in our modern day society. President Trump constantly supports & reinforces these false ideas. His racist remarks embodies hateful & ignorant people who actually agree with his statements. A film like “Get Out” is a visual example to hear a stories directed from the perspective 104 // BODY POLITIĆ.

of the modern day African American is still rare. It’s important that we have the opportunities to have our stories visualized in films from our own perspective to bring truth to the stereotypes and generalizations that are placed upon black people. When we get the chance to see something that we can relate to it’s like being able to share an inside secret. I believe visual stories are vital for our stories to be authentically told to overcome the stereotypes that have been manifested. In my opinion the media has done more framed dehumanizing and stereotyping. This frames how black lives are sentenced in prison, what rights we can lose and sometimes what life we can lose. The same crimes committed by another race but the sentencing is less harsh. These stereotypes are used when we are sentenced and treated unjustly in this country. What are the ways / tools / methods that have been used to further reinforce negative stereotypes into society? Our ‘otherness’ is most popular when cultural appropriation from other races. Kim Kardashian receive praise for wearing black hairstyles. Yet its legal in the same country to discriminate against a person wearing dreadlocks when seeking a job. This system has rules created to build a negative stereotype when practiced by African American but gets praise when culture appropriated by other races. What about the possibility of black liberation? I believe that in order to have black liberation we truly have to believe that we are divine and have our own. This system


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Articles inside

Find More Intersectional Creatives

1min
pages 166-167

The Story of Jezebel: On the Revolutionary Act of Black Womxn's Sexual Liberation by Thokozani Mbwana

2min
pages 164-165

Featured Creative: Liberty Antonia Sadler

4min
pages 156-163

An interview with: Shannon Bono

2min
pages 154-155

Lost Consciousness by Ken Nwadiogbu

4min
pages 144-153

Shower by Prudence Flint

1min
pages 138-141

An Interview with: Rachel Isabel Mukendi

4min
pages 136-137

An interview with: Thokozani Mbwana

5min
pages 132-135

And I Belong and We Belong by Rene Matich

1min
pages 128-131

Personhood by Unimuke J Agada

1min
pages 122-127

An interview with: Yoko Grindel

2min
pages 120-121

Acid Attach Series by Sanya Torkmorad-Jozavi

1min
pages 117-119

An Interview with: Rene Matich

3min
pages 114-116

If I Were White, I Would Capture the World by Rachel Isabel Mukendi

1min
pages 108-113

Children of Venus by Uzma Chowdhury (They/Them)

1min
pages 106-107

An Interview with: Mercedes Lewis

3min
pages 104-105

Inter-African Migration and Albinism in Black Bodies by Anne-Mare Akussah

3min
pages 96-103

We a Caribbean Family by Jawara Alleyne

1min
pages 88-95

Kader Attia: Omnipresent Reparation by Helene Selam Kleih

1min
pages 84-87

Adire Series by Sola Olulode

1min
pages 78-83

The Black Flaneur by Madinah Farhannah Thompson

1min
pages 74-77

Transmission/Transition. by Hamed Maiye

1min
pages 68-73

01WITNESS? by Christopher Lutterodt-Quarcoo

1min
pages 66-67

On Allowance of the Black Sky Letting Light Into Its Vastness by Kaiisaiah Jamal

1min
pages 64-65

Sankofa by Ethel-Ruth Tame

1min
pages 62-63

Primevera.

1min
pages 56-61

An interview with: Unimuke Jagada.

3min
pages 54-56

Yellow Fever.

4min
pages 50-53

Project/ed: Cut Your Cloth According to Your Coat.

1min
pages 46-49

Nostalgic Black

1min
pages 39, 45

Where are you 'really' from?

1min
pages 40, 44

Beautiful Uprising.

2min
pages 36-43

Inviting Silence: An Essay on the Body

6min
pages 28, 32-35

Guardian Angel by Matt Sesow

1min
pages 24-31

Key Data

1min
pages 19-23

Peer Review: Annabel Crowley

5min
pages 11, 16-18

Peer Review: A Note from Kirsten Hemmy

7min
pages 11-15

A Note from the Lead

2min
pages 8-10

Body Politic

2min
pages 1, 6-7
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