S AR AH H ADIANTI
S AR AH H ADIANTI E DUCATION
Rhode Island School of Design Bachelor of Architecture
Providence, RI, USA Class of 2016
Nature-Culture-Sustainability Studies Concentration Honor Student
E XPERIENCE
Design Global Indonesia Summer Architecture Internship
Jakarta, Indonesia June - August 2013
Designed the public space and parking area of an apartment complex in Ciracas, East Jakarta
Work-Study in Rhode Island School of Design
Providence, RI, USA
Teaching Assistant in Modern Architecture Lead readings discussions and assist professor in assessing students
Teaching Assistant in Foundation Studies: Design
Fall 2013
Assisted in providing guidance and critiques of students’ projects
2013 - present Prepare, deliver, update and organize sensitive documents
Studio in Rhode Island School of Design
Providence, RI, USA
Architectural Design and Urban Design Principles
2012 - 2013
Core studios in introducing the underlying principles of architecture, with emphasis on concept development and representation skills
Architectural Projections and Analysis
2012 - 2013
Translations between the physical and digital, through hand-drafting, measured drawings and digital fabrication
Foundation Studies: Drawing, Design and Spatial Dynamics Developed drawing, model-making and design skills
S KILLS
Rhinoceros, AutoCAD, SketchUp, Adobe Creative Suite Hand-drafting, drawing, model-making, wood-working
2011 - 2012
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Project
duration | date
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West End Revival
6-week project 2013
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Mixed-Use Housing
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Aquarium and Lab Design
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Urban Design
Urban Design
Architectural Design
2-week project 2013
6-week project 2013
Cyclic Input and Output Architectural Projections
2012
Sydney Opera House Analysis
12-week project 2013
Architectural Analysis
West End Revival | Urban Design, 2013 Boston’s West End has great potential in becoming a pleasant, lively, and pedestrian-friendly neighborhood. It currently attracts thousands of people daily as it houses the Massachusetts General Hospital (M.G.H.). In an attempt to revive the neighborhood and invite more than just hospital visits, the project comprises two cinemas, a multi-purpose auditorium, retail spaces and a variety of residential units.
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The area chosen for development is at the North Western side as it tackles the mess of the highway infrastructure, the underused T-station, and the missed opportunity of connecting to the bay. In the urban-scale, the project aims to connect two T-stations: the red line’s Charles/M.G.H. and the green line’s Science Park Station.
A new layer of ground is achieved by creating residential tower. The main layer of ground activity mediates the T-station level and the ground level leading towards the hospital block. To protect and encourage pedestrians in the area, the edge between the project site and the ban of highways is hardened. Vehicles enter and ans, as pedestrians are given priority in its waterfront view and greenery.
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West End Revival | Urban Design, 2013
The logic of the project carries on from the urban to the architectural scale. The hard edge that blocks the highway translates into the hard edge that has no balconies in the residential units. While, the other sides open up to the public in both urban and architectural scale.
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The tower is sited on the hard edge in order to further protect pedestrians on the podium and gardens. Its slender form derives from curved edge of the site. With respect to the solar path, the faceted edge functions to catch more Southern light of the otherwise North-West facing windows.
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West End Revival | Urban Design, 2013
Mixed-Use Housing | Urban Design, 2013
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The project is located on the river’s edge in Providence, RI. However, the pedestrian’s experience of the water is limited to only a slender sidewalk that is right on the edge of the water. This project aims to elevate the public experience with the water by creating a wide outdoor dining space living above can enjoy the waterfront in a more private setting as they remain in the comforts of their home, looking over their balconies and down to the water and trees.
Mixed-Use Housing | Urban Design, 2013
media: mixed media
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Aquarium and Lab Design | Architectural Design, 2013
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The design project is a 200,000 sq-ft research laboratory
um and tidal pool. Taking inspiration from the water, the project aims to create and unite spaces through incorporating water as part of the view or a lighting element. The light qualities necessary for each use dictated the programmatic division and composition. Light was controlled through a
Other main lighting elements include the two small aquariskylights and clear bottoms that allows light to transmit down to the underground laboratories. This is shown in the rendered section on the previous page.
media: charcoal on paper
Aquarium and Lab Design | Architectural Design, 2013
the aquariums and pool. The circulation spine is also granted more light. Overall, the exposed beams create rhythm both in their solid masses and dynamic shadows.
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The detail model highlights the main lighting elements. It demonstrates the role of the roof and the rhythm created by the beams. Similarly, it reveals the aquarium, as previously mentioned.
Aquarium and Lab Design | Architectural Design, 2013
in order to demonstrate the lighting and spatial experiences designed.
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Cyclic Input and Output | Architectural Projections, 2012
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It began with a composed still-life within the boundaries of an 18� x 20� plexi. After drawing a still life from two were projected back onto the objects themselves, while mediating between the two points of views.
Selected data needed to be measured in order to translate the still life from the physical to the digital. The phenomena chosen was light and dark from three points of views. The still-life is then marked and measured.
The focus of the digital drawing is on the phenomena in terms of describing the still life. The method of measuring is presented to show the process of translating from the physical matter into input data for Rhinoceros.
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Cyclic Input and Output | Architectural Projections, 2012
Sydney Opera House Analysis | Architectural Analysis, 2013 The plan oblique of the Sydney Opera House focuses on the exterior and interior public circulation. It is oriented facing towards the public entrance. The movement of visitors are generally forward and upwards towards the opera house and concert hall. The roofs are cut to reveal the arrangement of the core of both concert halls.
media: graphite on paper
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The halls are exploded to reveal the division of the circulation. First, a visitor enters forward and upwards. Later, a split occurs where one can choose to enter the major hall to the left or the minor hall to the right. Each level of each hall is then exploded vertically. The major roofs are cut along their axis of symmetry to reveal the geometry of the roof and the overall symmetrical nature of each hall.
media: digital media
Sydney Opera House Analysis | Architectural Analysis, 2013
Similar to the hand-drafted x-ray drawing, this exploded axonometric drawing focuses on the circulation. This is also oriented in the same manner as the x-ray plan oblique.
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Continued the analysis with the focus to unfold and reveal the spherical geometry of the roofs. The roof shells are derived from parts of the surface of one sphere with a radius
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diameter of the sphere and once more along the surface of the sphere, creating a smaller circle along its surface. From these cuts, half of a roof shell emerges. The other half is mirrored along the smaller circle to complete one section of the roof. Each shell is mirrored along the center of the sphere. The lines of the ribs are continued along the surface of the sphere to connect the two shell that makes one roof. The 10 roofs are organized into three categories: the major hall, the minor hall and the restaurant. The roofs in each group are then connected at a point. The proximity of the groups is based on the plan of the Opera House.
The lines of the ribs are then extended in order to clarify which shell belongs to which pair. To exaggerate and further explore the relationship between the sphere and the roofs, the 10 roofs were mirrored again to create a total of 20 roofs.
media: digital media
Sydney Opera House Analysis | Architectural Analysis, 2013
The sphere is then projected onto a geodesic dome, which enables the sphere to be unrolled and represented as a two dimensional surface. The two dimensionality allows the pieces to be rearranged at will.
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