March
JANUARY
1 Two Gentlemen of Verona Rutgers Performance
January
2 The Winter’s Tale Saturday Study Day
20 The Two Maids of More Clack Read Not Dead & Rarely Played 30 Sam Wanamaker Fellowship Lecture
7
Our Theatre
10 The Lady Mother Read Not Dead & Rarely Played 11 – 30 P laying Shakespeare with Deutsche Bank 16
February
Romeo and Juliet Saturday Study Day
April
7 These Are The Youths That Thunder at the Playhouse Lecture
7
12 Music of the Spheres Lecture 17 The Knight of the Burning Pestle Read Not Dead & Rarely Played 20 Shakespeare: Playing Indoors Lecture
Sam Wanamaker Festival
17 Sweet Music is Such Art Lecture
3
Shakespeare’s Music Concert
Tickets for Globe Education public events must be booked through the Globe Box Office unless otherwise stated.
For all general Globe Education Events enquiries please call or visit Globe Education online.
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Shakespeare’s Globe Box Office 21 New Globe Walk, Bankside, London SE1 9DT
Directed By Tim Carroll Friday 1 March
TIME
Conservatory Acting students from Rutgers, The State University of New Jersey, spend part of their third year at Shakespeare’s Globe, taking classes in acting, voice, movement, text, dance, dialect, singing and combat. Their Globe residency ends with a performance on the Globe stage before returning to Rutgers to complete their training.
Shakespeare’s Globe
6.30pm
VENUE
TICKETS
Free A limited number of free tickets are available for this workshop performance. For more information, please email courses@shakespearesglobe.com or call 020 7902 1469.
+44 (0)20 7401 9919 10.00am – 5.00pm
The Shakespeare Globe Trust is a registered charity No.266916.
shakespearesglobe.com/education ed.events@shakespearesglobe.com Latecomers will not be admitted from 15 minutes after the start of each event
The annual Our Theatre production has been Globe Education’s flagship community project since 1997. This year over 500 students from Southwark schools will work with their teachers and Globe Education Practitioners to create an ensemble love story on the Globe Stage.
42 students from leading UK drama schools and 2 students from Qatar will gather together at Shakespeare’s Globe for a weekend of challenging and exploratory workshops, before concluding the weekend with a unique presentation of scenes by Shakespeare and his contemporaries on the Globe stage. The afternoon’s public performance provides a heady mix of tragical, historical, pastoral and comical duologues culminating in one mighty festive finale jig.
TIME
1.00pm
VENUE
VENUE
Shakespeare’s Globe
TICKETS
Shakespeare’s Globe
TICKETS
Free Limited number available and must be booked in advance. Please email: community@shakespearesglobe.com Supported by
This year’s Romeo and Juliet will be the seventh in the Playing Shakespeare with Deutsche Bank series. For information see playingshakespeare.org
Sunday 28 April
The Knight of the Burning Pestle (per 1607)
£10 Seated, £5 standing In association with
Francis Beaumont
Performances with scripts of plays by Shakespeare’s contemporaries
saturday 23 – saturday 30 march Specially created for schools, Playing Shakespeare with Deutsche Bank is designed to promote active and practical approaches to the teaching of Shakespeare. Thanks to the support of Deutsche Bank, over 60,000 young people have been given the opportunity to see high quality, 90 minute productions of Shakespeare’s work on the Globe stage.
Robert Armin
This city comedy was performed by the Children of the King’s Revels, who played at the indoor Whitefriars theatre. With a character based on a famous real-life ‘natural fool’, and with much music, dance and song, this play offers a glimpse into the distinctive world of indoor Jacobean theatre.
4.00pm
Supported by
Gorboduc (per 1562)
Sunday 17 February First performed in 1607 at the Blackfriars theatre, The Knight of the Burning Pestle was post-modern before the term was even invented. After tousling with the Prologue, a Citizen and his Wife climb onstage and interrupt the play. It becomes increasingly difficult to see who the real objects of ridicule are and where the boundaries of the play begin and end.
Media Partner
read not dead TIME
3.00pm
VENUE
Sackler Studios, Shakespeare’s Globe
TICKETS
£10 (£8 FoSG/concs/students)
read not dead ON THE ROAD TIME
3.00pm
VENUE
Inner Temple, London
Gorboduc was the first English play to be written in blank verse – a radical departure from “the jigging veins of rhyming mother-wits” of the plays that came before. It audaciously warns the young Queen of the dangers of misgovernment and depicts a family and a country torn apart by civil war.
TICKETS
£15 (£13 FoSG/concs/students) In association with
This staged reading of Gorboduc will take place in the Inner Temple and will once again be performed by lawyers. Globe Education is indebted to Benchers, Members and Students of the Honourable Society of the Inner Temple for supporting this staged reading.
RARELY PLAYED
Henry Glapthorne
Learn more about each Read Not Dead reading with these inspiring and engaging introductions by Shakespeare scholars. A ticket to the corresponding Read Not Dead performance is included.
First performed at the indoor Salisbury Court Theatre by the King’s Revels company in 1635. This lively Caroline tragicomedy explores themes of sexual jealousy and matriarchal ambition, juxtaposing elements of dark tragedy against absurd comedy. It ends in a curious, but strangely restorative ‘death masque’.
Events
Norton and Sackville were both members of the Inner Temple and wrote Gorboduc for fellow members to perform in front of Queen Elizabeth I on one of her visits to the Inner Temple Hall.
The Lady Mother (per 1635) Sunday 10 March
2013
Thomas Norton and Thomas Sackville, Earl of Dorset
Sunday 20 January
TIME
PLAYING SHAKESPEARE WITH DEUTSCHE BANK
Our theatre thursday 7 march
2013 SAM WANAMAKER FESTIVAL sunday 7 april
28 Gorboduc Read Not Dead On The Road
3 – 5 Shakespeare, Music and Performance Conference
shakespearesglobe.com
The Two Gentlemen of Verona
May
23 Stamp, Rave and Fret Family Workshop
How to book
Rutgers Conservatory at Shakespeare’s Globe
The Two Maids of More-Clack (per 1609)
May
Shakespeare:
all read not dead plays TIME 12.00noon – 2.00pm
VENUE
Sackler Studios, Shakespeare’s Globe
TICKETS read not dead: £15
(£13 FoSG/concs/students)
gorboduc: £20
(£18 FoSG/concs/students)
Playing In oors
THEATRES, AUDIENCES & SHAKEPEARE’S MUSIC – SAM WANAMAKER FELLOWSHIP LECTURE This spring, Globe Education continues its exploration of plays and music written for halls and indoor theatres. Staged readings include Gorboduc, England’s first blank verse play written for lawyers at Inner Temple. Lawyers revisit the play at Inner Temple for the first time since 1562. Globe Musicians play Globe Music in the Music, Ho! concert in the UnderGlobe and theatre music is the focus of a number of talks and demonstrations, including the Sam Wanamaker Fellowship Lecture, given by David Lindley. Theatre music is also the subject of a major international academic conference at the Globe in May.
• Over £1,000,000 worth of tickets given away free in six years thanks to Playing Shakespeare with Deutsche Bank
In Shakespeare’s own time, the acquisition of the Blackfriars indoor theatre offered new musical challenges and opportunities, and ever since, music has contributed significantly to the theatrical experience of the plays. Professor David Lindley, author of Shakespeare and Music, will trace some of the many transformations in the relationship between audience, actor and play that have been generated by music through the centuries.
Families are invited to rehearse jigs and songs in the warmth of the Sackler Studios before performing them on the Globe stage. So if you have always wanted to tread the Globe boards come to Bankside and Stamp, Rave and Fret.
MUSIC OF THE SPHERES Bill Barclay (Music Director, Shakespeare’s Globe)
Patrick Spottiswoode, Director, Globe Education
• Over 90 public events each year
• Over 200 early modern plays performed since 1995 in the Read Not Dead series • Over 700 young people perform on the Globe stage every year
An evening celebrating Globe music and Globe Musicians, including music featured in the recent productions of Richard III and Twelfth Night.
Wednesday 30 January
Talks celebrating new scholarship and recent publications explore the craft of acting and actor-training, Shakespeare and the Blackfriars, and archaeological discoveries that are uncovering new information about theatres of the period.
• Over 10,000 hours of Globe performance recorded in our free public archive
friday 3 may
David Lindley (University of Leeds)
Tuesday 12 February
FACTS and figures • Over 100,000 students and teachers learn with us every year
MUSIC, HO! – SHAKESPEAREAN MUSIC CONCERT
A season of talks exploring the music of Shakespeare’s stage
Inspired by the science and philosophy of ancient beliefs in planetary harmony, Bill Barclay will bring together music from around the world to show how Shakespeare and the Elizabethans’ view of the cosmos inspired the long-lasting understanding of music as the perfect metaphor for the order of the Universe.
SWEET MUSIC IS SUCH ART Simon Smith (Birkbeck College) & Keith McGowan (Globe Musician)
Wednesday 17 April
A musical investigation of Renaissance instruments and musicianship that featured in Shakespeare’s plays and the indoor playhouse.
all WHAT IS MUSIC Then? talks TIME
7.00pm
VENUE
Sackler Studios, Shakespeare’s Globe
TICKETS
£12 (£10 FoSG/concs/students)
SHAKESPEARE, MUSIC AND PERFORMANCE – CONFERENCE friday 3 – sunday 5 may Scholars from around the world discuss the music written for Shakespeare’s plays from the 16th century stage to 21st century cinema. This conference is curated by this year’s Sam Wanamaker Fellow David Lindley.
TIME
THESE ARE THE YOUTHS THAT THUNDER AT THE PLAYHOUSE
VENUE
thursday 7 February
7.30pm Shakespeare’s Globe, UnderGlobe
TICKETS
£15 (£13 FoSG/concs/students)
VENUE
Shakespeare’s Globe
TICKETS
£85 (£65 FoSG/concs/students) Includes a ticket to the concert
An exploration of actor training and the craftsmanship, artistry and environment of theatre making.
TIME
Dr Tom Cornford & Dr Trevor Rawlins
Sackler Studios, Shakespeare’s Globe
Dr Tom Cornford is a director and recently appointed Lecturer in Theatre at the University of York. His talk will explore the craftsmanship and artistry of theatre making.
7.00pm
VENUE
TICKETS
£10 (£8 FoSG/concs/students)
Dr Trevor Rawlins, recently appointed Head of Acting at GSA/University of Surrey, will discuss his research into the changing working environment of the professional actor and the impact of those changes for actor training.
Official London Hotel Partner
SHAKESPEARE: PLAYING INDOORS LECTURE
Leading scholars and theatre artists offer historical, practical, and theatrical contexts to two of Shakespeare’s plays.
the winter’s tale saturday 2 march The Winter’s Tale was one of the first plays written for the Blackfriars Theatre. This study day will discuss the influence of Indoor playing on Shakespeare’s writing and how the change in performance conditions affected Shakespeare’s late plays.
saturday 16 march This study day explores the social and theatrical environment surrounding Romeo and Juliet and includes a ticket to the Playing Shakespeare with Deutsche Bank performance.
wednesday 20 february
Nicholas Fogg takes us into Shakespeare’s life at one of its most exciting points: the opening of his indoor playhouse, The Blackfriars. This talk offers the opportunity to gain a deeper understanding of Shakespeare by examining the prevailing controversies of his age.
SATURDAY STUDY DAYs
Romeo and juliet
Julian Bowsher (MOLA) & Nicholas Fogg (Queen’s University Ontario) Julian Bowsher will guide us through the theatrical venues of Shakespeare’s London. This talk explores the geographical distribution of London’s Tudor theatres and gives an insight into the places where you can still glimpse Shakespeare’s London today.
WEEKENDs with GLobe EDucation
TIME
7.00pm
Appropriate clothing for an outdoor performance is advised.
VENUE
Sackler Studios, Shakespeare’s Globe
TICKETS
£12 (£10 FoSG/concs/students)
TIME
10.00am – 6.00pm
VENUE
Sackler Studios, Shakespeare’s Globe
TICKETS
£50 (£40 FoSG/concs/students)
STAMP, RAVE AND FRET Saturday 23 February Families are invited to explore the world of Shakespearean music and dance in one of four practical workshops. You can create a piece of music, learn a jig, master a historical dance, or sing a song before performing on the Globe stage. Suitable for primary-school aged children and their families.
TIME
11.00am – 2.00pm
VENUE
Sackler Studios, Shakespeare’s Globe
TICKETS
£15 for 1 adult and 1 child each additional child is £8 Please note: All children must be accompanied by an adult